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to Hamilton Academical. | 0:00:01 | 0:00:02 | |
That's all sport for now. | 0:00:02 | 0:00:03 | |
Now on BBC News, Click. | 0:00:03 | 0:00:05 | |
This week... | 0:00:05 | 0:00:07 | |
Robot octopus gets a hand. | 0:00:07 | 0:00:12 | |
People hit a wall. | 0:00:12 | 0:00:13 | |
And a man walks across a big dish. | 0:00:13 | 0:00:23 | |
We've dreamed of robots for decades. | 0:00:40 | 0:00:45 | |
In fact we've been thinking about them for a lot longer than | 0:00:45 | 0:00:52 | |
we had the ability to build them. | 0:00:52 | 0:00:54 | |
But one of the biggest barriers to robots working alongside us | 0:00:54 | 0:00:56 | |
in the real world is, well, their lack of ability to cope | 0:00:56 | 0:00:59 | |
with the real world. | 0:00:59 | 0:01:03 | |
See, living bodies are amazing. | 0:01:03 | 0:01:04 | |
See, living bodies are amazing. | 0:01:04 | 0:01:06 | |
See, living bodies are amazing. | 0:01:06 | 0:01:09 | |
They can do all kinds of things that robots mind really hard. | 0:01:09 | 0:01:12 | |
They can balance without thinking about it, they can walk | 0:01:12 | 0:01:15 | |
without burning up loads of energy, they can react to pain | 0:01:15 | 0:01:17 | |
without waiting for the brain. | 0:01:17 | 0:01:19 | |
Now, scientists have given this name. | 0:01:19 | 0:01:22 | |
Embodied intelligence. | 0:01:22 | 0:01:24 | |
And they're getting interested in building it into bots, too. | 0:01:24 | 0:01:34 | |
To find out more, we sent in our very own humanoid. | 0:01:34 | 0:01:36 | |
She is one part Scissor Sister, one part robo- fanatic, | 0:01:36 | 0:01:43 | |
and she is all Ana Matronic. | 0:01:43 | 0:01:47 | |
So we've gone and added a bona fide pop star to the Click crew. | 0:01:47 | 0:01:50 | |
Having already documented the greatest robots of all time, | 0:01:50 | 0:01:55 | |
we sent her to Italy to find out how machines may soon be pulling moves | 0:01:55 | 0:01:59 | |
that would make Jake here proud. | 0:01:59 | 0:02:05 | |
The world is full of extraordinary creatures with highly specialised | 0:02:05 | 0:02:09 | |
abilities that allow them to navigate and thrive in the most | 0:02:09 | 0:02:11 | |
hostile environments. | 0:02:11 | 0:02:17 | |
And the genius of nature is exactly where scientists are looking to take | 0:02:17 | 0:02:21 | |
inspiration for designing the next generation of robots. | 0:02:21 | 0:02:29 | |
I have come to Scuola Sant'Anna in Italy where researchers | 0:02:29 | 0:02:35 | |
and engineers at the soft robotics lab have been studying the octopus. | 0:02:35 | 0:02:39 | |
A highly intelligent and adaptable creature with complex motor skills, | 0:02:39 | 0:02:42 | |
a unique method of locomotion, and an aptitude for solving problems. | 0:02:42 | 0:02:51 | |
The octopus's highly sensitive and agile tentacles have evolved | 0:02:51 | 0:02:53 | |
to move in intricate and sophisticated ways. | 0:02:53 | 0:02:56 | |
Yet most of the intelligence lies within the arms themselves, | 0:02:56 | 0:02:59 | |
and not in the sea creature's brain. | 0:02:59 | 0:03:03 | |
It's this sort of intelligence soft robotics are emulating. | 0:03:03 | 0:03:07 | |
Engineering robots with motor function built into its limbs, | 0:03:07 | 0:03:11 | |
and without the heavy parts or computer processing that | 0:03:11 | 0:03:14 | |
traditional mechanical robotics rely on. | 0:03:14 | 0:03:20 | |
Sometimes if you design the soft body well, in the smart way, | 0:03:20 | 0:03:23 | |
even with just one movement, I'm pulling the wires, | 0:03:23 | 0:03:29 | |
it's just one motor that can do that, you would say a nice grasping. | 0:03:29 | 0:03:36 | |
And the materials are such that they can adapt | 0:03:36 | 0:03:38 | |
to the object to grasp. | 0:03:38 | 0:03:40 | |
And be effective. | 0:03:40 | 0:03:43 | |
I think that soft robotics can make new scenarios | 0:03:43 | 0:03:45 | |
for robots that can deform, can elongate, like the octopus | 0:03:45 | 0:03:48 | |
can deform and pass through small spaces. | 0:03:48 | 0:03:50 | |
Or they can even grow. | 0:03:50 | 0:03:54 | |
And another advantage of building robots inspired by nature | 0:03:54 | 0:03:57 | |
is that their interactions with humans could become | 0:03:57 | 0:03:59 | |
more naturalistic, too. | 0:03:59 | 0:04:02 | |
The team here have created this shower head, in effect | 0:04:02 | 0:04:06 | |
a giant octopus arm, to assist people with mobility | 0:04:06 | 0:04:08 | |
issues with washing themselves. | 0:04:08 | 0:04:12 | |
You developed this, and then you sort of gave it | 0:04:12 | 0:04:15 | |
to the world, didn't you? | 0:04:15 | 0:04:17 | |
And asked what they wanted from this technology, is that correct? | 0:04:17 | 0:04:20 | |
Yes, in a sense. | 0:04:20 | 0:04:23 | |
Actually at the beginning of our octopus project the typical | 0:04:23 | 0:04:25 | |
question was, what is it for? | 0:04:25 | 0:04:28 | |
Why are you building a robot in the shape of an octopus? | 0:04:28 | 0:04:32 | |
And it was a good question. | 0:04:33 | 0:04:35 | |
But for me it was clear that the challenge | 0:04:35 | 0:04:37 | |
was in the technologies for building a soft robot. | 0:04:37 | 0:04:43 | |
A very nice field of application is the biomedical field. | 0:04:43 | 0:04:46 | |
Because there one of the big challenges is the interaction | 0:04:46 | 0:04:49 | |
with the patient, with the person to assist. | 0:04:49 | 0:04:54 | |
So you have a soft robot, of course, a lot of problems are solved, | 0:04:54 | 0:04:59 | |
because safety is more intrinsically in the robot. | 0:04:59 | 0:05:04 | |
It can bend in any direction and is made entirely by soft | 0:05:04 | 0:05:07 | |
materials, and while its movements are complex, the limbs contain no | 0:05:07 | 0:05:10 | |
artificial intelligence in the traditional sense. | 0:05:10 | 0:05:16 | |
All the movement is achieved, like the octopus, by its physical | 0:05:16 | 0:05:19 | |
design, by the special material that it's made from, | 0:05:19 | 0:05:22 | |
and their ability to expand and contract, only by changing air | 0:05:22 | 0:05:26 | |
pressure going through its tubes. | 0:05:26 | 0:05:32 | |
And the team is looking to take advantage of this natural | 0:05:32 | 0:05:35 | |
movement even further. | 0:05:35 | 0:05:36 | |
This time by miniaturising it. | 0:05:36 | 0:05:41 | |
This is made from a 3-D printed mould. | 0:05:41 | 0:05:45 | |
So you get a lot of tiny, tiny, very intricate detail. | 0:05:45 | 0:05:48 | |
And just like the larger version, uses pneumatic force | 0:05:48 | 0:05:50 | |
to move the arm. | 0:05:50 | 0:05:53 | |
And here we go, there it goes. | 0:05:53 | 0:05:55 | |
And what are the applications of this tiny structure? | 0:05:55 | 0:05:57 | |
Surgery. | 0:05:58 | 0:05:59 | |
On the human body. | 0:05:59 | 0:06:05 | |
Hopefully your innards don't look like this. | 0:06:05 | 0:06:08 | |
But it is not the accuracy of human anatomy we are interested in, | 0:06:08 | 0:06:11 | |
but this tiny octopus arm's ability to move around. | 0:06:11 | 0:06:13 | |
Keyhole surgeries are a lot safer than open surgeries. | 0:06:13 | 0:06:15 | |
Performed by creating multiple small incisions instead of one large one. | 0:06:15 | 0:06:20 | |
So, tell me about the advantages of soft robotics in | 0:06:20 | 0:06:22 | |
microscopic surgery? | 0:06:23 | 0:06:28 | |
The idea is to be able to move inside the human body, | 0:06:28 | 0:06:31 | |
pass around the organs, in a very flexible way. | 0:06:31 | 0:06:34 | |
So to be also intrinsically safe. | 0:06:34 | 0:06:42 | |
But when the surgical sight is reached, of course the surgeon | 0:06:42 | 0:06:44 | |
has to be able to apply forces. | 0:06:44 | 0:06:48 | |
And these can be enabled by activating these different | 0:06:48 | 0:06:51 | |
mechanics. | 0:06:51 | 0:06:54 | |
The entire system undergoes a sort of freezing. | 0:06:54 | 0:06:59 | |
So it becomes harder, and that it is able | 0:06:59 | 0:07:05 | |
to produce higher forces. | 0:07:05 | 0:07:08 | |
And that is the next phase of this project. | 0:07:08 | 0:07:10 | |
To provide surgeons with not only a highly flexible camera, | 0:07:10 | 0:07:14 | |
but with a range of flexible surgical instruments that | 0:07:14 | 0:07:17 | |
will increase the surgeon's precision and range of motion | 0:07:17 | 0:07:19 | |
and decrease both trauma to the body and time | 0:07:19 | 0:07:21 | |
of recovery for the patient. | 0:07:21 | 0:07:25 | |
So all hail the mighty octopus and robotics | 0:07:25 | 0:07:27 | |
revolution is inspiring. | 0:07:27 | 0:07:29 | |
And with an entire world of remarkable animals | 0:07:29 | 0:07:32 | |
with exceptional abilities, there's no telling just where robot | 0:07:32 | 0:07:34 | |
it will take its next inspiration, and where that inspiration | 0:07:34 | 0:07:37 | |
will take us. | 0:07:37 | 0:07:45 | |
Everybody, Ana Matronic. | 0:07:45 | 0:07:47 | |
Thanks for doing that. | 0:07:47 | 0:07:49 | |
Oh, thank you. | 0:07:49 | 0:07:50 | |
This is a real passion of yours, isn't it? | 0:07:50 | 0:07:52 | |
It is, it is. | 0:07:52 | 0:07:53 | |
I was not yet three when the first Star Wars came out. | 0:07:53 | 0:07:56 | |
So I grew up with R2-D2 and C3P0 and all these amazing robots | 0:07:56 | 0:07:59 | |
from science fiction. | 0:07:59 | 0:08:01 | |
Robots are the one aspect of science fiction that | 0:08:01 | 0:08:04 | |
are here, and they are real. | 0:08:04 | 0:08:08 | |
It certainly seems from your experiences in Pisa that the future, | 0:08:08 | 0:08:11 | |
the real future is very different from the future | 0:08:11 | 0:08:13 | |
that we all imagined growing up. | 0:08:13 | 0:08:14 | |
Yes. | 0:08:14 | 0:08:16 | |
The future we envision, mechanical people, you know, | 0:08:16 | 0:08:17 | |
humanoid robots walking around just like we do but I don't really | 0:08:17 | 0:08:20 | |
think it's like that. | 0:08:20 | 0:08:26 | |
I think it's similar actually to the Jetsons where there | 0:08:26 | 0:08:28 | |
are going to be robot hands or appendages coming out | 0:08:28 | 0:08:31 | |
of the walls. | 0:08:31 | 0:08:35 | |
So what was the take-home moment for you from your experience? | 0:08:35 | 0:08:38 | |
Human intelligence is not necessarily the holy | 0:08:38 | 0:08:40 | |
grail of robotics. | 0:08:40 | 0:08:41 | |
Evolution has shown us that intelligence takes many forms. | 0:08:41 | 0:08:43 | |
And we don't possess every form of intelligence | 0:08:43 | 0:08:46 | |
there is on this planet. | 0:08:46 | 0:08:50 | |
So why not make use of every kind of intelligence when we are building | 0:08:50 | 0:08:53 | |
artificial intelligence? | 0:08:53 | 0:08:59 | |
Hello and welcome to The Week in Tech. | 0:08:59 | 0:09:02 | |
It was the week that Twitter accidentally shut down | 0:09:02 | 0:09:05 | |
Chief Executive Jack Dorsey's account before reinstating it | 0:09:05 | 0:09:07 | |
a few hours later. | 0:09:07 | 0:09:12 | |
It was revealed some users of delivery website Deliveroo's | 0:09:12 | 0:09:14 | |
accounts were hacked, serving up bills for food | 0:09:14 | 0:09:16 | |
they hadn't ordered. | 0:09:16 | 0:09:17 | |
They were subsequently refunded. | 0:09:17 | 0:09:19 | |
And parking for many motorists became even more frustrating | 0:09:19 | 0:09:24 | |
than usual as pay for parking app and website RingGo went | 0:09:24 | 0:09:26 | |
down for half a day. | 0:09:26 | 0:09:29 | |
It was also the week it was announced that | 0:09:29 | 0:09:32 | |
Bletchley Park, the site famed for World War II code breaking, | 0:09:32 | 0:09:34 | |
is set to become home to the UK's first National College | 0:09:34 | 0:09:37 | |
of cyber security. | 0:09:37 | 0:09:47 | |
It will open in 2018 as a free to attend boarding school for gifted | 0:09:49 | 0:09:53 | |
16 to 19-year-olds perceived as the cyber talent of the future. | 0:09:53 | 0:09:55 | |
A robot that doesn't run the risk of taking a tumble | 0:09:55 | 0:09:58 | |
has been developed. | 0:09:58 | 0:09:59 | |
Essentially a helium balloon on legs, it can | 0:09:59 | 0:10:01 | |
navigate land, staircases, skateboards and tightropes. | 0:10:01 | 0:10:02 | |
Even showing off some funky dance moves. | 0:10:02 | 0:10:04 | |
It may be getting an overinflated view of itself, though. | 0:10:04 | 0:10:07 | |
And finally, Autel Robotics have found a new purpose in life for one | 0:10:07 | 0:10:10 | |
of their drones. | 0:10:10 | 0:10:12 | |
Helping prepare Thanksgiving dinner. | 0:10:12 | 0:10:17 | |
Chopping carrots with a propeller and safely transporting a turkey | 0:10:17 | 0:10:19 | |
are just a couple of its talents. | 0:10:19 | 0:10:22 | |
But the video does come with don't try this at home warning. | 0:10:22 | 0:10:25 | |
Just in case you were tempted. | 0:10:25 | 0:10:27 | |
And it does look a bit messy. | 0:10:27 | 0:10:37 | |
I don't know what it's like where you are but here in | 0:10:43 | 0:10:46 | |
London, Christmas is a massive deal. | 0:10:46 | 0:10:48 | |
All the shop windows are full of crazy displays and every year | 0:10:48 | 0:10:51 | |
Claridges gets a famous designer to do their Christmas display. | 0:10:51 | 0:10:53 | |
This year it's Jonny Ive. | 0:10:53 | 0:10:54 | |
Yes, Apple's design guru. | 0:10:54 | 0:10:56 | |
And his idea has created a bit of a stink in the media. | 0:10:56 | 0:10:59 | |
Take a look at these headlines. | 0:10:59 | 0:11:05 | |
Not exactly kind. | 0:11:14 | 0:11:18 | |
And that may be why Claridges don't want us to go and film the thing. | 0:11:18 | 0:11:21 | |
So I'm going to go tourist. | 0:11:21 | 0:11:23 | |
Give me a couple of minutes. | 0:11:23 | 0:11:25 | |
Well. | 0:11:25 | 0:11:28 | |
I thought that was quite nice, actually. | 0:11:28 | 0:11:30 | |
There were some trees, they were covered in snow, | 0:11:30 | 0:11:33 | |
the whole thing smelt of pine, there was an owl hooting. | 0:11:33 | 0:11:36 | |
No decorations, but then, you know, if I was Jonny Ive, | 0:11:36 | 0:11:39 | |
and I was asked to compete against previous designs | 0:11:39 | 0:11:43 | |
from previous years which include this and this, I might go | 0:11:43 | 0:11:46 | |
a bit minimalist, too. | 0:11:46 | 0:11:50 | |
Talking of which, you know on this programme we love to bring | 0:11:50 | 0:11:53 | |
new cutting-edge innovation from high-tech corners of the world. | 0:11:53 | 0:11:55 | |
So when David Lee told us he wanted to go somewhere that offered | 0:11:55 | 0:11:59 | |
completely the opposite, we weren't exactly thrilled. | 0:11:59 | 0:12:02 | |
And then he explained why. | 0:12:02 | 0:12:09 | |
Drive long enough through beautiful West Virginia and you'll get | 0:12:09 | 0:12:14 | |
to what is literally the quietest place in America. | 0:12:14 | 0:12:22 | |
As you arrive, your phone will stop working, the radio will crackle out, | 0:12:22 | 0:12:28 | |
and you'll find yourself in a place unlike any town in the world. | 0:12:28 | 0:12:38 | |
Welcome to Greenbank, population 150. | 0:12:40 | 0:12:46 | |
Things to do, not very many. | 0:12:46 | 0:12:50 | |
But the research that takes place here could one day have a profound | 0:12:50 | 0:12:54 | |
effect on the lives of all of us. | 0:12:54 | 0:12:57 | |
The town is at the centre of the US national radio quiet zone. | 0:12:57 | 0:13:00 | |
The rules are no mobile phone coverage, no strong Wi-Fi, | 0:13:00 | 0:13:03 | |
nothing that might interfere with this, the Greenbank telescope. | 0:13:03 | 0:13:13 | |
Once a week the telescope goes down briefly for maintenance. | 0:13:16 | 0:13:19 | |
This was my chance to take in a truly incredible sight. | 0:13:19 | 0:13:29 | |
It weighs more than 7000 tons, it's bigger than a football pitch, | 0:13:33 | 0:13:40 | |
it can rotate in the fullest circle and it has a very important job. | 0:13:40 | 0:13:49 | |
In the same way that an optical telescope is able to see far | 0:13:58 | 0:14:01 | |
away into the universe, this enormous thing is able | 0:14:01 | 0:14:04 | |
to listen far away. | 0:14:04 | 0:14:10 | |
The energy given off by a single snowflake is much greater | 0:14:10 | 0:14:13 | |
than the astronomical signal that this telescope | 0:14:13 | 0:14:15 | |
is trying to receive. | 0:14:15 | 0:14:19 | |
They use 20% of the time on this telescope to specifically search | 0:14:19 | 0:14:22 | |
for signals that may be coming from an advanced civilisation. | 0:14:22 | 0:14:28 | |
So if it happens we're fairly certain that it | 0:14:28 | 0:14:30 | |
will happen here first. | 0:14:30 | 0:14:40 | |
Back down on earth I meet Chuck. | 0:14:46 | 0:14:49 | |
Locals call him the wi-fi police. | 0:14:49 | 0:14:50 | |
I joined him on patrol. | 0:14:50 | 0:14:52 | |
Interesting. | 0:14:52 | 0:14:55 | |
It's Chuck's job to drive around Greenbank in search of interference | 0:14:55 | 0:14:58 | |
that could be affecting the operation of the telescope. | 0:14:58 | 0:15:06 | |
It's looking for wi-fi hotspots. | 0:15:06 | 0:15:10 | |
So we've got a general-purpose receiver that is really the main | 0:15:10 | 0:15:18 | |
piece of equipment we use when we are looking | 0:15:18 | 0:15:20 | |
for interference. | 0:15:20 | 0:15:24 | |
Then we've got a bunch of junk underneath here. | 0:15:24 | 0:15:26 | |
If you're thinking Chuck doesn't look like a particularly ferocious | 0:15:26 | 0:15:28 | |
enforcer, you're right. | 0:15:28 | 0:15:32 | |
In the battle of Chuck versus home wi-fi, the wi-fi has won. | 0:15:32 | 0:15:35 | |
So now he just concentrates on the bigger signals. | 0:15:35 | 0:15:38 | |
You'd think living here with all these restrictions on normal, | 0:15:38 | 0:15:43 | |
modern life would be irritating, quite hard to deal with. | 0:15:43 | 0:15:49 | |
But there are some people who live in Greenbank and it's precisely | 0:15:49 | 0:15:52 | |
the reason why they are here. | 0:15:52 | 0:15:58 | |
Diana is one of around 20 people who have moved to Greenbank | 0:15:58 | 0:16:01 | |
because they feel they are essentially allergic | 0:16:01 | 0:16:02 | |
to electronic interference. | 0:16:02 | 0:16:06 | |
Being near the cell tower, I had a headache. | 0:16:06 | 0:16:09 | |
Being away from the cell tower the headache went away. | 0:16:09 | 0:16:13 | |
Returning closer from a distance, the headache kept growing | 0:16:13 | 0:16:15 | |
and growing and growing. | 0:16:15 | 0:16:21 | |
Shortly after I arrived she asked if she could turn out the lights. | 0:16:21 | 0:16:27 | |
Made these gifts to us be blessed. | 0:16:27 | 0:16:30 | |
I used to multitask. | 0:16:30 | 0:16:32 | |
I used to have a monitor here and I had another | 0:16:32 | 0:16:35 | |
computer monitor there, and I could work those two things | 0:16:35 | 0:16:37 | |
and I would be listening to the radio. | 0:16:37 | 0:16:39 | |
I could do many things. | 0:16:39 | 0:16:41 | |
But now, uh-uh. | 0:16:41 | 0:16:44 | |
It's not one something wants to have, it's not something one | 0:16:44 | 0:16:48 | |
would pretend to have. | 0:16:48 | 0:16:52 | |
Diane has the full support of her family. | 0:16:52 | 0:16:54 | |
But there are many out there that don't believe her condition is real. | 0:16:54 | 0:16:58 | |
Regardless, she and several others see Greenbank not as a quaint | 0:16:58 | 0:17:00 | |
American town, but as the last remaining safe place. | 0:17:00 | 0:17:10 | |
But that peace and quiet could be under threat. | 0:17:13 | 0:17:19 | |
The US government has said it may no longer be able to afford | 0:17:19 | 0:17:22 | |
the upkeep of the telescope. | 0:17:22 | 0:17:23 | |
Without it here, the legal protection for the quiet zone | 0:17:23 | 0:17:25 | |
may no longer exist. | 0:17:25 | 0:17:32 | |
Starts off our number one of something different | 0:17:32 | 0:17:34 | |
for this Tuesday night. | 0:17:34 | 0:17:38 | |
Despite the restrictions, the town does have a radio station | 0:17:38 | 0:17:41 | |
that broadcasts on a frequency that does not interfere. | 0:17:41 | 0:17:45 | |
For a sense of how the town may change if the telescope was to go, | 0:17:45 | 0:17:49 | |
I popped in and found a friendly face. | 0:17:49 | 0:17:54 | |
There is some people would be just over the moon and happy that we'll | 0:17:54 | 0:17:58 | |
finally get cellphone service. | 0:17:58 | 0:18:01 | |
But it's not going to change the fact that you can't | 0:18:01 | 0:18:03 | |
put up a TV antenna, unless you're high mountain, | 0:18:03 | 0:18:06 | |
and pick up some local TV station. | 0:18:06 | 0:18:08 | |
If you talk to the middle school kids especially in Greenbank, | 0:18:08 | 0:18:11 | |
they definitely wish that they did have cell service. | 0:18:11 | 0:18:21 | |
Back at the observatory I'm told how they've rebranded in an attempt | 0:18:24 | 0:18:27 | |
to import private investment. | 0:18:27 | 0:18:32 | |
And while rather out of the way, there's ambitions that one | 0:18:32 | 0:18:35 | |
day Greenbank could be a tourist destination. | 0:18:35 | 0:18:40 | |
Eventually they hope it can sustain itself even without government help. | 0:18:40 | 0:18:43 | |
Coming here and seeing this great big thing, it really | 0:18:43 | 0:18:46 | |
makes your imagination run wild. | 0:18:46 | 0:18:52 | |
What if they were to hear something? | 0:18:52 | 0:18:54 | |
What if they were to hear that aliens were out there, | 0:18:54 | 0:18:57 | |
communicating, perhaps even communicating with us. | 0:18:57 | 0:19:02 | |
It would change everything, I think. | 0:19:02 | 0:19:04 | |
So if you want them to keep on listening in that thing over | 0:19:04 | 0:19:07 | |
there, then I suggest you try and visit Greenbank. | 0:19:07 | 0:19:09 | |
I can promise you it's worth it. | 0:19:09 | 0:19:18 | |
Dave Lee, getting a spot of peace and quiet. | 0:19:18 | 0:19:22 | |
Not words that you would associate with video games. | 0:19:22 | 0:19:26 | |
Although I hope you know by now that video games are not just super | 0:19:26 | 0:19:29 | |
violent shoot 'em ups. | 0:19:29 | 0:19:32 | |
In fact there is a far more thoughtful side to | 0:19:32 | 0:19:34 | |
the games industry. | 0:19:34 | 0:19:44 | |
And Marc Cieslak sampled it recently at a games festival that | 0:19:45 | 0:19:47 | |
embraces all things indie. | 0:19:47 | 0:19:48 | |
Every autumn for the last 11 years, Nottingham plays host to a video | 0:19:48 | 0:19:51 | |
games event like none other, the GameCity Festival. | 0:19:51 | 0:19:53 | |
Most games events are pretty loud and a little bit flash. | 0:19:53 | 0:19:59 | |
They are about selling people something. | 0:19:59 | 0:20:01 | |
GameCity feels very different. | 0:20:01 | 0:20:07 | |
Most of the new games that are on show here are from much | 0:20:07 | 0:20:10 | |
smaller developers, and the whole event has an indie vibe to it. | 0:20:10 | 0:20:13 | |
A lot of the action takes place at the National Videogame Arcade. | 0:20:13 | 0:20:17 | |
Here members of the public can get their hands on games | 0:20:17 | 0:20:19 | |
old and new as well as attending seminars or joining | 0:20:19 | 0:20:22 | |
in with interactive experiences like Alistair Aitcheson's | 0:20:22 | 0:20:24 | |
Incredible Playable Show. | 0:20:24 | 0:20:32 | |
One of the biggest developers here are Sumo Digital. | 0:20:32 | 0:20:34 | |
They use this event as an opportunity to test audience | 0:20:34 | 0:20:37 | |
reaction to titles in development like unusual adventure | 0:20:37 | 0:20:42 | |
puzzler Snake Pass. | 0:20:42 | 0:20:50 | |
The games industry is very similar to the film industry, I suppose. | 0:20:50 | 0:20:53 | |
There's a big blockbuster part of it which makes the sequels | 0:20:53 | 0:20:56 | |
and they generate a lot of money, but there's also the arthouse, | 0:20:56 | 0:20:58 | |
if you like, side of it. | 0:20:59 | 0:21:00 | |
So there's more independent developers making more independent | 0:21:00 | 0:21:02 | |
games. | 0:21:02 | 0:21:03 | |
They are making statements about society, actions, behaviours, | 0:21:03 | 0:21:05 | |
feelings and thoughts, and telling stories | 0:21:05 | 0:21:12 | |
that are interesting. | 0:21:12 | 0:21:14 | |
The National Videogame Arcade is the centre of this festival. | 0:21:14 | 0:21:17 | |
But there are events spread out all over the city, | 0:21:17 | 0:21:19 | |
in different bars and galleries, showing off a whole | 0:21:19 | 0:21:21 | |
host of indie games. | 0:21:21 | 0:21:22 | |
If you really, really want to get to grips with what's | 0:21:22 | 0:21:26 | |
going on at GameCity, you've got to get out and about. | 0:21:26 | 0:21:29 | |
For most of the indie devs here, GameCity is the first time these | 0:21:29 | 0:21:32 | |
titles have been played by the public. | 0:21:32 | 0:21:34 | |
Repeat, abort mission. | 0:21:34 | 0:21:36 | |
I am sorry, the connection seems to be failing. | 0:21:36 | 0:21:38 | |
I am going through a tunnel. | 0:21:38 | 0:21:46 | |
Return to Earth. | 0:21:46 | 0:21:48 | |
So this is 2000:1 A Space Felony. | 0:21:48 | 0:21:50 | |
I think I can spot a slight Stanley Kubrick influence in here. | 0:21:50 | 0:21:53 | |
A space-based zero gravity murder mystery. | 0:21:53 | 0:21:56 | |
This particular game took six weeks to make and was completed just hours | 0:21:56 | 0:21:59 | |
before the event began. | 0:21:59 | 0:22:02 | |
I have run diagnostics. | 0:22:02 | 0:22:04 | |
The chance of critical hardware failure is at 0.05%. | 0:22:04 | 0:22:11 | |
So how important are events like this one for you to | 0:22:11 | 0:22:13 | |
show your gamesto people and get their immediate feedback? | 0:22:13 | 0:22:20 | |
It's incredibly important. | 0:22:20 | 0:22:21 | |
The amount of progress that we've made just in the last two days, | 0:22:21 | 0:22:25 | |
making it go from almost entirely non-functional to playable | 0:22:25 | 0:22:27 | |
from start to finish. | 0:22:27 | 0:22:28 | |
And I don't think we would have been able to do that if it was just | 0:22:28 | 0:22:32 | |
myself and my programmer playing it in our rooms. | 0:22:32 | 0:22:34 | |
You always think that you've got everything figured until someone | 0:22:34 | 0:22:36 | |
else sits down and plays it. | 0:22:36 | 0:22:39 | |
Another example of some of the very different sorts of games on show | 0:22:39 | 0:22:42 | |
here is the reality bending work of digital fiction All The Delicate | 0:22:42 | 0:22:45 | |
Duplicates. | 0:22:45 | 0:22:46 | |
Sometimes I sit cross-legged beside her clusters of markings. | 0:22:46 | 0:22:51 | |
Like I'm praying. | 0:22:51 | 0:22:54 | |
Praying to make her stop. | 0:22:54 | 0:23:00 | |
There are lots of games that I think you could say are probably not | 0:23:00 | 0:23:03 | |
necessarily your traditional games. | 0:23:04 | 0:23:05 | |
And the festival is very much embracing that. | 0:23:05 | 0:23:07 | |
All The Delicate Duplicates is very much an interactive reading | 0:23:07 | 0:23:17 | |
experience, but it's built very much with a 3D engine, a game engine | 0:23:17 | 0:23:21 | |
in it, in order to make it an immersive experience. | 0:23:21 | 0:23:23 | |
And to open it up to gaining audiences. | 0:23:23 | 0:23:25 | |
And to be part of that is driving the conversation forward | 0:23:25 | 0:23:28 | |
and is showing us so much more what games could potentially be. | 0:23:28 | 0:23:30 | |
Games as art, games as head scratching murder mystery, | 0:23:30 | 0:23:37 | |
and games as crowd pleasing interactive installations. | 0:23:37 | 0:23:38 | |
The GameCity Festival continues to challenge | 0:23:38 | 0:23:40 | |
what we think about video games. | 0:23:40 | 0:23:50 | |
That was Marc, and that's it for this week. | 0:23:53 | 0:23:55 | |
Now, next Saturday is International Disabilities Day, | 0:23:55 | 0:23:57 | |
and next week's show is full of technology designed to help | 0:23:57 | 0:24:00 | |
people with disabilities, from 3D printed prosthetics | 0:24:00 | 0:24:02 | |
to self driving cars. | 0:24:02 | 0:24:03 | |
It's going to be brilliant. | 0:24:03 | 0:24:05 | |
Follow us on Twitter throughout the week in the meantime. | 0:24:05 | 0:24:08 | |
Thanks for watching and see you soon. | 0:24:08 | 0:24:18 |