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Welcome to Unsprung. I don't really know what that's all about, but | :00:34. | :00:47. | |
we've got a very special show for you tonight. We've got four | :00:48. | :00:54. | |
presenters. One... Come on! Two, can you come quicker than that? Three, | :00:55. | :01:02. | |
and four. We've got a live audience. CHEERING | :01:03. | :01:09. | |
I have a cold. Shame. We've got some fantastic mammals, and we've got | :01:10. | :01:13. | |
some absolutely brilliant guests, and they are all stuffed into a | :01:14. | :01:18. | |
small barn here in the middle of Leighton Moss reserve. It is going | :01:19. | :01:21. | |
to be a good night. You could say this is a recipe for the best kind | :01:22. | :01:28. | |
of night. We've had a bit of an artistic leaning this week on | :01:29. | :01:32. | |
Unsprung. We've all been very creative, some more than others, and | :01:33. | :01:38. | |
that isn't a comment about your log versus pumpkin tragedy. I saw it | :01:39. | :01:42. | |
under the caravan last night. Very sad. Later on we are going to meet | :01:43. | :01:47. | |
some art ises who have managed to turn paper and plastic building | :01:48. | :01:52. | |
bricks into the most fantastic wildlife sculptures. But first, I'm | :01:53. | :01:56. | |
quite good at this, I'm going to do a little bit of paper sculpture and | :01:57. | :02:01. | |
create a couple of birds for you. There are look. -- there you are | :02:02. | :02:08. | |
look, a seagull, a herring gull actually. And another one. I've been | :02:09. | :02:13. | |
practising. Do you want a drum roll? If you could, yes. What's that? It's | :02:14. | :02:23. | |
a duck. It hasn't hatched yet. Terrible. That was terrible. I do | :02:24. | :02:30. | |
apologise. We've also got Level-headed Joe. | :02:31. | :02:33. | |
CHEERING as usual, she is patrolling the | :02:34. | :02:39. | |
information highway and feeding us your questions and comments. Are | :02:40. | :02:45. | |
there any good ones? Steve Price said when I lived across from | :02:46. | :02:50. | |
Morecambe Bay, the foxes use to hunt on the mudflats for fish trapped | :02:51. | :02:59. | |
when the sea retreated. Any other nuggets? Lots of love for the show. | :03:00. | :03:05. | |
We like that. We like the love. Jo will also be taking the answers for | :03:06. | :03:10. | |
tonight's quiz, which reminds me, I had better set it. I'm calling this | :03:11. | :03:18. | |
who's flight line is it anyway? Where are my bird pictures gone? It | :03:19. | :03:24. | |
is all going very well! Here they come. We are going to give you birds | :03:25. | :03:30. | |
first. Chris, we know you like a waxwing. Michaela has already | :03:31. | :03:36. | |
admitted her love affair for the loveliest -- the ugliest bird in the | :03:37. | :03:42. | |
air. And that's the goose for Martin. These are, the idea is to | :03:43. | :03:53. | |
match the birds with their migratory route. This is the easiest quiz | :03:54. | :03:57. | |
we've had all week. The reason being is you should know the answers. | :03:58. | :04:02. | |
Chris and Martin and Michaela have been going on about this all week. | :04:03. | :04:11. | |
And on and on. There's route A, from green land to us. We've got route B, | :04:12. | :04:17. | |
over from the north of Europe. Lots of clues. And one leaving. It | :04:18. | :04:24. | |
doesn't get much easier. Even I can get this. We are hoping that | :04:25. | :04:28. | |
Level-headed Jo will be rushed off her feet tonight. | :04:29. | :04:32. | |
We are going to start with a little bit of audience interaction in the | :04:33. | :04:35. | |
sense of I think Jo is in the audience, Jo, we've been sent a | :04:36. | :04:43. | |
series of rather nice image as. Where is Jo? We can't find her. | :04:44. | :04:50. | |
Maybe she's migrated. But Jo sent in some fantastic things. She notice | :04:51. | :04:57. | |
that on her kitchen table she had left her mince. She doesn't have | :04:58. | :05:03. | |
mice but something was pinching her mince. What has been doing this? -- | :05:04. | :05:12. | |
her mints. Like all dedicated naturalists and curious minds she | :05:13. | :05:15. | |
staked out the mint and this is what she saw. Wasps were nibbling her | :05:16. | :05:23. | |
mints. Really? This was early autumn? Five or six weeks ago. | :05:24. | :05:30. | |
That's perfect. They look like they might be male Wasps. They have a | :05:31. | :05:42. | |
longer-looking... The whole purpose of a wasp nest, it is an annual | :05:43. | :05:49. | |
affair, is to produce the general electionual generation. That's the | :05:50. | :05:55. | |
Queen and the male towards the end of the season. The Queen pretty much | :05:56. | :06:02. | |
gives up. The control of the workers disperses and they pretty much go | :06:03. | :06:07. | |
and hit the town and hit the sweet stuff. These males are fuelling up | :06:08. | :06:12. | |
on the mints. This is quite interesting, because there is no | :06:13. | :06:18. | |
such thing as a wasp. They've all got names. They've all got names. | :06:19. | :06:26. | |
You can identify them. One of the best ways is by their facial | :06:27. | :06:32. | |
features. I've got to get this in the right order, if you take those | :06:33. | :06:38. | |
two, you can have one there. Anyone else want any other wasp ? Let's | :06:39. | :06:52. | |
have a close-up. We are looking at several features on the wasp head. | :06:53. | :07:05. | |
This one in my hand, there's the malar patch, the cheek, and up there | :07:06. | :07:10. | |
a patch above the eye. All these give an identity but this marking is | :07:11. | :07:15. | |
the critical one in the middle. It varies between all our species. We | :07:16. | :07:22. | |
are looking at this wasp. Which one of them that we are holding up looks | :07:23. | :07:35. | |
like that one there? Oh, it's this one. It is working. You had diatoms | :07:36. | :07:43. | |
earlier on and now you are identifying a wasp. We are turning | :07:44. | :07:50. | |
her. And these are their names written on the back of their heads! | :07:51. | :07:56. | |
This is the common wasp, the one that you typically see. Who had the | :07:57. | :08:06. | |
blackest-faced one? That's the red wasp. Another way of identifying the | :08:07. | :08:11. | |
wasp is to look at the markers on the abdomen. The red wasp does have | :08:12. | :08:20. | |
a, often has a reddish-brown band as well. Continuing with the theme of | :08:21. | :08:25. | |
all the information you've shared with us, we've got some fantastic | :08:26. | :08:29. | |
things sent in here. Not just stories and questions but Barry has | :08:30. | :08:33. | |
sent in his entire collection. If you want an illustration of one | :08:34. | :08:38. | |
man's trash is another man's treasure, this is it. He's picked | :08:39. | :08:44. | |
all his items up off the bank of the Thames, not far from St Paul's. This | :08:45. | :08:51. | |
one is my favourite. Barry seems to think this is a carved stone. I | :08:52. | :08:56. | |
don't know if I'm destroying the value of Barry's collection but I | :08:57. | :08:59. | |
think it is better than a carved stone. If you look closely you can | :09:00. | :09:05. | |
see patterns. Can you see that on the camera? Another one there and | :09:06. | :09:09. | |
another one there. A symmetry going on here. That there is this lump of | :09:10. | :09:15. | |
flint. It is a fossilised sea urchin. I can't tell you much more | :09:16. | :09:19. | |
about that but it is a really nice item. I've got a whole house full of | :09:20. | :09:25. | |
this sort of stuff. This one is also interesting. This one here is almost | :09:26. | :09:31. | |
certainly a pig tooth of some kind, or a tusk. It could be a | :09:32. | :09:36. | |
domesticated pig. We don't know how old it is. But if it is over 300 | :09:37. | :09:40. | |
years old it could potentially be the tusk of a wild boar. It isn't | :09:41. | :09:48. | |
but it is a possibility. When I hear the name wild boar it evokes images | :09:49. | :09:55. | |
of a time past. The last wild boar destroyed or shot in the UK was just | :09:56. | :10:04. | |
up the road at Wild Boar Sca in the Pennines. They are back. They've | :10:05. | :10:11. | |
been reintroduced. I like the fact that we've got wild boar back but | :10:12. | :10:16. | |
when they've been missing for so long there are often a few problems. | :10:17. | :10:23. | |
Meet this wild boar whose curiosity was nearly the death of her and her | :10:24. | :10:29. | |
family. She was descended from the wild boar reintroduced to the Forest | :10:30. | :10:34. | |
of Dean in 2004. For the most part these shy and elusive creatures | :10:35. | :10:40. | |
avoid contact with us, preferring to live and breed in the remotest areas | :10:41. | :10:47. | |
of the forest. However, where people feed the wildfowl some boar spot the | :10:48. | :10:55. | |
opportunity for fast food. This almost prove to be a death sentence | :10:56. | :10:59. | |
for her. Although there were no reported incidents of people being | :11:00. | :11:03. | |
injured by boar these are wild animals, with the biggest meals | :11:04. | :11:11. | |
often weighing over 140 kgs. For the Forestry Commission culling and | :11:12. | :11:16. | |
over-friendly boar is their only option. Alex runs a llama trekking | :11:17. | :11:21. | |
company in the forest of Dean. Earlier in the summer he received | :11:22. | :11:26. | |
news of a particularly tame boar which was due to be put down this | :11:27. | :11:31. | |
day. He went to investigate. To my horror I saw a lady with a very | :11:32. | :11:35. | |
young child feeding dog biscuits to a wild boar. I tried to persistent | :11:36. | :11:42. | |
out to her that what she was doing was a death certificate for the | :11:43. | :11:47. | |
boar. We decided to set up a plan to catch this boar and take it to our | :11:48. | :11:53. | |
sanctuary. Little be Alastair realise he had not just save life of | :11:54. | :12:01. | |
one boar but three, as three months later she gave birth to two stripy | :12:02. | :12:07. | |
hoglets. This was her first litter, so having only two is not unusual. | :12:08. | :12:13. | |
These stripy babies are often called humbugs due to their resemblance to | :12:14. | :12:17. | |
the sweets. They lose these distinctive markings at to four | :12:18. | :12:25. | |
months old. Sadly these piglets will never be released back into the | :12:26. | :12:28. | |
forest, as they would be unable to fend for themselves. Like their | :12:29. | :12:31. | |
mother, they associate people with food. My sanctuary is not a | :12:32. | :12:38. | |
solution. You've got to treat all wild animals with respect. They are | :12:39. | :12:43. | |
rather pretty. Just appreciate that and enjoy them. Ah. I want to point | :12:44. | :12:53. | |
out that Alastair was not pig rust until that film. That scene where he | :12:54. | :12:59. | |
puts it in the van looks suspicious. He has full consent from the | :13:00. | :13:02. | |
Forestry Commission to rehome the wild boar there. The serious side of | :13:03. | :13:08. | |
that movie is that it is that we've lived without these animals for so | :13:09. | :13:12. | |
long I feel we've lost common sense. It is like feeding the foxing, but | :13:13. | :13:19. | |
the boar's been gone so long. But they play an important role in | :13:20. | :13:24. | |
ecology, as they turn over the soil and promote regeneration of all | :13:25. | :13:29. | |
sorts of things. We need to adapt to them and be tolerant. I totally | :13:30. | :13:36. | |
agree. We've got an e-mail from Denzil Lloyd. I would like your | :13:37. | :13:43. | |
input on this. He's said, there is a resident group of roe deer on our | :13:44. | :13:49. | |
land and on one of their resting places we've found a pile of clean | :13:50. | :13:57. | |
damson stones. It is a bed where the deer lie. I initially thought no, | :13:58. | :14:02. | |
int won't be that, but I've never experienced it. I know these animals | :14:03. | :14:08. | |
will eat fruit. Chris, you are a connoisseur of... Damsons and plums. | :14:09. | :14:16. | |
Denzil thinks this animal, possibly, has been chewing the fruit and | :14:17. | :14:21. | |
spitting the seeds out. No. It would have to go right through. It is not | :14:22. | :14:26. | |
mixed with other faeces. I'm wondering whether it is another | :14:27. | :14:31. | |
animal which happened to have passed those. It is a bit of a mystery, | :14:32. | :14:37. | |
Denzil. We don't really know the answer but it is an interesting | :14:38. | :14:40. | |
observation. The only thing with this is to keep your eye open and | :14:41. | :14:47. | |
over time you might piece together enough "nuggets" - dare I say it? | :14:48. | :14:52. | |
There's chuckling going on over there. Over here, I did promise you | :14:53. | :15:00. | |
fantastic mammal as, and we have Terry and your daughter, Sally. | :15:01. | :15:04. | |
Welcome. You've brought with you some equally fantastic mammals. Who | :15:05. | :15:11. | |
is this? This is Poppy. We've got a hound and we've got a fox. This is | :15:12. | :15:19. | |
Archie. Arty the fox. You are lovely. We've had a lot of foxes on | :15:20. | :15:25. | |
Autumnwatch and Chris has been following the fortunes of the urban | :15:26. | :15:32. | |
and suburban foxes in Brighton. I want you to put the fox politics out | :15:33. | :15:36. | |
of your mind and enjoy the fact we've got a fox in the studio. | :15:37. | :15:41. | |
What's his story? About three years ago, he came to us as a very small | :15:42. | :15:50. | |
cub. He was covered in ticks and in the process of taking off the ticks | :15:51. | :15:54. | |
over a while, as there were all sorts of eggs on him and he wasn't | :15:55. | :15:58. | |
in a very good way, he became imprinted, so he couldn't go back | :15:59. | :16:03. | |
into the wild again. Normally when we rescue foxes we put them back | :16:04. | :16:08. | |
into the wild. Not locally. We have great relationships with local | :16:09. | :16:11. | |
farmers. We don't put them back on the farmland, we put them usually | :16:12. | :16:15. | |
into the wild of Scotland, where they are no bother. But he couldn't | :16:16. | :16:21. | |
go back. He has a life now of educating children really. We take | :16:22. | :16:26. | |
him to schools. And having the opportunity of getting that close to | :16:27. | :16:29. | |
a fox is unbelievable. It is pretty cool for us as well. The question I | :16:30. | :16:34. | |
really want to ask, what's the relationship between the dog and the | :16:35. | :16:38. | |
fox? This is quite an unusual sight isn't it? Originally we had a Jack | :16:39. | :16:44. | |
Russell. The Jack Russell kind of mothered the fox when the fox was a | :16:45. | :16:49. | |
baby. But unfortunately the Jack Russell died. Oh, no! . After that | :16:50. | :16:54. | |
happened we had to get a surrogate dog. We got Poppy as a puppy and it | :16:55. | :16:59. | |
became the opposite relationship really. They love each other and | :17:00. | :17:03. | |
they play with each other a lot. It is enrichment. We've tried other | :17:04. | :17:08. | |
foxes in with Arty but he thinks he's human, so he likes taking the | :17:09. | :17:14. | |
dog for a walk. Brilliant. Really nice to see you and it is Poppy's | :17:15. | :17:19. | |
birthday today. Happy birthday, Poppy. You told me a cool fact | :17:20. | :17:23. | |
earlier on. Can you share it with the audience? Yes. Different foxes | :17:24. | :17:28. | |
have different attributes in different parts of the country. Arty | :17:29. | :17:33. | |
here was brought to us from the North East, the wetlands centre in | :17:34. | :17:41. | |
Washington. A Geordie fox. Generally they've got longer legs than the | :17:42. | :17:46. | |
ones in the North-West, where we come from, in Cumbria. Fantastic. | :17:47. | :17:51. | |
Thank you for bringing your fantastic mammals. Lovely to see | :17:52. | :17:54. | |
them. We've got some rather... Look at | :17:55. | :18:00. | |
this tea cosy. This is a regular feature. This is Lynn Hardman. Thank | :18:01. | :18:07. | |
you for. This you create these things regularly. I do, yes. This | :18:08. | :18:13. | |
one is a fox. It is all in theme. Wonderfully creative. But I did | :18:14. | :18:18. | |
promise you a bit of a creative theme. We have got, I want to invite | :18:19. | :18:28. | |
to the crate, to the cheques Diane and Tom pulse son. Please -- | :18:29. | :18:38. | |
Poulson. Please come and join us. APPLAUSE I've heard a lot about what | :18:39. | :18:43. | |
you are about to show us. And I think you are going to put my egg to | :18:44. | :18:51. | |
shame aren't you? I've brought in one of these. Martin, you've broken | :18:52. | :18:59. | |
it already. This is made entirely of paper, is that right? Yes. How on | :19:00. | :19:05. | |
earth do you do that? Well, I draw, I always look for photos in motion | :19:06. | :19:12. | |
of these birds. I draw a model on a commuter. -- on a computer. After | :19:13. | :19:17. | |
that I'd the legs and everything, and the wings. After that I start to | :19:18. | :19:22. | |
create the skeleton in paper and start to paste each feather. This is | :19:23. | :19:26. | |
the skeleton here that you've got and this is a starling obviously. | :19:27. | :19:35. | |
That is incredible. Fantastic. What and how but start doing this? Well, | :19:36. | :19:44. | |
as I'm from Colombia I love all kinds of birds. What made me feel | :19:45. | :19:49. | |
concerned about them was most of them were domestic. And then I look | :19:50. | :19:59. | |
it at the ones in the wild and studied their movement and their | :20:00. | :20:03. | |
action and their motion. That really caught my attention. I wanted to | :20:04. | :20:08. | |
represent them, to show them in real life. So all your birds are in | :20:09. | :20:15. | |
action. They are all flying. Wow! Oh my goodness me! Look at that. You | :20:16. | :20:20. | |
didn't choose an easy bird there, a bird of paradise. A blue jay as | :20:21. | :20:29. | |
well. Fantastic. And this is all made with paper? Yes. Fantastic. As | :20:30. | :20:34. | |
if one fantastic bird artist isn't enough, we've got two. Tom, you | :20:35. | :20:41. | |
create models of birds out of plastic bricks? Yes, I do. You can | :20:42. | :20:46. | |
see them dotted around the studio. These are fantastic. Which are your | :20:47. | :20:52. | |
favourite ones? My favourite is the robin. He was the inspiration behind | :20:53. | :20:58. | |
the whole project. It was a moment when I was gardening and a robin | :20:59. | :21:03. | |
landed on my fork handle and that gave me the inspiration to start | :21:04. | :21:08. | |
building birds. That's quite a jump from seeing a robin to building one | :21:09. | :21:14. | |
out of Lego. I've always been interested in the plastic bricks. | :21:15. | :21:22. | |
Have you got any plastic bricks? No. I have. My son does them and I had | :21:23. | :21:27. | |
to build the millennium Falconry. It took me four-and-a-half hours. | :21:28. | :21:33. | |
You've probably done a real falcon. It is in the pipeline. This is my | :21:34. | :21:38. | |
favourite, and it is not a bird. It is a badger. Absolutely fantastic. | :21:39. | :21:43. | |
It is so accurate with wits biological detail. You can tell it's | :21:44. | :21:48. | |
a maerlings because it has a wired tail. And if you look very closely | :21:49. | :21:57. | |
it has a subcordal gland as well. I love that. I could do that all day. | :21:58. | :22:04. | |
Brilliant. Thank you very much guys for coming in and sharing those gems | :22:05. | :22:09. | |
with us. CHEERING AND APPLAUSE | :22:10. | :22:18. | |
We are now going for some man-made sculptures to some natural ones | :22:19. | :22:22. | |
with. It is where we all get our inspiration from. We've been sent | :22:23. | :22:29. | |
these by Jeff Franklin. He found these on his washing line. That's | :22:30. | :22:34. | |
the most beautiful thing. To someone who is into bugs that is just | :22:35. | :22:41. | |
tessellation. Those are eggs. We can do that. We've got a close-up there. | :22:42. | :22:47. | |
You can see the patterns there. The question is, we don't actually know | :22:48. | :22:51. | |
what eggs they are. We've passed them around the Autumnwatch team. | :22:52. | :22:57. | |
Have you got any idea? I think they are a moth egg, but which moth? Each | :22:58. | :23:05. | |
of those egg different. Someone out there who's been looking at moth | :23:06. | :23:11. | |
eggs for the last 50 years every Sunday with a microscope, made of | :23:12. | :23:17. | |
brass, bought from a boot sale in 1932, polished to perfection, would | :23:18. | :23:21. | |
be able to tell. But they probably haven't got a TV set. We've asked | :23:22. | :23:26. | |
around the Autumnwatch office and no-one's come up with the answer. | :23:27. | :23:30. | |
We've circulated this among various moth experts. The closest is someone | :23:31. | :23:35. | |
thought they might be the eggs of a large yellow underwing, but we don't | :23:36. | :23:40. | |
really know. They only said that because it's the commonest moth, | :23:41. | :23:46. | |
laying eggs on washing lines. This brings forward another little thing | :23:47. | :23:50. | |
nowadays, with all the technology and Autumnwatch, it is quite easy to | :23:51. | :23:55. | |
just ask people to answer your questions for you. Back in the day | :23:56. | :23:59. | |
when Chris and I were little boys, we used to see something like that | :24:00. | :24:04. | |
and we would rear them. We could cut your mother's washing line in | :24:05. | :24:08. | |
sections and rear those and see what cater pillars hatched out and see | :24:09. | :24:12. | |
the whole life cycle unfold and see the adult moth. That's how you | :24:13. | :24:15. | |
answered questions. That's the difference between the acquisition | :24:16. | :24:19. | |
of knowledge and getting information. Very profound. I just | :24:20. | :24:27. | |
eat the cake. We have got another interesting bunch of photos. These | :24:28. | :24:32. | |
have been September in by Ed -- these have been sent in by Edward. | :24:33. | :24:36. | |
They involve a pheasant. This pheasant. Do you notice something | :24:37. | :24:43. | |
going on there? No? The next image is the next pheasant. This animal | :24:44. | :24:56. | |
seems to be changing sex. I know all about bilateral butterflies split | :24:57. | :25:00. | |
down the middle. I don't know anything about sex change. Martin, | :25:01. | :25:05. | |
you do though don't you? I do. Somebody thrust some notes into my | :25:06. | :25:08. | |
hand before the programme. I didn't have time to read them, but the | :25:09. | :25:13. | |
personal story, because my dad used to have pheasants and we had a | :25:14. | :25:16. | |
golden pheasant. It was a hen, and it laid eggses. Gradually over a | :25:17. | :25:20. | |
period of weeks it began to change and it turned into a resplendent | :25:21. | :25:26. | |
golden pheasant cock, which became very aggressive and attacked us all. | :25:27. | :25:32. | |
I understand that one in 500 birds has... You did read those notes! | :25:33. | :25:40. | |
That was from my memory. One in 500 birds is capable of change sex. They | :25:41. | :25:45. | |
think it may be damage to the ovaries that does it. But then of | :25:46. | :25:50. | |
course some fish do it. Lots of molluscs. And limpets. And rass. And | :25:51. | :26:00. | |
their babies are viable. With this, as a female it is sterile and the | :26:01. | :26:12. | |
other males see this as a female. And she hasn't got any wattles. We | :26:13. | :26:16. | |
are running out of time, which is rather sad. We are going to have to | :26:17. | :26:24. | |
go to the quiz. Let's have a look at the birds. Let's look at the map. | :26:25. | :26:32. | |
We've got this bird. Which bird is A, moves from Greenland to us on an | :26:33. | :26:42. | |
annual basis? Shall we ask the audience? A lot of people got them | :26:43. | :26:46. | |
all right. They've been paying attention this week. Graham and | :26:47. | :26:53. | |
Debra and Hannah and Keith and Jo, finally I got the quiz right. It was | :26:54. | :26:59. | |
a difficult week though. Even I couldn't do any of them. B is? | :27:00. | :27:07. | |
Anyone in the audience knows which of these birds is B? Remember | :27:08. | :27:14. | |
Chris's prediction is we won't get many this year. We'll find out in | :27:15. | :27:20. | |
Winter Watch if he is right. And who is leaving this country? It is | :27:21. | :27:29. | |
Michaela's osprey. Brilliant. That is our little quiz. The answer for | :27:30. | :27:38. | |
you, give got the geese, the waxwing, and the osprey is C. | :27:39. | :27:46. | |
Fantastic. Jo, do we have any last comments from the audience, anything | :27:47. | :27:51. | |
of any interest? Lots of people love the cake and are saying, please get | :27:52. | :28:00. | |
on and eat it. And Jack says what do glow worms do in winter? Good | :28:01. | :28:06. | |
question. I believe they crawl under rocks. They do. They move out of the | :28:07. | :28:12. | |
grassland and in underneath bushes, so when they wake up in the spring | :28:13. | :28:17. | |
they can access snails to get them going. This is pretty much it, guys. | :28:18. | :28:24. | |
This is Autumnwatch, and it is over. I have had a great time. I would | :28:25. | :28:28. | |
like to thank all of the contributors, all the audience, all | :28:29. | :28:32. | |
the RSPB at Leighton Moss, because we've made a complete pain of | :28:33. | :28:36. | |
ourselves here. And the runners in particular, Ben and Tim, who have | :28:37. | :28:39. | |
been shuttling us back and forth across the marsh. There's too many | :28:40. | :28:46. | |
people, the Red Button team. Very important. It is too many people to | :28:47. | :28:49. | |
thank but thank you very much guys for inviting me into the family. | :28:50. | :28:56. | |
It's been a lovely team. We'll see you all in Winter Watch. Bye-bye. | :28:57. | :29:00. |