Browse content similar to 03/06/2012. Check below for episodes and series from the same categories and more!
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Captivating, unspoiled and tranquil. | 0:00:26 | 0:00:29 | |
Lough Neagh in Northern Ireland. | 0:00:29 | 0:00:31 | |
At more than 150 square miles, | 0:00:31 | 0:00:33 | |
it's the largest freshwater lake in the British Isles. | 0:00:33 | 0:00:38 | |
So naturally, it's rich in wildlife. | 0:00:38 | 0:00:41 | |
I'll be island-hopping across the lough | 0:00:41 | 0:00:44 | |
to find out which animals call this place home, | 0:00:44 | 0:00:46 | |
which are unwelcome visitors, | 0:00:46 | 0:00:48 | |
and which are very welcome, swimming thousands of miles to get here. | 0:00:48 | 0:00:52 | |
It was to the east of the lough, in Lisburn, | 0:00:59 | 0:01:01 | |
that the Queen chose for her first official tour after her Coronation. | 0:01:01 | 0:01:06 | |
Now, nearly 60 years on, | 0:01:06 | 0:01:07 | |
I'm about to embark on the same train journey as Her Majesty did. | 0:01:07 | 0:01:11 | |
She travelled under the power of steam, | 0:01:11 | 0:01:13 | |
but I've got a brand-spanking-new one to play with | 0:01:13 | 0:01:15 | |
with some very special passengers. | 0:01:15 | 0:01:18 | |
Across the Irish Sea, Tom's racing through Norfolk. | 0:01:22 | 0:01:25 | |
There's little better than a walk or even a run in the countryside. | 0:01:29 | 0:01:33 | |
I certainly love it. But how much of our land is truly accessible | 0:01:33 | 0:01:38 | |
and what happens if your route becomes a bit of an obstacle course? | 0:01:38 | 0:01:42 | |
Meanwhile, Adam's been looking for a new recruit. | 0:01:42 | 0:01:45 | |
Take a look at this young fella. He's an Irish Moiled bull. | 0:01:48 | 0:01:50 | |
I'm going to be checking him over, and if he comes up trumps, | 0:01:50 | 0:01:54 | |
I might fork out the cash and buy him. | 0:01:54 | 0:01:55 | |
But bulls like this don't come cheap. | 0:01:55 | 0:01:57 | |
Lough Neagh, and the rolling hills of County Antrim. | 0:02:06 | 0:02:10 | |
The glittering green jewel in the United Kingdom's crown. | 0:02:10 | 0:02:14 | |
Wide skies, big horizons, and a patchwork of fields. | 0:02:14 | 0:02:18 | |
Today, we are exploring this vast body of water | 0:02:18 | 0:02:21 | |
and the nearby countryside. | 0:02:21 | 0:02:23 | |
For my first stop, I'm heading east of the lough to Lisburn, | 0:02:23 | 0:02:27 | |
where, in 1952, they celebrated the Queen's Coronation in style. | 0:02:27 | 0:02:31 | |
'All over the Commonwealth, the start of a new Elizabethan era | 0:02:33 | 0:02:36 | |
'captured the imagination of the people. | 0:02:36 | 0:02:38 | |
'And nowhere more than in Lisburn.' | 0:02:38 | 0:02:41 | |
But it wasn't until a year later, | 0:02:44 | 0:02:46 | |
on the Queen's first official tour after her Coronation, | 0:02:46 | 0:02:49 | |
that the people of Lisburn got to meet her. | 0:02:49 | 0:02:51 | |
The streets were heaving with people eager to catch a glimpse | 0:02:53 | 0:02:57 | |
of Her Majesty and Prince Philip. | 0:02:57 | 0:02:59 | |
And there was one local lad | 0:02:59 | 0:03:00 | |
who was particularly keen to get a good view. | 0:03:00 | 0:03:03 | |
Harold Patterson captured the Royal visit on his cine-film camera. | 0:03:04 | 0:03:09 | |
Nearly 60 years on, | 0:03:09 | 0:03:10 | |
he is the last surviving member of the Lisburn Camera Club. | 0:03:10 | 0:03:14 | |
I'm meeting him at Lisburn station, | 0:03:14 | 0:03:15 | |
just one of the places he filmed the new Queen. | 0:03:15 | 0:03:19 | |
This is the camera, then, that you were filming the big day on? | 0:03:19 | 0:03:22 | |
-Yes. -It's a beautiful thing. -This is the camera. | 0:03:22 | 0:03:25 | |
Yes, that's it. It's lovely. | 0:03:25 | 0:03:26 | |
And it takes perfect photographs. | 0:03:26 | 0:03:29 | |
-16 millimetre cine camera. -Big job for a 23-year-old! | 0:03:29 | 0:03:32 | |
-Did you feel the pressure that day? -Not really. | 0:03:32 | 0:03:35 | |
I got the plane coming in, landing. | 0:03:35 | 0:03:38 | |
And I got her coming down from the plane. | 0:03:38 | 0:03:41 | |
People didn't understand how I got in to take these photographs, | 0:03:41 | 0:03:44 | |
because I was 15 feet from the Queen. | 0:03:44 | 0:03:46 | |
I got this pass, of course, to get in. | 0:03:46 | 0:03:49 | |
I love this, cos it says on here, | 0:03:49 | 0:03:51 | |
"Please facilitate Mr Harold Patterson, | 0:03:51 | 0:03:53 | |
"who wishes to take cine photos of the Royal visit." | 0:03:53 | 0:03:57 | |
And then the policeman of the day has added in fountain pen, | 0:03:57 | 0:03:59 | |
-"To a reasonable..." -Extent. -Extent. | 0:03:59 | 0:04:01 | |
-15 feet? -Yes. Well, no. He was... | 0:04:01 | 0:04:04 | |
'The policeman of the day was in fact the Chief Inspector of Antrim, | 0:04:06 | 0:04:10 | |
'an old family friend.' | 0:04:10 | 0:04:12 | |
I said to him one day, | 0:04:12 | 0:04:13 | |
"Can I get a pass to take photographs of the Queen?" | 0:04:13 | 0:04:16 | |
-Yeah? -He said he would see what he could do. | 0:04:16 | 0:04:18 | |
-And a few days later, I got this. -Brilliant! | 0:04:18 | 0:04:21 | |
Harold's film has become a valuable historical record. | 0:04:22 | 0:04:25 | |
Not just of the Queen's reign, but also for the city of Lisburn. | 0:04:25 | 0:04:29 | |
But Harold's press pass wasn't quite access-all-areas. | 0:04:31 | 0:04:34 | |
One place that was out of bounds was aboard the Queen's train itself, | 0:04:34 | 0:04:39 | |
departing from Lisburn station. | 0:04:39 | 0:04:42 | |
But we're going to put that right | 0:04:42 | 0:04:44 | |
and relive the day with Harold on board our own special train. | 0:04:44 | 0:04:48 | |
Now, just have a look at this. | 0:04:48 | 0:04:49 | |
It's the actual Royal itinerary of the Royal train ride. | 0:04:49 | 0:04:54 | |
So the Queen would have received one of these, | 0:04:54 | 0:04:56 | |
as would all of the officials. | 0:04:56 | 0:04:58 | |
Just to keep everything on time. | 0:04:58 | 0:04:59 | |
And on the back, you can see a map of the route. | 0:04:59 | 0:05:02 | |
So the Queen started down here in Lisburn, | 0:05:02 | 0:05:04 | |
went all the way up to Londonderry, also known as Derry. | 0:05:04 | 0:05:08 | |
But this first little section here, up to Antrim, is no longer in use. | 0:05:08 | 0:05:12 | |
However, today we have been given special permission | 0:05:12 | 0:05:15 | |
to recreate the Royal tour in a brand-spanking-new train. | 0:05:15 | 0:05:19 | |
And as there's a few extra seats, | 0:05:19 | 0:05:21 | |
I've invited along some VIP passengers for a tea party. | 0:05:21 | 0:05:25 | |
-Now then, everyone, how are we doing, all right? -Yes! | 0:05:25 | 0:05:28 | |
Nice to see you. Who's pouring? | 0:05:28 | 0:05:30 | |
I'm dying for a cup of tea. | 0:05:30 | 0:05:32 | |
At a time when television was only just emerging, | 0:05:36 | 0:05:39 | |
a Royal visit was the ultimate celebrity moment. | 0:05:39 | 0:05:42 | |
Harold has put his camera away as we retrace the royal route. | 0:05:46 | 0:05:51 | |
Also coming along for the ride are some of the local people | 0:05:51 | 0:05:54 | |
who turned out on the day, | 0:05:54 | 0:05:55 | |
as Her Majesty passed through the Northern Irish countryside. | 0:05:55 | 0:05:58 | |
It was a great occasion and the crowds gathered. | 0:05:58 | 0:06:02 | |
It was wonderful, in the middle of your town... | 0:06:02 | 0:06:05 | |
-And who did you go with? -I went with my mother and my sister. | 0:06:05 | 0:06:09 | |
My mother had her basket with her and it got in everybody's way. | 0:06:09 | 0:06:13 | |
It was a nuisance. | 0:06:13 | 0:06:14 | |
So she stood in it herself and she thought it was wonderful. | 0:06:14 | 0:06:17 | |
She stood in the basket? | 0:06:17 | 0:06:18 | |
She stood in the basket with the handle in between her feet | 0:06:18 | 0:06:20 | |
so that nobody could stand on her feet. Which was wonderful! | 0:06:20 | 0:06:24 | |
Then you were there as a Girl Guide? | 0:06:24 | 0:06:26 | |
I was a Girl Guide. Very excited. | 0:06:26 | 0:06:29 | |
I was 12 years of age and hadn't been long joined the Guides. | 0:06:29 | 0:06:34 | |
And, in fact, | 0:06:34 | 0:06:35 | |
that's the very badge that I wore the day that she was here. | 0:06:35 | 0:06:39 | |
I'm very proud and wouldn't like to lose it. | 0:06:39 | 0:06:41 | |
So, was everybody pleased to see the Queen here? | 0:06:41 | 0:06:43 | |
Yes, everybody was so pleased | 0:06:43 | 0:06:45 | |
for the Queen to be coming to Northern Ireland. | 0:06:45 | 0:06:47 | |
There wasn't any bad feeling? | 0:06:47 | 0:06:49 | |
Oh, no, I never witnessed any of that at all. Everybody was out. | 0:06:49 | 0:06:53 | |
Now then, how is everything going over here? All right? | 0:06:53 | 0:06:55 | |
-It's a sentimental journey for me. -Is it? | 0:06:55 | 0:06:58 | |
-This line is closed usually. -Yeah. | 0:06:58 | 0:07:02 | |
And so it's over 60 years ago when I came along here. | 0:07:02 | 0:07:04 | |
So you're enjoying yourself? What do you remember of the day, then? | 0:07:04 | 0:07:08 | |
-Did you get to see the Queen yourself? -Yes, I did. | 0:07:08 | 0:07:10 | |
Great excitement. | 0:07:10 | 0:07:12 | |
People came in at a very early hour to get a good view. | 0:07:12 | 0:07:15 | |
-Yeah. -And the whole countryside came into the town that day. | 0:07:15 | 0:07:18 | |
QUEEN ELIZABETH II: 'May the future bring peace, contentment | 0:07:20 | 0:07:23 | |
'and true happiness for the people of Northern Ireland.' | 0:07:23 | 0:07:27 | |
Well, while we carry on reminiscing and enjoying the scones, | 0:07:29 | 0:07:32 | |
Tom is down in Norfolk, | 0:07:32 | 0:07:33 | |
finding out just how many things can get in the way | 0:07:33 | 0:07:35 | |
of a great day out in the countryside. | 0:07:35 | 0:07:37 | |
With British landscape as beautiful as this, | 0:07:41 | 0:07:46 | |
it's no wonder that outdoor pursuits are becoming increasingly popular. | 0:07:46 | 0:07:51 | |
We can now roam across thousands of square miles of open land, | 0:07:51 | 0:07:55 | |
cycle, ramble over hills, | 0:07:55 | 0:07:58 | |
go walking. | 0:07:58 | 0:08:01 | |
Or even running, | 0:08:01 | 0:08:02 | |
which is something I like to get out and do occasionally, | 0:08:02 | 0:08:05 | |
on the over 100,000 miles | 0:08:05 | 0:08:07 | |
of public access there is around this country. | 0:08:07 | 0:08:10 | |
The trouble is, sometimes getting through is not without its problems. | 0:08:10 | 0:08:15 | |
It's fine having official rights of way, | 0:08:15 | 0:08:18 | |
but what if those paths are blocked? | 0:08:18 | 0:08:20 | |
Like here. I know the path runs across this field, | 0:08:20 | 0:08:23 | |
but the farmer's left it pretty indistinct. | 0:08:23 | 0:08:26 | |
I think it does go just here, but it's pretty overgrown. | 0:08:26 | 0:08:30 | |
Still, I've got the right. | 0:08:30 | 0:08:32 | |
I have that right thanks to thousands of people | 0:08:33 | 0:08:36 | |
who've campaigned for public rights of way, | 0:08:36 | 0:08:38 | |
and that now-famous mass protest 80 years ago | 0:08:38 | 0:08:42 | |
on Kinder Scout in the Peak District. | 0:08:42 | 0:08:45 | |
But rights are worth little if you can't use the paths. | 0:08:47 | 0:08:51 | |
I'm supposed to be meeting a group of ramblers somewhere around here | 0:08:51 | 0:08:55 | |
who are going to tell me what's going on. | 0:08:55 | 0:08:57 | |
I think this is the path that I'm supposed to be able to get down. | 0:08:57 | 0:09:01 | |
Here we go. | 0:09:01 | 0:09:03 | |
'I'm struggling through this overgrown trail | 0:09:03 | 0:09:05 | |
'to find Alan Jones | 0:09:05 | 0:09:07 | |
'and other members of the Norfolk Area Ramblers. | 0:09:07 | 0:09:09 | |
'They're frequently frustrated | 0:09:09 | 0:09:11 | |
'at finding public paths that are difficult, | 0:09:11 | 0:09:13 | |
'or sometimes impossible to get through.' | 0:09:13 | 0:09:16 | |
Nice to see you. I can see you're doing some good works along here, | 0:09:16 | 0:09:19 | |
cos my legs are tingling from pushing through the nettles. | 0:09:19 | 0:09:21 | |
Well, you've got to try and get out of the nettles. | 0:09:21 | 0:09:23 | |
-So I've got to help you out, haven't I, by trampling myself? -Yes. | 0:09:23 | 0:09:27 | |
God, this is supposed to be an open-access footpath? | 0:09:27 | 0:09:31 | |
This is a footpath which should be a nice clear surface to walk on. | 0:09:31 | 0:09:35 | |
How exceptional is it, | 0:09:35 | 0:09:38 | |
or is it unfortunately quite typical, this state? | 0:09:38 | 0:09:41 | |
This is exceptional in as much as, for another reason, | 0:09:41 | 0:09:46 | |
because the gate at the far end of this path has been locked, | 0:09:46 | 0:09:49 | |
and you can't get access from the other end. | 0:09:49 | 0:09:51 | |
This path has just not been used, which means that | 0:09:51 | 0:09:54 | |
the normal wear and tear that you get from traffic, | 0:09:54 | 0:09:56 | |
people walking through, hasn't been here at all. | 0:09:56 | 0:09:59 | |
I have tried to walk it on several occasions, | 0:09:59 | 0:10:01 | |
and it's just got worse and worse. | 0:10:01 | 0:10:03 | |
And this, OK, is difficult, | 0:10:03 | 0:10:05 | |
but if you get to a stile like this, | 0:10:05 | 0:10:07 | |
you know, you've got a real struggle on your hands. | 0:10:07 | 0:10:10 | |
'Badly-maintained stiles are a particular problem for ramblers.' | 0:10:10 | 0:10:13 | |
'This one's rotting and missing a step.' | 0:10:13 | 0:10:16 | |
I'm going to be cheeky here and get you to do the agility test. | 0:10:16 | 0:10:19 | |
-Would you mind giving it a go for me? -Thank you very much. | 0:10:19 | 0:10:22 | |
As you say, it's an agility test. | 0:10:22 | 0:10:24 | |
I've got to get up onto this one, I've got to get my leg over here, | 0:10:24 | 0:10:29 | |
-balance back on that one, and get round here. -Yeah. | 0:10:29 | 0:10:34 | |
And if you'll forgive me, | 0:10:34 | 0:10:36 | |
quite a few people who enjoy the countryside | 0:10:36 | 0:10:38 | |
are more elderly citizens than yourself, indeed. | 0:10:38 | 0:10:41 | |
And getting a leg up over that is quite a hard ask, isn't it? | 0:10:41 | 0:10:45 | |
I brought my wife here two or three weeks ago | 0:10:45 | 0:10:48 | |
to show her what the path was like, and she just could not get over it. | 0:10:48 | 0:10:51 | |
'I think Alan means the stile, rather than the shock. | 0:10:51 | 0:10:55 | |
'But there are plenty of other obstacles on British paths | 0:10:55 | 0:10:59 | |
'that Alan's wife may well struggle with. | 0:10:59 | 0:11:01 | |
'In Norfolk alone, ramblers have identified hundreds of paths | 0:11:01 | 0:11:06 | |
'they want to see improved.' | 0:11:06 | 0:11:08 | |
Wow. This is intriguing. | 0:11:08 | 0:11:10 | |
'On this path, the ramblers feel | 0:11:12 | 0:11:14 | |
'that the hedge has been allowed to get out of control.' | 0:11:14 | 0:11:18 | |
'But what about the man who's responsible for it, | 0:11:19 | 0:11:21 | |
'local farmer Johnny Cave?' | 0:11:21 | 0:11:23 | |
Washpit Drove is its official name, | 0:11:25 | 0:11:26 | |
but it goes from anything from Green Lane, | 0:11:26 | 0:11:29 | |
to the Secret Path, to the Magic Path. | 0:11:29 | 0:11:32 | |
And one of the attractive things about the path | 0:11:32 | 0:11:34 | |
is that in certain places along the path, | 0:11:34 | 0:11:37 | |
you've got a complete overhang. | 0:11:37 | 0:11:38 | |
So you've got a lovely tunnel to walk through. | 0:11:38 | 0:11:42 | |
We did have a request a number of years ago to cut that back. | 0:11:42 | 0:11:45 | |
Um... | 0:11:45 | 0:11:47 | |
So that we would end up with two straight hedges | 0:11:47 | 0:11:51 | |
and a path going through the middle. | 0:11:51 | 0:11:54 | |
And I think, quite rightly, there was a lot of people | 0:11:54 | 0:11:58 | |
that didn't want that to happen, me included. | 0:11:58 | 0:12:00 | |
So what some people see as a bit of a problem, | 0:12:00 | 0:12:02 | |
others see as an asset, as a beautiful thing about this path? | 0:12:02 | 0:12:05 | |
-Correct, yeah. -Quite a difficult balance, isn't it? | 0:12:05 | 0:12:07 | |
It's a very difficult balance, | 0:12:07 | 0:12:09 | |
and nobody wants to have hygienic paths all round the country, | 0:12:09 | 0:12:13 | |
straight lines and tarmac surfaces. | 0:12:13 | 0:12:15 | |
But what we do want is to be able to go through the path on a horse, | 0:12:15 | 0:12:19 | |
on a cycle, walking, without having the branches in the face. | 0:12:19 | 0:12:24 | |
'But it's not all down to the landowner anyway. | 0:12:24 | 0:12:27 | |
'Local authorities have a responsibility | 0:12:27 | 0:12:29 | |
'to make sure public rights of way are clear. | 0:12:29 | 0:12:32 | |
'So I've asked Norfolk County Councillor Bill Borrett | 0:12:32 | 0:12:35 | |
'to explain why this one isn't.' | 0:12:35 | 0:12:37 | |
Well, it's this time of year, we've had a month's rain, | 0:12:37 | 0:12:40 | |
-everything's growing very fast. -Yeah. | 0:12:40 | 0:12:42 | |
We have 2,500 miles of footpaths. | 0:12:42 | 0:12:46 | |
They can't cut them all on the same day. | 0:12:46 | 0:12:48 | |
But isn't it your job | 0:12:48 | 0:12:50 | |
to make sure this is a bit more walkable than it is? | 0:12:50 | 0:12:52 | |
Well, we've walked through it perfectly OK. | 0:12:52 | 0:12:55 | |
I'm very keen to see as many of the paths as open as possible. | 0:12:55 | 0:12:58 | |
You're right, we can walk through, | 0:12:58 | 0:13:00 | |
but my legs are tingling from the nettles, | 0:13:00 | 0:13:02 | |
and maybe you think I'm inadequately dressed, | 0:13:02 | 0:13:04 | |
but it's quite a tough walk through there, isn't it? | 0:13:04 | 0:13:06 | |
Well, I don't disagree that it is quite overgrown, | 0:13:06 | 0:13:08 | |
but it's not obstructed. | 0:13:08 | 0:13:10 | |
And what about this stile and this gate here? | 0:13:10 | 0:13:13 | |
I mean, it is quite a barrier. | 0:13:13 | 0:13:15 | |
It's quite difficult for people to get over. Is that adequate? | 0:13:15 | 0:13:17 | |
Well, I would prefer to see another foot on that stile. | 0:13:17 | 0:13:20 | |
As soon as we get to hear about problems like this, | 0:13:20 | 0:13:23 | |
the County Council enforcement team can get in touch with the landowner | 0:13:23 | 0:13:27 | |
and get these sort of problems sorted out. | 0:13:27 | 0:13:29 | |
It looks like there was another foot there at some stage, | 0:13:29 | 0:13:32 | |
but it's not been repaired. | 0:13:32 | 0:13:34 | |
'The worry is that as budgets are cut, | 0:13:34 | 0:13:37 | |
'councils across Britain simply won't have the money | 0:13:37 | 0:13:40 | |
'to monitor or maintain the many thousands of miles | 0:13:40 | 0:13:43 | |
'of public rights of way.' | 0:13:43 | 0:13:46 | |
Having the right of access to British farmland | 0:13:46 | 0:13:48 | |
is one of the great assets of our countryside. | 0:13:48 | 0:13:51 | |
I certainly really enjoy it. | 0:13:51 | 0:13:53 | |
But as we've seen, it does come with some tensions. | 0:13:53 | 0:13:57 | |
And in the next few years, | 0:13:57 | 0:13:59 | |
many, many more miles of route are expected to be opened up. | 0:13:59 | 0:14:03 | |
And later, I'll be finding out what impact that'll have. | 0:14:03 | 0:14:07 | |
At 20 miles long and 12 miles wide, | 0:14:18 | 0:14:22 | |
Loch Neagh is not just | 0:14:22 | 0:14:23 | |
Northern Ireland's biggest body of fresh water. | 0:14:23 | 0:14:26 | |
It's the largest lake in the whole of the UK. | 0:14:26 | 0:14:30 | |
There are countless legends about how this place was formed, | 0:14:30 | 0:14:34 | |
including one where the giant Finn McCool, in a rage, | 0:14:34 | 0:14:37 | |
scooped up a handful of earth and flung it into the Irish Sea. | 0:14:37 | 0:14:41 | |
What landed became the Isle Of Man, | 0:14:41 | 0:14:43 | |
while the hollow left behind became Loch Neagh. | 0:14:43 | 0:14:47 | |
At 153 square miles, with 75 miles of shoreline, | 0:14:50 | 0:14:54 | |
the loch is simply breathtakingly vast. | 0:14:54 | 0:14:58 | |
But peppered around the loch are about 250 islands. | 0:14:58 | 0:15:01 | |
They vary in size, but I'm heading to the biggest - Rams Island. | 0:15:01 | 0:15:06 | |
Nobody's lived here for nearly 100 years now. | 0:15:09 | 0:15:13 | |
These days it's leased and managed by a group of volunteers | 0:15:13 | 0:15:16 | |
who are working hard to restore the island to its former glory. | 0:15:16 | 0:15:19 | |
There are signs of its history | 0:15:22 | 0:15:24 | |
dotted around this one-mile long island. | 0:15:24 | 0:15:26 | |
The monks who lived here 1,000 years ago | 0:15:26 | 0:15:30 | |
sought refuge from Viking invaders inside the Round Tower. | 0:15:30 | 0:15:33 | |
Lord O'Neill bought the island in the early 19th century | 0:15:36 | 0:15:39 | |
for 100 guineas from a local fisherman. | 0:15:39 | 0:15:42 | |
Back then, it was just six acres, | 0:15:42 | 0:15:44 | |
so the top of the steps there was the shoreline. | 0:15:44 | 0:15:47 | |
Since then, the loch has been lowered four times | 0:15:47 | 0:15:49 | |
to make the nearby River Bann navigable by boat. | 0:15:49 | 0:15:52 | |
So by 1960, six acres had become 40 acres, | 0:15:52 | 0:15:57 | |
and all this land right the way round | 0:15:57 | 0:16:00 | |
meant that Rams Island got a whole lot bigger. | 0:16:00 | 0:16:03 | |
After the Second World War, | 0:16:05 | 0:16:06 | |
the island was left to rack and ruin. | 0:16:06 | 0:16:09 | |
This is what remains of a summer house | 0:16:09 | 0:16:11 | |
built for the aristocratic owners. | 0:16:11 | 0:16:14 | |
As the buildings crumbled, the plant life took over, | 0:16:14 | 0:16:16 | |
much of it non-native species. | 0:16:16 | 0:16:19 | |
So volunteers like Michael Savage | 0:16:19 | 0:16:21 | |
have spent much of their time removing foreign invaders, | 0:16:21 | 0:16:24 | |
like Himalayan Balsam. | 0:16:24 | 0:16:25 | |
-What have you had to do? -In this area where we are at the moment, | 0:16:27 | 0:16:30 | |
it's mainly been removing Himalayan Balsam, | 0:16:30 | 0:16:33 | |
which totally overpowered everywhere. | 0:16:33 | 0:16:37 | |
If you look around you, you'll see there's mint growing here, | 0:16:37 | 0:16:42 | |
which has naturally re-established itself in this area. | 0:16:42 | 0:16:46 | |
Over here we have Lesser Bulrush, Marsh Marigold. | 0:16:46 | 0:16:50 | |
So this whole area was covered by Himalayan Balsam? | 0:16:50 | 0:16:52 | |
In the middle of the summer, it was up to here with balsam. | 0:16:52 | 0:16:57 | |
'It's not just the plants that have started taking over. | 0:16:58 | 0:17:01 | |
'There was a huge problem with rats on the island. | 0:17:01 | 0:17:04 | |
'They would eat the eggs of ground-nesting birds. | 0:17:04 | 0:17:07 | |
'Bait boxes are dotted all over Rams Island. | 0:17:07 | 0:17:11 | |
'Michael need to check them for signs of the rats' return.' | 0:17:11 | 0:17:14 | |
Yeah, that's fine. | 0:17:14 | 0:17:16 | |
So what, you wouldn't expect to find a rat in there? | 0:17:16 | 0:17:18 | |
No, no, but if there's been an uptake of poison... | 0:17:18 | 0:17:22 | |
-Which is this? -Yeah. | 0:17:22 | 0:17:24 | |
-Then you know that you've had some rats here? -Yep. | 0:17:24 | 0:17:27 | |
-So that's a good sign, then. -It is. | 0:17:27 | 0:17:29 | |
-We shall leave that one where it is. -Yep. -OK. | 0:17:29 | 0:17:32 | |
Now the rats have gone, the birds have returned. | 0:17:36 | 0:17:39 | |
And one of the species that really is thriving is the heron. | 0:17:39 | 0:17:43 | |
This is looking like quite a good spot. | 0:17:45 | 0:17:48 | |
-It is. -So there's some nests around here, are there? | 0:17:48 | 0:17:51 | |
-What have we got? One, two, three nests up there, then. -Yeah. | 0:17:52 | 0:17:56 | |
There's youngsters in all of them. | 0:17:56 | 0:17:58 | |
They're very, very elusive. | 0:17:58 | 0:18:01 | |
It's one of our success stories that we're proud of. | 0:18:01 | 0:18:04 | |
Records show that the herons actually disappeared here in the '70s, | 0:18:04 | 0:18:10 | |
and they've re-established themselves since we started this project. | 0:18:10 | 0:18:14 | |
There's nothing we have done to bring them here, | 0:18:14 | 0:18:16 | |
but they have started breeding on the island. | 0:18:16 | 0:18:20 | |
There's about 40 active nests in three distinctive heronries. | 0:18:20 | 0:18:24 | |
Round the loch, they all seem to have their own spots. | 0:18:24 | 0:18:27 | |
They seem to be territorial. | 0:18:27 | 0:18:29 | |
I work on the lake, and you sort of go down to the boat | 0:18:29 | 0:18:33 | |
and there's a heron starting fishing. | 0:18:33 | 0:18:35 | |
-Of course, once people come near them, they just take off. -Yeah, yeah. | 0:18:35 | 0:18:39 | |
-These are being a bit elusive as well, aren't they? -They are, yep. | 0:18:39 | 0:18:43 | |
-Ooh, a bit quiet round here. -Yep. | 0:18:43 | 0:18:46 | |
'We keep watch for a while longer, | 0:18:50 | 0:18:52 | |
'and eventually get a good look at a heron circling overhead.' | 0:18:52 | 0:18:55 | |
Then later, our cameraman returns and sees a little beady eye, | 0:19:01 | 0:19:04 | |
a heron chick that will soon fledge the nest. | 0:19:04 | 0:19:08 | |
Whilst Matt and I are enjoying exploring | 0:19:13 | 0:19:15 | |
the Loch Neagh area of Northern Ireland, | 0:19:15 | 0:19:17 | |
John is also on the Emerald Isle | 0:19:17 | 0:19:18 | |
visiting one of his favourite places. | 0:19:18 | 0:19:20 | |
The North Coast. | 0:19:24 | 0:19:26 | |
Mile after mile of golden sands, craggy headlands, | 0:19:27 | 0:19:31 | |
ancient ruins and gorse-topped cliffs. | 0:19:31 | 0:19:35 | |
It's a haven for wildlife and walkers alike, | 0:19:37 | 0:19:41 | |
with plenty of lovely spots to stop and enjoy the view. | 0:19:41 | 0:19:44 | |
Like Downhill Beach, which stretches for nearly ten miles, | 0:19:46 | 0:19:49 | |
making it one of the longest beaches in Europe. | 0:19:49 | 0:19:52 | |
And when the Queen passed by here | 0:19:52 | 0:19:54 | |
back in 1953, | 0:19:54 | 0:19:55 | |
on her first official tour of Northern Ireland, | 0:19:55 | 0:19:58 | |
the Royal train stopped at Downhill | 0:19:58 | 0:20:01 | |
so that her Majesty could have a picnic. | 0:20:01 | 0:20:03 | |
And as the Queen enjoyed her picnic in the sunshine, | 0:20:04 | 0:20:07 | |
she must have noticed | 0:20:07 | 0:20:09 | |
that temple-like building over there, perched high on the cliff. | 0:20:09 | 0:20:13 | |
But I wonder if anybody told her the fascinating story behind it? | 0:20:13 | 0:20:17 | |
It balances ever-closer to the eroding cliffs | 0:20:18 | 0:20:21 | |
and was built more than 200 years ago | 0:20:21 | 0:20:24 | |
by a remarkable man, | 0:20:24 | 0:20:25 | |
Frederick Augustus Hervey, the Protestant Bishop of Derry. | 0:20:25 | 0:20:28 | |
He was much-admired locally, | 0:20:28 | 0:20:31 | |
but upset his entire family and the establishment. | 0:20:31 | 0:20:35 | |
He treated his religious duties very lightly, | 0:20:35 | 0:20:38 | |
pursuing the finer things in life, including the ladies, | 0:20:38 | 0:20:41 | |
and building a large art collection. | 0:20:41 | 0:20:43 | |
He then inherited an enormous sum of money and an Earldom. | 0:20:43 | 0:20:48 | |
In a very, very short space of time | 0:20:48 | 0:20:50 | |
he went from being a humble English clergyman in Suffolk | 0:20:50 | 0:20:54 | |
to being incredibly wealthy. | 0:20:54 | 0:20:55 | |
Richard Branson-esque levels of wealth. | 0:20:55 | 0:20:57 | |
So he had as much money as he wanted and could do what he wanted | 0:20:57 | 0:21:01 | |
-and what he wanted to do was this. -And why a temple-like building? | 0:21:01 | 0:21:05 | |
He'd been on the Grand Tour in Italy, | 0:21:05 | 0:21:07 | |
admiring architecture and paintings and buying quite a lot of it. | 0:21:07 | 0:21:11 | |
He spotted a temple in Tivoli, the Temple of Vesta, | 0:21:11 | 0:21:13 | |
and he decided that he wanted the temple | 0:21:13 | 0:21:15 | |
and he was going to take it down, brick-by-brick, and build it here, | 0:21:15 | 0:21:19 | |
but the Pope said, "No, you can't have the Temple of Vesta in Tivoli." | 0:21:19 | 0:21:22 | |
-Understandably. -So he got his architect to copy it | 0:21:22 | 0:21:25 | |
and this is a close copy of the Temple of Vesta in Tivoli. | 0:21:25 | 0:21:28 | |
'Named The Mussenden Temple, | 0:21:28 | 0:21:31 | |
'as a memorial to a female cousin who died while it was being built, | 0:21:31 | 0:21:34 | |
'it became a dominant feature on the Bishop's estate | 0:21:34 | 0:21:37 | |
'and was used mainly for entertaining.' | 0:21:37 | 0:21:39 | |
Wow! This is impressive, isn't it? | 0:21:39 | 0:21:43 | |
And wonderful harp music to greet us as well. | 0:21:43 | 0:21:45 | |
Fantastic acoustics. | 0:21:45 | 0:21:47 | |
-Very atmospheric, isn't it? -How would it have looked in the Bishop's day? | 0:21:48 | 0:21:53 | |
What you are seeing now is the bare brick underneath lovely plasterwork. | 0:21:53 | 0:21:58 | |
There would have been columns, pillars, bookshelves, | 0:21:58 | 0:22:00 | |
paintings, fine furnishing. | 0:22:00 | 0:22:02 | |
It would have been very, very opulent and luxurious. | 0:22:02 | 0:22:04 | |
-So it certainly wasn't a folly. It was a building put to use? -Yes. | 0:22:04 | 0:22:09 | |
You could have come here and read books | 0:22:09 | 0:22:11 | |
and enjoyed whatever music was being played. | 0:22:11 | 0:22:14 | |
You would have spent time looking out over the sea, | 0:22:14 | 0:22:16 | |
contemplating the beauty of nature | 0:22:16 | 0:22:18 | |
-and how good life was when you had this amount of money! -Yes! | 0:22:18 | 0:22:22 | |
'Bishop Hervey spent much of his later life | 0:22:22 | 0:22:25 | |
'travelling around Europe, | 0:22:25 | 0:22:27 | |
'but when he was here at Downhill | 0:22:27 | 0:22:29 | |
'his guests would have been serenaded much like this.' | 0:22:29 | 0:22:32 | |
-This harp looks very familiar. -Well, you obviously take a drink if you've spotted that! | 0:22:32 | 0:22:36 | |
-A little bit of Irish stout now and again. -Indeed. Indeed. | 0:22:36 | 0:22:40 | |
The shape of this harp is very, very typical of this area. | 0:22:40 | 0:22:44 | |
What was called the Downhill Harp, | 0:22:44 | 0:22:45 | |
a harp left by one of the harpists who actually used to play here, | 0:22:45 | 0:22:49 | |
ended up in Dublin at quite a famous brewery | 0:22:49 | 0:22:52 | |
and ended up as the symbol of a certain beverage. | 0:22:52 | 0:22:56 | |
So that's the harp on the label, is it? | 0:22:56 | 0:22:59 | |
-Yes, indeed. Makes you feel thirsty looking at it! -It certainly does. | 0:22:59 | 0:23:04 | |
The temple stands in splendid isolation | 0:23:08 | 0:23:10 | |
just a short distance from the grand house | 0:23:10 | 0:23:13 | |
that the bishop built for himself | 0:23:13 | 0:23:16 | |
and from the back here, it looks like a fortified castle. | 0:23:16 | 0:23:20 | |
But from the front there's a surprise. | 0:23:20 | 0:23:23 | |
It's in the style of a Georgian mansion. | 0:23:23 | 0:23:26 | |
Now it's just a shell and it really is hard to imagine | 0:23:26 | 0:23:29 | |
how grand this place used to be in its heyday. | 0:23:29 | 0:23:32 | |
'Luckily, these university students | 0:23:33 | 0:23:36 | |
'have been meticulously gathering information | 0:23:36 | 0:23:39 | |
'about every tiny corner of the house | 0:23:39 | 0:23:42 | |
'to help us get a better picture of two centuries ago.' | 0:23:42 | 0:23:45 | |
The house has been in ruins for years now. | 0:23:45 | 0:23:47 | |
The roof was taken off, more's the pity, cos it's pouring down now. | 0:23:47 | 0:23:51 | |
This, would you believe, used to be the drawing room. | 0:23:51 | 0:23:54 | |
So, Peter, how on earth are you and your team restoring this place? | 0:23:54 | 0:23:58 | |
Well, first of all, on a computer, the students went out, | 0:23:58 | 0:24:02 | |
they did a lot of research - | 0:24:02 | 0:24:04 | |
photography, drew sketches, plans, floor plans. | 0:24:04 | 0:24:09 | |
Another student collated all that into, research... | 0:24:09 | 0:24:12 | |
Wow, that is really impressive, isn't it?! | 0:24:12 | 0:24:14 | |
..which I then build on the computer. | 0:24:14 | 0:24:16 | |
That's the house as it was in the Bishop's time? | 0:24:16 | 0:24:18 | |
-Yes, around the 1800s. -What about the inside? | 0:24:18 | 0:24:21 | |
Well, this shot here is the gallery, | 0:24:21 | 0:24:24 | |
which is just looking down towards the sea. | 0:24:24 | 0:24:26 | |
And that's where he kept all his fine paintings? | 0:24:26 | 0:24:29 | |
All his paintings, his statues, | 0:24:29 | 0:24:31 | |
his whole art collection was housed in there. | 0:24:31 | 0:24:33 | |
-He had Titians and Rembrandts. -You name it. | 0:24:33 | 0:24:35 | |
-Caravaggios. -Everything! Everything. -And now it's just in ruins. | 0:24:35 | 0:24:40 | |
It's just four walls, really. | 0:24:40 | 0:24:42 | |
With his keen eye for the arts and for science, | 0:24:46 | 0:24:48 | |
as well as for the ladies, | 0:24:48 | 0:24:50 | |
Bishop Hervey certainly used his vast wealth | 0:24:50 | 0:24:52 | |
to enjoy life to the full. | 0:24:52 | 0:24:54 | |
But he could have never guessed that his extravagant monument | 0:24:54 | 0:24:57 | |
would one day serve as a backdrop | 0:24:57 | 0:25:00 | |
for a queen having a picnic down on the beach. | 0:25:00 | 0:25:03 | |
I've been enjoying a very special train journey | 0:25:06 | 0:25:10 | |
through the Northern Irish countryside. | 0:25:10 | 0:25:12 | |
This is the very same route that Queen Elizabeth took | 0:25:12 | 0:25:15 | |
nearly 60 years ago, on her first official tour after she was crowned. | 0:25:15 | 0:25:19 | |
While Her Majesty was on a steam train, | 0:25:19 | 0:25:22 | |
I'm on board a brand new diesel. | 0:25:22 | 0:25:23 | |
Well, as this train is being laid on for us | 0:25:25 | 0:25:27 | |
and we don't have any deadlines to hit, it all seems very relaxed. | 0:25:27 | 0:25:30 | |
Even the door is open to the cab, | 0:25:30 | 0:25:31 | |
so I'm going to have a word with Beau, the driver. | 0:25:31 | 0:25:34 | |
-Now then, Beau, how are you doing, all right? -Very well, thanks, Matt. | 0:25:34 | 0:25:37 | |
I have to say, you look very clean and relaxed. | 0:25:37 | 0:25:39 | |
These modern trains, I tell you what, unbelievable, aren't they? | 0:25:39 | 0:25:43 | |
They are a lot easier to drive | 0:25:43 | 0:25:45 | |
and a lot cleaner than the old trains were, yes. | 0:25:45 | 0:25:47 | |
Mind you, this line's in good nick. What is it used for these days? | 0:25:47 | 0:25:50 | |
We use it for training, | 0:25:50 | 0:25:52 | |
for trainee drivers on their first three weeks out driving. | 0:25:52 | 0:25:55 | |
We can bring them up here, drive backwards and forwards, | 0:25:55 | 0:25:57 | |
gives them a bit of experience driving trains. | 0:25:57 | 0:26:00 | |
You must see quite a lot of wildlife as well down here. | 0:26:00 | 0:26:02 | |
Yes, we see foxes and badgers | 0:26:02 | 0:26:04 | |
and rabbits and squirrels and sometimes sparrowhawks. | 0:26:04 | 0:26:07 | |
Can I press any of those buttons up there? | 0:26:07 | 0:26:10 | |
They look very inviting. Is that the horn? | 0:26:10 | 0:26:13 | |
You can blow the horn. That is it. | 0:26:13 | 0:26:14 | |
HORN TOOTS | 0:26:14 | 0:26:16 | |
Oh, the alarms have gone off and everything. | 0:26:16 | 0:26:19 | |
-That is just an alarm to tell me we're coming to a signal here. -OK. | 0:26:19 | 0:26:23 | |
And how far is it to the end of this little section? | 0:26:23 | 0:26:26 | |
To Antrim, it should be about another half a mile. | 0:26:26 | 0:26:29 | |
We should be there in a few minutes. | 0:26:29 | 0:26:31 | |
Well, in half a mile I will be hopping off | 0:26:31 | 0:26:33 | |
to head up to the castle and help out with some final preparations | 0:26:33 | 0:26:36 | |
for a Jubilee celebration. | 0:26:36 | 0:26:37 | |
Before that, I just have a quick announcement to make. | 0:26:37 | 0:26:41 | |
Here's what else is coming up on tonight's programme. | 0:26:41 | 0:26:43 | |
Oh! Cheers! | 0:26:43 | 0:26:46 | |
Ellie is going fishing for some slippery delicacies. | 0:26:46 | 0:26:50 | |
-Here is another one coming. -Hey! | 0:26:50 | 0:26:54 | |
Adam is choosing names for Eric the bull's new calves. | 0:26:54 | 0:26:57 | |
Madge, Maisie, Maud, Meg, Moo-ha-ha, was a good one. | 0:26:57 | 0:27:01 | |
And we will have the Countryfile weather forecast for the week ahead. | 0:27:01 | 0:27:06 | |
Public rights of way are one of the joys of the British countryside. | 0:27:15 | 0:27:19 | |
As Tom has discovered though, | 0:27:19 | 0:27:21 | |
that joy can turn to anger when they get blocked, | 0:27:21 | 0:27:23 | |
but that's not the only problem that comes with our public paths. | 0:27:23 | 0:27:28 | |
This is just one of thousands of places across the country | 0:27:28 | 0:27:30 | |
that give you an idea how richly endowed we are for footpaths. | 0:27:30 | 0:27:35 | |
And, as someone who likes to get out in the countryside, | 0:27:35 | 0:27:37 | |
it is really exciting. I wonder what is up there? | 0:27:37 | 0:27:40 | |
I could go for an adventure down there maybe. | 0:27:40 | 0:27:44 | |
But all these different possibilities for me to have fun | 0:27:44 | 0:27:47 | |
also mean someone else has got to maintain them | 0:27:47 | 0:27:50 | |
and there is a change coming round the corner | 0:27:50 | 0:27:53 | |
that is going to make that an even bigger challenge. | 0:27:53 | 0:27:55 | |
'As well as official rights of way, | 0:27:57 | 0:27:58 | |
'there are unregistered and historic paths | 0:27:58 | 0:28:02 | |
'criss-crossing the countryside. | 0:28:02 | 0:28:04 | |
'For 30 years, people have been able to apply | 0:28:04 | 0:28:06 | |
'to get these official status' | 0:28:06 | 0:28:08 | |
'but there are new proposals aimed at speeding that process up. | 0:28:08 | 0:28:12 | |
'However, any path not registered by 2026 could be lost for ever. | 0:28:12 | 0:28:16 | |
'Local councils are making those decisions.' | 0:28:16 | 0:28:20 | |
Well, in the short term, the county council has to assess every claim. | 0:28:20 | 0:28:24 | |
So everybody who thinks that there may be a right of way | 0:28:24 | 0:28:27 | |
that is not recognised on the definitive map | 0:28:27 | 0:28:30 | |
will put in an application to the county council. | 0:28:30 | 0:28:33 | |
-So you have a judgment of Solomon to go on there. -Exactly. | 0:28:33 | 0:28:35 | |
And they look at the evidence that is produced because, | 0:28:35 | 0:28:38 | |
obviously, we have to be fair to the landowner as well as the people. | 0:28:38 | 0:28:41 | |
There has to be some evidence of the path. | 0:28:41 | 0:28:44 | |
Do you expect there will be an expansion in the rights of way? | 0:28:44 | 0:28:46 | |
It has been a process that has been ongoing over the last few years | 0:28:46 | 0:28:50 | |
and I think we've had 50 applications in | 0:28:50 | 0:28:52 | |
and the county council has looked at 25 of them so far. | 0:28:52 | 0:28:54 | |
'The race to register new paths by 2026 can get controversial. | 0:28:57 | 0:29:02 | |
'Applications are frequently disputed | 0:29:02 | 0:29:04 | |
'and those disputes cost money to settle.' | 0:29:04 | 0:29:08 | |
-Hello, Tom. -Julian. | 0:29:12 | 0:29:14 | |
'Julian Flood has experienced a fight that many more of us | 0:29:14 | 0:29:18 | |
'could face in the future.' | 0:29:18 | 0:29:19 | |
-So where was the proposed path? -Well, in the wood. | 0:29:19 | 0:29:22 | |
If you follow me, it's about 10 yards from my back door to be precise. | 0:29:22 | 0:29:27 | |
'Six years ago, an application was made to register a trail | 0:29:27 | 0:29:31 | |
'through the woodland next to Julian's house.' | 0:29:31 | 0:29:33 | |
So why was it thought there could be a path through here? | 0:29:33 | 0:29:36 | |
Well, the 1777 enclosure map showed, through this wood, | 0:29:36 | 0:29:41 | |
"A road for Miss Foulkes" and, on the basis of that road for Miss Foulkes, | 0:29:41 | 0:29:46 | |
the applicant said it was a footway. | 0:29:46 | 0:29:49 | |
Nobody knew it existed until this old map turned up. | 0:29:49 | 0:29:52 | |
And why were you so set against it? | 0:29:52 | 0:29:54 | |
Well, you can see. 10 yards outside my back door. | 0:29:54 | 0:29:58 | |
In a wood, anybody can walk past. | 0:29:58 | 0:30:01 | |
If I'm not in the house, look around the corner. | 0:30:01 | 0:30:03 | |
People could have seen you brushing your teeth in your bathroom. | 0:30:03 | 0:30:06 | |
-Or even dancing naked in the rain. -Whatever takes your fancy! | 0:30:06 | 0:30:10 | |
What did this cost you, in effect, | 0:30:10 | 0:30:12 | |
not just in your pocket, but also emotionally? | 0:30:12 | 0:30:15 | |
Well, £5,000 directly from me. | 0:30:15 | 0:30:18 | |
Total for ratepayers and the rest of the people £50,000. | 0:30:18 | 0:30:23 | |
And in terms... | 0:30:23 | 0:30:25 | |
I became obsessive. | 0:30:25 | 0:30:27 | |
This is my house. | 0:30:27 | 0:30:29 | |
This is not just where I live, it's what I am. | 0:30:29 | 0:30:32 | |
And, because of that, I was determined to defend it. | 0:30:32 | 0:30:36 | |
'No-one wants ramblers seeing something they shouldn't | 0:30:36 | 0:30:40 | |
'through a bathroom window, | 0:30:40 | 0:30:41 | |
'but there are other issues at stake here. | 0:30:41 | 0:30:44 | |
'For farmers like Ross Haddow, | 0:30:44 | 0:30:45 | |
'newly-registered paths could impact on his ability to use his land.' | 0:30:45 | 0:30:51 | |
Between now and 2026, | 0:30:51 | 0:30:53 | |
there is an opportunity to open up new rights of way | 0:30:53 | 0:30:56 | |
for historical reasons, lost ways, or those regularly walked, | 0:30:56 | 0:30:59 | |
what do you think about that? | 0:30:59 | 0:31:01 | |
A cross-field path presents all sorts of issues. | 0:31:01 | 0:31:04 | |
It would be sad if somebody could find a right | 0:31:04 | 0:31:07 | |
across the middle of that field, giving me a huge headache. | 0:31:07 | 0:31:11 | |
And that would, I think, change us negatively to think about access. | 0:31:11 | 0:31:15 | |
All the tools to do the job here. | 0:31:15 | 0:31:17 | |
'But Ross has found another way. | 0:31:17 | 0:31:19 | |
'He has chosen to create so-called permissive paths | 0:31:19 | 0:31:23 | |
'that suit both his needs and those of ramblers. | 0:31:23 | 0:31:26 | |
'Working with the community, he created trails where he feels | 0:31:26 | 0:31:30 | |
'they work best, even in spots where it makes farming a little harder.' | 0:31:30 | 0:31:35 | |
A lot of paths that you see across fields, farmers often don't like. | 0:31:35 | 0:31:39 | |
In fact, they plough across them. You have done quite the reverse! | 0:31:39 | 0:31:42 | |
You have opened one up across an arable fields. | 0:31:42 | 0:31:44 | |
Yes, now there are two nice parts of the walk on the farm | 0:31:44 | 0:31:49 | |
that we have connected with this path | 0:31:49 | 0:31:52 | |
and we have given a commitment to do that, | 0:31:52 | 0:31:55 | |
even understanding that it would split these fields. | 0:31:55 | 0:31:58 | |
But most permissive paths are created with money | 0:31:58 | 0:32:01 | |
from farm grant schemes, schemes which have now ended. | 0:32:01 | 0:32:05 | |
So when the money stops coming in, | 0:32:05 | 0:32:08 | |
the paths could be moved or even closed. | 0:32:08 | 0:32:10 | |
It's not a perfect long-term solution. | 0:32:10 | 0:32:12 | |
One thing is for sure, whether they are impossibly impassable | 0:32:14 | 0:32:19 | |
or still seeking a permanent place on the map, if we do not use paths, | 0:32:19 | 0:32:22 | |
then there is a danger we could lose them. | 0:32:22 | 0:32:25 | |
This, believe it or not, is a public footpath | 0:32:27 | 0:32:30 | |
and while it is a rather extreme example, | 0:32:30 | 0:32:33 | |
it does show what can happen | 0:32:33 | 0:32:35 | |
if those who are supposed to look after our rights of access | 0:32:35 | 0:32:39 | |
don't do their job properly | 0:32:39 | 0:32:41 | |
and also, we don't register the paths. | 0:32:41 | 0:32:43 | |
Here goes. A bit of Livingstone in the jungle. | 0:32:45 | 0:32:48 | |
'If impenetrable paths bother you, | 0:32:48 | 0:32:50 | |
'or you want to find out about the registration of routes | 0:32:50 | 0:32:53 | |
'then you'll find help on our website.' | 0:32:53 | 0:32:56 | |
Adam keeps many different breeds of cow on his Cotswolds farm | 0:33:00 | 0:33:04 | |
and his stock bulls are his most powerful and prized possessions. | 0:33:04 | 0:33:07 | |
He is in search of a new addition to his herd of Irish Moiled cattle, | 0:33:07 | 0:33:11 | |
but will he find the perfect bull for his ladies? | 0:33:11 | 0:33:15 | |
But first, Adam's got a big decision to make | 0:33:15 | 0:33:18 | |
about Eric the bull's new baby daughters. | 0:33:18 | 0:33:20 | |
This is Eric, my Highland bull. And I absolutely adore him. | 0:33:27 | 0:33:31 | |
He's just magnificent. | 0:33:31 | 0:33:33 | |
I bought him at the Oban sales and he was reserve in his class, | 0:33:33 | 0:33:38 | |
so he's a really good example of the breed. | 0:33:38 | 0:33:40 | |
And he's shedding his winter coat now. | 0:33:40 | 0:33:42 | |
The birds quite often pick up their hair and use it for nesting | 0:33:42 | 0:33:45 | |
and you can see he's getting his summer coat | 0:33:45 | 0:33:47 | |
and he's looking in really good condition now. | 0:33:47 | 0:33:50 | |
But he's not just here for show, he's got a job to do - | 0:33:50 | 0:33:52 | |
He's a breeding bull. | 0:33:52 | 0:33:54 | |
And several weeks ago, it was a big moment. | 0:33:54 | 0:33:57 | |
The first of Eric's offspring arrived on the farm - two female calves. | 0:33:57 | 0:34:01 | |
We name all the animals on the farm | 0:34:03 | 0:34:05 | |
and this year, we're using the letter M for the Highlands. | 0:34:05 | 0:34:08 | |
And I asked to the viewers to write in with names | 0:34:08 | 0:34:11 | |
for the two female Highland calves | 0:34:11 | 0:34:13 | |
and I was inundated with the response. | 0:34:13 | 0:34:15 | |
There were just thousands of replies. | 0:34:15 | 0:34:18 | |
Thank you so much for all the effort that you've gone to writing in. | 0:34:18 | 0:34:22 | |
Some popular ones are Madge, Maisie, Maude, Meg, Mia, Molly, Morag, | 0:34:22 | 0:34:27 | |
Scottish for Mary is Mhairi, that was a very popular one. | 0:34:27 | 0:34:31 | |
We've got some seasonal ones. Molympic. | 0:34:31 | 0:34:33 | |
We've got Merica, of course, female for Eric. | 0:34:33 | 0:34:36 | |
Marmalade, Marzipan, Moo-ha-ha was a good one. | 0:34:36 | 0:34:39 | |
We've got Majesty, that goes with the Jubilee. | 0:34:39 | 0:34:42 | |
But the first name that I've chosen, | 0:34:42 | 0:34:44 | |
which is a very popular one, is Maisie. | 0:34:44 | 0:34:47 | |
And that's Scottish for Margaret and means pearl. | 0:34:47 | 0:34:49 | |
And then the second name I've chosen is Mavourna, | 0:34:49 | 0:34:53 | |
also a Scottish name, | 0:34:53 | 0:34:54 | |
which means "my little darling." | 0:34:54 | 0:34:56 | |
They're great names. I'm very, very pleased with them. | 0:34:56 | 0:34:59 | |
And since the birth of the two females, | 0:34:59 | 0:35:02 | |
I've now had this little blond male calf born, | 0:35:02 | 0:35:06 | |
one of Eric's sons that, hopefully, | 0:35:06 | 0:35:08 | |
will grow on to be a big strong bull | 0:35:08 | 0:35:10 | |
and I'll take him to the Oban sales in a couple of years time. | 0:35:10 | 0:35:13 | |
I've decided to name that one myself. And he's called McGee. | 0:35:13 | 0:35:16 | |
So I've got Maisie, Mavourna and McGee. | 0:35:16 | 0:35:19 | |
And I think they're lovely. | 0:35:19 | 0:35:21 | |
While my Highlands are enjoying the outdoors, | 0:35:23 | 0:35:25 | |
not all my cattle have been turned out yet. | 0:35:25 | 0:35:28 | |
These cattle have been in the shed since last November | 0:35:28 | 0:35:31 | |
and we've turned out some of the cattle in the spring | 0:35:31 | 0:35:34 | |
but had to keep some of them in | 0:35:34 | 0:35:36 | |
because the weather's been so atrocious. | 0:35:36 | 0:35:38 | |
The ground is really wet and there's hardly any grass, | 0:35:38 | 0:35:41 | |
and it's only now that the grass has started to grow | 0:35:41 | 0:35:43 | |
and the ground is drying up a bit. So, I'm going to get these lot out. | 0:35:43 | 0:35:47 | |
These are White Parks | 0:35:54 | 0:35:55 | |
and they're all steers, which means they're castrated males | 0:35:55 | 0:35:58 | |
and they are being reared for beef. | 0:35:58 | 0:36:00 | |
So, they'll go out onto the grass and be ready for beef | 0:36:00 | 0:36:03 | |
come the autumn, around September time. | 0:36:03 | 0:36:05 | |
Right then, boys. Let's get you loaded. | 0:36:05 | 0:36:08 | |
Come here, mate. | 0:36:08 | 0:36:09 | |
Go on, boys. | 0:36:09 | 0:36:10 | |
That's two. I'll try and squeeze the third one on. | 0:36:12 | 0:36:15 | |
I couldn't get that White Park steer up | 0:36:18 | 0:36:19 | |
so I've put the Highland on the back. | 0:36:19 | 0:36:22 | |
She's got horns, so I'll keep her separate. | 0:36:22 | 0:36:24 | |
All right, Mrs. | 0:36:41 | 0:36:42 | |
Freedom! | 0:36:42 | 0:36:44 | |
Very good, mate. | 0:36:49 | 0:36:51 | |
Oh, they're jumping around, they absolutely love it. | 0:36:52 | 0:36:55 | |
It's a shame we couldn't have got them out earlier | 0:36:55 | 0:36:57 | |
but they're very happy now. | 0:36:57 | 0:36:59 | |
These are my Irish Moils. | 0:37:05 | 0:37:08 | |
They're the first rare breed of cattle | 0:37:08 | 0:37:10 | |
that I've introduced to the farm since I took on my dad's collection | 0:37:10 | 0:37:13 | |
and they're lovely animals. They're an Irish smallholder breed, really, | 0:37:13 | 0:37:16 | |
quite good at producing milk and beef, | 0:37:16 | 0:37:18 | |
known as a dual-purpose animal. | 0:37:18 | 0:37:20 | |
And there's very few of them left in the country, | 0:37:20 | 0:37:22 | |
so we have to be careful with the bloodlines and inbreeding. | 0:37:22 | 0:37:25 | |
My Irish Moil stock bull has lived on the farm for two years, | 0:37:27 | 0:37:30 | |
but these days, we need to keep him separated from the rest of the herd. | 0:37:30 | 0:37:34 | |
He's playing hell with these shelters we've put out for the lambs. | 0:37:34 | 0:37:37 | |
Incredibly powerful beast, but he's lovely and quiet, really. | 0:37:37 | 0:37:41 | |
And he's related to two of my cows | 0:37:41 | 0:37:44 | |
and so, now, I'm going to sell him on. | 0:37:44 | 0:37:46 | |
He'll go to someone else's herd | 0:37:46 | 0:37:48 | |
and make a lovely bull for a different Irish Moil breeder. | 0:37:48 | 0:37:51 | |
So, what I need to do now is introduce a fresh bloodline | 0:37:52 | 0:37:55 | |
and get myself a new bull. | 0:37:55 | 0:37:56 | |
Farming's no different to most businesses. | 0:37:59 | 0:38:02 | |
We use a lot of technology, including, of course, computers. | 0:38:02 | 0:38:05 | |
In fact, a lot of my time is spent | 0:38:05 | 0:38:07 | |
sitting at this desk in front of my computer. | 0:38:07 | 0:38:09 | |
And it comes in quite handy when you want to buy livestock, | 0:38:09 | 0:38:12 | |
because people can send you photographs of the animals. | 0:38:12 | 0:38:15 | |
I've got a young Irish Moil bull here that looks very, very good. | 0:38:15 | 0:38:20 | |
And there's him and there's his dad, who was a show winner. | 0:38:20 | 0:38:25 | |
Magnificent-looking animal. | 0:38:25 | 0:38:26 | |
Now, the young bull is only 16 months old but I think he looks pretty good. | 0:38:26 | 0:38:30 | |
He's got everything going for him. | 0:38:30 | 0:38:33 | |
But you never know until you've seen them in the flesh. | 0:38:33 | 0:38:36 | |
So I'm off to have a look. | 0:38:36 | 0:38:37 | |
I've brought the trailer with me | 0:38:39 | 0:38:40 | |
and, hopefully, if the bull's as good as he looks in the photographs | 0:38:40 | 0:38:43 | |
and a deal can be done, I'll load him up and take him home, | 0:38:43 | 0:38:45 | |
because I've got some cows waiting for a new husband. | 0:38:45 | 0:38:48 | |
I just hope he's within my budget. | 0:38:48 | 0:38:50 | |
I've come to meet Chris Ball. | 0:38:52 | 0:38:54 | |
He's been farming Irish Moil cattle for over 15 years. | 0:38:54 | 0:38:58 | |
He has one of the finest herds in the country. | 0:38:58 | 0:39:00 | |
-Hi, Chris. -Nice to meet you. | 0:39:00 | 0:39:03 | |
They look really lovely. How many have you got? | 0:39:03 | 0:39:06 | |
We've got about 40 altogether including the steers. | 0:39:06 | 0:39:09 | |
And the history of the Irish Moil | 0:39:09 | 0:39:11 | |
is that, at one time, it was very rare. | 0:39:11 | 0:39:13 | |
It became almost extinct. | 0:39:13 | 0:39:14 | |
They got down in the early '70s due to the fact they were, | 0:39:14 | 0:39:17 | |
sort of, dual-purpose rather than extreme beef, extreme dairy, | 0:39:17 | 0:39:22 | |
down to 30 breeding females on two farms in northern Ireland. | 0:39:22 | 0:39:25 | |
And then the Rare Breeds Survival Trust got involved | 0:39:25 | 0:39:28 | |
and, since then, we've progressed up to at least 550 breeding females, | 0:39:28 | 0:39:32 | |
possibly slightly even more and, so, obviously, | 0:39:32 | 0:39:35 | |
well over 1,000 animals, so, yes, we're doing very well. | 0:39:35 | 0:39:37 | |
-Where's this bull? -Right, we'll see if we can find him. | 0:39:37 | 0:39:41 | |
-Excuse me, team. -Beautiful grassy field, and they're stood in the mud. | 0:39:41 | 0:39:45 | |
Good lad. Good lad. | 0:39:45 | 0:39:46 | |
Well, I'm very impressed. There's not many people | 0:39:46 | 0:39:49 | |
who could walk up to a young bull like that | 0:39:49 | 0:39:51 | |
-and slip a halter on him. -We did a deal earlier that if I could catch on in the field, | 0:39:51 | 0:39:55 | |
as long as I gave him some nuts afterwards, that was all right. | 0:39:55 | 0:39:57 | |
-He's a good colour, isn't he? -He's a great colour. | 0:39:57 | 0:40:00 | |
He's about the perfect markings for an Irish Moil. | 0:40:00 | 0:40:02 | |
So, can you walk up for me, Chris, | 0:40:02 | 0:40:04 | |
-so I can see him moving? -Certainly can. -Thank you. | 0:40:04 | 0:40:06 | |
It's important that the legs are straight. | 0:40:06 | 0:40:09 | |
You don't want them twisted out or twisted in. | 0:40:09 | 0:40:11 | |
And he's got quite nice legs, front and back. | 0:40:11 | 0:40:14 | |
He's got a nice top line, too. | 0:40:14 | 0:40:16 | |
Nice straight back, that means he's got good bone structure. | 0:40:16 | 0:40:20 | |
His tail head here is perhaps a little bit high, | 0:40:20 | 0:40:22 | |
but he's a teenager and he's going to fill out a lot more | 0:40:22 | 0:40:25 | |
and grow into a beefier bull than he is at the moment. | 0:40:25 | 0:40:28 | |
He needs another eight months to fill himself out a bit | 0:40:28 | 0:40:31 | |
and that will come with good management. | 0:40:31 | 0:40:33 | |
What sort of money do you want for him? | 0:40:33 | 0:40:35 | |
I'd be looking... I'd like £1,000. | 0:40:35 | 0:40:37 | |
Being a farmer, I always like to negotiate a little bit so... | 0:40:37 | 0:40:40 | |
if you could knock a couple of hundred quid off that, | 0:40:40 | 0:40:42 | |
I'd load him up and take him today. | 0:40:42 | 0:40:44 | |
Well, I'm sure we can agree on a price at some stage | 0:40:44 | 0:40:47 | |
over a cup of coffee. | 0:40:47 | 0:40:49 | |
Chris says his goodbyes | 0:40:52 | 0:40:54 | |
and there's one final person who wants to see him off. | 0:40:54 | 0:40:57 | |
Right, do you mind if I just call in my Margaret | 0:40:57 | 0:41:00 | |
for her final goodbyes? She's been highly involved. | 0:41:00 | 0:41:03 | |
Of course. Are you going to miss him, Margaret? | 0:41:03 | 0:41:05 | |
Definitely going to miss him. | 0:41:05 | 0:41:06 | |
He's been a grand chap and a great friend, haven't you? | 0:41:06 | 0:41:09 | |
So you look after yourself. Well done. Good lad. Good luck. | 0:41:09 | 0:41:12 | |
-Right, let's get him loaded. -Come on, Stefan. | 0:41:12 | 0:41:15 | |
What a good boy. | 0:41:17 | 0:41:18 | |
-See you! -Cheers. | 0:41:23 | 0:41:26 | |
I'm chuffed to bits with my new bull, Stefan. | 0:41:26 | 0:41:29 | |
I just hope the ladies back on the farm like him. | 0:41:29 | 0:41:31 | |
Come and see your new wives. | 0:41:38 | 0:41:39 | |
Well, he's asserting his authority there, puffing himself up, | 0:41:45 | 0:41:48 | |
making himself look big and butch and getting sideways onto the cows | 0:41:48 | 0:41:51 | |
so he looks even bigger. | 0:41:51 | 0:41:52 | |
When a bull turns up their top lip, | 0:41:52 | 0:41:54 | |
they're scenting the air to see if the cows are in season, | 0:41:54 | 0:41:58 | |
but I don't think that one is yet. He's looking lovely, actually. | 0:41:58 | 0:42:02 | |
Although he's young, he's only 16 months old, | 0:42:02 | 0:42:04 | |
he stands up next to them quite nicely. | 0:42:04 | 0:42:06 | |
Hopefully, Margaret and Chris will be pleased with his new home. | 0:42:06 | 0:42:10 | |
He's got four lovely ladies to look after. | 0:42:10 | 0:42:12 | |
I'm sure he'll be very happy here on top of the Cotswolds. | 0:42:12 | 0:42:15 | |
Next week, I'm heading to Malham in North Yorkshire | 0:42:17 | 0:42:19 | |
to see some Belted Galloway cattle that graze the uplands. | 0:42:19 | 0:42:23 | |
Lough Neagh in the heart of Northern Ireland | 0:42:33 | 0:42:35 | |
is the UK's biggest lake. | 0:42:35 | 0:42:38 | |
Since the 17th century, | 0:42:38 | 0:42:39 | |
sand dredged from the bed of the Lough | 0:42:39 | 0:42:41 | |
has been used for house-building. | 0:42:41 | 0:42:45 | |
Today, the sand extracted and the products it makes | 0:42:45 | 0:42:48 | |
is a £100 million business. | 0:42:48 | 0:42:51 | |
But there is another product closely associated with Lough Neagh | 0:42:51 | 0:42:55 | |
that doesn't have a particularly big reputation | 0:42:55 | 0:42:58 | |
beyond the banks of the Lough here in the UK, | 0:42:58 | 0:43:00 | |
but it does have a reputation worldwide. | 0:43:00 | 0:43:04 | |
The Lough Neagh eel. And its story begins 4,000 miles west of here. | 0:43:04 | 0:43:10 | |
The Sargasso Sea off Mexico is where the eels breed. | 0:43:10 | 0:43:14 | |
The young fry then drift on the warm currents of the Gulf Stream | 0:43:14 | 0:43:17 | |
back over the Atlantic and into the Lough, | 0:43:17 | 0:43:20 | |
up the River Bann as young elvers. | 0:43:20 | 0:43:22 | |
Six nights a week for the past 40 years, | 0:43:23 | 0:43:26 | |
Owen Duran has headed out onto the Lough | 0:43:26 | 0:43:29 | |
setting lines to catch these much-travelled eels. | 0:43:29 | 0:43:32 | |
It's the next morning now | 0:43:36 | 0:43:38 | |
and they're back out to see what they've caught. | 0:43:38 | 0:43:41 | |
I'm as happy as the flowers in May. | 0:43:46 | 0:43:47 | |
I wouldn't do anything else, only what I'm doing. | 0:43:47 | 0:43:50 | |
Money doesn't come into it. | 0:43:50 | 0:43:51 | |
You live anyway, despite of what you get. | 0:43:51 | 0:43:54 | |
You know, but it's...you know. | 0:43:54 | 0:43:57 | |
We like it and that's it. | 0:43:57 | 0:43:59 | |
So, this method using this line here, | 0:43:59 | 0:44:01 | |
is that the traditional method for catching them? | 0:44:01 | 0:44:03 | |
-It's been going on on Lough Neagh for years. -Oh, yeah? | 0:44:03 | 0:44:06 | |
Hundreds of years, line fishing. | 0:44:06 | 0:44:08 | |
Here's another one coming. | 0:44:08 | 0:44:10 | |
Hey! | 0:44:10 | 0:44:11 | |
Do you eat them? | 0:44:13 | 0:44:15 | |
SHE LAUGHS | 0:44:16 | 0:44:18 | |
'Demand for the eels comes from Germany and the Netherlands. | 0:44:18 | 0:44:22 | |
'400 tonnes are shipped out each year. | 0:44:22 | 0:44:25 | |
'The European Union has recognised the importance | 0:44:25 | 0:44:28 | |
'of the Lough Neagh Eel. | 0:44:28 | 0:44:29 | |
'Its name is now protected, | 0:44:29 | 0:44:31 | |
'a first for any product in Northern Ireland. | 0:44:31 | 0:44:34 | |
'And it puts the eel on a par with the Cornish pasty, | 0:44:34 | 0:44:36 | |
'champagne and Parma ham. | 0:44:36 | 0:44:39 | |
'Owen has been kind enough to let me have a few eels | 0:44:39 | 0:44:42 | |
'to take to my next destination.' | 0:44:42 | 0:44:44 | |
Right, I'm heading off to a different island now. | 0:44:46 | 0:44:49 | |
Not only to deliver these eels, but also some post, shopping and... | 0:44:49 | 0:44:54 | |
this boat. | 0:44:54 | 0:44:57 | |
The journey to the island | 0:45:00 | 0:45:02 | |
is an opportunity to soak up the atmosphere. | 0:45:02 | 0:45:05 | |
Check out this horizon here. | 0:45:05 | 0:45:07 | |
It's quite disconcerting, really, | 0:45:07 | 0:45:09 | |
because there are times when you can't see the land | 0:45:09 | 0:45:12 | |
and it feels like you're in the middle of the sea, | 0:45:12 | 0:45:15 | |
and yet it's like a millpond. | 0:45:15 | 0:45:17 | |
It's quite extraordinary, really. | 0:45:17 | 0:45:19 | |
I'm heading to Coney Island, | 0:45:21 | 0:45:23 | |
the only inhabited island on Lough Neagh. | 0:45:23 | 0:45:25 | |
And the population is just one. | 0:45:25 | 0:45:29 | |
And there's the only resident now, Peter McClelland. | 0:45:29 | 0:45:32 | |
Hello, Ellie. | 0:45:32 | 0:45:34 | |
-There you go, Peter. -Thank you very much indeed. -You're welcome. | 0:45:34 | 0:45:37 | |
I wasn't expecting you to deliver it. | 0:45:37 | 0:45:39 | |
Special Countryfile delivery service, how about that? | 0:45:39 | 0:45:41 | |
You're very welcome to Coney Island. | 0:45:41 | 0:45:43 | |
Thanks. I'm going to have a look around. | 0:45:43 | 0:45:45 | |
Yeah, it's a beautiful place. | 0:45:45 | 0:45:46 | |
So what does your job entail here, then? | 0:45:46 | 0:45:48 | |
If it's done on Coney Island, I do it. If it's not done, it's my fault. | 0:45:48 | 0:45:51 | |
So there's a level of responsibility you don't get every day. | 0:45:51 | 0:45:54 | |
-So you're the president of the island? -Pretty much, yeah. | 0:45:54 | 0:45:57 | |
I'm the warden of Coney Island. | 0:45:57 | 0:45:59 | |
So, what's it like living here all by yourself? | 0:46:01 | 0:46:03 | |
Oh, it's very interesting. | 0:46:03 | 0:46:05 | |
-It's a different way of life, I can tell you that. -Right. | 0:46:05 | 0:46:08 | |
One minute, you're on your own, next minute, | 0:46:08 | 0:46:10 | |
you get hundreds of people around you. | 0:46:10 | 0:46:13 | |
During the winter, you can be stranded out here. | 0:46:13 | 0:46:15 | |
During the winter of 2010-2011, the Lough froze, totally, | 0:46:15 | 0:46:19 | |
from 3rd December right through to 3rd January. | 0:46:19 | 0:46:22 | |
-And I was froze out here. -Over Christmas? -Oh, yes. | 0:46:22 | 0:46:26 | |
-Did you not mind? -Oh, not at all. | 0:46:26 | 0:46:28 | |
Good book and a bit of classical music and that's me, happy as a pea. | 0:46:28 | 0:46:32 | |
-What about mod cons? -Oh, I've none of those. | 0:46:32 | 0:46:35 | |
HE LAUGHS | 0:46:35 | 0:46:37 | |
King Edward VII once stayed on the island in a cottage | 0:46:37 | 0:46:40 | |
that Peter now shares with about 500 bats in the rafters. | 0:46:40 | 0:46:44 | |
They're the latest residents | 0:46:47 | 0:46:49 | |
of an island that has welcomed royal visitors, St Patrick, | 0:46:49 | 0:46:53 | |
and even anti-British rebel prisoners. | 0:46:53 | 0:46:55 | |
But it's another visitor that I've invited to the island today. | 0:46:55 | 0:46:59 | |
Danny Millar is one of Ireland's best-known chefs. | 0:46:59 | 0:47:03 | |
Award-winning and Michelin-starred, | 0:47:03 | 0:47:06 | |
he trained in Germany, so should know a thing or two | 0:47:06 | 0:47:09 | |
about Lough Neagh eels. | 0:47:09 | 0:47:10 | |
-Hi, Danny. -Hi, how are you? -I'm good, you? -Very well. | 0:47:13 | 0:47:16 | |
Is that your usual cooking conditions? | 0:47:16 | 0:47:18 | |
No, but still cooking some of Northern Ireland's finest. | 0:47:18 | 0:47:21 | |
Do you get to cook this very often? Do you have it in your restaurant? | 0:47:21 | 0:47:24 | |
Yeah, we do indeed. | 0:47:24 | 0:47:25 | |
And...it's fabulous. | 0:47:25 | 0:47:27 | |
It's great finger-food as well. | 0:47:27 | 0:47:28 | |
I think it's great for parties, barbecuing. | 0:47:28 | 0:47:31 | |
I think it's very versatile, just a wee bit...cos it's eel, | 0:47:31 | 0:47:34 | |
they're a little bit afraid, bit apprehensive, | 0:47:34 | 0:47:37 | |
see it coming at them, so... | 0:47:37 | 0:47:38 | |
Do you think that's what it is? | 0:47:38 | 0:47:40 | |
It's really popular in Europe but not so much over here. | 0:47:40 | 0:47:44 | |
Why do you think that is? | 0:47:44 | 0:47:45 | |
I think we're a bit more of the squeamish bunch | 0:47:45 | 0:47:47 | |
than our European neighbours. They're a bit more hands-on. | 0:47:47 | 0:47:50 | |
We see anything that's a little bit alive and slithery, | 0:47:50 | 0:47:53 | |
and we tend to run away from. | 0:47:53 | 0:47:55 | |
-Is that one nearly ready? -Yeah. -That's quick, isn't it? -Yeah. | 0:47:55 | 0:47:58 | |
-How long was that? A few minutes? -A few minutes either side. | 0:47:58 | 0:48:01 | |
I've done this one in soy, in a Japanese style. | 0:48:01 | 0:48:04 | |
They love their fish. | 0:48:04 | 0:48:05 | |
And while Danny's plating that up, | 0:48:05 | 0:48:07 | |
there's just time to remind you | 0:48:07 | 0:48:09 | |
about our annual photographic competition. | 0:48:09 | 0:48:12 | |
This year the theme is A Walk On The Wild Side, | 0:48:12 | 0:48:15 | |
so we're looking for wildlife, | 0:48:15 | 0:48:16 | |
wild landscapes, or even wild weather. | 0:48:16 | 0:48:19 | |
The best 12 will be put together | 0:48:19 | 0:48:21 | |
to create the 2013 Countryfile calendar, | 0:48:21 | 0:48:24 | |
sold in aid of Children In Need | 0:48:24 | 0:48:26 | |
and if you haven't entered yet, | 0:48:26 | 0:48:27 | |
here's John with the reminder of what you need to do. | 0:48:27 | 0:48:30 | |
Our competition isn't open to professionals | 0:48:37 | 0:48:40 | |
and entries must not have won any other competitions | 0:48:40 | 0:48:43 | |
because what we're looking for is original work. | 0:48:43 | 0:48:46 | |
You can enter up to four photos which must have been taken in the UK. | 0:48:47 | 0:48:52 | |
Please write your name, address, | 0:48:52 | 0:48:55 | |
and a daytime and evening phone number on the back of each photo | 0:48:55 | 0:48:59 | |
with a note of where it was taken. | 0:48:59 | 0:49:00 | |
And then all you have to do is send your entries to... | 0:49:00 | 0:49:04 | |
Whoever takes the winning photo, | 0:49:13 | 0:49:15 | |
as voted for by Countryfile viewers, | 0:49:15 | 0:49:17 | |
can choose from a range of the latest photographic equipment | 0:49:17 | 0:49:21 | |
to the value of £1,000. | 0:49:21 | 0:49:23 | |
And the person who takes the picture the judges like best | 0:49:23 | 0:49:26 | |
gets to pick equipment to the value of £500. | 0:49:26 | 0:49:31 | |
The full terms and conditions are on our website, | 0:49:31 | 0:49:33 | |
where you'll also find details | 0:49:33 | 0:49:35 | |
of the BBC's code of conduct for competitions. | 0:49:35 | 0:49:38 | |
The closing date is July 22nd | 0:49:38 | 0:49:40 | |
and, I'm sorry, but we can't return any entries. | 0:49:40 | 0:49:43 | |
So, the best of luck. | 0:49:43 | 0:49:45 | |
Back on Coney Island, the Lough Neagh eels are ready for tasting. | 0:49:49 | 0:49:52 | |
-Ladies first. -So, how do you do it? -I think it's best... | 0:49:52 | 0:49:56 | |
-just getting stuck in. Like a rib. -Really? -Yeah. | 0:49:56 | 0:50:00 | |
So, glamorous style, then. | 0:50:00 | 0:50:03 | |
Look at that! | 0:50:03 | 0:50:05 | |
-That's fabulous. -Is it? | 0:50:05 | 0:50:06 | |
I know I'm biased, cos I just cooked it, but I thought so! | 0:50:06 | 0:50:09 | |
Right then, let me be the judge of that. | 0:50:09 | 0:50:11 | |
That's not a texture I'm used to. | 0:50:14 | 0:50:16 | |
-Yeah, it's... -It's more solid than fish. | 0:50:16 | 0:50:19 | |
No, it is, it's a very firm flesh. | 0:50:19 | 0:50:21 | |
Mmm. That's good. | 0:50:21 | 0:50:24 | |
Well, if you're planning a barbecue this week, you'll want to know | 0:50:24 | 0:50:28 | |
what the weather has in store. here's the Countryfile forecast. | 0:50:28 | 0:50:31 |