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It's the season that brings with it a kaleidoscope of colour, | 0:00:02 | 0:00:06 | |
when nature puts on some of its greatest displays. | 0:00:06 | 0:00:10 | |
Autumn. | 0:00:12 | 0:00:13 | |
When our countryside is bursting with bounty. | 0:00:15 | 0:00:18 | |
Whilst some of us are preparing for the colder months ahead. | 0:00:20 | 0:00:23 | |
It's the perfect time to get your boots on, get out for a walk, | 0:00:25 | 0:00:29 | |
and enjoy the changing colours of the countryside. | 0:00:29 | 0:00:31 | |
And blow away the cobwebs in the great outdoors. | 0:00:34 | 0:00:38 | |
All week, we're travelling the length and breadth of the UK. | 0:00:38 | 0:00:42 | |
Five seconds, five seconds and we've got our first one. | 0:00:44 | 0:00:46 | |
Bringing the very best seasonal stories that matter to you. | 0:00:46 | 0:00:51 | |
If autumn continues to come later, | 0:00:51 | 0:00:53 | |
could that potentially wipe out the dormouse? | 0:00:53 | 0:00:56 | |
It could easily disappear completely from the English countryside, | 0:00:56 | 0:00:58 | |
which would be devastating. | 0:00:58 | 0:01:00 | |
Welcome to Countryfile Autumn Diaries. | 0:01:04 | 0:01:06 | |
And here's what we've got for you on today's programme. | 0:01:14 | 0:01:16 | |
With the arrival of some new piggy Mini Mes... | 0:01:16 | 0:01:20 | |
There you go, you're getting little grunts there, | 0:01:21 | 0:01:23 | |
that means they're happy. | 0:01:23 | 0:01:25 | |
Paul's out to discover if hogs are as smart | 0:01:25 | 0:01:28 | |
as dogs at the pig Olympics. | 0:01:28 | 0:01:30 | |
OK, come on, through here... No, we've missed that one... Over the, | 0:01:30 | 0:01:33 | |
over the... Come on, come on, no, no, no, no, no. | 0:01:33 | 0:01:37 | |
Keeley is uncovering Britain's deadliest gardens. | 0:01:37 | 0:01:40 | |
-It's called Ricinus communis. -Oh, ricin, poison! | 0:01:40 | 0:01:43 | |
-Ricin, the deadliest poison known to man. -Really? | 0:01:43 | 0:01:45 | |
And Jules takes a Halloween walk in a graveyard | 0:01:45 | 0:01:49 | |
to meet the creatures of the night. | 0:01:49 | 0:01:51 | |
Whenever you shine the torch, there are these astonishing monuments. | 0:01:51 | 0:01:56 | |
All this week, we're celebrating the season here in the Lake District. | 0:02:05 | 0:02:09 | |
And today I'm in Dodd Wood, | 0:02:09 | 0:02:11 | |
with its dramatic views down to Bassenthwaite Lake. | 0:02:11 | 0:02:15 | |
We really are spoilt for choice here in the UK | 0:02:17 | 0:02:20 | |
when it comes to wonderful scenery, | 0:02:20 | 0:02:23 | |
but to get to and from these locations, drivers often have | 0:02:23 | 0:02:27 | |
to tackle some of our notoriously difficult country roads, | 0:02:27 | 0:02:31 | |
and that can sometimes lead to tragedy. | 0:02:31 | 0:02:34 | |
Margherita is in West Sussex | 0:02:34 | 0:02:36 | |
investigating a growing and alarming trend on our rural roads. | 0:02:36 | 0:02:41 | |
In 2016, 1,792 people were killed on our roads. | 0:02:44 | 0:02:51 | |
To help improve driving standards, the government has announced that | 0:02:53 | 0:02:56 | |
learner drivers in 2018 will be able to have motorway driving lessons. | 0:02:56 | 0:03:01 | |
But dangerous as they may be, | 0:03:03 | 0:03:05 | |
only 5% of road deaths occur on motorways. | 0:03:05 | 0:03:09 | |
More than 50% happen on our rural routes. | 0:03:09 | 0:03:13 | |
Luckily here, both horses and riders survived, | 0:03:13 | 0:03:18 | |
but in another shocking statistic, | 0:03:18 | 0:03:20 | |
80% of those drivers killed on country roads | 0:03:20 | 0:03:23 | |
are aged between just 17 and 24. | 0:03:23 | 0:03:26 | |
So, should we be training our new drivers | 0:03:26 | 0:03:29 | |
on rural roads as well? | 0:03:29 | 0:03:31 | |
So, what is it that makes our country roads so dangerous? | 0:03:33 | 0:03:37 | |
To find out, I'm going for a drive with Dr Suzy Charman | 0:03:37 | 0:03:41 | |
from the Road Safety Foundation. | 0:03:41 | 0:03:44 | |
Unlike motorways and urban roads, | 0:03:44 | 0:03:47 | |
they haven't really evolved in a way that's suitable for the kind of | 0:03:47 | 0:03:51 | |
traffic that we have these days. | 0:03:51 | 0:03:53 | |
Originally, they might have been used by horse-drawn carriages, | 0:03:53 | 0:03:56 | |
and now we're in these vehicles | 0:03:56 | 0:03:58 | |
that can go 60mph on a national speed limit road, | 0:03:58 | 0:04:02 | |
and, actually, if you left this road right now at 60mph | 0:04:02 | 0:04:06 | |
and crashed into one of the trees at the roadside, | 0:04:06 | 0:04:08 | |
you might not survive that. | 0:04:08 | 0:04:10 | |
-And that 60mph... -It's a limit and not a target. | 0:04:10 | 0:04:14 | |
And what can we as drivers do to ensure we're driving more safely? | 0:04:14 | 0:04:19 | |
The best drivers look ahead. | 0:04:19 | 0:04:21 | |
They'll be reading the road, they'll be anticipating hazards, | 0:04:21 | 0:04:24 | |
they'll be spotting entrances to properties and farms. | 0:04:24 | 0:04:29 | |
They'll be able to assess bends | 0:04:29 | 0:04:31 | |
and the speed that they're meant to go around bends. | 0:04:31 | 0:04:34 | |
Good drivers will also be really careful about overtaking. | 0:04:34 | 0:04:38 | |
Overtaking is one of the riskiest things we do on this kind of road. | 0:04:38 | 0:04:41 | |
Take your time, be patient, | 0:04:41 | 0:04:42 | |
and if you do encounter horses or pedestrians, | 0:04:42 | 0:04:45 | |
or cyclists, make sure you pass slow and wide. | 0:04:45 | 0:04:48 | |
It's an awareness of these potential dangers that young drivers might not | 0:04:48 | 0:04:53 | |
have the experience to anticipate. | 0:04:53 | 0:04:55 | |
So, as a driver, there are changes I can make to ensure | 0:04:57 | 0:05:01 | |
I'm looking after my safety, passengers, other road users - | 0:05:01 | 0:05:04 | |
what changes would you like to see made | 0:05:04 | 0:05:06 | |
in terms of the roads themselves? | 0:05:06 | 0:05:08 | |
Things like clearing roadside hazards, including pheasants. | 0:05:08 | 0:05:12 | |
Or protecting trees with crash barriers. | 0:05:13 | 0:05:17 | |
Another really effective thing is shoulder rumble strips | 0:05:17 | 0:05:20 | |
that you can put down the side of the road, | 0:05:20 | 0:05:21 | |
where if you go over them, they give you that rumbling feeling, | 0:05:21 | 0:05:24 | |
and it just alerts you to the fact that you're coming off the road. | 0:05:24 | 0:05:27 | |
So, there's lots that could be done? | 0:05:27 | 0:05:28 | |
There's a huge amount that can be done, and they are simple, | 0:05:28 | 0:05:31 | |
they're affordable, they're effective, they save lives. | 0:05:31 | 0:05:34 | |
The A285 from Petworth to Chichester in Sussex, an old Roman road, | 0:05:36 | 0:05:41 | |
is often dubbed Britain's most dangerous. | 0:05:41 | 0:05:45 | |
Impatient drivers come over the hill, | 0:05:45 | 0:05:47 | |
see a mile of straight road ahead | 0:05:47 | 0:05:49 | |
and try to overtake, | 0:05:49 | 0:05:51 | |
but what they miss are cars in front turning right, | 0:05:51 | 0:05:55 | |
straight across their speeding path. | 0:05:55 | 0:05:57 | |
Chris Davies has lived on this road for 17 years | 0:05:58 | 0:06:02 | |
and sees a couple of accidents happen every week outside his home. | 0:06:02 | 0:06:07 | |
But in 2006, one accident in particular | 0:06:07 | 0:06:10 | |
almost cost Chris and his wife their lives. | 0:06:10 | 0:06:14 | |
We actually had a car come through this wall behind me | 0:06:14 | 0:06:17 | |
and into the kitchen, | 0:06:17 | 0:06:19 | |
crashed all the furniture we have in here up against the far wall. | 0:06:19 | 0:06:22 | |
Came right into the room. | 0:06:22 | 0:06:24 | |
So you'd been sitting here moments before? | 0:06:24 | 0:06:26 | |
We'd been having our breakfast. | 0:06:26 | 0:06:28 | |
Just before nine o'clock, we got up and out we went and in came the car. | 0:06:28 | 0:06:33 | |
I can't even imagine what you must have felt. | 0:06:34 | 0:06:37 | |
Well, it was just an enormous noise, | 0:06:37 | 0:06:40 | |
obviously, we had both gone upstairs, | 0:06:40 | 0:06:42 | |
and we were both sort of thrown up into the air | 0:06:42 | 0:06:45 | |
from the shock of the car coming in. I rushed outside | 0:06:45 | 0:06:48 | |
and he actually managed to get out of the car. | 0:06:48 | 0:06:51 | |
He was staggering and he was stunned that he was actually OK. | 0:06:51 | 0:06:55 | |
How many accidents do you think you've witnessed, | 0:06:55 | 0:06:57 | |
or over the years have happened outside there? | 0:06:57 | 0:06:59 | |
It's probably hundreds in total. | 0:06:59 | 0:07:01 | |
Serious, probably 30 to 40 in the 17 years we've been here. | 0:07:01 | 0:07:05 | |
And I'm talking about life-threatening sort of injuries. | 0:07:05 | 0:07:09 | |
And you've almost become a bit of an emergency service, | 0:07:09 | 0:07:11 | |
this house of yours. | 0:07:11 | 0:07:13 | |
-Yes, had to. -Helping people out. | 0:07:13 | 0:07:15 | |
Yes, had to do the kiss of life, and that sort of thing, sometimes. | 0:07:15 | 0:07:20 | |
-So you've actually had to resuscitate someone? -Yes. | 0:07:20 | 0:07:23 | |
-Goodness. -A couple of times, yeah. | 0:07:23 | 0:07:25 | |
With so many accidents, | 0:07:25 | 0:07:27 | |
Chris's local council has recently introduced double white lines | 0:07:27 | 0:07:31 | |
to the road and he feels this simple measure | 0:07:31 | 0:07:34 | |
has definitely reduced the number of accidents. | 0:07:34 | 0:07:37 | |
Given the massive dangers, | 0:07:38 | 0:07:41 | |
especially for young and inexperienced drivers, | 0:07:41 | 0:07:43 | |
is it time for a change in the law? | 0:07:43 | 0:07:45 | |
Road safety charity Brake want all new drivers | 0:07:47 | 0:07:50 | |
to have compulsory lessons on rural roads. | 0:07:50 | 0:07:53 | |
Jason Wakeford from the charity believes there should be | 0:07:53 | 0:07:56 | |
a complete overhaul in the way we learn to drive. | 0:07:56 | 0:08:00 | |
Well, rural roads are statistically the most dangerous in the country, | 0:08:00 | 0:08:03 | |
and that's why we would like to see | 0:08:03 | 0:08:05 | |
what's called a graduated licensing system. | 0:08:05 | 0:08:07 | |
It allows new drivers to build up their skills and confidence | 0:08:07 | 0:08:10 | |
over a much longer period of time. | 0:08:10 | 0:08:12 | |
This would include a minimum number of hours before you're able to pass | 0:08:12 | 0:08:16 | |
your first test, and then a two-year probationary period where you have | 0:08:16 | 0:08:20 | |
restrictions, for example, a zero drink-drive limit | 0:08:20 | 0:08:23 | |
and a night curfew. | 0:08:23 | 0:08:25 | |
And why does it seems that young people are so affected | 0:08:25 | 0:08:27 | |
and so vulnerable when it comes to driving on our rural roads? | 0:08:27 | 0:08:30 | |
Well, young drivers are more likely to take risks, | 0:08:30 | 0:08:34 | |
for example, drinking when driving, or taking drugs, and speeding, | 0:08:34 | 0:08:39 | |
particularly male drivers, unfortunately, | 0:08:39 | 0:08:42 | |
and that's why young people make up, unfortunately, | 0:08:42 | 0:08:45 | |
a large percentage of the death statistics. | 0:08:45 | 0:08:48 | |
And what advice would you give to, say, a young driver, 17 to 24, | 0:08:48 | 0:08:53 | |
to be safer on our roads? | 0:08:53 | 0:08:55 | |
I think my advice would be not to rush to learn to drive. | 0:08:55 | 0:08:58 | |
Take some time. Make sure you've had proper tuition | 0:08:58 | 0:09:01 | |
and you've got a lot of good hours under your belt | 0:09:01 | 0:09:04 | |
so you can really build your skills and your confidence over time. | 0:09:04 | 0:09:07 | |
Several countries have introduced a graduated driver's license, | 0:09:08 | 0:09:13 | |
which allows new drivers to build up their driving skills and experience | 0:09:13 | 0:09:17 | |
in structured stages. | 0:09:17 | 0:09:20 | |
So what could an overhaul of the driving test system mean for the UK? | 0:09:20 | 0:09:25 | |
The graduated licensing system has already been implemented | 0:09:27 | 0:09:30 | |
in countries like New Zealand, Australia, | 0:09:30 | 0:09:32 | |
and in some of the states in the US, | 0:09:32 | 0:09:35 | |
and they've seen massive reductions, up to a quarter, | 0:09:35 | 0:09:38 | |
of the number of young people dying in road crashes. | 0:09:38 | 0:09:42 | |
That's why we believe we could be seeing a reduction | 0:09:42 | 0:09:45 | |
of some 400 deaths and serious injuries on UK roads. | 0:09:45 | 0:09:49 | |
Whether or not those changes are brought in in the future, | 0:09:51 | 0:09:54 | |
it's clear to me from today | 0:09:54 | 0:09:56 | |
that there are small changes that each of us can make to how we drive | 0:09:56 | 0:10:00 | |
on these rural roads that will really help reduce | 0:10:00 | 0:10:03 | |
the number of injuries and fatalities that we see every year. | 0:10:03 | 0:10:08 | |
Worrying, indeed. | 0:10:11 | 0:10:13 | |
Now, you don't have to be in the open countryside | 0:10:13 | 0:10:15 | |
to see an abundance of wildlife. In our cities, | 0:10:15 | 0:10:19 | |
public cemeteries can offer peaceful places | 0:10:19 | 0:10:22 | |
for nature to thrive, | 0:10:22 | 0:10:24 | |
and across England and Wales, at least 6,000 churchyards | 0:10:24 | 0:10:27 | |
are now offering sanctuary to wild creatures. | 0:10:27 | 0:10:30 | |
And, as it's Halloween, | 0:10:30 | 0:10:32 | |
Jules is exploring life after death in our graveyards. | 0:10:32 | 0:10:37 | |
Who on Halloween would dare enter a spooky graveyard | 0:10:40 | 0:10:44 | |
at the witching hour? | 0:10:44 | 0:10:46 | |
This cemetery is where creatures of the night come out to play. | 0:10:47 | 0:10:51 | |
It's just as well I'm arriving in the daytime. | 0:10:53 | 0:10:56 | |
Large historic cemeteries like this one at Arnos Vale in Bristol | 0:10:58 | 0:11:02 | |
can for very obvious reasons often be quite emotional places, | 0:11:02 | 0:11:06 | |
but if, like me, you're interested in the social history of a town | 0:11:06 | 0:11:10 | |
or a city, they can be fascinating places to explore. | 0:11:10 | 0:11:13 | |
And sad as they are amongst the urban sprawl, well, | 0:11:13 | 0:11:17 | |
they're often a real haven for wildlife. | 0:11:17 | 0:11:20 | |
Arnos Vale is one of Britain's best examples | 0:11:22 | 0:11:25 | |
of a Victorian garden cemetery. | 0:11:25 | 0:11:28 | |
As well as 50,000 graves, | 0:11:28 | 0:11:30 | |
the grounds are covered with classical buildings | 0:11:30 | 0:11:33 | |
and historic monuments designed to echo classical Greece. | 0:11:33 | 0:11:37 | |
To find out more about the cemetery and the wildlife amongst the graves, | 0:11:38 | 0:11:42 | |
I'm meeting estates manager Nick Bull. | 0:11:42 | 0:11:45 | |
It was designed as a garden cemetery, so you know, | 0:11:45 | 0:11:48 | |
it was intended to be quite dramatic. | 0:11:48 | 0:11:50 | |
The variety of monuments here is absolutely staggering. | 0:11:50 | 0:11:54 | |
I mean, that in itself is absolutely fabulous. | 0:11:54 | 0:11:56 | |
It's a piece of architecture. | 0:11:56 | 0:11:58 | |
It's our Anglican chapel, so it had to make a big impression. | 0:11:58 | 0:12:02 | |
But for a more exotic aspect, look no further than this Bengali tomb, | 0:12:04 | 0:12:09 | |
which houses the remains of Rammohun Roy, | 0:12:09 | 0:12:12 | |
a revered Indian ambassador who died in Bristol in 1833. | 0:12:12 | 0:12:16 | |
The cemetery was built at the height of the British Empire, | 0:12:17 | 0:12:20 | |
but during the 20th century, | 0:12:20 | 0:12:22 | |
it fell into disrepair and the grounds went wild. | 0:12:22 | 0:12:25 | |
But, with the cemetery now restored, | 0:12:25 | 0:12:28 | |
needs of both wildlife and a working historical cemetery have to be met. | 0:12:28 | 0:12:32 | |
We're trying to strike a balance between the needs of the graves | 0:12:32 | 0:12:36 | |
and the needs of the wildlife. | 0:12:36 | 0:12:38 | |
We're slowly trying to chip away at certain areas | 0:12:38 | 0:12:41 | |
that have become overwhelmed, really, by the vegetation. | 0:12:41 | 0:12:44 | |
We're treating a lot of it as meadow because it's really important that | 0:12:44 | 0:12:49 | |
we allow the wild grasses and wild flowers to thrive before we go round | 0:12:49 | 0:12:53 | |
and cut it. If we cut it all really regularly, | 0:12:53 | 0:12:56 | |
then it would lose a lot of the diversity that does well here. | 0:12:56 | 0:13:00 | |
The cemetery still conducts burials, but Arnos Vale is so rich | 0:13:00 | 0:13:04 | |
in wildlife, it's now managed as a site of nature conservation. | 0:13:04 | 0:13:08 | |
But to get up close to that wildlife, | 0:13:10 | 0:13:12 | |
I'll have to wait until darkness falls. | 0:13:12 | 0:13:15 | |
Well, it is about six o'clock, it's getting dark, | 0:13:17 | 0:13:19 | |
and it's starting to rain, | 0:13:19 | 0:13:21 | |
and the cemetery is about to close. | 0:13:21 | 0:13:23 | |
Now, let's face it, being locked in a graveyard | 0:13:23 | 0:13:25 | |
isn't exactly everybody's cup of tea, | 0:13:25 | 0:13:27 | |
but this one is about to come alive with nature. | 0:13:27 | 0:13:30 | |
My guide for the night is ecologist Dan Flew, | 0:13:31 | 0:13:35 | |
a former grave-digger | 0:13:35 | 0:13:36 | |
who now studies the cemetery's living residents. | 0:13:36 | 0:13:39 | |
Now, Dan, who else shares this space? | 0:13:39 | 0:13:41 | |
What else shares this space? | 0:13:41 | 0:13:43 | |
There's a whole range of nocturnal creatures here. | 0:13:43 | 0:13:46 | |
We've got badgers, foxes, owls, and my favourite, which is the bats. | 0:13:46 | 0:13:50 | |
How do they sort of manifest themselves? | 0:13:50 | 0:13:51 | |
Where are they roosting at the moment? | 0:13:51 | 0:13:53 | |
Well, the main roost of lesser horseshoe bats | 0:13:53 | 0:13:55 | |
is in the West Lodge and there's a tunnel between the buildings. | 0:13:55 | 0:14:00 | |
There's a tunnel? What, between these two gate houses? | 0:14:00 | 0:14:02 | |
Yeah, and it used to be used by staff in the Victorian time | 0:14:02 | 0:14:06 | |
to keep the grave-diggers and the riffraff out of the way | 0:14:06 | 0:14:10 | |
-of the people that had the money that come in... -The mourners? | 0:14:10 | 0:14:13 | |
-Yeah. -How interesting. | 0:14:13 | 0:14:15 | |
I love the idea of a secret tunnel that links these two buildings. | 0:14:15 | 0:14:18 | |
But bats have made that their own? | 0:14:18 | 0:14:20 | |
Yeah, they have. They have, indeed. | 0:14:20 | 0:14:21 | |
How many are down there? | 0:14:21 | 0:14:23 | |
-Any idea? -On the last check, there was 11 lesser horseshoe bats. | 0:14:23 | 0:14:28 | |
The lesser horseshoe bat is rare in the British Isles | 0:14:29 | 0:14:32 | |
and doesn't like disturbance, | 0:14:32 | 0:14:34 | |
so we're using an infrared camera to accompany Dan into the tunnel. | 0:14:34 | 0:14:39 | |
Lesser horseshoe bats begin hibernation in the autumn | 0:14:43 | 0:14:46 | |
using caves, mines, cellars and tunnels, | 0:14:46 | 0:14:50 | |
and unlike many bat species, they don't huddle together. | 0:14:50 | 0:14:53 | |
-WHISPERS: -This is a lesser horseshoe bat. | 0:14:56 | 0:14:58 | |
He's very torpid at the moment | 0:14:58 | 0:15:00 | |
so we can't disturb him too much. | 0:15:00 | 0:15:03 | |
So just the heat off our body will wake him up | 0:15:03 | 0:15:07 | |
so we'd better move on pretty quickly. | 0:15:07 | 0:15:11 | |
So I've had a look about and I can see six. | 0:15:13 | 0:15:19 | |
-So the bats are starting to... -INAUDIBLE | 0:15:19 | 0:15:24 | |
If we go out to the entrance, we will hopefully see them emerge. | 0:15:24 | 0:15:28 | |
With dusk falling, | 0:15:29 | 0:15:31 | |
we'll hopefully see these shy creatures fly out into the night. | 0:15:31 | 0:15:34 | |
So, Dan, you've got your bat detector out there. | 0:15:36 | 0:15:39 | |
What exactly's that picking up? | 0:15:39 | 0:15:40 | |
It's picking up the ultrasonic sounds of the bats' echo location, | 0:15:40 | 0:15:44 | |
and it will also play back the audible sound so we can hear it, | 0:15:44 | 0:15:48 | |
and it sounds a bit like a warble, from the lesser horseshoe bat. | 0:15:48 | 0:15:52 | |
-So it's a bit like a... -HE WHISTLES | 0:15:52 | 0:15:54 | |
-Oh! -And it's a beautiful sound. | 0:15:54 | 0:15:56 | |
As the dusk embraces us, we get serenaded by these bats. | 0:15:57 | 0:16:02 | |
But when it comes to bat song, it's not what Dan was expecting. | 0:16:02 | 0:16:08 | |
Oh... | 0:16:08 | 0:16:09 | |
A Leisler. | 0:16:09 | 0:16:11 | |
SQUEAKING | 0:16:11 | 0:16:12 | |
So a Leisler is one of our big bats, | 0:16:12 | 0:16:16 | |
and if you heard that, it was like a chip-chop, chip-chop, | 0:16:16 | 0:16:18 | |
but a bit faster. | 0:16:18 | 0:16:20 | |
These bats fly really high. | 0:16:20 | 0:16:21 | |
We've got 45 acres of habitat here, | 0:16:21 | 0:16:24 | |
which is what they use, and this is kind of like an island of darkness | 0:16:24 | 0:16:29 | |
within the city. | 0:16:29 | 0:16:30 | |
Apart from bats, | 0:16:30 | 0:16:32 | |
there are a number of other nocturnal creatures | 0:16:32 | 0:16:34 | |
that go bump in the night in this graveyard. | 0:16:34 | 0:16:37 | |
Dan is up ahead of me, | 0:16:37 | 0:16:39 | |
just trying to find a badger set, | 0:16:39 | 0:16:41 | |
where they've managed to record some of the badgers | 0:16:41 | 0:16:44 | |
about their nocturnal business. | 0:16:44 | 0:16:46 | |
Wherever you shine the torch, there are these astonishing monuments. | 0:16:46 | 0:16:51 | |
Any luck with the badger set? | 0:16:52 | 0:16:53 | |
Well, the badger set here has been protected | 0:16:53 | 0:16:56 | |
-by some woven fence line... -Yeah. | 0:16:56 | 0:17:00 | |
And it's only a small set. | 0:17:00 | 0:17:02 | |
Badgers in graveyards have had a bad press, | 0:17:02 | 0:17:06 | |
as their digging can disturb the graves, | 0:17:06 | 0:17:09 | |
but this badger has been a little bit more respectful. | 0:17:09 | 0:17:12 | |
If you can see here, slightly,... | 0:17:12 | 0:17:15 | |
-Is that a run? -Yeah. | 0:17:16 | 0:17:18 | |
So you can see the vegetation is slightly cleared there | 0:17:18 | 0:17:21 | |
and if you look closely, there is scratch marks, | 0:17:21 | 0:17:23 | |
and they are creatures of habit so they like to use the same path. | 0:17:23 | 0:17:26 | |
I mean, there's absolutely no chance we're going to see one tonight | 0:17:26 | 0:17:29 | |
-with our torches, is there? -I don't think so. | 0:17:29 | 0:17:32 | |
But you know, urban foxes famously, of course, you know... | 0:17:32 | 0:17:35 | |
much on the rise. | 0:17:35 | 0:17:36 | |
Presumably, there are urban foxes that are using the cemetery? | 0:17:36 | 0:17:40 | |
Oh, yeah, yeah. If you sit down on your own long enough in the dark, | 0:17:40 | 0:17:43 | |
you'll see one pass you. | 0:17:43 | 0:17:45 | |
It's like a little nocturnal paradise for nocturnal creatures. | 0:17:45 | 0:17:49 | |
This place has proved to be as fascinating in the dark as it was | 0:17:54 | 0:17:58 | |
during daylight, and I've got a real sense not just of its history, | 0:17:58 | 0:18:01 | |
but also of the wildlife that like to call this place home. | 0:18:01 | 0:18:06 | |
Talking of which, where's the gate? | 0:18:06 | 0:18:08 | |
I think it's this way. | 0:18:08 | 0:18:10 | |
HOOTING | 0:18:10 | 0:18:11 | |
Now, from Victorian splendour to a much more modern fad. | 0:18:15 | 0:18:19 | |
In the past decade, | 0:18:23 | 0:18:24 | |
the sale of micro-pigs small enough to keep in your back garden, | 0:18:24 | 0:18:28 | |
or even in your home, has really rocketed, | 0:18:28 | 0:18:30 | |
and research has shown that pigs in general are far more intelligent | 0:18:30 | 0:18:35 | |
than we give them credit for, perhaps even rivalling dogs, | 0:18:35 | 0:18:38 | |
but when it comes to agility training, well, | 0:18:38 | 0:18:41 | |
surely dogs have their paws on the prize? | 0:18:41 | 0:18:44 | |
Well, perhaps not. | 0:18:44 | 0:18:45 | |
Paul has been to an autumn show | 0:18:45 | 0:18:48 | |
where hogs are trying to be top dogs. | 0:18:48 | 0:18:51 | |
Back in the spring, I picked some piglets | 0:18:53 | 0:18:55 | |
for my Wiltshire smallholding | 0:18:55 | 0:18:57 | |
from my neighbour Aldetha Raymond. | 0:18:57 | 0:19:00 | |
They've just been born, haven't they? What, three or four days? | 0:19:00 | 0:19:02 | |
Three or four days, yes. So they're very, very young at the moment. | 0:19:02 | 0:19:06 | |
Oh! | 0:19:06 | 0:19:07 | |
Now they've been weaned, they're ready to come home. | 0:19:07 | 0:19:11 | |
Well, that's it. | 0:19:13 | 0:19:15 | |
That's the run all sorted out. | 0:19:15 | 0:19:17 | |
We're getting a little pig house, got a nice little sty, | 0:19:17 | 0:19:19 | |
got a water trough. | 0:19:19 | 0:19:22 | |
I tell you what, we've got all the kit here, | 0:19:22 | 0:19:23 | |
we're not doing it in half measures. | 0:19:23 | 0:19:25 | |
We're going the whole hog. | 0:19:25 | 0:19:27 | |
Any moment now, Aldetha will be arriving | 0:19:29 | 0:19:32 | |
with our two little piggies. | 0:19:32 | 0:19:34 | |
-Yay! -One for you and one for you. | 0:19:34 | 0:19:36 | |
And do you know what they are? They're Kunekune crosses. | 0:19:36 | 0:19:38 | |
So they're kind of, you know, slightly related to the wild boar. | 0:19:38 | 0:19:42 | |
-Yeah? -The hairy pigs. | 0:19:42 | 0:19:44 | |
From New Zealand, Kunekune pigs were raised by the Maoris, | 0:19:44 | 0:19:48 | |
and their name literally means fat and round. | 0:19:48 | 0:19:51 | |
Have you thought of names yet? | 0:19:51 | 0:19:53 | |
-Yes. -But I think you've got to name them when you see them, really. | 0:19:53 | 0:19:56 | |
-OK? -Yeah. | 0:19:56 | 0:19:57 | |
That'll be the final decider. | 0:19:57 | 0:19:59 | |
You've got a little inkling, haven't you? | 0:19:59 | 0:20:01 | |
Go on, then, whisper in my ear. | 0:20:01 | 0:20:03 | |
You'll find out when they arrive. | 0:20:05 | 0:20:07 | |
In fact, I can hear Aldetha. I can hear the van now. | 0:20:07 | 0:20:09 | |
There it is. Come on, let's go and say hello. | 0:20:09 | 0:20:12 | |
-Hi, Aldetha! -Hi, there. | 0:20:12 | 0:20:14 | |
-Great to see you. -And you. | 0:20:14 | 0:20:16 | |
We've been looking forward to this. | 0:20:16 | 0:20:17 | |
-Brilliant. -Haven't we? | 0:20:17 | 0:20:19 | |
-Yeah. -Hello. -Oh, we're very excited. | 0:20:19 | 0:20:21 | |
Ready? OK. | 0:20:21 | 0:20:25 | |
Can you see them? | 0:20:25 | 0:20:27 | |
-Yeah. -Oh, aren't they cute? | 0:20:27 | 0:20:28 | |
What do you think? | 0:20:29 | 0:20:31 | |
-OK, what's their names? -Toffee and Fudge. | 0:20:31 | 0:20:34 | |
-Toffee and... -? Fudge. | 0:20:34 | 0:20:36 | |
Time to introduce Toffee and Fudge to their new home. | 0:20:37 | 0:20:40 | |
I hope they like it. | 0:20:40 | 0:20:41 | |
Oh, here they go... Ah! | 0:20:43 | 0:20:45 | |
Oh, they look so tiny now, don't they? | 0:20:45 | 0:20:48 | |
Kunekunes are the smallest domesticated breed of pig | 0:20:48 | 0:20:52 | |
in the world, | 0:20:52 | 0:20:54 | |
and Toffee and Fudge might only grow 24 inches high. | 0:20:54 | 0:20:57 | |
And how do we go about training these pigs? | 0:20:58 | 0:21:01 | |
Do you train them like a dog with titbits and rewards? | 0:21:01 | 0:21:04 | |
Yeah, they are food orientated. | 0:21:04 | 0:21:06 | |
Their tummy rules. | 0:21:06 | 0:21:07 | |
So if you give them titbits, | 0:21:07 | 0:21:09 | |
they're going to love it, but always feed them and talk to them. | 0:21:09 | 0:21:12 | |
The most important thing is to talk to them. | 0:21:12 | 0:21:14 | |
Pigs, whatever their size, are social, friendly animals, | 0:21:14 | 0:21:19 | |
and in the animal IQ stakes, they're very intelligent. | 0:21:19 | 0:21:23 | |
Toffee and Fudge will need feeding twice a day, | 0:21:23 | 0:21:26 | |
with one very important addition. | 0:21:26 | 0:21:29 | |
A handful of peat goes in with their food. | 0:21:29 | 0:21:32 | |
They will actually eat this and they will also move their noses around | 0:21:32 | 0:21:36 | |
-in it, and it's really good for them. -OK. | 0:21:36 | 0:21:38 | |
Can you put that in for me, Meredith? | 0:21:38 | 0:21:40 | |
There you go. You're getting little grunts there. | 0:21:40 | 0:21:42 | |
That means they're happy. They're actually saying to you, | 0:21:42 | 0:21:44 | |
you're doing a good job with their ingredients there, you two. | 0:21:44 | 0:21:47 | |
Well done. | 0:21:47 | 0:21:49 | |
But which is which again? | 0:21:49 | 0:21:51 | |
This one's Toffee. | 0:21:51 | 0:21:53 | |
And this is Fudge. | 0:21:53 | 0:21:55 | |
Over the next couple of days, | 0:21:55 | 0:21:57 | |
Toffee and Fudge settle into the Martin family life, | 0:21:57 | 0:22:00 | |
but I don't want them to get bored in their enclosure | 0:22:00 | 0:22:03 | |
so I'm setting up objects like this to help stimulate them | 0:22:03 | 0:22:07 | |
and enrich their lives. | 0:22:07 | 0:22:09 | |
Because some scientists believe that pigs are just as intelligent | 0:22:09 | 0:22:14 | |
or if not more intelligent than dogs. | 0:22:14 | 0:22:16 | |
And to prove it, some piggies have taken over the patch | 0:22:17 | 0:22:21 | |
of the cleverest dogs. Yes, pig agility is now a thing. | 0:22:21 | 0:22:26 | |
At country shows across the land, | 0:22:26 | 0:22:28 | |
snout-nosed athletes are swerving through cones | 0:22:28 | 0:22:31 | |
and jumping through hoops, | 0:22:31 | 0:22:32 | |
and in this game, they start them young. | 0:22:32 | 0:22:36 | |
At the Malvern show in Worcestershire, | 0:22:36 | 0:22:38 | |
a group of young trainers | 0:22:38 | 0:22:39 | |
are putting their little trotters through their paces. | 0:22:39 | 0:22:43 | |
Including Robert, | 0:22:43 | 0:22:44 | |
who's training his piglets to sit when they get a treat. | 0:22:44 | 0:22:48 | |
Nearly. Keep going, Robert. | 0:22:50 | 0:22:53 | |
Look, I've got a fresh bit here. | 0:22:53 | 0:22:56 | |
Yeah, take that... | 0:22:56 | 0:22:58 | |
Fantastic! | 0:22:59 | 0:23:01 | |
Just look at that. Well-behaved pigs. | 0:23:01 | 0:23:04 | |
With time and more training, | 0:23:04 | 0:23:06 | |
Robert's proteges might soon be in the big pig school. | 0:23:06 | 0:23:10 | |
But to find out more about pig agility, | 0:23:10 | 0:23:12 | |
I'm meeting Hayley Simpkin from the junior pig club. | 0:23:12 | 0:23:15 | |
-Hayley! -Hi, nice to meet you. | 0:23:17 | 0:23:19 | |
Nice to meet you as well. This looks fantastic. | 0:23:19 | 0:23:21 | |
I've heard of dog agility, | 0:23:21 | 0:23:23 | |
obstacle courses for dogs. | 0:23:23 | 0:23:24 | |
-Is pig agility the same thing? -Very similar, yeah. | 0:23:24 | 0:23:26 | |
It's a bit of a cross between dog agility and One Man And His Dog. | 0:23:26 | 0:23:29 | |
But we do it with pigs. | 0:23:29 | 0:23:30 | |
Yeah. And are they obedient? | 0:23:30 | 0:23:32 | |
Generally. We'll find out shortly, won't we? | 0:23:32 | 0:23:34 | |
Yeah, generally speaking, they're pretty good. | 0:23:34 | 0:23:36 | |
Yeah. They're not too volatile. | 0:23:36 | 0:23:38 | |
I notice you use sticks and a whiteboard. | 0:23:38 | 0:23:40 | |
It sort of coaxes them in the right direction. | 0:23:40 | 0:23:43 | |
That's it. So the idea is they won't go anywhere they can't see... | 0:23:43 | 0:23:46 | |
The board says no, you can't go that way. | 0:23:46 | 0:23:47 | |
And the stick is just for steering, slowing down and speeding up. | 0:23:47 | 0:23:50 | |
Will they run off? | 0:23:50 | 0:23:51 | |
Will they jump a barrier? | 0:23:51 | 0:23:53 | |
They might. We'll see. | 0:23:53 | 0:23:54 | |
They may well do. Hopefully not, though. | 0:23:54 | 0:23:56 | |
The kids have got them under control. | 0:23:56 | 0:23:59 | |
I hope I don't make a pig's ear out of this. | 0:23:59 | 0:24:03 | |
So this is Will and this is Grace and they'll show you | 0:24:03 | 0:24:05 | |
-how to use the board and stick. -Hi. | 0:24:05 | 0:24:06 | |
This is basically getting the pigs to walk in a straight line, | 0:24:06 | 0:24:09 | |
-if you can. -Well, in a circle. | 0:24:09 | 0:24:10 | |
-In a circle. -That's right. -OK. | 0:24:10 | 0:24:12 | |
So when they're showing them, they go round in this direction. | 0:24:12 | 0:24:14 | |
-Yeah. -So Grace will show you how to do that. | 0:24:14 | 0:24:16 | |
Stand by her shoulder. | 0:24:16 | 0:24:17 | |
-Like this? -Keep going. | 0:24:17 | 0:24:19 | |
So you've got your board in your left hand | 0:24:19 | 0:24:21 | |
-and your stick in your right. -So, keep their head up, yeah? | 0:24:21 | 0:24:24 | |
-Yeah. -Keep them moving all the time? | 0:24:24 | 0:24:26 | |
Yeah. And if they stop, just hit them just behind the shoulder. | 0:24:26 | 0:24:29 | |
Light gentle taps with the stick encourage the pig to keep walking. | 0:24:29 | 0:24:34 | |
And what's this pig called? | 0:24:34 | 0:24:36 | |
-Olive. -Olive! Oh, how cute! | 0:24:36 | 0:24:37 | |
-And what is she? -A middle white. | 0:24:37 | 0:24:39 | |
A middle white. | 0:24:39 | 0:24:40 | |
-Is she fully grown? -No, she's only a year old. | 0:24:40 | 0:24:44 | |
Middle whites have been a recognised breed since the 19th century, | 0:24:44 | 0:24:48 | |
and their dished face comes from a lineage | 0:24:48 | 0:24:51 | |
that includes imported Chinese and Siamese pigs. | 0:24:51 | 0:24:55 | |
-Come on. -So, just tap her behind her shoulder... | 0:24:55 | 0:24:57 | |
-Just there? -She's very doddery, | 0:24:57 | 0:24:59 | |
-so she's slow. -Are you listening to me? | 0:24:59 | 0:25:02 | |
Come on. Let's go round this way, Olive. | 0:25:04 | 0:25:07 | |
Head up. Hey, you are a good girl. | 0:25:07 | 0:25:10 | |
-I think I got it. -I think you have. | 0:25:10 | 0:25:12 | |
-You've done really well there, Paul. -Yeah, | 0:25:12 | 0:25:13 | |
I learned how to drive her along and keep her in a line. | 0:25:13 | 0:25:16 | |
Would you like to have a go at an obstacle course? | 0:25:16 | 0:25:17 | |
Yeah, let's do the clever stuff. | 0:25:17 | 0:25:19 | |
We'll get that set up for you. | 0:25:19 | 0:25:20 | |
Well done, Olive. | 0:25:20 | 0:25:22 | |
I've had little training, but it's time to tackle the agility course. | 0:25:24 | 0:25:29 | |
And this is my pig, so say hello to number nine, who belongs to Oliver. | 0:25:29 | 0:25:34 | |
What is she, anyway? | 0:25:34 | 0:25:36 | |
-Pietrain. -Pietrain? | 0:25:36 | 0:25:37 | |
Yeah. | 0:25:37 | 0:25:38 | |
Pietrains are a modern pig breed from Belgium and are considered | 0:25:38 | 0:25:42 | |
social and easy to train. | 0:25:42 | 0:25:45 | |
OK, through here, come on. | 0:25:45 | 0:25:46 | |
No, we missed that one. Over this... | 0:25:46 | 0:25:48 | |
Over the... Come on, come on. | 0:25:48 | 0:25:49 | |
No, no, no, no. Oh! | 0:25:49 | 0:25:51 | |
OK. | 0:25:51 | 0:25:53 | |
Oh, good girl. Good girl. | 0:25:53 | 0:25:55 | |
Let's try and get over the ramp. | 0:25:55 | 0:25:57 | |
Here we go. Come on, number nine. | 0:25:57 | 0:25:59 | |
She's not doing it! | 0:25:59 | 0:26:02 | |
Right, OK, through the cones this time. | 0:26:02 | 0:26:04 | |
Ready? | 0:26:04 | 0:26:06 | |
With a little more practice... | 0:26:08 | 0:26:11 | |
Through the hoop. | 0:26:11 | 0:26:13 | |
..number nine becomes number one. | 0:26:13 | 0:26:15 | |
Yay! | 0:26:15 | 0:26:16 | |
And, finally, we're bringing home the bacon. | 0:26:16 | 0:26:19 | |
There we are. And now over the ramp. | 0:26:19 | 0:26:22 | |
And what does a winning pig do to celebrate, I wonder? | 0:26:22 | 0:26:26 | |
She's a good digger. Oh, wow! | 0:26:27 | 0:26:30 | |
Well, that's pig agility, and it's great to see the young generation | 0:26:30 | 0:26:35 | |
getting involved. Hands on. | 0:26:35 | 0:26:37 | |
Whilst pigs might not be able to fly, | 0:26:37 | 0:26:39 | |
they can certainly do an obstacle course. | 0:26:39 | 0:26:42 | |
At four miles long, | 0:26:46 | 0:26:48 | |
Bassenthwaite is one of the largest lakes in the National Park. | 0:26:48 | 0:26:52 | |
In 2001, ospreys were reintroduced to the area | 0:26:52 | 0:26:56 | |
for the first time in 150 years, | 0:26:56 | 0:26:58 | |
and since then, more than 30 chicks have been successfully raised. | 0:26:58 | 0:27:03 | |
Well, I've actually stood here on a lovely summer's day and watched | 0:27:06 | 0:27:10 | |
the ospreys fishing out there on the lake. | 0:27:10 | 0:27:12 | |
A fantastic sight. | 0:27:12 | 0:27:14 | |
And this is also a great place to see autumn's change of colours, | 0:27:14 | 0:27:18 | |
and here are a few more suggestions | 0:27:18 | 0:27:20 | |
of where you can catch the season's palette. | 0:27:20 | 0:27:23 | |
Greens turn to vibrant yellows, | 0:27:26 | 0:27:28 | |
oranges and reds before carpeting the floor with fallen leaves. | 0:27:28 | 0:27:33 | |
Why not take a walk in your local woodlands or treat yourself | 0:27:34 | 0:27:37 | |
to a trip around Westonbirt Arboretum in Gloucestershire? | 0:27:37 | 0:27:41 | |
A real must-see at this time of year. | 0:27:41 | 0:27:43 | |
With 2,500 species from around the world, | 0:27:44 | 0:27:48 | |
this seasonal display lasts longer than most. | 0:27:48 | 0:27:51 | |
Here, the trees really are the stars of the autumn show. | 0:27:51 | 0:27:54 | |
And if you have the head for heights, | 0:27:56 | 0:27:58 | |
how about a hot-air balloon ride, | 0:27:58 | 0:28:00 | |
giving you the perfect view? | 0:28:00 | 0:28:02 | |
Another landmark location to witness the changing colours of autumn | 0:28:06 | 0:28:10 | |
is the New Forest. | 0:28:10 | 0:28:12 | |
But beware, at this time of year, | 0:28:13 | 0:28:15 | |
the commoners let their pigs run free. | 0:28:15 | 0:28:18 | |
They fatten up on the seasonal fruits of the forest, | 0:28:20 | 0:28:23 | |
feasting on acorns, | 0:28:23 | 0:28:25 | |
which can be poisonous to other livestock. | 0:28:25 | 0:28:27 | |
Further north, in Perthshire, | 0:28:30 | 0:28:32 | |
russet leaves are falling along the shoreline of Loch Dunmore, | 0:28:32 | 0:28:37 | |
against a backdrop of native evergreen firs and pines. | 0:28:37 | 0:28:41 | |
But if you're strolling through the woods here in the Lake District, | 0:28:42 | 0:28:45 | |
don't forget to look down to catch sight of the colourful world | 0:28:45 | 0:28:49 | |
in miniature all around you. | 0:28:49 | 0:28:51 | |
Peeping through the undergrowth and on branches, | 0:28:51 | 0:28:54 | |
tree trunks and dead wood, fungi is fruiting everywhere, | 0:28:54 | 0:28:58 | |
making this time of year feel truly magical. | 0:28:58 | 0:29:00 | |
So before the darkness of winter sets in, | 0:29:03 | 0:29:05 | |
catch a glimpse of the autumn spectacle. | 0:29:05 | 0:29:08 | |
It really is one of the greatest shows on Earth. | 0:29:08 | 0:29:10 | |
Much like your garden, places like Dodd Wood | 0:29:16 | 0:29:19 | |
have to be managed to make them a fruitful haven for wildlife. | 0:29:19 | 0:29:23 | |
And just like your garden, | 0:29:23 | 0:29:25 | |
not everything that grows there would be good for you. | 0:29:25 | 0:29:28 | |
Keeley is in Northumberland to visit a garden with a deadly difference, | 0:29:29 | 0:29:33 | |
and to discover which toxic nasties could be lurking in your back yard. | 0:29:33 | 0:29:39 | |
Like something out of a horror film, | 0:29:47 | 0:29:49 | |
here in the shadow of a Norman castle, | 0:29:49 | 0:29:51 | |
a garden that will send a shiver down the bravest spine, | 0:29:51 | 0:29:55 | |
its contents so potent, so deadly, that it needs 24-hour surveillance. | 0:29:55 | 0:30:01 | |
Behind this gate is the most dangerous garden in the UK, | 0:30:02 | 0:30:06 | |
filled with plants such as deadly nightshade, | 0:30:06 | 0:30:08 | |
which have a history of murder most foul. | 0:30:08 | 0:30:11 | |
The poison garden at Alnwick Castle is the brainchild | 0:30:14 | 0:30:16 | |
of the Duchess of Northumberland. | 0:30:16 | 0:30:18 | |
But it's her head gardener Trevor Jones | 0:30:18 | 0:30:22 | |
who has the dangerous job of looking after it. | 0:30:22 | 0:30:26 | |
-Hello, Trevor. -Hi. -Good to see you. -Thank you. | 0:30:26 | 0:30:28 | |
Nice to meet you. I am a little bit nervous about going in here. | 0:30:28 | 0:30:31 | |
-Should I be? -You'll be fine. | 0:30:31 | 0:30:32 | |
-Yeah? -You'll be fine. Just stick with me. | 0:30:32 | 0:30:34 | |
But I would ask that you don't sniff anything, | 0:30:34 | 0:30:36 | |
you don't touch anything... | 0:30:36 | 0:30:38 | |
-OK. -..you don't taste anything and you don't stand too close. | 0:30:38 | 0:30:42 | |
-OK. -All these plants have the ability to kill you. | 0:30:42 | 0:30:44 | |
-OK. -Ready to go in? -You'd better lead the way. -Come on. -I think so. | 0:30:44 | 0:30:47 | |
-This is a pretty one. -This is a really nice plant, | 0:30:53 | 0:30:56 | |
and a very common plant, | 0:30:56 | 0:30:58 | |
grown from seed every year, | 0:30:58 | 0:30:59 | |
it's an annual. It's called Ricinus communis. | 0:30:59 | 0:31:02 | |
-Ah, ricin, poison. -Ricin, the deadliest poison known to man. | 0:31:02 | 0:31:05 | |
-Really? -Yes. | 0:31:05 | 0:31:06 | |
Just a small dose of ricin powder | 0:31:06 | 0:31:08 | |
the size of a few grains of table salt | 0:31:08 | 0:31:11 | |
is enough to kill an adult human. | 0:31:11 | 0:31:14 | |
The flower, you get a castor bean, | 0:31:15 | 0:31:17 | |
and from castor beans, you get castor oil. | 0:31:17 | 0:31:20 | |
The oil's very good for you, but within that seed coat, | 0:31:20 | 0:31:23 | |
within that casing, you can extract ricin. | 0:31:23 | 0:31:26 | |
So there's something that's good for you | 0:31:26 | 0:31:28 | |
-and something that's bad for you? -Correct. | 0:31:28 | 0:31:30 | |
How do you make sure that you can separate it without mixing the two? | 0:31:30 | 0:31:32 | |
Ah, nature's very, very clever. | 0:31:32 | 0:31:34 | |
You have quite a hard seed coat and within that hard seed coat, | 0:31:34 | 0:31:37 | |
you can extract the ricin, | 0:31:37 | 0:31:38 | |
but you need almost laboratory techniques to do that, | 0:31:38 | 0:31:40 | |
so your average gardener, quite safe. | 0:31:40 | 0:31:42 | |
It's hard to believe that is the most deadly plant on the planet. | 0:31:42 | 0:31:46 | |
-Isn't it? -But beautiful. | 0:31:46 | 0:31:47 | |
Yes. | 0:31:47 | 0:31:48 | |
So this looks a rather impressive plant. | 0:31:51 | 0:31:54 | |
Yes. It's a Brugmansia. | 0:31:54 | 0:31:56 | |
It's called the angel's trumpet | 0:31:56 | 0:31:58 | |
and the whole of the plant is poisonous. | 0:31:58 | 0:32:00 | |
But if you were to put that flower to your lips, | 0:32:00 | 0:32:02 | |
then all your lips would start to blister because of the toxins. | 0:32:02 | 0:32:05 | |
The pollen is a hallucinogenic. | 0:32:05 | 0:32:07 | |
And it's deadly, is it? | 0:32:07 | 0:32:08 | |
It's deadly. It could kill. | 0:32:08 | 0:32:09 | |
If you start to eat the foliage, | 0:32:09 | 0:32:11 | |
then you start to have major problems with internal organs. | 0:32:11 | 0:32:14 | |
-OK. Right. -We'll move on. | 0:32:14 | 0:32:15 | |
Some plants in this garden are so dangerous they're actually kept | 0:32:16 | 0:32:20 | |
in cages. But even the most innocent looking and common plant | 0:32:20 | 0:32:24 | |
has the potential to do harm. | 0:32:24 | 0:32:26 | |
I have to say, I'm a bit surprised to see a laurel in the corner there. | 0:32:28 | 0:32:32 | |
Yeah, very, very common plant, | 0:32:32 | 0:32:33 | |
but it's here in the poison garden because it produces cyanide. | 0:32:33 | 0:32:36 | |
We have met many visitors that have come through the garden | 0:32:36 | 0:32:39 | |
who have told us of that experience of cutting their laurel hedges, | 0:32:39 | 0:32:42 | |
putting their laurel hedge into the car to take it to the dump, | 0:32:42 | 0:32:46 | |
and as they've been driving along, they get very light-headed. | 0:32:46 | 0:32:49 | |
This is because the cyanide's building up in the car | 0:32:49 | 0:32:51 | |
-and it's starving their brain of oxygen. -So, what should people do? | 0:32:51 | 0:32:54 | |
Because people will want to prune these, won't they? | 0:32:54 | 0:32:56 | |
They will. Ideally, you will just take the clippings, | 0:32:56 | 0:32:59 | |
put them into a bag, tie a knot in the top of the bag, | 0:32:59 | 0:33:02 | |
you're perfectly safe. | 0:33:02 | 0:33:03 | |
As a precaution for handling some of these poisonous plants, | 0:33:03 | 0:33:06 | |
garden gloves are a minimum requirement. | 0:33:06 | 0:33:09 | |
For others, you need a full body gardener's hazard suit. | 0:33:09 | 0:33:14 | |
Very glamorous. | 0:33:14 | 0:33:16 | |
Another beautiful plant. | 0:33:20 | 0:33:22 | |
This is a real stunner. This is aconitum, wolfsbane | 0:33:22 | 0:33:25 | |
or monkshood. It's a really common cottage garden plant. | 0:33:25 | 0:33:29 | |
Beautiful blue flowers, | 0:33:29 | 0:33:30 | |
as you see here, but the whole of the plant is deadly poisonous. | 0:33:30 | 0:33:34 | |
With such toxicity, | 0:33:34 | 0:33:36 | |
Trevor won't be dumping this plant on the compost heap. | 0:33:36 | 0:33:38 | |
He'll burn it instead. | 0:33:38 | 0:33:41 | |
And what was the reason behind the garden? | 0:33:41 | 0:33:43 | |
Why would someone want to create a garden like this? | 0:33:43 | 0:33:46 | |
I think the Duchess on her tour of Europe to get inspiration | 0:33:46 | 0:33:49 | |
found a garden that had been planted by the Medici family. | 0:33:49 | 0:33:53 | |
One of the many arts cultivated in Renaissance Italy | 0:33:55 | 0:33:59 | |
was the black art of poisoning | 0:33:59 | 0:34:01 | |
and none were more notorious than the powerful Medici family, | 0:34:01 | 0:34:04 | |
who poisoned their enemies using toxic plants they grew themselves. | 0:34:04 | 0:34:09 | |
So what kind of reaction do you get from people visiting the garden? | 0:34:11 | 0:34:15 | |
Well, many people can't believe how common some of these plants are, | 0:34:15 | 0:34:19 | |
and they are fearful then to go home and find that they're growing in | 0:34:19 | 0:34:22 | |
their own gardens, but some people also react by fainting. | 0:34:22 | 0:34:25 | |
-Really? -We have one plant here in the garden called henbane, | 0:34:25 | 0:34:28 | |
and henbane has a very pungent aroma, quite a strong scent. | 0:34:28 | 0:34:32 | |
Only some people can actually smell that. | 0:34:32 | 0:34:34 | |
I'm never affected by it. | 0:34:34 | 0:34:36 | |
But some people will actually faint on smelling it. | 0:34:36 | 0:34:38 | |
-Really? -So in the height of summer, when it's in full flower, | 0:34:38 | 0:34:41 | |
we'll have perhaps two or three faintings a day. | 0:34:41 | 0:34:44 | |
-It's very dramatic. -You didn't warn me about this, Trevor. | 0:34:44 | 0:34:47 | |
The poison garden is only a small part of the 12 acres of land here | 0:34:51 | 0:34:55 | |
at Alnwick. And while that garden has great potential to harm, | 0:34:55 | 0:34:58 | |
there's something just around the corner | 0:34:58 | 0:35:00 | |
which has great potential to heal. | 0:35:00 | 0:35:02 | |
The Gentleman's Gardening Club at Alnwick Gardens was set up | 0:35:02 | 0:35:06 | |
to combat isolation and loneliness in the elderly. | 0:35:06 | 0:35:09 | |
Here, men of a stately age can grow veg and strong mental health. | 0:35:11 | 0:35:16 | |
For Tom, whose wife passed away, | 0:35:16 | 0:35:18 | |
this project has become his lifeline. | 0:35:18 | 0:35:21 | |
How long have you been doing this? | 0:35:24 | 0:35:25 | |
Well, we started off three years ago, the gentleman's gardeners, | 0:35:25 | 0:35:31 | |
and we started off with seven, so when we first started up, | 0:35:31 | 0:35:34 | |
we called ourselves the Magnificent Seven, you know? | 0:35:34 | 0:35:38 | |
So, why did you start coming down here in the first place? | 0:35:38 | 0:35:41 | |
Well, I had depression and anxiety years ago. | 0:35:41 | 0:35:44 | |
I had that and I was in hospital for about eight months. | 0:35:44 | 0:35:47 | |
-OK. -But it sort of went away, | 0:35:47 | 0:35:49 | |
so I'm all right now. I feel quite happy. | 0:35:49 | 0:35:52 | |
The force behind this wellbeing group is Tracey Jones. | 0:35:55 | 0:35:58 | |
And what do you think the gents get out of it? | 0:35:59 | 0:36:02 | |
It just makes them socialise, | 0:36:02 | 0:36:04 | |
they're interacting with each other and enjoy each other's company. | 0:36:04 | 0:36:08 | |
How important is this kind of thing for them? | 0:36:08 | 0:36:11 | |
Extremely important. | 0:36:11 | 0:36:13 | |
Extremely important. You just see it on their faces. | 0:36:13 | 0:36:16 | |
The benefits of gardening for good mental health are well-known, | 0:36:16 | 0:36:19 | |
but something more scientific has recently been dug up. | 0:36:19 | 0:36:23 | |
There are microbes in our soil called mycobacterium vaccae, | 0:36:24 | 0:36:28 | |
which have similar properties to antidepressants, | 0:36:28 | 0:36:31 | |
stimulating serotonin production. | 0:36:31 | 0:36:34 | |
When the soil is worked, | 0:36:34 | 0:36:35 | |
these tiny microbes become airborne and are breathed in by gardeners. | 0:36:35 | 0:36:40 | |
So, it seems digging in the garden could scientifically put a smile | 0:36:40 | 0:36:45 | |
on your face. | 0:36:45 | 0:36:46 | |
The power of nature, for good or for bad, | 0:36:46 | 0:36:48 | |
can't be underestimated. | 0:36:48 | 0:36:50 | |
We can all learn from the work happening here at Alnwick, | 0:36:50 | 0:36:53 | |
whether it's identifying hidden killers in our garden | 0:36:53 | 0:36:55 | |
or enjoying nature as a place of healing and happiness. | 0:36:55 | 0:36:58 | |
In the autumn, birds and animals feast on the season's harvest | 0:37:05 | 0:37:10 | |
before the long months of winter set in. | 0:37:10 | 0:37:12 | |
But for many of them, a perennial favourite on their dinner menu | 0:37:12 | 0:37:17 | |
lives just beneath the ground. | 0:37:17 | 0:37:19 | |
The humble worm might be at the bottom of the food chain, | 0:37:19 | 0:37:23 | |
but it plays a vital part | 0:37:23 | 0:37:25 | |
in the health of our ecology and our gardens. | 0:37:25 | 0:37:28 | |
Ellie went to a strange farm in Worcestershire | 0:37:29 | 0:37:32 | |
growing all things wiggly. | 0:37:32 | 0:37:34 | |
The 19th-century naturalist Charles Darwin | 0:37:39 | 0:37:43 | |
is best known for his theory of evolution as set out in his book | 0:37:43 | 0:37:47 | |
On The Origin Of Species, | 0:37:47 | 0:37:49 | |
but what is less well-known is his deep admiration | 0:37:49 | 0:37:52 | |
for the humble earthworm. | 0:37:52 | 0:37:55 | |
"It may be doubted whether there are many other animals which have played | 0:37:55 | 0:38:00 | |
"so important a part in the history of the world | 0:38:00 | 0:38:03 | |
"as these lowly organised creatures." | 0:38:03 | 0:38:06 | |
But Darwin isn't the only person to recognise the attributes | 0:38:08 | 0:38:11 | |
of these humble invertebrates. | 0:38:11 | 0:38:13 | |
Ken Nelson is a farmer with a difference. | 0:38:13 | 0:38:16 | |
He farms worms. | 0:38:16 | 0:38:18 | |
Ken farms on a two-acre site in Worcestershire | 0:38:24 | 0:38:28 | |
where he breeds worms for sale, | 0:38:28 | 0:38:30 | |
supplying gardeners looking to improve the quality of their soil | 0:38:30 | 0:38:34 | |
and fishermen out for the catch of the day. | 0:38:34 | 0:38:36 | |
Hi, Ken. | 0:38:36 | 0:38:38 | |
-Hi. -I think this must be the first worm farm I've ever been to. | 0:38:38 | 0:38:42 | |
Well, it's your lucky day. | 0:38:42 | 0:38:43 | |
It is my lucky day. What was the appeal for you with worms? | 0:38:43 | 0:38:47 | |
Well, worms, they do a lot for the planet. | 0:38:47 | 0:38:49 | |
If you love the planet, you've got to love these guys. | 0:38:49 | 0:38:53 | |
And they really do play an important role, | 0:38:56 | 0:38:58 | |
breaking down dead organic matter in a process called decomposition. | 0:38:58 | 0:39:03 | |
The process releases nutrients from dead plants and animals, | 0:39:03 | 0:39:07 | |
making them available for living plants. | 0:39:07 | 0:39:11 | |
And what types of worms have you got here, then? | 0:39:11 | 0:39:13 | |
Well, there's three types I use for composting. | 0:39:13 | 0:39:17 | |
This is what you call a dendrobaena veneta. | 0:39:17 | 0:39:19 | |
That's a big, chunky worm, isn't it? | 0:39:19 | 0:39:21 | |
Yeah, it likes a lot of food waste. | 0:39:21 | 0:39:23 | |
OK. Then eisenia fetida. | 0:39:23 | 0:39:25 | |
That's called the brandling or the redworm. | 0:39:25 | 0:39:28 | |
-And the third one? -Eisenia andrei. | 0:39:28 | 0:39:31 | |
A bit smaller than the dendrobaena. | 0:39:31 | 0:39:34 | |
And this is what they call a tiger worm. | 0:39:34 | 0:39:36 | |
-It's got the stripes there. -Yeah. -All right. | 0:39:36 | 0:39:38 | |
Ken doesn't just breed worms ideal for composting, | 0:39:38 | 0:39:42 | |
his gardening clients are keen to get the right mix of creatures | 0:39:42 | 0:39:45 | |
to produce the finest soil possible. | 0:39:45 | 0:39:47 | |
And what other types of worms are there? | 0:39:47 | 0:39:49 | |
There's the longus terrestris... | 0:39:49 | 0:39:51 | |
I can't even... They call them the log worms. | 0:39:51 | 0:39:54 | |
-The log worms. -Or some people call them the nightcrawlers. | 0:39:54 | 0:39:57 | |
Completely different. Wow! | 0:39:58 | 0:40:00 | |
-Yeah. -These are what you call the backbone of the planet. | 0:40:00 | 0:40:04 | |
Their function is to aerate the soil. | 0:40:04 | 0:40:06 | |
Keep the water from... | 0:40:06 | 0:40:07 | |
the drainage and stuff like that within the soil. | 0:40:07 | 0:40:10 | |
The log worms are the garden worms. | 0:40:10 | 0:40:12 | |
When you think about their kind of function in the soil | 0:40:12 | 0:40:15 | |
for both creating the soil structure | 0:40:15 | 0:40:17 | |
and also just decomposing everything... | 0:40:17 | 0:40:19 | |
-Yeah. -It starts to blow your mind a little bit about how important | 0:40:19 | 0:40:22 | |
-they are, how much we overlook them. -Well... Well, I didn't. | 0:40:22 | 0:40:26 | |
I don't overlook them. | 0:40:26 | 0:40:27 | |
-You don't. -I don't. -The rest of us do, unfortunately. | 0:40:27 | 0:40:30 | |
It's one of those things. You need to be taught about it, isn't it? | 0:40:30 | 0:40:33 | |
Globally, there are about 3,000 species of earthworm. | 0:40:35 | 0:40:40 | |
They can grow up to three metres in length, | 0:40:40 | 0:40:43 | |
like the giant Gippsland earthworm from Australia. | 0:40:43 | 0:40:45 | |
In the UK, there are 26 earthworm species, | 0:40:47 | 0:40:50 | |
some of which Ken has here on his farm. | 0:40:50 | 0:40:53 | |
So these tubs are full of worms, are they? | 0:40:54 | 0:40:56 | |
Well, they've got loads of worms in them. | 0:40:56 | 0:40:58 | |
Quite a lot of worms. | 0:40:58 | 0:41:00 | |
What do you think you've got, hundreds of thousands here? | 0:41:00 | 0:41:02 | |
It's hard to say, isn't it? | 0:41:02 | 0:41:03 | |
I could say you would find ten or more thousand in a bin. | 0:41:03 | 0:41:06 | |
And the great thing about farming worms is they don't | 0:41:06 | 0:41:09 | |
need much looking after. | 0:41:09 | 0:41:11 | |
Food waste... | 0:41:11 | 0:41:12 | |
-In the top. -In the top. | 0:41:13 | 0:41:15 | |
And then the worms... | 0:41:15 | 0:41:16 | |
That's remarkable. You just top that up with organic food, | 0:41:16 | 0:41:19 | |
-organic matter, food... -Waste. Yes. Shredded... Shredded food waste. | 0:41:19 | 0:41:22 | |
Veg waste and shredded paper. | 0:41:22 | 0:41:24 | |
A bit of paper. | 0:41:24 | 0:41:25 | |
The dead matter the worms eat passes through their systems | 0:41:25 | 0:41:29 | |
and produces an amazing by-product. | 0:41:29 | 0:41:32 | |
This, the good stuff. | 0:41:33 | 0:41:34 | |
Worm cast, black gold, worm poo, whatever you want to call it. | 0:41:34 | 0:41:38 | |
-And is it worm poo? -Well, yes, it is, | 0:41:38 | 0:41:40 | |
because it comes from a worm. | 0:41:40 | 0:41:41 | |
And this is really the good stuff for gardeners. | 0:41:41 | 0:41:44 | |
The best. Yeah. 100%. | 0:41:44 | 0:41:45 | |
100% organic. | 0:41:45 | 0:41:47 | |
There's ways you can use it to make just fertiliser to put over | 0:41:47 | 0:41:51 | |
-the plants. -If I was a gardener, I'd be all over this. | 0:41:51 | 0:41:54 | |
I have terrible gardening fingers, unfortunately. | 0:41:54 | 0:41:56 | |
Well, trial and error. | 0:41:56 | 0:41:58 | |
Maybe I need more of this. That's what I need in my life. | 0:41:58 | 0:42:00 | |
That's it. There you go. | 0:42:00 | 0:42:01 | |
The importance of worms cannot be overstated in decomposition, | 0:42:06 | 0:42:10 | |
in the structure of our soils. | 0:42:10 | 0:42:13 | |
It is unlikely they're going to become the nation's favourite pet | 0:42:13 | 0:42:16 | |
any time soon, but really, we should cherish them and ask ourselves, | 0:42:16 | 0:42:19 | |
where would we be without them? | 0:42:19 | 0:42:21 | |
Well, sadly, that's all we've got time for today, | 0:42:30 | 0:42:33 | |
but please do join us again tomorrow for more entries | 0:42:33 | 0:42:36 | |
in our Countryfile Autumn Diaries. | 0:42:36 | 0:42:38 | |
Including... | 0:42:38 | 0:42:39 | |
Keeley, who's finding out whether hill walking | 0:42:39 | 0:42:42 | |
could actually damage your health. | 0:42:42 | 0:42:44 | |
We talk about the Ambulance Service wanting to get to casualties | 0:42:44 | 0:42:47 | |
within 8-12 minutes - we just can't do that. | 0:42:47 | 0:42:50 | |
Steve's investigating why one corner of Kent | 0:42:52 | 0:42:55 | |
could be harbouring dangerous creatures. | 0:42:55 | 0:42:58 | |
Look at that, five seconds, five seconds and we've got our first one. | 0:42:58 | 0:43:02 | |
Ooh! | 0:43:02 | 0:43:03 | |
And I'll see how my home-grown giant veg | 0:43:03 | 0:43:07 | |
measures up to some monster competition. | 0:43:07 | 0:43:10 | |
So, until then, goodbye. | 0:43:11 | 0:43:13 |