Browse content similar to 11/09/2011. Check below for episodes and series from the same categories and more!
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A rich, rural landscape nestling between two rivers. | 0:00:24 | 0:00:28 | |
Fertile fields that have been farmed for generations. | 0:00:28 | 0:00:32 | |
We're on the Monmouthshire side of the Wye Valley. | 0:00:32 | 0:00:36 | |
Tonight's show is country life at its best. | 0:00:36 | 0:00:39 | |
I'll be down on the farm finding out | 0:00:39 | 0:00:40 | |
just how you turn working animals like these into prize-winners. | 0:00:40 | 0:00:44 | |
I'll be in the thick of it as the rosettes are handed out at the Monmouthshire Show. | 0:00:45 | 0:00:50 | |
It all started back in 1790 with a ploughing competition here | 0:00:50 | 0:00:53 | |
and now this is Wales' largest one-day agricultural show, | 0:00:53 | 0:00:56 | |
and the best place to see pedigree livestock. | 0:00:56 | 0:00:59 | |
But that's not all that happens here, | 0:00:59 | 0:01:01 | |
because later on I'm going to be giving this a go. | 0:01:01 | 0:01:03 | |
And I'll be at a mansion in Berkshire | 0:01:06 | 0:01:07 | |
for the biggest event in the Countryfile year. | 0:01:07 | 0:01:10 | |
The judging of our annual photographic competition. | 0:01:10 | 0:01:14 | |
The theme this year is Best In Show | 0:01:14 | 0:01:16 | |
and with a staggering 55,000 entries, | 0:01:16 | 0:01:19 | |
there's certainly going to be plenty to choose from. | 0:01:19 | 0:01:22 | |
There are 12 different classes and the very best pictures | 0:01:22 | 0:01:25 | |
will adorn the nation's walls in the Countryfile Calendar for 2012. | 0:01:25 | 0:01:29 | |
And later on, I'll be telling you | 0:01:29 | 0:01:31 | |
how you can vote for your particular favourite picture. | 0:01:31 | 0:01:34 | |
And, with a badger cull looming, | 0:01:34 | 0:01:36 | |
in an effort to control the spreading of bovine TB, | 0:01:36 | 0:01:40 | |
Adam's on a mission to find out about the animals that share his farm. | 0:01:40 | 0:01:43 | |
I've set a night vision camera going here | 0:01:43 | 0:01:47 | |
to try and get some shots of badgers. | 0:01:47 | 0:01:49 | |
Hopefully... | 0:01:49 | 0:01:50 | |
if it was in the right spot, | 0:01:50 | 0:01:53 | |
we might have some badgers. | 0:01:53 | 0:01:55 | |
Oh. Oh, dear. | 0:01:56 | 0:01:58 | |
It's mainly sheep! | 0:01:58 | 0:02:00 | |
'The Wye Valley runs along the English-Welsh border. | 0:02:12 | 0:02:15 | |
'It's a place of outstanding beauty. | 0:02:15 | 0:02:18 | |
'For one day every year, crowds come from far and near | 0:02:18 | 0:02:21 | |
'to a 100-acre site here for a very special event, | 0:02:21 | 0:02:26 | |
'the Monmouthshire Show.' | 0:02:26 | 0:02:28 | |
'For those taking part, it's not only a big day, it's a long one!' | 0:02:30 | 0:02:34 | |
It's early, very, very early which isn't unusual on a farm, | 0:02:36 | 0:02:40 | |
but today is a little bit special | 0:02:40 | 0:02:42 | |
here on Bowley Farm on the outskirts of Hereford. | 0:02:42 | 0:02:46 | |
'Led by Dad Terry, the Joneses run a breeding herd of 16 beef cattle | 0:02:49 | 0:02:54 | |
'and their family has been farming here for over three decades.' | 0:02:54 | 0:02:58 | |
-Come on, then. -It's too early for her. "What the hell are you doing?" | 0:02:58 | 0:03:01 | |
Come on, Ebony. | 0:03:01 | 0:03:02 | |
'Today's one of the biggest days of the year for the family. | 0:03:02 | 0:03:05 | |
'Three of their Limousin cattle will be competing at the Monmouthshire Show. | 0:03:05 | 0:03:10 | |
'Limousins were introduced to the UK from France 40 years ago | 0:03:10 | 0:03:14 | |
'and have become the farmers' favourite with good reason.' | 0:03:14 | 0:03:18 | |
She's got all the strength up here, hasn't she? | 0:03:18 | 0:03:21 | |
She is a big, strong thing, but then quite lean. She's not fat. | 0:03:21 | 0:03:25 | |
She's not fat. She hasn't got a lot of belly on her. There's no waste. | 0:03:25 | 0:03:28 | |
And you've got lovely eyelashes, too. | 0:03:28 | 0:03:32 | |
'Ebony, Fraggle and Butterfly are prize-winning specimens, | 0:03:32 | 0:03:36 | |
'boasting a bucket-load of rosettes between them. | 0:03:36 | 0:03:39 | |
'But they'll need to look their best if they want to add to that collection today. | 0:03:39 | 0:03:43 | |
'So the first order of business for these girls | 0:03:43 | 0:03:46 | |
'is a nice, refreshing shower.' | 0:03:46 | 0:03:48 | |
You've got to be careful because if you get in close, | 0:03:48 | 0:03:51 | |
it sprays back in your face. | 0:03:51 | 0:03:53 | |
Ooh, that's a big, mucky bottom! | 0:04:02 | 0:04:04 | |
Right, I think that's her done. | 0:04:10 | 0:04:12 | |
Come on. | 0:04:12 | 0:04:13 | |
'With all three cows washed and on the wagon, | 0:04:20 | 0:04:22 | |
'that's it for the first stage of show prep.' | 0:04:22 | 0:04:25 | |
That's that for now, but I'm told that once we get to the show, | 0:04:25 | 0:04:29 | |
that's when the real hard work starts. | 0:04:29 | 0:04:31 | |
'It's a 20-mile journey across the border into Wales, | 0:04:34 | 0:04:37 | |
'where the showground is already bursting with life. | 0:04:37 | 0:04:41 | |
'The competition's fierce, so we're going to have our work cut out, | 0:04:41 | 0:04:44 | |
'but Fraggle, Butterfly and Ebony aren't exactly helping us!' | 0:04:44 | 0:04:48 | |
I washed all of that! | 0:04:48 | 0:04:51 | |
'Looks like it's back to square one for Catherine and me.' | 0:04:53 | 0:04:57 | |
-Are you the chief groomer? -Erm, yes, You could say that. | 0:04:59 | 0:05:03 | |
I am the chief groomer, yes. | 0:05:03 | 0:05:05 | |
When they get prepped for the show ring, they'll have the hairspray | 0:05:05 | 0:05:09 | |
-and everything, and gel. -Hairspray? | 0:05:09 | 0:05:12 | |
-Their vanity case is quite big, as you can see! -Catherine's not joking. | 0:05:12 | 0:05:16 | |
I haven't seen a make-up case this big | 0:05:16 | 0:05:18 | |
since my last shoot with Matt! | 0:05:18 | 0:05:20 | |
And they're all at it! | 0:05:20 | 0:05:23 | |
How large and luxurious a cow's coat looks can swing a competition. | 0:05:25 | 0:05:29 | |
And with some impressive bovine bouffants appearing all around us, | 0:05:29 | 0:05:32 | |
it's time for me to learn the tricks of the trade. | 0:05:32 | 0:05:36 | |
-Right, hairspray time. -Hairspray time. | 0:05:36 | 0:05:38 | |
This is where the pattern work starts. What we do is zigzag. | 0:05:39 | 0:05:44 | |
-Then it just stands up. Simple as that. -Yeah? Shall I have a go? -Yeah. | 0:05:44 | 0:05:49 | |
-Have a go. -I like to be creative. | 0:05:49 | 0:05:52 | |
It just adds to the fullness. | 0:05:52 | 0:05:54 | |
The presentation of the beast. We'll back-comb the tail as well. | 0:05:54 | 0:05:57 | |
It's half past nine now. We met at five. | 0:05:57 | 0:06:01 | |
-You're going to keep going at this for another hour or so? -Yes. | 0:06:01 | 0:06:05 | |
-It's got to be about more than just making pretty patterns? -Definitely. | 0:06:05 | 0:06:11 | |
We like to keep the heifers for breeding and we sell the bulls | 0:06:11 | 0:06:15 | |
in the spring and autumn. | 0:06:15 | 0:06:17 | |
We like to think it does add to the value at the end. | 0:06:17 | 0:06:20 | |
If they've got a red rosette | 0:06:20 | 0:06:22 | |
or a championship behind their name it does help to the value, really. | 0:06:22 | 0:06:26 | |
The other benefit to coming to the show - | 0:06:27 | 0:06:29 | |
-farming can be quite a lonely business. -Yes. | 0:06:29 | 0:06:32 | |
You come to the show, you see everybody. | 0:06:32 | 0:06:34 | |
It's quite a good social event. | 0:06:34 | 0:06:35 | |
We've met so many people over the years. | 0:06:35 | 0:06:38 | |
All of us children, we've been able to show cattle since, | 0:06:38 | 0:06:41 | |
as soon as we were old enough to get on the end of a halter. | 0:06:41 | 0:06:44 | |
Able to walk even, we were there, calf-handling. | 0:06:44 | 0:06:47 | |
We've literally grown up through it. | 0:06:47 | 0:06:50 | |
I'm worried I'm going to do it wrong. | 0:06:50 | 0:06:52 | |
Dad will soon tell you. | 0:06:52 | 0:06:54 | |
I'll let you do it and I'll check out the opposition. | 0:06:54 | 0:06:57 | |
-Fantastic. -Good girl. -Thank you. | 0:06:57 | 0:07:00 | |
Massive, massive bull. Look at him. | 0:07:10 | 0:07:12 | |
So this is, this is erm...? | 0:07:15 | 0:07:18 | |
It's a giant hairdryer, in effect. | 0:07:18 | 0:07:21 | |
-Does he like it? -He loves it. | 0:07:21 | 0:07:24 | |
-He has one of these every time he's washed. -And what's he called? | 0:07:24 | 0:07:28 | |
-He's called Adam. -Adam? Big Adam. -Big Adam. | 0:07:28 | 0:07:32 | |
A full-bodied redhead called Adam? Reminds me of someone else I know. | 0:07:32 | 0:07:37 | |
There's a bit of hairspray on on the tail here, | 0:07:37 | 0:07:39 | |
it looks like candyfloss. Look at this. That's fantastic. | 0:07:39 | 0:07:44 | |
So, that's the competition. | 0:07:44 | 0:07:46 | |
A lot of hard work has gone into making sure | 0:07:46 | 0:07:49 | |
they look their best. | 0:07:49 | 0:07:50 | |
I still fancy Ebony's chances, though, don't you? | 0:07:50 | 0:07:53 | |
Essentially, it doesn't really matter what I think. | 0:07:57 | 0:07:59 | |
It does matter what this man thinks. | 0:07:59 | 0:08:02 | |
This says Eric Gethin, who's going to be in charge of judging Limousins. | 0:08:02 | 0:08:05 | |
We are looking here at a commercial cow | 0:08:05 | 0:08:08 | |
who's a bit of Belgian Blue, a bit of Lim. | 0:08:08 | 0:08:11 | |
So, what are you going to be looking for? | 0:08:11 | 0:08:13 | |
I'll be looking for a very feminine female. | 0:08:13 | 0:08:17 | |
I like my cows tall, long and clean. | 0:08:17 | 0:08:21 | |
Not too big at back ends. | 0:08:21 | 0:08:24 | |
And when you see a really good specimen walk into the ring, | 0:08:24 | 0:08:28 | |
do they have a bit of X-factor about them? | 0:08:28 | 0:08:30 | |
Oh, yeah, a lot of X-factor about them, really. | 0:08:30 | 0:08:33 | |
Give a bit of a show? | 0:08:33 | 0:08:35 | |
They're showing off a little bit, especially the females. | 0:08:35 | 0:08:37 | |
With the competition fast approaching, | 0:08:37 | 0:08:41 | |
I know which three show-offs I'm going to be rooting for. | 0:08:41 | 0:08:45 | |
The Joneses are getting ready to take three heifers into the ring. | 0:08:45 | 0:08:48 | |
They've got their work cut out. So have the judges. | 0:08:48 | 0:08:51 | |
The programme theme today is Best In Show. | 0:08:51 | 0:08:53 | |
It's also been the theme | 0:08:53 | 0:08:55 | |
for this year's Countryfile photographic competition. | 0:08:55 | 0:08:58 | |
All the entries are now in and it's time to begin the hunt | 0:08:58 | 0:09:01 | |
for this year's finalists. | 0:09:01 | 0:09:02 | |
As always, the response was overwhelming. | 0:09:04 | 0:09:07 | |
This year you sent in a staggering total of 55,000 photos. | 0:09:07 | 0:09:12 | |
To make sure that every single one was examined, | 0:09:12 | 0:09:15 | |
we sought the help of eight of our previous finalists. | 0:09:15 | 0:09:18 | |
They whittled them down to a short list of just 3,600. | 0:09:18 | 0:09:22 | |
More than anyone else, they know what it means to win. | 0:09:22 | 0:09:27 | |
I'm Pen Rashbass, I won last year's photo competition with Going Home. | 0:09:27 | 0:09:31 | |
Winning was really unexpected. | 0:09:31 | 0:09:33 | |
I just put in my picture just on the off-chance and when it did win, | 0:09:33 | 0:09:37 | |
I was really amazed. | 0:09:37 | 0:09:39 | |
Being in people's houses for a whole month, | 0:09:39 | 0:09:41 | |
your picture on the wall, is really, really flattering. | 0:09:41 | 0:09:44 | |
With 12 classes to get through, we've paired everyone up | 0:09:49 | 0:09:53 | |
and they'll go through three categories each. | 0:09:53 | 0:09:56 | |
Wow, there's an awful lot here, I feel quite overwhelmed. | 0:09:56 | 0:09:59 | |
Yeah, having Landscapes, Birds and Farm Life, | 0:09:59 | 0:10:02 | |
I think we've got the biggest category of the lot. | 0:10:02 | 0:10:05 | |
So, we've got the Country People, | 0:10:05 | 0:10:07 | |
Water Worlds and Working Animals. | 0:10:07 | 0:10:10 | |
We've got quite a lot of sloping water. | 0:10:10 | 0:10:12 | |
-We're doing Wildlife, Leisure and Pleasure. -In All Weathers. | 0:10:15 | 0:10:19 | |
And In All Weather, as well. | 0:10:19 | 0:10:22 | |
A lot of people's shots are wonderful. | 0:10:22 | 0:10:24 | |
But they have suffered because of focus problems and things like that. | 0:10:24 | 0:10:28 | |
We've been looking at Plant Life, | 0:10:28 | 0:10:31 | |
The Lighter Side of Country Life and Insects and Spiders. | 0:10:31 | 0:10:35 | |
There's some amazing shots and I'm impressed at the quantity | 0:10:35 | 0:10:38 | |
and the quality of the entries. | 0:10:38 | 0:10:42 | |
What we do have here is a superb shot of a hedgehog that's taken | 0:10:49 | 0:10:54 | |
by a little nine-year-old girl and it's an absolutely beautiful shot. | 0:10:54 | 0:10:59 | |
-The camera is wonderful catching the spikes. -I like that. | 0:10:59 | 0:11:02 | |
Oh, look at that, Tony, excellent. | 0:11:09 | 0:11:11 | |
-What's the magnification on that one? -Everything's in detail. | 0:11:11 | 0:11:15 | |
-It's very different, isn't it? -Really close up on that one. | 0:11:15 | 0:11:18 | |
-Are you short-listing that? -Yes. | 0:11:18 | 0:11:19 | |
-Macro lens with a cricket. -Yes. All right. | 0:11:22 | 0:11:25 | |
I mean, really, there's four simple rules to a very good photo. | 0:11:31 | 0:11:35 | |
The focus, composition, | 0:11:35 | 0:11:36 | |
the exposure and just having something for a "wow" factor. | 0:11:36 | 0:11:40 | |
-That's it finished. -Sorted? | 0:11:40 | 0:11:43 | |
I don't think we have! Have you seen that lot behind? | 0:11:43 | 0:11:47 | |
It really is a tough task. | 0:11:47 | 0:11:49 | |
Out of the 55,000, fewer than one in ten will make it through | 0:11:49 | 0:11:53 | |
and the pressure is starting to show. | 0:11:53 | 0:11:56 | |
Cheryl's getting a little hysterical. | 0:11:56 | 0:11:58 | |
Richard's feeling the heat. And Rosie, well, | 0:11:58 | 0:12:00 | |
she's just limbering up. | 0:12:00 | 0:12:03 | |
We are nearly at the end of the Landscape category now. | 0:12:09 | 0:12:12 | |
There's been some nice pictures, hasn't there? | 0:12:12 | 0:12:14 | |
There's been some great ones. Ones that I wish I'd taken. | 0:12:14 | 0:12:17 | |
I wish I'd been there at the time. There's some fabulous pictures. | 0:12:17 | 0:12:21 | |
Any image that's quite soft isn't going to get chosen, | 0:12:21 | 0:12:24 | |
whereas one that's sharp is going to get chosen. | 0:12:24 | 0:12:26 | |
For example, on these two images here, it's of a kingfisher, | 0:12:26 | 0:12:29 | |
which is a lovely bird. One of the images, unfortunately, is soft, | 0:12:29 | 0:12:32 | |
the colours aren't very vibrant, | 0:12:32 | 0:12:34 | |
whereas the other image is very sharp, it's got some action, | 0:12:34 | 0:12:37 | |
the colours are amazing. There's a fish in the beak. | 0:12:37 | 0:12:40 | |
It will be the sharper image with the better colours | 0:12:40 | 0:12:42 | |
that will go into the "yes" pile. | 0:12:42 | 0:12:44 | |
I think this year's calendar is going to be really, really something. | 0:12:48 | 0:12:53 | |
I've been going through the Plant Life | 0:12:53 | 0:12:55 | |
and some of the Insect pictures, the quality is so good. | 0:12:55 | 0:12:58 | |
After heroic levels of hard work and concentration, | 0:13:04 | 0:13:09 | |
they've finally selected the photos that have made the short list. | 0:13:09 | 0:13:12 | |
Somewhere within these sealed boxes are the 12 photos | 0:13:12 | 0:13:16 | |
that will go on to win a coveted place | 0:13:16 | 0:13:18 | |
in the Countryfile Calendar for 2012. | 0:13:18 | 0:13:20 | |
And this is where we're going to make the final selection. | 0:13:22 | 0:13:25 | |
A beautiful, historic country house. | 0:13:25 | 0:13:27 | |
Dorney Court, not far from Windsor Castle. | 0:13:27 | 0:13:29 | |
This place has been here for nearly 600 years. | 0:13:29 | 0:13:32 | |
A picture-perfect setting for looking at some great pictures. | 0:13:32 | 0:13:36 | |
Later in the programme, I'll be joined by regular judge Chris Packham | 0:13:36 | 0:13:41 | |
and a new face to the panel, Janet Street-Porter, | 0:13:41 | 0:13:44 | |
as we get down to the serious business of choosing the 12 finalists. | 0:13:44 | 0:13:48 | |
Now, the Government's decision to back a cull on badgers | 0:13:50 | 0:13:54 | |
to stem the spread of bovine TB in cattle has divided public opinion. | 0:13:54 | 0:13:59 | |
Many farmers blame badgers for infecting their cows, | 0:13:59 | 0:14:01 | |
others say that it's down to cattle movements. | 0:14:01 | 0:14:04 | |
But how much do we really know about this much-loved creature? | 0:14:04 | 0:14:08 | |
Adam's off to see what he can learn. | 0:14:09 | 0:14:13 | |
My farm is packed with Wildlife and I love to see it, | 0:14:17 | 0:14:21 | |
but there's one animal that lives here that's causing real concern. | 0:14:21 | 0:14:24 | |
And because they spend the majority of the daylight hours underground, | 0:14:24 | 0:14:27 | |
many of us don't know much about them, | 0:14:27 | 0:14:29 | |
let alone get to see them. | 0:14:29 | 0:14:30 | |
Whatever you make of the link between badgers and bovine TB, the fact is, | 0:14:35 | 0:14:39 | |
British badgers are not the rare or endangered species they once were. | 0:14:39 | 0:14:43 | |
I need to know more about this nocturnal creature. | 0:14:43 | 0:14:47 | |
I love to see badgers as much as anybody. | 0:14:47 | 0:14:49 | |
But for farmers like me, who have seen TB claim the lives | 0:14:49 | 0:14:52 | |
of so many of our cattle, we are in a real dilemma. | 0:14:52 | 0:14:57 | |
This is open grazing pasture | 0:14:57 | 0:14:59 | |
and it's almost impossible to keep badgers and cattle apart. | 0:14:59 | 0:15:02 | |
That's one of the setts just down there. | 0:15:02 | 0:15:04 | |
Badgers have been given increasing levels of legal protection | 0:15:06 | 0:15:09 | |
over the last 30 years and as a result, their numbers have grown. | 0:15:09 | 0:15:14 | |
But there aren't any exact figures for how many | 0:15:14 | 0:15:16 | |
roam our countryside today. | 0:15:16 | 0:15:18 | |
There hasn't been a national survey for more than a decade. | 0:15:18 | 0:15:22 | |
We've had badgers on this farm ever since I was a boy, | 0:15:22 | 0:15:26 | |
but bovine TB has only really become an issue since 2002. | 0:15:26 | 0:15:30 | |
And since that time, we've lost 64 cattle to the disease. | 0:15:30 | 0:15:34 | |
Go on, lovelies! | 0:15:34 | 0:15:36 | |
Go on, then! | 0:15:36 | 0:15:38 | |
Farmers are advised to keep badgers and cattle separate | 0:15:40 | 0:15:44 | |
wherever they can and, particularly in the winter, | 0:15:44 | 0:15:47 | |
what we need to do is lock up our feed stores, | 0:15:47 | 0:15:50 | |
put electric fences around the cattle yards, | 0:15:50 | 0:15:52 | |
keep troughs out of badgers' reach. | 0:15:52 | 0:15:54 | |
And in the summer, what I do is put my minerals | 0:15:54 | 0:15:57 | |
in these holders so that it doesn't get covered in badger slobber | 0:15:57 | 0:16:01 | |
before the cows lick it. | 0:16:01 | 0:16:03 | |
But how can I be sure these measures work when I know | 0:16:03 | 0:16:07 | |
so little about the way badgers behave? | 0:16:07 | 0:16:09 | |
I've set a night-vision camera going here to try | 0:16:10 | 0:16:14 | |
and get some shots of badgers. | 0:16:14 | 0:16:17 | |
Hopefully, if it was in the right spot, | 0:16:17 | 0:16:20 | |
we'll have some badgers. | 0:16:20 | 0:16:21 | |
Oh! HE LAUGHS | 0:16:21 | 0:16:24 | |
Oh, dear, it's mainly sheep! | 0:16:24 | 0:16:27 | |
I think they probably quite like coming and lying on this sandy bit. | 0:16:27 | 0:16:31 | |
Oh! There's a couple of seconds of badgers there. | 0:16:31 | 0:16:35 | |
I'll leave it for another night, see if I can get some more. | 0:16:35 | 0:16:39 | |
There's a place near here at Woodchester Park, | 0:16:41 | 0:16:44 | |
where they've got far more experience than I have at spotting badgers. | 0:16:44 | 0:16:48 | |
That's where a lot of the government research on badgers is carried out. | 0:16:48 | 0:16:51 | |
They've been studying them in Gloucestershire since the '70s. | 0:16:54 | 0:16:59 | |
The overriding purpose was to gather information on their role in the transmission of bovine TB. | 0:16:59 | 0:17:04 | |
The study also revealed a lot about how badgers live. | 0:17:04 | 0:17:07 | |
I'm meeting Professor Robbie McDonald | 0:17:07 | 0:17:10 | |
from the Food and Environment Research Agency. | 0:17:10 | 0:17:12 | |
-Robbie. -Morning, Adam. -Good to see you again. | 0:17:12 | 0:17:16 | |
-Nice to see you again. -In the woods. -Welcome to Woodchester Park. | 0:17:16 | 0:17:19 | |
I've got a few setts on my farm. A similar situation to this, | 0:17:19 | 0:17:22 | |
and some of them out in fields. | 0:17:22 | 0:17:23 | |
Are they quite particular about where they live? | 0:17:23 | 0:17:25 | |
Anywhere that's got a bit of shelter and ideally on a slope | 0:17:25 | 0:17:29 | |
so that they can dig into it, that provides the ideal habitat. | 0:17:29 | 0:17:32 | |
Are badgers indigenous to the UK? Have they always lived here? | 0:17:32 | 0:17:36 | |
Oh yes, this is a native species, | 0:17:36 | 0:17:38 | |
it's one that's been around here since the end of the last Ice Age. | 0:17:38 | 0:17:41 | |
It's very much part of our native fauna. | 0:17:41 | 0:17:44 | |
There seems to be a bit of a feeling out there | 0:17:44 | 0:17:46 | |
that the badger population is growing. | 0:17:46 | 0:17:49 | |
Are there lots of them or not? | 0:17:49 | 0:17:51 | |
There's historically almost certainly been | 0:17:51 | 0:17:54 | |
an increase in badger numbers. | 0:17:54 | 0:17:55 | |
Across the country, we are probably looking at about 300,000 animals, | 0:17:55 | 0:17:58 | |
something like that. | 0:17:58 | 0:18:01 | |
And what about their social structure? | 0:18:01 | 0:18:03 | |
How do you know how far they travel? | 0:18:03 | 0:18:04 | |
Yes. Sociality is a really important part of badger life. | 0:18:04 | 0:18:09 | |
We've got some low-tech | 0:18:09 | 0:18:11 | |
and hi-tech ways of studying badger society here. I can show you. | 0:18:11 | 0:18:14 | |
You've got here a bucket of these plastic chips, | 0:18:14 | 0:18:18 | |
some golden syrup - other brands are available! | 0:18:18 | 0:18:22 | |
ADAM LAUGHS | 0:18:22 | 0:18:24 | |
And we have peanuts here, which is what the badgers like to eat. | 0:18:24 | 0:18:29 | |
So we can mix up the peanuts and the syrup with these chips. | 0:18:29 | 0:18:32 | |
And when the badgers eat that mixture, | 0:18:32 | 0:18:35 | |
they won't be able to digest these, so these come out in the faeces. | 0:18:35 | 0:18:39 | |
So we feed a different colour chip at each of the main setts | 0:18:39 | 0:18:43 | |
and then we can go out and survey where these chips turn up | 0:18:43 | 0:18:46 | |
and that allows us to map the territories of the animals. | 0:18:46 | 0:18:50 | |
We've been doing that here for about 30 years | 0:18:50 | 0:18:54 | |
and the remarkable thing is how stable the social group territories are. | 0:18:54 | 0:18:59 | |
These animals tend to stay put. | 0:18:59 | 0:19:01 | |
'The more hi-tech side of Robbie's research has proven | 0:19:01 | 0:19:05 | |
'how determined these creatures can be to get at food. | 0:19:05 | 0:19:09 | |
'Infrared cameras have caught footage of badgers in farm buildings.' | 0:19:09 | 0:19:13 | |
This shows some badgers actually on a pile of cattle feed. | 0:19:13 | 0:19:18 | |
When I imagine the secret life of a badger to be a nervous animal | 0:19:18 | 0:19:22 | |
that scoots around at night, | 0:19:22 | 0:19:23 | |
they're in there, rolling around, happy as Larry. | 0:19:23 | 0:19:26 | |
And I suppose, you can't blame them. | 0:19:26 | 0:19:28 | |
Where there's food, that's what they're after, | 0:19:28 | 0:19:30 | |
they're going to go in there, aren't they? | 0:19:30 | 0:19:32 | |
It's an easy meal. | 0:19:32 | 0:19:33 | |
It's been really interesting to learn more about the ecology | 0:19:36 | 0:19:39 | |
of the badger from Robbie, who's a scientist. | 0:19:39 | 0:19:41 | |
But when it comes to the human emotions, | 0:19:41 | 0:19:43 | |
it's a totally different story. | 0:19:43 | 0:19:45 | |
And so to understand the passion that some people have for badgers, | 0:19:45 | 0:19:48 | |
I'm off to meet a man who dedicates a huge amount of time to them. | 0:19:48 | 0:19:52 | |
Retired policeman Tony Dean | 0:19:56 | 0:19:57 | |
has been watching the same badger sett for 28 years. | 0:19:57 | 0:20:00 | |
Tony? | 0:20:01 | 0:20:03 | |
-Hello, Adam. -Hi, how are you? -Welcome to Slad Valley. | 0:20:03 | 0:20:06 | |
-I'm looking forward to seeing these badgers. -You're hoping. Same as me. | 0:20:06 | 0:20:10 | |
What's the chances of them coming out tonight, Tony? | 0:20:14 | 0:20:17 | |
I'm a little bit doubtful with this very strong wind. | 0:20:17 | 0:20:19 | |
We might have to wait a little while, but hopefully... | 0:20:19 | 0:20:23 | |
What have you got in the bag? Food for them? | 0:20:24 | 0:20:26 | |
-Yes, peanuts, sultanas, bread and peanut butter. -The lucky things. | 0:20:26 | 0:20:31 | |
Isn't there plenty of grub for them? | 0:20:31 | 0:20:35 | |
No, it's such a dry spring and summer | 0:20:35 | 0:20:37 | |
that the food chain has gone completely. | 0:20:37 | 0:20:40 | |
-Really? -Their main food, people don't realise, is earthworms. | 0:20:40 | 0:20:43 | |
Every badger needs 200 to 300 worms a night. Desperate times at the moment, | 0:20:43 | 0:20:47 | |
and they are scraping cowpats to pieces | 0:20:47 | 0:20:50 | |
looking for worms and beetles. | 0:20:50 | 0:20:52 | |
With fading light, we walk up the bank for a better view | 0:20:57 | 0:21:00 | |
of the badger sett. | 0:21:00 | 0:21:01 | |
Tony throws out some titbits, and all we can do is be patient, | 0:21:01 | 0:21:05 | |
but we don't have to wait for long. | 0:21:05 | 0:21:08 | |
(That's one poking its head out down there now. It's amazing.) | 0:21:13 | 0:21:17 | |
(What do you find the most fascinating thing | 0:21:20 | 0:21:23 | |
(about watching badgers?) | 0:21:23 | 0:21:24 | |
Because I can get so close to them. | 0:21:24 | 0:21:27 | |
When I am here on my own, | 0:21:27 | 0:21:28 | |
I can sit on this bank | 0:21:28 | 0:21:30 | |
and those badgers will come, even the adults some nights, | 0:21:30 | 0:21:34 | |
will come within six foot of me. | 0:21:34 | 0:21:36 | |
As long as I'm quiet and make no sudden movements, | 0:21:36 | 0:21:38 | |
they'll even sometimes take the food out of my fingers. | 0:21:38 | 0:21:41 | |
For me, there's a real conflict in my heart. | 0:21:49 | 0:21:53 | |
I love wildlife, and it's a real treat to come here and see badgers. | 0:21:53 | 0:21:57 | |
But, I'm a livestock man, too, and I love to see healthy animals. | 0:21:59 | 0:22:03 | |
Bovine TB is a terrible disease, and wherever it comes from, | 0:22:05 | 0:22:10 | |
whether it lies in wildlife or in farm animals, between us, | 0:22:10 | 0:22:16 | |
we've got to get on top of it. | 0:22:16 | 0:22:18 | |
Very difficult times. | 0:22:18 | 0:22:20 | |
-Good night, then. -Thank you very much. -My pleasure. | 0:22:25 | 0:22:28 | |
Today, we are in the green pastures of the Wye Valley | 0:22:33 | 0:22:36 | |
at the Monmouthshire Show. | 0:22:36 | 0:22:38 | |
It's one of the biggest events in the Welsh farming calendar | 0:22:38 | 0:22:41 | |
and I'm going behind the scenes to meet the country people | 0:22:41 | 0:22:44 | |
at the heart of rural life. | 0:22:44 | 0:22:46 | |
Around here, it's all about livestock, | 0:22:46 | 0:22:48 | |
and taking a prize at the county show can make all the difference | 0:22:48 | 0:22:51 | |
when it comes to selling your animals. | 0:22:51 | 0:22:53 | |
But what makes a champion handler? | 0:22:53 | 0:22:56 | |
Well, I'm about to find out. | 0:22:56 | 0:22:57 | |
Megan Watkins may be just 11, | 0:23:00 | 0:23:02 | |
but she's a veteran when it comes to showing sheep, | 0:23:02 | 0:23:05 | |
and she's going to tell me what it takes to be a prize-winner. | 0:23:05 | 0:23:08 | |
Right, Meg. Who've we got in here, then? | 0:23:08 | 0:23:12 | |
This is the show bunch, so we've Magey in here, | 0:23:12 | 0:23:15 | |
and some of the other show sheep as well. | 0:23:15 | 0:23:18 | |
I see, these are Texels, aren't they? | 0:23:18 | 0:23:20 | |
So we're looking for Magey, or Magic. | 0:23:20 | 0:23:22 | |
-Where is she? -She's that one. -Shall we get in there and grab her? | 0:23:22 | 0:23:27 | |
Perfect. She's very well-behaved. | 0:23:35 | 0:23:38 | |
Right, so let's have a lovely introduction to Magic. | 0:23:38 | 0:23:40 | |
-Tell us all about her. How old is she? -She's a five-year-old ewe. | 0:23:40 | 0:23:44 | |
So what sort of things do you do to her? | 0:23:44 | 0:23:46 | |
Obviously, preparing her for the show. | 0:23:46 | 0:23:49 | |
Basically, you have to wash her face and legs | 0:23:49 | 0:23:52 | |
to make them really stand out. | 0:23:52 | 0:23:53 | |
OK. Right, so we've got brushes, sponges, soap. | 0:23:53 | 0:23:59 | |
Hello? Do you want a little brush as well? Who's this? | 0:23:59 | 0:24:02 | |
This is Lucky, he is one of our breeding tups. | 0:24:02 | 0:24:04 | |
-He's huge, isn't he? -Yeah. | 0:24:04 | 0:24:06 | |
And all we do is we just wipe the face just to start off with. | 0:24:07 | 0:24:12 | |
And just get it a bit wet. | 0:24:12 | 0:24:14 | |
She's very tolerant. | 0:24:14 | 0:24:16 | |
She's done this many a time. | 0:24:16 | 0:24:18 | |
Magic! With a bit of a soap and a scrub, | 0:24:20 | 0:24:23 | |
she looks three years younger and sparkling. | 0:24:23 | 0:24:26 | |
There we are, behind the ears. | 0:24:26 | 0:24:28 | |
So you've got all of these sheep on the farm then, Meg. | 0:24:29 | 0:24:32 | |
How do you decide what makes a really good show sheep? | 0:24:32 | 0:24:34 | |
They've got to stand out, so if they are a ewe, especially, | 0:24:34 | 0:24:39 | |
they've got to have a nice, pretty head. | 0:24:39 | 0:24:42 | |
I've been doing it with Magey for ages now, | 0:24:42 | 0:24:44 | |
and I find I know how she's going to stand when she stops and everything. | 0:24:44 | 0:24:48 | |
And then that she's, like, a lot better, | 0:24:48 | 0:24:50 | |
and you have to have sheep that's good at walking, | 0:24:50 | 0:24:53 | |
and that isn't Magey's strongest point. | 0:24:53 | 0:24:55 | |
How do you feel just before you go into the ring? | 0:24:55 | 0:24:57 | |
I find it nervous before I go into the ring, | 0:24:57 | 0:25:00 | |
but then it's just really exciting. | 0:25:00 | 0:25:03 | |
Well, you're obviously a very good young handler | 0:25:03 | 0:25:05 | |
and you have a wonderful relationship with all the sheep | 0:25:05 | 0:25:08 | |
-and they all just want to be with you. -THEY LAUGH | 0:25:08 | 0:25:10 | |
Later on, we'll be finding out how Megan got on with Magic | 0:25:10 | 0:25:14 | |
at the Monmouthshire Show. | 0:25:14 | 0:25:16 | |
Come on, come on! Move along at the front! | 0:25:16 | 0:25:19 | |
Now, John, Chris, and our new judge, Janet Street-Porter | 0:25:23 | 0:25:28 | |
have their work cut out choosing the 12 finalists | 0:25:28 | 0:25:30 | |
for the Countryfile photographic competition | 0:25:30 | 0:25:33 | |
with its theme, Best In Show. | 0:25:33 | 0:25:34 | |
And here is John with a reminder of how it all started back in May. | 0:25:34 | 0:25:38 | |
Chris Packham launched the competition at the Shropshire Show | 0:25:40 | 0:25:44 | |
and inspired some young farmers to capture the spirit of our theme, | 0:25:44 | 0:25:48 | |
Best In Show. | 0:25:48 | 0:25:49 | |
After that, the entries started to flood in. | 0:25:49 | 0:25:53 | |
We had a fantastic response in all 12 classes. | 0:25:53 | 0:25:56 | |
You sent in a staggering 55,000 photographs - | 0:25:56 | 0:25:59 | |
so many, that we asked some of our previous finalists | 0:25:59 | 0:26:02 | |
to narrow them down to a short list. | 0:26:02 | 0:26:04 | |
Well, now we're down to just 3,600 entries, | 0:26:07 | 0:26:11 | |
and we brought them all here to historic Dorney Court near Windsor, | 0:26:11 | 0:26:15 | |
which has been the home of the Palmer family for more than 400 years, | 0:26:15 | 0:26:19 | |
and they very kindly allowed us to use the Great Hall for the judging. | 0:26:19 | 0:26:23 | |
And joining me on the panel to pick the 12 photos that will grace | 0:26:23 | 0:26:27 | |
the Countryfile Calendar for next year is Chris Packham, | 0:26:27 | 0:26:30 | |
wildlife expert and old friend of the competition, | 0:26:30 | 0:26:33 | |
and a new face this year, Janet Street-Porter. | 0:26:33 | 0:26:36 | |
Well, I'm thrilled that I've been asked to be a judge, | 0:26:36 | 0:26:39 | |
because I spend a huge amount of my time living in the countryside. | 0:26:39 | 0:26:45 | |
I've got a house up in Yorkshire, I walk everywhere, | 0:26:45 | 0:26:47 | |
and I always take a camera and take photos. | 0:26:47 | 0:26:50 | |
I've been married to a photographer and I lived with a photographer, | 0:26:50 | 0:26:54 | |
so I've been photographed millions of times. | 0:26:54 | 0:26:56 | |
I love photography. | 0:26:56 | 0:26:59 | |
Well, this is some room, isn't it! | 0:27:04 | 0:27:07 | |
A lot of ancestors are going to be looking at us | 0:27:07 | 0:27:10 | |
as we make our judgments. | 0:27:10 | 0:27:12 | |
-Welcome, Janet, and welcome again, Chris. -Thank you. | 0:27:13 | 0:27:16 | |
What sort of things are you going to be looking for? | 0:27:16 | 0:27:18 | |
I'm looking for pictures | 0:27:18 | 0:27:19 | |
that I could look at for a whole month, | 0:27:19 | 0:27:21 | |
which means I'm going to be pretty picky. | 0:27:21 | 0:27:24 | |
It's hard to look at the same image without just taking it for granted. | 0:27:24 | 0:27:28 | |
-Yes. Chris? -The usual criteria for me. | 0:27:28 | 0:27:31 | |
I want someone who has been thinking about their photography, | 0:27:31 | 0:27:33 | |
exercising their imagination | 0:27:33 | 0:27:35 | |
and putting artistic content into it. | 0:27:35 | 0:27:37 | |
I think the other criterion is, | 0:27:37 | 0:27:38 | |
it's a picture you wish you'd taken yourself. | 0:27:38 | 0:27:40 | |
There's always that thing about great photography where you think, | 0:27:40 | 0:27:44 | |
"Why didn't I think of that?" | 0:27:44 | 0:27:45 | |
Well, shall we get on with it? We've got a lot to do. | 0:27:45 | 0:27:48 | |
First up, Janet is looking at the Landscapes class. | 0:27:48 | 0:27:51 | |
Chris has got Birds and I've got In All Weathers. | 0:27:51 | 0:27:54 | |
This just about sums up In All Weathers. | 0:27:54 | 0:27:57 | |
-This is the British summer this year. -Yeah. That's been my summer. | 0:27:57 | 0:28:02 | |
I love pictures of trees when they look really magical | 0:28:02 | 0:28:06 | |
and mysterious, and this one really does. | 0:28:06 | 0:28:08 | |
I've found some photographs of my favourite birds here. Bearded tit. | 0:28:10 | 0:28:15 | |
What an absolutely stunning creature that is. | 0:28:15 | 0:28:18 | |
Woodcock on a wall. | 0:28:18 | 0:28:20 | |
Oh, I'll think twice about eating another woodcock. | 0:28:20 | 0:28:23 | |
Woodcock are one of the finest creatures, | 0:28:23 | 0:28:25 | |
eating a woodcock... Oh, no! | 0:28:25 | 0:28:27 | |
-They are a game bird. -I know they're a game bird, but... | 0:28:27 | 0:28:31 | |
Well, they're a game bird. | 0:28:31 | 0:28:32 | |
-Look, look. -I know, now I've seen it, I won't eat any more woodcock. | 0:28:32 | 0:28:37 | |
Excellent, I'm taking you up on that. | 0:28:37 | 0:28:39 | |
No more woodcock consumed by Janet. | 0:28:39 | 0:28:41 | |
-Do they taste nice? -Yeah. | 0:28:41 | 0:28:43 | |
-Don't...don't... draw the process out. -JOHN AND JANET LAUGH | 0:28:43 | 0:28:46 | |
You know, amongst all these dozens of photographs, | 0:28:52 | 0:28:55 | |
there are two virtually identical pictures. | 0:28:55 | 0:29:00 | |
I tell you what, for what it's worth, I'm going for Charles. | 0:29:00 | 0:29:04 | |
-It's really hard, what d'you think? -Well, I prefer this one, I think. | 0:29:04 | 0:29:09 | |
Oh, no! Now there's one for each! | 0:29:09 | 0:29:12 | |
You've got the deciding vote between Charles and Ralph. | 0:29:12 | 0:29:16 | |
-It's your category. -Go on. | 0:29:16 | 0:29:18 | |
God, they both come from Yorkshire. I don't want to offend them. | 0:29:18 | 0:29:22 | |
-I'm going to choose that one. -You're going for Ralph! | 0:29:22 | 0:29:24 | |
-Ha-ha! -It is really tough. -Oh, dear. | 0:29:25 | 0:29:28 | |
'Sorry, Charles. There wasn't much in it.' | 0:29:28 | 0:29:30 | |
The next three classes, Plant Life, | 0:29:33 | 0:29:36 | |
Lighter Side Of Country Life and Farm Life. | 0:29:36 | 0:29:39 | |
Just a buttercup, growing on how many people's lawns? | 0:29:39 | 0:29:43 | |
And the striking colour. I really like that. | 0:29:44 | 0:29:47 | |
-I like the composition of this one. -Yes, that's very good. | 0:29:47 | 0:29:51 | |
Yes, I like that. | 0:29:51 | 0:29:52 | |
Scarecrows. I've got a scarecrow for every occasion. | 0:29:52 | 0:29:57 | |
'We're halfway through, so next are Leisure and Pleasure, | 0:30:01 | 0:30:05 | |
'wildlife and working animals.' | 0:30:05 | 0:30:08 | |
Tell you what's not in my category, Leisure and Pleasure, | 0:30:08 | 0:30:12 | |
is any photographs of allotments or vegetables. | 0:30:12 | 0:30:16 | |
Now, I am so obsessed with growing vegetables that every time | 0:30:16 | 0:30:20 | |
I grow a vegetable in my garden in Yorkshire, | 0:30:20 | 0:30:23 | |
which is interesting, I take a photo of it. | 0:30:23 | 0:30:26 | |
-I took a picture of my first peas? -This year? -Yes. -Did you? | 0:30:28 | 0:30:32 | |
There was enough for half a plateful. | 0:30:32 | 0:30:35 | |
I think I know that hole. | 0:30:38 | 0:30:40 | |
I've seen water voles photographed outside that hole so many times. | 0:30:40 | 0:30:44 | |
This is Brian, and there's Sheila. | 0:30:44 | 0:30:46 | |
It's almost like I know these animals personally. | 0:30:46 | 0:30:49 | |
Novelty is essential, I think, when it comes to photography. | 0:30:49 | 0:30:53 | |
'Final classes are insects and spiders, | 0:30:58 | 0:31:02 | |
'Water Worlds and Country People.' | 0:31:02 | 0:31:04 | |
What about this as an animal? Now, look, Janet, come on. | 0:31:04 | 0:31:07 | |
-The tussock moth caterpillar. -My house is a war-zone. | 0:31:07 | 0:31:11 | |
I'm fighting rabbits, moles, mice, caterpillars, | 0:31:11 | 0:31:17 | |
cabbage white butterflies. | 0:31:17 | 0:31:18 | |
Why can't you live in harmony with these creatures? | 0:31:18 | 0:31:21 | |
Because they're killing my vegetables. | 0:31:21 | 0:31:23 | |
If I listen to another programme telling me to love my slugs, | 0:31:23 | 0:31:27 | |
I think I'll puke. | 0:31:27 | 0:31:29 | |
'So be warned, insects and wildlife out there, | 0:31:29 | 0:31:32 | |
'it's probably best to avoid Janet's garden.' | 0:31:32 | 0:31:34 | |
Well, we're making pretty good progress, | 0:31:42 | 0:31:44 | |
but we still have hundreds more to look through before we pick our final 12. | 0:31:44 | 0:31:48 | |
'So join us later when we select one photograph | 0:31:48 | 0:31:50 | |
'from each of the classes to make up the Countryfile calendar for 2012, | 0:31:50 | 0:31:56 | |
'and you'll also get the chance to vote for the overall winner, | 0:31:56 | 0:31:59 | |
'the Best In Show.' | 0:31:59 | 0:32:00 | |
There's some fantastic photos there, | 0:32:06 | 0:32:07 | |
and I'm sure you've already picked out some that are your favourites. | 0:32:07 | 0:32:11 | |
But while the judging continues, I'm back at the Monmouthshire Show, | 0:32:11 | 0:32:14 | |
surrounded by top-notch specimens, | 0:32:14 | 0:32:16 | |
real show-stoppers of a different kind. | 0:32:16 | 0:32:19 | |
The event's one of the highlights of the rural calendar, | 0:32:21 | 0:32:24 | |
with over 2,000 animals on show and competitors | 0:32:24 | 0:32:27 | |
travelling from as far afield as Scotland, Ireland and Cornwall. | 0:32:27 | 0:32:30 | |
But perhaps no-one shows more dedication | 0:32:30 | 0:32:33 | |
than the owners of these guys. | 0:32:33 | 0:32:35 | |
24 hours ago, before the show officially opened | 0:32:36 | 0:32:39 | |
and the other animals poured in, it was the goats who got here early to take part | 0:32:39 | 0:32:44 | |
in a milking competition. | 0:32:44 | 0:32:46 | |
And I got a crash-course from veteran handler John Powell. | 0:32:46 | 0:32:49 | |
You catch hold of the teats, | 0:32:50 | 0:32:52 | |
you close your finger and thumb on the top and squeeze. | 0:32:52 | 0:32:57 | |
Hold that together, and then with your fingers, press. | 0:32:57 | 0:33:01 | |
MILK SQUIRTS AND SPLASHES | 0:33:02 | 0:33:04 | |
-It sounds like a symphony. -Do you feel confident, Clare? | 0:33:05 | 0:33:09 | |
No, not at all. | 0:33:09 | 0:33:10 | |
Well done. | 0:33:10 | 0:33:11 | |
Terrific. Yes. | 0:33:13 | 0:33:15 | |
Oh, Tulip, I'm so sorry, you poor thing. | 0:33:15 | 0:33:19 | |
There's a definite knack to this. | 0:33:19 | 0:33:22 | |
Oh, no! And I'm not sure I've got it yet. | 0:33:22 | 0:33:26 | |
John, how much should I be getting out here? | 0:33:30 | 0:33:32 | |
You should be getting about half a gallon. | 0:33:32 | 0:33:34 | |
-I'm not sure that's half a gallon. -No, that's two cups of tea. | 0:33:34 | 0:33:37 | |
Now, when I said these guys took dedication to a whole new level, | 0:33:40 | 0:33:44 | |
I wasn't kidding. | 0:33:44 | 0:33:45 | |
Because with night drawing in and an early start of competition in the morning, | 0:33:45 | 0:33:49 | |
most people stay here on site, | 0:33:49 | 0:33:52 | |
even bedding down for the night alongside their farmyard friends. | 0:33:52 | 0:33:55 | |
No thanks to my efforts, Tulip triumphed, winning first prize | 0:34:04 | 0:34:08 | |
for giving most milk, and she wasn't the only one taking home a rosette. | 0:34:08 | 0:34:11 | |
Megan, the young handler Matt met, earned a second place. | 0:34:11 | 0:34:16 | |
And after all my hard work with the Jones family, | 0:34:16 | 0:34:18 | |
Ebony the cow also came in second. | 0:34:18 | 0:34:22 | |
I'm a bit disappointed, because I thought she'd won. | 0:34:22 | 0:34:25 | |
There was even better news to come as Butterfly won her class, | 0:34:25 | 0:34:28 | |
bur Fraggle had a mountain to climb | 0:34:28 | 0:34:31 | |
when she found herself in the Best of Breed final | 0:34:31 | 0:34:34 | |
up against Adam the bull. | 0:34:34 | 0:34:36 | |
Poor little Fraggle. | 0:34:36 | 0:34:38 | |
Oh, she's won! Good girl! | 0:34:38 | 0:34:41 | |
You knocked out the big boy! Well done, Fraggle! | 0:34:43 | 0:34:47 | |
So young Fraggle here has won best young heifer, | 0:34:54 | 0:34:57 | |
Best Female and best overall winner. | 0:34:57 | 0:35:00 | |
It's been a good day, and there's lots more competition still to come. | 0:35:00 | 0:35:04 | |
In a few moments on Countryfile, | 0:35:05 | 0:35:06 | |
Clare's the hot favourite in a scurry-driving challenge. | 0:35:06 | 0:35:10 | |
She's up against James, and the underdog isn't sounding confident. | 0:35:10 | 0:35:13 | |
I've got no chance. The equine expert that is Clare Balding. | 0:35:13 | 0:35:18 | |
The judging of the Countryfile photographic competition | 0:35:18 | 0:35:22 | |
is reaching its climax. | 0:35:22 | 0:35:24 | |
But is your entry among the finalists? | 0:35:24 | 0:35:26 | |
-I think I might go for that one. -I'm going for that one. | 0:35:26 | 0:35:29 | |
Well, it's two-to-one. | 0:35:29 | 0:35:30 | |
And will the weather be picture-perfect? | 0:35:31 | 0:35:33 | |
Find out with the Countryfile forecast for the week ahead. | 0:35:33 | 0:35:36 | |
If ever there was a place of beauty that takes your breath away, | 0:35:57 | 0:36:01 | |
then this would be it. | 0:36:01 | 0:36:03 | |
But it hasn't always been like this. | 0:36:05 | 0:36:08 | |
Mark O'Brien and his partner Liz Vice have just landed | 0:36:10 | 0:36:13 | |
first prize in a competition to find the Wye Valley's most beautiful | 0:36:13 | 0:36:16 | |
and environmentally friendly farm. | 0:36:16 | 0:36:18 | |
They were honoured at the Monmouthshire Show | 0:36:18 | 0:36:20 | |
for their work in transforming their land from a run-down overgrown wilderness to a prize-winner. | 0:36:20 | 0:36:26 | |
The couple put wildlife at the heart of everything they do here. | 0:36:26 | 0:36:30 | |
It's an outstanding place, this. It feels beautiful to be here. | 0:36:30 | 0:36:34 | |
But how did it all start for you? | 0:36:34 | 0:36:36 | |
I was always interested in wildlife when I was a kid, you know. | 0:36:36 | 0:36:40 | |
I didn't have toys. I loved birds and fossils and things. | 0:36:40 | 0:36:44 | |
And I just wanted, really, to look after a bit of land, | 0:36:44 | 0:36:47 | |
and that's how it's all started, really. | 0:36:47 | 0:36:49 | |
We've ended up with all this. | 0:36:49 | 0:36:51 | |
And how about the girls you've got here, the longhorn cattle, | 0:36:51 | 0:36:54 | |
because there'll all part of the management? | 0:36:54 | 0:36:56 | |
Yes, they're vital for the grassland management, really, | 0:36:56 | 0:36:59 | |
because it has had some damage done to it by modern farming, | 0:36:59 | 0:37:03 | |
so I'm just trying to restore the grass | 0:37:03 | 0:37:05 | |
and not put any muck or fertiliser on. | 0:37:05 | 0:37:08 | |
And it's all organic now? | 0:37:08 | 0:37:10 | |
It's all organic. It produces a great quality food product. | 0:37:10 | 0:37:14 | |
-Now, he is an absolute beauty. -Yes, he is a blackfoot bull. | 0:37:14 | 0:37:18 | |
I presume he's got a name as well? | 0:37:18 | 0:37:20 | |
His name's Blackbrook Stig, like Stig off Top Gear. | 0:37:20 | 0:37:26 | |
Yeah. He used to run around quite fast, I think, when he was younger. | 0:37:26 | 0:37:30 | |
The meat from these longhorns brings in essential revenue to Mark and Liz, | 0:37:31 | 0:37:36 | |
but there's another little business that's grown out of all the work here - charcoal making. | 0:37:36 | 0:37:40 | |
Liz is bagging up the last of their new batch. | 0:37:40 | 0:37:44 | |
-So this is your charcoal factory, then? -That's right. -Lovely. | 0:37:44 | 0:37:48 | |
Are you going to hop in there, Matt? | 0:37:48 | 0:37:50 | |
-Do you want me to? -And shovel a bit out. | 0:37:50 | 0:37:53 | |
OK, if you need me to. No problem. | 0:37:53 | 0:37:55 | |
Here's a dust mask, you'll need that. | 0:37:55 | 0:37:58 | |
OK, and I'm just shovelling up on to the top of here? | 0:37:58 | 0:38:01 | |
Yes, this is the riddle, | 0:38:01 | 0:38:03 | |
and what Liz is going to do is riddle out the dust. | 0:38:03 | 0:38:07 | |
The finer particles will fall through as I riddle it, | 0:38:07 | 0:38:11 | |
leaving the larger lumps ready for bagging. | 0:38:11 | 0:38:15 | |
Most of the charcoal that's in the shops that people buy, | 0:38:15 | 0:38:19 | |
it comes from mangrove swamps and rainforest regions, | 0:38:19 | 0:38:21 | |
and these areas are cleared forever and destroyed. | 0:38:21 | 0:38:24 | |
Our charcoal is sustainable because our woodlands are coppice woodlands, | 0:38:24 | 0:38:29 | |
and when you cut the trees, they re--sprout again. They don't die. | 0:38:29 | 0:38:32 | |
You go back 20 years later, cut the same trees, | 0:38:32 | 0:38:35 | |
and you get more wood for charcoal again. It's much more sustainable. | 0:38:35 | 0:38:38 | |
When Mark and Liz won their award, | 0:38:40 | 0:38:42 | |
the first person to congratulate them was their great friend, Humphrey Smith. | 0:38:42 | 0:38:46 | |
Impressed by their love for nature, he dug deep into his own pockets to start them off on their journey. | 0:38:46 | 0:38:51 | |
I knew Humphrey Smith, because he was chairman of the Wildlife Trust. | 0:38:51 | 0:38:56 | |
He phoned me up and said "I've got £50,000, | 0:38:56 | 0:39:00 | |
"and I'm going to get you a woodland so you and Liz can manage it." | 0:39:00 | 0:39:03 | |
-What? Hang on! -That's what we thought! | 0:39:03 | 0:39:06 | |
He phoned you up and said, "I'll give you £50,000?" | 0:39:06 | 0:39:09 | |
He said it can be anywhere you want, anywhere in the world, wherever you want. | 0:39:09 | 0:39:13 | |
-Unbelievable. -It was like winning the lottery. | 0:39:13 | 0:39:16 | |
Humphrey was the start of everything, really. | 0:39:16 | 0:39:18 | |
The couple then sold their house, | 0:39:22 | 0:39:24 | |
enabling them to buy all the livestock. | 0:39:24 | 0:39:26 | |
They regularly open their gates to school kids, | 0:39:31 | 0:39:33 | |
but my visit here's almost over. | 0:39:33 | 0:39:36 | |
Before I go, I want to take in some of the views | 0:39:36 | 0:39:39 | |
that have helped the farm win this prestigious award for its natural beauty. | 0:39:39 | 0:39:43 | |
We want to preserve it for future generations. | 0:39:43 | 0:39:46 | |
We're just caretakers here, who are only here for a short time. | 0:39:46 | 0:39:50 | |
Kids today are not connecting with a lot of countryside issues | 0:39:50 | 0:39:55 | |
and where food's from, so we think that's very important, | 0:39:55 | 0:39:58 | |
because in the future they'll be the people looking after the environment, | 0:39:58 | 0:40:02 | |
so we need to teach them now, before it's too late. | 0:40:02 | 0:40:05 | |
The moment when we'll be revealing our final 12 | 0:40:11 | 0:40:13 | |
in the Countryfile photographic competition is almost upon us. | 0:40:13 | 0:40:17 | |
The judges' favourite photo in each category will make up the Countryfile calendar for 2012, | 0:40:17 | 0:40:22 | |
but will you agree with their choices? | 0:40:22 | 0:40:24 | |
Let's see how they're getting on. | 0:40:24 | 0:40:26 | |
Well, out of the 55,000 photographs sent in, | 0:40:30 | 0:40:34 | |
we're now down to the final 20 in each of the 12 categories, | 0:40:34 | 0:40:38 | |
and now it's crunch time. | 0:40:38 | 0:40:40 | |
Which ones stay and which ones go? | 0:40:40 | 0:40:42 | |
'We have the almost impossible task of getting them down | 0:40:42 | 0:40:46 | |
'to just a handful of favourites in each class, | 0:40:46 | 0:40:49 | |
'and then deciding on the photo we like the very best.' | 0:40:49 | 0:40:53 | |
SHE SIGHS | 0:40:53 | 0:40:55 | |
It's not easy! | 0:40:55 | 0:40:57 | |
'I've been looking at the classes In All Weathers, | 0:41:02 | 0:41:06 | |
'Country People... | 0:41:06 | 0:41:08 | |
'..Working Animals... | 0:41:10 | 0:41:12 | |
'and Farm Life.' | 0:41:14 | 0:41:15 | |
Certainly an awful lot of lambs and sheep, | 0:41:17 | 0:41:19 | |
and that was probably the most appealing of all the lambs. | 0:41:19 | 0:41:23 | |
This is a sort of classic farming picture. | 0:41:23 | 0:41:27 | |
This is how shepherds, farmers and their dogs get about these days. | 0:41:27 | 0:41:31 | |
A classic pastoral scene here, and this one, which is my favourite - | 0:41:31 | 0:41:36 | |
a tractor going underneath this treescape. Most unusual. | 0:41:36 | 0:41:39 | |
For me, it's a one-tractor race. I love the tangle of trees and the fact that this | 0:41:39 | 0:41:43 | |
red machine, something man-made, | 0:41:43 | 0:41:46 | |
is emerging from this natural tangle. | 0:41:46 | 0:41:49 | |
'Next up, Chris has been deliberating over his favourite class, | 0:41:54 | 0:41:58 | |
'Insects And Spiders. | 0:41:58 | 0:41:59 | |
'He was equally passionate about his Wildlife shortlist.' | 0:42:02 | 0:42:06 | |
The pin-sharpness. Oh, the vibrancy! | 0:42:06 | 0:42:09 | |
Ooh! Ooh! Ooh! | 0:42:09 | 0:42:11 | |
You might have just convinced us, Chris. | 0:42:11 | 0:42:14 | |
'But, with Birds, it was more difficult, | 0:42:14 | 0:42:16 | |
'and he didn't have all his own way.' | 0:42:16 | 0:42:18 | |
I might go for that one. | 0:42:18 | 0:42:20 | |
I'm going for that one. | 0:42:20 | 0:42:21 | |
Ah. It's two-to-one. | 0:42:21 | 0:42:23 | |
THEY LAUGH | 0:42:23 | 0:42:24 | |
'So, that just left his final class, Plant Life.' | 0:42:24 | 0:42:28 | |
I like the richness of this one. For me that's the most painterly | 0:42:28 | 0:42:31 | |
and artistic of them. | 0:42:31 | 0:42:32 | |
Poppies are on two of them, | 0:42:32 | 0:42:34 | |
and I like the contrast between the sharp, spiky teasels here | 0:42:34 | 0:42:38 | |
and this out-of-focus tableau of poppies behind. | 0:42:38 | 0:42:41 | |
This one, just one of those photographs. | 0:42:41 | 0:42:44 | |
I just want to be there. The richness of life. | 0:42:44 | 0:42:47 | |
And then this one, again, pretty arty - | 0:42:47 | 0:42:49 | |
the hyper-reality of a tiny little seed that's come from a dandelion. | 0:42:49 | 0:42:54 | |
Personally, I'm leaning to this one, | 0:42:54 | 0:42:57 | |
because to me, this says richness of life and colour. | 0:42:57 | 0:43:00 | |
I completely agree with you! | 0:43:00 | 0:43:02 | |
-Wow! -That's a bit of a world first, isn't it? | 0:43:02 | 0:43:06 | |
'Janet's classes included The Lighter Side Of Country Life, | 0:43:08 | 0:43:12 | |
-'Water Worlds and Leisure And Pleasure.' -It's really tough, | 0:43:12 | 0:43:16 | |
because I think if I had to choose two, I'd choose these two. | 0:43:16 | 0:43:19 | |
And I like those because our overall theme this year is Best In Show. | 0:43:19 | 0:43:23 | |
Exactly, and that fits in very neatly. | 0:43:23 | 0:43:27 | |
'But when she judged the Landscapes class, it was simply a matter | 0:43:27 | 0:43:30 | |
-'of what you might call -stile.' | 0:43:30 | 0:43:33 | |
I'd have to choose this, as a rambler. | 0:43:33 | 0:43:35 | |
I'm always very pleased to see a stile, | 0:43:35 | 0:43:38 | |
otherwise I've got to leg it over the top. | 0:43:38 | 0:43:40 | |
And also, I'm very keen on black-and-white photography, | 0:43:40 | 0:43:44 | |
and I'd worry if the calendar was all colour pictures. | 0:43:44 | 0:43:47 | |
I think that's a strong picture. | 0:43:47 | 0:43:49 | |
And you wonder where it's going to take you, don't you, the stile? | 0:43:49 | 0:43:52 | |
A bog - that's what usually happens! | 0:43:52 | 0:43:56 | |
This is, in terms of the composition, almost perfect. | 0:43:56 | 0:44:00 | |
Look, it starts in the middle, you come down here, you go here, and you go up here. | 0:44:00 | 0:44:04 | |
It's a lovely shape. | 0:44:04 | 0:44:05 | |
If you two are going for that, I'll join in, | 0:44:05 | 0:44:07 | |
because I think that is pretty stunning as well. | 0:44:07 | 0:44:10 | |
'All in all, an incredibly difficult challenge for us, | 0:44:12 | 0:44:15 | |
'and we've been hugely impressed by the quantity and quality of your photos. | 0:44:15 | 0:44:19 | |
'After a whole day of judging, with plenty of lively debate and some very hard decisions, | 0:44:19 | 0:44:25 | |
'we finally agreed on the 12 fabulous photos | 0:44:25 | 0:44:28 | |
'that will make up the Countryfile calendar 2012. | 0:44:28 | 0:44:32 | |
'And here they are.' | 0:44:32 | 0:44:34 | |
It's going to be a real cracker. | 0:44:50 | 0:44:53 | |
Thank you, Janet. Thank you, Chris, for your comments and help in picking these wonderful pictures. | 0:44:53 | 0:44:57 | |
And now it's up to you, because we want you to pick the overall winner. | 0:44:57 | 0:45:01 | |
The photographer with the most number of votes | 0:45:01 | 0:45:04 | |
gets to choose from a selection of the latest photographic equipment worth £1,000. | 0:45:04 | 0:45:10 | |
We've given each of our finalists a number, and we'd like you to vote for your favourite. | 0:45:12 | 0:45:17 | |
Calls cost 10p from a BT landline, other operators may vary, | 0:45:17 | 0:45:21 | |
and calls from mobiles will be considerably higher. | 0:45:21 | 0:45:25 | |
But don't phone yet, because your votes won't be registered and you might be charged. | 0:45:25 | 0:45:29 | |
I'll tell you when you can start to make your choice, | 0:45:29 | 0:45:32 | |
but here is a reminder of the final 12. | 0:45:32 | 0:45:35 | |
You can start voting now, | 0:46:49 | 0:46:50 | |
and the lines will stay open until midnight next Sunday - | 0:46:50 | 0:46:53 | |
that's September 18. | 0:46:53 | 0:46:54 | |
But if you vote after the lines close, | 0:46:54 | 0:46:57 | |
you may still be charged and your vote won't be counted. | 0:46:57 | 0:47:00 | |
You'll find all the details of the phone vote on our website, | 0:47:00 | 0:47:03 | |
along with information about the BBC's code of conduct | 0:47:03 | 0:47:06 | |
for competitions and voting. | 0:47:06 | 0:47:08 | |
There'll be another chance to see our finalists | 0:47:12 | 0:47:15 | |
at the end of the programme, and we'll reveal who won your vote, | 0:47:15 | 0:47:18 | |
and the photograph chosen as the judges' favourite, on 9th October. | 0:47:18 | 0:47:23 | |
Thanks to everybody who's entered this year's competition. | 0:47:24 | 0:47:27 | |
We really have had some super shots sent in. | 0:47:27 | 0:47:29 | |
In a moment, we'll return to the prize-winners at the Monmouthshire Show, | 0:47:29 | 0:47:33 | |
and Clare and James will be having a go at scurry racing. | 0:47:33 | 0:47:36 | |
Before that, here's the Countryfile weather forecast for the week ahead. | 0:47:36 | 0:47:40 | |
. | 0:49:49 | 0:49:57 | |
Today, we're exploring the Monmouthshire side of the Wye Valley, | 0:50:10 | 0:50:13 | |
countryside blessed with outstanding natural beauty, and also, | 0:50:13 | 0:50:17 | |
one of the biggest agricultural shows in Wales. | 0:50:17 | 0:50:19 | |
I'll be meeting up with James later. But, first, he has a bit of a challenge to take on. | 0:50:19 | 0:50:25 | |
There are some things in life I'm really comfortable with, | 0:50:25 | 0:50:29 | |
walking in a wood or foraging in a hedgerow. | 0:50:29 | 0:50:31 | |
But there's one thing I have no experience with. | 0:50:31 | 0:50:35 | |
Horses. Not just the one. Two of them. | 0:50:38 | 0:50:42 | |
Oh, and there's this chariot thing attached to the back. | 0:50:42 | 0:50:44 | |
And they want me to ride it. | 0:50:44 | 0:50:47 | |
The things they get me doing! | 0:50:47 | 0:50:48 | |
This is scurry driving. | 0:50:51 | 0:50:55 | |
'It looks pretty dangerous. Excellent(!) | 0:50:55 | 0:50:59 | |
'To put me at my ease, I'm counting on champion scurry driver, Lucy Scott.' | 0:50:59 | 0:51:04 | |
Tell me about scurry racing, | 0:51:04 | 0:51:06 | |
because I've never even heard of it before. | 0:51:06 | 0:51:08 | |
We have two ponies and a cart. It has four wheels on it. | 0:51:08 | 0:51:13 | |
They're very basic carts. | 0:51:13 | 0:51:15 | |
We don't have brakes, we don't have nice suspension, | 0:51:15 | 0:51:18 | |
so it's going to be a bumpy ride for you. | 0:51:18 | 0:51:20 | |
It sounds hardcore. | 0:51:20 | 0:51:22 | |
And we have a course of cones, normally about 12 cones, and we have balls on top. | 0:51:22 | 0:51:28 | |
so, the fastest through the course of cones without knocking the balls off wins. | 0:51:28 | 0:51:32 | |
-It's very fast and furious. -Is it dangerous? -Yes, it can be dangerous. | 0:51:32 | 0:51:37 | |
We're going at high speeds, turning sharp corners, | 0:51:37 | 0:51:40 | |
so we do rely on the groom behind to hold the wheels on the floor. | 0:51:40 | 0:51:45 | |
If you're going left, they have to get right over the wheels on to the left... | 0:51:45 | 0:51:49 | |
-To stop you tipping over? -To stop us tipping over. | 0:51:49 | 0:51:51 | |
-Is that the bit I'm doing? -Yes. -I'm a glorified weight? -You are. -Fantastic! I can do that, I'm sure. | 0:51:51 | 0:51:57 | |
Let's hope I can, anyway! Here goes. | 0:51:59 | 0:52:01 | |
-Right. Tally-ho! -OK. Hold onto the front. Walk on! | 0:52:07 | 0:52:11 | |
OK, right! | 0:52:16 | 0:52:17 | |
And then over to the left. | 0:52:20 | 0:52:23 | |
-Are you happy with that? -It's a bit like sailing. | 0:52:23 | 0:52:27 | |
But with horses and no water! | 0:52:27 | 0:52:29 | |
Left, left! Left, left, left. | 0:52:31 | 0:52:33 | |
My bum is not entirely on the seat. Is that all right? | 0:52:33 | 0:52:36 | |
As long as you have one cheek on the seat you're fine. Over to the right. | 0:52:36 | 0:52:40 | |
Now left! Now right! | 0:52:41 | 0:52:44 | |
'This is a lot more tiring than I thought.' | 0:52:45 | 0:52:49 | |
That's it. You've got the hang of it! | 0:52:49 | 0:52:52 | |
Well, James, I think you're ready. | 0:52:56 | 0:53:00 | |
-OK. Ready for what? -You'll soon find out when we get there. | 0:53:00 | 0:53:04 | |
'What James isn't prepared for is that he's going to be competing against me. | 0:53:04 | 0:53:09 | |
-Good luck! -Thank you. | 0:53:09 | 0:53:10 | |
'And when it comes to racing, we've got previous. | 0:53:12 | 0:53:15 | |
'A few weeks back, with a bit more horsepower, he beat me hands down...' | 0:53:15 | 0:53:19 | |
That wasn't you! That wasn't you! | 0:53:19 | 0:53:22 | |
'But not necessarily playing fair and square.' | 0:53:22 | 0:53:25 | |
-Oh! So, we meet again! -Hello, James. | 0:53:25 | 0:53:29 | |
I decided that, because the last time we did a challenge you cheated, | 0:53:29 | 0:53:33 | |
by getting somebody else to drive, not telling me you couldn't drive, I thought we'd have a rematch. | 0:53:33 | 0:53:38 | |
Aren't you an adept equestrian horse expert? | 0:53:38 | 0:53:43 | |
I am, but I don't really do this very often. | 0:53:43 | 0:53:45 | |
-I will be happy if you want to have a head start. -No, no, no. | 0:53:45 | 0:53:49 | |
-You know me and fair play. I'm good to go. -You and fair play! | 0:53:49 | 0:53:52 | |
Right, let's get into the arena and do it! | 0:53:52 | 0:53:55 | |
'So, here we go. The inaugural Countryfile scurry race. | 0:53:55 | 0:54:00 | |
'A champion jockey versus a botanist with no propensity for horsemanship. | 0:54:00 | 0:54:06 | |
'Should be a belter!' | 0:54:06 | 0:54:07 | |
'I'm first up with driver Philippa and horses Wallace and Gromit.' | 0:54:07 | 0:54:12 | |
They're really good. | 0:54:15 | 0:54:16 | |
I've got no chance. | 0:54:22 | 0:54:23 | |
The equine expert that is Clare Balding. | 0:54:23 | 0:54:26 | |
I need to know what that woman's time is. | 0:54:31 | 0:54:34 | |
-ANNOUNCER: -57.01, ladies and gentlemen. | 0:54:34 | 0:54:37 | |
57.01 is the time to beat. | 0:54:37 | 0:54:40 | |
'I've certainly got my work cut out here. | 0:54:40 | 0:54:42 | |
'Next up, little old me.' | 0:54:44 | 0:54:46 | |
Have they started? | 0:54:48 | 0:54:50 | |
Jeez, they're flying. | 0:54:50 | 0:54:51 | |
He's doing great, he's doing great through the slalom, | 0:54:55 | 0:54:58 | |
really shifting his weight properly. | 0:54:58 | 0:55:00 | |
Right, right, right, go, go, go, go! | 0:55:00 | 0:55:02 | |
Over to the left! | 0:55:02 | 0:55:04 | |
Now we've got a gallop. | 0:55:04 | 0:55:06 | |
How's the time? 44... | 0:55:06 | 0:55:08 | |
They might beat us. | 0:55:08 | 0:55:09 | |
-ANNOUNCER: -And it's pretty fast, 56.265. | 0:55:12 | 0:55:15 | |
He's got me again. He has, too. | 0:55:15 | 0:55:17 | |
Hello, Clare. | 0:55:20 | 0:55:21 | |
Well done. I'm quite impressed with that. | 0:55:21 | 0:55:23 | |
That was very, very good. Did you enjoy it? | 0:55:23 | 0:55:26 | |
It was fantastic, and don't feel too bad, | 0:55:26 | 0:55:28 | |
because it's the only trace of masculinity I've got left - | 0:55:28 | 0:55:31 | |
if I was to lose to a girl on a My Little Pony pink chariot | 0:55:31 | 0:55:34 | |
it would be the end of the world. | 0:55:34 | 0:55:36 | |
Well, you can take this very macho Scurry Driving Association shield of honour. | 0:55:36 | 0:55:40 | |
I'm thrilled for James, absolutely thrilled for him. | 0:55:40 | 0:55:43 | |
Congratulations, and talking of winners, before we say goodbye, | 0:55:43 | 0:55:46 | |
here is a final reminder of how to vote for your favourite | 0:55:46 | 0:55:49 | |
in the Countryfile Photographic Competition. | 0:55:49 | 0:55:52 | |
Lines close next Sunday evening, | 0:57:06 | 0:57:08 | |
and all the details are on our website. | 0:57:08 | 0:57:11 | |
Well, that's it from us this week at the Monmouthshire Show, | 0:57:11 | 0:57:14 | |
but next week we'll be joining a team from the RNLI International Flood Rescue. | 0:57:14 | 0:57:19 | |
Exciting stuff. Join us then. | 0:57:19 | 0:57:20 | |
Subtitles by Red Bee Media Ltd | 0:57:28 | 0:57:31 | |
E-mail [email protected] | 0:57:31 | 0:57:34 |