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The very centre of Africa. | 0:00:35 | 0:00:37 | |
And the centre of two million square miles of dense tropical rain forest. | 0:00:42 | 0:00:47 | |
At first glance it seems deserted and eerily still, | 0:01:00 | 0:01:07 | |
not an easy place to live. | 0:01:07 | 0:01:10 | |
MONKEY CHATTERS | 0:01:12 | 0:01:13 | |
But in fact, there is a greater concentration of animals here | 0:01:20 | 0:01:25 | |
than anywhere else in Africa. | 0:01:25 | 0:01:27 | |
And in this world, they must grab every opportunity. | 0:01:33 | 0:01:37 | |
Competition is intense and unrelenting. | 0:01:38 | 0:01:43 | |
TREE CREAKS | 0:01:43 | 0:01:44 | |
Even the forest itself fights its corner with spines | 0:01:46 | 0:01:51 | |
and poisonous sap. | 0:01:51 | 0:01:53 | |
Here, every living thing must fight for its space. | 0:01:58 | 0:02:02 | |
Such beauty. | 0:02:20 | 0:02:21 | |
But the flower is self-serving, | 0:02:25 | 0:02:27 | |
enticing animals into an unwitting alliance. | 0:02:27 | 0:02:31 | |
Stingless bees. | 0:02:31 | 0:02:33 | |
They have to work hard. | 0:02:33 | 0:02:35 | |
The forest flowers make them do so by rationing their nectar, | 0:02:35 | 0:02:39 | |
forcing each bee to visit and so pollinate | 0:02:39 | 0:02:42 | |
at least a thousand blooms each day. | 0:02:42 | 0:02:45 | |
For the bees, it's worth the effort. | 0:03:01 | 0:03:04 | |
They need the nectar to make honey, which they store in pots. | 0:03:04 | 0:03:08 | |
It's so precious, they keep it hidden beneath the bark of a tree. | 0:03:08 | 0:03:12 | |
But their secret is out. | 0:03:25 | 0:03:26 | |
MONKEY HOWLS | 0:03:26 | 0:03:27 | |
Nothing is safe in this forest. | 0:03:36 | 0:03:39 | |
Chimpanzees love honey. | 0:03:56 | 0:03:58 | |
She seems oblivious to danger. | 0:04:09 | 0:04:12 | |
A fall from up here could be fatal. | 0:04:12 | 0:04:15 | |
But she does need a bigger stick. | 0:04:18 | 0:04:20 | |
Only a chimp has the ability to break into a stingless bees' | 0:04:46 | 0:04:50 | |
nest as well hidden as this. | 0:04:50 | 0:04:52 | |
Chimps are extremely intelligent, | 0:04:57 | 0:05:00 | |
but none is born with the skill to use a tool. | 0:05:00 | 0:05:03 | |
Youngsters like this one must learn by watching. | 0:05:13 | 0:05:18 | |
She uses special tools, one after another, | 0:05:47 | 0:05:51 | |
to get all the honey she can, | 0:05:51 | 0:05:53 | |
and in a few minutes, she destroys what took the bees years to build. | 0:05:53 | 0:05:58 | |
In the rainforest, nothing is safe. | 0:06:07 | 0:06:11 | |
MONKEY HOWLS | 0:06:16 | 0:06:18 | |
Here in the Congo, | 0:06:18 | 0:06:20 | |
there can be as many as 500 trees crammed into every acre. | 0:06:20 | 0:06:25 | |
In the battle for space, | 0:06:25 | 0:06:28 | |
some will rise to over 60 metres high in just a few decades. | 0:06:28 | 0:06:32 | |
In a valley like this, | 0:06:38 | 0:06:40 | |
there could be close on 1,000 different species of tree. | 0:06:40 | 0:06:44 | |
Up here, the crowns barely touch. | 0:06:48 | 0:06:51 | |
Each tree seems to respect its neighbour's space. | 0:06:51 | 0:06:55 | |
When they germinate down on the forest floor, young trees | 0:06:59 | 0:07:03 | |
and plants are less restrained. | 0:07:03 | 0:07:05 | |
But every new generation fights it out, | 0:07:08 | 0:07:11 | |
in battles we can see by accelerating time. | 0:07:11 | 0:07:14 | |
They must get light if they are to survive and they squeeze, | 0:07:16 | 0:07:20 | |
crush and even slash one another in order to reach it. | 0:07:20 | 0:07:26 | |
Despite the thick canopy above, some sunlight does filter through | 0:07:46 | 0:07:51 | |
and allows a few low-light specialists | 0:07:51 | 0:07:54 | |
to bloom near the forest floor. | 0:07:54 | 0:07:56 | |
Down here there are animals, too, that seek out the sunlight. | 0:08:25 | 0:08:30 | |
The forest's largest predator. | 0:08:40 | 0:08:42 | |
A female rock python. | 0:08:45 | 0:08:47 | |
Her body is five metres long, weighs 100 kilos and has 4,000 muscles | 0:08:50 | 0:08:55 | |
that she uses to crush the life out of her victims. | 0:08:55 | 0:09:00 | |
But right now, her need is not for food. It's for warmth. | 0:09:02 | 0:09:07 | |
She finds a rare patch where a shaft of sunlight strikes the ground | 0:09:14 | 0:09:19 | |
and she begins to bask. | 0:09:19 | 0:09:21 | |
She's cold-blooded, | 0:09:25 | 0:09:27 | |
so this is the only way she can raise the temperature of her body. | 0:09:27 | 0:09:31 | |
But now she's becoming very warm indeed, | 0:09:35 | 0:09:38 | |
more than ten degrees hotter than usual. | 0:09:38 | 0:09:42 | |
At 40 degrees centigrade, she's in danger of killing herself. | 0:09:42 | 0:09:46 | |
Just in time, she moves off. | 0:09:50 | 0:09:53 | |
She disappears below ground. | 0:10:00 | 0:10:03 | |
This is her nest and it's full of giant eggs. | 0:10:13 | 0:10:19 | |
It's critical for the eggs development | 0:10:23 | 0:10:26 | |
that they stay above 30 degrees. | 0:10:26 | 0:10:28 | |
Here in this special filming burrow, she gently wraps her super-heated | 0:10:34 | 0:10:38 | |
body around the eggs, passing onto them the warmth of the sun. | 0:10:38 | 0:10:43 | |
She has done this every day for three months. | 0:10:49 | 0:10:53 | |
The repeated heat stress on her body is so great it could be lethal, | 0:10:54 | 0:10:59 | |
and at the very least, it will take three years for her to | 0:10:59 | 0:11:03 | |
recover from incubating this one clutch of eggs. | 0:11:03 | 0:11:07 | |
Her parchment-shelled eggs carry the pressed imprint of her scales - | 0:11:29 | 0:11:34 | |
an indication of the strength of her embrace. | 0:11:34 | 0:11:38 | |
At last, her efforts are rewarded. | 0:11:46 | 0:11:49 | |
But the babies can't stay here. They must leave their sanctuary | 0:12:07 | 0:12:11 | |
and find food in the tangled world above. | 0:12:11 | 0:12:14 | |
They're over 60 centimetres long, already big enough to be | 0:12:43 | 0:12:47 | |
a threat to the smaller inhabitants of the forest. | 0:12:47 | 0:12:50 | |
But they are themselves vulnerable. | 0:12:53 | 0:12:55 | |
Particularly to other snakes. | 0:12:58 | 0:13:00 | |
But this one is their mother. | 0:13:04 | 0:13:06 | |
Unusually for snakes, | 0:13:06 | 0:13:08 | |
her maternal instincts continue for days after her eggs hatch. | 0:13:08 | 0:13:12 | |
Even so, the forest is such a dangerous place that only | 0:13:23 | 0:13:27 | |
one in 100 of her youngsters is likely to reach adulthood. | 0:13:27 | 0:13:31 | |
Just occasionally,, the competition eases. | 0:13:37 | 0:13:41 | |
A tree suddenly produces fruit. | 0:13:44 | 0:13:47 | |
It's a magnet for the creatures of the canopy, and they, in turn, | 0:13:51 | 0:13:55 | |
as they feed, create a bonanza for those on the ground below. | 0:13:55 | 0:13:59 | |
CHIMP SNORTS | 0:14:07 | 0:14:09 | |
A mob of red river hogs. | 0:14:21 | 0:14:23 | |
HOGS SNORT AND SNIFF | 0:14:23 | 0:14:25 | |
They have travelled over two miles through the thick undergrowth | 0:14:26 | 0:14:30 | |
to get to this fall of fruit. | 0:14:30 | 0:14:32 | |
But in the African forest, little comes for free. | 0:14:32 | 0:14:36 | |
This feast is a bribe. | 0:14:40 | 0:14:42 | |
The hogs will carry the seeds in their stomachs | 0:14:45 | 0:14:48 | |
and deposit them far from the parent tree. | 0:14:48 | 0:14:51 | |
Night falls. | 0:15:06 | 0:15:08 | |
But one living community, which is neither animal nor plant | 0:15:10 | 0:15:14 | |
continues its never ending work in the darkness. | 0:15:14 | 0:15:17 | |
This ground is alive with fungi that digest all the litter | 0:15:24 | 0:15:29 | |
discarded by the forest. | 0:15:29 | 0:15:30 | |
Some rare fungi do so with enzymes that are luminous. | 0:15:38 | 0:15:41 | |
The local people call them "chimpanzee fire." | 0:15:49 | 0:15:53 | |
Without the fungi, the dead vegetation would pile so high | 0:15:59 | 0:16:02 | |
the living trees would be submerged. | 0:16:02 | 0:16:05 | |
Dawn, and a new day reveals just how much control the jungle | 0:16:24 | 0:16:28 | |
has over its own environment. | 0:16:28 | 0:16:31 | |
The forests of the Congo are the lungs of Africa. | 0:16:35 | 0:16:38 | |
As they use the sunlight to build their tissues, | 0:16:38 | 0:16:41 | |
so they release oxygen and water vapour into the air. | 0:16:41 | 0:16:44 | |
Each hectare of forest produces, as vapour, | 0:16:50 | 0:16:54 | |
almost 190,000 litres of water a year. | 0:16:54 | 0:16:57 | |
So much that it creates its own weather. | 0:16:59 | 0:17:03 | |
Clouds blanket the forest, driving up the humidity and temperature. | 0:17:06 | 0:17:10 | |
A storm is brewing. | 0:17:12 | 0:17:14 | |
The Congo might be the richest part of Africa, | 0:17:17 | 0:17:21 | |
but it's also the most violent. | 0:17:21 | 0:17:24 | |
ROARING THUNDER | 0:17:39 | 0:17:40 | |
BOOMING THUNDERCLAP | 0:17:42 | 0:17:44 | |
Each year, as many as 100 million lightning bolts | 0:17:50 | 0:17:54 | |
strike the forest. | 0:17:54 | 0:17:55 | |
That's more than anywhere else in the world. | 0:17:55 | 0:17:58 | |
BOOMING THUNDERCLAP | 0:17:58 | 0:17:59 | |
And with the lightning comes the rain. | 0:18:05 | 0:18:08 | |
Up to 95% of the rain that falls here | 0:18:16 | 0:18:20 | |
is generated by the forest itself. | 0:18:20 | 0:18:22 | |
ROLLING THUNDER | 0:18:31 | 0:18:33 | |
With the deluge will come change to the animals and to the forest. | 0:18:39 | 0:18:44 | |
It's certainly perfect weather for frogs. | 0:18:49 | 0:18:52 | |
The big storm is the cue for the most important climb | 0:18:55 | 0:18:59 | |
of this frog's life. | 0:18:59 | 0:19:00 | |
It's a male in search of a mate. | 0:19:02 | 0:19:04 | |
But if he is to find one, he has to get to the top. | 0:19:08 | 0:19:12 | |
He needs to keep his wits about him, | 0:19:46 | 0:19:49 | |
for the rain also brings out hunters. | 0:19:49 | 0:19:51 | |
Easy does it. | 0:20:07 | 0:20:08 | |
The top, at last. | 0:20:17 | 0:20:18 | |
But he's late to the party. | 0:20:20 | 0:20:22 | |
FROGS CHIRP | 0:20:26 | 0:20:28 | |
The higher a male sits, the further his voice will carry, | 0:20:33 | 0:20:38 | |
so the top slots are worth fighting for. | 0:20:38 | 0:20:40 | |
And he's won. | 0:21:18 | 0:21:20 | |
He has the top place. | 0:21:20 | 0:21:21 | |
So now it's time to sing. | 0:21:24 | 0:21:27 | |
FROG CHIRPS | 0:21:27 | 0:21:28 | |
FROG CHIRPS | 0:21:35 | 0:21:36 | |
And a white-bellied female responds. | 0:21:36 | 0:21:40 | |
They join together to mate. | 0:21:49 | 0:21:51 | |
The loser will have to wait for the next storm before he sings again. | 0:21:59 | 0:22:04 | |
She lays her eggs on a blade of a long leaf. | 0:22:09 | 0:22:13 | |
And he, using his back legs, folds it over | 0:22:13 | 0:22:16 | |
and glues its two edges together, shutting the eggs inside. | 0:22:16 | 0:22:20 | |
This sealed nest is the safest place these leaf-folding frogs | 0:22:31 | 0:22:36 | |
can find to protect their precious brood. | 0:22:36 | 0:22:39 | |
Within days, the eggs are developing. | 0:22:52 | 0:22:55 | |
The timing is perfect. | 0:22:56 | 0:22:58 | |
The rain washes away the glue and the tadpoles slip | 0:23:08 | 0:23:11 | |
out of the leaves into the growing puddles below. | 0:23:11 | 0:23:14 | |
The rainy season reaches its peak and the ground has been transformed. | 0:23:27 | 0:23:33 | |
The forest is flooded. | 0:23:46 | 0:23:49 | |
It's a new world. | 0:23:49 | 0:23:50 | |
Fish swim in from the swollen streams, | 0:23:56 | 0:23:59 | |
exploiting this newly created space, snapping up the drowning insects. | 0:23:59 | 0:24:04 | |
This is a butterfly fish. | 0:24:10 | 0:24:12 | |
A Congo bichir. | 0:24:18 | 0:24:20 | |
The hunter becomes the hunted. | 0:24:25 | 0:24:28 | |
The butterfly fish is too quick and leaps out of danger. | 0:24:46 | 0:24:49 | |
The floods gradually drain back into the established waterways | 0:25:21 | 0:25:25 | |
that run through the forest like blood vessels. | 0:25:25 | 0:25:28 | |
There is so much water flowing through the forest that even | 0:25:32 | 0:25:35 | |
little rivulets can carve out the soil around an ancient boulder. | 0:25:35 | 0:25:40 | |
This is the home of one forest creature that has lived | 0:25:55 | 0:25:59 | |
here in the Congo for 44 million years. | 0:25:59 | 0:26:03 | |
Picathartes. | 0:26:06 | 0:26:08 | |
These birds mate for life, | 0:26:16 | 0:26:19 | |
and the male reaffirms the bond by displaying to the female. | 0:26:19 | 0:26:23 | |
They're building a mud nest on the underside of the boulder's | 0:26:26 | 0:26:29 | |
overhang, where it'll be protected from the rain. | 0:26:29 | 0:26:32 | |
The female takes the lead. | 0:26:35 | 0:26:37 | |
The male doesn't seem quite so skilful. | 0:27:09 | 0:27:11 | |
Oh, dear. | 0:27:15 | 0:27:16 | |
Luckily, she can put things right. | 0:27:18 | 0:27:20 | |
Now she's collecting the soft furnishings. | 0:27:27 | 0:27:29 | |
He's brought some, too, but he still can't get it right. | 0:27:31 | 0:27:35 | |
In the end, the female seems satisfied with the finish - | 0:27:43 | 0:27:47 | |
and just in time. | 0:27:47 | 0:27:48 | |
THUNDER | 0:27:54 | 0:27:56 | |
It might look as if he has been banished into the rain, | 0:28:05 | 0:28:09 | |
but in fact, they're a great team. | 0:28:09 | 0:28:11 | |
They share the incubation, | 0:28:13 | 0:28:16 | |
12 hours on, 12 hours off, for the next three weeks. | 0:28:16 | 0:28:20 | |
In due course, there are mouths to feed, | 0:28:26 | 0:28:29 | |
and now the male must prove his worth. | 0:28:29 | 0:28:32 | |
Worms are a good start, and he's doing well. | 0:28:47 | 0:28:50 | |
But the chicks are insatiable. | 0:28:52 | 0:28:54 | |
Fortunately, other things are on the menu. | 0:29:02 | 0:29:05 | |
He might be a poor nest-builder. | 0:29:20 | 0:29:24 | |
But he is redeeming himself now. | 0:29:24 | 0:29:27 | |
Domestic bliss! | 0:29:30 | 0:29:32 | |
Rocky overhangs are the only place where Picathartes | 0:29:35 | 0:29:39 | |
will build their nest, | 0:29:39 | 0:29:40 | |
so they owe their home to the stream that revealed | 0:29:40 | 0:29:44 | |
the flank of the giant boulder. | 0:29:44 | 0:29:46 | |
This stream and countless others like it | 0:29:52 | 0:29:55 | |
merge to form the great rivers of Central Africa. | 0:29:55 | 0:29:58 | |
More than 450 billion litres of rainwater, | 0:30:10 | 0:30:15 | |
travelling down thousands of rivers, are heading west. | 0:30:15 | 0:30:18 | |
The waters pick up speed as the rivers spill over the edge | 0:30:23 | 0:30:26 | |
of the central plateau and create giant cascades of white water. | 0:30:26 | 0:30:31 | |
The Kongou forces its way through the wildest, most untouched | 0:30:58 | 0:31:02 | |
forest in the whole of Africa. | 0:31:02 | 0:31:05 | |
The Congo river system drains an area the size of India, | 0:31:48 | 0:31:53 | |
carrying the waters westwards towards the Atlantic. | 0:31:53 | 0:31:56 | |
But before it reaches the coast, the rivers broaden, | 0:31:58 | 0:32:01 | |
forcing back the forest. | 0:32:01 | 0:32:03 | |
And here for the first time, there is space. | 0:32:08 | 0:32:11 | |
Wide, flat and safe. | 0:32:12 | 0:32:15 | |
These stretches of sand attract visitors from the coast. | 0:32:18 | 0:32:22 | |
Skimmers searching for somewhere safe to settle. | 0:32:23 | 0:32:27 | |
The lower mandible of their beaks is greatly elongated. | 0:32:39 | 0:32:44 | |
They slice it through the surface of the water at ten metres a second. | 0:32:44 | 0:32:49 | |
If and when it hits a tiny fish, it'll snap shut. | 0:32:53 | 0:32:56 | |
But why come up river to these open sand flats? | 0:33:04 | 0:33:07 | |
This is the answer. | 0:33:13 | 0:33:15 | |
BABY BIRD CHIRPS | 0:33:15 | 0:33:16 | |
But this nursery will not exist for long. | 0:33:25 | 0:33:29 | |
Four weeks from now, it'll be under ten metres of water. | 0:33:29 | 0:33:33 | |
If by then these chicks can't fly, they will drown. | 0:33:35 | 0:33:38 | |
The problem for young skimmers is that when they hatch, | 0:33:43 | 0:33:47 | |
the lower part of their beaks is the same size as the upper. | 0:33:47 | 0:33:50 | |
While they wait for it to grow, | 0:33:53 | 0:33:55 | |
they do their best to learn the skimming technique. | 0:33:55 | 0:33:58 | |
THUNDER | 0:34:50 | 0:34:51 | |
Open spaces may be safe, | 0:35:05 | 0:35:08 | |
but they give no protection against the driving rain. | 0:35:08 | 0:35:11 | |
These storms are a warning that the skimmers must soon leave. | 0:35:27 | 0:35:31 | |
The river is already rising. | 0:35:33 | 0:35:36 | |
This year the chicks get away in time. | 0:35:50 | 0:35:52 | |
It's not just water that has the power to clear a way | 0:36:14 | 0:36:17 | |
through the forest. | 0:36:17 | 0:36:18 | |
There are animals that could do that too. | 0:36:20 | 0:36:23 | |
They have created a network of pathways that criss-cross | 0:36:27 | 0:36:30 | |
the lowland forest and run for thousands of miles | 0:36:30 | 0:36:33 | |
in all directions. | 0:36:33 | 0:36:34 | |
CACOPHONY OF ANIMAL SOUNDS | 0:36:37 | 0:36:39 | |
These path-makers are surprisingly stealthy. | 0:36:59 | 0:37:01 | |
But as night falls, there's a chance of catching a glimpse of them. | 0:37:03 | 0:37:09 | |
ROAR | 0:37:09 | 0:37:10 | |
ELEPHANT TRUMPETS | 0:37:20 | 0:37:21 | |
ELEPHANT ROARS | 0:37:22 | 0:37:23 | |
Forest elephants are very social creatures, | 0:37:27 | 0:37:30 | |
but in dense jungle it's hard for them to find one another. | 0:37:30 | 0:37:34 | |
These elephants are lucky. | 0:37:41 | 0:37:43 | |
Here in the Congo, there is one special place | 0:37:46 | 0:37:49 | |
where they can meet and mingle. | 0:37:49 | 0:37:51 | |
A place that the elephants have created for themselves. | 0:37:54 | 0:37:58 | |
And this is it. | 0:38:01 | 0:38:03 | |
ROARING | 0:38:11 | 0:38:12 | |
Dzanga-Bai, the legendary "village of elephants". | 0:38:18 | 0:38:23 | |
BABY ELEPHANT TRUMPETS | 0:38:25 | 0:38:27 | |
ELEPHANTS ROAR AND TRUMPET | 0:38:30 | 0:38:32 | |
As well as being a place where they can enjoy one another's company, | 0:38:39 | 0:38:44 | |
this great clearing satisfies another craving... | 0:38:44 | 0:38:49 | |
for salts. | 0:38:49 | 0:38:51 | |
ELEPHANTS TRUMPET | 0:38:57 | 0:38:59 | |
The salts lie deep under the mud, | 0:39:00 | 0:39:03 | |
so the elephants have got to mine for them, | 0:39:03 | 0:39:06 | |
which they do with high pressure water jets from their trunks. | 0:39:06 | 0:39:10 | |
The precious salts | 0:39:29 | 0:39:31 | |
and the chance to socialise bring in elephants from far and wide. | 0:39:31 | 0:39:36 | |
If an elephant is in the mood to mate, this is the place to be. | 0:39:40 | 0:39:46 | |
ELEPHANT TRUMPETS | 0:39:46 | 0:39:47 | |
This young bull is in a state of musth, a kind of sexual fury. | 0:39:47 | 0:39:52 | |
ELEPHANT TRUMPETS | 0:39:52 | 0:39:53 | |
He is so pumped up by hormones and the excitements of the crowd | 0:40:11 | 0:40:14 | |
that he seems to have taken leave of his senses. | 0:40:14 | 0:40:17 | |
ELEPHANT TRUMPETS | 0:40:38 | 0:40:40 | |
But will throwing his weight about impress the females? | 0:40:41 | 0:40:44 | |
ELEPHANT TRUMPETS | 0:40:44 | 0:40:46 | |
The cows only become fertile once every two years. | 0:40:47 | 0:40:51 | |
So opportunities to encounter one at the right time are not common. | 0:40:51 | 0:40:55 | |
This could well be the first chance this young male has had. | 0:40:55 | 0:41:00 | |
He's lucky. | 0:41:03 | 0:41:04 | |
And there are no older bulls around to put him in his place. | 0:41:04 | 0:41:08 | |
Just for a moment, he is king of the bai. | 0:41:19 | 0:41:23 | |
ELEPHANT TRUMPETS | 0:41:33 | 0:41:34 | |
But his rule doesn't last for long. | 0:41:53 | 0:41:56 | |
Enter another lusty bull. | 0:41:57 | 0:41:59 | |
And a much bigger one. | 0:42:02 | 0:42:04 | |
But the young bull is still charged up with testosterone. | 0:42:13 | 0:42:17 | |
Bold or foolish, he's going into battle. | 0:42:18 | 0:42:21 | |
He never really had a chance. | 0:43:18 | 0:43:20 | |
Dzanga-bai is a huge clearing, | 0:43:36 | 0:43:39 | |
but it's still just a speck in this vast expanse of green. | 0:43:39 | 0:43:44 | |
Elephants might fell trees and carve pathways, | 0:43:46 | 0:43:50 | |
but nothing natural can hold back this forest for ever. | 0:43:50 | 0:43:54 | |
Nothing but the Atlantic Ocean. | 0:43:57 | 0:44:00 | |
Loango Beach, on Africa's west coast - | 0:44:18 | 0:44:22 | |
one of the last truly wild places | 0:44:22 | 0:44:25 | |
where the Congo jungle meets the sea. | 0:44:25 | 0:44:28 | |
Here, the forest gives way to sand, surf and fresh sea air. | 0:44:39 | 0:44:46 | |
The cool breezes and warm sunlight | 0:44:46 | 0:44:53 | |
entice creatures out of the dark forest. | 0:44:53 | 0:44:56 | |
LOWING | 0:44:56 | 0:44:58 | |
Forest buffalo appear first. | 0:44:58 | 0:45:00 | |
And here in the surf... | 0:45:19 | 0:45:22 | |
there are hippo. | 0:45:22 | 0:45:23 | |
Spray blows in from the sea, making the grass salty. | 0:45:32 | 0:45:37 | |
So here elephants can get their tasty salt | 0:45:51 | 0:45:55 | |
without having to dig for it. | 0:45:55 | 0:45:57 | |
This mother with her tiny baby can feel the sun on her back. | 0:46:00 | 0:46:04 | |
Here, it's safe for her little one. | 0:46:04 | 0:46:07 | |
They're free to eat in peace. | 0:46:08 | 0:46:11 | |
The bulls have all the room they need. | 0:46:13 | 0:46:16 | |
So there is less risk of a fight. | 0:46:16 | 0:46:18 | |
Everyone, from gorillas to forest hogs, | 0:46:32 | 0:46:36 | |
ventures out to relax on the beach. | 0:46:36 | 0:46:39 | |
BOAR GRUNT | 0:46:39 | 0:46:41 | |
But the forest creatures can't stay out here forever. | 0:47:15 | 0:47:18 | |
Despite everything - | 0:47:23 | 0:47:25 | |
the intense competition, the threats, the darkness - | 0:47:25 | 0:47:29 | |
they need their forest, just as their forest needs them. | 0:47:29 | 0:47:35 | |
ELEPHANT TRUMPETS | 0:47:37 | 0:47:38 | |
The Congo rainforest. | 0:48:03 | 0:48:05 | |
A four-day journey to the heart of Africa. | 0:48:05 | 0:48:08 | |
Once the plane leaves, you're on your own. | 0:48:11 | 0:48:14 | |
This expedition planned to film two of the Congo's best-kept secrets. | 0:48:16 | 0:48:20 | |
But to even find them, | 0:48:20 | 0:48:22 | |
the crew would have to work very hard indeed. | 0:48:22 | 0:48:26 | |
You might as well be on a different planet | 0:48:26 | 0:48:28 | |
coming to a place like this, Planet Congo. | 0:48:28 | 0:48:30 | |
Mysterious... | 0:48:34 | 0:48:36 | |
..difficult... | 0:48:37 | 0:48:39 | |
complex... | 0:48:39 | 0:48:41 | |
challenging. | 0:48:41 | 0:48:43 | |
'You know, everything's trying to bite you.' | 0:48:45 | 0:48:48 | |
Suck your blood. | 0:48:49 | 0:48:50 | |
It's like being tickled by a million feathers at the same time. | 0:48:53 | 0:48:57 | |
HE LAUGHS | 0:48:57 | 0:48:59 | |
HE SIGHS | 0:48:59 | 0:49:00 | |
The insects might be torture, but that's the least of their worries. | 0:49:06 | 0:49:10 | |
The only way to get deep into the jungle is to follow these trails. | 0:49:13 | 0:49:17 | |
Trails made by dangerous forest elephants. | 0:49:18 | 0:49:22 | |
'Well, the first thing you need to know about the forest elephant is, | 0:49:23 | 0:49:27 | |
'you don't want to meet one.' | 0:49:27 | 0:49:29 | |
Cos running away can elicit a charge, | 0:49:29 | 0:49:32 | |
'and it could be exactly the wrong thing to do.' | 0:49:32 | 0:49:35 | |
Our team are completely dependent on their Bayaka guides for safety. | 0:49:36 | 0:49:40 | |
WHISPERS: | 0:49:44 | 0:49:46 | |
But it's these same forest elephants that James has come to film. | 0:49:50 | 0:49:54 | |
And just to make the challenge harder, | 0:49:54 | 0:49:56 | |
he's here to film them in the dark. | 0:49:56 | 0:49:59 | |
Nobody knows exactly what they get up to at night - | 0:50:01 | 0:50:04 | |
they haven't been filmed like this before. | 0:50:04 | 0:50:07 | |
I couldn't rig this place if the Bayaka weren't here. | 0:50:10 | 0:50:13 | |
Watching my back, really. | 0:50:13 | 0:50:16 | |
James needs to operate the remote cameras | 0:50:16 | 0:50:19 | |
from somewhere out of the elephants' reach. | 0:50:19 | 0:50:21 | |
A tree platform seems like the best option. | 0:50:27 | 0:50:30 | |
Apparently, they have very big elephants round here. | 0:50:35 | 0:50:38 | |
They want us to put it a bit higher, so... | 0:50:38 | 0:50:41 | |
I think I'll do what they say. | 0:50:41 | 0:50:42 | |
But no-one wants to stay out at night | 0:50:44 | 0:50:46 | |
and help James with the filming. | 0:50:46 | 0:50:48 | |
So James will be alone until morning. | 0:50:58 | 0:51:01 | |
If anything goes wrong, he's on his own. | 0:51:01 | 0:51:04 | |
If they really wanted to, they could push these trees over. | 0:51:04 | 0:51:06 | |
I can't imagine that's going to be an issue. | 0:51:06 | 0:51:09 | |
As James settled down for the night, | 0:51:11 | 0:51:13 | |
he's got no idea of the trouble that's coming his way. | 0:51:13 | 0:51:17 | |
What's going on? | 0:51:26 | 0:51:27 | |
20 miles away, Mark MacEwen is also up in the middle of the night. | 0:51:27 | 0:51:32 | |
The animal he's after is proving impossible to find. | 0:51:32 | 0:51:36 | |
Ah... | 0:51:36 | 0:51:37 | |
So we get up in the darkness and we walk through the jungle at night, | 0:51:38 | 0:51:43 | |
hoping to hear the sound of cracking branches | 0:51:43 | 0:51:46 | |
or leaves moving up in the trees. | 0:51:46 | 0:51:49 | |
That means chimpanzees are stirring in the treetops, | 0:51:49 | 0:51:52 | |
and Mark is here to film chimps hunting for honey. | 0:51:52 | 0:51:55 | |
There's one chimp in particular he needs to find - | 0:51:57 | 0:52:00 | |
a teenager with a very sweet tooth, | 0:52:00 | 0:52:03 | |
known to go further in the pursuit of a bees' nest than any other. | 0:52:03 | 0:52:06 | |
I've spent six days walking, | 0:52:11 | 0:52:15 | |
probably the equivalent of a half marathon every day in 100% humidity, | 0:52:15 | 0:52:21 | |
and about 95 degrees in the shade. | 0:52:21 | 0:52:24 | |
And we just can't find our chimpanzee. | 0:52:24 | 0:52:27 | |
Time is ticking away, and Mark is running out of filming days. | 0:52:30 | 0:52:34 | |
At the moment, I just need some good luck. | 0:52:40 | 0:52:43 | |
We've come an awfully long way to get this sequence. | 0:52:43 | 0:52:45 | |
We've got probably 10, 12 days left. | 0:52:45 | 0:52:48 | |
But it's hard work at the moment. | 0:52:50 | 0:52:51 | |
All Mark can do is persevere, and hope for a break. | 0:52:51 | 0:52:56 | |
But not all the forest creatures are so shy. | 0:53:02 | 0:53:04 | |
Perched high in his tree, James Aldred is waiting patiently | 0:53:06 | 0:53:09 | |
for the elephants to come in. | 0:53:09 | 0:53:11 | |
GROWLING | 0:53:13 | 0:53:15 | |
At last, the elephants are here, | 0:53:16 | 0:53:19 | |
but they're behaving strangely. | 0:53:19 | 0:53:21 | |
(He knows something's not quite right.) | 0:53:29 | 0:53:32 | |
The elephants seem agitated. | 0:53:32 | 0:53:36 | |
They just want to get rid of you. | 0:53:43 | 0:53:45 | |
One begins to thump the tree with its head. | 0:53:47 | 0:53:49 | |
CRASHING | 0:53:49 | 0:53:52 | |
James has no option but to weather the attack. | 0:53:52 | 0:53:54 | |
CRASHING | 0:53:57 | 0:53:59 | |
"Let's lean forward and keep head-butting, | 0:53:59 | 0:54:01 | |
"keep head-butting, keep head-butting." | 0:54:01 | 0:54:03 | |
Suddenly, the cameras cut out. | 0:54:06 | 0:54:08 | |
And James is left in complete darkness. | 0:54:10 | 0:54:13 | |
After three weeks searching, Mark has lost nearly two stone in weight, | 0:54:16 | 0:54:21 | |
but he hasn't given up. | 0:54:21 | 0:54:24 | |
He can't afford to put down his camera for a second. | 0:54:24 | 0:54:27 | |
Suddenly, the guide spots the honey hunter. | 0:54:29 | 0:54:32 | |
This is it. | 0:54:32 | 0:54:34 | |
(Where is she?) | 0:54:51 | 0:54:52 | |
(She's inside the tree.) | 0:54:52 | 0:54:54 | |
Just for some honey, she's risking her life. | 0:54:59 | 0:55:02 | |
It's amazing. | 0:55:02 | 0:55:03 | |
'Well, I think I just couldn't stop smiling' | 0:55:23 | 0:55:25 | |
for several days after filming. The relief was just unbelievable. | 0:55:25 | 0:55:29 | |
Back at the camera platform, James has had a long night. | 0:55:38 | 0:55:42 | |
For over four hours, the elephant tried to shake him out of the tree. | 0:55:44 | 0:55:48 | |
Got down this morning when the Bayaka came to collect me, | 0:55:53 | 0:55:56 | |
went to look at the camera, and he'd pulled it out of the tree, | 0:55:56 | 0:55:59 | |
and he'd chewed through the power cable. | 0:55:59 | 0:56:01 | |
He must have gotten a bit of a shock, I mean only 12 volts, but... | 0:56:02 | 0:56:06 | |
Serves him right, quite honestly. HE LAUGHS | 0:56:06 | 0:56:09 | |
But at least we got a shot of him before he trashed the camera. | 0:56:09 | 0:56:13 | |
HE LAUGHS | 0:56:13 | 0:56:14 | |
Silver lining. | 0:56:14 | 0:56:15 | |
Despite this bumpy start, the elephants soon got used to James, | 0:56:17 | 0:56:21 | |
and James got used to the elephants. | 0:56:21 | 0:56:24 | |
Filming here was never going to be easy, | 0:56:24 | 0:56:28 | |
but we were soon able to reveal the night life of forest elephants | 0:56:28 | 0:56:32 | |
like never before. | 0:56:32 | 0:56:34 | |
GROWLING | 0:56:35 | 0:56:37 | |
Next time, Africa's Great Cape. | 0:56:51 | 0:56:55 | |
Where a land of mountains and deserts is flanked by two coasts. | 0:56:58 | 0:57:03 | |
Only in this part of Africa do powerful oceanic forces combine | 0:57:07 | 0:57:13 | |
in such a riotous explosion of life. | 0:57:13 | 0:57:15 | |
Subtitles by Red Bee Media Ltd | 0:57:37 | 0:57:40 |