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Quiet Zone

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to Hamilton Academical.

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That's all sport for now.

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Now on BBC News, Click.

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This week...

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Robot octopus gets a hand.

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People hit a wall.

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And a man walks across a big dish.

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We've dreamed of robots for decades.

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In fact we've been thinking about them for a lot longer than

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we had the ability to build them.

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But one of the biggest barriers to robots working alongside us

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in the real world is, well, their lack of ability to cope

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with the real world.

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See, living bodies are amazing.

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See, living bodies are amazing.

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See, living bodies are amazing.

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They can do all kinds of things that robots mind really hard.

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They can balance without thinking about it, they can walk

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without burning up loads of energy, they can react to pain

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without waiting for the brain.

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Now, scientists have given this name.

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Embodied intelligence.

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And they're getting interested in building it into bots, too.

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To find out more, we sent in our very own humanoid.

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She is one part Scissor Sister, one part robo- fanatic,

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and she is all Ana Matronic.

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So we've gone and added a bona fide pop star to the Click crew.

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Having already documented the greatest robots of all time,

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we sent her to Italy to find out how machines may soon be pulling moves

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that would make Jake here proud.

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The world is full of extraordinary creatures with highly specialised

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abilities that allow them to navigate and thrive in the most

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hostile environments.

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And the genius of nature is exactly where scientists are looking to take

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inspiration for designing the next generation of robots.

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I have come to Scuola Sant'Anna in Italy where researchers

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and engineers at the soft robotics lab have been studying the octopus.

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A highly intelligent and adaptable creature with complex motor skills,

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a unique method of locomotion, and an aptitude for solving problems.

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The octopus's highly sensitive and agile tentacles have evolved

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to move in intricate and sophisticated ways.

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Yet most of the intelligence lies within the arms themselves,

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and not in the sea creature's brain.

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It's this sort of intelligence soft robotics are emulating.

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Engineering robots with motor function built into its limbs,

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and without the heavy parts or computer processing that

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traditional mechanical robotics rely on.

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Sometimes if you design the soft body well, in the smart way,

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even with just one movement, I'm pulling the wires,

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it's just one motor that can do that, you would say a nice grasping.

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And the materials are such that they can adapt

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to the object to grasp.

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And be effective.

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I think that soft robotics can make new scenarios

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for robots that can deform, can elongate, like the octopus

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can deform and pass through small spaces.

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Or they can even grow.

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And another advantage of building robots inspired by nature

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is that their interactions with humans could become

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more naturalistic, too.

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The team here have created this shower head, in effect

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a giant octopus arm, to assist people with mobility

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issues with washing themselves.

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You developed this, and then you sort of gave it

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to the world, didn't you?

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And asked what they wanted from this technology, is that correct?

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Yes, in a sense.

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Actually at the beginning of our octopus project the typical

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question was, what is it for?

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Why are you building a robot in the shape of an octopus?

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And it was a good question.

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But for me it was clear that the challenge

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was in the technologies for building a soft robot.

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A very nice field of application is the biomedical field.

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Because there one of the big challenges is the interaction

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with the patient, with the person to assist.

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So you have a soft robot, of course, a lot of problems are solved,

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because safety is more intrinsically in the robot.

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It can bend in any direction and is made entirely by soft

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materials, and while its movements are complex, the limbs contain no

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artificial intelligence in the traditional sense.

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All the movement is achieved, like the octopus, by its physical

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design, by the special material that it's made from,

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and their ability to expand and contract, only by changing air

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pressure going through its tubes.

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And the team is looking to take advantage of this natural

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movement even further.

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This time by miniaturising it.

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This is made from a 3-D printed mould.

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So you get a lot of tiny, tiny, very intricate detail.

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And just like the larger version, uses pneumatic force

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to move the arm.

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And here we go, there it goes.

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And what are the applications of this tiny structure?

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Surgery.

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On the human body.

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Hopefully your innards don't look like this.

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But it is not the accuracy of human anatomy we are interested in,

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but this tiny octopus arm's ability to move around.

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Keyhole surgeries are a lot safer than open surgeries.

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Performed by creating multiple small incisions instead of one large one.

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So, tell me about the advantages of soft robotics in

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microscopic surgery?

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The idea is to be able to move inside the human body,

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pass around the organs, in a very flexible way.

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So to be also intrinsically safe.

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But when the surgical sight is reached, of course the surgeon

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has to be able to apply forces.

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And these can be enabled by activating these different

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mechanics.

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The entire system undergoes a sort of freezing.

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So it becomes harder, and that it is able

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to produce higher forces.

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And that is the next phase of this project.

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To provide surgeons with not only a highly flexible camera,

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but with a range of flexible surgical instruments that

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will increase the surgeon's precision and range of motion

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and decrease both trauma to the body and time

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of recovery for the patient.

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So all hail the mighty octopus and robotics

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revolution is inspiring.

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And with an entire world of remarkable animals

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with exceptional abilities, there's no telling just where robot

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it will take its next inspiration, and where that inspiration

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will take us.

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Everybody, Ana Matronic.

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Thanks for doing that.

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Oh, thank you.

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This is a real passion of yours, isn't it?

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It is, it is.

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I was not yet three when the first Star Wars came out.

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So I grew up with R2-D2 and C3P0 and all these amazing robots

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from science fiction.

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Robots are the one aspect of science fiction that

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are here, and they are real.

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It certainly seems from your experiences in Pisa that the future,

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the real future is very different from the future

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that we all imagined growing up.

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Yes.

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The future we envision, mechanical people, you know,

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humanoid robots walking around just like we do but I don't really

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think it's like that.

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I think it's similar actually to the Jetsons where there

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are going to be robot hands or appendages coming out

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of the walls.

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So what was the take-home moment for you from your experience?

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Human intelligence is not necessarily the holy

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grail of robotics.

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Evolution has shown us that intelligence takes many forms.

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And we don't possess every form of intelligence

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there is on this planet.

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So why not make use of every kind of intelligence when we are building

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artificial intelligence?

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Hello and welcome to The Week in Tech.

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It was the week that Twitter accidentally shut down

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Chief Executive Jack Dorsey's account before reinstating it

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a few hours later.

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It was revealed some users of delivery website Deliveroo's

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accounts were hacked, serving up bills for food

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they hadn't ordered.

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They were subsequently refunded.

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And parking for many motorists became even more frustrating

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than usual as pay for parking app and website RingGo went

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down for half a day.

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It was also the week it was announced that

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Bletchley Park, the site famed for World War II code breaking,

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is set to become home to the UK's first National College

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of cyber security.

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It will open in 2018 as a free to attend boarding school for gifted

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16 to 19-year-olds perceived as the cyber talent of the future.

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A robot that doesn't run the risk of taking a tumble

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has been developed.

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Essentially a helium balloon on legs, it can

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navigate land, staircases, skateboards and tightropes.

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Even showing off some funky dance moves.

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It may be getting an overinflated view of itself, though.

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And finally, Autel Robotics have found a new purpose in life for one

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of their drones.

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Helping prepare Thanksgiving dinner.

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Chopping carrots with a propeller and safely transporting a turkey

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are just a couple of its talents.

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But the video does come with don't try this at home warning.

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Just in case you were tempted.

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And it does look a bit messy.

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I don't know what it's like where you are but here in

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London, Christmas is a massive deal.

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All the shop windows are full of crazy displays and every year

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Claridges gets a famous designer to do their Christmas display.

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This year it's Jonny Ive.

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Yes, Apple's design guru.

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And his idea has created a bit of a stink in the media.

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Take a look at these headlines.

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Not exactly kind.

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And that may be why Claridges don't want us to go and film the thing.

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So I'm going to go tourist.

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Give me a couple of minutes.

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Well.

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I thought that was quite nice, actually.

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There were some trees, they were covered in snow,

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the whole thing smelt of pine, there was an owl hooting.

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No decorations, but then, you know, if I was Jonny Ive,

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and I was asked to compete against previous designs

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from previous years which include this and this, I might go

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a bit minimalist, too.

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Talking of which, you know on this programme we love to bring

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new cutting-edge innovation from high-tech corners of the world.

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So when David Lee told us he wanted to go somewhere that offered

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completely the opposite, we weren't exactly thrilled.

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And then he explained why.

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Drive long enough through beautiful West Virginia and you'll get

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to what is literally the quietest place in America.

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As you arrive, your phone will stop working, the radio will crackle out,

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and you'll find yourself in a place unlike any town in the world.

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Welcome to Greenbank, population 150.

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Things to do, not very many.

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But the research that takes place here could one day have a profound

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effect on the lives of all of us.

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The town is at the centre of the US national radio quiet zone.

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The rules are no mobile phone coverage, no strong Wi-Fi,

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nothing that might interfere with this, the Greenbank telescope.

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Once a week the telescope goes down briefly for maintenance.

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This was my chance to take in a truly incredible sight.

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It weighs more than 7000 tons, it's bigger than a football pitch,

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it can rotate in the fullest circle and it has a very important job.

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In the same way that an optical telescope is able to see far

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away into the universe, this enormous thing is able

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to listen far away.

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The energy given off by a single snowflake is much greater

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than the astronomical signal that this telescope

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is trying to receive.

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They use 20% of the time on this telescope to specifically search

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for signals that may be coming from an advanced civilisation.

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So if it happens we're fairly certain that it

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will happen here first.

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Back down on earth I meet Chuck.

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Locals call him the wi-fi police.

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I joined him on patrol.

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Interesting.

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It's Chuck's job to drive around Greenbank in search of interference

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that could be affecting the operation of the telescope.

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It's looking for wi-fi hotspots.

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So we've got a general-purpose receiver that is really the main

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piece of equipment we use when we are looking

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for interference.

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Then we've got a bunch of junk underneath here.

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If you're thinking Chuck doesn't look like a particularly ferocious

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enforcer, you're right.

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In the battle of Chuck versus home wi-fi, the wi-fi has won.

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So now he just concentrates on the bigger signals.

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You'd think living here with all these restrictions on normal,

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modern life would be irritating, quite hard to deal with.

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But there are some people who live in Greenbank and it's precisely

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the reason why they are here.

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Diana is one of around 20 people who have moved to Greenbank

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because they feel they are essentially allergic

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to electronic interference.

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Being near the cell tower, I had a headache.

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Being away from the cell tower the headache went away.

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Returning closer from a distance, the headache kept growing

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and growing and growing.

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Shortly after I arrived she asked if she could turn out the lights.

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Made these gifts to us be blessed.

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I used to multitask.

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I used to have a monitor here and I had another

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computer monitor there, and I could work those two things

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and I would be listening to the radio.

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I could do many things.

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But now, uh-uh.

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It's not one something wants to have, it's not something one

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would pretend to have.

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Diane has the full support of her family.

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But there are many out there that don't believe her condition is real.

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Regardless, she and several others see Greenbank not as a quaint

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American town, but as the last remaining safe place.

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But that peace and quiet could be under threat.

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The US government has said it may no longer be able to afford

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the upkeep of the telescope.

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Without it here, the legal protection for the quiet zone

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may no longer exist.

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Starts off our number one of something different

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for this Tuesday night.

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Despite the restrictions, the town does have a radio station

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that broadcasts on a frequency that does not interfere.

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For a sense of how the town may change if the telescope was to go,

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I popped in and found a friendly face.

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There is some people would be just over the moon and happy that we'll

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finally get cellphone service.

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But it's not going to change the fact that you can't

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put up a TV antenna, unless you're high mountain,

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and pick up some local TV station.

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If you talk to the middle school kids especially in Greenbank,

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they definitely wish that they did have cell service.

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Back at the observatory I'm told how they've rebranded in an attempt

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to import private investment.

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And while rather out of the way, there's ambitions that one

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day Greenbank could be a tourist destination.

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Eventually they hope it can sustain itself even without government help.

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Coming here and seeing this great big thing, it really

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makes your imagination run wild.

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What if they were to hear something?

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What if they were to hear that aliens were out there,

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communicating, perhaps even communicating with us.

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It would change everything, I think.

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So if you want them to keep on listening in that thing over

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there, then I suggest you try and visit Greenbank.

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I can promise you it's worth it.

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Dave Lee, getting a spot of peace and quiet.

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Not words that you would associate with video games.

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Although I hope you know by now that video games are not just super

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violent shoot 'em ups.

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In fact there is a far more thoughtful side to

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the games industry.

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And Marc Cieslak sampled it recently at a games festival that

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embraces all things indie.

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Every autumn for the last 11 years, Nottingham plays host to a video

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games event like none other, the GameCity Festival.

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Most games events are pretty loud and a little bit flash.

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They are about selling people something.

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GameCity feels very different.

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Most of the new games that are on show here are from much

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smaller developers, and the whole event has an indie vibe to it.

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A lot of the action takes place at the National Videogame Arcade.

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Here members of the public can get their hands on games

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old and new as well as attending seminars or joining

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in with interactive experiences like Alistair Aitcheson's

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Incredible Playable Show.

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One of the biggest developers here are Sumo Digital.

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They use this event as an opportunity to test audience

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reaction to titles in development like unusual adventure

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puzzler Snake Pass.

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The games industry is very similar to the film industry, I suppose.

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There's a big blockbuster part of it which makes the sequels

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and they generate a lot of money, but there's also the arthouse,

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if you like, side of it.

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So there's more independent developers making more independent

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games.

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They are making statements about society, actions, behaviours,

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feelings and thoughts, and telling stories

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that are interesting.

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The National Videogame Arcade is the centre of this festival.

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But there are events spread out all over the city,

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in different bars and galleries, showing off a whole

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host of indie games.

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If you really, really want to get to grips with what's

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going on at GameCity, you've got to get out and about.

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For most of the indie devs here, GameCity is the first time these

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titles have been played by the public.

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Repeat, abort mission.

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I am sorry, the connection seems to be failing.

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I am going through a tunnel.

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Return to Earth.

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So this is 2000:1 A Space Felony.

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I think I can spot a slight Stanley Kubrick influence in here.

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A space-based zero gravity murder mystery.

0:21:530:21:56

This particular game took six weeks to make and was completed just hours

0:21:560:21:59

before the event began.

0:21:590:22:02

I have run diagnostics.

0:22:020:22:04

The chance of critical hardware failure is at 0.05%.

0:22:040:22:11

So how important are events like this one for you to

0:22:110:22:13

show your gamesto people and get their immediate feedback?

0:22:130:22:20

It's incredibly important.

0:22:200:22:21

The amount of progress that we've made just in the last two days,

0:22:210:22:25

making it go from almost entirely non-functional to playable

0:22:250:22:27

from start to finish.

0:22:270:22:28

And I don't think we would have been able to do that if it was just

0:22:280:22:32

myself and my programmer playing it in our rooms.

0:22:320:22:34

You always think that you've got everything figured until someone

0:22:340:22:36

else sits down and plays it.

0:22:360:22:39

Another example of some of the very different sorts of games on show

0:22:390:22:42

here is the reality bending work of digital fiction All The Delicate

0:22:420:22:45

Duplicates.

0:22:450:22:46

Sometimes I sit cross-legged beside her clusters of markings.

0:22:460:22:51

Like I'm praying.

0:22:510:22:54

Praying to make her stop.

0:22:540:23:00

There are lots of games that I think you could say are probably not

0:23:000:23:03

necessarily your traditional games.

0:23:040:23:05

And the festival is very much embracing that.

0:23:050:23:07

All The Delicate Duplicates is very much an interactive reading

0:23:070:23:17

experience, but it's built very much with a 3D engine, a game engine

0:23:170:23:21

in it, in order to make it an immersive experience.

0:23:210:23:23

And to open it up to gaining audiences.

0:23:230:23:25

And to be part of that is driving the conversation forward

0:23:250:23:28

and is showing us so much more what games could potentially be.

0:23:280:23:30

Games as art, games as head scratching murder mystery,

0:23:300:23:37

and games as crowd pleasing interactive installations.

0:23:370:23:38

The GameCity Festival continues to challenge

0:23:380:23:40

what we think about video games.

0:23:400:23:50

That was Marc, and that's it for this week.

0:23:530:23:55

Now, next Saturday is International Disabilities Day,

0:23:550:23:57

and next week's show is full of technology designed to help

0:23:570:24:00

people with disabilities, from 3D printed prosthetics

0:24:000:24:02

to self driving cars.

0:24:020:24:03

It's going to be brilliant.

0:24:030:24:05

Follow us on Twitter throughout the week in the meantime.

0:24:050:24:08

Thanks for watching and see you soon.

0:24:080:24:18

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