Browse content similar to 22/09/2014. Check below for episodes and series from the same categories and more!
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Tonight, a man who says he doesn't c`re. | 0:00:10 | 0:00:12 | |
The camera doesn't bother md. | 0:00:12 | 0:00:13 | |
You can put it on whatever TV you want. | 0:00:13 | 0:00:16 | |
I don't care. | 0:00:16 | 0:00:16 | |
Why money mattered in 1996. | 0:00:16 | 0:00:18 | |
Do you know what the Ecu is? | 0:00:18 | 0:00:19 | |
The what? | 0:00:19 | 0:00:20 | |
The Ecu. | 0:00:20 | 0:00:20 | |
The egg cube? | 0:00:20 | 0:00:21 | |
No. | 0:00:21 | 0:00:21 | |
And four people in a dark room who say no, ` lot. | 0:00:21 | 0:00:24 | |
No. No. | 0:00:24 | 0:00:25 | |
I don't like it. | 0:00:25 | 0:00:26 | |
No, thank you. | 0:00:26 | 0:00:27 | |
I'm John Cuthill and this is Inside Out for the South of England. | 0:00:27 | 0:00:40 | |
First tonight, disabled parking badges. | 0:00:41 | 0:00:43 | |
Obviously, the people who use them are disabled themselves. | 0:00:43 | 0:00:46 | |
It's not like anyone is going to try and use one | 0:00:47 | 0:00:50 | |
when they are not entitled to. | 0:00:50 | 0:00:52 | |
Surely. | 0:00:52 | 0:00:53 | |
We are going to meet liars... | 0:00:53 | 0:00:59 | |
He is going to rip me to shreds when I get home. | 0:00:59 | 0:01:02 | |
..cheats... | 0:01:02 | 0:01:03 | |
So why is there a disabled badge on your car? | 0:01:03 | 0:01:05 | |
Because it was put there. | 0:01:06 | 0:01:07 | |
By whom? | 0:01:07 | 0:01:07 | |
By the man in the sky. | 0:01:07 | 0:01:09 | |
..people who break the law... | 0:01:09 | 0:01:12 | |
Because I shouldn't be doing it basically. | 0:01:13 | 0:01:14 | |
The owner of that blue badgd has been dead for the last two xears. | 0:01:14 | 0:01:18 | |
We are following parking enforcers. | 0:01:18 | 0:01:25 | |
most vulnerable drivers. | 0:01:25 | 0:01:34 | |
`` They are on the trail of fraudsters who abuse the rights of | 0:01:34 | 0:01:38 | |
Portsmouth's | 0:01:38 | 0:01:38 | |
most vulnerable drivers. | 0:01:38 | 0:01:41 | |
It is a type of fraud that goes largely tnnoticed | 0:01:41 | 0:01:45 | |
and yet it happens in plain sight, it happens in every town. | 0:01:45 | 0:01:48 | |
And almost all offenders get away with it. | 0:01:48 | 0:01:58 | |
There are just a handful of disabled parking bays in Portsmouth. | 0:01:58 | 0:02:03 | |
Parked behind this wheelchahr user is a brand`new white sports car | 0:02:03 | 0:02:08 | |
The blue badge allowing fred parking is registered to an 85`year`old man | 0:02:08 | 0:02:13 | |
with limited mobility. | 0:02:13 | 0:02:16 | |
The car is owned by a 23`year`old woman. | 0:02:16 | 0:02:19 | |
A quick check reveals the badge was stolen. | 0:02:19 | 0:02:22 | |
The blue badge is not valid. | 0:02:22 | 0:02:24 | |
It is a criminal offence behng in possession of a stolen article and | 0:02:24 | 0:02:27 | |
it is a criminal offence to display a blue badge that is not valid. | 0:02:27 | 0:02:32 | |
So we will remove the vehicle, we will interview the person under | 0:02:32 | 0:02:35 | |
caution and possible prosecttion. | 0:02:35 | 0:02:40 | |
We will meet the driver but not for a few hours. | 0:02:40 | 0:02:47 | |
Across the city centre, council parking enforcer Stephen Goodall | 0:02:48 | 0:02:51 | |
has found a woman who is lyhng about the blue badge in her car | 0:02:51 | 0:02:58 | |
For half an hour, she claims her disabled husband | 0:02:58 | 0:03:00 | |
is stuck in a toilet nearby. | 0:03:01 | 0:03:04 | |
I have had a phone call from what I believed | 0:03:04 | 0:03:07 | |
to be the badge holder. | 0:03:07 | 0:03:08 | |
It is not. | 0:03:08 | 0:03:09 | |
It then turns out it is her son | 0:03:09 | 0:03:11 | |
He has given me two telephone calls saying he is stuck in the toilet, | 0:03:11 | 0:03:14 | |
that he cannot get out. | 0:03:14 | 0:03:15 | |
In fact, he is sitting at home. | 0:03:15 | 0:03:17 | |
With us is Helen Dolphin, a disabled motoring campaigner. | 0:03:17 | 0:03:21 | |
She wants to confront peopld who prevent her from parking | 0:03:21 | 0:03:24 | |
and persuade them to change their attitude. | 0:03:24 | 0:03:27 | |
So you did not think for ond minute how difficult you could be laking it | 0:03:27 | 0:03:31 | |
for another disabled person that has not been able to park? | 0:03:31 | 0:03:34 | |
If I had seen someone else that was going to park... | 0:03:34 | 0:03:37 | |
The woman eventually admits she has been to the hairdresser | 0:03:37 | 0:03:40 | |
I know it is stupid, it is for a hair cut, but I have | 0:03:40 | 0:03:43 | |
been saving, I am on benefits.. | 0:03:43 | 0:03:45 | |
But the car is almost new. | 0:03:45 | 0:03:46 | |
The blue badge is confiscatdd. | 0:03:46 | 0:03:49 | |
What is it going to mean now, for your husband, having no badge? | 0:03:49 | 0:03:52 | |
Well, he is going to rip me to shreds when I get home. | 0:03:52 | 0:03:55 | |
Really rip me to shreds. | 0:03:55 | 0:03:58 | |
Across the road, a wheelchahr user has to pay for a parking sp`ce. | 0:03:58 | 0:04:03 | |
I think it just goes to show the lengths that people go to to try | 0:04:03 | 0:04:07 | |
to avoid a parking fee and, you know, she has made up so many lies. | 0:04:07 | 0:04:11 | |
We have been waiting here for ages. | 0:04:11 | 0:04:14 | |
She was insistent that her husband was in the toilet | 0:04:14 | 0:04:16 | |
when clearly he was not. | 0:04:16 | 0:04:19 | |
As a general rule, you're looking at about ?1000. | 0:04:19 | 0:04:22 | |
The fact that she has gone to those lengths to lie to me and concoct | 0:04:22 | 0:04:25 | |
a story and to get her son to say that he is someone else, th`t has | 0:04:25 | 0:04:29 | |
made the matter how a lot worse | 0:04:29 | 0:04:32 | |
Helen lost all her limbs to meningitis. | 0:04:33 | 0:04:35 | |
She runs a charity which helps drivers with disabilities. | 0:04:35 | 0:04:39 | |
Hello! | 0:04:39 | 0:04:40 | |
Lots of people with much more severe disabilities than me can drhve | 0:04:40 | 0:04:43 | |
but if you get to your desthnation and you cannot park | 0:04:43 | 0:04:46 | |
then it makes life very, very difficult and some people | 0:04:46 | 0:04:49 | |
will smash windows of cars to get a | 0:04:50 | 0:04:52 | |
blue badge or look online to see if they can buy badges. | 0:04:52 | 0:04:55 | |
They will go to pubs to find badges, just so they can avoid paying | 0:04:55 | 0:04:58 | |
a couple of quid for their parking fees or park a bit closer | 0:04:58 | 0:05:02 | |
when they go to the supermarket | 0:05:02 | 0:05:03 | |
It is just ridiculous. | 0:05:03 | 0:05:07 | |
Nationally, blue badge fraud is thought to cost councils ?44 | 0:05:07 | 0:05:10 | |
million per year in lost revenue. | 0:05:10 | 0:05:14 | |
In Portsmouth, it is ?500,000 per year. | 0:05:14 | 0:05:18 | |
Here comes a regular offendor. | 0:05:21 | 0:05:23 | |
He is using his ex`wife's blue badge. | 0:05:23 | 0:05:27 | |
OK, so what I am going to ask you to do is surrender | 0:05:27 | 0:05:30 | |
the badge over to me yet ag`in. | 0:05:30 | 0:05:32 | |
Stephen knows him well. | 0:05:32 | 0:05:33 | |
And he confiscates the badgd. | 0:05:33 | 0:05:35 | |
I very much doubt that the badge will be reissued. | 0:05:35 | 0:05:38 | |
Make her aware of that. | 0:05:38 | 0:05:39 | |
Helen tackles him. | 0:05:39 | 0:05:41 | |
Do you not consider when you park like that that you are | 0:05:41 | 0:05:44 | |
really depriving so many people | 0:05:44 | 0:05:45 | |
It is my ex`wife's badge. | 0:05:45 | 0:05:47 | |
Yes, I do know. | 0:05:47 | 0:05:48 | |
She is disabled. | 0:05:48 | 0:05:49 | |
That makes it even worse. | 0:05:49 | 0:05:50 | |
Do you not think? | 0:05:50 | 0:05:51 | |
Yes, it does. | 0:05:51 | 0:05:53 | |
You just keep doing it. | 0:05:53 | 0:05:54 | |
When are you going to stop? | 0:05:54 | 0:05:56 | |
Well, obviously now. | 0:05:56 | 0:05:57 | |
No choice! | 0:05:57 | 0:06:00 | |
Some people park in disabled bays to avoid paying ?1 for a ticket | 0:06:00 | 0:06:07 | |
You are parked in a disabled bay. | 0:06:07 | 0:06:08 | |
Are you a blue badge holder? | 0:06:08 | 0:06:10 | |
No, I am not. | 0:06:10 | 0:06:11 | |
I am just picking up my partner | 0:06:11 | 0:06:13 | |
Is she a blue badge holder? | 0:06:13 | 0:06:14 | |
No, she is not. | 0:06:14 | 0:06:15 | |
So why are you parked in a disabled bay? | 0:06:15 | 0:06:18 | |
There are plenty of other spaces here and if a disabled person | 0:06:18 | 0:06:21 | |
pulled up, I would pull up straightaway and let them p`rk. | 0:06:21 | 0:06:23 | |
There is a car park right ndxt to you with plenty of spaces. | 0:06:23 | 0:06:27 | |
Yes, but I am not intending to park. | 0:06:27 | 0:06:29 | |
I'm not getting out of the vehicle, I am just here for a couple | 0:06:29 | 0:06:32 | |
of minutes. | 0:06:32 | 0:06:33 | |
You have been here for about ten minutes. | 0:06:33 | 0:06:35 | |
I don't think so, about fivd. | 0:06:35 | 0:06:36 | |
Remember the white sports car that was towed away? | 0:06:36 | 0:06:39 | |
The owner has turned up at the City Council offices to pay | 0:06:39 | 0:06:42 | |
a fine and get the vehicle back | 0:06:42 | 0:06:46 | |
I'm not disabled. | 0:06:46 | 0:06:48 | |
I put it on. | 0:06:48 | 0:06:49 | |
It is nothing to do with her. | 0:06:49 | 0:06:51 | |
Before she can talk, her boyfriend interrupts to explain | 0:06:51 | 0:06:53 | |
where the badge came from. | 0:06:53 | 0:06:55 | |
Are you a registered disabled person? | 0:06:55 | 0:06:57 | |
No. | 0:06:57 | 0:06:57 | |
So why is there a disabled badge on your car. | 0:06:57 | 0:07:00 | |
Because it was put there. | 0:07:00 | 0:07:01 | |
By whom? | 0:07:01 | 0:07:02 | |
By the man in the sky. | 0:07:02 | 0:07:03 | |
I don't have to say. | 0:07:03 | 0:07:04 | |
The camera doesn't bother md. | 0:07:04 | 0:07:06 | |
So you can put it on whatevdr TV you want to, I really don't care. | 0:07:06 | 0:07:09 | |
So is it a responsible thing to do, to park on a disabled badge? | 0:07:09 | 0:07:13 | |
I don't care. | 0:07:13 | 0:07:14 | |
Why don't you care? | 0:07:14 | 0:07:16 | |
Down the road, parking officers have spent all day | 0:07:16 | 0:07:19 | |
watching a Renault close to a shopping centre. | 0:07:19 | 0:07:23 | |
It belongs to a local man btt the blue badge is registered to someone | 0:07:23 | 0:07:27 | |
who lives hundreds of miles away. | 0:07:27 | 0:07:30 | |
Here is the real kicker, | 0:07:30 | 0:07:32 | |
the blue badge owner has bedn dead for two years. | 0:07:32 | 0:07:37 | |
It costs ?10 per day to park here so using a blue badge could save | 0:07:37 | 0:07:41 | |
the driver ?2500 per year. | 0:07:41 | 0:07:45 | |
Obviously with the badge holder being deceased, there is absolutely | 0:07:45 | 0:07:48 | |
no genuine reason for that badge to be in use in that vehicle. | 0:07:48 | 0:07:52 | |
It is a serious dishonesty charge and carries a fine of up to ?5, 00. | 0:07:52 | 0:07:56 | |
Or alternatively they could also be charged under section 2 of the | 0:07:56 | 0:07:59 | |
Fraud Act or false representation. | 0:07:59 | 0:08:05 | |
A few hours later, the owner shows up. | 0:08:05 | 0:08:08 | |
He tells Helen that the badge belongs to his mother | 0:08:08 | 0:08:11 | |
Are you with her now? | 0:08:11 | 0:08:13 | |
Are you taking her to the shops | 0:08:13 | 0:08:14 | |
No, to be honest I didn't rdalise I had the badge on display. | 0:08:14 | 0:08:18 | |
Oh, right. | 0:08:18 | 0:08:19 | |
She is up in the north`east at the moment. | 0:08:19 | 0:08:21 | |
So you just bought a parking ticket as well? | 0:08:21 | 0:08:24 | |
I can't remember, to be hondst. | 0:08:24 | 0:08:25 | |
I was surprised when I got back and my car was not there. | 0:08:25 | 0:08:30 | |
According to the records, the owner of that blue badgd has | 0:08:30 | 0:08:33 | |
been dead for the last two xears. | 0:08:33 | 0:08:36 | |
Well, then, no... | 0:08:36 | 0:08:40 | |
My mother has not been dead for the last 2 years. | 0:08:40 | 0:08:43 | |
So why did the official records of the badge registered to | 0:08:43 | 0:08:48 | |
your car show that the owner of that badge is deceased? | 0:08:48 | 0:08:52 | |
I don't know. | 0:08:52 | 0:08:56 | |
We leave the parking enforcers to deal with him. | 0:08:58 | 0:09:01 | |
They have checked the records and eventually he changes his story | 0:09:01 | 0:09:05 | |
The badge belonged to his f`ther and he died years ago. | 0:09:05 | 0:09:10 | |
It is completely astounding, really. | 0:09:10 | 0:09:13 | |
First of all we hear that it is his mother's badge | 0:09:13 | 0:09:16 | |
and she is fine and well and then we actually discover it is his dad s | 0:09:16 | 0:09:20 | |
badge and his dad is dead. | 0:09:20 | 0:09:23 | |
He has been here all day, while he has been at work, | 0:09:23 | 0:09:26 | |
using a badge of someone th`t died a couple of years ago and doesn't seem | 0:09:26 | 0:09:30 | |
the least bit ashamed of hilself. | 0:09:30 | 0:09:35 | |
People have got to learn th`t they cannot carry on doing this | 0:09:36 | 0:09:39 | |
You know, it is cheating evdryone. | 0:09:39 | 0:09:41 | |
It is cheating society, cheating the council | 0:09:41 | 0:09:43 | |
and cheating disabled peopld. | 0:09:43 | 0:09:49 | |
And I am sure you have got something to say on that. | 0:09:53 | 0:09:56 | |
Next tonight, we are Better Together. | 0:09:56 | 0:10:02 | |
Scotland has spoken. | 0:10:02 | 0:10:04 | |
So now is as good a time as any to celebrate our nationalithes | 0:10:04 | 0:10:08 | |
and remember what it means to be English here in the South. | 0:10:08 | 0:10:14 | |
There is just something about the South of England. | 0:10:20 | 0:10:24 | |
Dickens. | 0:10:24 | 0:10:26 | |
Austin. | 0:10:26 | 0:10:35 | |
The dreaming spires of Oxford. | 0:10:35 | 0:10:36 | |
Blue cheese, the giant, Thomas Hardy. | 0:10:36 | 0:10:37 | |
The Spitfire! | 0:10:37 | 0:10:38 | |
Of course, the Spitfire! | 0:10:38 | 0:10:41 | |
Rolls`Royce, Stonehenge, even our rocks are better. | 0:10:41 | 0:10:45 | |
Although some of those are from Wales but... | 0:10:45 | 0:10:49 | |
We create, we invent, we inspire, we produce. | 0:10:49 | 0:10:54 | |
But what we don't do is makd the laws which run our own little | 0:10:54 | 0:10:59 | |
bit of Great Britain. | 0:10:59 | 0:11:00 | |
But that could be about to change, thanks to | 0:11:00 | 0:11:02 | |
a little something you might have heard about up in Scotland. | 0:11:02 | 0:11:05 | |
I have long believed that a crucial part missing from this | 0:11:05 | 0:11:08 | |
national discussion is Engl`nd. | 0:11:08 | 0:11:12 | |
We have heard the voice of Scotland and now the millions of voices | 0:11:12 | 0:11:15 | |
of England must also be heard. | 0:11:15 | 0:11:19 | |
Winchester, the old capital of Wessex. | 0:11:20 | 0:11:23 | |
At one time, decisions made here ruled the land, England. | 0:11:23 | 0:11:27 | |
Should there be an English Parliament for Engl`nd? | 0:11:27 | 0:11:31 | |
Yes. | 0:11:31 | 0:11:32 | |
I speak as a Scot. | 0:11:32 | 0:11:37 | |
Have you asked the right person ! | 0:11:37 | 0:11:38 | |
No, I do not. | 0:11:38 | 0:11:39 | |
Can I ask you a quick questhon about whether there should be | 0:11:39 | 0:11:42 | |
an English Parliament. | 0:11:42 | 0:11:43 | |
No, no, no. | 0:11:43 | 0:11:46 | |
Why not? | 0:11:46 | 0:11:47 | |
We have got Europe, regions, Westminster, the counties, the city, | 0:11:47 | 0:11:53 | |
we don't want any more. | 0:11:53 | 0:11:55 | |
John Redwood disagrees. | 0:11:55 | 0:11:57 | |
What is good enough for Scotland is good enough for England. | 0:11:57 | 0:12:00 | |
We will have a devolved parliament, just like Scotland. | 0:12:00 | 0:12:03 | |
There will be an English national view on what the | 0:12:03 | 0:12:06 | |
level of income tax should be, or what capital gains tax should be. | 0:12:06 | 0:12:09 | |
Now that we are moving into a world where Scotland will have thd right | 0:12:09 | 0:12:13 | |
to choose her own income tax and her own capital gains tax, we w`nt a | 0:12:13 | 0:12:17 | |
national rate and we do not think it should be settled by Scottish MPs | 0:12:17 | 0:12:20 | |
coming down to Westminster telling us what our income tax will be. | 0:12:20 | 0:12:23 | |
If they are not going to be paying themselves. | 0:12:23 | 0:12:27 | |
Just because we are still altogether does not necessarily | 0:12:27 | 0:12:30 | |
mean that everyone is happy. | 0:12:30 | 0:12:32 | |
You see, devolution does not just apply to countries. | 0:12:32 | 0:12:36 | |
It can affect regions or even counties. | 0:12:36 | 0:12:41 | |
There is one political partx, albeit a small one, that is deadly | 0:12:41 | 0:12:44 | |
serious about reforming Wessex. | 0:12:44 | 0:12:47 | |
That is Berkshire, Devon, Dorset, Isle of Wight, Hampshire, | 0:12:47 | 0:12:52 | |
Somerset and Wiltshire, and running it as a separatd state. | 0:12:52 | 0:12:57 | |
The Wessex Regionalists are campaigning for autonomy for Wessex, | 0:12:57 | 0:13:00 | |
which is a region of approxhmately 6 million people, that is 1,000 000 | 0:13:00 | 0:13:07 | |
more than Scotland. | 0:13:07 | 0:13:09 | |
And we did a study many years ago which verified that all | 0:13:09 | 0:13:12 | |
the income generated in the region of Wessex more than covered for all | 0:13:12 | 0:13:16 | |
its needs for pensions and so on, once you have got rid of all the | 0:13:16 | 0:13:21 | |
taxes to Westminster and Brtssels. | 0:13:21 | 0:13:24 | |
In other words, all that money stays in a rdgion, | 0:13:24 | 0:13:29 | |
does not go to people who are going to thieve it and tell us wh`t we can | 0:13:29 | 0:13:34 | |
and cannot do with it. | 0:13:34 | 0:13:35 | |
Public spending would be decided at the most local level possible. | 0:13:35 | 0:13:40 | |
Parish councils would have sovereign power. | 0:13:40 | 0:13:42 | |
So no larger gathering of county council or region`l | 0:13:42 | 0:13:47 | |
assembly would be able to tdll the parishes what they can and lust do. | 0:13:47 | 0:13:53 | |
They will be constrained to deliver what the parishes | 0:13:53 | 0:13:55 | |
tell them they must have. | 0:13:55 | 0:14:02 | |
I would just think it would be small chaos, it really would. | 0:14:02 | 0:14:05 | |
People would only look after their own selves, their own littld parts. | 0:14:05 | 0:14:10 | |
And we cannot really have that, we need to work as one unit, rdally. | 0:14:10 | 0:14:14 | |
As most of the money comes from the Government, it has to be | 0:14:14 | 0:14:18 | |
centrally acknowledged that decisions have to be made there | 0:14:18 | 0:14:24 | |
Back in 1996, it was the Isle of Wight making a break for frdedom. | 0:14:26 | 0:14:30 | |
Coins were minted and local news reporters were sent out to spend | 0:14:30 | 0:14:35 | |
the proposed new currency. | 0:14:35 | 0:14:36 | |
I would like a coffee, please. | 0:14:36 | 0:14:39 | |
Do you accept ECUs? | 0:14:39 | 0:14:41 | |
Is that from Jersey? | 0:14:41 | 0:14:44 | |
No, it is an ECU from the Isle of Wight. | 0:14:44 | 0:14:46 | |
An ECU from the Isle of Wight? | 0:14:46 | 0:14:48 | |
So, it?s funny money from the Isle of Wight? | 0:14:48 | 0:14:50 | |
Well, we can give you a beefburger for it if that is any good. | 0:14:50 | 0:14:54 | |
20 years on, what does the man behind devolution on the | 0:14:54 | 0:14:57 | |
Isle of Wight think about it today? | 0:14:57 | 0:14:58 | |
We presented to the Governmdnt an Island Apart case, | 0:14:58 | 0:15:01 | |
because we were feeling we never got anywhere with grants, and wd were | 0:15:01 | 0:15:05 | |
never recognised as an offshore island with all the problems | 0:15:05 | 0:15:09 | |
which came with an offshore island. | 0:15:09 | 0:15:11 | |
We felt we could attract in finance institutions, banks, building | 0:15:11 | 0:15:16 | |
societies, create jobs, if we had a certain amount of independence. | 0:15:16 | 0:15:22 | |
Whilst the Isle of Wight did not manage to establish independence, | 0:15:22 | 0:15:26 | |
now it is cities looking to run their own affairs, in the hope it | 0:15:26 | 0:15:29 | |
will boost their economies. | 0:15:29 | 0:15:33 | |
The first point is, we want a very effective st`te, | 0:15:33 | 0:15:35 | |
and that has to be local. | 0:15:35 | 0:15:37 | |
Secondly, if we create this effective local | 0:15:37 | 0:15:40 | |
state, we feel it should have genuine tax`raising powers. | 0:15:40 | 0:15:43 | |
It should have, we believe, the right to control the property | 0:15:43 | 0:15:47 | |
taxes in its area, from stalp duty to council tax to business rates. | 0:15:47 | 0:15:53 | |
We also feel that the case for a local income tax is mdrited. | 0:15:53 | 0:15:57 | |
And actually, once the servhces are integrated, your taxation c`n be | 0:15:57 | 0:16:01 | |
related to the services you receive. | 0:16:01 | 0:16:07 | |
ResPublica?s research relatds to Britain's nine so`called core | 0:16:11 | 0:16:14 | |
cities, which are pushing to be the country 's main economic hubs. | 0:16:14 | 0:16:19 | |
But smaller cities wants to be in the driving seat, too. | 0:16:19 | 0:16:22 | |
So they are on the road to reform under the banner of key cithes. | 0:16:22 | 0:16:27 | |
Portsmouth is one of those places putting itsdlf | 0:16:27 | 0:16:30 | |
forward as a potential key city | 0:16:30 | 0:16:33 | |
So, what difference will that actually make? | 0:16:33 | 0:16:36 | |
Time to find out. | 0:16:37 | 0:16:39 | |
Key cities wants to be mastdrs of their own ship, making ddcisions | 0:16:39 | 0:16:44 | |
locally which are normally out of their remit, because thex are | 0:16:44 | 0:16:47 | |
dictated by government policy. | 0:16:47 | 0:16:49 | |
I would really like more control over road | 0:16:49 | 0:16:51 | |
infrastructure, over schools ` that is really important, that wd can | 0:16:51 | 0:16:54 | |
improve educational outcomes for people in the city of Portslouth. | 0:16:54 | 0:16:56 | |
I also want more control ovdr planning`type issues, | 0:16:56 | 0:16:58 | |
so that we are not dictated to by overarching national planning | 0:16:58 | 0:17:03 | |
legislation, which can affect some areas more than others. | 0:17:03 | 0:17:06 | |
I have inherited a local edtcation authority which actually is very | 0:17:06 | 0:17:10 | |
poorly performing, it has bden for a decade, and I would reallx like, | 0:17:10 | 0:17:13 | |
through the Localism Act and through devolution of power from thd | 0:17:13 | 0:17:16 | |
Department of Education, to really get in there and sort out | 0:17:16 | 0:17:20 | |
the schools in Portsmouth and make the very much`needed changes. | 0:17:20 | 0:17:24 | |
Is there an argument for brhnging back that sort of thing, whdre more | 0:17:24 | 0:17:27 | |
decisions are made locally and the budgets are held locally? | 0:17:27 | 0:17:30 | |
No, I think it should stay `s it is. | 0:17:30 | 0:17:34 | |
Should not have local ones because there will always be arguments. | 0:17:34 | 0:17:38 | |
I think devolved government to different parts | 0:17:38 | 0:17:39 | |
of the country is inevitabld, so yes, I think a degree of devolvement | 0:17:39 | 0:17:43 | |
should be part of the futurd, yes. | 0:17:43 | 0:17:45 | |
Leave everything as it is. | 0:17:45 | 0:17:47 | |
Why? | 0:17:47 | 0:17:49 | |
Because it is going all right at the moment. | 0:17:49 | 0:17:53 | |
The devolution revolution is here. | 0:17:53 | 0:17:56 | |
We might be taking the scenic route to constitttional | 0:17:56 | 0:17:59 | |
change, but at least, being British, we are doing it in style. | 0:17:59 | 0:18:07 | |
And don't forget, you can fhnd us on Twitter at Inside Out Sotth. | 0:18:10 | 0:18:15 | |
Now, finally tonight, the whnners of the National Open Art Competition | 0:18:15 | 0:18:19 | |
are due to be announced shortly | 0:18:19 | 0:18:22 | |
The event, which is based in Chichester, attracts entrants | 0:18:22 | 0:18:26 | |
from across the country. | 0:18:26 | 0:18:28 | |
We followed three artists from the south. | 0:18:28 | 0:18:31 | |
Move over, London, Paris, Ndw York. | 0:18:31 | 0:18:35 | |
There is a new city in town, working hard to claim its place | 0:18:35 | 0:18:39 | |
on the art world map. | 0:18:39 | 0:18:42 | |
And this is only the cathedral. | 0:18:42 | 0:18:44 | |
There is the Pallant House Gallery, with its collection | 0:18:44 | 0:18:47 | |
of modern art to give galleries the world over a run for their loney. | 0:18:47 | 0:18:51 | |
All of it donated over the past 30 years, and all of it in Chichester. | 0:18:51 | 0:18:57 | |
And just up the road, Goodwood House, a work of art | 0:18:57 | 0:19:01 | |
in its own right and the falily seat of the man behind the plan to have | 0:19:01 | 0:19:05 | |
Chichester officially recognised as a key cultural centre by 202 . | 0:19:05 | 0:19:12 | |
Well, the vision is that Chhchester would be seen primarily as ` city | 0:19:12 | 0:19:15 | |
of the arts. | 0:19:15 | 0:19:17 | |
That would be the first thing you think of | 0:19:17 | 0:19:19 | |
when you hear the word Chichester. | 0:19:19 | 0:19:24 | |
And a big part of that drivd is the National Open Art Competition. | 0:19:24 | 0:19:27 | |
Started by the Chichester Arts Trust, it is now in its 18th year. | 0:19:27 | 0:19:31 | |
One of the judges this year is Royal Academician Norman Ackroyd. | 0:19:31 | 0:19:35 | |
When you come to a different part of the country, | 0:19:35 | 0:19:38 | |
other than London or somethhng, you find that there are wonderful | 0:19:38 | 0:19:41 | |
things going on all over Brhtain. | 0:19:41 | 0:19:44 | |
And things come in front of you ` fantastic, really. | 0:19:44 | 0:19:47 | |
Now, Chichester is determindd to put itself on the art map ` | 0:19:47 | 0:19:50 | |
do you think it can, do you think it can make its mark? | 0:19:50 | 0:19:53 | |
I think it can. | 0:19:54 | 0:19:55 | |
It has got a great gallery in Chichester, Pallant Housd ` | 0:19:55 | 0:19:58 | |
a lot of artists live in this part of the world. | 0:19:58 | 0:20:01 | |
So, yes, of course it can, but you need a group | 0:20:01 | 0:20:04 | |
of people to really work at it. | 0:20:04 | 0:20:07 | |
It is quite interesting, re`lly I have never judged an exhibition | 0:20:07 | 0:20:11 | |
in this part of the world bdfore. | 0:20:11 | 0:20:13 | |
Greg Gilbert from Southampton is one of the 3,600 entries this ydar. | 0:20:13 | 0:20:17 | |
By day, or possibly night, he is the front man of the band Ddlays. | 0:20:17 | 0:20:20 | |
But his other love involves getting busy with a Biro, | 0:20:20 | 0:20:26 | |
creating microscopic portrahts. | 0:20:26 | 0:20:30 | |
But working on such small images has its drawbacks. | 0:20:30 | 0:20:34 | |
I get a lot of headaches dohng it. | 0:20:34 | 0:20:36 | |
And it is a strain on the exes. | 0:20:36 | 0:20:39 | |
I kind of, I get one walk a day I take the dog for a walk, | 0:20:39 | 0:20:43 | |
and the world is a bright, wonderful place for however long you | 0:20:43 | 0:20:46 | |
are out and about. | 0:20:46 | 0:20:48 | |
And then it is back down to it. | 0:20:48 | 0:20:50 | |
Last year, Greg entered and won the Best in the South of England | 0:20:50 | 0:20:54 | |
category in the National Opdn Art Competition, with this thred`inch | 0:20:54 | 0:20:58 | |
drawing entitled Boscombe Pher. | 0:20:58 | 0:21:03 | |
Winning got him the attention of the Royal Academy, and they chose this | 0:21:03 | 0:21:06 | |
as part of their summer exhhbition. | 0:21:06 | 0:21:10 | |
It?s a little drawing of ond of the tsar's friends, and originally there | 0:21:10 | 0:21:14 | |
were two, and I messed up the one on the right, so I had to trim it down! | 0:21:14 | 0:21:18 | |
This year, Greg has tweaked his winning Biro formula, inspired | 0:21:18 | 0:21:21 | |
by Victorian relief postcards and scenes from his childhood. | 0:21:21 | 0:21:25 | |
That?s me, and that?s my cotsin | 0:21:25 | 0:21:28 | |
And that was my favourite shirt | 0:21:28 | 0:21:32 | |
This is in St Denys. | 0:21:32 | 0:21:34 | |
They used to have the balloon festival which would take off | 0:21:34 | 0:21:37 | |
on the Common, and the balloons would come down really, really low. | 0:21:37 | 0:21:40 | |
Are you pleased at how the the 3D has come to life, | 0:21:40 | 0:21:43 | |
because this is the first thme you have tried a 3D version of ht? | 0:21:43 | 0:21:46 | |
I would say I am as happy as I am going to get with it. | 0:21:46 | 0:21:51 | |
Step forward contestant number two, Sarah Shaw from Hove, | 0:21:51 | 0:21:54 | |
who is using Rorschach?s inkblot tests for inspiration. | 0:21:54 | 0:22:01 | |
This series of work is based on replicated imagery, | 0:22:01 | 0:22:03 | |
random replicated imagery, made by putting ink on one side | 0:22:03 | 0:22:05 | |
of the paper, squishing it... | 0:22:05 | 0:22:08 | |
Oh, a butterfly! | 0:22:08 | 0:22:12 | |
Lift it, here we go... | 0:22:12 | 0:22:15 | |
Mysterious forest, I think. | 0:22:15 | 0:22:18 | |
Yeah, cool! | 0:22:18 | 0:22:20 | |
Sarah uses the same method to create two mirror image canvases, | 0:22:20 | 0:22:23 | |
then works with a brush. | 0:22:23 | 0:22:26 | |
This is one of Sarah's entrhes The Watcher and the Watched. | 0:22:26 | 0:22:31 | |
And that came from one of those blottests that you were | 0:22:31 | 0:22:33 | |
doing last time we saw you? | 0:22:33 | 0:22:35 | |
The floor was covered with them | 0:22:35 | 0:22:38 | |
Yeah, to be honest, this started because, I think it had | 0:22:38 | 0:22:40 | |
been in my head anyway, the idea of the watcher and the watched, but | 0:22:40 | 0:22:44 | |
those ears were the two things that I just kind of saw in the blottest | 0:22:44 | 0:22:48 | |
and then kind of responded to that. | 0:22:48 | 0:22:51 | |
Gina Soden is a photographer inspired by decaying old buhldings. | 0:22:51 | 0:22:55 | |
Having won Emerging Artist of the Year last year with this | 0:22:55 | 0:23:00 | |
the plan now is to record this soon`to`be demolished | 0:23:00 | 0:23:03 | |
Royal Hospital Haslar in Gosport. | 0:23:03 | 0:23:07 | |
I think this was the old A | 0:23:07 | 0:23:11 | |
It is really interesting, the old courtyard. | 0:23:11 | 0:23:14 | |
Yes, it is pretty good. | 0:23:14 | 0:23:15 | |
It would be good if we could get in. | 0:23:15 | 0:23:18 | |
Look what I have got. | 0:23:18 | 0:23:20 | |
Oh, my god, really? | 0:23:20 | 0:23:21 | |
Wow! | 0:23:21 | 0:23:24 | |
Quick! | 0:23:24 | 0:23:26 | |
Ah, brilliant. | 0:23:26 | 0:23:28 | |
Peeling paint heaven, and, wow! | 0:23:28 | 0:23:31 | |
An old ward, I think. | 0:23:31 | 0:23:33 | |
Fantastic. | 0:23:33 | 0:23:35 | |
This is great. | 0:23:35 | 0:23:37 | |
I would photograph about six exposures. | 0:23:37 | 0:23:38 | |
Later on I merge them and then I do some colour toning as well just to | 0:23:38 | 0:23:42 | |
get generally what my eye c`n see. | 0:23:43 | 0:23:44 | |
Because the camera can make it a bit flat, especially | 0:23:44 | 0:23:47 | |
if the light is a bit flat `s well. | 0:23:47 | 0:23:50 | |
How big a deal are competithons for you? | 0:23:50 | 0:23:52 | |
Do they open doors? | 0:23:52 | 0:23:55 | |
Very much so. | 0:23:55 | 0:23:57 | |
I have entered quite a few `nd I have had some really good rdsults, | 0:23:57 | 0:24:01 | |
and I have had my work in several clubs because of it. | 0:24:01 | 0:24:04 | |
Having the competitions, thd wins, to your name, | 0:24:04 | 0:24:06 | |
really does add a bit of emphasis to your career, that you are | 0:24:06 | 0:24:09 | |
extraordinarily passionate `bout. | 0:24:09 | 0:24:11 | |
It is judging time, and Norman Ackroyd is joined | 0:24:11 | 0:24:13 | |
by fellow Royal Academician Chris Orr, along with photographer | 0:24:13 | 0:24:17 | |
Caroline Irby and art collector Vanessa Branson ` shortlisthng 00 | 0:24:17 | 0:24:21 | |
entries out of 3,600. | 0:24:21 | 0:24:26 | |
When an image comes up and xou have been looking at work for ye`rs, | 0:24:26 | 0:24:30 | |
and you have got an experienced eye, you can always tell in | 0:24:30 | 0:24:33 | |
a second whether it is good or not. | 0:24:33 | 0:24:35 | |
Then sometimes you think, I need to look at that, | 0:24:35 | 0:24:37 | |
so you look at it for a bit longer. | 0:24:37 | 0:24:39 | |
Judges have a maximum of eight seconds for each entry | 0:24:39 | 0:24:43 | |
No, and... | 0:24:43 | 0:24:48 | |
No. | 0:24:48 | 0:24:49 | |
Thank you. | 0:24:49 | 0:24:53 | |
And... | 0:24:53 | 0:24:54 | |
Anyone? | 0:24:54 | 0:24:56 | |
I do not like it. | 0:24:56 | 0:24:57 | |
No, thank you. | 0:24:57 | 0:24:59 | |
Then, it is Greg's Biro minhature. | 0:24:59 | 0:25:01 | |
Miniature Biro drawing. | 0:25:01 | 0:25:03 | |
I would quite like to see it. | 0:25:03 | 0:25:06 | |
It is tiny. | 0:25:06 | 0:25:08 | |
It could be really interesthng, as a three`dimensional object. | 0:25:08 | 0:25:11 | |
It is set forward by some khnd of device. | 0:25:11 | 0:25:15 | |
Yes, it?s a three`dimensional object | 0:25:15 | 0:25:17 | |
OK. | 0:25:17 | 0:25:19 | |
Greg has been shortlisted. | 0:25:19 | 0:25:21 | |
Sarah is next. | 0:25:21 | 0:25:23 | |
In the end, she submitted four paintings. | 0:25:23 | 0:25:28 | |
We?re back to Wolves, are wd? | 0:25:28 | 0:25:30 | |
Folding canvas. | 0:25:30 | 0:25:31 | |
What about going for the carousel and the bo`t? | 0:25:31 | 0:25:34 | |
I think we should have the wolf as well. | 0:25:34 | 0:25:36 | |
OK. | 0:25:36 | 0:25:38 | |
What are we going for? | 0:25:38 | 0:25:40 | |
One, two, and three. | 0:25:40 | 0:25:42 | |
Finally, Gina, whose photographs of decayed | 0:25:42 | 0:25:45 | |
buildings seem to be going well | 0:25:45 | 0:25:48 | |
That is strange. | 0:25:48 | 0:25:50 | |
Very beautiful. | 0:25:50 | 0:25:52 | |
So, yes to number one. | 0:25:52 | 0:25:54 | |
Number two is definite. | 0:25:54 | 0:25:57 | |
And she is through. | 0:25:57 | 0:26:00 | |
All three of our artists have made it to the final whittling down. | 0:26:00 | 0:26:04 | |
Out of 500 shortlisted, onlx 12 pieces end up being chosen for | 0:26:04 | 0:26:07 | |
the National Open Art Competition. | 0:26:07 | 0:26:11 | |
And this year, it is not such good news for Greg. | 0:26:11 | 0:26:15 | |
No. | 0:26:15 | 0:26:18 | |
There are some fantastic works which are not chosen, and even I, as | 0:26:18 | 0:26:21 | |
the chairman, am disappointdd with some of the works which havd not | 0:26:21 | 0:26:24 | |
been chosen, but I am not a judge. | 0:26:24 | 0:26:26 | |
So, it is absolutely fair, they do not know who the artist is, | 0:26:26 | 0:26:29 | |
it is completely anonymous, and they put together a show which, | 0:26:29 | 0:26:33 | |
every year, seems to work ott as a fantastic show. | 0:26:33 | 0:26:39 | |
On some of them, you think that they have made their minds just | 0:26:39 | 0:26:42 | |
as they are coming up to thd table. | 0:26:43 | 0:26:45 | |
Others, they are really intdrested, they want to have a look, lhke, | 0:26:45 | 0:26:48 | |
to look at the detail. | 0:26:48 | 0:26:50 | |
Up next, Sarah Shaw. | 0:26:50 | 0:26:52 | |
And she?s through. | 0:26:52 | 0:26:55 | |
Keep those two. | 0:26:55 | 0:26:57 | |
These are... | 0:26:57 | 0:26:59 | |
These two are yes. | 0:26:59 | 0:27:01 | |
Two, two, two. | 0:27:01 | 0:27:03 | |
And two of Jena 's photographs have also made it into the exhibhtion. | 0:27:03 | 0:27:11 | |
The yes and the no that we gave to the different works was not a yes, | 0:27:11 | 0:27:15 | |
that is brilliant and no, that is dreadful, it was just, yes, we like | 0:27:15 | 0:27:18 | |
it, no, we don't, yes, this is going to work in the whole exhibition with | 0:27:18 | 0:27:22 | |
the other works we have seldcted, or no, it isn't. | 0:27:22 | 0:27:25 | |
A young artist should put in for this kind of competition, | 0:27:25 | 0:27:27 | |
especially under`25s. | 0:27:27 | 0:27:28 | |
If they get into an exhibithon at Somerset House, at Pallant | 0:27:28 | 0:27:31 | |
House, and they have got thdir name as a prizewinner, it gives them .. | 0:27:31 | 0:27:34 | |
Any kind of encouragement is very valuable | 0:27:34 | 0:27:37 | |
when you are in your early 20s. | 0:27:37 | 0:27:40 | |
Having had to leave out so lany entries worthy of an exhibition | 0:27:40 | 0:27:43 | |
artist Chris Orr has a mess`ge for the arts outside London. | 0:27:43 | 0:27:48 | |
We need a lot more venues which show work outside of London. | 0:27:48 | 0:27:51 | |
We need a lot more encouragdment. | 0:27:52 | 0:27:54 | |
Please note, Arts Council, the regional policy is really | 0:27:54 | 0:27:58 | |
important, and it should be what we think of as a whole national thing, | 0:27:58 | 0:28:02 | |
not just London and a littld bit on the side in the country! | 0:28:02 | 0:28:07 | |
This art exhibition is now the premier art exhibition hn the | 0:28:07 | 0:28:10 | |
country, with the biggest prize and with a huge number of 3,600 entries. | 0:28:10 | 0:28:18 | |
And the winners of the competition are due to be | 0:28:19 | 0:28:22 | |
announced at the end of this week. | 0:28:22 | 0:28:24 | |
That?s it for now. | 0:28:24 | 0:28:26 | |
Don't forget the e`mail... | 0:28:26 | 0:28:29 | |
And I will see you next timd. | 0:28:29 | 0:28:33 | |
Next week on Inside Out, I will be trying to find out why Portsmouth | 0:28:40 | 0:28:44 | |
is one of the most dangerous places to cycle in the South. | 0:28:44 | 0:28:48 | |
You kind of take your lives into your hands every day you cycle | 0:28:48 | 0:28:51 | |
in Portsmouth. | 0:28:52 | 0:28:54 | |
Hello, I'm Sam Naz with your 90-second update. | 0:29:04 | 0:29:06 | |
14-year-old Alice Gross went missing three weeks ago. | 0:29:06 | 0:29:09 | |
Today, police carried out a finger-tip search of | 0:29:09 | 0:29:12 | |
the canal where she was last seen. | 0:29:12 | 0:29:14 | |
600 officers, from eight forces are working on the case. | 0:29:14 | 0:29:16 | |
There is trouble at Tesco. | 0:29:16 | 0:29:18 | |
It has overestimated its profits by a quarter of a billion pounds. | 0:29:18 | 0:29:21 | |
Four bosses have been suspended | 0:29:21 | 0:29:22 | |
Shares have plummeted. | 0:29:22 | 0:29:24 | |
A new focus for Thai police looking into | 0:29:24 | 0:29:27 | |
the murder of two British tourists. | 0:29:27 | 0:29:29 | |
They plan to test the DNA of every man on the island where David Miller | 0:29:29 | 0:29:33 | |
and Hannah Witheridge died. | 0:29:33 | 0:29:34 | |
It is thought they were attacked by two Asian men. | 0:29:34 | 0:29:36 | |
Arranging a sham gay wedding to get someone UK citizenship. | 0:29:36 | 0:29:39 | |
A BBC investigation has found gangs will organise it for ?10,000. | 0:29:39 | 0:29:44 | |
It is thought up to 30% of same-sex marriages are fake. | 0:29:44 | 0:29:47 | |
Got any spare cash? | 0:29:47 | 0:29:49 | |
The Royal Mint is encouraging people to invest in gold or silver | 0:29:49 | 0:29:52 | |
by launching a website to trade them online. | 0:29:52 | 0:29:55 | |
You can keep it in their vaults or opt for home delivery. | 0:29:55 | 0:30:02 | |
Hello, I'm Rob Powell, with your headlines in the South. | 0:30:02 | 0:30:04 | |
Claims of contaminated diesdl at this Tesco petrol station | 0:30:04 | 0:30:06 | |
in Poole are being investig`ted by the supermarket. | 0:30:06 | 0:30:08 | |
Motorists say their cars broke down after filling up | 0:30:08 | 0:30:10 |