Browse content similar to 04/11/2012. Check below for episodes and series from the same categories and more!
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'We all need time out once in a while. | 0:00:25 | 0:00:28 | |
'Time to reflect, time to soak up some peace and quiet.' | 0:00:28 | 0:00:33 | |
And what better way to do all of that | 0:00:34 | 0:00:37 | |
than by taking a stroll through the woods? | 0:00:37 | 0:00:40 | |
We're in the heart of West Sussex, | 0:00:40 | 0:00:42 | |
and while there's a chill in the air and just a drop of rain, | 0:00:42 | 0:00:45 | |
the trees are still holding on to their autumn glory. | 0:00:45 | 0:00:48 | |
'It's the perfect place to delve into the Countryfile archive | 0:00:49 | 0:00:54 | |
'and look back at some of our memorable moments | 0:00:54 | 0:00:57 | |
'exploring our woods and forests. | 0:00:57 | 0:00:59 | |
'From the wildlife that makes its home in our trees...' | 0:01:01 | 0:01:04 | |
Hello! | 0:01:04 | 0:01:05 | |
Awww. Gosh, so gorgeous. | 0:01:05 | 0:01:08 | |
Oh, look at that! | 0:01:08 | 0:01:09 | |
'..to the traditions that still shape our countryside. | 0:01:10 | 0:01:14 | |
Oh, he's down! He's down! | 0:01:14 | 0:01:16 | |
Stewart, inquiry. | 0:01:16 | 0:01:18 | |
Oh, dear. He obviously hasn't got his Devon legs on yet. | 0:01:18 | 0:01:21 | |
'..and the farmyard animals that have left their mark | 0:01:21 | 0:01:23 | |
'on our woodlands.' | 0:01:23 | 0:01:24 | |
Hang on, looks like there's a bit of love in the air there. | 0:01:24 | 0:01:27 | |
-I think so. -Goodness me. | 0:01:27 | 0:01:29 | |
As for me, | 0:01:34 | 0:01:35 | |
I'm going to be experiencing life as a true woodsman. | 0:01:35 | 0:01:38 | |
When you go down to the woods today, you'll step back to times gone by. | 0:01:48 | 0:01:53 | |
We've been making the most of our woods ever since we got here, | 0:01:53 | 0:01:57 | |
their dynamic landscapes. | 0:01:57 | 0:01:59 | |
I'm in Prickly Nut Wood in West Sussex, | 0:01:59 | 0:02:02 | |
an ancient woodland that's been here for 400 years. | 0:02:02 | 0:02:05 | |
This forest is still being used much as it was all those years ago | 0:02:05 | 0:02:09 | |
by a man who's become a bit of a woodland legend. | 0:02:09 | 0:02:12 | |
Ben Law is a woodsman. | 0:02:14 | 0:02:16 | |
For 20 years, he's lived amongst these trees | 0:02:16 | 0:02:19 | |
and managed the woodland. | 0:02:19 | 0:02:21 | |
But 10 years ago, he got sick of living under tarpaulin, | 0:02:21 | 0:02:25 | |
so under the watchful eye of a national TV audience, | 0:02:25 | 0:02:28 | |
he set about building himself a house, a truly grand design, | 0:02:28 | 0:02:31 | |
deep in the woods, made only from what nature could provide. | 0:02:31 | 0:02:35 | |
And here it is, 10 years on, | 0:02:36 | 0:02:39 | |
looking like it's come straight out of the pages | 0:02:39 | 0:02:42 | |
of Lord Of The Rings. | 0:02:42 | 0:02:43 | |
Wow. | 0:02:43 | 0:02:44 | |
Hi, Ben, how are you doing? | 0:02:46 | 0:02:47 | |
-Hiya. I'm doing well, thanks. -Good to meet you. -Yeah, likewise. | 0:02:47 | 0:02:50 | |
It's so strange. I feel like I know this house, | 0:02:50 | 0:02:52 | |
either from my childhood imagination | 0:02:52 | 0:02:54 | |
or just cos the programme was so well-known. | 0:02:54 | 0:02:56 | |
I think a lot of people know it. | 0:02:56 | 0:02:57 | |
-It's a bit iconic as a house in the woods now, I think. -Yeah, absolutely. | 0:02:57 | 0:03:01 | |
-So can you give me the grand tour? -Yeah, of course. Come on round. | 0:03:01 | 0:03:05 | |
So, the vegetable garden, a little polytunnel for a few winter veg. | 0:03:05 | 0:03:10 | |
-Treehouse for the kids. -Oh, amazing. | 0:03:10 | 0:03:12 | |
I bet you're amazing at building treehouses, aren't you? | 0:03:12 | 0:03:14 | |
I enjoy building treehouses, yeah. Great fun. | 0:03:14 | 0:03:16 | |
-And so you've got the solar panels as well. -Yeah, solar panels. | 0:03:16 | 0:03:20 | |
That gives me most of my power. | 0:03:20 | 0:03:21 | |
There's odd days in the middle of winter | 0:03:21 | 0:03:24 | |
when you struggle a bit for power, so you go to bed early. | 0:03:24 | 0:03:26 | |
-Yeah, days like today? -Days like today aren't great. | 0:03:26 | 0:03:30 | |
-TV? -Yeah, I have a little TV. | 0:03:30 | 0:03:33 | |
-The kids want to watch DVDs and I'll watch the odd thing. -Yeah. | 0:03:33 | 0:03:37 | |
-What about the internet? -Yeah, we've got internet. | 0:03:37 | 0:03:40 | |
My older son Ryan persuaded me that I needed the internet. | 0:03:40 | 0:03:43 | |
-And now you can't live without it! -Yeah, it's pretty useful. | 0:03:43 | 0:03:46 | |
It is pretty useful. Fantastic. | 0:03:46 | 0:03:48 | |
-So all mod cons here in this beautiful setting. -Yeah. -Great. | 0:03:48 | 0:03:51 | |
-Can we take a look at the woods? -Yeah, come on. Let's go. | 0:03:51 | 0:03:54 | |
-Here's a question, Ben. -Sure. | 0:04:03 | 0:04:05 | |
Why would you live in the woods when you work in the woods? | 0:04:05 | 0:04:07 | |
Do you not just want to get away at the end of your working day? | 0:04:07 | 0:04:10 | |
Far from it. | 0:04:10 | 0:04:12 | |
This isn't a job, it's a way of life, and to me, | 0:04:12 | 0:04:15 | |
I learn a lot about being in the woods during the evenings | 0:04:15 | 0:04:18 | |
and the night-time as much as I do during the daytime. | 0:04:18 | 0:04:21 | |
It's a long-term stewardship. | 0:04:21 | 0:04:23 | |
I want to leave these woods in a better condition than | 0:04:23 | 0:04:25 | |
when I found them, so the next generation have something here | 0:04:25 | 0:04:28 | |
productive, sustainable and the wildlife improves as well. | 0:04:28 | 0:04:32 | |
-So what are your other woodland ventures? -Well, a number of things. | 0:04:32 | 0:04:35 | |
It all comes from what we make from the sweet chestnut coppice, | 0:04:35 | 0:04:38 | |
so at the top end of the scale, there's roundwood timber frame | 0:04:38 | 0:04:42 | |
buildings like my house all the way through to charcoal, firewood, | 0:04:42 | 0:04:45 | |
rustic furniture...anything we can from wood, really. | 0:04:45 | 0:04:48 | |
And that sounds like a lot of work. | 0:04:48 | 0:04:50 | |
Here's Maisie, who hopefully is going to give us a hand, | 0:04:50 | 0:04:52 | |
aren't you, Maisie? | 0:04:52 | 0:04:54 | |
That looks like a nod to me. | 0:04:54 | 0:04:55 | |
But first, to Northumberland, where last summer Julia discovered | 0:04:55 | 0:04:59 | |
that even a newly planted woodland can be a haven for wildlife. | 0:04:59 | 0:05:02 | |
Kielder - one of our largest man-made forests. | 0:05:06 | 0:05:10 | |
The open rugged moorland here was transformed in the 1920s | 0:05:10 | 0:05:15 | |
to meet the demand for wood after World War I. | 0:05:15 | 0:05:17 | |
Today it's just as vast and valuable as it ever was, | 0:05:17 | 0:05:20 | |
but it's managed for more than just profit. | 0:05:20 | 0:05:23 | |
Now Kielder's valued for its views and its wonderful wildlife. | 0:05:23 | 0:05:27 | |
Graham Gill is in charge of managing the entire 150,000 acre woodland. | 0:05:29 | 0:05:34 | |
20% of all the timber produced in England comes from this forest. | 0:05:34 | 0:05:38 | |
-From this very spot? -From this very spot. | 0:05:38 | 0:05:40 | |
If I asked you to put a price on each tree, | 0:05:40 | 0:05:42 | |
-what would you come back with? -Well, a single tree | 0:05:42 | 0:05:45 | |
standing in the forest isn't actually worth very much. | 0:05:45 | 0:05:48 | |
-It's about £5 for a tree. -No! | 0:05:48 | 0:05:50 | |
Doesn't sound a lot when we've spent maybe 50 years | 0:05:50 | 0:05:53 | |
growing that tree and that's what it's worth, | 0:05:53 | 0:05:56 | |
but it does multiply up. | 0:05:56 | 0:05:57 | |
And also, the work's become easier, hasn't it, | 0:05:57 | 0:06:00 | |
-thanks to machines like this? -Well, yes. | 0:06:00 | 0:06:02 | |
It works out itself on the computer how to get the best value | 0:06:02 | 0:06:06 | |
out of that tree, and then it cuts the tree off the stump, | 0:06:06 | 0:06:10 | |
it strips off the branches, | 0:06:10 | 0:06:12 | |
and then it's pre-programmed to cut the right length and diameter | 0:06:12 | 0:06:16 | |
of products from the tree. | 0:06:16 | 0:06:17 | |
And it looks good. | 0:06:17 | 0:06:18 | |
So when you're in the business of providing wood | 0:06:19 | 0:06:22 | |
for tables and chairs, just how do you add | 0:06:22 | 0:06:24 | |
a little beauty to the mix? | 0:06:24 | 0:06:26 | |
Well, here they've softened the woodland edges and brought in | 0:06:26 | 0:06:29 | |
broadleaf trees to make the forest | 0:06:29 | 0:06:31 | |
that little bit more alluring for the 200,000 visitors | 0:06:31 | 0:06:34 | |
that come here every year, and a lucky few may even | 0:06:34 | 0:06:37 | |
catch a glimpse of some of our rarest mammals too. | 0:06:37 | 0:06:41 | |
This might be a man-made forest, but a wide variety of wildlife | 0:06:41 | 0:06:45 | |
have quite happily taken up residence here. | 0:06:45 | 0:06:48 | |
The guy keeping an eye on the wonderful wildlife is Martin Davison. | 0:06:48 | 0:06:53 | |
Well, this is a great spruce forest, | 0:06:53 | 0:06:54 | |
and a large number of cone-bearing trees, | 0:06:54 | 0:06:57 | |
which means a lot of food resource for red squirrels. | 0:06:57 | 0:07:00 | |
-And here's an absolute classic red squirrel dining table. -Right. | 0:07:00 | 0:07:04 | |
And these are typical chewed-off cones. | 0:07:05 | 0:07:08 | |
The squirrel picks them up, | 0:07:08 | 0:07:10 | |
either feeds in the tree and just drops them | 0:07:10 | 0:07:12 | |
or comes down onto the ground and just happily gnaws away on them. | 0:07:12 | 0:07:15 | |
But what about the grey squirrels? | 0:07:15 | 0:07:17 | |
The grey squirrels don't survive very well on small-seeded cones, | 0:07:17 | 0:07:20 | |
so what we're hoping is that, | 0:07:20 | 0:07:23 | |
because we've got such a huge reservoir of spruce trees | 0:07:23 | 0:07:26 | |
within the forest, is that the greys will never do very well | 0:07:26 | 0:07:29 | |
within the forest and the reds will continue to thrive. | 0:07:29 | 0:07:32 | |
-And thriving they are. -That's right. | 0:07:32 | 0:07:34 | |
Here are Kielder we have two thirds of the English population. | 0:07:34 | 0:07:37 | |
'The red squirrel is not the only rare species | 0:07:37 | 0:07:39 | |
'to make this forest their home.' | 0:07:39 | 0:07:42 | |
-So what are we doing here? -I've brought you here, Julia, | 0:07:42 | 0:07:45 | |
to hopefully show you something quite exciting. | 0:07:45 | 0:07:47 | |
Down underneath that branch there, that's exactly what we're after. | 0:07:47 | 0:07:51 | |
-Feather? -There's a nice tail feather. That's off a female goshawk. | 0:07:51 | 0:07:54 | |
-A goshawk? -It is. -So you've got goshawks in the forest? -We have. | 0:07:54 | 0:07:58 | |
We've got a few pairs of goshawks in the forest. | 0:07:58 | 0:08:01 | |
-Cos they're very rare. -They are, yes, | 0:08:01 | 0:08:03 | |
and it's exciting to have them, very exciting. | 0:08:03 | 0:08:06 | |
That is exciting. So, he or she? | 0:08:06 | 0:08:09 | |
It's a she, Julia. | 0:08:09 | 0:08:11 | |
It's a female goshawk's feather. | 0:08:11 | 0:08:12 | |
-Nice broad bands in the tail with a nice whitey buff tip. -Mm-hm. | 0:08:12 | 0:08:19 | |
Top predators of the forest, | 0:08:21 | 0:08:22 | |
goshawks are ideally suited to hunting in the densest cover. | 0:08:22 | 0:08:26 | |
With their malleable wings, they can manoeuvre around branches | 0:08:26 | 0:08:30 | |
in flight and reach speeds of up to 50 kilometres an hour. | 0:08:30 | 0:08:32 | |
At this time of the year, | 0:08:32 | 0:08:34 | |
they'll be nesting high up in the top of the canopy. | 0:08:34 | 0:08:37 | |
Now, this is a favourite tree where the bird often has prey items | 0:08:37 | 0:08:41 | |
-underneath, so we'll go and check that. -Right. | 0:08:41 | 0:08:44 | |
And this is exactly what we're after. | 0:08:44 | 0:08:46 | |
-So this is a feeding ground. -It is. | 0:08:46 | 0:08:48 | |
What happens is, the male comes into the site carrying prey. | 0:08:48 | 0:08:52 | |
He plucks...he might eat the head, have a feed, and then brings in... | 0:08:52 | 0:08:57 | |
-The rest? -The rest of the carcass. | 0:08:57 | 0:08:59 | |
And so you end up with bits of bones. | 0:08:59 | 0:09:02 | |
-That's a wood pigeon. -Well, it was a wood pigeon. | 0:09:02 | 0:09:04 | |
-It was a wood pigeon. -What have we got here? A little skull here. | 0:09:04 | 0:09:07 | |
-Yeah, yeah. It's a red squirrel. -Oh, no. -It is, it is. | 0:09:07 | 0:09:12 | |
They are a forest bird. Squirrels are forest animals. | 0:09:12 | 0:09:16 | |
You would expect them to eat red squirrels. | 0:09:16 | 0:09:19 | |
It will not harm the population at all. | 0:09:19 | 0:09:21 | |
When the squirrels have a good year, obviously more will get predated, | 0:09:21 | 0:09:24 | |
but in a poor year when there's not so many squirrels, | 0:09:24 | 0:09:26 | |
they never touch them cos they're too hard to catch. | 0:09:26 | 0:09:29 | |
It's only when they're common that they take one or two. | 0:09:29 | 0:09:31 | |
Well, Julia, we've seen an awful lot of sign today, | 0:09:34 | 0:09:37 | |
but I'm really hoping that we're going to show you something alive. | 0:09:37 | 0:09:41 | |
-It's a bird box. -It is. So let's see if anybody's at home. | 0:09:41 | 0:09:45 | |
TAPPING FROM INSIDE | 0:09:49 | 0:09:50 | |
Hear that? | 0:09:50 | 0:09:51 | |
TAPPING FROM INSIDE | 0:09:53 | 0:09:54 | |
The bill clacking. It's a tawny owl. | 0:09:54 | 0:09:57 | |
-It's not! -It is, it is. | 0:09:57 | 0:09:59 | |
-You can help us ring him if you want. -All right. | 0:09:59 | 0:10:02 | |
-And it's OK to handle them? -It is, yes. | 0:10:02 | 0:10:05 | |
Oh, look, they're so fluffy! | 0:10:05 | 0:10:07 | |
-And here we have one very large tawny owl chick. -Right. | 0:10:08 | 0:10:13 | |
-So if you want to hold this one... -Yes, of course. -Cos there's two. | 0:10:13 | 0:10:17 | |
Right. | 0:10:17 | 0:10:19 | |
Oh, look at that! | 0:10:19 | 0:10:20 | |
-Absolutely lovely, aren't they? -Hello! | 0:10:23 | 0:10:25 | |
Awww! Gosh, so gorgeous. | 0:10:25 | 0:10:28 | |
Not long off fledging. | 0:10:28 | 0:10:30 | |
-Oh, OK. -But if you just pull them by the legs. | 0:10:30 | 0:10:33 | |
So you've got to hold on to... | 0:10:33 | 0:10:35 | |
Yeah, just gently by the legs and just put your other hand underneath. | 0:10:35 | 0:10:38 | |
-There we go. -That's absolutely perfect. -Oh, look at that. | 0:10:38 | 0:10:41 | |
'The tawnies are thriving in Kielder. | 0:10:41 | 0:10:43 | |
'There are now over 200 nesting boxes in the forest. | 0:10:43 | 0:10:46 | |
'By ringing the baby owls, | 0:10:46 | 0:10:48 | |
'Martin can keep track of their population for years to come.' | 0:10:48 | 0:10:52 | |
He's enjoying his bed. | 0:10:52 | 0:10:54 | |
If you tried to do this in the middle of the night, | 0:10:54 | 0:10:56 | |
it'd be jumping about, food calling, it'd be hungry, | 0:10:56 | 0:10:59 | |
but in the middle of the day, | 0:10:59 | 0:11:00 | |
it's just having its siesta, basically. | 0:11:00 | 0:11:03 | |
-You never get sick of looking at them. -No. | 0:11:05 | 0:11:07 | |
Hopefully this little fellow will survive, thrive, | 0:11:07 | 0:11:10 | |
and in time, return here to breed. | 0:11:10 | 0:11:13 | |
OWL CHIRPS | 0:11:14 | 0:11:16 | |
'Back in West Sussex, I'm lending woodsman Ben Law a hand | 0:11:21 | 0:11:24 | |
'in Prickly Nut Wood, and despite the weather, | 0:11:24 | 0:11:27 | |
'it's time for us to get down to business.' | 0:11:27 | 0:11:30 | |
So Ben, one of these trees is coming down today, then? | 0:11:30 | 0:11:33 | |
Yeah, we're cutting a patch of derelict coppice. | 0:11:33 | 0:11:35 | |
What's it going to be used for? | 0:11:35 | 0:11:37 | |
This particular one is going to be used for my apprentices, | 0:11:37 | 0:11:39 | |
who stay up here every year in a caravan | 0:11:39 | 0:11:42 | |
and we're building them a new caravan. | 0:11:42 | 0:11:45 | |
We're going to make it out of the coppiced wood we've got here. | 0:11:45 | 0:11:48 | |
Lovely and straight, isn't it? | 0:11:48 | 0:11:49 | |
Is that why this one would be a good one? | 0:11:49 | 0:11:52 | |
Yeah, generally, we want straight poles, but not always. | 0:11:52 | 0:11:54 | |
Sometimes we want a curved pole for a particular use. | 0:11:54 | 0:11:57 | |
Traditionally with coppice systems, | 0:11:57 | 0:11:59 | |
a lot of trees were grown to a particular shape. | 0:11:59 | 0:12:04 | |
If you imagine, in the past, you had a lot of trees growing up | 0:12:04 | 0:12:08 | |
together and they all grow up straight to get to the light. | 0:12:08 | 0:12:11 | |
If you had an oak tree in a hazel coppice, | 0:12:11 | 0:12:14 | |
the hazel would push the oak up straight and then you come in | 0:12:14 | 0:12:16 | |
and you cut the coppice, and then the oak branches out, | 0:12:16 | 0:12:20 | |
and as it branches out, the coppice comes up again, | 0:12:20 | 0:12:23 | |
and then the oak starts to grow up straight, and you create a curve, | 0:12:23 | 0:12:26 | |
and these were the curves we used | 0:12:26 | 0:12:28 | |
-for building ships and houses in the past. -That's incredible. | 0:12:28 | 0:12:30 | |
So you could grow them to order for what they're going to be used for? | 0:12:30 | 0:12:33 | |
Very much so. The woodsman's job was very much to grow particular shapes. | 0:12:33 | 0:12:37 | |
TREE CREAKS | 0:12:57 | 0:12:59 | |
CRASH | 0:13:01 | 0:13:03 | |
Yeah! I love that squeak as it went down. | 0:13:03 | 0:13:05 | |
It sounded just like it does in the films! | 0:13:05 | 0:13:08 | |
So what is it about sweet chestnut that makes it | 0:13:08 | 0:13:10 | |
so good as a construction wood? | 0:13:10 | 0:13:12 | |
There's a couple of things, but one of the main ones, | 0:13:12 | 0:13:15 | |
if we look at the base here, | 0:13:15 | 0:13:16 | |
you can see is the dark part of this tree, and that's the heartwood, | 0:13:16 | 0:13:20 | |
and the sapwood is the lighter colour, | 0:13:20 | 0:13:22 | |
and sweet chestnut has a really large proportion of heartwood to sapwood, | 0:13:22 | 0:13:27 | |
so that means it's got a large amount of the durable element | 0:13:27 | 0:13:30 | |
-you want for construction. -So how do you get this out of here? | 0:13:30 | 0:13:34 | |
Well, most of the timber I take out of here | 0:13:34 | 0:13:36 | |
with a small alpine tractor and a winch, | 0:13:36 | 0:13:39 | |
but on a day like this, | 0:13:39 | 0:13:41 | |
and it's a very sensitive site on the slope up here, | 0:13:41 | 0:13:44 | |
we use the horses. | 0:13:44 | 0:13:45 | |
And that is where Maisie comes in. | 0:13:50 | 0:13:53 | |
She belongs to locals Gaye and David Botting. | 0:13:53 | 0:13:56 | |
Right then, Gaye, so the idea's to get beyond and knot? | 0:13:56 | 0:14:00 | |
-Yeah, that blocks it off. -Knock it off there. Get that nice and close. | 0:14:00 | 0:14:05 | |
So how much does Maisie weigh? | 0:14:05 | 0:14:07 | |
-Maisie weighs 850 kilos. -Oof! | 0:14:07 | 0:14:12 | |
So that's just shy of a tonne, really? It's not far off a tonne. | 0:14:12 | 0:14:15 | |
So what can she pull? | 0:14:15 | 0:14:17 | |
She can actually pull twice her own body weight. | 0:14:17 | 0:14:19 | |
-Wow, that's impressive. -And that's on a deadlift. | 0:14:19 | 0:14:22 | |
When she's pulling something like this with the arch, | 0:14:22 | 0:14:25 | |
she can pull a bit more. | 0:14:25 | 0:14:26 | |
-Ooh, sorry. -That's fine. | 0:14:26 | 0:14:28 | |
-Is that all right? Is that enough? -Lovely. | 0:14:28 | 0:14:30 | |
-Good work, Maisie! -It's hard work! -It is, rather. | 0:14:30 | 0:14:33 | |
So, Maisie, it's over to you now. | 0:14:33 | 0:14:35 | |
For Ben, using traditional methods really works. | 0:14:57 | 0:14:59 | |
But he's not the only one making a living from native woodland, | 0:14:59 | 0:15:03 | |
as Matt discovered early in the spring | 0:15:03 | 0:15:05 | |
when he went to see some immortal trees | 0:15:05 | 0:15:07 | |
that are at the heart of a very different forestry business. | 0:15:07 | 0:15:11 | |
The Kent Downs, a chalky escarpment, littered with ancient woodlands | 0:15:13 | 0:15:18 | |
and traditional orchards. | 0:15:18 | 0:15:19 | |
20% of the Kent Downs are wooded, | 0:15:19 | 0:15:22 | |
which means that trees are a really valuable resource. | 0:15:22 | 0:15:26 | |
But around here, you can't see the trees for the wood. | 0:15:26 | 0:15:29 | |
Such a vast amount of woodland in an Area of Outstanding Natural Beauty | 0:15:29 | 0:15:35 | |
needs be carefully managed. | 0:15:35 | 0:15:37 | |
On this estate, like in Ben's wood, the trees are coppiced. | 0:15:37 | 0:15:41 | |
John Lee Pemberton has around 800 acres of sweet chestnut trees | 0:15:41 | 0:15:45 | |
which are used to make fences, | 0:15:45 | 0:15:47 | |
or pales, as they're known in the business. | 0:15:47 | 0:15:49 | |
Once every 14 years, each piece of woodland is cut | 0:15:49 | 0:15:53 | |
-and it then regrows again. -How does this affect the life | 0:15:53 | 0:15:56 | |
-of the stock? -Well, the stock itself, the bit of the tree | 0:15:56 | 0:16:00 | |
that's left in the ground, sort of thinks that it's still only 14. | 0:16:00 | 0:16:05 | |
So actually, they're almost immortal. | 0:16:05 | 0:16:08 | |
And this cycle goes on and on, you know. | 0:16:08 | 0:16:11 | |
It's been going on here, judging by the size of some of these stocks, | 0:16:11 | 0:16:15 | |
600 or 700 years, probably even longer actually. | 0:16:15 | 0:16:18 | |
So this was then chopped off at the end of last year. | 0:16:18 | 0:16:21 | |
When are those due to come down? | 0:16:21 | 0:16:23 | |
They are 12 years old, so in two years' time, | 0:16:23 | 0:16:26 | |
all of this wood will be cut in exactly the same way | 0:16:26 | 0:16:29 | |
and actually it will look in two years' time exactly like that over there. | 0:16:29 | 0:16:33 | |
And so it goes. The rotation goes on. | 0:16:33 | 0:16:36 | |
And the trick is long straight poles, isn't it? | 0:16:36 | 0:16:40 | |
What I need for my business is long straight poles. | 0:16:40 | 0:16:44 | |
So we try to keep as many stocks as possible close together, | 0:16:44 | 0:16:47 | |
That forces the wood up and actually this nice straight wood | 0:16:47 | 0:16:50 | |
is exactly what we can use to make pales and posts out of. | 0:16:50 | 0:16:57 | |
Once cut, the coppiced logs end up at John's wood yard. | 0:16:57 | 0:17:01 | |
This is the raw material as it comes in. | 0:17:01 | 0:17:05 | |
The first thing that happens is that it's lengthed up. | 0:17:05 | 0:17:07 | |
We take out the knots, the bent bits of wood | 0:17:07 | 0:17:12 | |
to suit the nature of the wood. | 0:17:12 | 0:17:14 | |
The next stage in the process is that the bark is taken off, | 0:17:14 | 0:17:18 | |
and that is ready now to go into the shed to be made into pales. | 0:17:18 | 0:17:24 | |
Gary here is going to show us how it's turned into fencing. | 0:17:27 | 0:17:31 | |
It's all done by hand. Gary, when you look behind | 0:17:31 | 0:17:34 | |
at the amount that you've produced, the mind boggles. | 0:17:34 | 0:17:37 | |
It's all made by hand, it's the only way to do it. | 0:17:37 | 0:17:40 | |
Show us the tools of the trade. | 0:17:40 | 0:17:43 | |
-This is called a dolax. That actually cleaves the wood. -OK. | 0:17:43 | 0:17:46 | |
You actually knock this into the wood. | 0:17:46 | 0:17:49 | |
That opens the wood up to make your stakes. | 0:17:49 | 0:17:52 | |
-So dolax in, upside down. -That's right. | 0:17:52 | 0:17:55 | |
A little bit of leverage. That's fine. | 0:17:55 | 0:17:57 | |
-Is that all right? -A little bit more. | 0:17:57 | 0:17:59 | |
Am I going to make it? Oh, just! | 0:18:00 | 0:18:03 | |
HE LAUGHS | 0:18:03 | 0:18:05 | |
Look at that end. And then that end. | 0:18:05 | 0:18:08 | |
Anyway, it's there. | 0:18:08 | 0:18:09 | |
-Is that going on the rubbish pile? -Met rubbish pile. | 0:18:09 | 0:18:13 | |
-That one can go on the massive pile. -That's fine. | 0:18:15 | 0:18:19 | |
Gary and the boys can get through 250 to 300 logs an hour. | 0:18:19 | 0:18:24 | |
Each individual section is hand placed | 0:18:24 | 0:18:26 | |
into a wiring machine that holds it all together. | 0:18:26 | 0:18:29 | |
'Not all the coppiced wood here ends up in a fence. | 0:18:36 | 0:18:39 | |
'Some becomes fuel for the fire | 0:18:39 | 0:18:41 | |
'because they also produce woodchip and logs for wood burners.' | 0:18:41 | 0:18:45 | |
Matthew, from your perspective, is coppicing woodland a good idea for fuel? | 0:18:45 | 0:18:50 | |
It is, it's very good for both habitats and the landscape. | 0:18:50 | 0:18:54 | |
If it's done on a sustainable footing, | 0:18:54 | 0:18:57 | |
with a good woodland management plan behind it, | 0:18:57 | 0:19:00 | |
it brings light into the woodland, | 0:19:00 | 0:19:02 | |
it opens the canopy, it creates a much better habitat | 0:19:02 | 0:19:04 | |
for woodland birds, flowers and butterflies. | 0:19:04 | 0:19:07 | |
So it's actually a very good thing to coppice the woodland. | 0:19:07 | 0:19:09 | |
Could wood be the new oil? | 0:19:09 | 0:19:11 | |
For certain uses and applications, | 0:19:11 | 0:19:13 | |
I think woodchip is a very good substitution for oil. | 0:19:13 | 0:19:16 | |
People will make a 50% saving on their fuel bill with woodchip. | 0:19:16 | 0:19:19 | |
It's a very attractive proposition these days. | 0:19:19 | 0:19:23 | |
It's a big moment for me, this. My pales are now being wired in. | 0:19:28 | 0:19:33 | |
There are going in like an absolute dream. | 0:19:33 | 0:19:36 | |
That 10-metre roll of Kent sweet chestnut fencing could end up | 0:19:36 | 0:19:39 | |
anywhere from Devon to Denmark. | 0:19:39 | 0:19:42 | |
Happy travels. | 0:19:42 | 0:19:44 | |
We may have left our mark on most of our ancient woodlands, | 0:19:53 | 0:19:57 | |
but there are still a few corners of forest that have been left untouched. | 0:19:57 | 0:20:00 | |
Back in the summer, John visited one such wilderness, | 0:20:00 | 0:20:04 | |
deep in the heart of Snowdonia. | 0:20:04 | 0:20:06 | |
Hidden amidst a vast plantation of conifers | 0:20:11 | 0:20:14 | |
is something very rare indeed. | 0:20:14 | 0:20:16 | |
A mystical Celtic rainforest. | 0:20:16 | 0:20:20 | |
Here, the ancient woodlands battle against the dark, foreboding conifers. | 0:20:22 | 0:20:27 | |
Mosses and lichens softly carpet the forest floor. | 0:20:27 | 0:20:31 | |
Like all good rainforests, it needs lots of moisture. | 0:20:35 | 0:20:38 | |
And this part of Wales gets as much as 200 days of rainfall every year. | 0:20:38 | 0:20:44 | |
But why is that? Weatherman David Lee, should have the answer. | 0:20:45 | 0:20:50 | |
-It's just been raining again, David, in the rainforest. -It has indeed. | 0:20:50 | 0:20:53 | |
Why is this part of Wales so wet? | 0:20:53 | 0:20:55 | |
It's the mountains, really. The air comes in off the Atlantic. | 0:20:55 | 0:20:59 | |
As it comes towards Wales, the mountains are north-south, | 0:20:59 | 0:21:02 | |
the weather hits it and starts to rise | 0:21:02 | 0:21:04 | |
and you can see all this cloud here today. | 0:21:04 | 0:21:06 | |
As the main weather systems go across, | 0:21:06 | 0:21:08 | |
sometimes the westerly behind is still moist | 0:21:08 | 0:21:11 | |
and we can still be left with areas of cloud. | 0:21:11 | 0:21:14 | |
-This is a cloud, OK? -That's a mountain. | 0:21:14 | 0:21:17 | |
That's a mountain and it's coming in across the mountain. | 0:21:17 | 0:21:20 | |
As it hits the mountain, it rises | 0:21:20 | 0:21:22 | |
and as it rises bits of rain come out. | 0:21:22 | 0:21:24 | |
It's these extra bits of rain that follow the main rain | 0:21:24 | 0:21:28 | |
that keep it damp for so long here. | 0:21:28 | 0:21:31 | |
But doesn't the wind dry things out? | 0:21:31 | 0:21:33 | |
Here, in amongst the trees, the wind goes up the top, | 0:21:33 | 0:21:36 | |
the moisture stays here. | 0:21:36 | 0:21:38 | |
And with the cloud, the sun can't get in, | 0:21:38 | 0:21:40 | |
so the moisture just stays on the ground. | 0:21:40 | 0:21:42 | |
'And it's that moisture that produces | 0:21:42 | 0:21:44 | |
'perfect conditions for some of Britain's most enigmatic flora. | 0:21:44 | 0:21:49 | |
'Clinging to the trees and rocks is a whole other world. | 0:21:49 | 0:21:53 | |
'And botanist Ray Woods knows just how important | 0:21:53 | 0:21:56 | |
'the Celtic rainforest is for its survival.' | 0:21:56 | 0:21:59 | |
How is it, Ray, that this little fragment of rainforest | 0:21:59 | 0:22:04 | |
has managed to survive? | 0:22:04 | 0:22:06 | |
I think we're just demonstrated perfectly why. | 0:22:06 | 0:22:09 | |
The block scree here, very difficult to walk on. | 0:22:09 | 0:22:12 | |
All the woodlands around here were turned into charcoal, | 0:22:12 | 0:22:15 | |
but little fragments like this may just have survived | 0:22:15 | 0:22:18 | |
-that experience because of... -All these boulders and moss. | 0:22:18 | 0:22:21 | |
As rainforests go, how do you rate this one? How significant is it? | 0:22:21 | 0:22:26 | |
Oh, the British rainforests are amazing. They are so rare now. | 0:22:26 | 0:22:29 | |
But if you look at the numbers of species that we've got in them, | 0:22:29 | 0:22:33 | |
they rival some of the best of the tropical, humid forests. | 0:22:33 | 0:22:37 | |
-This one boulder has a number of lichens on it. -Amazing boulder! | 0:22:37 | 0:22:40 | |
There's this lovely one here, this is called the speckled sea storm lichen | 0:22:40 | 0:22:45 | |
because the lobes of it look like the waves on the sea. | 0:22:45 | 0:22:49 | |
The one next to it is called a smooth loop lichen | 0:22:49 | 0:22:52 | |
because its lobes look like they've got little tiny loops. | 0:22:52 | 0:22:55 | |
And this loves really wet, humid conditions. | 0:22:55 | 0:22:58 | |
-And the little mosses and liverworts here. -Yes. | 0:22:58 | 0:23:01 | |
This one is very rare on a world scale. | 0:23:01 | 0:23:03 | |
Virtually the entire world population is in the British Isles. That's what makes | 0:23:03 | 0:23:07 | |
-these woods so important. -What about this one? -This is much more common. | 0:23:07 | 0:23:10 | |
This is the common Tamarisk moss. | 0:23:10 | 0:23:12 | |
But all these wonderful moss cushions keep the soil moist, the rocks moist. | 0:23:12 | 0:23:16 | |
They colour the landscape of western Britain, they colour the boulders, | 0:23:16 | 0:23:19 | |
the woods. What you're looking at here is lichens, mosses and liverworts | 0:23:19 | 0:23:22 | |
They are the landscape and they're wonderful. | 0:23:22 | 0:23:24 | |
I hope more people get out here and appreciate them, | 0:23:24 | 0:23:27 | |
despite the wonderful, damp, soft weather that they enjoy. | 0:23:27 | 0:23:31 | |
-They wouldn't be here without it. -Not at all. | 0:23:31 | 0:23:34 | |
And this rare British rainforest will now be protected | 0:23:34 | 0:23:38 | |
because the Woodland Trust has bought 1,000 acres of Cwm Mynach. | 0:23:38 | 0:23:43 | |
-Hello, Kylie. -Hi, John. -What's going on today then? | 0:23:46 | 0:23:49 | |
I'm pulling some saplings from conifers that were planted | 0:23:49 | 0:23:52 | |
on this ancient woodland site in the 1950s, | 0:23:52 | 0:23:54 | |
and they are spreading through the under-storey, | 0:23:54 | 0:23:57 | |
as you can see, quite rapidly. | 0:23:57 | 0:23:59 | |
-Wow, that's quite a job you've got! -Yes. | 0:23:59 | 0:24:01 | |
What we really want is to give these sort of things a chance - | 0:24:01 | 0:24:04 | |
the birch, the rowan, the oak - | 0:24:04 | 0:24:06 | |
the native broadleaf trees we want to see growing here. | 0:24:06 | 0:24:10 | |
Why did the Trust buy this forest? | 0:24:10 | 0:24:12 | |
This is a fragment of ancient woodland, it's a very rare habitat, | 0:24:12 | 0:24:16 | |
so we want to allow it to move back | 0:24:16 | 0:24:18 | |
towards its former glory really. | 0:24:18 | 0:24:20 | |
Why concentrate on broadleaves? What's wrong with conifers? | 0:24:20 | 0:24:24 | |
The problem is, often they've been planted in a very dense rows | 0:24:24 | 0:24:28 | |
on very fragile, special habitats, like ancient woodlands. | 0:24:28 | 0:24:32 | |
In the spring, our native wildflowers come up, | 0:24:32 | 0:24:35 | |
looking for the daylight, | 0:24:35 | 0:24:37 | |
and you can see how dark it is under the conifers. | 0:24:37 | 0:24:39 | |
So not only are you going to be pulling up the saplings, but you've got | 0:24:39 | 0:24:43 | |
these great big things to chop down as well. | 0:24:43 | 0:24:45 | |
Yes, there are some very large spruce trees behind us. | 0:24:45 | 0:24:47 | |
-This is a very long-term project, isn't it? -It is. | 0:24:47 | 0:24:50 | |
I'm expecting to come back here when I'm a very elderly lady | 0:24:50 | 0:24:54 | |
and see the fruits of my labours. | 0:24:54 | 0:24:56 | |
But hopefully, perhaps in 50 years' time, the majority of this site | 0:24:56 | 0:25:00 | |
will be covered by native broadleaf woodland. | 0:25:00 | 0:25:03 | |
Here's one over here that needs some shifting. | 0:25:03 | 0:25:06 | |
-Maybe this is a bit big for us. -Careful there! | 0:25:06 | 0:25:10 | |
HE GRUNTS | 0:25:10 | 0:25:13 | |
Geronimo! | 0:25:13 | 0:25:15 | |
One less little pine spruce. | 0:25:15 | 0:25:18 | |
'Just in time, this last fragment of dark, damp, | 0:25:18 | 0:25:23 | |
'wonderful Celtic rainforest has been saved. | 0:25:23 | 0:25:26 | |
'And now it will thrive and grow.' | 0:25:26 | 0:25:28 | |
'Prickly Nut Wood is also thriving. | 0:25:38 | 0:25:40 | |
'It might not be a Celtic rainforest, but it does have its veterans.' | 0:25:40 | 0:25:44 | |
I've been given the great honour of labelling this tree | 0:25:44 | 0:25:47 | |
Veteran 4, which means it's the fourth tree in Ben's wood | 0:25:47 | 0:25:51 | |
which has been left to grow old gracefully | 0:25:51 | 0:25:54 | |
and cannot be chopped down. There we go. | 0:25:54 | 0:25:57 | |
How old is this oak, do you reckon, Ben? | 0:25:57 | 0:25:59 | |
-I reckon this oak is somewhere around 320 to 350 years old. -Wow! | 0:25:59 | 0:26:05 | |
Yes, the reign of Charles II, this would have started growing. | 0:26:05 | 0:26:08 | |
Oh, that's mind-blowing! | 0:26:08 | 0:26:10 | |
But it's only really a young, middle-aged oak, | 0:26:10 | 0:26:12 | |
because these can grow on to 1,000 years. | 0:26:12 | 0:26:15 | |
-So there's room for it to grow. I've left room there. -I'll keep an eye on it, | 0:26:15 | 0:26:19 | |
-and if it grows too much, I'll move it out again. -Fantastic. | 0:26:19 | 0:26:22 | |
Later on, I'm going to be seeing how Ben has fashioned | 0:26:22 | 0:26:25 | |
some of his younger trees into an eco-caravan. | 0:26:25 | 0:26:28 | |
And Matt will be taking on Somerset's finest | 0:26:28 | 0:26:32 | |
in an epic battle to lay the best hedge. | 0:26:32 | 0:26:34 | |
And can we expect rain in the week ahead? | 0:26:34 | 0:26:37 | |
We'll have the Countryfile forecast. | 0:26:37 | 0:26:40 | |
But first of all, Adam's been finding out how farm animals | 0:26:40 | 0:26:44 | |
can survive and thrive, grazing on the forest floor. | 0:26:44 | 0:26:48 | |
I've got about 70 pigs of four different breeds | 0:26:56 | 0:26:59 | |
on my farm in the Cotswolds. | 0:26:59 | 0:27:01 | |
Some of them live outdoors and others we bring into the sheds to fatten up. | 0:27:01 | 0:27:04 | |
When I heard about a man who keeps all his rare breed pigs in woodland, | 0:27:04 | 0:27:08 | |
I couldn't resist the opportunity to come and check it out. | 0:27:08 | 0:27:11 | |
Ray Harris has been farming pigs in these woods for over 15 years. | 0:27:13 | 0:27:16 | |
He thinks there are real benefits to rearing them this way. | 0:27:16 | 0:27:20 | |
-Hi, how are you? -Hello, Adam, nice to meet you. -Nice to meet you. | 0:27:23 | 0:27:26 | |
-Nice to meet you too. -What a lovely Tamworth wow, isn't she gorgeous? | 0:27:26 | 0:27:29 | |
Yes, she's getting on a bit now, but she's really good. | 0:27:29 | 0:27:33 | |
-We just weaned a litter off her. -You're keeping pigs, | 0:27:33 | 0:27:36 | |
but your background is forestry. How did it all come about? | 0:27:36 | 0:27:40 | |
The idea is that the pigs are actually | 0:27:40 | 0:27:42 | |
a tool that we use in the woodlands | 0:27:42 | 0:27:46 | |
to help the ecosystem of the forestry. | 0:27:46 | 0:27:48 | |
In the springtime, when some of the shoots are coming through, | 0:27:48 | 0:27:52 | |
especially in Herefordshire, where we are now, | 0:27:52 | 0:27:54 | |
you get a lot of bramble. | 0:27:54 | 0:27:56 | |
If the woodland activities have opened up space in the forestry, | 0:27:56 | 0:28:00 | |
the canopy's gone, if you can get in there | 0:28:00 | 0:28:02 | |
and start to control the woodlands by using the pigs, then hopefully | 0:28:02 | 0:28:06 | |
a lot more of these flowers and different habitat | 0:28:06 | 0:28:10 | |
-is there for the wildlife as well. -I keep Tamworths at home | 0:28:10 | 0:28:13 | |
and they can be quite destructive. They'll wreck pasture. Do they cause a lot of damage in the wood? | 0:28:13 | 0:28:18 | |
If they are left here for too long, yes. That's the idea of sectioning | 0:28:18 | 0:28:22 | |
different areas off. If you put them into the wood to free range, | 0:28:22 | 0:28:25 | |
then you've got no control on the areas they're to manage. | 0:28:25 | 0:28:28 | |
Are they happy in the woods? | 0:28:28 | 0:28:30 | |
Look for yourself, they love it. | 0:28:30 | 0:28:32 | |
This is their habitat. | 0:28:32 | 0:28:34 | |
'In another woodland, high on a hilltop, | 0:28:37 | 0:28:40 | |
'Ray keeps two young female Tamworths. | 0:28:40 | 0:28:42 | |
'Every five years, Ray starts a new bloodline | 0:28:42 | 0:28:46 | |
'to prevent inter-breeding. | 0:28:46 | 0:28:48 | |
'Today, one fortunate Tamworth boar will be making this his new home.' | 0:28:48 | 0:28:51 | |
Why have you got the boar in here, then? | 0:28:51 | 0:28:54 | |
I've just recently purchased him | 0:28:54 | 0:28:55 | |
and it's going to be his first time to be released into the woodlands. | 0:28:55 | 0:28:59 | |
-So... -Anything could happen. -It could do. | 0:28:59 | 0:29:02 | |
I'm hoping everything goes to plan and he'll settle in really well. | 0:29:02 | 0:29:06 | |
Right, then, fella. | 0:29:07 | 0:29:10 | |
He's so lucky, he's got a lake, a wonderful woodland, | 0:29:10 | 0:29:14 | |
a fantastic view and two beautiful wives. | 0:29:14 | 0:29:17 | |
Come on, then, boy, come and meet your lovely ladies. | 0:29:17 | 0:29:20 | |
Come on, then. That's it. | 0:29:20 | 0:29:22 | |
-He certainly seems very happy. -He's loving it, isn't he? | 0:29:30 | 0:29:33 | |
Already those instincts are kicking in. | 0:29:33 | 0:29:36 | |
The first time in the woodlands, first time to water. | 0:29:36 | 0:29:39 | |
-Is he going to cross the water, do you think? -I don't know, | 0:29:39 | 0:29:42 | |
but there again, look at him now. | 0:29:42 | 0:29:45 | |
-He's actually in there, isn't he? -He is. He's loving it. | 0:29:45 | 0:29:49 | |
He's really enjoying that. I'm chuffed to bits with that. | 0:29:49 | 0:29:52 | |
And this chomping and all the froth around their mouth - | 0:29:52 | 0:29:54 | |
that's him asserting his dominance to the females, isn't it? | 0:29:54 | 0:29:57 | |
Yeah, yeah. It is, and there's been no nastiness about it. | 0:29:57 | 0:30:01 | |
They've taken to him really well | 0:30:01 | 0:30:03 | |
and he's been up to them, really smelling around them - | 0:30:03 | 0:30:06 | |
none of this argy-bargy which sometimes occurs. | 0:30:06 | 0:30:09 | |
Yeah, they can fight, can't they? | 0:30:09 | 0:30:11 | |
Yeah, a little bit of damage could be caused. | 0:30:11 | 0:30:13 | |
Hang on, Ray - looks like there's a bit of love in the air, there. | 0:30:17 | 0:30:20 | |
-I think so. Trying to mate up with her now, isn't he? -Goodness me. | 0:30:20 | 0:30:25 | |
Would she be in season, do you think? | 0:30:35 | 0:30:36 | |
I don't think she is yet, but she is actually standing for him, | 0:30:36 | 0:30:41 | |
so we'll just have to mark the date down. | 0:30:41 | 0:30:44 | |
Well, I mean, it's paradise for pigs, isn't it, here? | 0:30:53 | 0:30:56 | |
I mean, it couldn't be better. | 0:30:56 | 0:30:58 | |
If I was going to be a pig, this is where I would want to live. | 0:30:58 | 0:31:01 | |
-Oh, yeah. Well, I love coming up here and feeding them. -Look - he's in the water now! | 0:31:01 | 0:31:05 | |
Well, it's been a real eye-opener for me to come and see pigs living like this. | 0:31:05 | 0:31:08 | |
No, it's been a privilege having you here. It really has. | 0:31:08 | 0:31:11 | |
I'll have to see whether we can fix something back up at home. Get mine into the woods. | 0:31:11 | 0:31:14 | |
Best place for them. | 0:31:14 | 0:31:16 | |
It's not just pigs that are in their element | 0:31:21 | 0:31:24 | |
under the canopy of the trees. | 0:31:24 | 0:31:26 | |
On a visit to another farm earlier in the year, | 0:31:26 | 0:31:28 | |
Adam discovered that cattle, too, like a walk in the woods. | 0:31:28 | 0:31:32 | |
I'm heading to a farm on the Devon-Somerset border | 0:31:32 | 0:31:35 | |
where they've got a herd of 80 longhorn cattle. | 0:31:35 | 0:31:37 | |
They used to be a rare breed, but now they're much more popular | 0:31:37 | 0:31:40 | |
and they're magnificent animals, so I can't wait to see them. | 0:31:40 | 0:31:43 | |
Russell Batchelor and his family were dairy farmers for over 60 years. | 0:31:45 | 0:31:49 | |
But they couldn't make it pay. | 0:31:51 | 0:31:53 | |
He's recently taken on a herd of longhorn cattle. | 0:31:53 | 0:31:56 | |
Perfect. They get the calves on first and shut them in | 0:32:02 | 0:32:05 | |
and then the cows will run up to be with their calves | 0:32:05 | 0:32:08 | |
and they'll load easily. | 0:32:08 | 0:32:09 | |
We're taking this lot to Forestry Commission woodland leased by Russell. | 0:32:21 | 0:32:24 | |
The lease came with 80 longhorns. | 0:32:24 | 0:32:27 | |
For ten years, Russell can breed and sell the meat, | 0:32:27 | 0:32:30 | |
but when the ten years are up he has to hand back a herd of the same size. | 0:32:30 | 0:32:34 | |
Now this is a pretty unusual place to graze your herd - in the middle of a wood. | 0:32:36 | 0:32:39 | |
It is, Adam, you're right. I like to be a little bit different. | 0:32:39 | 0:32:43 | |
-So how big is this area of woodland? -I think it's about 70 acres, Adam. | 0:32:49 | 0:32:53 | |
Goodness me. So they've got the roam, the freedom of all this land. | 0:32:53 | 0:32:56 | |
-Will you ever find them again? -I hope so. | 0:32:56 | 0:32:59 | |
THEY LAUGH | 0:32:59 | 0:33:02 | |
'Longhorn numbers fell to just a couple of hundred in the 1970s. | 0:33:02 | 0:33:05 | |
'Today there are 6,000 breeding females nationally | 0:33:05 | 0:33:08 | |
'thanks to dedicated farmers like Russell.' | 0:33:08 | 0:33:11 | |
I mean, it's a bit like a step back in time, isn't it? | 0:33:25 | 0:33:27 | |
It could almost be 100 years ago. | 0:33:27 | 0:33:29 | |
It could be - that's what my dad keeps telling me, | 0:33:29 | 0:33:32 | |
-what with the horns and the colouring and the forest, it does look like that. -Really lovely. | 0:33:32 | 0:33:36 | |
-They are making a cut through. Shall we nip through here? -Yeah, let's get them. | 0:33:36 | 0:33:40 | |
-They look right at home here, don't they? -They really do, don't they? | 0:33:50 | 0:33:54 | |
They look like they belong here. This one here's eating crab apples. | 0:33:54 | 0:33:57 | |
Presumably there's stacks of grub for them. | 0:33:57 | 0:34:00 | |
Yeah, yeah - there's plenty of food for them. | 0:34:00 | 0:34:02 | |
Grasses and leaves and other bits of short brash that they like eating. | 0:34:02 | 0:34:07 | |
-There's a calf enjoying the beech leaves, there. -Yeah. | 0:34:07 | 0:34:09 | |
There's another cow having a good old scratch, there. | 0:34:09 | 0:34:13 | |
It's just perfect, isn't it? Are you happy with it? | 0:34:13 | 0:34:16 | |
I mean, it's quite a challenge, I assume. | 0:34:16 | 0:34:19 | |
It is, yeah. It's a big challenge. Actually trying to find them is probably the worst challenge. | 0:34:19 | 0:34:23 | |
You spend an hour most days checking one lot | 0:34:23 | 0:34:25 | |
and you can't find just one so you have to hunt the forest. | 0:34:25 | 0:34:29 | |
-Yeah. -But that's part of it. It's good fun. | 0:34:29 | 0:34:32 | |
'For the Forestry Commission, it's all about conservation by grazing. | 0:34:32 | 0:34:36 | |
'These cattle will help to manage the woodland and encourage biodiversity.' | 0:34:36 | 0:34:41 | |
And how long will you leave these here for now? Are they in here for the winter? | 0:34:41 | 0:34:44 | |
No, no. I won't keep them here for the winter. | 0:34:44 | 0:34:47 | |
They'll be here until it gets wet or cold - one or the other - | 0:34:47 | 0:34:50 | |
and then they'll be hauled back home and live in barns for the winter. | 0:34:50 | 0:34:54 | |
-If you can ever catch them again. -Yeah. I'm sure I will. | 0:34:54 | 0:34:57 | |
THEY CHUCKLE Well, what a lovely place to work. | 0:34:57 | 0:35:01 | |
Back in West Sussex, woodsman Ben Law's not got livestock to deal with | 0:35:11 | 0:35:15 | |
but he is surrounded by plenty of wildlife. | 0:35:15 | 0:35:19 | |
Butterfly conservation volunteer Penny Green has come to the wood | 0:35:19 | 0:35:23 | |
to check out what's lurking in the undergrowth. | 0:35:23 | 0:35:26 | |
But it's not butterflies she's getting excited about here. | 0:35:26 | 0:35:29 | |
We're after a Clifden nonpareil. | 0:35:29 | 0:35:32 | |
Very rare - only a handful are recorded each year | 0:35:32 | 0:35:35 | |
and in this part of the country at this time of year | 0:35:35 | 0:35:39 | |
is the best chance we got to try and track one down. | 0:35:39 | 0:35:42 | |
And these aspen trees are just what they love | 0:35:43 | 0:35:47 | |
so time for us to find out if she's had any luck. | 0:35:47 | 0:35:50 | |
Well, apparently, Penny's never actually seen one before. | 0:35:51 | 0:35:54 | |
-Penny, what is a Clifden nonpareil? -It's a moth. | 0:35:54 | 0:35:58 | |
-A moth? Hence the moth trap. -Yay! -Got it. | 0:35:58 | 0:36:01 | |
It's got this beautiful blue petticoat on its underwings | 0:36:01 | 0:36:05 | |
and it's really the creme de la creme for moth recorders. | 0:36:05 | 0:36:08 | |
-OK, so maybe there will be one in here. -Who knows? | 0:36:08 | 0:36:10 | |
-It's a long shot, but we'll give it a go. -OK, good, good, good. | 0:36:10 | 0:36:14 | |
-So we've got a green-brindled crescent, here. -That's got some nice green. | 0:36:14 | 0:36:17 | |
Yeah, it's got some nice bits of green on it that will help it blend in with the lichen | 0:36:17 | 0:36:21 | |
if it's resting on tree trunks during the day. | 0:36:21 | 0:36:23 | |
And we've also got a red-green carpet here, | 0:36:23 | 0:36:25 | |
which is very, very beautiful. | 0:36:25 | 0:36:27 | |
And unusual, that, sort of, flick up there. | 0:36:27 | 0:36:30 | |
Yeah, it's got its little tail up in the air | 0:36:30 | 0:36:32 | |
which makes it look a bit like a twig. | 0:36:32 | 0:36:34 | |
-I've got one right here. -Hey! | 0:36:34 | 0:36:36 | |
You've got a common marbled carpet brooch there. | 0:36:36 | 0:36:39 | |
-I think I wear it well. -Very well. | 0:36:39 | 0:36:41 | |
It's a lovely rich brown, this one, isn't it? | 0:36:41 | 0:36:43 | |
Yeah, this one's a chestnut, which is quite apt, really, | 0:36:43 | 0:36:46 | |
cos it feeds on sweet chestnut which you've got plenty of here. | 0:36:46 | 0:36:49 | |
Yeah, you'd certainly expect to find those. | 0:36:49 | 0:36:51 | |
Is this a perfect place for somebody who's interested in moths, like you? | 0:36:51 | 0:36:55 | |
Oh, it's fantastic. | 0:36:55 | 0:36:56 | |
You've just got so many different species in this part of the wood | 0:36:56 | 0:37:00 | |
and you've got the open rides and the glades | 0:37:00 | 0:37:02 | |
where the sun can get down on to the ground | 0:37:02 | 0:37:04 | |
to create lots of ground flora which, again, | 0:37:04 | 0:37:07 | |
then goes on to provide the food plants that the moths need | 0:37:07 | 0:37:11 | |
in their larval stages, | 0:37:11 | 0:37:12 | |
so what you've got here is really perfect woodland. | 0:37:12 | 0:37:15 | |
Here's the last egg box. We've got a couple of common marbled carpets. | 0:37:15 | 0:37:19 | |
-Yeah, I think that's it. -Oh. No Clifden nonpareil, not this time. | 0:37:19 | 0:37:23 | |
Well, don't worry cos I've brought one along in my hair | 0:37:23 | 0:37:26 | |
just in case you didn't get one. | 0:37:26 | 0:37:27 | |
-Look at that. -Is that what it looks like? Oh, what a beaut. | 0:37:27 | 0:37:30 | |
-Now you know what you're looking for, Ben. -I do. -One of those. | 0:37:30 | 0:37:33 | |
Well, any of these beauties would have made the perfect subject | 0:37:33 | 0:37:36 | |
for our photographic competition with its theme - "A walk on the wild side". | 0:37:36 | 0:37:40 | |
The winning photos, along with the other finalists, | 0:37:41 | 0:37:44 | |
have pride of place in the Countryfile calendar. | 0:37:44 | 0:37:47 | |
John's got details of how you can buy one. | 0:37:47 | 0:37:50 | |
You can order copies right now either by going to our website, | 0:37:50 | 0:37:52 | |
which is... | 0:37:52 | 0:37:53 | |
Or by calling the order line on... | 0:37:57 | 0:37:59 | |
To order by post, send your name, address and cheque to... | 0:38:11 | 0:38:13 | |
And please make your cheques payable to BBC Countryfile calendar. | 0:38:22 | 0:38:27 | |
It costs £9 and at least £4 from every sale goes to Children In Need. | 0:38:27 | 0:38:32 | |
Here in West Sussex it's time to leave this wildlife behind | 0:38:36 | 0:38:40 | |
and get on with the job in hand. | 0:38:40 | 0:38:43 | |
Oh, wow. So what's this that's taking shape? | 0:38:43 | 0:38:46 | |
-This is a caravan for one of this year's apprentices. -Wow. | 0:38:46 | 0:38:52 | |
It's designed in the same way as my house. | 0:38:52 | 0:38:55 | |
It's a ram-wood timber-framed caravan | 0:38:55 | 0:38:57 | |
and it's built, as you can see, with the traditional A-frames | 0:38:57 | 0:39:01 | |
which give the caravan so much strength. | 0:39:01 | 0:39:04 | |
Ah, OK. It's got a little porch and everything! | 0:39:04 | 0:39:07 | |
Yeah, there will be steps coming up to it and then you'll have a space | 0:39:07 | 0:39:11 | |
to take off your coat, wet clothes, seat out there. | 0:39:11 | 0:39:14 | |
You'll need that on a day like today because it's very soggy. | 0:39:14 | 0:39:17 | |
And then into the actual caravan. | 0:39:17 | 0:39:19 | |
That'll be very basic, with burning stove, but it'll all be insulated with sheep's wool | 0:39:19 | 0:39:23 | |
so it'll be pretty cosy in there. | 0:39:23 | 0:39:25 | |
'The sweet chestnut we felled earlier is destined for this caravan, | 0:39:25 | 0:39:29 | |
'but this is no weather for structural work | 0:39:29 | 0:39:31 | |
'so I'm leaving the lads to tinker on their deluxe model | 0:39:31 | 0:39:34 | |
'while I go and check out the old model, | 0:39:34 | 0:39:37 | |
'home to Ben's current apprentice, Max Lyne.' | 0:39:37 | 0:39:40 | |
-Hello, Max. -Hello. -Can I come in? -Absolutely, yeah. | 0:39:44 | 0:39:47 | |
-To your woodland crib? -Yes, you can. -Wow! | 0:39:47 | 0:39:50 | |
Let me switch the lights on so we can see what we're doing. | 0:39:50 | 0:39:53 | |
-So you've got power in here? -I have, yeah. -Oh, look at that. | 0:39:53 | 0:39:56 | |
It's posh, isn't it? | 0:39:56 | 0:39:58 | |
-Top end! -There we go. -Look at this. | 0:39:58 | 0:40:01 | |
-So, cosy wood-burning stove and an exercise bike. -Yes. | 0:40:01 | 0:40:05 | |
It's kind of exercise bike, kind of power generator. | 0:40:05 | 0:40:09 | |
-You create your own electricity by pedalling? -I do, yes. -Look at that! | 0:40:09 | 0:40:13 | |
Which is just what you need after a long day in the woods. | 0:40:13 | 0:40:16 | |
I can well imagine. Can I make you some electricity just now? | 0:40:16 | 0:40:19 | |
-Yeah, definitely. Be my guest. -You've had a tough day in the woods. | 0:40:19 | 0:40:22 | |
-I have. -I'm not wearing cycling gear. | 0:40:22 | 0:40:24 | |
My jeans are a bit on the tight side. | 0:40:24 | 0:40:26 | |
And a bit on the wet side. Sorry about that - | 0:40:26 | 0:40:29 | |
it's a bit ungracious. Oh, look at this! | 0:40:29 | 0:40:31 | |
Gosh, there's work to be done, isn't there? | 0:40:31 | 0:40:34 | |
So basically what you have to do is pedal it fast enough | 0:40:34 | 0:40:37 | |
to get the green light behind you to go out. | 0:40:37 | 0:40:41 | |
-SHE LAUGHS -This is loads of work! -It is quite a lot of effort. | 0:40:41 | 0:40:44 | |
Do you get to, like, watch DVDs or anything? | 0:40:44 | 0:40:47 | |
-Mm, if I bring my laptop up here, then yes. -Yeah? | 0:40:47 | 0:40:52 | |
But that takes even more work still. | 0:40:52 | 0:40:55 | |
I'm determined you're going to watch TV tonight. | 0:40:55 | 0:40:57 | |
-I'll give you a bit of Freeview here. -All right. Yeah, cheers. -Oh, my word - it's loads of work! | 0:40:57 | 0:41:01 | |
So, for a two hour DVD I would need you to pedal at that rate | 0:41:01 | 0:41:05 | |
probably for about two hours. | 0:41:05 | 0:41:08 | |
-You're kidding. So it's real-time? -Yeah. | 0:41:08 | 0:41:11 | |
It strikes me that the good life is a bit on the energetic side, | 0:41:19 | 0:41:23 | |
but it seems that Ben and the boys here aren't the only ones | 0:41:23 | 0:41:26 | |
intent on forest lifestyle, as Jules found out last winter. | 0:41:26 | 0:41:29 | |
Deep in the woodlands of the Herefordshire countryside lies a bit of an oasis. | 0:41:44 | 0:41:48 | |
Something you might not necessarily expect, apparently. | 0:41:48 | 0:41:52 | |
Well, I say "apparently" | 0:41:53 | 0:41:54 | |
because the powers that be at Countryfile HQ has given me | 0:41:54 | 0:41:58 | |
nothing more than a grid reference and a brief description. | 0:41:58 | 0:42:01 | |
I'm looking for a forest in which - | 0:42:01 | 0:42:03 | |
wait for it - is a man called Sherwood. | 0:42:03 | 0:42:07 | |
You couldn't make it up, really. | 0:42:07 | 0:42:09 | |
And I am being honest with you here | 0:42:09 | 0:42:11 | |
when I say that I haven't got a clue what I'm going to find. | 0:42:11 | 0:42:15 | |
It's a sawmill. It's got to be sawmill... | 0:42:20 | 0:42:23 | |
..of sorts. | 0:42:25 | 0:42:26 | |
An old bus. | 0:42:32 | 0:42:33 | |
Hello! | 0:42:37 | 0:42:39 | |
-Sherwood? -JULES LAUGHS | 0:42:42 | 0:42:45 | |
-Nice to see you, sir. How are you? -All right, thank you, yes. | 0:42:45 | 0:42:48 | |
Now, I've been told absolutely nothing about where we are, | 0:42:48 | 0:42:51 | |
what you're doing here, but driving in - piles of timber everywhere. | 0:42:51 | 0:42:56 | |
We're in this lovely forest - I mean, | 0:42:56 | 0:42:58 | |
clearly you must be some sort of woodsman. | 0:42:58 | 0:43:01 | |
Yes, I haven't always been a woodsman. | 0:43:01 | 0:43:03 | |
I was in industry for 19 years before I was lucky enough to escape. | 0:43:03 | 0:43:07 | |
-Is this home? -It is home, yes. | 0:43:07 | 0:43:10 | |
Yes, I've been in that bus now since 1989 | 0:43:10 | 0:43:14 | |
and I've been here since 1996. | 0:43:14 | 0:43:17 | |
-Come on, show me round. Come on. -OK, all right, OK. Let's have a look. OK. | 0:43:17 | 0:43:22 | |
-Here we go. Past the brewery. -The brewery? | 0:43:23 | 0:43:26 | |
-I'll explain everything shortly. -Home-brew? -Yes. | 0:43:26 | 0:43:28 | |
You'll need plenty of that up here. | 0:43:28 | 0:43:30 | |
-How many acres have you got here in total, then? -40 acres. -40? | 0:43:32 | 0:43:36 | |
-Which is plenty to play in. -Plenty to play in? Plenty to get lost in. | 0:43:36 | 0:43:40 | |
'So let's get this straight - Sherwood left the rat race | 0:43:40 | 0:43:43 | |
'15 years ago to live in a bus in a forest on his own. | 0:43:43 | 0:43:48 | |
'He tells me he now makes his living making charcoal, | 0:43:48 | 0:43:51 | |
'restoring buildings and he also runs training courses in woodland crafts.' | 0:43:51 | 0:43:55 | |
-Past the hens. -I love it. | 0:43:55 | 0:43:58 | |
'But as yet I'm still in the dark about where he's leading me.' | 0:43:58 | 0:44:01 | |
You're joking. What this? | 0:44:01 | 0:44:03 | |
A workshop with a small space at the end for accommodation. | 0:44:06 | 0:44:11 | |
This is the kind of thing I've always dreamt of. | 0:44:11 | 0:44:14 | |
This clearing I've created, | 0:44:14 | 0:44:16 | |
all of the timber that came from here is all going to go back in the house. | 0:44:16 | 0:44:21 | |
I absolutely salute your ambition for this. I love it. | 0:44:21 | 0:44:24 | |
-Thanks very much. -I absolutely love it. | 0:44:24 | 0:44:27 | |
When you get inside this thing, it really does start to come to life. | 0:44:27 | 0:44:31 | |
That's when you can appreciate just how tall it is. | 0:44:31 | 0:44:33 | |
-Well, I can see that you haven't had to do it all on your own. -No, no. | 0:44:33 | 0:44:36 | |
-Hi, guys. -I have some very good friends. -How are you? | 0:44:36 | 0:44:39 | |
How do you get them in? What's in it for them? | 0:44:39 | 0:44:41 | |
I managed to lure them in with the promise of beer and food. It seems to work. | 0:44:41 | 0:44:45 | |
-So this is the home-brew? -That's the reason for the brewery. | 0:44:45 | 0:44:48 | |
Yeah, but I get a lot out of it, too. | 0:44:48 | 0:44:50 | |
I think we are all teaching each other. | 0:44:50 | 0:44:52 | |
A lot of the skills that I've acquired, | 0:44:52 | 0:44:55 | |
I've learned off other people, not from books. | 0:44:55 | 0:44:57 | |
And hopefully some of what I know I can pass back to them. | 0:44:57 | 0:45:00 | |
It's always a pleasure to work with wood | 0:45:00 | 0:45:04 | |
and it's as simple as that, really. | 0:45:04 | 0:45:06 | |
Getting the tools out, selecting the right piece and seeing the joy | 0:45:06 | 0:45:09 | |
when you deliver what it is that you've made. | 0:45:09 | 0:45:12 | |
Now, how long is it going to take you to actually finish this off? | 0:45:12 | 0:45:15 | |
I don't want to rush this. | 0:45:15 | 0:45:17 | |
So much of my life is spent rushing to finish | 0:45:17 | 0:45:19 | |
and meeting other people's deadlines. I haven't set myself a deadline. | 0:45:19 | 0:45:23 | |
I want this to be joy and it won't be if I feel under pressure, | 0:45:23 | 0:45:27 | |
even if it's self-imposed. | 0:45:27 | 0:45:28 | |
I'll duck. | 0:45:28 | 0:45:30 | |
'When finished, the workshop will boast three good-sized rooms, | 0:45:30 | 0:45:34 | |
'one for living accommodation and two for his woodwork, | 0:45:34 | 0:45:37 | |
'and the walls will be made of straw bales.' | 0:45:37 | 0:45:40 | |
Well, this looks like a job about to happen. | 0:45:41 | 0:45:44 | |
Yeah, well, this is a larch tree | 0:45:44 | 0:45:46 | |
which unfortunately got blown down in the last couple of days | 0:45:46 | 0:45:49 | |
and I need a piece to make one of the beams in the house. | 0:45:49 | 0:45:52 | |
But it's done the hard work for us, hasn't it? | 0:45:52 | 0:45:54 | |
It's chosen the direction it's going to fall in. We don't have to decide. | 0:45:54 | 0:45:57 | |
Although, a good job it went that way and not that way. | 0:45:57 | 0:46:00 | |
-That would have ruined someone's sleep, wouldn't it? -Who lives in there? | 0:46:00 | 0:46:04 | |
That's Jack. He's one of the volunteers | 0:46:04 | 0:46:07 | |
and fortunately he's not here this week, | 0:46:07 | 0:46:09 | |
but, yeah, it could have given him a nasty surprise, couldn't it? | 0:46:09 | 0:46:13 | |
So what do we need to do with this, then? | 0:46:13 | 0:46:15 | |
What we're going to do is clean off the branches, | 0:46:15 | 0:46:17 | |
-we'll cut the length and you can carry it out. -On my own? | 0:46:17 | 0:46:20 | |
All on your own. You might get a little bit of help. | 0:46:20 | 0:46:22 | |
'Building materials don't get more locally sourced than this. | 0:46:29 | 0:46:33 | |
'And the only energy used today - apart from a couple of machines - | 0:46:36 | 0:46:39 | |
'is mine and the team's.' Beautiful. | 0:46:39 | 0:46:41 | |
-Tea's up. -'Music to my ears. | 0:46:41 | 0:46:44 | |
'It also gives me the opportunity to catch up with the other folk | 0:46:44 | 0:46:48 | |
'helping in Sherwood's forest.' | 0:46:48 | 0:46:51 | |
-This is fabulous. Wow. Hi, everybody. -Hello. | 0:46:51 | 0:46:54 | |
This is clearly the centre of operations, isn't it? | 0:46:54 | 0:46:56 | |
This is where most of the work's done. | 0:46:56 | 0:46:58 | |
-And who's in charge of the kitchen? -Oh, well, Tom today. -Is that right? | 0:46:58 | 0:47:03 | |
Hello, Tom. Nice to see you. | 0:47:03 | 0:47:05 | |
What's in it for you, Tom, as a volunteer here? | 0:47:05 | 0:47:08 | |
The way of life. Everything is, kind of, connected. | 0:47:08 | 0:47:11 | |
Everything that goes into the house comes out the woods, | 0:47:11 | 0:47:13 | |
waste we stick on the fire and that goes into baking our bread and keeping our tea. | 0:47:13 | 0:47:18 | |
I mean, not to draw out the Robin Hood analogy too far, | 0:47:18 | 0:47:20 | |
but you are creating what seems to be a very happy band of men - | 0:47:20 | 0:47:23 | |
well, and women, in the corner there. Who have we got there? | 0:47:23 | 0:47:26 | |
-That's another convict. -I'm Jo. -Hello, Jo. Another... | 0:47:26 | 0:47:29 | |
-Did you say another convict? -See, Paul and Jo there can't go too far. | 0:47:29 | 0:47:33 | |
-What are you making, Jo? -I'm making a teaspoon. | 0:47:33 | 0:47:35 | |
-So many visitors I thought that we needed some more. -Wonderful. | 0:47:35 | 0:47:39 | |
That's terrific. So absolutely nothing goes to waste? | 0:47:39 | 0:47:42 | |
-No, not even small bits. -Even the small bits. | 0:47:42 | 0:47:45 | |
'But there's no rest for the wicked. | 0:47:49 | 0:47:51 | |
'Tom's going to show me the structure from a different perspective. | 0:47:51 | 0:47:55 | |
'Let's hope I've got a head for heights.' | 0:47:55 | 0:47:58 | |
Wow. How about it? Amazing. | 0:47:58 | 0:48:01 | |
Nice place to watch the sunset. | 0:48:01 | 0:48:02 | |
And you get a real sense of the architecture of the structure, don't you? | 0:48:02 | 0:48:06 | |
-Right, then - let's get the tape out. Yeah, 4 X 2. -4 X 2. | 0:48:06 | 0:48:10 | |
140 and a half. | 0:48:10 | 0:48:12 | |
Many measurements, hours of graft and 11 whole months later | 0:48:16 | 0:48:21 | |
and I'm pleased to say Sherwood's house almost has a roof. | 0:48:21 | 0:48:24 | |
With luck, it should be finished | 0:48:24 | 0:48:26 | |
before the winter weather begins to bite. | 0:48:26 | 0:48:29 | |
And talking about the weather, if you're heading out into the woods | 0:48:32 | 0:48:36 | |
you'll want to know the Countryfile forecast for the week ahead. | 0:48:36 | 0:48:40 | |
. | 0:50:50 | 0:50:57 | |
Here in West Sussex, we've been celebrating life in our woodlands and forests | 0:51:08 | 0:51:12 | |
by taking a look through the Countryfile archive | 0:51:12 | 0:51:15 | |
and enjoying a day in Prickly Nut Wood. | 0:51:15 | 0:51:17 | |
But the light's beginning to fade | 0:51:17 | 0:51:19 | |
and it's just about time to down tools. | 0:51:19 | 0:51:23 | |
At the risk of reinforcing an age-old stereotype, | 0:51:23 | 0:51:26 | |
I'm putting the tea on while Ben makes fire | 0:51:26 | 0:51:28 | |
and while we do that, there's just time to see Matt | 0:51:28 | 0:51:31 | |
put his woodworking skills to the test in Somerset's Blackdown Hills. | 0:51:31 | 0:51:35 | |
This landscape is unique | 0:51:41 | 0:51:42 | |
because there isn't a single city or town within its boundaries. | 0:51:42 | 0:51:47 | |
The Blackdown Hills is scattered | 0:51:47 | 0:51:49 | |
with small villages and mostly dairy farms, | 0:51:49 | 0:51:51 | |
all surrounded by miles and miles of hedges. | 0:51:51 | 0:51:55 | |
There's around 33,000 miles of hedgerow in Devon | 0:51:55 | 0:51:59 | |
and winter is the ideal time to manage them. | 0:51:59 | 0:52:01 | |
For decades, it's been the job for a traditional hedge layer. | 0:52:01 | 0:52:05 | |
So I'm meeting a man who's known simply as The Hedge. | 0:52:05 | 0:52:10 | |
Martin, how you doing? Are you all right? | 0:52:10 | 0:52:12 | |
Now, come on, while are you called The Hedge? | 0:52:12 | 0:52:14 | |
Well, I've been called lots of things over the years, | 0:52:14 | 0:52:17 | |
but I think it probably comes from the fact | 0:52:17 | 0:52:19 | |
that I've been hedge-laying since I was nine. | 0:52:19 | 0:52:21 | |
And currently I'm chairman of the Blackdown Hills Hedge Association | 0:52:21 | 0:52:25 | |
-and, for my sins, I'm currently the Devon national champion. -Good lad. | 0:52:25 | 0:52:29 | |
We're passionate about it, really. We want to keep this traditional skill alive. | 0:52:29 | 0:52:33 | |
-And is it people that are coming from all walks of life? -All walks of life. | 0:52:33 | 0:52:36 | |
The important thing is to pass the skill to young people. | 0:52:36 | 0:52:39 | |
Apart from it being a beautiful art form | 0:52:39 | 0:52:40 | |
and a very practical skill to be able to do, you know, | 0:52:40 | 0:52:43 | |
there's that competition element, which I understand | 0:52:43 | 0:52:45 | |
there's going to be a little competition today, and that's why I'm here. | 0:52:45 | 0:52:48 | |
Well, we could spend hours talking about hedge laying, Matt, | 0:52:48 | 0:52:51 | |
but the best way for you to learn is actually to have a go, | 0:52:51 | 0:52:54 | |
-and we've set up a little bit of competition this morning. -I'm happy to do that. -Good. | 0:52:54 | 0:52:58 | |
Well, I'm not one to shy away from a challenge, | 0:52:59 | 0:53:02 | |
but this is serious business. | 0:53:02 | 0:53:03 | |
Joining Martin on the judging panel are previous hedge-laying champions | 0:53:03 | 0:53:07 | |
Roger Parris and Colin Ridson. | 0:53:07 | 0:53:09 | |
I'm being partnered by George Pidgeon. | 0:53:09 | 0:53:12 | |
He's been laying hedges for 50 years and knows his stuff. | 0:53:12 | 0:53:15 | |
We're competing against Tom Aplin and Tessa Stone. | 0:53:15 | 0:53:19 | |
-Yeah, how experienced are you two? -Well, we've done a little bit, | 0:53:20 | 0:53:23 | |
but we just like to keep the tradition alive, you know? | 0:53:23 | 0:53:25 | |
Oh, very good. 'Seems like a level playing field. Let's get started. | 0:53:25 | 0:53:29 | |
'Unlike other hedges across the country, the ones in Devon sit on an earth bank. | 0:53:29 | 0:53:35 | |
'Hedge laying is all about restoring them so farm animals can't escape. | 0:53:35 | 0:53:38 | |
'Overgrown branches are used to plug the gaps. | 0:53:38 | 0:53:40 | |
'You have to cut them at the base and lay them down | 0:53:40 | 0:53:43 | |
'without severing them so the branches can regrow. | 0:53:43 | 0:53:46 | |
'It's an art called pleaching.' | 0:53:46 | 0:53:48 | |
You're like me when I first started - worried about cutting it off. | 0:53:52 | 0:53:55 | |
You don't want to be too frightened of it. It's still holding. | 0:53:55 | 0:53:59 | |
-Is that all right? -No, I think you've been and messed it up. -I told you! | 0:53:59 | 0:54:03 | |
He was saying, "More, more, more!" I was like, "No!" | 0:54:03 | 0:54:06 | |
Well, I suppose that was probably down to inexperience, | 0:54:06 | 0:54:08 | |
wasn't it, losing that pleacher? | 0:54:08 | 0:54:10 | |
-It was the expert that told me the chop it! -That's true, yeah. | 0:54:10 | 0:54:14 | |
'The next job is to hammer in a crook to keep the hedge in position.' | 0:54:16 | 0:54:20 | |
-Tidy up that one. Go a bit more if you can. -Oh, he's down! He's down! | 0:54:24 | 0:54:27 | |
Stewart, inquiry. | 0:54:27 | 0:54:29 | |
Oh, dear. He obviously hasn't got his Devon legs on yet. | 0:54:29 | 0:54:32 | |
'Right, stand by, everyone. | 0:54:32 | 0:54:34 | |
'George is about to attempt the pleach of all pleaches.' | 0:54:34 | 0:54:37 | |
-Have we gone too far, George? -No, we haven't. | 0:54:37 | 0:54:40 | |
Yes, we haven't gone too far. So good. | 0:54:40 | 0:54:43 | |
Oh, George - here it comes! | 0:54:43 | 0:54:47 | |
Right, let it go. | 0:54:47 | 0:54:49 | |
-Oh, that's absolutely unbelievable. -Well done. | 0:54:51 | 0:54:54 | |
'Time to see how Tom and Tessa's work would compare.' | 0:54:54 | 0:54:57 | |
Gee, you've done a good job there. Nice pleaching. | 0:54:57 | 0:55:00 | |
Listen to me judging. | 0:55:00 | 0:55:02 | |
The thing is, they haven't been entirely honest about their credentials. | 0:55:02 | 0:55:07 | |
-Well, I am national Young Farmers champion 2008. -Get in. | 0:55:07 | 0:55:12 | |
Congratulations, good lad. And...? | 0:55:12 | 0:55:14 | |
And I've currently got the ladies cup | 0:55:14 | 0:55:17 | |
from the Blackdown Hills Hedge Association. | 0:55:17 | 0:55:20 | |
Thought so. It's lovely. Very, very nice. | 0:55:20 | 0:55:25 | |
'Ringers, the pair of them.' | 0:55:25 | 0:55:27 | |
-How about yourself? -Shall I tell you or not? -Yeah, go on. | 0:55:29 | 0:55:33 | |
-I've never actually won a competition. -Yes! | 0:55:33 | 0:55:37 | |
-This is going to be the first. -Yep, yep. | 0:55:37 | 0:55:39 | |
-HE WHISTLES -Time's up. Competition's over, folks. | 0:55:39 | 0:55:42 | |
Come and join the judges for the decision. | 0:55:42 | 0:55:45 | |
-Here we go. -Well done. -This is it, George. -Good job there. | 0:55:45 | 0:55:49 | |
-Better than them. -Let's go and get the verdict. | 0:55:49 | 0:55:51 | |
And it's a very close decision. | 0:55:51 | 0:55:54 | |
Because you've both done a really, really good job | 0:55:54 | 0:55:57 | |
with the material you got available. | 0:55:57 | 0:55:59 | |
We basically judged it on the quality of the cutting | 0:56:00 | 0:56:04 | |
and we have to say that the result of the 2012 | 0:56:04 | 0:56:08 | |
Countryfile Blackdown Hills Hedge-Laying Competition is... | 0:56:08 | 0:56:13 | |
-..Matt and George. -Yes! We did it. | 0:56:16 | 0:56:18 | |
Oh, that's amazing. I'm really sorry. I am. | 0:56:18 | 0:56:22 | |
Honestly, I'm sorry. | 0:56:22 | 0:56:23 | |
You can tell by my voice. | 0:56:23 | 0:56:27 | |
Seriously? Is that serious? | 0:56:27 | 0:56:29 | |
George has won his first competition. | 0:56:29 | 0:56:31 | |
-Gosh, look at that, man! -You said I would. | 0:56:31 | 0:56:34 | |
Well, I think I'm just going to sit here and admire this winning hedge. | 0:56:36 | 0:56:41 | |
Absolutely delighted. | 0:56:41 | 0:56:44 | |
Well, it's good to see Matt's winning streak | 0:56:50 | 0:56:53 | |
finally rubbing off on others. | 0:56:53 | 0:56:55 | |
-This is the life, isn't it, Ben, at the end of the day? -It certainly is. | 0:56:55 | 0:56:58 | |
-So this is your woodsman's den? -Yeah, very much so. | 0:56:58 | 0:57:01 | |
This came down in the hurricane in 1987 and I made my first shelter | 0:57:01 | 0:57:06 | |
and lit my first fire here and been here ever since. | 0:57:06 | 0:57:09 | |
Good, it's perfect at the end of a rainy day in the woods, isn't it? | 0:57:09 | 0:57:13 | |
-It certainly has been. -Well, that's it from Countryfile this week. | 0:57:13 | 0:57:17 | |
Next week, Matt and I will be in the Forest of Dean | 0:57:17 | 0:57:20 | |
to mark the 70th anniversary of the Women's Timber Corps. | 0:57:20 | 0:57:23 | |
I hope you can join us then. Bye-bye. | 0:57:23 | 0:57:25 | |
Subtitles by Red Bee Media Ltd | 0:57:45 | 0:57:48 |