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More on the website. | 0:00:03 | 0:00:04 | |
Coming up next, it's Click. | 0:00:04 | 0:00:05 | |
This week... | 0:00:06 | 0:00:07 | |
Click in Japan. | 0:00:07 | 0:00:08 | |
The fashion will glow, the furniture will move | 0:00:08 | 0:00:11 | |
and the fur will fly. | 0:00:11 | 0:00:14 | |
I'm getting the sense now that he slightly stressed. | 0:00:14 | 0:00:17 | |
BARKING. | 0:00:17 | 0:00:19 | |
What is your favourite animal? | 0:00:43 | 0:00:46 | |
ROBOTIC VOICE: Sponge Bob is the best. | 0:00:46 | 0:00:48 | |
I thought he was a cheese at first though. | 0:00:48 | 0:00:56 | |
Samurai Chatbot? | 0:00:56 | 0:01:00 | |
Only in Japan! | 0:01:00 | 0:01:05 | |
Welcome to Tokyo. | 0:01:05 | 0:01:11 | |
It's a place that loves tech. | 0:01:11 | 0:01:13 | |
It's my kind of place. | 0:01:13 | 0:01:15 | |
An odd kind of place. | 0:01:15 | 0:01:20 | |
Where ancient traditions blend with ambitious visions. | 0:01:20 | 0:01:24 | |
Where legends are born. | 0:01:24 | 0:01:27 | |
And brought to life. | 0:01:27 | 0:01:30 | |
Where a little space is really rare. | 0:01:30 | 0:01:34 | |
And friends can take all shapes and sizes. | 0:01:34 | 0:01:40 | |
This is Joji, he's a biologist. | 0:01:40 | 0:01:43 | |
And this is Akane, he's a dog. | 0:01:43 | 0:01:45 | |
He's 11 and ever since he was a puppy, he's | 0:01:45 | 0:01:53 | |
a nervous little Corgi. | 0:01:53 | 0:01:54 | |
I'm getting the sense now that he slightly stressed? | 0:01:54 | 0:01:57 | |
But all that barking doesn't necessarily mean he stressed. | 0:01:59 | 0:02:03 | |
In this case, he just wants to say hello. | 0:02:03 | 0:02:10 | |
Joji wanted to find out what Akane was actually feeling, | 0:02:10 | 0:02:13 | |
so he invented a collar which monitors the dog's heart | 0:02:13 | 0:02:18 | |
rhythms and changes colour, depending on whether he's calm, | 0:02:18 | 0:02:21 | |
excited or alarmed. | 0:02:21 | 0:02:23 | |
It can be used by owners to hear beyond the barks and learn how | 0:02:23 | 0:02:29 | |
to manage stressful environments. | 0:02:29 | 0:02:30 | |
His barking to other dogs is completely from aggression. | 0:02:32 | 0:02:40 | |
But I found out it's different, comparing two cats | 0:02:40 | 0:02:43 | |
and dogs, the reaction. | 0:02:43 | 0:02:44 | |
With cats, it's pure hatred, is it? | 0:02:44 | 0:02:50 | |
Yes, it goes really read. | 0:02:50 | 0:02:51 | |
But with dogs, it doesn't. | 0:02:51 | 0:02:55 | |
There's a different attitude to technology here, | 0:02:58 | 0:03:00 | |
to that in the West. | 0:03:00 | 0:03:06 | |
A belief that it's a force for good and can be | 0:03:06 | 0:03:09 | |
used by all, for all. | 0:03:09 | 0:03:11 | |
I have the idea that technology is not only for humans, we kind | 0:03:11 | 0:03:15 | |
of use the resource of the world. | 0:03:15 | 0:03:17 | |
The technology that we make from that is not just for us. | 0:03:17 | 0:03:21 | |
It should be used for animals and maybe plants | 0:03:21 | 0:03:26 | |
and the whole global system. | 0:03:26 | 0:03:36 | |
Trying to scratch the point he likes. | 0:03:36 | 0:03:38 | |
He's got a whizzle spot has he? | 0:03:38 | 0:03:40 | |
Everyone's got a whizzle spot. | 0:03:40 | 0:03:42 | |
You can see the colour changing. | 0:03:42 | 0:03:44 | |
There he goes, there's the leg going. | 0:03:44 | 0:03:48 | |
I love the whizzle spot. | 0:03:50 | 0:03:55 | |
LAUGHTER. | 0:03:55 | 0:03:58 | |
You can see the blue, green and the red. | 0:04:00 | 0:04:03 | |
Yeah, it's all going on now. | 0:04:03 | 0:04:04 | |
You don't need a collar for that. | 0:04:04 | 0:04:10 | |
Some stuff here is decidedly Japanese. | 0:04:10 | 0:04:12 | |
But increasingly, this country is also pursuing the same tech goals | 0:04:12 | 0:04:15 | |
as the rest of the world. | 0:04:15 | 0:04:26 | |
For example, it too is getting in on the autonomous driving scene. | 0:04:26 | 0:04:29 | |
Nissan plans to have ten vehicles with some level of autonomy | 0:04:29 | 0:04:32 | |
in showrooms by 2020. | 0:04:32 | 0:04:34 | |
This Nissan I'm in today has similar driver assist functions to the cars | 0:04:34 | 0:04:37 | |
currently on the road. | 0:04:37 | 0:04:40 | |
Its pro pilot technology keeps its distance from the car | 0:04:40 | 0:04:42 | |
in front and stays in lane. | 0:04:42 | 0:04:44 | |
What's quite funny is, when it took over it put me | 0:04:44 | 0:04:47 | |
in the proper position in the lane, rather than where I was. | 0:04:47 | 0:04:51 | |
This particular car demands that I keep my hands | 0:04:51 | 0:04:53 | |
lightly on the wheel. | 0:04:53 | 0:04:56 | |
So it does look as though I'm doing the driving, | 0:04:56 | 0:04:59 | |
trust me, the car really is doing its own thing. | 0:04:59 | 0:05:02 | |
Which is slightly unnerving. | 0:05:02 | 0:05:04 | |
What's unusual about this car compared to other autonomous cars | 0:05:04 | 0:05:09 | |
we've seen, is this doesn't have an array of sensors all the way | 0:05:09 | 0:05:12 | |
round, it doesn't have lidar or radar, or anything like that. | 0:05:12 | 0:05:18 | |
It just has one camera. | 0:05:18 | 0:05:20 | |
That's it. | 0:05:20 | 0:05:20 | |
That lack of expensive sensors makes the car very affordable, | 0:05:20 | 0:05:23 | |
although the self driving software therefore has to be | 0:05:23 | 0:05:25 | |
very, very smart. | 0:05:25 | 0:05:29 | |
I get the feeling that this technology is almost there, we can | 0:05:29 | 0:05:38 | |
almost just have autonomous driving. | 0:05:38 | 0:05:40 | |
But maybe we need just one more thing, one more innovation to really | 0:05:40 | 0:05:44 | |
carry it across the line. | 0:05:44 | 0:05:46 | |
Well, Japanese car-makers think that thing could be detailed 3-D maps | 0:05:46 | 0:05:52 | |
of the entire road system. | 0:05:52 | 0:05:55 | |
Autonomous cars ultimately have to work in any conditions. | 0:05:57 | 0:06:01 | |
But how do you self drive safely when the road looks like this? | 0:06:01 | 0:06:05 | |
When even the most advanced sensors are going to | 0:06:05 | 0:06:07 | |
struggle to see the road. | 0:06:07 | 0:06:10 | |
The thought is, rather than just reacting to what their senses see, | 0:06:10 | 0:06:13 | |
cars should already have information about what the roads | 0:06:13 | 0:06:21 | |
should look like. | 0:06:21 | 0:06:24 | |
All the major Japanese manufacturers have now teamed up to form | 0:06:24 | 0:06:27 | |
a new company to make these maps. | 0:06:27 | 0:06:28 | |
All the major Japanese manufacturers have now teamed up to form | 0:06:57 | 0:07:03 | |
a new company to make these maps. | 0:07:03 | 0:07:05 | |
A fleet of cars will gather point cloud data using lidar, | 0:07:05 | 0:07:07 | |
precise GPS position and video. | 0:07:07 | 0:07:13 | |
The information is then processed to create vector maps of the roads | 0:07:13 | 0:07:16 | |
which is said to be accurate down to centimetres. | 0:07:16 | 0:07:19 | |
The mapping work is already underway. | 0:07:19 | 0:07:20 | |
The 30,000 or so kilometres of Japan's highways are the first | 0:07:20 | 0:07:23 | |
target and is seen as an easy win because the road conditions | 0:07:23 | 0:07:28 | |
there are less complicated than in urban areas. | 0:07:28 | 0:07:32 | |
Mitsubishi Electric hopes to shrink the mapping gear even smaller | 0:07:32 | 0:07:35 | |
than this and then mount it on highway patrol cars, | 0:07:35 | 0:07:38 | |
so maps can be regularly updated with little outlay. | 0:07:38 | 0:07:42 | |
In the meantime, this being Japan, autonomous driving technology has | 0:07:42 | 0:07:47 | |
already been installed in that other essential method | 0:07:47 | 0:07:51 | |
of transport, the chair. | 0:07:51 | 0:07:54 | |
Now, once every year Japan puts a whole load of its innovations, | 0:07:58 | 0:08:01 | |
crazy and otherwise, on show for the world to see. | 0:08:01 | 0:08:08 | |
It is an exhibition called C-Tech and it takes place in the eastern | 0:08:08 | 0:08:11 | |
outskirts of Tokyo in Shiba and Dan Simmons is there. | 0:08:11 | 0:08:14 | |
I've just arrived in Honda's 3-D printed car. | 0:08:14 | 0:08:21 | |
It's made from the same ABS plastics as the mass produce models. | 0:08:21 | 0:08:25 | |
The idea is we would design our own car, at least the shell, | 0:08:25 | 0:08:29 | |
that's the bit that's 3-D printed. | 0:08:29 | 0:08:37 | |
Hopefully, just for a little bit of extra cost, they can put | 0:08:37 | 0:08:40 | |
in a few more seats. | 0:08:40 | 0:08:42 | |
Now, what if you could speak with your finger and draw | 0:08:42 | 0:08:45 | |
what you are saying? | 0:08:45 | 0:08:46 | |
That would raise a smile, right? | 0:08:46 | 0:08:47 | |
Well, only if you draw a smile, it seems. | 0:08:47 | 0:08:51 | |
This playful app has a few uses. | 0:08:51 | 0:08:54 | |
As well as talking to those who can't hear, the voice | 0:08:54 | 0:08:57 | |
recognition makes it much quicker than typing things out. | 0:08:57 | 0:09:05 | |
Now, where this app really comes in useful is when you meet somebody | 0:09:05 | 0:09:09 | |
for the first time and you don't speak the same language, | 0:09:09 | 0:09:12 | |
because it has a translate function. | 0:09:12 | 0:09:13 | |
It's quite fun, let me show you how. | 0:09:13 | 0:09:15 | |
Tsuyoshi? | 0:09:23 | 0:09:24 | |
OK, where is the best restaurant? | 0:09:24 | 0:09:28 | |
Here is delicious sushi. | 0:09:40 | 0:09:41 | |
Perfect. | 0:09:41 | 0:09:41 | |
And I'm in the know. | 0:09:41 | 0:09:45 | |
Thanks. | 0:09:45 | 0:09:46 | |
Fed up with carrying your cards? | 0:09:51 | 0:09:53 | |
Fujitsu reckon they've got our hands down better alternative. | 0:09:53 | 0:09:56 | |
This palm reader may not know your future, | 0:09:56 | 0:09:59 | |
but it knows all your credit cards you've registered on its database. | 0:09:59 | 0:10:03 | |
You did that, didn't you? | 0:10:03 | 0:10:06 | |
It recognises you by looking at the veins through your hand. | 0:10:06 | 0:10:11 | |
It's more secure than a fingerprint, which being 2-D, can | 0:10:11 | 0:10:13 | |
more easily be copied. | 0:10:13 | 0:10:17 | |
Now, when it comes in next year, you'll still need to use a PIN, | 0:10:17 | 0:10:21 | |
but we know they are not palming is off grid has secured the system | 0:10:21 | 0:10:25 | |
is because it's already being used at some of Japan's cash machines. | 0:10:25 | 0:10:29 | |
More ways to identify us from from researchers, | 0:10:29 | 0:10:32 | |
with these earbuds that listen to the wearer. | 0:10:32 | 0:10:37 | |
They emit a beam and then using a tiny integrated microphone, | 0:10:37 | 0:10:43 | |
they listen for the echo. | 0:10:43 | 0:10:44 | |
What they've discovered is apparently in our ear canals | 0:10:44 | 0:10:46 | |
reflect sound uniquely. | 0:10:47 | 0:10:49 | |
That means they could be used as ID without the need for us | 0:10:49 | 0:10:53 | |
to do anything really. | 0:10:53 | 0:11:00 | |
How does it get from the watch to my body? | 0:11:02 | 0:11:05 | |
Its contact with the skin. | 0:11:05 | 0:11:11 | |
Dream it. | 0:11:11 | 0:11:12 | |
If we dream it together it'll happen. | 0:11:12 | 0:11:14 | |
We need to change the battery. | 0:11:14 | 0:11:15 | |
This is obviously a two person operation. | 0:11:15 | 0:11:17 | |
That's blue, isn't it? | 0:11:17 | 0:11:19 | |
We had green. | 0:11:19 | 0:11:22 | |
Blue and green should never be seen. | 0:11:23 | 0:11:27 | |
The Japanese are known for their quirky tech ideas, | 0:11:35 | 0:11:39 | |
but this one could transform some people's lives. | 0:11:39 | 0:11:44 | |
This hair clip allows wearers to feel the sounds around them. | 0:11:44 | 0:11:51 | |
It's quite an unusual feeling to have this particularly experience | 0:11:51 | 0:11:57 | |
through your head onto your skull, even when you are talking, | 0:11:57 | 0:12:00 | |
because these can pick up when I'm talking, | 0:12:00 | 0:12:02 | |
as well as anybody else. | 0:12:02 | 0:12:03 | |
The new version, still in prototype, detects pitch of sound as well | 0:12:03 | 0:12:06 | |
and could be used to teach deaf people how to play | 0:12:06 | 0:12:10 | |
an instrument, possibly. | 0:12:10 | 0:12:13 | |
The mikes inside which control the vibes are directional, | 0:12:13 | 0:12:17 | |
so wearing two means you can tell where a sound is coming | 0:12:17 | 0:12:20 | |
from as well. | 0:12:20 | 0:12:22 | |
That's just bouncing up and down on my head. | 0:12:22 | 0:12:28 | |
I can't wait for the presenter of another version of Click | 0:12:28 | 0:12:33 | |
to have a go himself. | 0:12:33 | 0:12:35 | |
Why don't you put that on your hair? | 0:12:35 | 0:12:38 | |
Welcome to the Week In Tech. | 0:12:50 | 0:12:52 | |
It was a week that saw the launch of the coolest Kicks in Hill Valley | 0:12:52 | 0:12:56 | |
for the autumn winter season 2015. | 0:12:56 | 0:13:00 | |
The self lacing Nike Mags are back to the future to fame will receive | 0:13:00 | 0:13:13 | |
a short production run of 89 pairs. | 0:13:13 | 0:13:15 | |
All to be raffled off for charity. | 0:13:15 | 0:13:17 | |
It was also the week where researchers at MIT have been | 0:13:17 | 0:13:20 | |
experimenting with furry materials for wet suits. | 0:13:20 | 0:13:22 | |
These fabrics act like the coat of an otter and could | 0:13:22 | 0:13:25 | |
keep the wearer warmer. | 0:13:25 | 0:13:29 | |
Private space company Blue Origin surprised everybody this week | 0:13:29 | 0:13:32 | |
including its founder, Amazon chief Jeff Bezos. | 0:13:32 | 0:13:34 | |
By successfully testing the launch abort system on its new rocket. | 0:13:34 | 0:13:45 | |
Before the shuttle and rocket touched down, Jeff Bezos | 0:13:45 | 0:13:47 | |
said our next flight is going to be dramatic. | 0:13:47 | 0:13:50 | |
No matter how it ends. | 0:13:50 | 0:13:51 | |
There is confidence for you. | 0:13:51 | 0:13:53 | |
Illegal guns, drugs and baby hedgehogs. | 0:13:53 | 0:13:54 | |
Just some of the things available to purchase | 0:13:54 | 0:13:56 | |
on Facebook's new marketplace. | 0:13:57 | 0:13:58 | |
The social network has apologised, blaming a glitch that prevented it | 0:13:58 | 0:14:00 | |
from screening out dodgy deals and criminal commerce. | 0:14:00 | 0:14:04 | |
Facebook says it's working on fixing the problem. | 0:14:04 | 0:14:08 | |
And finally, not got the cash for a drone, | 0:14:08 | 0:14:10 | |
but still want to film from the skies? | 0:14:10 | 0:14:13 | |
Well, a Dutch outfit has created this, the AER, | 0:14:13 | 0:14:16 | |
basically a big foam dart with and action camera | 0:14:16 | 0:14:23 | |
to be fitted to it. | 0:14:23 | 0:14:24 | |
Not so much flying footage as filming one falling with style. | 0:14:24 | 0:14:26 | |
during | 0:14:33 | 0:14:33 | |
Saturday | 0:14:33 | 0:14:34 | |
during Saturday | 0:14:34 | 0:14:35 | |
OK, we're going to break away from Japan for a couple of minutes | 0:14:35 | 0:14:39 | |
and had across the Pacific to California. | 0:14:39 | 0:14:41 | |
Because this has been a very big week for Google. | 0:14:41 | 0:14:48 | |
We have lots in store for you today. | 0:14:53 | 0:14:55 | |
Turns out the rumour mill was right, this was a hardware launch | 0:14:55 | 0:14:59 | |
for the search giant, which took aim at several | 0:14:59 | 0:15:01 | |
big competitors. | 0:15:01 | 0:15:01 | |
So today, I'm very excited to introduce you to a new phone | 0:15:01 | 0:15:05 | |
made by Google. | 0:15:05 | 0:15:06 | |
He is Pixel, Google's new smartphone. | 0:15:06 | 0:15:07 | |
And the ad certainly tears a few strips of one of its competitors. | 0:15:07 | 0:15:16 | |
Can you guess which one? | 0:15:16 | 0:15:17 | |
Sounds like there's nothing new in this game, the iPhone-esk | 0:15:17 | 0:15:20 | |
Pixel packs a good processor, a great screen and a better camera | 0:15:20 | 0:15:23 | |
than its competitors. | 0:15:23 | 0:15:24 | |
The price is competitive too, the smaller version of the phone | 0:15:24 | 0:15:27 | |
will sell from ?599. | 0:15:27 | 0:15:28 | |
Pixel will let you activate its renamed Google assistant | 0:15:28 | 0:15:31 | |
with a press of a home button, just like Siri. | 0:15:31 | 0:15:35 | |
And watch out Samsung, here comes Daydream View VR, | 0:15:35 | 0:15:39 | |
a virtual reality headset made for the Pixel, unlike Gear VR | 0:15:39 | 0:15:43 | |
Google's goggle doesn't come with any additional sensors, | 0:15:43 | 0:15:46 | |
so in that respect it's a bit more like Google cardboard, | 0:15:46 | 0:15:50 | |
or maybe Google carpet, because it's softer you see. | 0:15:50 | 0:15:55 | |
That may explain the lower price tag, ?69, but it does come | 0:15:55 | 0:16:01 | |
with a nice little controller that neatly slots into the headset | 0:16:01 | 0:16:04 | |
when not in use. | 0:16:04 | 0:16:05 | |
Google also announced a set of connected Wi-Fi bases, | 0:16:05 | 0:16:08 | |
promising to boost the connectivity around your house. | 0:16:08 | 0:16:11 | |
Your house is really where Google wants to be. | 0:16:11 | 0:16:17 | |
Because now Amazon's Echo is in the firing line with this | 0:16:17 | 0:16:20 | |
new personal assistant device, Google Home. | 0:16:20 | 0:16:22 | |
OK, back to Japan now, because C-Tech is still happening | 0:16:22 | 0:16:25 | |
and Dan is still there. | 0:16:25 | 0:16:31 | |
We met the origami bird last year, but it's been given a major upgrade | 0:16:31 | 0:16:35 | |
with two extra wings, it can now hover. | 0:16:35 | 0:16:38 | |
It's the tiny microcontrollers that parts manufacturer Roam want to sell | 0:16:38 | 0:16:41 | |
you, but I suspect the bird itself would be a bigger hit. | 0:16:41 | 0:16:45 | |
And it can now be gesture controlled using a wristband over Wi-Fi. | 0:16:45 | 0:16:51 | |
To get this baby to fly this year, we just do a quick flick of the rest | 0:16:51 | 0:16:55 | |
and there it goes. | 0:16:55 | 0:17:01 | |
And I think, a bit more power up, up. | 0:17:01 | 0:17:04 | |
And away. | 0:17:04 | 0:17:04 | |
There she goes. | 0:17:04 | 0:17:05 | |
And hopefully... | 0:17:05 | 0:17:05 | |
Oh, my word! | 0:17:05 | 0:17:12 | |
How far away can this bird actually fly, I wonder. | 0:17:12 | 0:17:15 | |
Oh no, don't go in there. | 0:17:16 | 0:17:18 | |
Do not go in there. | 0:17:18 | 0:17:22 | |
It seems to have gone quite a long way. | 0:17:22 | 0:17:25 | |
I still seem to have control here. | 0:17:25 | 0:17:26 | |
Woops! | 0:17:27 | 0:17:27 | |
That was him, by the way, that crashed it. | 0:17:27 | 0:17:30 | |
Can we have our bird back please? | 0:17:30 | 0:17:34 | |
This innovation may not look like much, but it could power | 0:17:34 | 0:17:37 | |
thousands of new gadgets. | 0:17:37 | 0:17:39 | |
This could be our new flexible friend. | 0:17:39 | 0:17:41 | |
It is Panasonic's bendy battery. | 0:17:41 | 0:17:45 | |
They've managed to do this because the outer casing is made | 0:17:45 | 0:17:50 | |
of a mixture of plastic and aluminium and the live | 0:17:50 | 0:17:52 | |
materials, the active materials inside this lithium battery have | 0:17:52 | 0:17:56 | |
been painted on to the connectors. | 0:17:56 | 0:17:59 | |
And this could be invaluable to a few bits of technology, | 0:17:59 | 0:18:05 | |
flexible screens or bendy phones we might have in the future. | 0:18:05 | 0:18:08 | |
They're all going to need power that can bend with them. | 0:18:08 | 0:18:12 | |
This is going to be available in mass production from 2018, | 0:18:12 | 0:18:16 | |
so Panasonic will have samples for manufacturers to play | 0:18:16 | 0:18:19 | |
with by the end of this month. | 0:18:19 | 0:18:22 | |
Time for a touch-up. | 0:18:22 | 0:18:23 | |
This vanity mirror holds a secret. | 0:18:23 | 0:18:27 | |
Place your face in the circle and it analyses your skin, showing | 0:18:27 | 0:18:30 | |
you both your visible spots and blemishes and those you may have | 0:18:30 | 0:18:35 | |
coming in the future. | 0:18:35 | 0:18:36 | |
But just when you thought, shock, horror, why would I want one | 0:18:36 | 0:18:40 | |
of those, the magic happens. | 0:18:40 | 0:18:43 | |
It prints out a personal make-up patch, that when applied, | 0:18:43 | 0:18:45 | |
looks so real, you can hardly see it. | 0:18:45 | 0:18:48 | |
Masayo Fuchigami doesn't just use the system, | 0:18:48 | 0:18:50 | |
she helped design it. | 0:18:50 | 0:18:55 | |
TRANSLATION: With this, layers of make-up will not be | 0:18:55 | 0:18:58 | |
necessary and only a patch is needed. | 0:18:58 | 0:19:00 | |
It requires less time and it feels lighter. | 0:19:00 | 0:19:08 | |
Epson has created a large box for large businesses, | 0:19:08 | 0:19:11 | |
so they can create their own paper rather than use a recycling plant. | 0:19:11 | 0:19:16 | |
As well as being greener, it says it is more secure | 0:19:16 | 0:19:19 | |
because everything is reduced to a pulp before it kicks out up | 0:19:19 | 0:19:22 | |
to 12 new sheets and minute. | 0:19:22 | 0:19:26 | |
Come on, baby. | 0:19:26 | 0:19:27 | |
Come to daddy. | 0:19:27 | 0:19:43 | |
Good girl. | 0:19:43 | 0:19:43 | |
You OK? | 0:19:43 | 0:19:43 | |
I think that works, perfectly safe. | 0:19:43 | 0:19:45 | |
We'll leave Dan at C-Tech and return to... | 0:19:45 | 0:19:48 | |
I'm not exactly sure where, actually. | 0:19:48 | 0:19:55 | |
I think I'm in Tokyo's Mori Art Museum. | 0:19:55 | 0:19:59 | |
This interactive artwork by a creative group called Team Lab | 0:19:59 | 0:20:02 | |
is taking me on an exhilarating journey. | 0:20:02 | 0:20:23 | |
These crows are the three legged crows from Japanese mythology. | 0:20:23 | 0:20:26 | |
They are the embodiment of the soul. | 0:20:26 | 0:20:39 | |
As they fly around, they leave these incredible trails in space. | 0:20:39 | 0:20:42 | |
It's like I'm in the middle of some massive piece of 3-D calligraphy. | 0:20:42 | 0:20:50 | |
As you walk about, the crows chase each other in a work that | 0:20:50 | 0:20:53 | |
rendered in real time by a computer programme. | 0:20:53 | 0:20:56 | |
This is not a pre-recorded animation. | 0:20:56 | 0:20:57 | |
It's not just a passive projection either. | 0:20:57 | 0:21:00 | |
It's very interactive. | 0:21:00 | 0:21:04 | |
Along with eight projectors, there are motion sensors on both | 0:21:04 | 0:21:07 | |
the floor and the ceiling to recognise people's movements. | 0:21:07 | 0:21:11 | |
As the crows fly around the room, if they hit you, if they hit | 0:21:11 | 0:21:15 | |
the point where you are standing or if they collide with each other, | 0:21:15 | 0:21:19 | |
they explode in these amazing flowers of light. | 0:21:19 | 0:21:26 | |
It is enveloping, engulfing, disorientating. | 0:21:26 | 0:21:34 | |
Feel like I'm tumbling through space. | 0:21:34 | 0:21:40 | |
The idea behind this installation is to have a collective experience | 0:21:40 | 0:21:43 | |
by interacting with the peace. | 0:21:43 | 0:21:50 | |
TRANSLATION: In this new era of digital art, technology | 0:21:50 | 0:21:52 | |
is just another tool, no different to brush really. | 0:21:52 | 0:21:55 | |
It makes you feel as if there are no borders between you, | 0:21:55 | 0:21:58 | |
the work of the around you. | 0:21:58 | 0:22:04 | |
You forget who you are and where you are. | 0:22:04 | 0:22:07 | |
I wanted to create an experience where this borderlessness | 0:22:07 | 0:22:09 | |
makes you feel positive. | 0:22:09 | 0:22:11 | |
And as the show ends, all the crows have exploded | 0:22:11 | 0:22:13 | |
into these flowers of light, which just drift away into space. | 0:22:13 | 0:22:16 | |
Next week, we have another very special show for you. | 0:22:16 | 0:22:24 | |
We're in Zurich for the world's first Cybathon. | 0:22:24 | 0:22:34 | |
It is an athletics event for people with robotic limbs and robot | 0:22:34 | 0:22:37 | |
wheelchairs and it promises to be a brilliant event. | 0:22:37 | 0:22:40 | |
The competition's for the athletes and also for the tech teams | 0:22:40 | 0:22:43 | |
who devised the devices they'll be using. | 0:22:43 | 0:22:47 | |
Earlier this year I met up with some of the participants. | 0:22:47 | 0:22:51 | |
This is a taster of what happens when I tried an early version | 0:22:51 | 0:22:55 | |
of a self-balancing, stair-climbing wheelchair. | 0:22:55 | 0:22:59 | |
The full account is on YouTube. | 0:22:59 | 0:23:06 | |
I pressed the wrong button. | 0:23:06 | 0:23:08 | |
It shut down. | 0:23:08 | 0:23:08 | |
Good. | 0:23:08 | 0:23:09 | |
OK. | 0:23:09 | 0:23:10 | |
LAUGHTER. | 0:23:10 | 0:23:12 | |
I'm so happy we are about to go up some stairs. | 0:23:12 | 0:23:16 | |
Whoa. | 0:23:16 | 0:23:19 | |
Does this look as terrifying to you as it does to me? | 0:23:19 | 0:23:23 | |
No, it doesn't work and I think I have to stop. | 0:23:23 | 0:23:27 | |
Have you thought this through? | 0:23:27 | 0:23:30 | |
You haven't even got a name for the safe position thingy. | 0:23:30 | 0:23:33 | |
You realise I am hanging on the edge of a cliff here. | 0:23:33 | 0:23:36 | |
Do you have any questions? | 0:23:36 | 0:23:39 | |
I've got one big one I'd like to ask you - what do we do now? | 0:23:39 | 0:23:42 | |
Hello. | 0:23:51 | 0:23:51 |