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This week, Tech versus disability with supervision, supercars and | 0:00:08 | 0:00:12 | |
super leg. One of the most amazing things I | 0:00:13 | 0:00:42 | |
have seen it this year is the work being done to give people with | 0:00:43 | 0:00:46 | |
disabilities the power of movement, control, and independence. This | 0:00:47 | 0:00:56 | |
showcased is that there is plenty more going on around the world. This | 0:00:57 | 0:01:00 | |
weekend marks the International Day of Persons with disabilities. It is | 0:01:01 | 0:01:04 | |
a day created by the United Nations to promote greater awareness of the | 0:01:05 | 0:01:11 | |
issues faced by disabled people. Here and click, we were approached | 0:01:12 | 0:01:15 | |
by a team of reporters and producers that wanted to use this opportunity | 0:01:16 | 0:01:18 | |
to look at the latest advances in a system of tax. -- assistive tech. | 0:01:19 | 0:01:26 | |
First, we are going for a drive with a racing driver. This is a 2016 | 0:01:27 | 0:01:37 | |
Corvette Z06. That is Sam Schmidt driving down the last Vegas strip. | 0:01:38 | 0:01:41 | |
What is incredible is Sam is quadriplegic. Paralysed after a | 0:01:42 | 0:01:48 | |
racing car accident 15 years ago but now, he is the first American to be | 0:01:49 | 0:01:53 | |
given a special licence to drive a semiautonomous car on public roads. | 0:01:54 | 0:01:58 | |
Really, there is no better place to drive than this. The car has been | 0:01:59 | 0:02:09 | |
specially modified by Arrow that electronics. Using off-the-shelf | 0:02:10 | 0:02:14 | |
technology, a team has used input techniques to allow Sam to control | 0:02:15 | 0:02:18 | |
the car. This includes voice commands to activate the gears and | 0:02:19 | 0:02:23 | |
indicators and a very novel approach to the steering mechanism. For | 0:02:24 | 0:02:28 | |
steering, we have cameras set up that are on the dash, looking at | 0:02:29 | 0:02:33 | |
you. There is reflective markers on either your sunglasses or even | 0:02:34 | 0:02:38 | |
helmet. Both cameras see your movement and UI turning left and | 0:02:39 | 0:02:42 | |
right and the steering wheel goes accordingly, left and right, all the | 0:02:43 | 0:02:52 | |
way. Lock to lock. Of what we are doing is calibrating the cameras. | 0:02:53 | 0:02:55 | |
When they are in calibration, they can measure -- measure the positions | 0:02:56 | 0:03:02 | |
within a fraction. For the gas and break, there is a tube in your mouth | 0:03:03 | 0:03:06 | |
and it has a pressure sensor inside. When you blow into it, it gives you | 0:03:07 | 0:03:10 | |
exhilaration. When you start, it gives you a break. You have to | 0:03:11 | 0:03:16 | |
unchain your mind because it is used to wandering and looking at rearview | 0:03:17 | 0:03:19 | |
mirrors and behind you and blind spots. You can't do that in this car | 0:03:20 | 0:03:24 | |
because if you do, the car turns. While turning Sam's head into a | 0:03:25 | 0:03:29 | |
joystick is impressive, the technology alone is not enough to | 0:03:30 | 0:03:33 | |
getting back onto the road. He does need to have a codriver with him at | 0:03:34 | 0:03:40 | |
all times. Now, when you see him driving, it is easy to forget just | 0:03:41 | 0:03:43 | |
how difficult his journey he has been. -- here. Rola 17 years ago I | 0:03:44 | 0:03:51 | |
thought there was no way I would ever tried again. -- 17 years ago. I | 0:03:52 | 0:04:01 | |
always wanted to race, I won the race in Vegas in 1999 with this car | 0:04:02 | 0:04:05 | |
and that was the pick of everything. Then three-month later, testing for | 0:04:06 | 0:04:13 | |
the 2000 season I hit the wall at Orlando, Florida and that's that | 0:04:14 | 0:04:21 | |
story. -- the peak of everything will stop is racing past made it | 0:04:22 | 0:04:25 | |
important for Sam to try to adapt to cars so he could actually feel like | 0:04:26 | 0:04:30 | |
he was driving. Rather than driving a fully autonomous car where he | 0:04:31 | 0:04:35 | |
takes a passive role. A fully autonomous car is just a bigger, | 0:04:36 | 0:04:39 | |
faster wheelchair for someone like Samba that is not the same as | 0:04:40 | 0:04:42 | |
driving. It doesn't represent the freedom of driving. -- someone like | 0:04:43 | 0:04:48 | |
Sam. More than the sense, the real act of control. It is incredibly | 0:04:49 | 0:04:56 | |
difficult to describe the feeling when 99% of what you do everyday, | 0:04:57 | 0:05:02 | |
you need somebody to you with. You know, the first time I drove the | 0:05:03 | 0:05:07 | |
car, everybody around me was drawn for tears and so was I because | 0:05:08 | 0:05:14 | |
really, in 14 years at the time, I had not felt that level of | 0:05:15 | 0:05:20 | |
independence and that level of normalcy because I'm in control. I'm | 0:05:21 | 0:05:25 | |
making the decisions, I'm pushing on the gas, and pushing on the break, | 0:05:26 | 0:05:29 | |
and steering the car and there are very few things that had happened | 0:05:30 | 0:05:33 | |
since the accident that I could say I'm in control. It was important for | 0:05:34 | 0:05:44 | |
Sam to still feel in control of his car at a fully autonomous vehicles | 0:05:45 | 0:05:48 | |
could be a huge thing for people who have never been able to drive. Day | 0:05:49 | 0:05:53 | |
Martin has cerebral palsy and he volunteered to be a test pilot to | 0:05:54 | 0:05:57 | |
find out whether soft running cars could one day help him to become | 0:05:58 | 0:06:08 | |
king of the road. We are going to Leicestershire because I'm going to | 0:06:09 | 0:06:12 | |
be testing a driverless or as they call autonomous car. I want to have | 0:06:13 | 0:06:16 | |
a go at one of these cars because I'm never going to be able to drive. | 0:06:17 | 0:06:20 | |
I have no peripheral vision basically, if you put me on the | 0:06:21 | 0:06:24 | |
road, I'm going to be very dangerous and highly likely to crash into | 0:06:25 | 0:06:28 | |
people. At the moment, yours lot of public transport to get around. | 0:06:29 | 0:06:33 | |
Mainly cabs because I find that the bosses aren't very accessible and | 0:06:34 | 0:06:37 | |
the tube network, you can forget that. It's going to be interesting | 0:06:38 | 0:06:45 | |
to see how it works because particularly if when I tried it all | 0:06:46 | 0:06:51 | |
goes a bit wrong. -- the buses. Oh, we are off. So, we are going in a | 0:06:52 | 0:06:57 | |
straight line which is always promising. Very tight on the brakes, | 0:06:58 | 0:07:08 | |
obviously. Good in an emergency but not when you are not expecting it. | 0:07:09 | 0:07:15 | |
This car is being driven into different ways. Either driving | 0:07:16 | 0:07:20 | |
itself along a pre- grow -- preprogrammed route or by driven by | 0:07:21 | 0:07:28 | |
a remote engineer in a truck. The fact that the steering wheel sounds | 0:07:29 | 0:07:33 | |
like a printer that is about to run out of ink, it is not making me feel | 0:07:34 | 0:07:37 | |
like this would be the safest thing to use on a main road at the moment. | 0:07:38 | 0:07:43 | |
At the moment, it is doing everything itself and I'm just | 0:07:44 | 0:07:47 | |
sitting here like a passenger that if you're in London or any city and | 0:07:48 | 0:07:54 | |
you're doing a normal journey to work and you're in traffic, how | 0:07:55 | 0:08:02 | |
would it cope with people in a non- autonomous cars? This must be what | 0:08:03 | 0:08:05 | |
Jeremy Clarkson used to feel like standing next to the stick. You | 0:08:06 | 0:08:10 | |
know, not in control but just sat in the car. After teething problems, | 0:08:11 | 0:08:15 | |
things settled down and started to see more of the benefits. As we're | 0:08:16 | 0:08:19 | |
driving more and more with the car, it settling and it is becoming | 0:08:20 | 0:08:24 | |
easier to become more comfortable in. I can certainly see the scope | 0:08:25 | 0:08:30 | |
for it to improve and for it to be able to give us our own independent | 0:08:31 | 0:08:36 | |
lives and to give people like me the chance to be, you know, fully part | 0:08:37 | 0:08:41 | |
of society and for our own sense, fully autonomous, pardon the pun. | 0:08:42 | 0:08:52 | |
Now, prosthetic technology is a very impressive that it can also be very | 0:08:53 | 0:08:57 | |
expensive. There is one company in Texas that is trained to solve that | 0:08:58 | 0:09:03 | |
problem using 3-D printing. This technology has already proved useful | 0:09:04 | 0:09:07 | |
for creating arms but what about the more heavy duty work of weight | 0:09:08 | 0:09:12 | |
bearing prosthetic legs? Kathleen Hawkins lost both legs below the | 0:09:13 | 0:09:18 | |
knee at age 18 after contracting meningitis. She recently had a | 0:09:19 | 0:09:22 | |
fitting for a new pair of 3-D printed leg sockets with some | 0:09:23 | 0:09:31 | |
interesting results. The world of prosthetics is an exciting place as | 0:09:32 | 0:09:35 | |
new technology is constantly push the boundaries of what is | 0:09:36 | 0:09:39 | |
achievable. This can be seen here, Otto Bock. These legs are sent -- | 0:09:40 | 0:09:46 | |
sold for tens of thousands of dollars and are extremely expensive. | 0:09:47 | 0:09:51 | |
I got to try out some of their feet, including the new challenger. Across | 0:09:52 | 0:09:55 | |
between a running blade and a walking foot. I am one of the best | 0:09:56 | 0:10:00 | |
amputees to try to. Before I had my legs agitated, I was done so. I | 0:10:01 | 0:10:04 | |
started dancing again and the seat feel as though they would give me so | 0:10:05 | 0:10:09 | |
much movement to dance and so much from -- movement to bounce and take | 0:10:10 | 0:10:15 | |
greater steps then how I have able to previously. These are top of the | 0:10:16 | 0:10:21 | |
rage things with prices to match. The knee is estimated to be | 0:10:22 | 0:10:30 | |
thousands of pounds. This was designed for stall just to go back | 0:10:31 | 0:10:36 | |
into duty. It has sensor technology. Gyroscopes, Excel ROM letters, in | 0:10:37 | 0:10:43 | |
the knee. To see what type of terrain is, what speeds. This | 0:10:44 | 0:10:52 | |
technology is innovative -- accelerometres. Depending on the | 0:10:53 | 0:10:57 | |
disability of each individual, summit might not have access to this | 0:10:58 | 0:10:59 | |
individual. They are going to design leg sockets | 0:11:00 | 0:11:10 | |
using 3-D printers. These 3-D printed sockets are new to me that | 0:11:11 | 0:11:14 | |
iron dying to find out more. There have been some early moves to make a | 0:11:15 | 0:11:19 | |
3-D printed leg. --I am dying to find out more. The key element here | 0:11:20 | 0:11:25 | |
is that it is non- weight-bearing. She doesn't have to walk very far on | 0:11:26 | 0:11:30 | |
it. Try fusion is developing materials that they hope will be | 0:11:31 | 0:11:33 | |
strong enough for people to walk around on all day. They are using | 0:11:34 | 0:11:37 | |
microwaves to heat the new materials and welcome together. To try to | 0:11:38 | 0:11:41 | |
combat the issue of leakages often seen in 3-D printing. We are using | 0:11:42 | 0:11:50 | |
materials that are -- work with items. It is one 1000th of the width | 0:11:51 | 0:11:56 | |
of a human hair. We couple it to the nano materials and the heat up | 0:11:57 | 0:12:00 | |
rapidly and we can simultaneously dwelled hundreds of these layers | 0:12:01 | 0:12:06 | |
together and that fuses the part and makes it as strong as if it had been | 0:12:07 | 0:12:17 | |
injection moulded. -- welded. This factory has a leg sockets that can | 0:12:18 | 0:12:21 | |
be 3-D printed from scratch under one roof. Everything from creating a | 0:12:22 | 0:12:25 | |
unique filament to scanning and printing the final design. This is | 0:12:26 | 0:12:31 | |
unusual, isn't it? A company to have this in-house. A company to make the | 0:12:32 | 0:12:35 | |
filament in-house as well is printing their own devices, it is | 0:12:36 | 0:12:39 | |
red. They are missing a crucial element. There is no cross the sets | 0:12:40 | 0:12:45 | |
on a site. And it hasn't been approved. -- it is rare. I am | 0:12:46 | 0:12:54 | |
beginning he. So, this is the first time you have scanned for a double | 0:12:55 | 0:13:01 | |
amputee? Absolutely. --I am that guinea pig. We are proud to have you | 0:13:02 | 0:13:08 | |
as our first case. Feeling confident? Yeah. I was surprised by | 0:13:09 | 0:13:14 | |
how fast it was. In just 1.5 minutes, we had detailed scans. I | 0:13:15 | 0:13:20 | |
remember having my first plaster of Paris cast done when I first came | 0:13:21 | 0:13:24 | |
out of hospital. I still had necrotic tissue on my limbs because | 0:13:25 | 0:13:28 | |
I had meningitis so septicaemia. That was really traumatic for me. It | 0:13:29 | 0:13:33 | |
was a very long process and quite painful. When you have no idea of | 0:13:34 | 0:13:39 | |
the process as well, it is really hard. This would be a lot simpler | 0:13:40 | 0:13:44 | |
for people who are having it done for the first time, it could be a | 0:13:45 | 0:13:46 | |
good entry point. The information is sent to the cloud | 0:13:47 | 0:13:55 | |
where it can be shared with anyone, anywhere. The first printer | 0:13:56 | 0:13:58 | |
available for the next morning. Good morning. These were printed. We did | 0:13:59 | 0:14:05 | |
the scanning yesterday and they were printed overnight and now I am | 0:14:06 | 0:14:09 | |
holding it. Amazing! I am feeling nervous, but excited to try them. | 0:14:10 | 0:14:15 | |
But the flaw was too slippy in the factory, so we went to the office | 0:14:16 | 0:14:19 | |
where it was carpeted. We realised there were problems earlier. We had | 0:14:20 | 0:14:23 | |
to do a bit of a 'Boxtrolls' to keep them on. -- box job. It is comfy | 0:14:24 | 0:14:32 | |
open I thought it would leave. The fit is very low to my leg. It | 0:14:33 | 0:14:37 | |
usually comes right above my knees. It is impressive. Ooh... I think I | 0:14:38 | 0:14:49 | |
just broke that! I think that might be snapping. I broke it! It was a | 0:14:50 | 0:14:57 | |
valiant effort, at my takeaway was the importance of having a proper -- | 0:14:58 | 0:15:08 | |
profit person who can fit it involved. It is exciting to get new | 0:15:09 | 0:15:12 | |
legs anyway, standing on something at putting your body weight into | 0:15:13 | 0:15:16 | |
it's a scary process. But to see it come from nothing yesterday and | 0:15:17 | 0:15:22 | |
printed overnight and then put your leg into it, seeing that behind the | 0:15:23 | 0:15:24 | |
scenes is a real insight. By the age of 19, keen rock climber | 0:15:25 | 0:15:36 | |
Jeff had noticed a slight shake in his hands. Slowly this condition | 0:15:37 | 0:15:41 | |
became something known as essential tremor and although he is still able | 0:15:42 | 0:15:46 | |
to drive and give many day-to-day activities, his fine motor control | 0:15:47 | 0:15:51 | |
is severely affected. So just to give a silly example, if I wanted to | 0:15:52 | 0:16:01 | |
touch my nose, it is an involuntary tremor. Or towards my ear. So I | 0:16:02 | 0:16:07 | |
don't hold the phone to my ear very well without hitting myself, unless | 0:16:08 | 0:16:14 | |
I use two hands. The more accurate he tries to be, the more violently | 0:16:15 | 0:16:19 | |
his handshake. Without breaking his hand against his body, touchscreen | 0:16:20 | 0:16:24 | |
phones, with more icons, I'd definitely not an option. You don't | 0:16:25 | 0:16:32 | |
want to do that. No. Bluetooth on. I'm filming with him at Google's HQ | 0:16:33 | 0:16:36 | |
in his -- in Silicon Valley, where he helped to create android voice | 0:16:37 | 0:16:43 | |
access. This puts the phone into a constant listening mode and also | 0:16:44 | 0:16:48 | |
allows every setting, app, icon on the screen to be selected by name or | 0:16:49 | 0:16:52 | |
number, which pops up next to it. Nine. This is a message I'm writing | 0:16:53 | 0:17:08 | |
to Patrick. Period. 14. That seems to be a proper life changer for you? | 0:17:09 | 0:17:15 | |
That is a major big deal. The ability to use common apps like text | 0:17:16 | 0:17:23 | |
messaging, e-mail, those two especially, but even calendar | 0:17:24 | 0:17:26 | |
appointments, where you need to write stub since is extremely -- | 0:17:27 | 0:17:32 | |
substance, it is extremely helpful. Helpful, yes, but given how voice | 0:17:33 | 0:17:37 | |
recognition is already on smartphones, and surprised this | 0:17:38 | 0:17:40 | |
feature wasn't implemented years ago. Google, why not? It was a | 0:17:41 | 0:17:46 | |
challenge to bring an application to the market that is complete, where | 0:17:47 | 0:17:51 | |
we can say you will not need to use your hands any more with this | 0:17:52 | 0:17:54 | |
application, rather than just supporting specific cases, which | 0:17:55 | 0:17:59 | |
most of the major applications out there already do. But on a mobile | 0:18:00 | 0:18:04 | |
device we are currently the only ones who can really do complete | 0:18:05 | 0:18:08 | |
hands-free. Voice control has also proved really useful for those who | 0:18:09 | 0:18:12 | |
are blind or partially sighted and away from touchscreen phones there | 0:18:13 | 0:18:17 | |
are plenty of projects under way aiming to help people living with a | 0:18:18 | 0:18:21 | |
visual impairment to navigate the world, and here are a couple. | 0:18:22 | 0:18:27 | |
High, my name is Libby. I'm here with my fiance to check out some new | 0:18:28 | 0:18:37 | |
goggles. Should I do my sexy walk? They are supposed to help people | 0:18:38 | 0:18:40 | |
like us who have partial sight, enhancing the vision we have left. I | 0:18:41 | 0:18:49 | |
-- the middle of my vision is very fuzzy. You will operate everything | 0:18:50 | 0:18:56 | |
using the remote control. As Paralympians, we are both busy | 0:18:57 | 0:18:59 | |
training, so I am keen to make the most of the free time we have | 0:19:00 | 0:19:04 | |
together. That so weird! Darren, I am literally right on your face. -- | 0:19:05 | 0:19:11 | |
Dan. It made me feel really intrigued seeing his face close up, | 0:19:12 | 0:19:14 | |
because obviously I am attracted to him for different reasons other than | 0:19:15 | 0:19:18 | |
the way he looks. Seeing that aspect to his face was intriguing. I can | 0:19:19 | 0:19:22 | |
see his eye colour properly and everything. On one level the goggles | 0:19:23 | 0:19:27 | |
act as a big magnifying glass, but there's a lot more. It makes the | 0:19:28 | 0:19:31 | |
edges of objects sharper and really brings out the contrast between | 0:19:32 | 0:19:37 | |
light and shade. Dan was keen to have a go. He also has a form of | 0:19:38 | 0:19:45 | |
muscular dystrophy. You look dead all on it! He is making me | 0:19:46 | 0:19:50 | |
self-conscious. Go back to being completely blind. I can see my | 0:19:51 | 0:20:03 | |
tattoos! That's mad! That's cool. Getting chocolate bars from a | 0:20:04 | 0:20:06 | |
vending machine isn't something that we I usually able to do. All right, | 0:20:07 | 0:20:12 | |
do you want me to have a go at telling you? Just a second. Yay! I | 0:20:13 | 0:20:21 | |
would love to use the goggles because I feel like I would really | 0:20:22 | 0:20:25 | |
benefit from using them, whereas at the moment they are a bit bulky and | 0:20:26 | 0:20:30 | |
I don't think they would fit in with me also walking my dog around as | 0:20:31 | 0:20:39 | |
well. I'm really scared! I am a make-up artist and blogger. I've | 0:20:40 | 0:20:45 | |
been blind for three years because of a certain condition, which means | 0:20:46 | 0:20:51 | |
I can only see blurs. I am testing a device which can help people with | 0:20:52 | 0:20:55 | |
varying degrees of vision, including those have no at all. I usually rely | 0:20:56 | 0:21:02 | |
on my boyfriend and my lovely guide dog to get me around, so this could | 0:21:03 | 0:21:07 | |
be really helpful. This is so cool. It will seriously change my life. It | 0:21:08 | 0:21:12 | |
works by taking an image that you hold up to the camera and it | 0:21:13 | 0:21:16 | |
remembers it, so the next time you need to identify it it will tell you | 0:21:17 | 0:21:20 | |
what it is. It can build a personalised library, so it can help | 0:21:21 | 0:21:25 | |
people like me in my everyday life. It is also able to read text and do | 0:21:26 | 0:21:32 | |
object recognition, like the labels on this tea packets. We have several | 0:21:33 | 0:21:38 | |
options. Would we them to you. It only remembered some of the objects | 0:21:39 | 0:21:42 | |
of my make-up items, but it was great on the teas. Peppermint and | 0:21:43 | 0:21:50 | |
metal! And there's more. It also has facial recognition software to tell | 0:21:51 | 0:21:56 | |
me who I am looking at. It works physically in two phases. The first | 0:21:57 | 0:22:03 | |
is face detection. The device in the camera is trying to understand if | 0:22:04 | 0:22:07 | |
there's any face or not. Then, after that, it tries to match that face | 0:22:08 | 0:22:13 | |
with what it has in its own database and if the person is unknown then | 0:22:14 | 0:22:18 | |
you can also learn it. I love the fact that you can personalise it. | 0:22:19 | 0:22:22 | |
That's really useful. It was sometimes you have moments where you | 0:22:23 | 0:22:26 | |
bump into someone and you are like a who's that? I recognise people with | 0:22:27 | 0:22:30 | |
my voices. But then sometimes you have friends who sound similar. Then | 0:22:31 | 0:22:33 | |
that could be really helpful. Definitely. I will take hold. One of | 0:22:34 | 0:22:40 | |
the many struggles for blind people is accessing new environments. | 0:22:41 | 0:22:44 | |
Another feature is to detect obstacles a few metres away. The | 0:22:45 | 0:22:51 | |
closer you get to an obstacle, the louder the sound gets to tell you | 0:22:52 | 0:22:56 | |
that you are getting closer to the obstacle. It only just said | 0:22:57 | 0:23:05 | |
something. Really? That's too close. That experience was very scary, but | 0:23:06 | 0:23:10 | |
I will get used to it. Keep on going! Now it is saying I'm really | 0:23:11 | 0:23:17 | |
close. You are about one metre. Overall it was a good and useful | 0:23:18 | 0:23:22 | |
multipurpose visual aid. Yes, it is quite good. It wasn't so good in | 0:23:23 | 0:23:28 | |
distribution in little items from my make-up bag. -- dissing wishing. | 0:23:29 | 0:23:33 | |
However, it was really good on the facial recognition. Looking at tea | 0:23:34 | 0:23:41 | |
packets and labels and out on the road. Get out of the way, Olga! | 0:23:42 | 0:23:52 | |
That's it for Click this week. I hope you've enjoyed all that you've | 0:23:53 | 0:23:56 | |
seen. You will find us in all the usual places, but if you want more | 0:23:57 | 0:24:04 | |
from Kathleen, Dane and other BBC journalists, you should really pick | 0:24:05 | 0:24:10 | |
out the BBC Ouch blog, and their weekly podcasts. Thanks for watching | 0:24:11 | 0:24:12 | |
and see you soon. Yesterday was a disappointingly | 0:24:13 | 0:24:29 | |
cloudy day, but it was not cloudy | 0:24:30 | 0:24:35 |