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This is the Rion-Antirion Bridge in Greece, one of the longest bridges in the world. | 0:00:02 | 0:00:09 | |
It crosses some of the most active earthquake fault lines in Europe. | 0:00:11 | 0:00:16 | |
It also sits in a powerful natural wind tunnel | 0:00:16 | 0:00:20 | |
and there's nothing solid at the bottom of the sea to build it on. | 0:00:22 | 0:00:27 | |
To make matters worse, this coast is moving away from that coast every day. | 0:00:27 | 0:00:34 | |
How did they ever build it? | 0:00:36 | 0:00:38 | |
They faced what would have been an impossible challenge | 0:00:38 | 0:00:41 | |
if it weren't for some unusual connections. | 0:00:41 | 0:00:44 | |
The hammock... | 0:00:44 | 0:00:46 | |
Go on, lads, let it rip. | 0:00:46 | 0:00:47 | |
..a fizzy-pop can... | 0:00:51 | 0:00:52 | |
Oh, no. There's a fire! | 0:00:54 | 0:00:55 | |
This is lovely. | 0:00:57 | 0:01:00 | |
..a toboggan... | 0:01:00 | 0:01:01 | |
..Indian incense... | 0:01:04 | 0:01:06 | |
These contain an oil that really does smell lovely. | 0:01:06 | 0:01:12 | |
..and a steel chimney. | 0:01:14 | 0:01:16 | |
The Gulf of Corinth slices deep into mainland Greece, but at its Western end it's very narrow. | 0:01:36 | 0:01:43 | |
To avoid a 280-mile detour around the mainland of Greece, | 0:01:44 | 0:01:49 | |
you only need to cross this small stretch of water. Sounds simple. | 0:01:49 | 0:01:55 | |
On one side of the Gulf of Corinth, Rion. | 0:01:55 | 0:01:58 | |
On the other, Antirion. You can see what they did. Rion, Anti-Rion. | 0:01:58 | 0:02:03 | |
100 years ago, the Greek Prime Minister dreamed of a bridge to connect the two places. | 0:02:03 | 0:02:09 | |
Without some unprecedented engineering, that bridge would still be a dream. | 0:02:09 | 0:02:15 | |
Nearly two miles in length, | 0:02:26 | 0:02:29 | |
the Rion-Antirion Bridge is really long, but most incredibly, it's practically earthquake proof. | 0:02:29 | 0:02:36 | |
Which is reassuring, as it sits in one of the most active seismic zones in all of Europe. | 0:02:36 | 0:02:44 | |
It can withstand shocks measuring 7.4 on the Richter scale, | 0:02:47 | 0:02:51 | |
enough to completely destroy your average bridge. | 0:02:51 | 0:02:54 | |
Back in 2008 the bridge was hit by a tremor. | 0:02:54 | 0:03:01 | |
The shaking ground had caused buildings to collapse less than 15 miles away, | 0:03:05 | 0:03:10 | |
killing two people and injuring many more. | 0:03:10 | 0:03:13 | |
Amidst the chaos, the bridge survived unscathed, | 0:03:17 | 0:03:21 | |
allowing emergency traffic to pass safely and quickly over the gulf. | 0:03:21 | 0:03:25 | |
But surprisingly, | 0:03:25 | 0:03:28 | |
shaking ground wasn't the first challenge earthquakes posed to the bridge builders. | 0:03:28 | 0:03:33 | |
Before they could start, they had to deal with what lay at the bottom of the sea. | 0:03:33 | 0:03:39 | |
For the engineers, this was always going to be a bridge over troubled waters. | 0:03:42 | 0:03:47 | |
Yeah, I know, sorry. But it was! | 0:03:47 | 0:03:50 | |
Just getting started was going to be a huge engineering challenge. | 0:03:50 | 0:03:53 | |
In fact, when they began, they still didn't know how they were going to lay their foundations. | 0:03:53 | 0:03:58 | |
The sea here is 65 metres deep, | 0:03:58 | 0:04:01 | |
a challenge in itself, but at the bottom there's nothing but sand and silt for hundreds of metres down. | 0:04:01 | 0:04:08 | |
There's no solid bedrock and no solid bedrock means no solid foundations. | 0:04:08 | 0:04:14 | |
Solid foundations are, of course, crucial to any structure, | 0:04:17 | 0:04:22 | |
especially when they're shaken by frequent earthquakes. | 0:04:22 | 0:04:26 | |
Combining a sandy seabed with seismic activity results | 0:04:26 | 0:04:30 | |
in a relatively little-known danger from earthquakes called liquefaction. | 0:04:30 | 0:04:36 | |
In a tremor, soft, wet ground literally turns to liquid, which really is as bad as it sounds. | 0:04:36 | 0:04:44 | |
Nobody in the world had ever before set out to build a bridge in these conditions. | 0:04:46 | 0:04:52 | |
The engineers came up with the solution that seems to defy logic. | 0:04:52 | 0:04:57 | |
But first, why does a tremor turn sand and water into a liquid? | 0:04:57 | 0:05:02 | |
I've created an earthquake machine to replicate the conditions | 0:05:02 | 0:05:07 | |
at the bottom of the Gulf of Corinth. | 0:05:07 | 0:05:10 | |
This engine is going to play the part of an earthquake. | 0:05:10 | 0:05:13 | |
The sand and water can play themselves, and to get a bone-shaking feel for the problem, | 0:05:15 | 0:05:20 | |
I'll be the bridge itself. | 0:05:20 | 0:05:24 | |
If you add an earthquake to loose, wet ground, | 0:05:24 | 0:05:28 | |
something pretty strange can happen, as I shall now demonstrate. | 0:05:28 | 0:05:31 | |
Here we have the loose, wet ground. | 0:05:31 | 0:05:33 | |
It's sand with water but it's solid enough. | 0:05:33 | 0:05:36 | |
Standing in here quite happily. | 0:05:36 | 0:05:37 | |
OK, if we're ready then, chaps, take it away. | 0:05:37 | 0:05:41 | |
Now, my earthquake is starting. | 0:05:45 | 0:05:47 | |
It is really very loud and very shaky. | 0:05:48 | 0:05:52 | |
Straightaway I see water coming to the top. | 0:05:52 | 0:05:57 | |
In fact, I think I'm starting to sink. | 0:05:59 | 0:06:01 | |
That's a lot of water. | 0:06:03 | 0:06:04 | |
Clearly, what's happened is - apart from being deafened - I've sunk. | 0:06:16 | 0:06:22 | |
It isn't just that the water's on the top. I mean, I really have... I'm in the ground. | 0:06:22 | 0:06:28 | |
So I need to find out what's happened. | 0:06:28 | 0:06:30 | |
To do that, I need to get out and that's not very easy. | 0:06:30 | 0:06:35 | |
Hold on! | 0:06:35 | 0:06:37 | |
Yep. | 0:06:38 | 0:06:40 | |
Obviously, in the Western movie version of this, I'd get my horse | 0:06:40 | 0:06:45 | |
by the side of the quicksand and he'd pull me out. OK. | 0:06:45 | 0:06:51 | |
The ground holds me up fine before the earthquake, then it turns into quicksand. | 0:06:53 | 0:06:59 | |
As it's shaken, the whole thing changes from solid to liquid. | 0:06:59 | 0:07:04 | |
It liquefies and I sink. | 0:07:04 | 0:07:06 | |
'Geo-technical engineer Stuart Haigh explains that the key is that the sand is wet.' | 0:07:09 | 0:07:15 | |
When the sand particles are shaken, the spaces in between them, | 0:07:15 | 0:07:19 | |
or the pores, try and get smaller, the water in there gets squashed and the pressure goes up. | 0:07:19 | 0:07:23 | |
Once that happens, whatever's standing on top of it sinks into the ground. | 0:07:23 | 0:07:28 | |
Combine wet sand with seismic shocks and it's a killer. | 0:07:31 | 0:07:35 | |
When a huge earthquake hit Kobe Harbour, Japan, | 0:07:35 | 0:07:41 | |
in 1995, over 6,000 people died. | 0:07:41 | 0:07:45 | |
It measured 7.2 on the Richter Scale. | 0:07:45 | 0:07:49 | |
Sure enough, the ground was sandy and full of water. | 0:07:49 | 0:07:53 | |
When the mix was shaken and stirred, the result was catastrophic liquefaction. | 0:07:53 | 0:07:59 | |
Literally the previously solid ground became liquid. | 0:07:59 | 0:08:02 | |
Ordinarily, engineers can drain the sand to get rid of the water or compact it | 0:08:05 | 0:08:13 | |
so that the water is squeezed out. | 0:08:13 | 0:08:14 | |
None of this was possible in the Gulf of Corinth | 0:08:18 | 0:08:21 | |
and the sand to compact up to 1,640 feet deep. | 0:08:21 | 0:08:28 | |
An impossible task. | 0:08:28 | 0:08:30 | |
There was no solution in the bridge builders' manual, | 0:08:32 | 0:08:35 | |
so the Rion designers had to come up with their own, which they did, | 0:08:35 | 0:08:38 | |
thanks to incense. | 0:08:38 | 0:08:40 | |
This is vetiver grass and it's used to make incense thanks to a sweet-smelling volatile oil | 0:08:40 | 0:08:45 | |
in the roots. | 0:08:45 | 0:08:47 | |
But it wasn't the oil they were after. | 0:08:47 | 0:08:49 | |
These are the roots, hanging down in here. | 0:08:58 | 0:09:03 | |
These contain an oil that really does smell lovely. | 0:09:03 | 0:09:10 | |
Now, this grass originates in swamps in India, so harvesting it was horribly difficult. | 0:09:10 | 0:09:17 | |
Snakes and awful conditions. | 0:09:17 | 0:09:19 | |
The growers soon learned to grow it in places more convenient for harvesting - on riverbanks. | 0:09:19 | 0:09:25 | |
They then noticed that these roots, which can grow up to seven metres long in fully-grown plants, | 0:09:25 | 0:09:32 | |
stabilised the soft ground they were growing in. | 0:09:32 | 0:09:37 | |
That's what interested the bridge designers. | 0:09:37 | 0:09:40 | |
The way that the long, thin roots of the vetiver grass stabilised riverbanks | 0:09:42 | 0:09:47 | |
worked for the bridge engineers too. | 0:09:47 | 0:09:50 | |
With my own earthquake rig, I'm going to put their solution to the test. | 0:09:52 | 0:09:57 | |
Here you go, Jim. Is this it? | 0:09:59 | 0:10:03 | |
-That's it. -And just this many? I've got, what, six of them? -Six will be fine. | 0:10:03 | 0:10:07 | |
And it's going to be an earthquake of the same strength as before? | 0:10:07 | 0:10:11 | |
OK, well, I'm going to trust you and your theory and I'm not going to put my waders back on. | 0:10:11 | 0:10:17 | |
I'm going to go in. I shall wear just my new boots. | 0:10:17 | 0:10:20 | |
-You'll be fine. -Really? -Yep. | 0:10:20 | 0:10:22 | |
It's not that I can't sink - the rods don't actually touch the bottom of the tank - | 0:10:24 | 0:10:30 | |
They work because they reduce movement in the sand. | 0:10:30 | 0:10:33 | |
So they should stop my board from sinking and my new boots should stay new. | 0:10:33 | 0:10:40 | |
All right. Let's do it. | 0:10:40 | 0:10:43 | |
Don't ruin my new boots. | 0:10:43 | 0:10:45 | |
Go. | 0:10:45 | 0:10:47 | |
Whoa! | 0:10:47 | 0:10:49 | |
I'm not going any further. | 0:10:59 | 0:11:03 | |
After some initial settling, it does the job. | 0:11:09 | 0:11:13 | |
So by sinking steel rods into the seabed, the engineers managed to stabilise it. | 0:11:13 | 0:11:18 | |
Actual vetiver grass is used to stabilise river banks and cliffs edges across the world, | 0:11:18 | 0:11:23 | |
from Africa to Fiji. Those long, thin roots hold the soil together. | 0:11:23 | 0:11:27 | |
Beneath three of the four piers of the Rion-Antirion Bridge | 0:11:31 | 0:11:35 | |
are 200 metal piles driven into the sand. | 0:11:35 | 0:11:39 | |
They're just like my small ones in the skip, | 0:11:39 | 0:11:41 | |
but here each pile is huge - at least 25 metres long. | 0:11:41 | 0:11:46 | |
They still don't reach the bedrock. | 0:11:46 | 0:11:49 | |
Even more surprising, the bridge doesn't rest on these piles. | 0:11:49 | 0:11:53 | |
The tops of the piles are almost a metre beneath the base of the piers, | 0:11:53 | 0:11:58 | |
but they're enough to keep the sand from liquidising, even in an earthquake. | 0:11:58 | 0:12:04 | |
The bridge won't sink. This solution had never been used before. | 0:12:04 | 0:12:09 | |
Until the construction of this bridge, | 0:12:09 | 0:12:11 | |
building on wet sand in an earthquake zone was obviously a big no-no. | 0:12:11 | 0:12:16 | |
But thanks to a fragrant gift from Mother Nature, the engineers came up smelling of roses. | 0:12:16 | 0:12:21 | |
Well, vetiver grass. | 0:12:21 | 0:12:23 | |
Even though the entire weight of the bridge is held up by just these four piers, | 0:12:25 | 0:12:30 | |
the engineers had succeeded in keeping them from sinking into the ground in an earthquake. | 0:12:30 | 0:12:36 | |
As soon as they'd solved one problem here, another one came up. | 0:12:36 | 0:12:40 | |
They could stop the piers from sinking in an earthquake, | 0:12:40 | 0:12:43 | |
but how could they stop them from toppling over? | 0:12:43 | 0:12:46 | |
In an earthquake, the earth moves vigorously from side to side | 0:12:51 | 0:12:55 | |
and would take the gigantic piers with it. | 0:12:55 | 0:12:59 | |
That could be a big problem for a big bridge. | 0:12:59 | 0:13:03 | |
Phil Corbett has offered to take me a bit closer to the problem. | 0:13:05 | 0:13:09 | |
The piers are actually hollow, so I'm going to go right down to the bottom of them. | 0:13:09 | 0:13:15 | |
This is just the first floor down and I'm starting to get | 0:13:15 | 0:13:18 | |
a real sense of what I've taken on. | 0:13:18 | 0:13:20 | |
Ooh! | 0:13:20 | 0:13:23 | |
That's the centre of the earth. It must be. | 0:13:23 | 0:13:27 | |
Well, it is a nerve-racking 110 metres down in total. | 0:13:29 | 0:13:34 | |
There can't be that much further to go now, surely? | 0:13:34 | 0:13:38 | |
Then, just when I thought I'd reached the bottom... | 0:13:38 | 0:13:40 | |
Well, I've been climbing down ladders and stairs for what felt like weeks | 0:13:45 | 0:13:50 | |
and this is all I've done. Sea level. | 0:13:50 | 0:13:54 | |
There's a whole lot more to come because this thing goes on and on and on down there. | 0:13:54 | 0:14:01 | |
33 flights of stairs later... | 0:14:05 | 0:14:09 | |
This is it, then. Bottom of the sea. | 0:14:09 | 0:14:11 | |
65 metres above is the surface of the sea. Under there, the bed. | 0:14:11 | 0:14:17 | |
These are the biggest bridge piers of their kind in the world. | 0:14:17 | 0:14:23 | |
This one weighs 171,000 tonnes and from down here to the top, it's about 30 storeys. | 0:14:23 | 0:14:31 | |
90 metres across at the base of this thing. | 0:14:31 | 0:14:34 | |
In an earthquake - it is almost impossible to imagine - | 0:14:34 | 0:14:39 | |
to keep it from falling over, this whole gigantic tower needs to move freely from side to side. | 0:14:39 | 0:14:47 | |
If the base got stuck, the whole thing would topple over. | 0:14:50 | 0:14:55 | |
The engineers need to make sure that each pier can move freely. | 0:14:55 | 0:15:00 | |
So what to do? | 0:15:00 | 0:15:02 | |
The answer to that lies in an age-old winter pastime. | 0:15:02 | 0:15:06 | |
The Rion-Antirion Bridge has one thing in common with winter sports. | 0:15:09 | 0:15:14 | |
They both involve moving freely - sliding. | 0:15:14 | 0:15:17 | |
Of course, tempting as it is... | 0:15:20 | 0:15:23 | |
I didn't come here to play in the snow. | 0:15:23 | 0:15:25 | |
Just like a toboggan, the bridge piers have to slide freely over the sea floor which is made of sand. | 0:15:31 | 0:15:38 | |
But they don't slide well on sand because of their shape. | 0:15:38 | 0:15:42 | |
To show you what I mean, this board is flat, like the bottom of the bridge pier. | 0:15:45 | 0:15:50 | |
Yeah. The problem is the leading edge is digging in, or toeing in, as they say in the trade. | 0:15:58 | 0:16:03 | |
It won't go anywhere. | 0:16:03 | 0:16:04 | |
That could have been a real problem for the Rion Bridge. | 0:16:04 | 0:16:06 | |
Sliding down a hill of loose sand is one thing, but does a pier | 0:16:08 | 0:16:13 | |
on the flat seabed really have the same problem? | 0:16:13 | 0:16:17 | |
I've got myself an accurate scale model of a bridge pier. | 0:16:17 | 0:16:23 | |
Well, give or take a few hundred metres. | 0:16:23 | 0:16:25 | |
It's currently being supported without a problem | 0:16:25 | 0:16:28 | |
by this ultra-smooth track of fine sand. | 0:16:28 | 0:16:32 | |
This time, to create the effect of the ground moving sideways, | 0:16:32 | 0:16:36 | |
or laterally, the role of the earthquake will be played by a 4x4. | 0:16:36 | 0:16:41 | |
I've also brought along Ian Price, an expert in stabilising soils. | 0:16:43 | 0:16:49 | |
So even though we're not at the bottom of the sea, by any means, you reckon this is | 0:16:49 | 0:16:54 | |
-a good representation of what might happen 65 metres down? -Yeah, we're attempting to simulate that effect. | 0:16:54 | 0:17:00 | |
OK. So I'm going to drive away because this is a lateral force we're talking about? | 0:17:00 | 0:17:04 | |
We're talking about large lateral forces. | 0:17:04 | 0:17:06 | |
-This is a large lateral force. -I'm going to stand well clear. | 0:17:06 | 0:17:10 | |
OK, I'm going to create an earthquake. | 0:17:10 | 0:17:14 | |
Ah. | 0:17:23 | 0:17:24 | |
My pier fell over. | 0:17:29 | 0:17:32 | |
-So this is the toeing in you're talking about? -That's right. | 0:17:32 | 0:17:35 | |
Why did it fall? Why didn't it just keep following me? | 0:17:35 | 0:17:37 | |
The weight overcame the ability of the sand to support the structure. | 0:17:37 | 0:17:43 | |
In an earthquake, the piers of the Rion Bridge would be pushed sideways, like this. | 0:17:45 | 0:17:50 | |
As it moves, the leading edge puts more pressure on the sand beneath it | 0:17:50 | 0:17:55 | |
until it's more than the sand can support. | 0:17:55 | 0:17:58 | |
It digs or toes in, and then it topples over. | 0:17:58 | 0:18:03 | |
Really not what you want. | 0:18:04 | 0:18:07 | |
So the key is how much pressure from the leading edge a material can support. | 0:18:07 | 0:18:14 | |
In winter sports, the solution is simple. | 0:18:14 | 0:18:17 | |
Take away the leading edge altogether. | 0:18:17 | 0:18:20 | |
Make your skis, snowboard or toboggan curl up at the front. | 0:18:20 | 0:18:24 | |
That's fine for a toboggan, but making mammoth pier bases | 0:18:32 | 0:18:36 | |
that curl up like giant sleds would be virtually impossible to construct. | 0:18:36 | 0:18:41 | |
They needed another solution. | 0:18:41 | 0:18:44 | |
The one they chose was extreme. | 0:18:46 | 0:18:50 | |
Rather than change the shape of the piers, they decided to change the surface of the seabed. | 0:18:52 | 0:18:57 | |
For their solution, the bridge engineers needed to understand why you toe in to soft material. | 0:19:00 | 0:19:06 | |
I've got to ask, why is there a paddling pool | 0:19:07 | 0:19:10 | |
full of what appears to be mashed potato? | 0:19:10 | 0:19:13 | |
Well, this demonstrates what the engineers found on the site of the Rion-Antirion Bridge. | 0:19:13 | 0:19:20 | |
What we have there is silts and clays which are very, very soft, very analogous to mashed potato. | 0:19:20 | 0:19:27 | |
There's no way that sands will support the weight of the structure. Try it yourself, Richard. | 0:19:27 | 0:19:31 | |
-What, get in? -Yeah. Why not? -All right, fair enough. | 0:19:31 | 0:19:35 | |
This is not something I've done before. So I'm the bridge. | 0:19:35 | 0:19:39 | |
Clearly, mashed potato isn't going to be up to the job. | 0:19:39 | 0:19:42 | |
Yeah, mash is obviously too soft to support me. | 0:19:44 | 0:19:48 | |
But there is a way that exactly the same stuff can support more pressure. | 0:19:48 | 0:19:51 | |
-These, then, are just potatoes? -They are. | 0:19:51 | 0:19:55 | |
And they work perfectly They'll support me. | 0:19:55 | 0:20:00 | |
So obviously those potatoes are mashed and these aren't, | 0:20:00 | 0:20:03 | |
but they're still a paddling pool of potatoes. What's the difference? | 0:20:03 | 0:20:07 | |
The difference is particle size. | 0:20:07 | 0:20:09 | |
Potatoes are a larger particle size and consequently you will get increased bearing resistance. | 0:20:09 | 0:20:15 | |
So just the bigger particle size. | 0:20:15 | 0:20:16 | |
Same material, but smaller particles of it over there and I sink through them, | 0:20:16 | 0:20:21 | |
-bigger particles here and they can hold up more weight? -That's right. | 0:20:21 | 0:20:23 | |
So the answer to the bridge builders' problems was potatoes. | 0:20:23 | 0:20:26 | |
Well, not exactly potatoes, but a larger particle size - gravel. | 0:20:26 | 0:20:31 | |
So gravel was just what the engineers needed. | 0:20:33 | 0:20:36 | |
Instead of changing the shape of the piers to make them curl up at the edges, | 0:20:38 | 0:20:42 | |
they changed the seabed with a layer of gravel. A huge job. | 0:20:42 | 0:20:48 | |
I'm going to create another 4x4 earthquake and put the pier on a gravel base. | 0:20:51 | 0:20:58 | |
It should support the leading edge so it won't toe in and fall over. | 0:20:58 | 0:21:03 | |
So the only change this time is we're replacing sand with gravel? | 0:21:06 | 0:21:09 | |
-Yes. -This will make all the difference? | 0:21:09 | 0:21:11 | |
-Yes. -You reckon? -I think so. -I'll bring on an earthquake. | 0:21:11 | 0:21:14 | |
Stand back. | 0:21:14 | 0:21:15 | |
-That made all the difference. -It did. -So it does work. | 0:21:24 | 0:21:28 | |
The answer for the engineers was to build their bridge on un-mashed potatoes. Well, no. Gravel. | 0:21:28 | 0:21:34 | |
At the bottom of the Gulf of Corinth, | 0:21:34 | 0:21:37 | |
the Rion Bridge rests on a thick layer of gravel above the steel rods. | 0:21:37 | 0:21:42 | |
This allows the bridge piers to slide from side to side | 0:21:44 | 0:21:47 | |
without digging or toeing in. | 0:21:47 | 0:21:50 | |
They used enough gravel on the seabed | 0:21:50 | 0:21:53 | |
beneath the Rion-Antirion Bridge to cover two football pitches three metres deep. | 0:21:53 | 0:22:00 | |
These massive piers are amazing. | 0:22:01 | 0:22:05 | |
They stand strong but without being fixed to the seabed, | 0:22:05 | 0:22:08 | |
so they can move and withstand earthquakes. | 0:22:08 | 0:22:11 | |
The piers really are awesome but they're obviously only part of the story. | 0:22:12 | 0:22:18 | |
Their purpose is to hold up the bridge deck, which is what it's all about. | 0:22:18 | 0:22:24 | |
The deck has four lanes as well as two safety lanes | 0:22:24 | 0:22:29 | |
that run for almost two miles in each direction. | 0:22:29 | 0:22:34 | |
It's mammoth. | 0:22:35 | 0:22:37 | |
If the engineers fixed it to any of the piers and those piers then | 0:22:37 | 0:22:40 | |
moved in an earthquake, which the gravel allows them to do, | 0:22:40 | 0:22:44 | |
it could buckle | 0:22:44 | 0:22:46 | |
or break. Not good. | 0:22:46 | 0:22:49 | |
Right, what we need now is another one of my earthquake demonstrations. | 0:22:53 | 0:22:57 | |
This one is going to require a little imagination. | 0:22:57 | 0:22:59 | |
Bear with me. This is my road deck, which I'm going to fit to this boat. | 0:22:59 | 0:23:05 | |
But for the purposes of this, the boat represents the piers of the bridge. | 0:23:05 | 0:23:09 | |
So that's the piers supporting the road deck, concrete and steel, fixed to it solidly. | 0:23:09 | 0:23:15 | |
Now we're going to have an earthquake. | 0:23:15 | 0:23:17 | |
I need muscle so I'm going to break out the Herefordshire Special Ballet Squad. | 0:23:17 | 0:23:21 | |
In you come, then, lads, please. Come on. | 0:23:21 | 0:23:23 | |
They'll be the muscle to make the earthquake. | 0:23:23 | 0:23:26 | |
I'm going to be the traffic on the road deck, fixed solidly to the piers. | 0:23:26 | 0:23:30 | |
So, getting into place. I'm the traffic on the deck. | 0:23:30 | 0:23:35 | |
Oh, no, I hope there isn't an earthquake shortly. | 0:23:35 | 0:23:39 | |
Go on, lads, let it rip. | 0:23:39 | 0:23:41 | |
As an experience, it's unpleasant, | 0:23:55 | 0:23:57 | |
but if this were a road deck on a bridge and I were heavy traffic on it, | 0:23:57 | 0:24:02 | |
clearly the stresses that the materials would be subject to would be catastrophic. | 0:24:02 | 0:24:08 | |
It's not going to work. | 0:24:08 | 0:24:10 | |
One earthquake, the whole thing could collapse. | 0:24:10 | 0:24:13 | |
To save the bridge deck from the violent and chaotic movements of an earthquake, | 0:24:21 | 0:24:25 | |
the engineers needed to build it in a way that allowed it | 0:24:25 | 0:24:30 | |
to move independently of the piers, which is where sailors and their sleeping arrangements come in. | 0:24:30 | 0:24:36 | |
Christopher Columbus first encountered hammocks in South America | 0:24:38 | 0:24:44 | |
and he brought them back to Europe. | 0:24:44 | 0:24:47 | |
Early sailors very quickly discovered that they were quite handy things | 0:24:47 | 0:24:51 | |
for making life more bearable on board because, well, | 0:24:51 | 0:24:56 | |
ships weren't the most sophisticated of devices then. Things could get pretty rough, | 0:24:56 | 0:25:00 | |
but no matter how rough the seas, the hammock would isolate them from the movements of the ship | 0:25:00 | 0:25:06 | |
and make life just about bearable. | 0:25:06 | 0:25:10 | |
They didn't know it, but in fact a hammock | 0:25:10 | 0:25:12 | |
is a kind of pendulum and it has a steady rate it wants to move at, | 0:25:12 | 0:25:16 | |
which it will do regardless of what's going on around it. | 0:25:16 | 0:25:18 | |
And it meant that sailors were more comfortable. | 0:25:18 | 0:25:22 | |
What's good enough for them is actually good enough for the bridge. | 0:25:22 | 0:25:26 | |
So just as a pendulum, or rather a hammock, swings gently on board a ship in rough seas, | 0:25:29 | 0:25:36 | |
it ought to make my ride on the earthquake simulator a bit smoother, too. | 0:25:36 | 0:25:41 | |
Here is my modified bridge. | 0:25:43 | 0:25:45 | |
Remember, the boat represents the bridge piers, the structure. | 0:25:45 | 0:25:48 | |
This hammock now represents the deck slung between them. | 0:25:48 | 0:25:53 | |
Right, I need to break out the boys to hold the bridge steady first of all, please. | 0:25:53 | 0:25:59 | |
Then I hope there isn't another earthquake. | 0:25:59 | 0:26:02 | |
Right, I'm getting onto the road deck, which now is slung, pendulum style, just like a hammock. | 0:26:02 | 0:26:07 | |
Goodness, what if an earthquake were to occur right now when I'm on the bridge? | 0:26:09 | 0:26:13 | |
Actually it is already. | 0:26:13 | 0:26:15 | |
Straightaway, what's happening here is the hammock, | 0:26:15 | 0:26:20 | |
the pendulum suspension, is isolating me from the movement of the piers. | 0:26:20 | 0:26:26 | |
Even when things get pretty bad. | 0:26:26 | 0:26:29 | |
I mean, this is a pretty disastrous earthquake we're experiencing right now. | 0:26:29 | 0:26:34 | |
The pendulum is turning chaotic movement into something a bit more predictable | 0:26:34 | 0:26:41 | |
and a lot more gentle. | 0:26:41 | 0:26:43 | |
I can imagine, straightaway, how this would stay standing. | 0:26:45 | 0:26:49 | |
The Rion engineers borrowed that same pendulum principle to help earthquake-proof their bridge. | 0:26:56 | 0:27:02 | |
Just like a hammock, the deck of the Rion Bridge is fully suspended from the top of the piers. | 0:27:02 | 0:27:09 | |
It's unique in all the world. | 0:27:10 | 0:27:12 | |
Incredibly, as the piers move in an earthquake, the deck swings independently. | 0:27:15 | 0:27:21 | |
It seemed, yet again, the engineers had tamed the earthquake, | 0:27:21 | 0:27:25 | |
but their free-swinging solution might itself have created a problem. | 0:27:25 | 0:27:29 | |
The deck can swing freely, | 0:27:32 | 0:27:34 | |
but if it swings too far in either direction, | 0:27:34 | 0:27:37 | |
it would smash into one of the four thin arms of the piers. | 0:27:37 | 0:27:42 | |
That's 75,000 tonnes of road hitting the concrete, | 0:27:44 | 0:27:49 | |
a big moving mass, and it could destroy the bridge. | 0:27:49 | 0:27:53 | |
The engineers couldn't allow it to happen, | 0:27:53 | 0:27:56 | |
but once an object as big as the road deck starts moving, it takes something extraordinary to stop it. | 0:27:56 | 0:28:03 | |
Enter, the viscous damper, an ultra-powerful braking system. | 0:28:03 | 0:28:08 | |
To experience a viscous damper first hand, I've devised a little experiment, a demonstration. | 0:28:15 | 0:28:21 | |
First, I'm going to show what happens with no brakes, no viscous damper. | 0:28:22 | 0:28:27 | |
That in front of me is a teeter-totter. | 0:28:27 | 0:28:30 | |
Basically it's a giant seesaw. | 0:28:30 | 0:28:33 | |
But this is no playground and that is a mighty big drop at the other side. | 0:28:33 | 0:28:40 | |
And this, in my car, is a roll cage, just in case my confidence outstrips my skill. | 0:28:40 | 0:28:48 | |
Right, all I've got to do is drive up there. | 0:28:48 | 0:28:51 | |
It's my job to drive up it, past the pivot point and then let gravity do its worst. | 0:28:53 | 0:29:01 | |
Of course, the higher I go, the further I'm going to fall. | 0:29:04 | 0:29:08 | |
I'm not enjoying this at all. | 0:29:08 | 0:29:10 | |
The pivot point must be somewhere about here. | 0:29:12 | 0:29:18 | |
This is just horrible! I can't see a thing. I don't know where I'm going. | 0:29:18 | 0:29:23 | |
At some point, I know that something bad is going to happen. | 0:29:23 | 0:29:26 | |
That much is guaranteed. | 0:29:26 | 0:29:28 | |
I can smell clutch. Ooh! | 0:29:30 | 0:29:34 | |
That's not very... | 0:29:36 | 0:29:38 | |
For the purposes of this demonstration, | 0:29:44 | 0:29:46 | |
what just happened to my car as it hit the tarmac is the equivalent of the free-swinging bridge deck | 0:29:46 | 0:29:52 | |
violently hitting the pier that holds it up during an earthquake. | 0:29:52 | 0:29:55 | |
If the deck swung hard enough, it could break the bridge. | 0:29:55 | 0:29:59 | |
The engineers needed to slow the deck movement and I need to stop the seesaw banging down so hard. | 0:29:59 | 0:30:07 | |
We both need some brakes, which is where viscous damping comes in. | 0:30:07 | 0:30:11 | |
It's a braking system where you use a liquid to resist movement. | 0:30:11 | 0:30:15 | |
If you've ever tried to run in a swimming pool, you'll know all about the resistance water can create. | 0:30:15 | 0:30:20 | |
This black box is going to be full of water and there's also a fan in there | 0:30:22 | 0:30:27 | |
which will have to move through it, absorbing all the energy from the seesaw. It's a brake. | 0:30:27 | 0:30:32 | |
This is a viscous damper. It's basically a liquid - in this case, | 0:30:34 | 0:30:38 | |
water - that slows the movement. | 0:30:38 | 0:30:40 | |
It should give me a softer landing. | 0:30:40 | 0:30:42 | |
Only one way to find out. | 0:30:42 | 0:30:44 | |
OK, any minute now we should reach balance point. | 0:31:06 | 0:31:11 | |
Oh! Oh, this is lovely. | 0:31:36 | 0:31:38 | |
That really does work perfectly. | 0:31:45 | 0:31:48 | |
What happens is the vertical motion of the teeter-totter, of the seesaw, | 0:31:48 | 0:31:52 | |
is slowed down by the rotary motion of the fan inside the liquid. | 0:31:52 | 0:31:56 | |
Essentially what it does is turn some of that energy, that kinetic energy, into heat | 0:31:56 | 0:32:01 | |
inside the damper, which gives me a much, much softer landing, kinder to my car. | 0:32:01 | 0:32:07 | |
Viscous dampers are used all over the place to soften movement. | 0:32:13 | 0:32:17 | |
These planes are coming in to land on an aircraft carrier in the middle of the ocean. | 0:32:19 | 0:32:24 | |
They approach at over 100 miles an hour, but they can stop in such short distances | 0:32:24 | 0:32:30 | |
thanks to viscous dampers that are attached | 0:32:30 | 0:32:33 | |
to the catch wires stretched across the runway. | 0:32:33 | 0:32:37 | |
And the bridge is fitted with its own incredible liquid safety system. | 0:32:37 | 0:32:43 | |
These things that look like pistons are the viscous dampers and they're just like my system, in principle. | 0:32:43 | 0:32:50 | |
This footage shows the dampers being tested. | 0:32:53 | 0:32:56 | |
Instead of a fan spinning in water, a piston has to move through oil | 0:32:56 | 0:33:00 | |
which is much thicker, or viscous, than water, | 0:33:00 | 0:33:03 | |
so it offers much more resistance to movement. | 0:33:03 | 0:33:07 | |
In infra-red you can see it heating up, so the liquid is | 0:33:07 | 0:33:11 | |
turning all that kinetic energy - that movement - into heat. | 0:33:11 | 0:33:15 | |
The viscous dampers on the bridge are the biggest in the world. | 0:33:17 | 0:33:21 | |
Slinging the road deck like a hammock allows the bridge deck to move | 0:33:29 | 0:33:33 | |
and the viscous dampers stop it from moving too much so it doesn't | 0:33:33 | 0:33:37 | |
hit the arms of the piers and shake itself to bits. | 0:33:37 | 0:33:41 | |
The designers made this extraordinary bridge uniquely earthquake-proof, | 0:33:45 | 0:33:50 | |
with unprecedented solutions. | 0:33:50 | 0:33:53 | |
But all this flexibility created a further problem | 0:33:53 | 0:33:56 | |
because earthquakes aren't the only natural hazard in this region. | 0:33:56 | 0:34:02 | |
Mother Nature has another trick up her sleeve. | 0:34:02 | 0:34:06 | |
This narrow stretch of the Gulf of Corinth, with mountains on either side, makes a natural wind tunnel. | 0:34:07 | 0:34:14 | |
A flexible bridge is good for withstanding earthquakes but it's bad when it's windy. | 0:34:14 | 0:34:19 | |
Even with the dampers to soften the movement, near-constant winds in the gulf | 0:34:22 | 0:34:27 | |
mean the bridge would be swaying constantly. | 0:34:27 | 0:34:31 | |
An impossible choice, then, for the engineers. Make the bridge flexible enough to cope with an earthquake, | 0:34:31 | 0:34:36 | |
and on normal days when there isn't an earthquake, it would swing so violently, | 0:34:36 | 0:34:40 | |
it would be uncrossable thanks to the winds in the Gulf of Corinth. | 0:34:40 | 0:34:44 | |
But make it strong enough to cope with the wind by fixing it firmly in place, | 0:34:44 | 0:34:48 | |
and when there is an earthquake, | 0:34:48 | 0:34:50 | |
it would snap and crumble into an 800-million-Euro pile of rubble. | 0:34:50 | 0:34:54 | |
The answer to their conundrum lies in this, a fizzy-pop can. | 0:34:54 | 0:34:58 | |
Engineers don't usually design things to fail. | 0:35:02 | 0:35:06 | |
They build them to withstand the daily challenges they will face - | 0:35:06 | 0:35:09 | |
to be strong and rugged and to stay that way. | 0:35:09 | 0:35:12 | |
Helpfully for the Rion Bridge, an inventor threw away the usual rules of engineering | 0:35:14 | 0:35:19 | |
after a frustrating picnic. He needed a new way of opening a can. | 0:35:19 | 0:35:24 | |
The humble tin can has been around for 200 years. | 0:35:24 | 0:35:29 | |
It can keep produce fresh for decades and transformed the food industry. | 0:35:29 | 0:35:35 | |
They weren't designed for easy access. | 0:35:35 | 0:35:37 | |
Getting into them required some muscle. | 0:35:37 | 0:35:40 | |
That changed when inventor Ermal Fraze came up with a new way of opening them, | 0:35:47 | 0:35:52 | |
which revolutionised cans and protects the Rion Bridge. | 0:35:52 | 0:35:58 | |
Yep, this is a real picnic, just on my own. | 0:35:58 | 0:36:02 | |
Ermal Fraze found himself on a picnic with a canned drink | 0:36:02 | 0:36:07 | |
but someone had forgotten to pack the can opener. | 0:36:07 | 0:36:10 | |
Being a resourceful sort of chap, he managed to wrestle it open on his car bumper | 0:36:10 | 0:36:15 | |
but that took all the chrome off the bumper. | 0:36:15 | 0:36:17 | |
So he went away and thought about the problem | 0:36:17 | 0:36:20 | |
and he devised the pull tab, precursor to today's stay tab. | 0:36:20 | 0:36:25 | |
This weak section here is designed to be strong enough to keep the fizzy drink contained within, | 0:36:25 | 0:36:32 | |
but weak enough so that by hand, without any sort of machine, | 0:36:32 | 0:36:35 | |
you can just rip it open. This has to fail at a set limit. | 0:36:35 | 0:36:40 | |
It has to fail predictably. | 0:36:40 | 0:36:42 | |
Ah, yep. And it does. I have made a bit of a mess of my picnic though. | 0:36:43 | 0:36:51 | |
In the right place, | 0:36:55 | 0:36:56 | |
making something fail predictably can be the difference between life and death. | 0:36:56 | 0:37:01 | |
For instance, you might recently have reorganised your workshop | 0:37:03 | 0:37:06 | |
and tidied away a load of cardboard boxes into a corner | 0:37:06 | 0:37:09 | |
and then, inexplicably, soaked them in petrol, for some reason, | 0:37:09 | 0:37:13 | |
and then decided to catch up on that bit of angle grinding you've been meaning to get to for so long. | 0:37:13 | 0:37:19 | |
Oh, no. There's a fire! | 0:37:27 | 0:37:30 | |
That could be a real problem without predictable failure, | 0:37:30 | 0:37:35 | |
which is what's just happened. | 0:37:35 | 0:37:38 | |
This is a sprinkler system. | 0:37:38 | 0:37:40 | |
I installed it myself, which is fortunate because I'd forgotten where I'd put the fire extinguisher. | 0:37:40 | 0:37:45 | |
It's pretty much exactly the same as the sprinkler system | 0:37:45 | 0:37:48 | |
in schools and buildings across the world but it's a lot uglier. | 0:37:48 | 0:37:51 | |
It works in exactly the same way. | 0:37:51 | 0:37:53 | |
Disaster averted and here's how it works. | 0:38:02 | 0:38:06 | |
This is the sprinkler system and the job it's got to do sounds pretty complicated. | 0:38:06 | 0:38:10 | |
It's got to automatically detect a fire and then automatically put it out. | 0:38:10 | 0:38:14 | |
But the way it does that is pretty simple. | 0:38:14 | 0:38:17 | |
This is the kind of thing you will have seen sticking out of the ceiling | 0:38:17 | 0:38:20 | |
in offices, shops and schools. | 0:38:20 | 0:38:22 | |
These are connected to a water pipe along here. | 0:38:22 | 0:38:25 | |
Now, before they've been triggered, they feature this little glass vial. | 0:38:25 | 0:38:29 | |
This has been designed so that at 68 degrees it breaks. | 0:38:29 | 0:38:34 | |
The red liquid boils at exactly 68 degrees. | 0:38:34 | 0:38:39 | |
That makes the pressure inside high enough to break the glass. | 0:38:39 | 0:38:44 | |
That's the predictable failure. | 0:38:47 | 0:38:49 | |
They can predict - 68 degrees, that goes. | 0:38:49 | 0:38:52 | |
When that happens, that falls away and it opens up the hole, | 0:38:52 | 0:38:55 | |
here, so the water can just flood out, hit that disk and form the sprinkler effect, | 0:38:55 | 0:38:59 | |
putting the fire out automatically. | 0:38:59 | 0:39:02 | |
And it's all thanks to a predictable failure in there. | 0:39:02 | 0:39:06 | |
Engineers have adopted the pop-can principle of predictable failure | 0:39:06 | 0:39:11 | |
all over the place to help us go about our daily lives safely. | 0:39:11 | 0:39:15 | |
Think circuit breakers, | 0:39:15 | 0:39:16 | |
such as fuses that cut out when electrical circuits overload, or car airbags that inflate in an accident. | 0:39:16 | 0:39:23 | |
Life goes on normally, but we are protected the moment something changes. | 0:39:23 | 0:39:29 | |
So how does predictable failure help the bridge against winds? | 0:39:33 | 0:39:37 | |
You stop the bridge moving unless it's struck by a massive shock. | 0:39:37 | 0:39:43 | |
You don't allow wind pressure to swing it, but it breaks free and protects itself in an earthquake. | 0:39:43 | 0:39:49 | |
Dr Papanikolas showed me how the combination of the fizzy-pop can theory | 0:39:53 | 0:39:58 | |
and the viscous dampers keep the bridge safe. | 0:39:58 | 0:40:01 | |
So where are the predictable failures in here, then? | 0:40:01 | 0:40:05 | |
Because it all looks massive and solid. | 0:40:05 | 0:40:08 | |
OK. What you have here is the deck. It is laterally supported | 0:40:08 | 0:40:14 | |
by the dampers. In the middle one you have what we call a strut. | 0:40:14 | 0:40:18 | |
Oh, so that solves the problem of the wind? | 0:40:18 | 0:40:21 | |
If you think, every day, you don't want the bridge to swing back and forth. | 0:40:21 | 0:40:25 | |
Inside each strut, there's a so-called fuse. | 0:40:27 | 0:40:31 | |
It's designed to break at a set limit, just like a ring-pull. | 0:40:31 | 0:40:35 | |
When the load gets too big, it fails. | 0:40:35 | 0:40:38 | |
The fuses can take the load of even the strongest winds, | 0:40:38 | 0:40:41 | |
but when an earthquake hits and the load exceeds | 0:40:41 | 0:40:43 | |
the pre-set limit, they break and those huge viscous dampers start to work. | 0:40:43 | 0:40:49 | |
This isn't just theory. | 0:40:51 | 0:40:53 | |
This CCTV footage caught the action in June 2008. | 0:40:53 | 0:40:57 | |
A magnitude 6.5 earthquake hit the bridge, the fuse snapped, | 0:40:57 | 0:41:02 | |
and the dampers sprang into action. It worked. | 0:41:02 | 0:41:07 | |
So as designers, as engineers, seeing your creation actually work | 0:41:07 | 0:41:13 | |
and do what you always knew it would do, but actually seeing it for real, | 0:41:13 | 0:41:17 | |
must have been amazing. | 0:41:17 | 0:41:19 | |
Yes, it's an unbelievable feeling. | 0:41:19 | 0:41:21 | |
This is the feeling of engineering. | 0:41:21 | 0:41:24 | |
An earthquake- and wind-proof bridge, all thanks to predictable failure, | 0:41:24 | 0:41:31 | |
courtesy of Ermal Fraze's easy-open drinks can. | 0:41:31 | 0:41:35 | |
Well, that covers just about everything. Foundations? | 0:41:38 | 0:41:41 | |
Earthquake-proofed. Check. | 0:41:41 | 0:41:43 | |
Piers, the deck? Earthquake- and wind-proofed. Check. Oh, no, hold on, we've forgotten something. | 0:41:43 | 0:41:51 | |
The cables. | 0:41:51 | 0:41:54 | |
Believe it or not, the same cables that hold the road deck | 0:41:54 | 0:41:58 | |
could pose a mortal threat to the bridge. | 0:41:58 | 0:42:02 | |
Not because of earthquakes, not even because of gale-force winds. Just a gentle breeze can be lethal. | 0:42:02 | 0:42:10 | |
Over 6,000 miles away, in Baytown, Texas, the cables of the Fred Hartman Bridge | 0:42:12 | 0:42:18 | |
began to look a lot less than solid. | 0:42:18 | 0:42:21 | |
Spring 1997, two years after the bridge opened. | 0:42:21 | 0:42:25 | |
In winds as low as 10 miles an hour, the cables bounced up and down ferociously. | 0:42:25 | 0:42:33 | |
This happened time and time again. | 0:42:33 | 0:42:35 | |
The structure suffered 100 separate stress failures, which could have been disastrous. | 0:42:35 | 0:42:40 | |
Fortunately, the Texas Department of Transportation had been alerted | 0:42:40 | 0:42:45 | |
and fixed it by tying all the cables together, | 0:42:45 | 0:42:48 | |
holding each other down. | 0:42:48 | 0:42:50 | |
The same conditions that threatened the Fred Hartman Bridge | 0:42:53 | 0:42:56 | |
are a risk to any lightweight, round metal structure | 0:42:56 | 0:43:00 | |
such as a cable, a tower or a chimney. | 0:43:00 | 0:43:04 | |
The Emley Moor TV mast in Yorkshire was constructed in 1964, | 0:43:04 | 0:43:10 | |
one of a new generation of lightweight structures built of metal rather than brick. | 0:43:10 | 0:43:17 | |
In 1969, in light winds, the tower collapsed without warning. | 0:43:17 | 0:43:23 | |
Ice buildup was blamed initially, but British aerodynamicist Kit Scruton | 0:43:23 | 0:43:30 | |
knew it was due to a bizarre aerodynamic effect. | 0:43:30 | 0:43:34 | |
It's called vortex shedding. | 0:43:34 | 0:43:36 | |
That's nowhere near as difficult to understand as it sounds like it's going to be. | 0:43:36 | 0:43:40 | |
To demonstrate, I've got a fan and that metal pole over there. | 0:43:40 | 0:43:46 | |
So let's make it a windy day. | 0:43:46 | 0:43:48 | |
That vibration is caused by swirls of air. | 0:43:58 | 0:44:02 | |
This specially shot footage shows exactly what's happening. | 0:44:03 | 0:44:08 | |
You can see the swirls moving from side to side. | 0:44:08 | 0:44:11 | |
That's called vortex shedding. | 0:44:11 | 0:44:14 | |
Any round structure creates these swirls of air which can | 0:44:14 | 0:44:17 | |
pull it one way and then the other. | 0:44:17 | 0:44:20 | |
You've got to remember, of course, that that's not the wind buffeting it, | 0:44:22 | 0:44:26 | |
it's not gusting that's causing that shaking to happen, | 0:44:26 | 0:44:28 | |
it's one vortex being shed after another, after another, that makes | 0:44:28 | 0:44:31 | |
it vibrate like that. A further problem there is that if this goes on long enough, shaking and shaking | 0:44:31 | 0:44:37 | |
and shaking, the metal itself will fatigue. It can be a catastrophic failure. | 0:44:37 | 0:44:42 | |
It moves towers from side to side and it can move cables on bridges up and down, | 0:44:44 | 0:44:50 | |
as the Fred Hartman Bridge in Texas can testify. | 0:44:50 | 0:44:54 | |
Fortunately, British aerodynamicist Kit Scruton worked out | 0:44:57 | 0:45:00 | |
how to overcome the lethal threat from vortex shedding. | 0:45:00 | 0:45:05 | |
He invented the helical strake. | 0:45:06 | 0:45:10 | |
A helical strake is a strip of metal that winds like a big coil spring around the top | 0:45:10 | 0:45:15 | |
of tall steel towers today. | 0:45:15 | 0:45:17 | |
It keeps them safe | 0:45:17 | 0:45:18 | |
from the powers of vortex shedding. | 0:45:18 | 0:45:22 | |
Yep. Now, I know what it looks like I've done is tied | 0:45:22 | 0:45:26 | |
blue string around another tower, but this is more than that. | 0:45:26 | 0:45:29 | |
This is a helical strake. | 0:45:29 | 0:45:31 | |
The theory runs, what this does is, as the wind arrives at the structure, | 0:45:33 | 0:45:37 | |
instead of a vortex forming the length of it, | 0:45:37 | 0:45:40 | |
rolling around and shedding, and then another one and then another one, | 0:45:40 | 0:45:44 | |
which sets up that movement, it breaks those vortices up. | 0:45:44 | 0:45:48 | |
That simple act, breaking them up and changing the time at which they come around, | 0:45:48 | 0:45:52 | |
evens the whole process out. | 0:45:52 | 0:45:53 | |
No vibration, no failure of the structure. | 0:45:53 | 0:45:56 | |
That's the theory. Now I'm going to make it windy and test it. | 0:45:56 | 0:45:59 | |
So my blue string - helical strake - works. | 0:46:22 | 0:46:26 | |
And now you can see them everywhere - | 0:46:26 | 0:46:30 | |
just take a look next time you're out. | 0:46:30 | 0:46:32 | |
And back on the Rion-Antirion Bridge, every cable is fitted with one of Kit Scruton's | 0:46:32 | 0:46:38 | |
helical strakes. They break up the wind | 0:46:38 | 0:46:41 | |
hitting the cables to protect the bridge from vortex shedding. | 0:46:41 | 0:46:44 | |
On top of everything else, to accommodate for the fact that Rion | 0:46:51 | 0:46:55 | |
is moving away from Antirion, the bridge has the largest | 0:46:55 | 0:47:00 | |
expansion joints in the world, allowing for the two coasts to drift | 0:47:00 | 0:47:05 | |
five metres away from each other. | 0:47:05 | 0:47:09 | |
Now, what have they done to protect against possible meteor strikes? | 0:47:09 | 0:47:14 | |
Well, it's a thought. | 0:47:14 | 0:47:15 | |
The Rion-Antirion Bridge achieved what was previously impossible. | 0:47:19 | 0:47:24 | |
In an active earthquake zone and natural wind tunnel, | 0:47:26 | 0:47:30 | |
and without bedrock for foundations, | 0:47:30 | 0:47:33 | |
the engineers created a magnificent design that overcame each of these hurdles. | 0:47:33 | 0:47:39 | |
Remarkably, despite the need for unprecedented engineering solutions, | 0:47:40 | 0:47:45 | |
the bridge opened four months ahead of schedule, fulfilling a century-old dream. | 0:47:45 | 0:47:53 | |
Now it's part of the daily life of the people of Rion and Antirion, | 0:47:53 | 0:47:58 | |
but the effect has been felt far beyond these two small towns | 0:47:58 | 0:48:03 | |
because it has effectively redrawn the map of Greece. | 0:48:03 | 0:48:07 | |
None of it would have been possible without a hammock... | 0:48:07 | 0:48:12 | |
Go on, lads, let it rip. | 0:48:12 | 0:48:13 | |
..some Indian incense, | 0:48:16 | 0:48:18 | |
a steel chimney, the principles of tobogganing... | 0:48:18 | 0:48:24 | |
and a fizzy-pop can. | 0:48:24 | 0:48:27 | |
This is lovely. | 0:48:27 | 0:48:30 | |
Oh, no. There's a fire! | 0:48:30 | 0:48:34 | |
Subtitles by Red Bee Media Ltd | 0:48:34 | 0:48:37 | |
E-mail [email protected] | 0:48:37 | 0:48:40 |