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All this week, we're bringing you the top Countryfile stories | 0:00:04 | 0:00:08 | |
that define our British summer. | 0:00:08 | 0:00:10 | |
The team has been travelling the length and breadth of the UK... Wow! | 0:00:11 | 0:00:15 | |
..discovering the seasonal stories that affect you. | 0:00:15 | 0:00:18 | |
My goodness me! What's that? | 0:00:18 | 0:00:20 | |
It's a bad day if these are falling out of the sky. | 0:00:20 | 0:00:23 | |
Whoa! | 0:00:24 | 0:00:26 | |
How old is she? | 0:00:26 | 0:00:28 | |
I have to admit, I was expecting to see armed guards | 0:00:28 | 0:00:31 | |
considering you are growing a drug. | 0:00:31 | 0:00:33 | |
Hey presto! The best slug trap in the world. | 0:00:33 | 0:00:37 | |
This is Countryfile Summer Diaries. | 0:00:38 | 0:00:41 | |
And here's what we've got for you on today's programme - | 0:00:50 | 0:00:53 | |
Margherita's in a top-secret location on the hunt | 0:00:53 | 0:00:56 | |
for one of the world's most expensive and elusive foods... | 0:00:56 | 0:01:00 | |
And how long did this tree take to give you that first harvest? | 0:01:00 | 0:01:04 | |
This took six years. A six-year wait for a harvest. | 0:01:04 | 0:01:06 | |
That seems quite a while. | 0:01:06 | 0:01:08 | |
..and conservationist Roy Taylor will be giving us the lowdown on | 0:01:08 | 0:01:12 | |
plants that are officially bad for your health and the environment. | 0:01:12 | 0:01:16 | |
Beautiful though it may be, | 0:01:16 | 0:01:18 | |
this is one of the most dangerous plants in Great Britain and once it | 0:01:18 | 0:01:21 | |
starts taking over, drastic measures need to be taken to stop it. | 0:01:21 | 0:01:25 | |
And find out why these tiny eggs from the latest addition to our | 0:01:27 | 0:01:31 | |
smallholding can make you a pretty penny in your local restaurant. | 0:01:31 | 0:01:36 | |
We've been here all week on the Gower peninsula in south Wales. | 0:01:36 | 0:01:40 | |
As well as being outstandingly beautiful, it's a place that | 0:01:40 | 0:01:43 | |
is also still traditionally farmed with livestock and crops. | 0:01:43 | 0:01:47 | |
And summer is a particularly crucial time for arable farmers here, | 0:01:49 | 0:01:53 | |
harvesting the fruits of their labour. | 0:01:53 | 0:01:55 | |
But countrywide, 50,000 hectares of farmland have been devoted | 0:01:58 | 0:02:02 | |
to another very British vegetable - the pea. | 0:02:02 | 0:02:06 | |
On average, we eat around 77 million kilos of them every year and | 0:02:06 | 0:02:11 | |
harvesting them is like a military operation, as Keeley now reports. | 0:02:11 | 0:02:16 | |
This summer, two billion portions of peas will be harvested in Britain. | 0:02:17 | 0:02:21 | |
That's 45,000 tonnes. | 0:02:21 | 0:02:22 | |
And to put that into some kind of perspective, | 0:02:22 | 0:02:25 | |
if we lined up all the little peas side-by-side, | 0:02:25 | 0:02:28 | |
it would wrap around the world 24 times. | 0:02:28 | 0:02:32 | |
In each handful of these perfect little pearls, | 0:02:32 | 0:02:35 | |
you'll find more vitamin C than you would in two apples. | 0:02:35 | 0:02:39 | |
They're jam-packed with nutrients and protein and their sweet | 0:02:39 | 0:02:42 | |
flavour makes them one of Britain's favourite veggies. | 0:02:42 | 0:02:46 | |
But the second that you pick and pop a pod, | 0:02:46 | 0:02:48 | |
the goodness begins to fade, so farmers have to get it | 0:02:48 | 0:02:52 | |
from the field to the freezer in just 150 minutes. | 0:02:52 | 0:02:56 | |
It's a military operation. | 0:02:56 | 0:02:58 | |
Farmers line up on the starting blocks like Formula One drivers | 0:02:58 | 0:03:02 | |
ready to go on the sound of the starting pistol. | 0:03:02 | 0:03:05 | |
But the final go-ahead belongs to professionally-trained fieldsmen. | 0:03:05 | 0:03:08 | |
Men like Anthony Kitchen. | 0:03:08 | 0:03:10 | |
So, for Anthony, the burning question... | 0:03:10 | 0:03:14 | |
Do you actually like peas? | 0:03:14 | 0:03:16 | |
I absolutely love peas. Right! | 0:03:16 | 0:03:18 | |
You'd need to really, wouldn't you? I eat them every day in the harvest. | 0:03:18 | 0:03:21 | |
I eat them every day at home and I have them in any form or shape | 0:03:21 | 0:03:24 | |
you can give me them in terms of food mixes. | 0:03:24 | 0:03:26 | |
So, Anthony, you're in this field this morning to make a decision | 0:03:26 | 0:03:29 | |
as to whether it can be harvested. What are you looking for? | 0:03:29 | 0:03:32 | |
I'm looking for the very soft, tender ball, | 0:03:32 | 0:03:34 | |
the really squashy, very full of juice, soft, small peas | 0:03:34 | 0:03:37 | |
which is exactly what we want for our products. | 0:03:37 | 0:03:40 | |
And what do you look for in the field in your hands? | 0:03:40 | 0:03:42 | |
I'm looking for the perfect peas. Let's have a look, then. | 0:03:42 | 0:03:46 | |
So, what exactly are you looking at? Pop them open. | 0:03:47 | 0:03:51 | |
I want to see these touching in the pod. The inside is quite structured. | 0:03:51 | 0:03:56 | |
They're quite tough inside, but they're still full of juice. | 0:03:56 | 0:03:59 | |
And you actually eat them. OK. Try them... | 0:03:59 | 0:04:02 | |
Mm! What do you think? Sweet? Perfect. | 0:04:02 | 0:04:05 | |
You should find them very sweet... Mm! | 0:04:05 | 0:04:07 | |
Very tender and soft. | 0:04:07 | 0:04:10 | |
It's an anxious wait to find out if these peas are perfect to pick. | 0:04:11 | 0:04:15 | |
And we're on! | 0:04:21 | 0:04:22 | |
MUSIC: Ride Of The Valkyries by Richard Wagner | 0:04:27 | 0:04:33 | |
Why is there such a rush? | 0:04:33 | 0:04:34 | |
Once the pod is open, the level of vitamins, | 0:04:34 | 0:04:37 | |
the level of sugar, starts falling fast and the optimum time | 0:04:37 | 0:04:40 | |
for that deterioration is about 150 minutes. | 0:04:40 | 0:04:43 | |
There's just a 150-minute window from the second the pod is picked | 0:04:44 | 0:04:48 | |
until the peas are processed and frozen. | 0:04:48 | 0:04:51 | |
So, the clock is ticking. | 0:04:53 | 0:04:54 | |
To maximise efficiency, the picking process is completely automated. | 0:04:55 | 0:04:59 | |
These mammoth-sized machines pick and split the pods, keeping hold of | 0:04:59 | 0:05:04 | |
the precious pea cargo and leaving a trail of shredded waste behind. | 0:05:04 | 0:05:08 | |
Despite their size, these harvesters are a "peas" of cake to drive, | 0:05:09 | 0:05:13 | |
controlled entirely by GPS. | 0:05:13 | 0:05:16 | |
It's that easy, you can drive it. Really? | 0:05:16 | 0:05:19 | |
Yeah, off we go. OK. | 0:05:19 | 0:05:21 | |
Swap over and go. Yeah. And it'll steer itself. | 0:05:23 | 0:05:27 | |
So, you don't touch it? No, not at all now. | 0:05:27 | 0:05:30 | |
How am I doing, then? You're doing very well. Yeah? | 0:05:32 | 0:05:35 | |
Could be a pea farmer? | 0:05:35 | 0:05:36 | |
Yeah, I'll get out and go for a drink! Please don't! | 0:05:36 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:40 | |
20 minutes gone and we are ready to unload, but there's no time to stop. | 0:05:40 | 0:05:45 | |
It all happens on the move. | 0:05:45 | 0:05:46 | |
After an anxious 30-minute drive, the peas arrive at the factory | 0:05:47 | 0:05:51 | |
where they are processed as quickly as possible. | 0:05:51 | 0:05:54 | |
We're now 125 minutes in and the peas have only just gone in | 0:05:56 | 0:05:59 | |
the processing plant. | 0:05:59 | 0:06:01 | |
It should take 20 minutes from beginning to end | 0:06:01 | 0:06:04 | |
to process the peas, so, providing there aren't any glitches, | 0:06:04 | 0:06:07 | |
we should be done with a whole five minutes to spare. | 0:06:07 | 0:06:10 | |
I just hope there haven't been too many "esca-peas"! | 0:06:10 | 0:06:13 | |
Each pea follows the same path through the plant where | 0:06:14 | 0:06:18 | |
they are graded, washed and blanched. | 0:06:18 | 0:06:20 | |
The final freezing process | 0:06:20 | 0:06:22 | |
takes the temperature down to minus 25 degrees. | 0:06:22 | 0:06:25 | |
The clock is stopped with minutes to spare, | 0:06:27 | 0:06:29 | |
but there's still one key question. | 0:06:29 | 0:06:32 | |
How do they taste? | 0:06:32 | 0:06:33 | |
Amy Dawson's in charge of quality control and that means | 0:06:34 | 0:06:38 | |
it's her job to eat... | 0:06:38 | 0:06:39 | |
Well, a lot of peas. | 0:06:39 | 0:06:41 | |
How many do you eat a day? | 0:06:41 | 0:06:43 | |
I eat 16 plates of peas three times a day, | 0:06:43 | 0:06:46 | |
so I eat 16 plates of peas for breakfast in the morning. | 0:06:46 | 0:06:49 | |
Don't you get sick of peas? Never sick of peas. | 0:06:49 | 0:06:52 | |
I even eat them when I get home of an evening. Really? | 0:06:52 | 0:06:54 | |
I certainly do, yes. I'm surprised you're not glowing green! | 0:06:54 | 0:06:57 | |
So, Amy, when you come in here to check the peas, | 0:06:57 | 0:06:59 | |
what are you looking for? What makes the perfect pea? | 0:06:59 | 0:07:01 | |
So, a perfect pea... We like a nice even green. | 0:07:01 | 0:07:04 | |
So you're looking for consistency of the colour green. | 0:07:04 | 0:07:07 | |
You're looking for a pea which is lovely in flavour, | 0:07:07 | 0:07:10 | |
nice and sweet, the skin mustn't be too hard or too soft. OK. | 0:07:10 | 0:07:14 | |
Why don't we try some? OK. | 0:07:14 | 0:07:15 | |
Mm! Now... | 0:07:19 | 0:07:20 | |
I'm not an expert, but they do taste nice. They are perfect. Yeah? | 0:07:22 | 0:07:25 | |
Perfect peas. And do some peas not make the grade? | 0:07:25 | 0:07:27 | |
It happens very rarely. | 0:07:27 | 0:07:29 | |
Once the peas are beyond 150 minutes, the klaxon goes off and the | 0:07:29 | 0:07:33 | |
peas go into another pallet so they can't make it into our products. | 0:07:33 | 0:07:36 | |
So, Amy, I suppose there's only one important question left and that's | 0:07:36 | 0:07:39 | |
are you "ha-pea" with the peas we picked this morning? | 0:07:39 | 0:07:42 | |
I'm certainly happy. | 0:07:42 | 0:07:43 | |
So, this summer, spare a thought for the frantic pea farmers | 0:07:46 | 0:07:49 | |
racing against the clock to make sure Britain's famous little | 0:07:49 | 0:07:52 | |
veggie tastes absolutely "pea-fect". | 0:07:52 | 0:07:55 | |
Now, summer isn't just good for harvesting, it's also the perfect | 0:07:59 | 0:08:01 | |
time of year to see some of our most charismatic marine life. | 0:08:01 | 0:08:07 | |
Just three summers ago, I couldn't resist heading to the North Sea, | 0:08:07 | 0:08:10 | |
off the Northumberland coast, to take it all in. | 0:08:10 | 0:08:14 | |
Today, I'm going in search of a creature out there whose life | 0:08:14 | 0:08:18 | |
we know very little about. | 0:08:18 | 0:08:20 | |
Underwater cameraman Ben Burville is at the start of a five-year | 0:08:24 | 0:08:27 | |
project to learn more about the life of this elusive mammal. | 0:08:27 | 0:08:31 | |
What are the chances of seeing this creature? | 0:08:32 | 0:08:35 | |
With nature, you never know, John. Fingers crossed. Fingers crossed. | 0:08:35 | 0:08:39 | |
Our high-speed rig will take us far out to sea | 0:08:43 | 0:08:45 | |
to an area where they've been spotted in the past. | 0:08:45 | 0:08:48 | |
So, what exactly is it that we're looking for? | 0:08:51 | 0:08:53 | |
Well, what we're looking for today, John, is this - | 0:08:53 | 0:08:57 | |
a white beaked dolphin. | 0:08:57 | 0:08:58 | |
The most abundant dolphin in the North Sea with about 8,000-10,000 | 0:08:58 | 0:09:02 | |
of them in there, but one that very few people know much about. | 0:09:02 | 0:09:05 | |
Why is that? | 0:09:05 | 0:09:07 | |
It's really the fact that it tends to be in deeper waters and | 0:09:07 | 0:09:10 | |
tends to be offshore. | 0:09:10 | 0:09:11 | |
Is it important, do you think, to find out more about these dolphins? | 0:09:11 | 0:09:14 | |
It is important for their conservation and also to find | 0:09:14 | 0:09:17 | |
out whether activities that we do can affect them in an adverse way. | 0:09:17 | 0:09:21 | |
We're passing close to the Farne Islands so I want to make | 0:09:28 | 0:09:31 | |
a short stop to catch up on an important project there. | 0:09:31 | 0:09:34 | |
For just a little while, our quest for white beaked dolphins | 0:09:34 | 0:09:38 | |
is put on hold. | 0:09:38 | 0:09:39 | |
Ciaran, good to see you. Graham. | 0:09:41 | 0:09:42 | |
Welcome to the Farne Islands. Thank you very much. Nice to be back. | 0:09:42 | 0:09:45 | |
Lovely weather at the moment, isn't it? | 0:09:45 | 0:09:48 | |
I was here right at the start of a crucial puffin count. | 0:09:48 | 0:09:51 | |
Let's hope your egg is... Oh! Ha! | 0:09:53 | 0:09:56 | |
Let's hope your egg hatches OK this year. Indeed. Good luck! | 0:09:56 | 0:09:59 | |
What the count showed is that puffin numbers had collapsed. | 0:10:01 | 0:10:04 | |
Ornithologists were fearful for the future. | 0:10:04 | 0:10:08 | |
Five years on, was the picture any better for the puffins? | 0:10:08 | 0:10:11 | |
In 2008, the population had declined by about | 0:10:13 | 0:10:15 | |
a third from the last census. | 0:10:15 | 0:10:17 | |
Also, this winter, it was a very, very tough winter. | 0:10:17 | 0:10:20 | |
It was a cold winter, | 0:10:20 | 0:10:21 | |
a lot of onshore winds and we had a big puffin wreck. | 0:10:21 | 0:10:23 | |
What do you mean by wreck there? | 0:10:23 | 0:10:25 | |
So, a puffin wreck basically involves birds washing up on the coast. | 0:10:25 | 0:10:28 | |
So, people were finding birds all along the north-east coast | 0:10:28 | 0:10:31 | |
from northern Scotland down to Yorkshire. | 0:10:31 | 0:10:33 | |
There were about 3,500 birds involved. | 0:10:33 | 0:10:35 | |
That sounds a lot and it was the biggest wreck for about 60 years. | 0:10:35 | 0:10:38 | |
All dead? All dead. So, what about this year's census, then? | 0:10:38 | 0:10:42 | |
This year's census is good news. | 0:10:42 | 0:10:44 | |
We've gone up to around 8% on top of what we had | 0:10:44 | 0:10:46 | |
to around 40,000 pairs of puffins on these islands. | 0:10:46 | 0:10:50 | |
The census may be over, | 0:10:51 | 0:10:52 | |
but work goes on to discover more about these colourful birds. | 0:10:52 | 0:10:57 | |
You're a brave man, Graham. | 0:10:57 | 0:10:58 | |
I've done that once and I got a very nasty bite. | 0:10:58 | 0:11:00 | |
They are pretty vicious. | 0:11:00 | 0:11:02 | |
I hope it's a chick. I've got a bit of a nibble. | 0:11:02 | 0:11:04 | |
It feels like a chick, so I'll just bring it out now. | 0:11:04 | 0:11:07 | |
You've got a few hundred of these to do? | 0:11:07 | 0:11:08 | |
Indeed. A few hundred. | 0:11:08 | 0:11:10 | |
A few hundred bites and scratches. | 0:11:10 | 0:11:12 | |
So here he is. And there we are. Little fellow here. | 0:11:12 | 0:11:15 | |
How old will that chick be? Ah, he's probably around the 35 days' mark. | 0:11:15 | 0:11:18 | |
He's pretty much ready to fledge. | 0:11:18 | 0:11:19 | |
He's got his head pretty much clear of any down whatsoever. | 0:11:19 | 0:11:22 | |
Just a little few tufts left here. | 0:11:22 | 0:11:24 | |
So now you're going to put a ring on him? We are indeed. | 0:11:24 | 0:11:26 | |
So we'll get a ring and hopefully we'll get some good data. | 0:11:26 | 0:11:29 | |
And what information do you hope to get from the ringing? | 0:11:29 | 0:11:32 | |
The basic thing you can learn is how long they're living for. | 0:11:32 | 0:11:35 | |
So, if this bird comes back in future years and we re-catch it, | 0:11:35 | 0:11:37 | |
we know when it was ringed, we know the exact ring number, | 0:11:37 | 0:11:40 | |
so it's got its own identity, and we know exactly how old it is. | 0:11:40 | 0:11:44 | |
Pop him back in again. Back in the hole and he'll be happy as Larry. | 0:11:44 | 0:11:47 | |
And he'll hopefully be out in a few days | 0:11:47 | 0:11:49 | |
and head out into the Atlantic Ocean. | 0:11:49 | 0:11:51 | |
And when will he come back again? | 0:11:51 | 0:11:52 | |
Maybe in around about four years' time usually | 0:11:52 | 0:11:54 | |
to get mature and start breeding for their first time. | 0:11:54 | 0:11:57 | |
But, until then, he'll just be floating around. | 0:11:57 | 0:12:00 | |
So, it's nice to know there's good news for the puffins here - | 0:12:07 | 0:12:10 | |
photogenic, approachable little birds, whose numbers are on the up. | 0:12:10 | 0:12:14 | |
Later in the programme, we continue our quest to capture on camera | 0:12:16 | 0:12:19 | |
the elusive white-beaked dolphin | 0:12:19 | 0:12:22 | |
for the first time on British television. | 0:12:22 | 0:12:24 | |
During our Spring Diaries, we met conservationist Roy Taylor | 0:12:26 | 0:12:30 | |
in East Yorkshire, where he showed us the result of his campaign to | 0:12:30 | 0:12:33 | |
make the countryside more accessible for people with disabilities. | 0:12:33 | 0:12:37 | |
I get so much pleasure from this. | 0:12:37 | 0:12:39 | |
I find it inconceivable that other people wouldn't enjoy it. | 0:12:39 | 0:12:43 | |
Now Roy's gone back to where his passion for wildlife began, to report | 0:12:43 | 0:12:47 | |
on a battle that's being waged against some countryside invaders. | 0:12:47 | 0:12:51 | |
This might be one of the most striking-looking flowers | 0:12:54 | 0:12:57 | |
you'll see in the summer. | 0:12:57 | 0:12:58 | |
But there's a sinister side hiding beneath its beauty. | 0:12:58 | 0:13:01 | |
It's taken over our countryside. | 0:13:01 | 0:13:03 | |
This is probably my favourite place in Britain. | 0:13:06 | 0:13:10 | |
This is Woolston Eyes Nature Reserve near Cheshire. | 0:13:10 | 0:13:12 | |
I've been a keen birder since I was a boy. | 0:13:13 | 0:13:16 | |
I first started coming to Woolston with my dad over 40 years ago, | 0:13:16 | 0:13:20 | |
and it's those visits that sparked a passion which has seen my love | 0:13:20 | 0:13:24 | |
of birds and wildlife turn into a career in the RSPB. | 0:13:24 | 0:13:27 | |
One of the great conservation success stories | 0:13:28 | 0:13:31 | |
of this remarkable wetland is the black-necked grebe. | 0:13:31 | 0:13:35 | |
It's got the most piercing of red eyes, and at this time of year | 0:13:35 | 0:13:38 | |
the male will be diving around, | 0:13:38 | 0:13:40 | |
popping up with lots of insect larvae. | 0:13:40 | 0:13:42 | |
And it's an incredibly rare bird - | 0:13:42 | 0:13:44 | |
less than 50 pairs in the United Kingdom, | 0:13:44 | 0:13:46 | |
of which a quarter of them breed on this wetland here. | 0:13:46 | 0:13:50 | |
Now, birds have been the central plank of my life | 0:13:50 | 0:13:54 | |
for as long as I can remember. Look at the view, | 0:13:54 | 0:13:57 | |
listen to the sounds of that black-headed gull colony. | 0:13:57 | 0:13:59 | |
When you immerse yourself in wildlife and in all these birds, | 0:13:59 | 0:14:04 | |
it's uplifting. | 0:14:04 | 0:14:05 | |
So this site is incredibly important to me, | 0:14:05 | 0:14:07 | |
but it's incredibly important to a lot of other people as well. | 0:14:07 | 0:14:11 | |
But all of this is under threat by an invasion of non-native plants, | 0:14:14 | 0:14:18 | |
which threaten to wipe out some of our native species. | 0:14:18 | 0:14:21 | |
Brian's a member of the Woolston Eyes Conservation Group. | 0:14:22 | 0:14:26 | |
He's taking me to see an infestation of a plant that can grow | 0:14:26 | 0:14:30 | |
up to six metres in height and it spreads like wildfire. | 0:14:30 | 0:14:33 | |
Wow, Brian. That's a lot of giant hogweed. | 0:14:34 | 0:14:38 | |
It's like a forest of triffids. How much of the reserve is it covering? | 0:14:38 | 0:14:42 | |
It is, Roy. It covers acres and acres of the reserve. | 0:14:42 | 0:14:46 | |
And it's an increasingly invasive species. | 0:14:46 | 0:14:50 | |
Each plant has got about 1,000 seeds | 0:14:50 | 0:14:52 | |
and there's thousands and thousands of plants. | 0:14:52 | 0:14:55 | |
The Victorians imported giant hogweed as a garden ornamental, | 0:14:55 | 0:14:59 | |
but the dainty white flowers give a false impression. | 0:14:59 | 0:15:02 | |
This plant is poisonous to touch. | 0:15:02 | 0:15:05 | |
If you touch it with your bare skin, you break out in blisters, | 0:15:06 | 0:15:09 | |
which can be very serious, | 0:15:09 | 0:15:10 | |
and people have been taken to hospital because of it. | 0:15:10 | 0:15:13 | |
So, from a conservation perspective, Brian, what's the problem? | 0:15:13 | 0:15:16 | |
Well, the problem is that it grows so tall and so dense | 0:15:16 | 0:15:19 | |
that all the undergrowth is shaded out completely. | 0:15:19 | 0:15:23 | |
So it's virtually a monoculture of giant hogweed. | 0:15:23 | 0:15:26 | |
All the native species get removed | 0:15:26 | 0:15:28 | |
and it's just a dead area, basically. | 0:15:28 | 0:15:31 | |
How would you normally treat this plant, then? | 0:15:31 | 0:15:33 | |
We can bulldoze the whole area, trash it and then flood it. | 0:15:33 | 0:15:37 | |
So when we come back here next year, | 0:15:37 | 0:15:39 | |
this is going to be a wetland full of black-necked grebes? | 0:15:39 | 0:15:41 | |
Indeed, that's exactly what we are hoping to achieve. | 0:15:41 | 0:15:45 | |
We're hoping to create a really worthwhile nature reserve. | 0:15:45 | 0:15:48 | |
But this is not the only invasive species here. | 0:15:49 | 0:15:52 | |
The reserve has another invader advancing into its wetlands. | 0:15:52 | 0:15:55 | |
This is the Himalayan balsam. And this individual's only a tiddler. | 0:15:56 | 0:16:01 | |
They grow much bigger than this. | 0:16:01 | 0:16:03 | |
Now, this plant comes from the Himalayas. | 0:16:03 | 0:16:06 | |
It was introduced to Great Britain in the 1830s. | 0:16:06 | 0:16:09 | |
And the idea was that the ordinary people | 0:16:09 | 0:16:12 | |
could afford to buy a packet of seeds, | 0:16:12 | 0:16:14 | |
and growing these plans would rival the rare orchids owned by the rich. | 0:16:14 | 0:16:19 | |
Fantastic for bees. Incredibly great pollen for bees. | 0:16:19 | 0:16:22 | |
But that's not the problem. | 0:16:22 | 0:16:24 | |
The problem is this plant grows so rapidly, it's so dense, | 0:16:24 | 0:16:28 | |
it literally shades out our native flora. | 0:16:28 | 0:16:30 | |
Warden John Langley is trying to tackle the problem. | 0:16:34 | 0:16:37 | |
Hi, John. Hi, Roy. So, how bad's the problem here? | 0:16:38 | 0:16:40 | |
Well, it's pretty bad. | 0:16:40 | 0:16:42 | |
We've got this Himalayan balsam all round the wetland site here. | 0:16:42 | 0:16:46 | |
It's a really simple plant to pull up. | 0:16:46 | 0:16:48 | |
It's got a small root system on it. Can I give you a hand? Yeah, sure. | 0:16:48 | 0:16:51 | |
Fantastic. I've got some gloves here. Let's get stuck in, then. | 0:16:51 | 0:16:54 | |
What do you do when you've pulled it, John? | 0:16:57 | 0:16:59 | |
Normally when we pull it, we snap it. Snap it at the base? | 0:16:59 | 0:17:02 | |
Snap it at the base and then put it in the pile. | 0:17:02 | 0:17:04 | |
We've cleared a fair amount of the stuff. | 0:17:04 | 0:17:08 | |
Mainly, we're concentrating around the reed bed area, where it has | 0:17:08 | 0:17:11 | |
the biggest detrimental effect on the breeding black-necked grebes | 0:17:11 | 0:17:15 | |
that we have on the site. OK. | 0:17:15 | 0:17:16 | |
At the moment, we're pretty much just holding the line and just | 0:17:16 | 0:17:18 | |
stopping that advancement into the reed bed, and then hopefully | 0:17:18 | 0:17:22 | |
this time next year there'll be a lot less. | 0:17:22 | 0:17:24 | |
The battle against Himalayan balsam isn't unique to Woolston Eyes. | 0:17:27 | 0:17:31 | |
This plant is right across the country. | 0:17:31 | 0:17:34 | |
Now, it might be foolish to think we can eradicate it entirely, | 0:17:34 | 0:17:38 | |
but what we can do is get rid of it from our most special places, | 0:17:38 | 0:17:42 | |
from our nature reserves. | 0:17:42 | 0:17:44 | |
And it's the hard work and sweat which will achieve that. | 0:17:44 | 0:17:46 | |
You can see that going on behind me now. | 0:17:46 | 0:17:48 | |
So my plea to you is become a conservation volunteer. | 0:17:48 | 0:17:52 | |
Go down to your local nature reserve and, bit by bit, | 0:17:52 | 0:17:55 | |
let's get rid of this balsam. | 0:17:55 | 0:17:57 | |
Now, yesterday, we saw Paul collect a dozen quail | 0:18:06 | 0:18:09 | |
to raise on his Wiltshire smallholding. | 0:18:09 | 0:18:12 | |
And today, he's going to show us how to make them earn their keep. | 0:18:12 | 0:18:15 | |
Earlier this summer, I took on a healthy covey of quail. | 0:18:20 | 0:18:24 | |
Oh, he's laid an egg! He's laid an egg! | 0:18:24 | 0:18:27 | |
That's our first quail egg, Dylan. | 0:18:28 | 0:18:30 | |
The tiny but tasty eggs from these birds are incredibly sought-after, | 0:18:31 | 0:18:35 | |
so I'm going to show you how you can make them pay their way. | 0:18:35 | 0:18:38 | |
Now, since they've arrived, we've had to move the quails | 0:18:39 | 0:18:42 | |
into the field with the sheep and rig up an electric fence | 0:18:42 | 0:18:46 | |
because we've spotted a fox in the garden on two occasions. | 0:18:46 | 0:18:50 | |
It's a little bit too enclosed. | 0:18:50 | 0:18:51 | |
Do you know, they've been absolutely no problem since they've arrived. | 0:18:51 | 0:18:55 | |
It's basically just like looking after chickens. | 0:18:55 | 0:18:58 | |
Make sure they're shut in the night box every single night, | 0:18:58 | 0:19:01 | |
they've got plenty of food and water, | 0:19:01 | 0:19:03 | |
and let them out in the morning. | 0:19:03 | 0:19:05 | |
And take a look at this! | 0:19:06 | 0:19:09 | |
Quails' eggs are the smallest commercially produced poultry eggs. | 0:19:09 | 0:19:12 | |
Now, they're a quarter of the size of a chicken egg, | 0:19:12 | 0:19:14 | |
yet nutritionally they're four times greater. | 0:19:14 | 0:19:18 | |
There's only one today. | 0:19:18 | 0:19:20 | |
Gram for gram, quail eggs have three times more B vitamins | 0:19:22 | 0:19:26 | |
and five times more protein and potassium. | 0:19:26 | 0:19:29 | |
But they're not the easiest things to cook - or crack! | 0:19:29 | 0:19:32 | |
How do you do it? Do you know? | 0:19:36 | 0:19:38 | |
It's a mess, isn't it? | 0:19:40 | 0:19:42 | |
Let's try that again. | 0:19:42 | 0:19:43 | |
Oh! I can't do it, I don't know how to do it. | 0:19:44 | 0:19:46 | |
Their daintiness makes cooking with these eggs tricky. | 0:19:48 | 0:19:51 | |
And that's another reason why trendy restaurants love them. | 0:19:51 | 0:19:55 | |
Well, naturally I'm keen to find out what the experts make of my eggs. | 0:19:56 | 0:19:59 | |
Hopefully there's a market for them. | 0:20:00 | 0:20:03 | |
Top chef Peter Vaughan runs The Bistro down the road, | 0:20:04 | 0:20:07 | |
and also owns a local cookery school - | 0:20:07 | 0:20:10 | |
the perfect place for me to learn | 0:20:10 | 0:20:12 | |
how to cook with these delicate eggs. | 0:20:12 | 0:20:14 | |
Hi, Peter. Hello, Paul. Good to see you. | 0:20:15 | 0:20:18 | |
You're the man I need to speak to. Are these your quails' eggs? | 0:20:18 | 0:20:22 | |
They are. I've ruined five, trying to learn how to crack them open. | 0:20:22 | 0:20:26 | |
They're very delicate, aren't they, quails? But they're fresh. Yeah. | 0:20:26 | 0:20:29 | |
I think we should do some lessons on cooking classic quails' eggs. | 0:20:29 | 0:20:32 | |
So why don't you get an apron, wash your hands, | 0:20:32 | 0:20:35 | |
I'll put a frying pan on. | 0:20:35 | 0:20:36 | |
First off, how to improve my egg cracking skills. | 0:20:37 | 0:20:40 | |
With the knife, it's just a little click | 0:20:41 | 0:20:43 | |
and then rub the knife through. | 0:20:43 | 0:20:46 | |
It's like a saw mark? Just like a saw mark. | 0:20:46 | 0:20:48 | |
And drop it down. Isn't that beautiful? | 0:20:48 | 0:20:50 | |
Have a go yourself. A little tap. That's it. | 0:20:50 | 0:20:53 | |
And then just crack the egg in gently | 0:20:53 | 0:20:55 | |
and close to the pan. | 0:20:55 | 0:20:57 | |
Look at that. Wow! How easy was that?! | 0:20:57 | 0:21:00 | |
Next, hard-boiled eggs. | 0:21:01 | 0:21:03 | |
You want to take something like a little sieve like that, | 0:21:04 | 0:21:07 | |
and then for two minutes you'll get a nice soft-boiled egg, | 0:21:07 | 0:21:09 | |
and if you want it hard-boiled, no more than four minutes. | 0:21:09 | 0:21:12 | |
Three to four minutes. | 0:21:12 | 0:21:13 | |
Can I have a go? Absolutely. Off you go. | 0:21:13 | 0:21:15 | |
Yeah, nice and gently. Perfect. They're absolutely delicious. | 0:21:15 | 0:21:18 | |
The interesting thing is | 0:21:18 | 0:21:20 | |
in other countries, like Asia and the Caribbean, | 0:21:20 | 0:21:22 | |
they eat these, like, every day. | 0:21:22 | 0:21:24 | |
Because the birds are more frequently out there. | 0:21:24 | 0:21:26 | |
Absolutely. But they're very tasty. | 0:21:26 | 0:21:28 | |
They're much more tasty than a hen's egg, | 0:21:28 | 0:21:29 | |
even a good-quality hen's egg, and the yolks are much bigger. | 0:21:29 | 0:21:32 | |
So they are nutritional beauties. | 0:21:32 | 0:21:34 | |
I've always thought they were the height, you know, of luxury, really. | 0:21:34 | 0:21:38 | |
Up there with caviar! | 0:21:38 | 0:21:40 | |
Traditionally served with caviar in Russia and a bit of sour cream. | 0:21:40 | 0:21:44 | |
Yeah, it can be an expensive meal. Doesn't have to be. | 0:21:44 | 0:21:48 | |
Well, we're nearly there, aren't we? Yeah, we're just about there. | 0:21:48 | 0:21:50 | |
If we just take those out | 0:21:50 | 0:21:52 | |
and into water, about 30 seconds. | 0:21:52 | 0:21:55 | |
So that's a good tip, out of the boiling water, into cold water. | 0:21:55 | 0:21:58 | |
Straightaway. It goes for all eggs. | 0:21:58 | 0:22:01 | |
Is there anything else you can teach me, any recipes? | 0:22:01 | 0:22:03 | |
Oh, there's infinite ways you can serve quails' eggs. | 0:22:03 | 0:22:06 | |
I shall teach you many different ways. Please, yeah. | 0:22:06 | 0:22:09 | |
One of Peter's favourite quail recipes | 0:22:10 | 0:22:12 | |
is a classic Filipino street dish. | 0:22:12 | 0:22:14 | |
They basically have crispy quails eggs and they call it kwek-kwek. | 0:22:15 | 0:22:19 | |
I'll go for one of those. | 0:22:19 | 0:22:21 | |
I'll go quackers for that. | 0:22:21 | 0:22:22 | |
That's just plain seasoned flour, OK? Yeah. | 0:22:22 | 0:22:25 | |
You can do this gluten-free as well. Yeah. | 0:22:25 | 0:22:27 | |
And then drop that into some egg wash. | 0:22:27 | 0:22:29 | |
That's just some beaten eggs, OK? | 0:22:29 | 0:22:32 | |
A little tip is keep one hand wet | 0:22:32 | 0:22:35 | |
and one-hand dry, OK? | 0:22:35 | 0:22:37 | |
So my dry hand into some breadcrumbs. | 0:22:37 | 0:22:39 | |
So I'm going to start frying those. | 0:22:39 | 0:22:42 | |
If you want to have a go at paneing, OK? | 0:22:42 | 0:22:44 | |
And then they literally just cook in about sort of 30 seconds. | 0:22:44 | 0:22:48 | |
That's a really quick fry. | 0:22:48 | 0:22:50 | |
Just to get outside nice and crispy. | 0:22:50 | 0:22:52 | |
You'd serve it with a dip. | 0:22:52 | 0:22:53 | |
I've done you a little tomato dip. | 0:22:53 | 0:22:55 | |
It could be anything you like. | 0:22:55 | 0:22:56 | |
This is very good. | 0:22:56 | 0:22:57 | |
That is delicious. Do you like them? That is delicious. | 0:23:03 | 0:23:06 | |
So simple, aren't they? | 0:23:06 | 0:23:07 | |
So, how much will I get for a dozen quail eggs on a regular basis? | 0:23:07 | 0:23:12 | |
Yeah, about between ?2-?3... OK. | 0:23:12 | 0:23:16 | |
..is a good price for really good quality. Absolutely. | 0:23:16 | 0:23:19 | |
And there really aren't many producers doing what I would call | 0:23:19 | 0:23:24 | |
artisan quail's eggs so we are really interested. | 0:23:24 | 0:23:26 | |
Can we supply you regularly? Oh! | 0:23:26 | 0:23:28 | |
It's a deal. How much? ?3. | 0:23:28 | 0:23:31 | |
Brilliant. Done. Yes! | 0:23:31 | 0:23:33 | |
Considering there's no middleman, | 0:23:35 | 0:23:36 | |
that's not a bad price for your quail eggs | 0:23:36 | 0:23:39 | |
especially when you think | 0:23:39 | 0:23:40 | |
that the average poultry farmer gets just six pence per chicken egg. | 0:23:40 | 0:23:45 | |
I'll be getting 25p each for these quail eggs. | 0:23:45 | 0:23:48 | |
Now that I've got my first repeat customer, I'll need to expand | 0:23:51 | 0:23:54 | |
our quail empire and, for that, I'll have to rear my own chicks. | 0:23:54 | 0:23:59 | |
And here's the last one. | 0:24:01 | 0:24:03 | |
There we go. Look at that. | 0:24:04 | 0:24:05 | |
It's incredible to think that after 17 days in an incubator, | 0:24:06 | 0:24:10 | |
a fertilised egg will hatch into one of these tiny, little things. | 0:24:10 | 0:24:15 | |
I'll send her to sleep cos my hands are so warm. | 0:24:15 | 0:24:17 | |
And they just need a brood box. That's all they need. | 0:24:19 | 0:24:21 | |
We got an old hamster cage which will do. | 0:24:21 | 0:24:24 | |
We've cleaned it out, put some sawdust in it | 0:24:24 | 0:24:26 | |
and you're the last one to go in. There you go, girl. | 0:24:26 | 0:24:29 | |
Look at that. | 0:24:29 | 0:24:30 | |
Absolutely incredible. | 0:24:30 | 0:24:32 | |
Also we've got a heat lamp just to keep them warm | 0:24:32 | 0:24:35 | |
but they won't stay chicks for long. | 0:24:35 | 0:24:37 | |
After six weeks, they'll be egg-laying adults themselves | 0:24:37 | 0:24:41 | |
and now I know how to cook the eggs. | 0:24:41 | 0:24:43 | |
I'm off the coast of Northumberland with Ben Burville. | 0:24:52 | 0:24:56 | |
Ben's a GP by day | 0:24:56 | 0:24:57 | |
but away from the surgery, he's an underwater cameraman. | 0:24:57 | 0:25:00 | |
We're in search of one of the North Sea's best kept secrets - | 0:25:06 | 0:25:09 | |
white-beaked dolphins. | 0:25:09 | 0:25:11 | |
We head further out into the North Sea to continue our search. | 0:25:12 | 0:25:16 | |
Why have we stopped, Ben? Because nobody's seen a dolphin or anything. | 0:25:20 | 0:25:23 | |
No, no, we just stopped because there's quite | 0:25:23 | 0:25:25 | |
a few puffins over there in the water. | 0:25:25 | 0:25:27 | |
Is that a sign that maybe there are dolphins around? | 0:25:27 | 0:25:30 | |
It's a sign there may be food in the water. Big sand eels or... | 0:25:30 | 0:25:32 | |
And there could be dolphins. And there could be dolphins there as well, yeah. | 0:25:32 | 0:25:36 | |
To use an old landlubber saying, | 0:25:37 | 0:25:40 | |
it's like looking for a needle in a haystack. | 0:25:40 | 0:25:43 | |
Now we're rendezvousing with Newcastle University's | 0:25:43 | 0:25:45 | |
marine research ship, the Princess Royal. | 0:25:45 | 0:25:48 | |
Today, Ben is working alongside Simon Laing, | 0:25:48 | 0:25:51 | |
whose team is hoping to find out what effect the construction of | 0:25:51 | 0:25:55 | |
wind farms at sea has on dolphins. | 0:25:55 | 0:25:57 | |
Simon is using sound, not pictures. | 0:25:57 | 0:26:01 | |
What have we got here, then, Simon? This is a towed hydrophone. | 0:26:01 | 0:26:04 | |
So it's a special type of microphone that listens... Microphone? Yeah. | 0:26:04 | 0:26:08 | |
I've seen lots of microphones in my time | 0:26:08 | 0:26:10 | |
but never one that looked like this. | 0:26:10 | 0:26:12 | |
Yeah, this is a special microphone that listens for sounds underwater. | 0:26:12 | 0:26:16 | |
But the really clever part is in here. | 0:26:16 | 0:26:19 | |
Now the microphone's in the water, we can come over to the computer | 0:26:19 | 0:26:23 | |
and, as soon as we press record, what we'll start to see is some of | 0:26:23 | 0:26:26 | |
the sounds that we're hearing right now popping up on the screen. | 0:26:26 | 0:26:29 | |
That's background noise that you're seeing on-screen. | 0:26:29 | 0:26:31 | |
What sort of symbol would you see if it was a white-beaked dolphin? | 0:26:31 | 0:26:35 | |
Well, we would hopefully see a red triangle popping up on screen | 0:26:35 | 0:26:38 | |
and that would mean we're recording something in real time | 0:26:38 | 0:26:40 | |
and it would be about 200 metres behind the vessel. | 0:26:40 | 0:26:42 | |
Can you actually hear the sound of the dolphins? | 0:26:42 | 0:26:45 | |
Well, dolphins make two types of sounds. | 0:26:45 | 0:26:47 | |
They make whistles and they make clicks. | 0:26:47 | 0:26:49 | |
We can hear the whistles but we can't hear the clicks. | 0:26:49 | 0:26:51 | |
In fact, I've got a recording here of some white-beaked dolphin | 0:26:51 | 0:26:54 | |
whistles if you'd like to have a listen. | 0:26:54 | 0:26:56 | |
DOLPHIN WHISTLING | 0:26:58 | 0:27:00 | |
That really as a whistle, isn't it? Yeah. Yeah. | 0:27:00 | 0:27:02 | |
One of the things we're trying to determine with this project, | 0:27:02 | 0:27:05 | |
do the dolphins in the north-east of England | 0:27:05 | 0:27:08 | |
have a different whistle to those in Scotland? | 0:27:08 | 0:27:10 | |
Cos that would indicate those | 0:27:10 | 0:27:12 | |
two populations are very separate if that is the case. | 0:27:12 | 0:27:14 | |
What's the research telling you? That they might? | 0:27:14 | 0:27:16 | |
The research at the moment is | 0:27:16 | 0:27:18 | |
telling us they may well have different whistles, yeah. | 0:27:18 | 0:27:20 | |
So you could well have, in this bit of the North Sea, Geordie dolphins, | 0:27:20 | 0:27:23 | |
with a Geordie accent. | 0:27:23 | 0:27:24 | |
Potentially, yes, you could have Geordie dolphins in the north-east. | 0:27:24 | 0:27:28 | |
Whatever the accent, there's not a whistle right now from | 0:27:28 | 0:27:31 | |
the white-beaked dolphins so we're obviously in the wrong place. | 0:27:31 | 0:27:35 | |
I'm going to try my luck again with Ben. | 0:27:35 | 0:27:37 | |
There you go. Oh, done it. Whoops. | 0:27:38 | 0:27:42 | |
Ben reckons our best chance of seeing the dolphins | 0:27:45 | 0:27:47 | |
lies 18 miles out in the Farne Deeps, | 0:27:47 | 0:27:50 | |
where the sea floor will be around 100 metres below us. | 0:27:50 | 0:27:54 | |
That's equivalent to the height of St Paul's Cathedral. | 0:27:54 | 0:27:57 | |
We've arrived at our destination. | 0:28:11 | 0:28:13 | |
All we can do now is keep our eyes peeled and hope. | 0:28:13 | 0:28:16 | |
Oh, there we are. Look, straight there. | 0:28:28 | 0:28:31 | |
Yeah. 15 metres from us. | 0:28:31 | 0:28:35 | |
OK, here at the front of the boat. Over the front of the boat. | 0:28:35 | 0:28:37 | |
I see them there. Can you see it? There you are. Wow. | 0:28:37 | 0:28:41 | |
So this is a white-beaked dolphin and it's choosing to bow ride. | 0:28:41 | 0:28:44 | |
One, two, three, four, five, | 0:28:46 | 0:28:49 | |
six, seven, eight, nine. Wow. | 0:28:49 | 0:28:52 | |
Goodness me. | 0:28:55 | 0:28:57 | |
A beautiful sight, John. Isn't it an amazing sight? | 0:28:57 | 0:29:00 | |
And I can see their white beaks so clearly now. | 0:29:00 | 0:29:04 | |
What's incredible to me is that these wild creatures want to | 0:29:06 | 0:29:10 | |
come so close to our boat and just play around. | 0:29:10 | 0:29:13 | |
Now, it's illegal to disturb dolphins so Ben's been granted | 0:29:13 | 0:29:16 | |
a special licence to dive close to them. | 0:29:16 | 0:29:19 | |
This is a massive pod, isn't it? This is a big pod. | 0:29:20 | 0:29:23 | |
It's an aggregation here. Several pods, you think? Without a doubt. | 0:29:23 | 0:29:26 | |
All gathered together. Mixing, yeah. See what you find. | 0:29:26 | 0:29:29 | |
John, I am surrounded by dolphins. | 0:29:58 | 0:30:00 | |
What an experience. | 0:30:00 | 0:30:01 | |
When they're under the water, John, | 0:30:03 | 0:30:05 | |
they're using their echolocation and they're using clicks and whistles | 0:30:05 | 0:30:09 | |
and the whistles really are to communicate with each other. | 0:30:09 | 0:30:12 | |
The maximum we can hear is about 20 kilohertz and... | 0:30:14 | 0:30:20 | |
Here we go. I'm just going to have a quick look at that one. OK. | 0:30:20 | 0:30:23 | |
Quite amazing to see, isn't it? What did you get, then? | 0:30:41 | 0:30:44 | |
Without doubt, some identification of males and females. | 0:30:44 | 0:30:48 | |
What do you notice about their behaviour? | 0:30:48 | 0:30:50 | |
Their behaviour is that they're inquisitive. | 0:30:50 | 0:30:52 | |
There are amazing wildlife just off our shores here, you know? | 0:30:52 | 0:30:57 | |
And these dolphins... That we know so little about. So little about. | 0:30:57 | 0:31:00 | |
The information you gather underwater could be vital | 0:31:00 | 0:31:02 | |
for the future protection of these creatures. | 0:31:02 | 0:31:04 | |
It certainly could for the future protection of these creatures. Yes, John, you're right. | 0:31:04 | 0:31:08 | |
Well, it's been a real privilege spending some time here in | 0:31:13 | 0:31:16 | |
one of the deepest parts of the North Sea with these | 0:31:16 | 0:31:19 | |
wonderful creatures and now, thanks to the underwater footage | 0:31:19 | 0:31:23 | |
that Ben's being collecting, we should know a little bit more | 0:31:23 | 0:31:27 | |
about their, up till now, secret lives. | 0:31:27 | 0:31:29 | |
Well, now let's go from underwater to underground. | 0:31:35 | 0:31:38 | |
Margherita's been given special access to | 0:31:38 | 0:31:41 | |
a top-secret location in Leicestershire, | 0:31:41 | 0:31:44 | |
where she goes in search of a food | 0:31:44 | 0:31:46 | |
that's as elusive as it is expensive. | 0:31:46 | 0:31:48 | |
And it's been kept under a veil of secrecy for seven years | 0:31:51 | 0:31:55 | |
because this is the first farm in Britain to grow the delicacy | 0:31:55 | 0:31:59 | |
black truffle commercially and it's said to be worth its weight in gold. | 0:31:59 | 0:32:04 | |
Bringing the truffle back to the British countryside is | 0:32:08 | 0:32:11 | |
something Paul Thomas is particularly passionate about. | 0:32:11 | 0:32:15 | |
It's been an uphill battle for Paul. | 0:32:15 | 0:32:17 | |
We're looking for an investment of ?75,000. | 0:32:18 | 0:32:21 | |
Mycorrhizal Systems is a company based around the production | 0:32:21 | 0:32:24 | |
of black truffles. | 0:32:24 | 0:32:26 | |
But he managed to secure some pretty impressive backing... | 0:32:26 | 0:32:29 | |
If you're happy, it's a deal. | 0:32:29 | 0:32:31 | |
Yeah. Done. | 0:32:31 | 0:32:33 | |
..to fund his dream of cultivating the truffle under home soil. | 0:32:33 | 0:32:38 | |
Paul, great to see you. Hi there. Nice to see you. | 0:32:38 | 0:32:40 | |
12 years later, I've come to see how he's getting on. | 0:32:40 | 0:32:44 | |
Truffles used to grow over quite large swathes of England, really. | 0:32:44 | 0:32:48 | |
We used to have markets in the south-west. | 0:32:48 | 0:32:50 | |
Mrs Beeton wrote about them. | 0:32:50 | 0:32:51 | |
When we lost a lot of our natural woodland, | 0:32:51 | 0:32:53 | |
we lost a lot of our wild truffles | 0:32:53 | 0:32:55 | |
so, at the moment, there's not that much produced in the wild so we're | 0:32:55 | 0:32:58 | |
cultivating them to try and bring that industry back. And of course, | 0:32:58 | 0:33:00 | |
there's a financial incentive cos they're worth quite a bit of money. | 0:33:00 | 0:33:03 | |
But it's not a harvest for the faint-hearted. | 0:33:03 | 0:33:07 | |
Unlike more common crops that produce each year, | 0:33:07 | 0:33:09 | |
Paul has to wait longer, much longer, | 0:33:09 | 0:33:13 | |
before his fungus comes to fruition. | 0:33:13 | 0:33:15 | |
So, is this it? Is this the tree that gave you the first truffle? | 0:33:15 | 0:33:19 | |
Yeah, this is the tree which produced | 0:33:19 | 0:33:20 | |
Britain's first cultivated truffle. | 0:33:20 | 0:33:22 | |
I was digging around the base of the tree, just looking for roots | 0:33:22 | 0:33:25 | |
to sample, and then unexpectedly just hit this truffle. | 0:33:25 | 0:33:28 | |
Incredibly exciting day. | 0:33:28 | 0:33:29 | |
And how long did this tree take to give you that first harvest? | 0:33:29 | 0:33:32 | |
This took six years. | 0:33:32 | 0:33:34 | |
A six-year wait for a harvest, that seems quite a while. Yeah, but it... | 0:33:34 | 0:33:37 | |
I mean, once they're producing, they produce every year, | 0:33:37 | 0:33:39 | |
so it's worth it. But it is... | 0:33:39 | 0:33:41 | |
You've got to wait for the tree to mature, | 0:33:41 | 0:33:43 | |
for the fungus to mature, so it takes a good few years. | 0:33:43 | 0:33:45 | |
And how do you get trees to give you truffles? | 0:33:45 | 0:33:49 | |
Well, we start from a seed, and all these trees you see around you, | 0:33:49 | 0:33:52 | |
actually, are seeds that I've planted myself, | 0:33:52 | 0:33:54 | |
so we'd start from a seed, we clean them up, | 0:33:54 | 0:33:57 | |
we grow them in a very clean, sterile environment in the lab, | 0:33:57 | 0:33:59 | |
we culture up the truffle fungus, | 0:33:59 | 0:34:01 | |
and then we introduce them to each other. | 0:34:01 | 0:34:03 | |
And we get the fungus to bind with the root system of the tree. | 0:34:03 | 0:34:06 | |
And it covers the root system like a glove covering a hand, | 0:34:06 | 0:34:08 | |
and then we take that young plant, we plant it into the ground | 0:34:08 | 0:34:11 | |
in carefully controlled soil conditions, and then they grow up, | 0:34:11 | 0:34:14 | |
and six years later, produce wonderful truffles. | 0:34:14 | 0:34:17 | |
Sought after by some of the world's best chefs, | 0:34:19 | 0:34:22 | |
they're prized for their earthy taste and distinctive aroma. | 0:34:22 | 0:34:25 | |
And demand is on the rise, | 0:34:27 | 0:34:28 | |
even though they cost over ?400 per kilo. | 0:34:28 | 0:34:32 | |
Although traditionally harvested in the autumn months, | 0:34:33 | 0:34:36 | |
because of the milder climate, | 0:34:36 | 0:34:37 | |
English-grown summer truffles can be unearthed as early as June | 0:34:37 | 0:34:41 | |
without compromising their flavour or fragrance. | 0:34:41 | 0:34:44 | |
But finding truffles has always proved a little tricky. | 0:34:49 | 0:34:53 | |
Traditionally, pigs were used, as they're attracted to a chemical | 0:34:54 | 0:34:57 | |
released by the underground mushroom. | 0:34:57 | 0:35:01 | |
But they had a horrible habit of eating them. | 0:35:01 | 0:35:03 | |
For that reason, dogs are now | 0:35:05 | 0:35:06 | |
the truffle hunters' companion of choice. | 0:35:06 | 0:35:09 | |
This is Freddy. | 0:35:10 | 0:35:12 | |
Truffle hunting is new to him, and although he's been in training | 0:35:12 | 0:35:16 | |
for some time, today, the pressure is really on. | 0:35:16 | 0:35:20 | |
Let's hope Freddy can come up trumps with the truffles! | 0:35:20 | 0:35:23 | |
FREDDY SNIFFS | 0:35:25 | 0:35:26 | |
So, we've been out for a few minutes now. Freddy's off doing his thing. | 0:35:26 | 0:35:30 | |
What's he actually sniffing out? | 0:35:30 | 0:35:32 | |
Yeah, so Freddy's looking for, obviously, the truffle scent. | 0:35:32 | 0:35:36 | |
(Where's the truffles?) FREDDY SNIFFS | 0:35:36 | 0:35:39 | |
Freddy's got quite a difficult job, | 0:35:39 | 0:35:40 | |
because it's such a windy day that that scent column... | 0:35:40 | 0:35:43 | |
If you imagine, if you lit a candle and you blew it out, | 0:35:43 | 0:35:45 | |
that little plume of smoke, | 0:35:45 | 0:35:46 | |
if you imagine that going off with the wind, | 0:35:46 | 0:35:48 | |
that's kind of what's happening to the scent, | 0:35:48 | 0:35:50 | |
so it's really hard for Freddy to locate that, follow it, | 0:35:50 | 0:35:53 | |
and pinpoint where the truffle is. | 0:35:53 | 0:35:54 | |
And how will we know when he's found something? | 0:35:54 | 0:35:56 | |
He'll hopefully put his paw by it, and he will lie down, | 0:35:56 | 0:35:59 | |
so that's what we're waiting for. | 0:35:59 | 0:36:01 | |
He looks quite in the zone. | 0:36:03 | 0:36:05 | |
You know, he's concentrating, so that's good. | 0:36:05 | 0:36:07 | |
He's got his nose to the ground, and he's moving across, | 0:36:07 | 0:36:10 | |
looking for those scent columns. | 0:36:10 | 0:36:12 | |
He may have his nose to the ground, but right now... | 0:36:12 | 0:36:16 | |
BACKGROUND MUSIC SLOWS DOWN | 0:36:16 | 0:36:19 | |
I'm not so sure Freddy's head's in the game. | 0:36:19 | 0:36:22 | |
Philip, how's Freddy done? | 0:36:23 | 0:36:25 | |
I think he's had a great time, and certainly, | 0:36:25 | 0:36:28 | |
he was picking up some interesting smells. | 0:36:28 | 0:36:31 | |
I've no doubt that there's truffle activity going on. | 0:36:31 | 0:36:35 | |
You find them at the most unexpected times, | 0:36:35 | 0:36:38 | |
and when you're sure you're going to find one, you don't. | 0:36:38 | 0:36:42 | |
I guess that's why they're such a valuable harvest. | 0:36:42 | 0:36:44 | |
Yeah, absolutely, absolutely. Quite mysterious, I guess. | 0:36:44 | 0:36:47 | |
Freddy might not have struck gold, but it looks like Paul may have | 0:36:48 | 0:36:52 | |
in his effort to bring the black truffle | 0:36:52 | 0:36:55 | |
back to Britain's forests. | 0:36:55 | 0:36:56 | |
It's amazing to think that this tiny little lump | 0:36:58 | 0:37:01 | |
goes for such high prices, but now, | 0:37:01 | 0:37:04 | |
having discovered what goes into nurturing, | 0:37:04 | 0:37:06 | |
cultivating and finding it, | 0:37:06 | 0:37:09 | |
I can truly appreciate why the truffle is known as | 0:37:09 | 0:37:12 | |
the black diamond of the kitchen. | 0:37:12 | 0:37:14 | |
BEES BUZZ | 0:37:15 | 0:37:17 | |
Nothing is more important to bees than pollen, | 0:37:19 | 0:37:22 | |
so how do they let the rest of the hive know | 0:37:22 | 0:37:25 | |
when they've found a really good supply? | 0:37:25 | 0:37:27 | |
Well, they do a waggle dance, of course! | 0:37:27 | 0:37:31 | |
And Ellie has been to a research project that's trying to decode it. | 0:37:31 | 0:37:35 | |
It may be a risky job, but it's a crucial one, | 0:37:38 | 0:37:41 | |
not just for the survival of the bees, but for humans too. | 0:37:41 | 0:37:45 | |
Bees are our most important pollinating insects. | 0:37:45 | 0:37:48 | |
75% of the world's staple crops rely on pollination by bees. | 0:37:48 | 0:37:53 | |
So research projects to understand | 0:37:53 | 0:37:54 | |
more about their foraging habits are essential. | 0:37:54 | 0:37:57 | |
The pollinating work they do is estimated to contribute | 0:37:57 | 0:38:00 | |
?26 billion worldwide. | 0:38:00 | 0:38:02 | |
That's why there's been so much concern | 0:38:04 | 0:38:06 | |
about the recent decline in global bee populations. | 0:38:06 | 0:38:10 | |
If we're going to reverse this trend, | 0:38:10 | 0:38:12 | |
first we need to understand more about exactly where bees feed. | 0:38:12 | 0:38:16 | |
The best way to do this is to get the bees themselves to tell us. | 0:38:16 | 0:38:20 | |
And to do this, Professor Ratnieks has devised a way of | 0:38:23 | 0:38:25 | |
eavesdropping on the way bees communicate with each other | 0:38:25 | 0:38:28 | |
in the hive. | 0:38:28 | 0:38:29 | |
What we're seeing is live action in a beehive. | 0:38:29 | 0:38:32 | |
What we're particularly interested in is the waggle dance, | 0:38:32 | 0:38:35 | |
or the dancing behaviour, and we've got some of that going on too, | 0:38:35 | 0:38:38 | |
because it's a lovely day today, and the bees are foraging. | 0:38:38 | 0:38:41 | |
The waggle dance is the bees' unique way of communicating | 0:38:41 | 0:38:44 | |
to each other where they can find the best source of pollen and nectar | 0:38:44 | 0:38:47 | |
that they need to make honey. | 0:38:47 | 0:38:49 | |
The amount of time that she spends waggling her body | 0:38:49 | 0:38:52 | |
gives the distance, and the angle of her body | 0:38:52 | 0:38:55 | |
while she does that gives the direction, | 0:38:55 | 0:38:58 | |
so that bee is pointing with her head | 0:38:58 | 0:39:00 | |
more or less down in this direction here. | 0:39:00 | 0:39:03 | |
Yes, OK, I can see that. | 0:39:03 | 0:39:04 | |
And that means that the food are this angle from the sun. | 0:39:04 | 0:39:09 | |
So it's really in the opposite direction to the sun. | 0:39:09 | 0:39:12 | |
The worker bees understand this language of the dance innately, | 0:39:12 | 0:39:16 | |
but for us to interpret its secrets, | 0:39:16 | 0:39:18 | |
hours of footage have to be carefully decoded. | 0:39:18 | 0:39:20 | |
That takes time, | 0:39:20 | 0:39:22 | |
but you can get a rule of thumb idea from the live dances. | 0:39:22 | 0:39:25 | |
What can you tell me about this bee? | 0:39:25 | 0:39:27 | |
Where is it pointing its head when it makes its waggle run? | 0:39:27 | 0:39:30 | |
Oh, it's pretty much straight up. Straight up. | 0:39:30 | 0:39:33 | |
In the direction of the sun, is it? | 0:39:33 | 0:39:34 | |
A little bit to the left of vertical. | 0:39:34 | 0:39:36 | |
A little bit to the left. So, sort of ten degrees, say? | 0:39:36 | 0:39:38 | |
And roughly how many seconds is it waggling its body for | 0:39:38 | 0:39:41 | |
before it breaks off? About two? | 0:39:41 | 0:39:44 | |
Yeah, maybe one or two seconds, so that's just done very roughly, | 0:39:44 | 0:39:46 | |
but we can already tell that the bee is telling the other bees | 0:39:46 | 0:39:50 | |
in the direction of the sun, | 0:39:50 | 0:39:51 | |
actually a bit to the left of the sun, | 0:39:51 | 0:39:53 | |
cos the bee is dancing a bit left of vertical, | 0:39:53 | 0:39:56 | |
and roughly 1 or 1.5km. | 0:39:56 | 0:39:58 | |
And this is something you can actually plot on a map over here? | 0:39:58 | 0:40:00 | |
We can plot it on a map, and we can go and look for it as well, | 0:40:00 | 0:40:03 | |
if we want. So if we go to the map, let's just see over here. | 0:40:03 | 0:40:07 | |
This is the university, marked with an X. | 0:40:09 | 0:40:11 | |
Now, if you put the protractor on there and get it lined up | 0:40:11 | 0:40:14 | |
so that the zero is pointing north, we know that at this time of day, | 0:40:14 | 0:40:19 | |
the sun is at a position of 166 degrees. OK. | 0:40:19 | 0:40:23 | |
And the bee was dancing a little bit to the left of vertical, | 0:40:23 | 0:40:26 | |
which means that we have to go a little bit left of the sun, | 0:40:26 | 0:40:30 | |
so this is the angle - roughly 146 degrees. | 0:40:30 | 0:40:33 | |
That is to the south-east. | 0:40:33 | 0:40:35 | |
What about distance? And distance... | 0:40:35 | 0:40:37 | |
Well, the distance was of approximately 1km, | 0:40:37 | 0:40:41 | |
and that's roughly here. | 0:40:41 | 0:40:44 | |
So what we need to be doing is taking this... very conveniently, | 0:40:44 | 0:40:48 | |
the bee is foraging in the direction that a road is leading. | 0:40:48 | 0:40:50 | |
We can take this road down, we can jump out of the car here, | 0:40:50 | 0:40:53 | |
we can walk along this footpath here, | 0:40:53 | 0:40:56 | |
and we can explore around and see what the bee might be foraging on. | 0:40:56 | 0:40:59 | |
So we can actually go to where the bee has been | 0:40:59 | 0:41:01 | |
pointing towards right now? That's fantastic. | 0:41:01 | 0:41:03 | |
So, taking a look at the map, we've got down here, | 0:41:05 | 0:41:07 | |
which is pretty much where we are now. Yes. | 0:41:07 | 0:41:09 | |
So, more accurately, where are we looking at for the bees? | 0:41:09 | 0:41:13 | |
Well, we marked a point here just by this place marked Loose Bottom, | 0:41:13 | 0:41:17 | |
and there it is over there, | 0:41:17 | 0:41:18 | |
and you can see a mass of white flowers and yellow flowers. | 0:41:18 | 0:41:21 | |
Half of that field seems to be full of flowers, | 0:41:21 | 0:41:24 | |
so I think we should check it out. | 0:41:24 | 0:41:26 | |
The bees have led us to what seems to be an ideal spot to find pollen. | 0:41:26 | 0:41:31 | |
So this is a field that a farmer grazes his animals in, and yet, | 0:41:31 | 0:41:35 | |
it's also a field which is good for nature, and, you know, | 0:41:35 | 0:41:38 | |
lots of flowers, lots of insects. | 0:41:38 | 0:41:39 | |
So this is a good example of where farming and wildlife | 0:41:39 | 0:41:43 | |
are kind of coexisting quite happily. | 0:41:43 | 0:41:45 | |
Hugh Passmore is already putting that theory into practice. | 0:41:47 | 0:41:50 | |
He sows his pasture with a mixture of wild flowers, | 0:41:50 | 0:41:53 | |
specifically to attract the bees. | 0:41:53 | 0:41:55 | |
So, Hugh, have you always farmed with half an eye on bees? | 0:41:55 | 0:41:59 | |
Yes, the family have always sort of farmed in a very traditional way. | 0:41:59 | 0:42:02 | |
We're a mixed farm. As you can see here, we've got grass crop, | 0:42:02 | 0:42:06 | |
we have clover and trefoil flowering in it. Oh, yeah. | 0:42:06 | 0:42:10 | |
Which is obviously very good for bees. | 0:42:10 | 0:42:12 | |
So, yeah, the bees are very important to us. | 0:42:12 | 0:42:15 | |
But in a way, we're also very important to them, you know, | 0:42:15 | 0:42:18 | |
for the pollen, nectar for them. | 0:42:18 | 0:42:20 | |
And does it increase your yields by making sure | 0:42:20 | 0:42:22 | |
you have bees on the land? Yeah, definitely. | 0:42:22 | 0:42:24 | |
They're pollinating the plants, so you're getting much better yields. | 0:42:24 | 0:42:28 | |
The Government are now providing incentives to encourage | 0:42:28 | 0:42:30 | |
other farmers to plant pollen and nectar mixes in their fields | 0:42:30 | 0:42:33 | |
as well as wild flowers at the edges, | 0:42:33 | 0:42:36 | |
and it's at one of these pollen-rich margins on Hugh's farm | 0:42:36 | 0:42:39 | |
that beekeeper Ray Chandler looks after his hives. | 0:42:39 | 0:42:43 | |
Hi, Ray. How's it all going? Oh, hi. Oh, very well. | 0:42:43 | 0:42:46 | |
The bees are doing extremely well this year. | 0:42:46 | 0:42:49 | |
I mean, it's an ideal position, of course, and they're doing... | 0:42:49 | 0:42:51 | |
They're responding to it. Excellent. | 0:42:51 | 0:42:53 | |
Why is this such a good place for your hives? | 0:42:53 | 0:42:55 | |
This farm has such a variety of forage for the bees, | 0:42:55 | 0:42:59 | |
but not all agricultural land is good. | 0:42:59 | 0:43:02 | |
That which is more intensively farmed than this | 0:43:02 | 0:43:05 | |
produce gluts of nectar when the crop is in bloom, | 0:43:05 | 0:43:10 | |
and then go for ages without any. | 0:43:10 | 0:43:13 | |
Here, because of that rich mix of natural, | 0:43:13 | 0:43:16 | |
wild and cultivated crops, there's a lot of different nectars | 0:43:16 | 0:43:20 | |
and pollen is available over a much extended period. | 0:43:20 | 0:43:23 | |
With both Professor Ratnieks' work and the government incentives, | 0:43:23 | 0:43:27 | |
steps are being made to ensure the decline in our bee population | 0:43:27 | 0:43:30 | |
is reversed, while simultaneously creating | 0:43:30 | 0:43:33 | |
a more diverse natural habitat for all kinds of other animals. | 0:43:33 | 0:43:36 | |
Well, that's just about it, I'm afraid. | 0:43:41 | 0:43:43 | |
It's time to close our Countryfile Summer Diaries, | 0:43:43 | 0:43:45 | |
from the Gower Peninsula. | 0:43:45 | 0:43:47 | |
It's been a spectacular place to explore the wonders of the season. | 0:43:47 | 0:43:52 | |
So, enjoy the rest of the summer, | 0:43:52 | 0:43:54 | |
and we hope that you'll be able to join us again | 0:43:54 | 0:43:56 | |
when we open our Autumn Diaries. Bye for now. | 0:43:56 | 0:43:59 | |
Join me, Patrick Kielty, | 0:44:32 | 0:44:33 | |
in a brand-new BBC Two quiz show, Debatable, | 0:44:33 | 0:44:37 | |
where a team of celebrities put their debating skills to the test | 0:44:37 | 0:44:41 |