Inspirational Countryside Compilation Countryfile


Inspirational Countryside Compilation

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Majestic woodlands cresting gently rolling chalk hills.

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Pretty villages with their well-kept greens.

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The Chilterns are a magical place and are the setting for some

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children's stories that are loved around the world.

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Children and adults alike delight in the writings of Roald Dahl.

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He was born 100 years ago this month in Wales, but he sought out

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these Chiltern Hills in the 1950s

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and he made them his home for the rest of his life.

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I've got a golden ticket to the countryside he knew

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and I'll be meeting people whose lives Roald Dahl touched.

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And as a result, are carrying on his legacy.

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I'm going to be looking through the Countryfile archives to uncover

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how the British countryside has drawn to it other creative spirits.

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From the time Matt took watercolouring quite literally...

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..to the mystery wildlife photographer

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And when Ellie helped a graffiti artist turn images

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Plus, Matt has got more news of a very special Countryfile

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There are just a few weeks to go until this year's Countryfile Ramble

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We are all getting ready and, later on,

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I'll be telling you how you can take part.

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And I'll be recalling some of my own personal memories of the man

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whose life we're celebrating today, Roald Dahl,

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when we lived not far from each other, here in the Chiltern Hills.

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and stretching from the River Thames in the south to Hertfordshire,

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and the village of Great Missenden lies at their heart.

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It's an area that was much loved by Roald Dahl,

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who drew inspiration from its landscape and from its people.

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Roald Dahl was a dyed-in-the-wool countryman.

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wander through the valleys, and what he found there was the inspiration

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for his writing for both adults and children.

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He lived in Great Missenden, and wander along the high street

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and you pass places that he visited...

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Today, a Roald Dahl Museum here draws in tens of thousands

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is pointing out some rather special locations.

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He would always take a break between his two writing stints every day and

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he would walk down this high street, which probably looked very similar.

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Some of the shops have changed. But he had a wonderful expression.

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He talked about how he imagined tentacles coming out of his brain,

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reaching for ideas in the air, and he would have been doing

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that consciously or unconsciously just walking down the street.

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So, what are some of the buildings then that ended up in his books?

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Well, we're just coming to one right here,

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this lovely timbered building called Crown House.

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It's a private home but we've got evidence in the archive

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that this is where he was thinking of when

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he was talking about the "norphanage" where Sophie lives,

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the little girl who is the hero of the BFG.

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So he would have imagined the Big Friendly Giant looking into

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the top windows. Yeah, possibly stooped in a little bit.

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But he wasn't the biggest giant in the pack.

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'A brilliant moonbeam was slanting through a gap in the curtains.

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'The other children in the dormitory had been asleep for hours.

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'Sophie closed her eyes and lay quite still.

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'She tried very hard to doze off. It was no good.'

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I wonder what Roald would have made of having

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a museum on this high street dedicated to him.

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I think he'd be glad that it's not a boring museum and

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he always wanted his archive to stay in one place and stay in Britain.

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The fact that we've got that at the heart of the collection,

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I think he would have really appreciated.

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He wanted adults to be "sparky," didn't he? Absolutely, he did.

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And here is a great example of that from

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So anybody who knows that wonderful book and knows that Danny and

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his dad lived at a filling station. Yes.

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These are the petrol pumps he would've seen.

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'We lived in an old gypsy caravan behind the filling station.

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'My father owned the filling station and the caravan and a small

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'field behind, but that was about all he owned in the world.

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'It was a very small filling station, on a small country road,

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'surrounded by fields and woody hills.'

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This is straight out of Danny, Champion Of The World, isn't it?

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That's right and the book is set squarely in the Chilterns and

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there are so many other parts of this world that feature in Danny

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The beechwoods and rolling hills of the Chilterns also

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Quite a few big, friendly giant strides away

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I lived on the hills above Great Missenden

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He and his wife, Felicity, lived in a house just around the corner from

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here and one night my wife and I were having dinner with them there.

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We had a very convivial meal and then afterwards,

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a truly Roald Dahl moment happened because a bowl was produced

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little mixed chocolate bars that children love so much and so,

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for a brief time, with its creator looking on,

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I felt like Charlie in the chocolate factory.

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After all, Dahl did believe a little nonsense now and then

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His corner of the Chilterns has become

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a place of pilgrimage for fans of all ages and, for many,

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an essential stop is Roald Dahl's grave.

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This is the Dahl bench in the graveyard

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And, if you follow in these giant footprints,

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Here he lies buried, along with some of his treasured possessions.

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This is a place of celebration, not mourning.

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I've got some very fond memories of him,

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like the time when we judged a local talent contest.

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You should have heard some of his whispered comments.

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When he wanted to be, Roald could be rather disruptive.

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And, after his death, I along with a group of other people from

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television and the stage who knew and respected him,

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at a special event here at the parish church.

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It was one of the most moving occasions I can ever remember.

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For a while now, we swap Dahl's beloved Chiltern Hills

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Last summer, Matt set off on a voyage from Seahouses

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with a landscape artist seeking inspiration beneath the waves.

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..traditional fishing communities, clustered around sandy coves.

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catering for tourists and the fishing industry alike.

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We're on board the Glad Tidings and heading out to the Farne Islands.

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a couple of miles off the shore of Northumberland.

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But however many there are, I'm not going to be stepping foot on

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a single one of them because I'm going to be exploring the

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Farne Islands from a very different perspective.

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That's because I'm joining an artist on his first official dive

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Chris Rose normally works on dry land,

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He's a member of the renowned Society Of Wildlife Artists

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and has exhibited all over the world.

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His paintings are incredibly lifelike,

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Water features heavily in his work and he's now been awarded a grant

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to create art inspired by what he sees underwater.

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Chris, I have never heard of anything like this.

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I mean, it's quite an exciting concept, drawing underwater.

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Well, I'd never heard of it either, to be honest.

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I'd heard of it but I'd certainly never tried it. OK.

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I've developed my own sketching kit. This is waterproof paper. OK.

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What you do down at the seabed, then,

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how much of that is that like a sketch of what you're going

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to do, as far as the finished product? Or, is that it?

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Really what I'm trying to do today is just go down,

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do some little sketches of things and it'll just be in pencil.

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Those will be my prime source of reference.

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That together with the memory of the dive, if you like.

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To access this underwater world, you need to be qualified.

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I'm an advanced diver with more than ten years' experience, and Chris

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has been in intense training for the past month, or so.

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To keep us safe on our dive, we've got a fully seasoned diving

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crew and Nic from Seasearch is also here to help Chris.

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So, Nic, how does what Chris is doing fit in to what you do?

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I think whilst we collect data and we can do reports,

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that might not always catch the imagination of your average

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person who comes out to the Farne Islands.

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But if Chris comes up and does some of his drawings of what we see

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then it really does show people it's worth looking after our seas.

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There is so much interesting life down there.

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The forest of kelp on the seabed first catches my attention.

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Then I remember I'm not just here to look.

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Chris's drawing system works a treat.

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But with a tidal flow and the cumbersome kit, it's tricky.

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We're under the sea for about 30 minutes.

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Woo! Wow! I tell you what, it's pretty nippy down there.

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Right, Chris, it's the show and tell now. It's the show and tell.

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Oh, dear. I did sort of like a weird seascape thing that, I don't know...

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I don't know where that was going but I took bits from all over

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the place. There's the sea urchin. The sea urchin there on that one.

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Yeah, I sat there and thought, "OK, we've got that sea lettuce."

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There was a little patch of green in there.

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There was, really vibrant, wasn't it? It was a lovely vibrant green.

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Then you had kelp in the background and there was

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a patch of sand which would give a nice tonal contrast to the

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whole thing and, of course, in the background you've just got that

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In conditions where it really is hard to draw,

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it's difficult to imagine creating high-quality art.

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We take our time, heading back to Seahouses to catch our breath.

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It isn't long before Chris is interpreting his sketches in paint.

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So all these colours, they're just coming from memory?

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When we were down there I was consciously looking at all

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the colours and trying to record them in my head,

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which is why, when I come out of the water,

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I wanted to crack straight on with doing this field painting,

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while the colours are still fresh in my mind,

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to try and get a sense of the atmosphere of the underwater world.

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Thank you very much for a wonderful experience, one I'll never forget.

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Leaving the north-east, we return to the Chilterns and the

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Roald Dahl Museum in Great Missenden.

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It may be small but visitors come from far and wide to marvel

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at its definitive collection of Dahl artefacts.

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And this is perhaps the most remarkable thing in the museum.

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It's the inside of Roald Dahl's writing hut.

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I remember seeing the hut in his garden, at his home.

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Now here it is in the museum, exactly as it used to be.

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They even brought the dust from the floor with them.

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There's his old writing chair and the HB pencils.

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He never used any other kind of pencil,

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only HB which he had brought over from America.

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There are lots of other things in this room

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Look, over there, there is a model of a Hurricane fighter plane.

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That was given to him by his secretary, Wendy, because Roald Dahl

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was a fighter pilot during the war and he flew Hurricanes.

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This is where he turned his genius into books.

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The museum has a remarkable set of Dahl manuscripts,

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a tale of a crafty fox and his battle to outwit local farmers.

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Dahl's early versions of the story, not normally on show,

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are quite different from the finished book.

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Mr Fox, no "fantastic" at this stage. Mr Fox by Roald Dahl.

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As you can see, he cut out all the little bits of typing into

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this notebook and gradually the story developed.

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He sent this to his publishers and the new ideas came in.

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The farmers were added to add a bit of conflict and eventually,

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after a lot of hard graft and rewriting because, after all

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Later, I'll be venturing into the woods that Dahl explored with

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his children and which inspired him to write Fantastic Mr Fox,

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but first, Ellie met a graffiti artist last autumn who also

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has a fancy for foxes... and other creatures.

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The Shropshire hills are abundant with wildlife.

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The berry-rich hedgerows, a feast for migrating winter birds.

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It's these feathered friends that have captured the imagination

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of an artist whose work has very urban origins.

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Matt Sewell has exhibited in London, New York, Tokyo and Paris.

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He's spray-painted walls across the globe.

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But this street artist is a country lad at heart, an avid

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ornithologist, whose caricatures of birds

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What was it that first got you into birds,

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When I grew up on a smallholding in County Durham

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and we were just surrounded by birds and my dad liked to just keep

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me in check, knowing that I knew everything that was there.

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So what about the street art, then? When did that come in?

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That was kind of when I got a bit older and moved to Brighton.

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So nature and art became what I kind of did, really.

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What sort of stuff were you doing in Brighton?

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It was the fox that quickly became my signature, in a sense.

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But today, it's Matt's spotting and jotting guide to British birds

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that's capturing people's imaginations.

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I've got one of your books and it's the descriptions

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because the illustrations are lovely, but, you get a real sense of

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the caricatures from what you say about them.

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It all comes from just the thoughts I used to have of them when I

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was a kid. I couldn't help but just create little characters for

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them by what they look like as well, by the movements and habits.

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Matt and I have come to The Hollies nature reserve.

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On a good day, it's the ideal spot for watching

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Today, the birds may have taken shelter from the wind and rain,

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but that's not going to put us off sketching.

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Shall we have a go at drawing something, even though the

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shapes are a little bit blurry out there? I can definitely show

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you how to draw a redwing, anyway. OK, great.

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and the long body, with the long wing.

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That's a distinctive Matt Sewell, within seconds. Yeah!

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If I coloured that in now, that would definitely be a blackbird,

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but, to make it the redwing, you just give it this kind of, like,

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marking behind the eyes and the speckled thrush chest.

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There you go, instant. Yeah. And now, all I need is my red pencil

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to go under the wing and there we go. Identifiable within seconds.

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if you come out and you're not getting the bird

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Well, I just like going and seeing what I can find.

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If it's like this, just going for a walk and just trying to get

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a little bit of inspiration and then taking it back to the studio.

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I've basically just copied yours there, look.

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It does look more like a robin. How can that be?

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But then, a robin is related to it. It's a thrush, isn't it?

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Matt didn't seem too impressed with my sketches,

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but maybe I'll fare better with a can of spray paint.

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Matt said that I could get stuck in giving him a hand with a mural

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that he's dedicated to Shropshire wildlife.

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Matt's illustrations have led to many commissions for murals,

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including this one on the edge of a housing estate

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Hi. It's looking good. Thanks very much.

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You've got all the holly and everything.

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I guess what's great about this is that you're bringing wildlife

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that might not be seen in the town right into this environment,

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No, there's not that many places to do it, so this is perfect, really.

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A lot of people pass through here. There's a lot of nature around,

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It's like a spotter's checklist as they go off on their walk. Exactly.

:20:49.:20:52.

Now, I've never, ever done this, so I'm going to need a lot of guidance.

:20:53.:20:56.

I don't want to ruin it. You'll be all right. Yeah, gloves on.

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Yeah, get your gloves on. What's next? Right, OK.

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So, you need to do... So, you've got the beak.

:21:03.:21:06.

Oh, nearly. Just nice and slow. OK, slow, slow, slow.

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Oh, you're doing good. That's good coverage.

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On today's programme, we're taking a look at our country's magnificent

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landscapes and their influence on some of our most creative talents.

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Only last spring, Helen met and unmasked a mysterious photographer,

:21:56.:22:00.

who gets inspiration from the beautiful Peak District.

:22:01.:22:17.

He has 13,000 followers on the internet and some pictures have

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been shared more than ten million times.

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But, like the Banksy of the photographic world,

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he is known only by the mysterious alias, Villager Jim.

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Today, he's agreed to reveal his identity to me

:22:31.:22:33.

Jim. Hi, Helen. Nice to meet you. Pleased to meet you, too.

:22:34.:22:38.

I can imagine, living in a place like this, it's quite easy

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to get into photography, but how did it all start?

:22:42.:22:43.

Yeah. Well, I started getting into photography when I moved

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to the Peak District, simply because I noticed, coming from a city,

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It's not about sitting there with a camouflage tent for me.

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I'm about going out there and seeing what's out that particular morning.

:22:58.:23:00.

I'm a complete novice, although I invested in an OK camera.

:23:01.:23:04.

You can take amazing photos nowadays, so, people shouldn't be

:23:05.:23:11.

It's really, mostly, all about composition

:23:12.:23:18.

and anticipation of what's going to happen in a shot.

:23:19.:23:21.

One of the best ways of having good composition is to imagine

:23:22.:23:25.

a noughts and crosses on your screen and try not to put the subject

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Is there anything else I should be thinking about?

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Instead of taking the whole animal, just take a part of it and

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play around and you'll suddenly realise that taking that ear or

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Where is a good place to start when you are looking for a subject?

:23:41.:23:47.

Any garden bird is fantastic if you get the right picture of it.

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and the thing to do is to help them by feeding them.

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Never mind Villager Jim, I think he's more like Dr Dolittle.

:23:59.:24:01.

So far, so good, but Jim has sent me on a solo mission

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to put his tips into practice by photographing the pedigree cattle

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just down the road at the Chatsworth Estate.

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If that wasn't pressure enough, the Duke of Devonshire himself

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is also a fan of Jim's work, so, my photos better be up to standard.

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OK, now, Jim said don't get you in the centre.

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are in the middle of my noughts and crosses grid.

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something that's not going to happen.

:24:51.:25:00.

I've definitely got quantity, if not quality.

:25:01.:25:13.

Well, I'm pleased with my pics. Time to see what the maestro has to say.

:25:14.:25:18.

Right. Well, the very first one I click on is actually pretty good.

:25:19.:25:28.

Obviously, there's lots of cows, but with Chatsworth at the back,

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And, you've actually, going on the noughts and courses,

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you've used the bottom three squares as the main subjects.

:25:37.:25:39.

Yeah, again, makes a fabulous photo, cos they look so gentle, don't they?

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But, it's just ever so slightly out of focus, even with my glasses on.

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With that one, I was going for the anticipation thing.

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I was trying to get it to stick its tongue out.

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For me, it's just the way that the cow tilts her head.

:25:57.:26:08.

It just gives a bit of character to it. So, you'd print that?

:26:09.:26:11.

Thank you. I may have taken about 800 pictures today,

:26:12.:26:17.

but that nod of approval will do. Thank you, Jim.

:26:18.:26:19.

This month marks the 100th anniversary of the birth of

:26:20.:26:28.

Roald Dahl, so, we're exploring his Chiltern Hills and other

:26:29.:26:32.

landscapes that stir the creative spirit.

:26:33.:26:36.

but he was also a very keen gardener.

:26:37.:26:41.

He didn't grow snozzcumbers or giant peaches or anything like that,

:26:42.:26:45.

but he was very passionate about his garden and I'm off now to meet a man

:26:46.:26:49.

Keith Pounder became Roald Dahl's gardener in his early 20s

:26:50.:26:58.

and he still looks after the five-acre garden

:26:59.:27:01.

that he helped create around Dahl's writing hut.

:27:02.:27:04.

Did he ever discuss his stories with you?

:27:05.:27:11.

He often mentioned about the countryside around us and things

:27:12.:27:15.

that were in the garden that had developed,

:27:16.:27:18.

like the cherry tree at the top of the garden.

:27:19.:27:21.

he was thinking about James And The Giant Cherry,

:27:22.:27:25.

but I think in the end he thought a cherry

:27:26.:27:28.

So, he opted for the peach. It doesn't sound as good, does it?

:27:29.:27:32.

James And The Giant Cherry Tree. No. Definitely not.

:27:33.:27:36.

and he used to have a little competition with his snooker buddies

:27:37.:27:44.

each year of who could grow the biggest onion.

:27:45.:27:47.

I did hear a story once that he did cheat a little bit sometimes.

:27:48.:27:52.

Is that true? Well, he just got a head start.

:27:53.:27:55.

He used to buy his plants in already part-grown. Ah, right.

:27:56.:27:59.

Everybody else was growing from seed? Yeah.

:28:00.:28:01.

And what would you say was Roald's legacy, as far as you're concerned?

:28:02.:28:06.

Erm, I think, for me, he taught me to be the best I can be.

:28:07.:28:11.

Even if it was the minor things in life, to do the best you can.

:28:12.:28:16.

Absolutely. Yeah. You've got to enjoy what you do in life.

:28:17.:28:27.

Well, let's step away from the Chilterns for news of a Countryfile

:28:28.:28:30.

event that's harnessing the power of the countryside to change lives.

:28:31.:28:47.

and I wanted to go on this ramble to help Children in Need.

:28:48.:28:55.

Last year, we launched the first ever Countryfile Ramble

:28:56.:29:07.

whoever you were with, we all walked together.

:29:08.:29:19.

And we proved that taking a few simple steps can help transform

:29:20.:29:23.

the lives of thousands of disadvantaged youngsters.

:29:24.:29:29.

For one weekend only, the rambles are back and this year's

:29:30.:29:32.

Countryfile Ramble for Children in Need needs you.

:29:33.:29:44.

On the 8th and 9th of October, while we're heading out

:29:45.:29:47.

on our own rambles, we want you to head out on yours.

:29:48.:29:51.

We want you to let your feet do the talking, because you are the

:29:52.:29:59.

power behind the Countryfile Ramble for Children in Need.

:30:00.:30:07.

and put on your own sponsored ramble.

:30:08.:30:21.

We know from last year that if we all get out there and ramble

:30:22.:30:24.

But sadly there are still thousands of youngsters

:30:25.:30:29.

Children in Need help families all over the UK.

:30:30.:30:41.

The charities they support help children gain confidence and

:30:42.:30:45.

Olivia lives near Cardiff with mum Karen and dad Jeff.

:30:46.:30:53.

and loves doing all the things that any teenager enjoys.

:30:54.:30:58.

one of the most well-known causes of a learning disability.

:30:59.:31:18.

The condition can affect people in lots of different ways

:31:19.:31:21.

but children who have it are as individual as any other child.

:31:22.:31:27.

Maybe I could do some swimming on the lake.

:31:28.:31:33.

The main thing Olivia loves to do is be the centre of attention.

:31:34.:31:37.

When Olivia was born, it soon became clear to Karen and Jeff

:31:38.:31:54.

to say there's a possibility that she could be Down's syndrome.

:31:55.:32:02.

Our world was just totally turned upside down.

:32:03.:32:05.

With all the hopes and fears of any new mum,

:32:06.:32:08.

this wasn't the start in life they'd imagined for their new daughter.

:32:09.:32:12.

The fear was not fully understanding the scale of Down's syndrome,

:32:13.:32:16.

is she going to be able to walk, to talk, to communicate?

:32:17.:32:22.

It was like fast-forwarding her life to 20, 30 years,

:32:23.:32:28.

when my husband and I are not around.

:32:29.:32:31.

From that moment, Karen and Jeff always wanted to give Olivia

:32:32.:32:38.

She'd been in a mainstream environment all her life.

:32:39.:32:44.

She had a fantastic network of friends.

:32:45.:32:51.

But as time went on, Olivia began to feel isolated at school

:32:52.:32:56.

and Mum and Dad became increasingly concerned.

:32:57.:32:59.

Olivia was getting anxious. She wasn't herself.

:33:00.:33:01.

She'd come home, you'd ask her how she got on at school, it was like,

:33:02.:33:04.

She was withdrawn from all her friends.

:33:05.:33:10.

And then it just went from bad to worse.

:33:11.:33:13.

saying she didn't want to go back to school.

:33:14.:33:18.

It was just horrendous seeing her go through that.

:33:19.:33:25.

It was a local club in the community that helped give the family

:33:26.:33:29.

the support that they so desperately needed

:33:30.:33:31.

and helped bring back the Olivia they knew.

:33:32.:33:35.

Cathays Community Centre is one of the best things

:33:36.:33:38.

and I think, not just from Olivia's point of view,

:33:39.:33:43.

from the children that are actually living in that community.

:33:44.:33:47.

It's a hub where people meet, where people feel relaxed

:33:48.:33:50.

The Cathays Central Youth and Community Centre,

:33:51.:33:57.

with vital funding from Children in Need,

:33:58.:33:59.

run a Friday evening club for children and young adults

:34:00.:34:03.

I can do, like, I do outdoor learning

:34:04.:34:12.

Maybe arts and crafts, and I can do a lot of acting as well.

:34:13.:34:23.

Children have loads of fun at the centre and go on activity trips

:34:24.:34:27.

to the countryside, where the great outdoors helps them to

:34:28.:34:30.

build confidence and enrich their lives.

:34:31.:34:32.

It's just a safe haven for her, which is her time,

:34:33.:34:36.

and she's involved with not just people from her own school,

:34:37.:34:39.

from the community down there as well.

:34:40.:34:41.

Everybody is equal and they all get on.

:34:42.:34:46.

I like to chill out. I can do lots of kind of things.

:34:47.:35:01.

The people that work there, a lot of them do it voluntary

:35:02.:35:04.

and I take my hat off to them. I couldn't...

:35:05.:35:07.

of what they've actually provided for my daughter.

:35:08.:35:18.

Being part of the club is making a huge difference to Olivia's life...

:35:19.:35:22.

Olivia, prynhawn da, Olivia. Prynhawn da, Miss Margaret.

:35:23.:35:25.

has helped return her to her usual happy self.

:35:26.:35:29.

Your trainers. Look at them. They're posh, aren't they? Yeah.

:35:30.:35:34.

She's very happy and she takes everything in her stride,

:35:35.:35:39.

Yeah, definitely. I'm always happy, with me.

:35:40.:35:48.

At the end of the day, it's all about Olivia and her happiness.

:35:49.:35:57.

It's clear that with her new-found confidence,

:35:58.:36:00.

Olivia's gone from strength to strength.

:36:01.:36:04.

The Cathays Central Youth and Community Project

:36:05.:36:29.

is just one of the many organisations

:36:30.:36:32.

that rely on funding from Children in Need.

:36:33.:36:35.

Now, we know that some of you won't be able to put on your

:36:36.:36:38.

walking boots and get out into the countryside

:36:39.:36:40.

Please donate now, if you're able, because it will

:36:41.:36:46.

help other children like Olivia get the vital support that they need.

:36:47.:37:26.

The Countryfile Ramble for Children in Need takes place on

:37:27.:37:36.

Saturday the 8th and Sunday the 9th of October.

:37:37.:37:39.

is download a sponsorship form from our website,

:37:40.:37:43.

raise some money and get out there on your ramble.

:37:44.:37:48.

On the website, you'll also find ideas and inspiration for

:37:49.:37:51.

And when you've planned your route,

:37:52.:37:58.

we'd love to hear where you're going,

:37:59.:38:00.

Together we can make this year's ramble bigger, better and

:38:01.:38:16.

offer our support to even more of Britain's most vulnerable children.

:38:17.:38:21.

The power to transform lives for ever.

:38:22.:38:28.

Today, we're exploring stirring landscapes

:38:29.:38:42.

like the Chiltern Hills that so captivated Roald Dahl.

:38:43.:38:50.

A couple of winters ago, Adam travelled to Cornwall

:38:51.:38:53.

to discover inspiration can literally wash up at your feet.

:38:54.:38:58.

Where I live in the Cotswolds, I'm totally landlocked, so I love

:38:59.:39:02.

coming to the beach to get my sea fix, particularly at this

:39:03.:39:04.

time of year when it's so wild and unpredictable.

:39:05.:39:08.

Even familiar places look very different.

:39:09.:39:11.

And it's now that nature takes over, reclaiming its shoreline,

:39:12.:39:15.

Dom Clarke knows all about the effect of storms on our coastline

:39:16.:39:23.

and the objects that end up where the sea meets the land,

:39:24.:39:27.

Hi. That looked pretty severe out there. Yeah, some pretty

:39:28.:39:31.

big waves. And I suppose these winter storms are bringing it in.

:39:32.:39:34.

Yeah, low pressure after low pressure at the moment.

:39:35.:39:37.

A strand line is where debris from the sea gets washed up...

:39:38.:39:44.

to the furthest point of where the tide can get to.

:39:45.:39:48.

There's a lot of rubbish in here, isn't there?

:39:49.:39:51.

One of the big things that you find is what we call sea nuts.

:39:52.:39:55.

And that's a hazelnut. Who knows where it's come from?

:39:56.:39:58.

It could have come from anywhere, I suppose. It really could have.

:39:59.:40:01.

And are the winter strand lines very different to the summer?

:40:02.:40:04.

We get a lot more wood washed ashore at this time of year

:40:05.:40:07.

and, as you can see, giant logs over there.

:40:08.:40:10.

Yeah, it's floating around like matchsticks in the ocean.

:40:11.:40:14.

That is sort of your classic cuttlebone.

:40:15.:40:19.

You get a lot of these washed up after storms as well.

:40:20.:40:22.

They sell them in pet stores for parrots...

:40:23.:40:24.

What they actually used to do is grind up the body of it,

:40:25.:40:30.

and put it into toothpaste as an abrasive to clean your teeth.

:40:31.:40:35.

Incredible. There you go. Never knew that.

:40:36.:40:39.

Dom's not the only person exploring the strand line for bounty.

:40:40.:40:43.

His friend, Susie Ray, is an artist who turns what she finds on

:40:44.:40:47.

Hi, Susie. Good to see you. Hello, Adam. Hey, Suse. Hey, Dom.

:40:48.:40:53.

My word. You've got a lot more in your buckets than I've got in mine.

:40:54.:40:56.

Oh, there's just tons of stuff out there today.

:40:57.:40:58.

The storms are amazing. Dom, do you want to hold that bucket?

:40:59.:41:00.

Those are big cuttlefish there, aren't they? Yeah.

:41:01.:41:02.

And whelk eggs. Yeah. Whelk eggs, incredible!

:41:03.:41:05.

Yeah, they look man-made. Some people think they are.

:41:06.:41:08.

They look a lot like bubble wrap. They do, don't they?

:41:09.:41:11.

Or packaging, so that's what a lot of people assume that they are

:41:12.:41:14.

This is really great stuff, actually.

:41:15.:41:18.

We do some fantastic art stuff with that.

:41:19.:41:21.

That's beautiful, isn't it? It's really amazing.

:41:22.:41:23.

I've got here, a couple of sea beans. That's amazing.

:41:24.:41:26.

That comes from tropical America or the West Indies and it comes on

:41:27.:41:31.

the Gulf Stream via the North Atlantic Drift

:41:32.:41:35.

and what's amazing is that they can float for up to 19 years.

:41:36.:41:39.

So shall we take all this lot back to your studio? Absolutely, yeah.

:41:40.:41:43.

I can't wait to show you what we can do with it.

:41:44.:41:45.

You've got to go back surfing. Surf's up.

:41:46.:41:47.

You've got everything you need? Oh, look. There we go.

:41:48.:41:51.

Susie's home and studio are within shouting distance

:41:52.:41:57.

She grew up on the south Cornish coast, where she first developed

:41:58.:42:06.

her love of beachcombing and the natural world.

:42:07.:42:13.

Now her home is filled with treasures from the beach.

:42:14.:42:18.

She's going to show me how to use a 19th-century Japanese

:42:19.:42:22.

printing technique to transform flotsam into works of art.

:42:23.:42:28.

Just be bold. Mix up lots of paint. More blue than black, I'd say.

:42:29.:42:32.

Just get it on. Give it that nice tinge.

:42:33.:42:34.

And then it always comes out differently, every one you do.

:42:35.:42:37.

So just grip your sculpture and just cover it in paint.

:42:38.:42:39.

OK, that's really good. Nearly there.

:42:40.:42:44.

Lift that up and put that onto this sheet here

:42:45.:42:48.

That's it. Is that OK? Yes. Keep one hand on it. Yeah.

:42:49.:42:54.

That's it. And then just smooth it down with your fingers.

:42:55.:42:57.

Keep this... Always keep that hand on if you can. That's it.

:42:58.:43:05.

That's it. Just do the... The big reveal. ..the big reveal.

:43:06.:43:17.

Look at that. Oh, yes. That's not bad.

:43:18.:43:19.

That's not bad, especially for a first attempt.

:43:20.:43:22.

So while I perfect the technique using more of our morning's finds...

:43:23.:43:28.

..Susie is showing me what an expert can achieve on a whole John Dory.

:43:29.:43:35.

Right, well, I think we can have a go at pulling back the sheet

:43:36.:43:38.

Well, here we are. This is the result of my day at the seaside.

:43:39.:44:01.

Actually, I'm quite pleased with those.

:44:02.:44:02.

The objects used in Susie's art have been on an extraordinary journey,

:44:03.:44:12.

from distant continents and from the seabed.

:44:13.:44:15.

that leave them like gifts on our shores.

:44:16.:44:21.

and is it going to be, in the words of Roald Dahl, a wondercrump week

:44:22.:44:27.

or will it be bopmuggered for rambling and everything else?

:44:28.:44:30.

Let's find out by going over to the BBC weather centre.

:44:31.:44:46.

I'm not sure about this week but last week in the words of rolled up

:44:47.:44:55.

could be glorious is not a bit jumpy. We were breaking record last

:44:56.:45:00.

week with temperatures recorded just short of 35 Celtics. Last time we

:45:01.:45:07.

had temperatures like that in September was over a hundred years

:45:08.:45:11.

ago. We had three consecutive days of 30 selfies and we have not had

:45:12.:45:16.

that in September since 1929. But it all ended with a bang on Thursday

:45:17.:45:21.

and Friday with rainfall totals like this in part of Suffolk, a months

:45:22.:45:26.

worth of rain in 24-hour 's. Fortunately we had some clearer

:45:27.:45:31.

skies through the weekend and we were sent in these beautiful harvest

:45:32.:45:36.

Moon shots, the last full moon before the autumn equinox which is

:45:37.:45:40.

this week. It is on Thursday and I'm pleased to say the weather looks a

:45:41.:45:43.

bit more straightforward. Some sunny spells, some rain, but temperatures

:45:44.:45:48.

near normal for this time of year. The rain will come from areas of low

:45:49.:45:52.

pressure shooting in from the Atlantic, some quite intense for a

:45:53.:45:56.

time but they will weaken substantially as they will be

:45:57.:45:59.

blocked by an area of high pressure. That will be the pattern for the

:46:00.:46:06.

next few days. The jet stream will be fairly invigorated as it dries

:46:07.:46:09.

these areas in but you can see there is quite a kick as it pushes them up

:46:10.:46:14.

towards Iceland, blocked by this omega patent of high pressure around

:46:15.:46:19.

Scandinavia and we consider first sight of that at the moment. Moving

:46:20.:46:23.

through tonight into Monday morning, the weather front will be weakening

:46:24.:46:27.

and pushing into the Midlands and down to the south-west and that is

:46:28.:46:31.

where it is likely to stay on Monday with a band of cloud and patchy

:46:32.:46:35.

drizzly rain. Underneath it it will feel disappointing. In the east,

:46:36.:46:39.

some sunshine and warmth, to the north and west, some sunny spells.

:46:40.:46:44.

Moving into Tuesday, that front doesn't move far. Still a band of

:46:45.:46:51.

cloud thick enough for the odd spot or two of rain. It might start a bit

:46:52.:46:55.

misty in the south-east but the sunshine will come through with

:46:56.:47:00.

highs of 20. Moving into Wednesday, another significant low-pressure

:47:01.:47:04.

will bring some wet and windy weather into Northern Ireland and

:47:05.:47:08.

west of Scotland. There will be an increase of cloud on the western

:47:09.:47:12.

coasts but the further east, the best of the sunshine, again the

:47:13.:47:14.

potential for some early morning mist and patchy fog which should

:47:15.:47:22.

lift and we should have highs of the mid to high teens. In the Thursday,

:47:23.:47:26.

a significant chance of more frequent and sharp showers around

:47:27.:47:30.

the country so what the full cost for more details. Highs of 15 to 20

:47:31.:47:35.

again. Another fund looks likely to push in on Friday and we could see

:47:36.:47:41.

significant gales in the extreme north and west, tightly squeezed

:47:42.:47:44.

isobars and more rain but relatively quiet for the bulk of the country.

:47:45.:47:49.

Again, you will have to watch the forecast for mist and fog patches

:47:50.:47:53.

first thing but we will see a good deal of dry weather with some

:47:54.:47:57.

sunshine coming through. If you still have harvest together or field

:47:58.:48:01.

to plough, there is always the risk of some rain in the far north and

:48:02.:48:04.

west with stronger winds but when the mist and fog lifts there will be

:48:05.:48:07.

some decent and dry weather with some sunshine coming through.

:48:08.:48:19.

This week we're celebrating Roald Dahl's centenary.

:48:20.:48:23.

Shortly, I'll be walking through the Chiltern Beechwoods

:48:24.:48:26.

that inspired one of his best-loved stories.

:48:27.:48:29.

Anita travelled deep into south Devon to meet an artist

:48:30.:48:35.

entranced by the woodlands around him.

:48:36.:48:45.

hardly anything has changed for centuries,

:48:46.:48:49.

from the ruins of Berry Pomeroy Castle

:48:50.:48:52.

and the ancient waters that surround it.

:48:53.:48:57.

So it's the perfect spot to meet a sculptor who takes

:48:58.:49:00.

inspiration from the old to create something very new.

:49:01.:49:08.

Alarik Greenland is a local sculptor.

:49:09.:49:10.

He painstakingly twists wires and jewels together

:49:11.:49:18.

They're ancient trees from his childhood surroundings.

:49:19.:49:34.

Alarik, you can see that this is a very special spot.

:49:35.:49:38.

It is, yeah. It's very special to me.

:49:39.:49:41.

Everywhere I go around here, it stirs up memories for me,

:49:42.:49:44.

just because I've been here my whole life.

:49:45.:49:47.

What is it about the trees in particular?

:49:48.:49:49.

It's the sense that they have been here for so long

:49:50.:49:53.

and that they've been touched by people that I've never known.

:49:54.:50:02.

The ruined castle offers fantastic views of the woodland below,

:50:03.:50:06.

a perfect spot for a lesson in tree sculpture.

:50:07.:50:12.

Wow. How many hours did it take you to make this?

:50:13.:50:15.

Altogether, it can take about four to five weeks to make a tree.

:50:16.:50:19.

I can't promise you four weeks of my life

:50:20.:50:21.

but I certainly fancy having a go. Yeah. Shall we?

:50:22.:50:26.

Right, so don't mess up, Anita, cos it's expensive. Yes!

:50:27.:50:33.

and then make about three to four twists.

:50:34.:50:40.

And how many beads would one tree have on it?

:50:41.:50:44.

One tree, the latest one that I've got is 10,000,

:50:45.:50:48.

I might have just wasted a bit of gold!

:50:49.:51:00.

This is an incredibly intricate work of art, but

:51:01.:51:05.

the piece of wood it sits on has a fascinating life of its own, too.

:51:06.:51:11.

Alarik salvages these centuries-old pieces of wood from the depths

:51:12.:51:14.

of the River Dart, but how did they get their remarkable appearance?

:51:15.:51:19.

I was excavating a Bronze Age site on the top of Dartmoor...

:51:20.:51:23.

'Dr Ralph Fyfe, an expert in fossilised plants,

:51:24.:51:26.

'is casting his eye over one of Alarik's finds.'

:51:27.:51:30.

at the bottom of the river. A little bit like this.

:51:31.:51:36.

Let's spin it round. This was out in the water column.

:51:37.:51:40.

What's happened is, as this piece of wood

:51:41.:51:45.

there's tannins in the wood, and those tannins are reacting with

:51:46.:51:50.

the slightly acidic waters, and the iron in the water as well.

:51:51.:51:53.

That means that a chemical process occurs, which means

:51:54.:51:56.

the wood draws the iron into the actual structure itself.

:51:57.:52:00.

then it sits around in the water for a few hundred years.

:52:01.:52:05.

And it becomes this. And then it gets given a new life by an artist.

:52:06.:52:13.

I'm keen to find a piece, and Alarik knows just what to look for.

:52:14.:52:18.

Sometimes it can be too rotten, not bogged enough,

:52:19.:52:21.

And another thing, it's not the right shape,

:52:22.:52:25.

so we've got to look carefully, we've got to look for a nice piece.

:52:26.:52:27.

But first things first, you've got to get me in the water. Yes.

:52:28.:52:30.

How do you plan on doing that, then? Run in!

:52:31.:52:32.

The sun's shining and I'm all out of excuses.

:52:33.:52:37.

I want to get out and look at it. Let's pull it out.

:52:38.:53:26.

That is... Look at that. Are you happy with that?

:53:27.:53:30.

My mind's ticking over already. How I can use it. That's wonderful.

:53:31.:53:34.

So, in a few months' time, this could look like that.

:53:35.:53:37.

Could well be, yes. Wow. I feel like we've done a good day's work today.

:53:38.:53:41.

Yeah, we have. Well done. Thank you. Should we get back in? Yeah!

:53:42.:53:45.

Alarik's beautiful sculptures, combined with the deadwood from

:53:46.:53:51.

the river, are giving Devon's ancient trees an artistic afterlife.

:53:52.:54:04.

Just a short walk from the Chiltern village of Great Missenden is

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Angling Spring Wood, a place of enchantment for Roald Dahl.

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He would come here to dream up the magical tales he'd later

:54:15.:54:17.

One fan who's followed in Dahl's footsteps around this

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landscape is another children's author, Piers Torday.

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Did you ever get to meet the great man, Piers? I did, I was very lucky.

:54:32.:54:34.

When I was younger, he visited the children's bookshop my mother ran.

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And afterwards he sent me this note and explained how as a writer

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he had made mistakes and he had to take something out of

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And when I was much older and trying to write myself,

:54:45.:54:48.

I went back to that note. And the fact that Roald Dahl had made

:54:49.:54:51.

mistakes and had to start again gave me the confidence to carry on.

:54:52.:54:56.

And now you write children's stories yourself.

:54:57.:54:58.

I do, I write children's stories about the outdoors and animals.

:54:59.:55:03.

Dahl himself was a great countryman, wasn't he? He was.

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He loved the countryside, right from a boy, when he loved playing

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in the fields of Wales, to as an adult when he lived here.

:55:10.:55:12.

And he used to come and walk amongst these woods.

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And it was actually here that he got the idea for the Fantastic Mr Fox.

:55:16.:55:18.

In this very wood. There was a tree that sadly fell down

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and it was under that tree in a hole that the Fox family lived.

:55:24.:55:27.

There was a great character in the village of Great Missenden

:55:28.:55:33.

called Claude, who was one of Roald Dahl's great friends,

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who was actually a bit of a poacher and a rascal,

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and Roald Dahl loved nothing more than hanging out with him...

:55:40.:55:41.

Doing a bit of poaching? Doing a bit of poaching.

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the foxes love eating coopfuls of chickens - he wasn't sentimental

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about that nature is red in tooth and claw.

:55:51.:55:53.

Piers runs regular storytelling sessions for young Roald Dahl

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enthusiasts in locations the man himself knew and loved.

:55:57.:56:02.

Welcome, everyone, to this beautiful wood in the hills above

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Great Missenden, which of course is where Roald Dahl used to live.

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I really like Roald Dahl because in nearly all of his stories,

:56:13.:56:17.

And Damian, what do you think childhood would be like

:56:18.:56:26.

It would just be all boring. I think we all look up to him.

:56:27.:56:33.

so our world would just be completely different without him.

:56:34.:56:42.

It's almost impossible to assess, isn't it,

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the impact that Roald Dahl has had on millions of children

:56:45.:56:49.

all around the world, and still does today? And still does to this day.

:56:50.:56:52.

I think what was so extraordinary about Roald Dahl is that

:56:53.:56:56.

sometimes, inspiring their imagination is more important

:56:57.:57:04.

than just giving them the facts about the world.

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You just need to give them that spark of life and curiosity,

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and that's what might turn them into great people.

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And is that what you're trying to do now?

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That's what you're trying to do with stories for children,

:57:17.:57:19.

you're trying to just reach out, just to one, that their

:57:20.:57:23.

curiosity might go on to help make this world a better place.

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the Chilterns of Roald Dahl's imagination and the magical

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landscapes beyond have become the most wonderful creative force,

:57:37.:57:40.

and as Dahl once wisely said, "And above all,

:57:41.:57:45.

"watch with glittering eyes the whole world around you."

:57:46.:57:55.

That's just about it from Roald Dahl country.

:57:56.:57:57.

Next week, Countryfile will be hosting the 40th anniversary

:57:58.:58:01.

With teams from England, Scotland, Ireland and Wales,

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it's going to come from County Fermanagh in Northern Ireland,

:58:06.:58:08.

But right now, from Buckinghamshire, it's goodbye,

:58:09.:58:14.

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