
Browse content similar to 21/10/2012. Check below for episodes and series from the same categories and more!
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'East Sussex - dramatic white cliffs, chalky downs | 0:00:26 | 0:00:31 | |
'and secluded, rocky bays. | 0:00:31 | 0:00:33 | |
'This is a county brimming with unspoilt landscapes.' | 0:00:33 | 0:00:37 | |
It's also a county crowded with national treasures. | 0:00:39 | 0:00:43 | |
And I'll be visiting a few | 0:00:43 | 0:00:44 | |
that are at risk of being lost from our coastline for ever. | 0:00:44 | 0:00:48 | |
'But there's more to East Sussex than a stunning coast. | 0:00:51 | 0:00:53 | |
'Inland it's pretty inspirational, too.' | 0:00:53 | 0:00:56 | |
This is where Virginia Woolf and other members of | 0:00:56 | 0:00:59 | |
the Bloomsbury set came to escape the chaos of London life. | 0:00:59 | 0:01:03 | |
I'll be discovering why, for Virginia, | 0:01:03 | 0:01:05 | |
the East Sussex countryside provided a tonic for both body and mind. | 0:01:05 | 0:01:09 | |
'Not that the local bees are helping me relax.' | 0:01:13 | 0:01:15 | |
Brilliant(!) Right by my eye. In my face. | 0:01:15 | 0:01:18 | |
-Ow. -Has it stung you? -Yup. | 0:01:18 | 0:01:21 | |
'While Julia recovers, I'll be in East Anglia | 0:01:23 | 0:01:26 | |
'searching for the cause of a mystery illness that affects dogs.' | 0:01:26 | 0:01:31 | |
It appeared out of nowhere in 2009, | 0:01:31 | 0:01:34 | |
and has recurred every autumn since. | 0:01:34 | 0:01:37 | |
The common factors are autumn conditions like this | 0:01:37 | 0:01:41 | |
and dogs walking in woodland. | 0:01:41 | 0:01:43 | |
So, just how worried should we be? | 0:01:43 | 0:01:46 | |
'Meanwhile, Adam's taking a break from his farm.' | 0:01:49 | 0:01:52 | |
I'm here in the Swiss Alps | 0:01:52 | 0:01:53 | |
meeting a famous fighting cow. | 0:01:53 | 0:01:56 | |
BELL CLANGS | 0:01:56 | 0:01:58 | |
But they're friendly to people. Want some bread? | 0:01:58 | 0:02:01 | |
'An undulating, panoramic view of chalk downland | 0:02:11 | 0:02:14 | |
'mimicking the rolling seas. | 0:02:14 | 0:02:16 | |
'This is East Sussex | 0:02:16 | 0:02:18 | |
'with its distinctive English coastline - | 0:02:18 | 0:02:20 | |
'white cliffs, sandy beaches | 0:02:20 | 0:02:23 | |
'and other familiar landmarks | 0:02:23 | 0:02:24 | |
'you'd expect to find here.' | 0:02:24 | 0:02:27 | |
Like this - the lighthouse at Beachy Head. | 0:02:30 | 0:02:33 | |
Dressed in her red-and-white uniform, | 0:02:33 | 0:02:35 | |
she proudly stands out against the bright, white cliffs. | 0:02:35 | 0:02:39 | |
But for how much longer? | 0:02:39 | 0:02:41 | |
'The chalk cliffs of Beachy Head | 0:02:44 | 0:02:46 | |
'have long been a landmark for mariners. | 0:02:46 | 0:02:49 | |
'In 1902, the 40m lighthouse was built here, | 0:02:49 | 0:02:53 | |
'casting her first heroic light on October 2nd.' | 0:02:53 | 0:02:57 | |
In 1980, she was painted the red and white that you see today. | 0:02:57 | 0:03:00 | |
But last year her owners, Trinity House, | 0:03:00 | 0:03:03 | |
decided that this iconic building had no longer earned its stripes. | 0:03:03 | 0:03:08 | |
'Her owners aren't planning to repaint her, | 0:03:09 | 0:03:11 | |
'so the sea will eventually strip away her colours | 0:03:11 | 0:03:14 | |
'and she'll return to plain grey granite.' | 0:03:14 | 0:03:16 | |
So, how might she look, given that the sea erodes these cliffs | 0:03:16 | 0:03:21 | |
at a staggering rate of a metre a year? | 0:03:21 | 0:03:24 | |
'Margaret Turton is a local painter, who paints on canvas, not granite. | 0:03:25 | 0:03:29 | |
'And she's trying to visualise Beachy Head | 0:03:29 | 0:03:31 | |
'without its distinctive red-and-white stripes.' | 0:03:31 | 0:03:34 | |
Margaret, what a difference this is. | 0:03:36 | 0:03:38 | |
I mean, as a lover of colour, this must be quite a sobering experience. | 0:03:38 | 0:03:43 | |
Yes, it's, um, looking very dull and boring to me. | 0:03:43 | 0:03:47 | |
-It's much nicer to paint it with the red stripes. -Yeah. | 0:03:47 | 0:03:51 | |
-That's how I remember it from my childhood. -I mean, that is... | 0:03:51 | 0:03:55 | |
That, to me, seems very happy. It's kind of a smiley, sunny picture. | 0:03:55 | 0:03:59 | |
This one is just... | 0:03:59 | 0:04:00 | |
-drab and dull, isn't it? -Yeah. | 0:04:00 | 0:04:03 | |
As an artist, would you have ever chosen THIS as a subject? | 0:04:03 | 0:04:07 | |
I don't think I would. No. | 0:04:07 | 0:04:08 | |
There's plenty of places along the coast of the cliffs, where you get | 0:04:08 | 0:04:13 | |
a lovely view, but that would be just a bit of an eyesore. | 0:04:13 | 0:04:17 | |
If you wouldn't mind, could I take these and just have a word | 0:04:17 | 0:04:19 | |
with a few people and just gauge their reactions? | 0:04:19 | 0:04:22 | |
-Yes. -Their prediction. -Yes, I think that's a good idea. | 0:04:22 | 0:04:26 | |
SEAGULL CRIES | 0:04:28 | 0:04:31 | |
-How does that make you feel? -Yeah, it makes me feel warm and nice. | 0:04:31 | 0:04:34 | |
-Warm? -Yeah. -Nice? -Yes. | 0:04:34 | 0:04:37 | |
-And then, what about that one? -That's boring, dull. | 0:04:37 | 0:04:40 | |
-Oh...that's not so attractive. -No. | 0:04:40 | 0:04:43 | |
-No. -That's not our lighthouse. -No. -No. | 0:04:43 | 0:04:46 | |
If somebody doesn't do something | 0:04:46 | 0:04:48 | |
about it, that's part of our history and our heritage... | 0:04:48 | 0:04:51 | |
And if nobody steps up to the plate and looks after it, | 0:04:51 | 0:04:54 | |
that's going to fall in the sea. | 0:04:54 | 0:04:56 | |
'Beachy Head lighthouse | 0:04:56 | 0:04:58 | |
'has been a part of our coastal heritage for years. | 0:04:58 | 0:05:01 | |
'She acted as a visual landmark | 0:05:01 | 0:05:03 | |
'to guide Spitfires and Lancasters back home in World War II. | 0:05:03 | 0:05:07 | |
'Now, local people are desperately trying to save her stripes.' | 0:05:07 | 0:05:11 | |
You are born and bred in the area. What are your earliest memories | 0:05:11 | 0:05:14 | |
of this world-famous stripy lighthouse? | 0:05:14 | 0:05:17 | |
-Coming up here and laying down on the edge looking over. -Hang on! | 0:05:17 | 0:05:22 | |
-You used to lie on the edge of the cliffs? -Yes. -And it was just that... | 0:05:22 | 0:05:25 | |
-The whole... -Exhilarating. -Yeah, the whole world is out there. | 0:05:25 | 0:05:29 | |
Yeah. How big is the group in support of keeping it red and white? | 0:05:29 | 0:05:33 | |
It's about over 2,000 now, isn't it? | 0:05:33 | 0:05:35 | |
And we've had a lot of support from all across the world. | 0:05:35 | 0:05:38 | |
-Yeah. -OK. And where are you at now with the money? | 0:05:38 | 0:05:41 | |
Last October we realised that we needed to raise 27,000. | 0:05:41 | 0:05:45 | |
And since then, we've raised 22,500. So, we're two-thirds of the way there | 0:05:45 | 0:05:49 | |
and we're confident that by next spring, | 0:05:49 | 0:05:52 | |
which is when she's going to need a bit of a facelift, | 0:05:52 | 0:05:54 | |
that we will have raised the money. | 0:05:54 | 0:05:56 | |
Robert, a great example of people power. | 0:05:56 | 0:05:58 | |
It must feel brilliant for you guys to have achieved what you have done. | 0:05:58 | 0:06:02 | |
When we first started it seemed so far away. | 0:06:02 | 0:06:04 | |
And it's just purely through the support of people | 0:06:04 | 0:06:07 | |
who love this lighthouse and want to keep it just as it is. | 0:06:07 | 0:06:09 | |
'A lighthouse without stripes is like a leopard without spots. | 0:06:09 | 0:06:13 | |
'So I, for one, hope she keeps them for years to come.' | 0:06:13 | 0:06:16 | |
Whilst I've been exploring the south coast, | 0:06:18 | 0:06:20 | |
Tom has been up in the East Anglian countryside, | 0:06:20 | 0:06:23 | |
investigating a mystery illness that's affecting dogs. | 0:06:23 | 0:06:28 | |
'It's an idyllic autumnal scene around our countryside. | 0:06:36 | 0:06:39 | |
'The sun is shining. | 0:06:39 | 0:06:40 | |
'The leaves on the trees are turning. | 0:06:40 | 0:06:43 | |
'It's the perfect time to stride out with your faithful friend at heel. | 0:06:43 | 0:06:46 | |
'But in one part of the country, | 0:06:46 | 0:06:48 | |
'this idyll has been shattered by | 0:06:48 | 0:06:50 | |
'something sinister lurking in our woods, | 0:06:50 | 0:06:53 | |
'something that's making our dogs seriously ill | 0:06:53 | 0:06:56 | |
'and, in the worst cases, killing them.' | 0:06:56 | 0:06:58 | |
The trouble is no-one knows what it is. | 0:07:00 | 0:07:02 | |
It's inherited the name Seasonal Canine Illness. | 0:07:02 | 0:07:06 | |
And with 14 recorded dog deaths since 2010, | 0:07:06 | 0:07:10 | |
the race is on to find out. | 0:07:10 | 0:07:12 | |
Would you normally let them off around here? | 0:07:17 | 0:07:19 | |
-Yeah, about here's good for them. -Give them their freedom. -Here we go. | 0:07:19 | 0:07:22 | |
Are you ready, Ebony? | 0:07:22 | 0:07:24 | |
DOGS BARK AND RUMBLE | 0:07:24 | 0:07:26 | |
'In September 2010, Viv Smee and her partner, Clive, | 0:07:26 | 0:07:30 | |
'took her bearded collie, Dottie, out for a walk in Thetford Forest Park.' | 0:07:30 | 0:07:37 | |
Viv, can I take you back to those fateful days in September? | 0:07:37 | 0:07:40 | |
What happened? | 0:07:40 | 0:07:41 | |
Um, I had a phone call at work from my daughter at lunchtime. | 0:07:41 | 0:07:48 | |
She said, "Mum, can you come back and pick the dog up? | 0:07:48 | 0:07:51 | |
"She's not very well." | 0:07:51 | 0:07:53 | |
-That's Dottie. -So, that's her. | 0:07:53 | 0:07:54 | |
She was perfectly healthy when I went to work that morning. | 0:07:54 | 0:07:57 | |
Um, got home... | 0:07:57 | 0:07:59 | |
She could hardly get out of her bed - very, very lethargic. | 0:07:59 | 0:08:04 | |
So, I just picked her up, put her in the car | 0:08:04 | 0:08:06 | |
and took her down to the vets'. | 0:08:06 | 0:08:09 | |
Um, you know, in the... | 0:08:09 | 0:08:11 | |
In the space of, like, a couple of hours, | 0:08:11 | 0:08:15 | |
I'd gone to work with what I thought | 0:08:15 | 0:08:16 | |
was a perfectly healthy dog at home and came back... | 0:08:16 | 0:08:19 | |
to find that she'd died in my arms. | 0:08:19 | 0:08:22 | |
And this was just a few days after she'd been | 0:08:22 | 0:08:25 | |
for a walk out in the woods? | 0:08:25 | 0:08:26 | |
Yeah, we'd taken her to the normal places that we walked. | 0:08:26 | 0:08:30 | |
Um, nothing different. Nothing special. | 0:08:30 | 0:08:35 | |
Just a normal walk in the woods. | 0:08:35 | 0:08:37 | |
'Viv's vet had no idea what had killed Dottie and neither did Viv. | 0:08:39 | 0:08:42 | |
'But now, with two new dogs, | 0:08:42 | 0:08:44 | |
'she doesn't risk taking them anywhere near the woods. | 0:08:44 | 0:08:49 | |
'So was what happened to Dottie an isolated case? | 0:08:51 | 0:08:54 | |
'Well, worryingly, no. | 0:08:54 | 0:08:56 | |
'Seasonal Canine Illness | 0:08:58 | 0:08:59 | |
'was first reported on the Sandringham Estate | 0:08:59 | 0:09:02 | |
'in the autumn of 2009. | 0:09:02 | 0:09:03 | |
'The following year, | 0:09:05 | 0:09:06 | |
'53 cases of sick dogs were recorded across Norfolk, | 0:09:06 | 0:09:10 | |
'Suffolk and Nottinghamshire.' | 0:09:10 | 0:09:12 | |
That's when a group based here | 0:09:14 | 0:09:15 | |
at this beautiful country house got involved. | 0:09:15 | 0:09:18 | |
The Animal Health Trust is now spearheading | 0:09:18 | 0:09:21 | |
the research into this mystery illness. But why them? | 0:09:21 | 0:09:24 | |
'Based in Newmarket, | 0:09:24 | 0:09:26 | |
'the Queen is the trust's patron and Princess Anne is their president. | 0:09:26 | 0:09:30 | |
'So when dogs got sick at Sandringham, | 0:09:30 | 0:09:32 | |
'it was immediately on their radar. | 0:09:32 | 0:09:35 | |
'Doctor Richard Newton was brought in to lead | 0:09:38 | 0:09:40 | |
'the investigation into Seasonal Canine Illness. | 0:09:40 | 0:09:42 | |
'With between 150 and 200 cases since 2010, | 0:09:42 | 0:09:47 | |
'his team have managed to establish a simple set of symptoms.' | 0:09:47 | 0:09:51 | |
Dogs are presenting with sickness. So, they're vomiting. | 0:09:53 | 0:09:56 | |
And they're also producing diarrhoea at the other end. | 0:09:56 | 0:10:00 | |
So, it's a gastro-intestinal appearing disease. | 0:10:00 | 0:10:04 | |
But particularly those animals that get quite sick, | 0:10:04 | 0:10:07 | |
they're becoming lethargic, they can have pain in their stomachs | 0:10:07 | 0:10:11 | |
and they can go off their food, | 0:10:11 | 0:10:13 | |
and if veterinary attention is not sought quickly, | 0:10:13 | 0:10:16 | |
they can become quite ill quite quickly. | 0:10:16 | 0:10:19 | |
There's something else you've found, | 0:10:19 | 0:10:20 | |
something that the dogs have been doing just before they become ill. | 0:10:20 | 0:10:23 | |
You're absolutely right. Many of these cases had got the common theme | 0:10:23 | 0:10:27 | |
that they'd been walked in woodland areas, | 0:10:27 | 0:10:29 | |
and that seemed to be a very common message that was coming through. | 0:10:29 | 0:10:35 | |
'Most of the reported cases have come from five specific areas | 0:10:37 | 0:10:41 | |
'that the Animal Health Trust is now investigating | 0:10:41 | 0:10:44 | |
'as hotspots for the illness. | 0:10:44 | 0:10:45 | |
'The locations are Clumber Park | 0:10:50 | 0:10:52 | |
'and Sherwood Forest in Nottinghamshire, | 0:10:52 | 0:10:54 | |
'Sandringham Estate and Thetford Forest in Norfolk | 0:10:54 | 0:10:57 | |
'and Rendlesham Forest in Suffolk.' | 0:10:57 | 0:10:59 | |
So they know where it's happening and what's happening to the dogs. | 0:11:00 | 0:11:04 | |
But despite working tirelessly, they still don't know the cause | 0:11:04 | 0:11:08 | |
of seasonal canine illness, so where do we go from here? | 0:11:08 | 0:11:13 | |
Ah, this is sulphur tuft. | 0:11:18 | 0:11:21 | |
This is one of the commonest, most adaptable British fungi... | 0:11:21 | 0:11:26 | |
'Last year, the Trust called in botanist Mark Spencer | 0:11:26 | 0:11:28 | |
'from the Natural History Museum to help make sense of the puzzle. | 0:11:28 | 0:11:32 | |
'His job was to head out into the woods at Sandringham | 0:11:32 | 0:11:36 | |
'and look for anything new or unusual.' | 0:11:36 | 0:11:39 | |
So in this mystery, what were some of the early leads? | 0:11:39 | 0:11:41 | |
The first one that was mentioned was a blue-green algae | 0:11:41 | 0:11:44 | |
which are toxic algae that live in fresh water generally, | 0:11:44 | 0:11:48 | |
but there's no permanent standing water here, so we ruled that out. | 0:11:48 | 0:11:52 | |
There was no sign of really significantly poisonous plants | 0:11:52 | 0:11:56 | |
in the neighbourhood and also then fungi. | 0:11:56 | 0:11:58 | |
-Well, that chimes in with the autumn thing as well. -Absolutely. | 0:11:58 | 0:12:02 | |
'But despite an intensive search, | 0:12:02 | 0:12:04 | |
'Mark could find no sign of fungi poisonous to dogs anywhere. | 0:12:04 | 0:12:10 | |
'So, he returned home.' | 0:12:10 | 0:12:12 | |
There really isn't any clear suspects in this woodland. | 0:12:12 | 0:12:15 | |
I'm going to carry on looking around anyway. | 0:12:15 | 0:12:17 | |
'But then something unexpected happened. | 0:12:25 | 0:12:28 | |
'The following morning, he woke up with a badly swollen leg.' | 0:12:28 | 0:12:32 | |
I felt really, really itchy | 0:12:32 | 0:12:34 | |
and had bright scarlet ankles with nasty bites all over it | 0:12:34 | 0:12:39 | |
and a really, really nasty case of something that had had a go at me. | 0:12:39 | 0:12:43 | |
'Despite spending half his life rooting around in the undergrowth, | 0:12:45 | 0:12:49 | |
'he'd never had bites like this before.' | 0:12:49 | 0:12:52 | |
So had Mark stumbled on the mystery cause of Seasonal Canine Illness? | 0:12:54 | 0:12:59 | |
Later on, I'm going to be delving deeper into the undergrowth | 0:12:59 | 0:13:03 | |
to find out. | 0:13:03 | 0:13:04 | |
'We've come to East Sussex to discover some of the secrets | 0:13:11 | 0:13:14 | |
'this lush county hides within its landscape.' | 0:13:14 | 0:13:17 | |
I'm on the South Downs Way. | 0:13:19 | 0:13:21 | |
This chalky trail is a magnet for ramblers, | 0:13:21 | 0:13:24 | |
who can follow the route all the way down to the coast in Eastbourne. | 0:13:24 | 0:13:28 | |
'There's nothing like the freedom of walking to clear the mind | 0:13:28 | 0:13:31 | |
'and rejuvenate the spirit, | 0:13:31 | 0:13:33 | |
'the exhilaration of becoming lost in your own thoughts.' | 0:13:33 | 0:13:35 | |
One of the greatest British writers of the 20th century, | 0:13:35 | 0:13:39 | |
Virginia Woolf, believed strongly in the power of perambulation. | 0:13:39 | 0:13:44 | |
She was enchanted by this landscape. | 0:13:44 | 0:13:46 | |
It was for her a constant source of inspiration. | 0:13:46 | 0:13:49 | |
"Evening is kind to Sussex, for Sussex is no longer young." | 0:13:50 | 0:13:54 | |
"And she's grateful for the veil of evening | 0:13:54 | 0:13:57 | |
"as an elderly woman is glad when a shade is drawn over a lamp, | 0:13:57 | 0:14:00 | |
"and only the outline of her face remains. | 0:14:00 | 0:14:03 | |
"The outline of Sussex is still very fine." | 0:14:05 | 0:14:09 | |
'So fine was it, Virginia and her husband Leonard | 0:14:10 | 0:14:14 | |
'bought Monk's House in the village of Rodmell in 1919, | 0:14:14 | 0:14:19 | |
'a place she said would be their home for ever and ever.' | 0:14:19 | 0:14:23 | |
And in a way, it still is, | 0:14:24 | 0:14:26 | |
watched over carefully by Alison Pritchard from the National Trust. | 0:14:26 | 0:14:30 | |
Why do you think they loved this house so much? | 0:14:35 | 0:14:39 | |
Virginia used to come into the village to buy her tobacco | 0:14:39 | 0:14:42 | |
and they'd always known the garden. I think the garden was a big draw. | 0:14:42 | 0:14:45 | |
The house was actually, is quite awkward, it still is. | 0:14:45 | 0:14:49 | |
It's very little, isn't it? | 0:14:49 | 0:14:50 | |
Yeah, she said she came to love it like a mongrel wins your heart. | 0:14:50 | 0:14:54 | |
There's a complete escape from London life. | 0:14:54 | 0:14:57 | |
'Virginia liked a daily routine. | 0:14:57 | 0:14:59 | |
'In the morning at ten o'clock, | 0:14:59 | 0:15:01 | |
'she would walk to her writing room in the garden. | 0:15:01 | 0:15:03 | |
'Leonard said that she went "with the daily regularity | 0:15:03 | 0:15:06 | |
'"of a stockbroker who commutes."' | 0:15:06 | 0:15:09 | |
She paid to have this room moved from one end of the garden | 0:15:11 | 0:15:14 | |
to the other, so that she could sit inside and write | 0:15:14 | 0:15:18 | |
looking out over the South Downs for inspiration. | 0:15:18 | 0:15:22 | |
It cost £157, which she wrote afterwards was a lot of money | 0:15:22 | 0:15:26 | |
to move a writing room, but worth it. | 0:15:26 | 0:15:29 | |
'One of her biggest bugbears was noise, | 0:15:29 | 0:15:31 | |
'and she often complained about the racket from a local school. | 0:15:31 | 0:15:35 | |
'But that view more than made up for it.' | 0:15:35 | 0:15:38 | |
Afternoons were spent socialising, | 0:15:40 | 0:15:42 | |
playing games and debating topical issues with friends. | 0:15:42 | 0:15:45 | |
Nothing special with nobody special, really. | 0:15:45 | 0:15:48 | |
EM Forster, John Maynard Keynes, TS Eliot. | 0:15:48 | 0:15:52 | |
Just some of the greatest literary and artistic minds | 0:15:52 | 0:15:55 | |
of the 20th century. | 0:15:55 | 0:15:57 | |
'They were all close to the Bloomsbury set, | 0:15:58 | 0:16:00 | |
'a group of highly influential intellectuals, | 0:16:00 | 0:16:02 | |
'at the centre of which were Virginia | 0:16:02 | 0:16:05 | |
'and her sister Vanessa Bell.' | 0:16:05 | 0:16:07 | |
Vanessa lived about eight miles from here in Charleston House, | 0:16:09 | 0:16:12 | |
which was a country retreat for the Bloomsbury set, | 0:16:12 | 0:16:15 | |
and it wasn't unusual for Virginia to walk from this garden | 0:16:15 | 0:16:18 | |
all the way across the Downs to see her. | 0:16:18 | 0:16:21 | |
Eight miles is quite a long way in a long skirt. | 0:16:21 | 0:16:23 | |
"The country is so amazingly beautiful | 0:16:27 | 0:16:29 | |
"that I frequently have to stop and say 'Good God.'" | 0:16:29 | 0:16:34 | |
Walking was very important to Virginia, wasn't it? | 0:16:35 | 0:16:37 | |
Yes, it was hugely important. | 0:16:37 | 0:16:39 | |
She would write all morning, walk in the afternoon. | 0:16:39 | 0:16:41 | |
She said she needed space for her mind to spread into. | 0:16:41 | 0:16:45 | |
-It was more than just exercise to her. -Oh, absolutely. | 0:16:45 | 0:16:48 | |
The rhythm of walking, pacing round the London squares | 0:16:48 | 0:16:51 | |
when she was a child with her father, she'd compose sentences, | 0:16:51 | 0:16:54 | |
so obviously later when she came to the South Downs, | 0:16:54 | 0:16:57 | |
that expanse of space was hugely important to her work as a writer. | 0:16:57 | 0:17:03 | |
"I slip easily from writing to reading, | 0:17:03 | 0:17:05 | |
"with spaces between of walking, | 0:17:05 | 0:17:08 | |
"walking through the long grass in the meadows or up in the Downs." | 0:17:08 | 0:17:13 | |
Let's focus for a moment on the D word, the depression, | 0:17:13 | 0:17:15 | |
because of course she suffered from these great bouts of depression, | 0:17:15 | 0:17:20 | |
and the walking, the exposure to the outdoors | 0:17:20 | 0:17:23 | |
is what helped her with those dark times. | 0:17:23 | 0:17:26 | |
She suffered from terrible periods of depression, | 0:17:26 | 0:17:29 | |
but I think it's important to get that into perspective. | 0:17:29 | 0:17:31 | |
She's one of the most brilliant writers of the 20th century. | 0:17:31 | 0:17:35 | |
She was witty and great fun to be with. | 0:17:35 | 0:17:38 | |
-So it wasn't all the darkness and the gloom? -Not at all, no. | 0:17:38 | 0:17:43 | |
But a landscape like this, if you are suffering from depression, | 0:17:43 | 0:17:47 | |
there could be nothing more therapeutic. | 0:17:47 | 0:17:49 | |
'When Virginia arrived here at Charleston, her sister's house, | 0:17:49 | 0:17:52 | |
'the Bloomsbury set would indulge their passions. | 0:17:52 | 0:17:55 | |
'Painting, reading and socialising.' | 0:17:55 | 0:17:58 | |
There's no question | 0:18:04 | 0:18:06 | |
that the dynamics within this group were complicated. | 0:18:06 | 0:18:08 | |
They were highbrow, intellectual, arty people, | 0:18:08 | 0:18:12 | |
and some of them were definitely more than just close friends, | 0:18:12 | 0:18:15 | |
but Virginia Woolf felt very comfortable in their company. | 0:18:15 | 0:18:19 | |
She wrote that "Some people go to priests, some go to poetry, | 0:18:19 | 0:18:23 | |
"I go to my friends." | 0:18:23 | 0:18:24 | |
'But in the end, even her friends couldn't console her.' | 0:18:26 | 0:18:30 | |
On the 28th of March 1941, | 0:18:30 | 0:18:32 | |
overcome by the prospect of another unbearable World War, | 0:18:32 | 0:18:36 | |
Virginia filled her pockets with stones | 0:18:36 | 0:18:40 | |
and tragically walked into the River Ouse, never to return. | 0:18:40 | 0:18:44 | |
'In her essay The Waves, perhaps she predicted her own death, | 0:18:45 | 0:18:48 | |
'as she wrote, | 0:18:48 | 0:18:50 | |
'"Against you I fling myself, | 0:18:50 | 0:18:53 | |
'"unvanquished and unyielding. Oh, Death." | 0:18:53 | 0:18:57 | |
'Marie Bartholomew was the daughter of Virginia's gardener | 0:18:57 | 0:19:00 | |
'and remembers that dreadful day very well.' | 0:19:00 | 0:19:03 | |
We were having our meal | 0:19:03 | 0:19:04 | |
because everyone was having a meal at that time | 0:19:04 | 0:19:07 | |
because the news came on | 0:19:07 | 0:19:09 | |
and during the War we always listened to the news. | 0:19:09 | 0:19:12 | |
And suddenly, the door burst open | 0:19:12 | 0:19:14 | |
and Leonard rushed straight into the room | 0:19:14 | 0:19:16 | |
and said, "Percy, come quickly! Come quickly!" | 0:19:16 | 0:19:19 | |
Dad just dropped his knife and fork in his plate, | 0:19:19 | 0:19:22 | |
grabbed his jacket and went. | 0:19:22 | 0:19:24 | |
I knew something had happened but I was only ten, | 0:19:24 | 0:19:28 | |
but I knew it was something dreadful. | 0:19:28 | 0:19:30 | |
-What was his face like, Leonard's face? -Awful. Absolutely distraught. | 0:19:30 | 0:19:35 | |
I can still see a picture of his face in my mind now. | 0:19:35 | 0:19:38 | |
"I can fasten on a beautiful day as a bee fixes on a sunflower. | 0:19:40 | 0:19:46 | |
"It feeds me, rests me, satisfies me as nothing else does. | 0:19:46 | 0:19:51 | |
"This is holiness. This will go on after I am dead." | 0:19:51 | 0:19:54 | |
Last month, a tip-off from a Countryfile viewer | 0:19:57 | 0:20:00 | |
took Adam to Switzerland | 0:20:00 | 0:20:01 | |
where he helped herd Blacknose sheep off the Alps. | 0:20:01 | 0:20:04 | |
They're coming down the path and the shepherd ahead says | 0:20:09 | 0:20:12 | |
we've got to move on quickly to get out of their way. | 0:20:12 | 0:20:15 | |
'While he was there, he couldn't resist | 0:20:15 | 0:20:17 | |
'exploring this beautiful country further. | 0:20:17 | 0:20:20 | |
'But the attractions of Switzerland for this tourist | 0:20:20 | 0:20:23 | |
'don't include chocolate or cuckoo clocks.' | 0:20:23 | 0:20:25 | |
'The Swiss Alps. | 0:20:39 | 0:20:41 | |
'Where snow-capped peaks tower into the sky | 0:20:44 | 0:20:47 | |
'and descend into lush valleys.' | 0:20:47 | 0:20:50 | |
The scenery around here is absolutely stunning and so varied, | 0:20:55 | 0:20:59 | |
and down here in the valleys, the climate's much warmer. | 0:20:59 | 0:21:03 | |
And on every spare acre, there seems to be a vineyard, | 0:21:03 | 0:21:06 | |
growing grapes for good-quality wine. | 0:21:06 | 0:21:08 | |
But if you want to see unusual breeds of livestock, | 0:21:08 | 0:21:11 | |
then you have to be prepared to climb. | 0:21:11 | 0:21:13 | |
'And I mean climb! | 0:21:17 | 0:21:18 | |
'Two and a half thousand metres above sea level | 0:21:18 | 0:21:22 | |
'live some big, brutal, bruising animals, | 0:21:22 | 0:21:24 | |
'famous in Switzerland for fighting. | 0:21:24 | 0:21:28 | |
'The Ehringer cow has to be | 0:21:28 | 0:21:29 | |
'one of the most unusual breeds I've ever heard of.' | 0:21:29 | 0:21:32 | |
COW SNORTS BELL RINGS | 0:21:34 | 0:21:36 | |
In some parts of Spain, bullfighting is quite a common | 0:21:36 | 0:21:40 | |
and controversial spectacle, but here the cattle fight each other, | 0:21:40 | 0:21:44 | |
and as often the way of the Swiss, it's a lot less controversial. | 0:21:44 | 0:21:48 | |
'In Switzerland, cow-fighting events are a big deal. | 0:21:51 | 0:21:54 | |
'Huge crowds come to see the Ehringer cows battle it out | 0:21:54 | 0:21:59 | |
'until one is pronounced the winner. It's completely natural behaviour. | 0:21:59 | 0:22:03 | |
'Fighting is the way this breed | 0:22:03 | 0:22:05 | |
'establishes a hierarchy within the herd.' | 0:22:05 | 0:22:07 | |
CROWD CHEERS | 0:22:07 | 0:22:09 | |
'Alain Zamofin farms the cows high on the slopes of the Turtmann Valley. | 0:22:15 | 0:22:19 | |
'He's taking me to see his cows and he's brought along | 0:22:19 | 0:22:22 | |
'his friend Florian in case he needs help with his English.' | 0:22:22 | 0:22:25 | |
COWBELLS RING | 0:22:27 | 0:22:30 | |
-Ah, here they are, the cows! -Yes, now we have found it. -How many? | 0:22:30 | 0:22:34 | |
-This, there are between 90 and 110. -A lot! | 0:22:34 | 0:22:39 | |
-I just imagined a few but there's lots. -Yes, there's a lot. | 0:22:39 | 0:22:44 | |
Amazing. Well, they certainly look very happy. And can we get closer? | 0:22:44 | 0:22:48 | |
-Is it safe? -Yes, they are harmless. | 0:22:48 | 0:22:51 | |
It's like a dog. They are really, he like really the people. | 0:22:51 | 0:22:55 | |
-Great, let's go and get closer. -Yeah, OK. | 0:22:55 | 0:22:57 | |
'So whilst they fight each other...' | 0:23:05 | 0:23:08 | |
Hello! | 0:23:08 | 0:23:10 | |
They're so friendly. | 0:23:12 | 0:23:14 | |
'..they're incredibly gentle with people.' | 0:23:14 | 0:23:17 | |
Look at these ones lying down here, they're lovely. | 0:23:18 | 0:23:21 | |
Ha-ha! The bells are huge! Very big bells! | 0:23:26 | 0:23:32 | |
Yeah, and also noisy. | 0:23:32 | 0:23:35 | |
Aww! They're so friendly! | 0:23:35 | 0:23:38 | |
They're living up here in a mountain, but they're like pets. | 0:23:38 | 0:23:42 | |
Can't imagine them fighting. | 0:23:43 | 0:23:46 | |
Just getting up close to these cattle is absolutely wonderful for me, | 0:23:55 | 0:23:59 | |
and holding their skin, you can feel that it's really thick. | 0:23:59 | 0:24:05 | |
Hello! | 0:24:05 | 0:24:07 | |
And their meat is just solid, it's muscle! | 0:24:07 | 0:24:11 | |
And although they're short, they're powerful little beasts. Look at you. | 0:24:11 | 0:24:17 | |
The thickness of its head... just incredible! | 0:24:18 | 0:24:22 | |
Lovely! | 0:24:24 | 0:24:26 | |
And what makes a good cow? What do you look for? | 0:24:34 | 0:24:37 | |
A good cow has a solid head, | 0:24:37 | 0:24:41 | |
have good big horns, | 0:24:41 | 0:24:44 | |
and have a lot of neck and behind they are really much of muscularity, | 0:24:44 | 0:24:51 | |
so they have enough of power for push the other one away. | 0:24:51 | 0:24:56 | |
-When you do the fighting. -Yes, exactly. | 0:24:56 | 0:25:00 | |
They're quite a short cow, aren't they? Short in the leg. | 0:25:00 | 0:25:03 | |
It's good for going in the mountain, so they don't... | 0:25:03 | 0:25:08 | |
-Fall over and break their legs. -Yeah. | 0:25:08 | 0:25:11 | |
-So, this is the queen of this mountain. -The queen fighting cow? | 0:25:20 | 0:25:25 | |
-Yes. -How did she become Queen? | 0:25:25 | 0:25:28 | |
She win all the other cows. | 0:25:28 | 0:25:31 | |
So how many fights will she have? | 0:25:31 | 0:25:34 | |
This one, it is the third year she's Queen. | 0:25:34 | 0:25:41 | |
I think 100 days, ten fights. | 0:25:41 | 0:25:44 | |
When I have my cows at home and I let them out | 0:25:44 | 0:25:48 | |
from the winter, in the spring, often they will fight just for a short time | 0:25:48 | 0:25:52 | |
and then the best cow, the strongest cow, will be top of the tree. | 0:25:52 | 0:25:56 | |
Yes, have the best place for eat, and so. | 0:25:56 | 0:26:00 | |
It's natural. It's exactly the same. | 0:26:00 | 0:26:02 | |
When they're fighting, it's a big event. | 0:26:02 | 0:26:05 | |
Yes, it's a big event. There are normally 200 cows. | 0:26:05 | 0:26:10 | |
And if your cow wins, do you get money? | 0:26:10 | 0:26:14 | |
No! You win a bell! | 0:26:14 | 0:26:16 | |
-A nice bell! -A nice bell! | 0:26:16 | 0:26:18 | |
So do you breed the cows for fighting or eating? | 0:26:19 | 0:26:24 | |
For both, but for eating, I have prepared something for you. | 0:26:24 | 0:26:28 | |
-You have? -Yes, we can go take a picnic. -Great, OK. -Let's go. | 0:26:28 | 0:26:33 | |
So, what have you got here? | 0:26:41 | 0:26:43 | |
So, this is cheese from this area too, | 0:26:43 | 0:26:47 | |
and this is meat from the fighting cows, | 0:26:47 | 0:26:50 | |
from a cow from me. | 0:26:50 | 0:26:54 | |
-Wonderful. So this is from one of your cows? -Yes. | 0:26:54 | 0:26:57 | |
Mmm! Great flavour. | 0:27:00 | 0:27:03 | |
Like it? | 0:27:03 | 0:27:04 | |
Mmm, it's fantastic. | 0:27:04 | 0:27:06 | |
-And you make this yourself? -Yes, yes. -Do you farm the cows? | 0:27:06 | 0:27:10 | |
Yes, and butcher, too? | 0:27:10 | 0:27:12 | |
Yes, the cows, when they come older or you don't like it, you make meat. | 0:27:12 | 0:27:18 | |
Really delicious. Let me try some of this bread. | 0:27:18 | 0:27:21 | |
The food is fantastic. You must take some, too. I'm being greedy. | 0:27:21 | 0:27:25 | |
I will give you a little bit of wine. | 0:27:25 | 0:27:29 | |
We have two red wine. | 0:27:29 | 0:27:32 | |
You don't want to drink too much. | 0:27:32 | 0:27:34 | |
We've got a long walk back down the mountain. | 0:27:34 | 0:27:36 | |
You are a big man. It's no problem for you! | 0:27:36 | 0:27:39 | |
I love visiting other farms to see what people are getting up to. | 0:27:44 | 0:27:49 | |
But to come up here, in this fantastic scenery, | 0:27:49 | 0:27:53 | |
to see a cattle farmer is really quite extraordinary. | 0:27:53 | 0:27:57 | |
And that's not the end of my Alpine adventure. | 0:27:57 | 0:28:01 | |
Later in the programme, I'll be on the hunt | 0:28:01 | 0:28:04 | |
for a very special breed of mountain goat. | 0:28:04 | 0:28:06 | |
COWBELL CHIMES GENTLY | 0:28:07 | 0:28:10 | |
Here on the dramatic East Sussex coast, I've been finding out | 0:28:17 | 0:28:20 | |
about the appeal to save the signature red and white stripes | 0:28:20 | 0:28:25 | |
of Beachy Head lighthouse near Eastbourne. | 0:28:25 | 0:28:27 | |
Further west, heading towards Brighton, this coastal road reveals | 0:28:27 | 0:28:30 | |
another part of our seaside heritage also in jeopardy. | 0:28:30 | 0:28:33 | |
This building, nestled in a bowl beneath the town of Saltdean | 0:28:33 | 0:28:38 | |
is a sad reminder of its former glory. | 0:28:38 | 0:28:40 | |
Saltdean Lido was built in 1938, | 0:28:42 | 0:28:45 | |
just as people were starting to embrace outdoor swimming. | 0:28:45 | 0:28:49 | |
The joy of sunbathing was also sweeping our shores, meaning | 0:28:49 | 0:28:52 | |
that lidos soon became a pleasure ground for the British holidaymaker. | 0:28:52 | 0:28:56 | |
Just imagine what it would have been like. | 0:28:58 | 0:29:00 | |
This place would have been buzzing. | 0:29:00 | 0:29:02 | |
All the lads over here jumping off the diving boards, | 0:29:02 | 0:29:05 | |
showing off, the girls lounging on the sunbeds, | 0:29:05 | 0:29:08 | |
and the kids screaming and splashing around. | 0:29:08 | 0:29:11 | |
SOUND OF CHILDREN PLAYING | 0:29:11 | 0:29:12 | |
What a shame! | 0:29:14 | 0:29:16 | |
Inside the Art Deco-style building with its distinctive curved wings | 0:29:16 | 0:29:20 | |
at either end, were the changing rooms, and a cafe | 0:29:20 | 0:29:23 | |
serving hot soup to warm up after what would have been a chilly swim. | 0:29:23 | 0:29:28 | |
It would have been a hive of activity. | 0:29:28 | 0:29:30 | |
But the arrival of cheap foreign holidays with guaranteed sunshine | 0:29:33 | 0:29:37 | |
meant that lidos like this one fell out of fashion. | 0:29:37 | 0:29:40 | |
Despite clinging on through some very difficult times, | 0:29:40 | 0:29:44 | |
Saltdean Lido eventually closed to the public last year. | 0:29:44 | 0:29:47 | |
Proposals for the site have included filling in the pool | 0:29:50 | 0:29:54 | |
and building community apartments. | 0:29:54 | 0:29:56 | |
The sympathetic council so far has managed to hold back such plans. | 0:29:56 | 0:29:59 | |
But the future of the site is still uncertain. | 0:29:59 | 0:30:02 | |
Architect Paul Zara is passionate about | 0:30:02 | 0:30:04 | |
this unique and increasingly rare example of British architecture. | 0:30:04 | 0:30:07 | |
-It feels quite something to be here. -It's a very special place. | 0:30:09 | 0:30:14 | |
So talk us through what would have been where. | 0:30:14 | 0:30:18 | |
Well, you can still see the shape of the original pool, this curve, here. | 0:30:18 | 0:30:21 | |
That's important. Most pools aren't that shape. | 0:30:21 | 0:30:24 | |
That's the unusual thing about this lido. | 0:30:24 | 0:30:26 | |
It's the most protected lido. Grade II* listed. | 0:30:26 | 0:30:28 | |
Most lidos have a big, square pool with a brick box | 0:30:28 | 0:30:31 | |
for the changing rooms and loos, maybe a cafe if you're lucky. | 0:30:31 | 0:30:34 | |
Whereas this one has these beautiful curved wings. | 0:30:34 | 0:30:36 | |
It's a bit like an aeroplane or a cruise liner. | 0:30:36 | 0:30:39 | |
Arms holding the building, holding the pool. It's just fantastic. | 0:30:39 | 0:30:42 | |
And what is happening to it now? | 0:30:42 | 0:30:44 | |
Is the lido in limbo? | 0:30:44 | 0:30:47 | |
It is in limbo at the moment. But it's not going to fall down. | 0:30:47 | 0:30:50 | |
It feels rock solid. It's not moving. | 0:30:50 | 0:30:52 | |
It's all made out of in-situ concrete. | 0:30:52 | 0:30:54 | |
The floors, walls and ceilings are made of concrete, | 0:30:54 | 0:30:57 | |
so it's not going to fall down. But it does need some TLC. | 0:30:57 | 0:31:01 | |
-It needs to be looked after. -I like the feel of it, though. It's great. | 0:31:01 | 0:31:06 | |
The future of this magnificent lido is still undecided, | 0:31:06 | 0:31:10 | |
but one idea proposes to reconnect its original access to the beach. | 0:31:10 | 0:31:14 | |
Now, earlier in the programme, | 0:31:18 | 0:31:20 | |
we heard about a mystery illness affecting dogs in some | 0:31:20 | 0:31:23 | |
parts of our countryside, but are we any closer to finding out the cause? | 0:31:23 | 0:31:28 | |
Tom has been investigating. | 0:31:28 | 0:31:29 | |
Over the past three years, 14 dogs have died in East Anglia | 0:31:32 | 0:31:35 | |
and the East Midlands, due to Seasonal Canine Illness. | 0:31:35 | 0:31:38 | |
Various attempts have been made to find the cause | 0:31:38 | 0:31:41 | |
of this mystery killer, but with no success. | 0:31:41 | 0:31:44 | |
That is, until the botanist investigating the case, Mark Spencer, | 0:31:44 | 0:31:48 | |
found some nasty bites on his leg. | 0:31:48 | 0:31:52 | |
-So how bad was it? -Horrible! | 0:31:52 | 0:31:55 | |
It really was all up here on both ankles, particularly this one, | 0:31:55 | 0:31:59 | |
really nasty bites. | 0:31:59 | 0:32:01 | |
I also had it around here, round here, it was very, very unpleasant. | 0:32:01 | 0:32:05 | |
I asked my colleagues at the Natural History Museum, | 0:32:05 | 0:32:08 | |
who are specialists in insects, "Can you tell me what this is?" | 0:32:08 | 0:32:13 | |
And they said it looks like mite bites. | 0:32:13 | 0:32:16 | |
So does this mean that mites are the cause of this mystery illness? | 0:32:16 | 0:32:20 | |
That's a question that Dr Richard Newton | 0:32:20 | 0:32:23 | |
of the Animal Health Trust has been trying to answer. | 0:32:23 | 0:32:27 | |
So, Richard, is this a photofit of the potential killer? | 0:32:27 | 0:32:31 | |
This is a mite though, is it? | 0:32:31 | 0:32:34 | |
Yes, what we have here is a harvest mite that was retrieved from a case | 0:32:34 | 0:32:39 | |
of Seasonal Canine Illness, and it's one of the culprits at the moment | 0:32:39 | 0:32:44 | |
which is implicated, but we don't know for sure that it is the cause. | 0:32:44 | 0:32:48 | |
What is it about this character, this mite, that fits with this disease? | 0:32:48 | 0:32:53 | |
This critter sits in the woods, waits for a warm-blooded animal | 0:32:53 | 0:32:57 | |
to come along, then it will attach | 0:32:57 | 0:33:01 | |
and bite the skin, and drop off | 0:33:01 | 0:33:05 | |
and continue its life cycle with no contact with animals after that. | 0:33:05 | 0:33:09 | |
Mites only bite | 0:33:11 | 0:33:12 | |
when they are at the larval stage, which happens in autumn. | 0:33:12 | 0:33:16 | |
This could explain why the outbreaks have occurred at this time of year. | 0:33:16 | 0:33:19 | |
But how can a bite from such a tiny mite make a much larger animal | 0:33:19 | 0:33:24 | |
so seriously ill? | 0:33:24 | 0:33:26 | |
If the dog, in being bitten, goes into a state of shock, | 0:33:28 | 0:33:33 | |
there is an allergic-type reaction | 0:33:33 | 0:33:35 | |
that can lead to these sorts of signs. In some dogs, but not all. | 0:33:35 | 0:33:39 | |
But that's just one theory. | 0:33:39 | 0:33:42 | |
To really get to the bottom of this, | 0:33:42 | 0:33:43 | |
the investigating team needs to do more research. | 0:33:43 | 0:33:46 | |
So we're heading to the Sandringham Estate | 0:33:46 | 0:33:49 | |
on a hunt for this mysterious mite. | 0:33:49 | 0:33:52 | |
Richard, how do you go about finding the elusive mite? | 0:33:52 | 0:33:56 | |
Well, what we've got to do is set a trap. If you open the bag... | 0:33:56 | 0:34:01 | |
Right... | 0:34:01 | 0:34:02 | |
'Using warm water and rags, we're creating the effect of a body, | 0:34:02 | 0:34:07 | |
'in the hope that some of these little bugs will latch on | 0:34:07 | 0:34:10 | |
'like they would to a warm-blooded mammal.' | 0:34:10 | 0:34:12 | |
-On the ground? -Yes, just laid out. | 0:34:12 | 0:34:15 | |
As... Like that. | 0:34:15 | 0:34:19 | |
And perhaps you could set one over there as well. | 0:34:19 | 0:34:23 | |
Mites gathered here are examined to answer certain questions, | 0:34:23 | 0:34:27 | |
not least why this is happening now. What's changed? | 0:34:27 | 0:34:31 | |
This is not a new phenomenon | 0:34:31 | 0:34:33 | |
in terms of these harvest mites being in this sort of environment, | 0:34:33 | 0:34:37 | |
but something has changed that's triggering this condition. | 0:34:37 | 0:34:40 | |
We're fairly certain of that. | 0:34:40 | 0:34:42 | |
And it's unravelling that factor that's different now | 0:34:42 | 0:34:45 | |
than was the case, say, ten years ago. That's the important bit. | 0:34:45 | 0:34:48 | |
Catching mites is easier said than done, as is identifying them. | 0:34:50 | 0:34:55 | |
So, samples need to be sent off to a specialist lab for analysis. | 0:34:55 | 0:34:58 | |
There's something on my thumbnail, as well. Do you see? | 0:35:04 | 0:35:08 | |
Want me to scrape it off? | 0:35:08 | 0:35:09 | |
Let's hope the ones we've caught today fit the bill. | 0:35:09 | 0:35:14 | |
He went outside. I think he dropped! | 0:35:14 | 0:35:17 | |
Can't stop looking at my hands and rolling up my sleeves. | 0:35:17 | 0:35:21 | |
Partly for the aid of science, | 0:35:21 | 0:35:23 | |
but there's also an element of self-preservation in there. | 0:35:23 | 0:35:26 | |
Although harvest mites are the prime suspect, the jury is still out, | 0:35:26 | 0:35:30 | |
and it could be some time before a verdict is returned. | 0:35:30 | 0:35:33 | |
In the meantime, are our dogs really in danger? | 0:35:33 | 0:35:36 | |
Well, yes. According to the British Veterinary Association, | 0:35:36 | 0:35:40 | |
we should be taking this seriously. | 0:35:40 | 0:35:42 | |
Vet nurse Karen McCoy is on the front line | 0:35:43 | 0:35:45 | |
of the battle against this cryptic killer. | 0:35:45 | 0:35:48 | |
She's seen plenty of cases. | 0:35:48 | 0:35:50 | |
Back in 2010, we had quite a few dogs being brought to us | 0:35:50 | 0:35:54 | |
that were critically ill, and, actually, some of them died. | 0:35:54 | 0:35:59 | |
It was affecting dogs of all ages and of health status. | 0:35:59 | 0:36:03 | |
Like the British Veterinary Association, Karen thinks | 0:36:03 | 0:36:07 | |
we should take this illness seriously, but we shouldn't panic. | 0:36:07 | 0:36:11 | |
For a start, it is treatable. | 0:36:11 | 0:36:12 | |
People who are getting prompt treatments, | 0:36:14 | 0:36:16 | |
getting their pets to the vets, have recovery between seven to ten days. | 0:36:16 | 0:36:20 | |
They do quite well. | 0:36:20 | 0:36:22 | |
What would your recommendation to people be? | 0:36:22 | 0:36:24 | |
Should they stop taking their dogs to the woods? | 0:36:24 | 0:36:28 | |
No, we don't want to cause panic. | 0:36:28 | 0:36:30 | |
We don't know what's causing it and where it is, | 0:36:30 | 0:36:33 | |
so the proportion that we see of ill pets of the proportion | 0:36:33 | 0:36:38 | |
that are walking in the woods round the forestry areas is quite small. | 0:36:38 | 0:36:42 | |
Although Seasonal Canine Illness is cause for concern, | 0:36:42 | 0:36:45 | |
you have to remember there are an estimated ten million dogs in the UK, | 0:36:45 | 0:36:50 | |
and only a few of them have been affected so far. | 0:36:50 | 0:36:53 | |
By all means take your dog for a walk in the woods at this time of year. | 0:36:54 | 0:36:58 | |
But be vigilant and look out for anything unusual. | 0:36:58 | 0:37:03 | |
It's unlikely, but if you spot the symptoms of Seasonal Canine Illness | 0:37:03 | 0:37:07 | |
within 24-72 hours after that walk, then do get to a vet. | 0:37:07 | 0:37:13 | |
And those symptoms are lethargy, | 0:37:13 | 0:37:15 | |
frequently accompanied by sickness and/or diarrhoea. | 0:37:15 | 0:37:19 | |
As another autumn rolls on, the mystery of this illness continues. | 0:37:19 | 0:37:24 | |
It's not certain that harvest mites are the cause | 0:37:24 | 0:37:27 | |
and we've yet to discover if these outbreaks are more widespread | 0:37:27 | 0:37:30 | |
than the areas currently being investigated. | 0:37:30 | 0:37:34 | |
And that's where you come in. | 0:37:34 | 0:37:36 | |
If you think your dog has suffered from Seasonal Canine Illness, | 0:37:36 | 0:37:40 | |
or you have any information about this disease, | 0:37:40 | 0:37:43 | |
then don't hesitate to contact us via the website. | 0:37:43 | 0:37:47 | |
This week we've been exploring East Sussex. | 0:37:57 | 0:38:00 | |
Matt's been taking in the clifftop views from the coast path | 0:38:00 | 0:38:02 | |
and I've been exploring the chalky hills of the South Downs. | 0:38:02 | 0:38:06 | |
My next stop is Ashurst Wood, home of the Natural Beekeeping Trust, | 0:38:06 | 0:38:10 | |
and its director Heidi Herrmann, | 0:38:10 | 0:38:13 | |
a lady with some revolutionary ideas about beekeeping. | 0:38:13 | 0:38:16 | |
Heidi, tell me what natural beekeeping is. | 0:38:18 | 0:38:21 | |
Natural beekeeping, as we define it, in the Natural Beekeeping Trust, | 0:38:21 | 0:38:25 | |
is giving your colonies the best possible chance | 0:38:25 | 0:38:28 | |
to express all facets of normal colony behaviour. | 0:38:28 | 0:38:32 | |
Ordinary beekeeping, especially in the last 100 years, | 0:38:32 | 0:38:36 | |
a lot of these normal colony behaviours | 0:38:36 | 0:38:38 | |
have been and are being systematically suppressed, | 0:38:38 | 0:38:42 | |
in order to get the bees to perform to a particular design. | 0:38:42 | 0:38:46 | |
You want the honey. | 0:38:46 | 0:38:48 | |
Yes, we want the honey, and natural beekeepers want the honey, too. | 0:38:48 | 0:38:52 | |
But we will be very careful with taking only the honey | 0:38:52 | 0:38:56 | |
that we are absolutely sure is surplus to the colony's requirements. | 0:38:56 | 0:39:01 | |
Deliciously sticky-sweet as honey is, | 0:39:01 | 0:39:04 | |
bees don't make it especially for us. | 0:39:04 | 0:39:06 | |
They store it in the hive to eat for themselves during winter, | 0:39:06 | 0:39:09 | |
when there's less nectar on offer. | 0:39:09 | 0:39:12 | |
But in modern beekeeping, their honey is taken away, | 0:39:12 | 0:39:15 | |
and their food source is replaced with sugar water. | 0:39:15 | 0:39:18 | |
Of course, you can get away with it for a number of years, | 0:39:18 | 0:39:20 | |
but in the long term, taking the long view, we're not getting away with it. | 0:39:20 | 0:39:24 | |
That's very clear. The bees are sick. | 0:39:24 | 0:39:26 | |
Of course we want honey, and it's very good for us, | 0:39:26 | 0:39:30 | |
but first of all, we need to work very hard now, | 0:39:30 | 0:39:33 | |
and not just as beekeepers, but, really, everyone, | 0:39:33 | 0:39:36 | |
to bring the bees back to health, | 0:39:36 | 0:39:37 | |
to restore the vitality bees had 100 years ago. | 0:39:37 | 0:39:40 | |
This year, Heidi's been trying out | 0:39:40 | 0:39:42 | |
a new German design called the Sun Hive. | 0:39:42 | 0:39:44 | |
It's made using biodynamic principles, | 0:39:44 | 0:39:48 | |
which means it's designed in harmony with the colony's needs. | 0:39:48 | 0:39:51 | |
Its inner workings are made locally. | 0:39:51 | 0:39:53 | |
And it's finished off with a good dollop of cow dung. | 0:39:53 | 0:39:56 | |
Heidi thinks it's the bees' knees. | 0:39:56 | 0:39:58 | |
So this is the magnificent biodynamic beehive. | 0:39:58 | 0:40:01 | |
It looks spectacular! Why is this so right for the bees? | 0:40:01 | 0:40:05 | |
Well, it fulfils, really, most of the criteria | 0:40:05 | 0:40:11 | |
of normal, natural colony life. | 0:40:11 | 0:40:14 | |
The bees are able to build their combs from the top downwards, | 0:40:14 | 0:40:18 | |
which they would do in a natural situation, in a tree trunk. | 0:40:18 | 0:40:22 | |
The beekeeper will hardly ever go into this hive. | 0:40:22 | 0:40:25 | |
You don't go into this hive to harvest honey. | 0:40:25 | 0:40:28 | |
If bees manage to make so much honey that this hive is completely full | 0:40:28 | 0:40:34 | |
then you can place a bowl, or a box, on top and that is your honey. | 0:40:34 | 0:40:40 | |
The bees suspend their comb on those hoops | 0:40:42 | 0:40:45 | |
and eventually that comb would go all the way down. | 0:40:45 | 0:40:49 | |
This challenges everyone's modern-day thought process | 0:40:49 | 0:40:52 | |
about beekeeping, doesn't it? | 0:40:52 | 0:40:54 | |
Where bees live, belong. | 0:40:54 | 0:40:57 | |
I mean, think about a beehive, | 0:40:57 | 0:40:58 | |
you think about the square things on the floor. | 0:40:58 | 0:41:01 | |
You think about a square box, you think about a whole group of people | 0:41:01 | 0:41:04 | |
dressed up in a, sort of, toxic waste removal suit, you know, | 0:41:04 | 0:41:06 | |
smoking the bees and I think we need to, | 0:41:06 | 0:41:08 | |
if you really want to help the bees, we need to get away from this image | 0:41:08 | 0:41:12 | |
and this hive enables us, in such a beautiful, | 0:41:12 | 0:41:14 | |
and such a perfect way, to get away from this image. | 0:41:14 | 0:41:18 | |
There are three Sun Hives in the garden, | 0:41:18 | 0:41:20 | |
all of them being used by bees. | 0:41:20 | 0:41:22 | |
Heidi's taking me to see them up close. | 0:41:22 | 0:41:25 | |
Time to be at one with the bees. | 0:41:25 | 0:41:28 | |
I feel a little underdressed but here goes. | 0:41:28 | 0:41:30 | |
What tips have you got for me? Just relax and be natural? | 0:41:30 | 0:41:34 | |
Well, at the moment it's a little, if you stay a little bit, maybe, here. | 0:41:34 | 0:41:38 | |
-Mm. -Because it's windy | 0:41:38 | 0:41:40 | |
and the bees can't control so well where they're going. | 0:41:40 | 0:41:45 | |
It's lovely just to enjoy their company. | 0:41:45 | 0:41:47 | |
-Yeah. And they're not bothered by us at all, actually. -They like us! | 0:41:47 | 0:41:54 | |
Why should they be bothered by us? | 0:41:54 | 0:41:55 | |
-They've never had anything nasty done to them. -They're friendly bees! | 0:41:55 | 0:41:59 | |
You can still get an occasional sting but then you have to just accept... | 0:41:59 | 0:42:03 | |
-Ah, they're trying to get into your hair. -Mm-hm. | 0:42:03 | 0:42:06 | |
-Right, just stay calm. -I'm calm. | 0:42:06 | 0:42:08 | |
OK, sweetheart. | 0:42:08 | 0:42:10 | |
You have a box... Oh! ..on the top of... | 0:42:10 | 0:42:13 | |
Oh, I've got one more in my hair. | 0:42:13 | 0:42:16 | |
-Oh, there we go, love. -Can you feel it? | 0:42:16 | 0:42:19 | |
Ow, it's stinging my face. | 0:42:19 | 0:42:21 | |
-Brilliant. Right by my eye, in my face. -Close your eye. | 0:42:21 | 0:42:25 | |
Close my eye and it's in. | 0:42:25 | 0:42:27 | |
-Yeah, it's in, which is... Ah! -It stung you? | 0:42:27 | 0:42:30 | |
-Yeah. -Oh, dear. | 0:42:30 | 0:42:33 | |
We don't want that. That's just what we didn't want. | 0:42:33 | 0:42:36 | |
-Are you OK now? -Yeah. | 0:42:36 | 0:42:37 | |
-Have you got the sting? -Yeah, it's out. -Lovely. | 0:42:37 | 0:42:40 | |
'OK, we'll just leave the friendly bees now!' | 0:42:40 | 0:42:43 | |
Well, it could have been a lot worse. | 0:42:43 | 0:42:45 | |
Insects and animals can always be unpredictable | 0:42:45 | 0:42:47 | |
but I'll live to see another day. | 0:42:47 | 0:42:50 | |
Well, I knew it could happen, there was every possibility. | 0:42:50 | 0:42:53 | |
-You took it very well. -I took the sting like a man! | 0:42:53 | 0:42:57 | |
You did, yes! It's always a possibility with bees. | 0:42:57 | 0:43:00 | |
It's always a possibility but it rarely happens. | 0:43:00 | 0:43:03 | |
Any chance of honey? | 0:43:03 | 0:43:05 | |
I'm afraid not this year. | 0:43:05 | 0:43:07 | |
We've had our gifts from the bees, the wonderful company, | 0:43:07 | 0:43:10 | |
-the wonderful learning possibilities but no honey this year. -No honey. | 0:43:10 | 0:43:13 | |
-Just, for me, just a sting and a memory. -A sting and a memory. | 0:43:13 | 0:43:18 | |
-Worth it, though. -Yeah. -Absolutely worth it. | 0:43:18 | 0:43:20 | |
The Countryfile calendar for 2013 features the winning photos | 0:43:27 | 0:43:30 | |
from this year's photographic competition. | 0:43:30 | 0:43:33 | |
Aren't they lovely? | 0:43:34 | 0:43:35 | |
And this one, coming up, is my particular favourite today. | 0:43:35 | 0:43:39 | |
If you want to get your hands on one, here's John with the details. | 0:43:39 | 0:43:42 | |
Don't sting me! | 0:43:42 | 0:43:43 | |
You can order copies right now, either by going to our website... | 0:43:45 | 0:43:49 | |
..or by ringing the order line... | 0:43:53 | 0:43:55 | |
To order by post, send your name, address and cheque to... | 0:44:07 | 0:44:11 | |
Please make cheques payable to "BBC Countryfile Calendar". | 0:44:21 | 0:44:25 | |
It costs nine pounds | 0:44:26 | 0:44:28 | |
and at least four pounds from every sale goes to Children in Need. | 0:44:28 | 0:44:32 | |
Back to Switzerland, now, and Adam's left the fighting cows behind him | 0:44:36 | 0:44:40 | |
and is in search of another animal that thrives in the harsh Alps. | 0:44:40 | 0:44:44 | |
It's a rare breed of goat and it's known locally as the glacier goat. | 0:44:44 | 0:44:50 | |
Well, there's the glacier, all I've got to do is find the goats. | 0:44:50 | 0:44:54 | |
I'm hoping to catch a glimpse of the Valais black-necked goat, | 0:45:07 | 0:45:10 | |
which lives on the mountain tops. | 0:45:10 | 0:45:12 | |
I'm meeting up with my guide, Lilian Bietcsch, | 0:45:14 | 0:45:16 | |
and we set off in search of them. | 0:45:16 | 0:45:18 | |
More beautiful cows! I've seen cows already, what I want is goats. | 0:45:20 | 0:45:24 | |
-So, what is the mountain range here? -These are the Swiss Alps, of course. | 0:45:24 | 0:45:27 | |
On the other side you've got Italy. Over there, that's the Matterhorn. | 0:45:27 | 0:45:32 | |
-Oh, yes, the famous Matterhorn. -The most beautiful one, of course. | 0:45:32 | 0:45:35 | |
So you want to have goats, they're coming up there, now. | 0:45:35 | 0:45:39 | |
Oh, yes, there, yes. You've got good eyes! | 0:45:39 | 0:45:43 | |
Oh, we have a little bit more walking to do. | 0:45:43 | 0:45:45 | |
Yes, I think we have to go towards them. There are 300 of them. | 0:45:45 | 0:45:49 | |
-Well, let's go and meet them. -Yes, see, now, they're running. -Yes. | 0:45:49 | 0:45:52 | |
-Oh, they want to meet you! -THEY LAUGH | 0:45:52 | 0:45:55 | |
They look forward to it. | 0:45:55 | 0:45:56 | |
Wonderful. | 0:45:56 | 0:45:58 | |
Head of mountain rescue Gilbert Schmidt | 0:46:01 | 0:46:03 | |
has bought a small group down the mountain for me to see. | 0:46:03 | 0:46:06 | |
Good morning, Gilbert. | 0:46:09 | 0:46:11 | |
-Hi. -Hi. | 0:46:11 | 0:46:12 | |
Thank you for bringing the goats! | 0:46:12 | 0:46:14 | |
Can I feed them? | 0:46:14 | 0:46:17 | |
So they follow you for the salt, is it? | 0:46:17 | 0:46:21 | |
There we are. | 0:46:21 | 0:46:22 | |
There we are. Look at this. | 0:46:22 | 0:46:25 | |
Bit of bread. Aren't they wonderful?! | 0:46:25 | 0:46:28 | |
And how many goats are there? | 0:46:31 | 0:46:33 | |
-There are 200. -And where are the others? | 0:46:33 | 0:46:37 | |
-There are more two steps ahead. -Let's go and see them. | 0:46:37 | 0:46:41 | |
-Shall we go and see all the others? -Komm, komm, komm, komm. | 0:46:41 | 0:46:45 | |
The prospect of seeing the whole herd gives me my second wind | 0:46:55 | 0:46:59 | |
for the final push up the mountain. | 0:46:59 | 0:47:01 | |
At the top of the hill I find the farmer, Werner Bauman, | 0:47:03 | 0:47:06 | |
relaxing with his goats. | 0:47:06 | 0:47:09 | |
They're actually very quiet and tame. | 0:47:10 | 0:47:12 | |
I thought they'd just be running away when we turned up. | 0:47:12 | 0:47:15 | |
No, and now, at the moment, they have siesta time. | 0:47:15 | 0:47:18 | |
-Like the normal people! -Siesta! -Yeah, they enjoy the sun as well. | 0:47:18 | 0:47:22 | |
-And this is the farmer? -This is the farmer, yes. | 0:47:22 | 0:47:26 | |
This farmer is 70 years old, apparently. | 0:47:26 | 0:47:29 | |
And how often do you come up to look at them? | 0:47:32 | 0:47:36 | |
HE SPEAKS IN SWISS GERMAN | 0:47:36 | 0:47:39 | |
It depends lately from the weather. | 0:47:42 | 0:47:44 | |
He said when the weather is not good, well, he's not coming | 0:47:44 | 0:47:47 | |
but if the weather is bad then they have to come afterwards. | 0:47:47 | 0:47:49 | |
Why does he farm them? For the meat or the milk? | 0:47:49 | 0:47:53 | |
HE SPEAKS IN SWISS GERMAN | 0:47:53 | 0:47:55 | |
It's a hobby, they love them. I think that's the main reason. | 0:47:55 | 0:47:59 | |
It's because in winter time otherwise we get too much avalanches | 0:47:59 | 0:48:02 | |
and they have to keep, they keep the grass short. | 0:48:02 | 0:48:06 | |
-And the short grass holds the snow? -Yes, yes. -OK. | 0:48:06 | 0:48:10 | |
And does the farmer love them? | 0:48:10 | 0:48:12 | |
THEY SPEAK IN SWISS GERMAN | 0:48:12 | 0:48:16 | |
Yes, he loves them because otherwise he wouldn't be here | 0:48:16 | 0:48:19 | |
and I think they've got a lot of passion for them | 0:48:19 | 0:48:22 | |
and they go down and they just, they wash them and they comb them. | 0:48:22 | 0:48:26 | |
-They are like babies for them. He has no children. -Oh, it's wonderful. | 0:48:26 | 0:48:29 | |
Well, it's been a real treat for me to see them. | 0:48:29 | 0:48:32 | |
-Can you thank him for me? It's wonderful. -Yes. | 0:48:32 | 0:48:35 | |
THEY SPEAK IN SWISS GERMAN | 0:48:35 | 0:48:38 | |
-He said that he thanks you as well. -Oh, great. -Yes. | 0:48:41 | 0:48:44 | |
These black-necked goats are absolutely lovely | 0:49:00 | 0:49:03 | |
and they're very similar to the Bagot goats that I've got at home. | 0:49:03 | 0:49:07 | |
Oh, go on, go on. | 0:49:07 | 0:49:08 | |
They love this salt and some historians believe | 0:49:08 | 0:49:12 | |
that Richard the Lionheart brought Swiss black-necked goats | 0:49:12 | 0:49:16 | |
back from his crusades | 0:49:16 | 0:49:17 | |
and they ended up being gifted to the Bagot family from Northamptonshire. | 0:49:17 | 0:49:21 | |
And my dad got some Bagot goats from Lady Bagot | 0:49:21 | 0:49:25 | |
and so they could well be distant relatives. | 0:49:25 | 0:49:29 | |
I've loved my busman's holiday in Switzerland | 0:49:34 | 0:49:36 | |
but next week I'll be back on my farm doing some proper work. | 0:49:36 | 0:49:40 | |
In a few minutes I am going to be behind the wheel of this beauty, | 0:49:48 | 0:49:52 | |
taking her for a spin. | 0:49:52 | 0:49:53 | |
She's 110 years old, | 0:49:53 | 0:49:55 | |
she's all set for the London to Brighton veteran car run | 0:49:55 | 0:49:58 | |
and she is, of course, very much loved by her owner. | 0:49:58 | 0:50:01 | |
In fact, I'm polishing her with a pair of his underpants. | 0:50:01 | 0:50:03 | |
Sorry, Michael! | 0:50:03 | 0:50:04 | |
Anyway, before all of that, | 0:50:04 | 0:50:06 | |
it's time for the Countryfile weather forecast. | 0:50:06 | 0:50:08 | |
. | 0:52:50 | 0:52:57 | |
'This week, we've been exploring East Sussex. | 0:53:09 | 0:53:12 | |
'While Julia's been inland looking at its literary history, | 0:53:14 | 0:53:17 | |
'I've been at the seaside, looking at its coastal heritage.' | 0:53:17 | 0:53:21 | |
Well, I've now travelled further around the coast | 0:53:23 | 0:53:25 | |
to the edge of Brighton | 0:53:25 | 0:53:27 | |
where I'm about to meet a jewel in our heritage | 0:53:27 | 0:53:29 | |
so I'm dressing for the part. | 0:53:29 | 0:53:32 | |
Get the old cap on and...of course, the patches. | 0:53:32 | 0:53:35 | |
'Built in the same year as the Beachy Head lighthouse, 1902, | 0:53:39 | 0:53:42 | |
'this little beauty shows no sign of deteriorating paintwork.' | 0:53:42 | 0:53:46 | |
Michael, how good to see you. | 0:53:48 | 0:53:50 | |
Matt, good afternoon, good to see you. | 0:53:50 | 0:53:52 | |
My word, this is something else. | 0:53:52 | 0:53:55 | |
Goodness me! | 0:53:55 | 0:53:56 | |
This is Fifi. | 0:53:56 | 0:53:58 | |
Fifi's been in my wife's family for just over 80 years. | 0:53:58 | 0:54:03 | |
She's a De Dion-Bouton made in 1902 | 0:54:03 | 0:54:05 | |
in a place called Puteaux just outside Paris. | 0:54:05 | 0:54:09 | |
These were the most advanced engines in Europe at the time. | 0:54:09 | 0:54:13 | |
Europe had been used to having motor cars | 0:54:13 | 0:54:16 | |
that were doing maybe 10 or 12 miles per hour. | 0:54:16 | 0:54:18 | |
Cars like this that were being produced in 1901, 1902 | 0:54:18 | 0:54:20 | |
could get up to 20 miles an hour, 25 miles an hour. | 0:54:20 | 0:54:23 | |
Of course, they couldn't always stop very quickly | 0:54:23 | 0:54:25 | |
but they could certainly go. | 0:54:25 | 0:54:27 | |
-Shall I show you how it all works? -Yeah, please do. | 0:54:27 | 0:54:30 | |
There we go. | 0:54:32 | 0:54:33 | |
Listen to that. | 0:54:33 | 0:54:36 | |
She's got the most gorgeous putt-putt-putt sound. | 0:54:36 | 0:54:39 | |
'As well as being a prominent member of Mike's family, | 0:54:39 | 0:54:43 | |
'Fifi is a regular in the London to Brighton Run, | 0:54:43 | 0:54:45 | |
'which is taking place in a few weeks. | 0:54:45 | 0:54:47 | |
'The 60 mile journey commemorates the Emancipation Run of 1896 | 0:54:47 | 0:54:52 | |
'which celebrated raising the speed limit from 4 to 14 miles per hour. | 0:54:52 | 0:54:56 | |
'That said, we'll be lucky to achieve speeds like that today.' | 0:54:56 | 0:55:01 | |
-Dive out. -Yeah. | 0:55:01 | 0:55:03 | |
Can you give us a bit of a push, Matt? | 0:55:03 | 0:55:05 | |
Aargh! | 0:55:05 | 0:55:07 | |
Here we go. Go, go, go. | 0:55:07 | 0:55:10 | |
Come on, Matt, hurry up. | 0:55:10 | 0:55:12 | |
Well done. Brilliant. | 0:55:12 | 0:55:14 | |
It's the biggest event of its type anywhere in the world. | 0:55:14 | 0:55:17 | |
You will never get 550 veteran motor cars | 0:55:17 | 0:55:21 | |
in one place at any other time of the year. | 0:55:21 | 0:55:26 | |
It's stopped. So we'll start it again. | 0:55:31 | 0:55:35 | |
'This unplanned stop gives me the perfect opportunity | 0:55:35 | 0:55:38 | |
'to take the wheel.' | 0:55:38 | 0:55:39 | |
She's back. | 0:55:43 | 0:55:44 | |
Right. Lower one towards you. | 0:55:52 | 0:55:57 | |
You've got the revs up, clutch forward and away we go. | 0:55:57 | 0:56:01 | |
HORN HONKS | 0:56:01 | 0:56:03 | |
ENGINE DROWNS OUT SPEECH | 0:56:03 | 0:56:04 | |
'Well, I've had my fun. | 0:56:04 | 0:56:06 | |
'But now, Mike's back in control as we brave Brighton's rush hour | 0:56:06 | 0:56:10 | |
'and head off to the seafront where the London to Brighton Run ends. | 0:56:10 | 0:56:13 | |
'As the weather is taking a turn for the worse, | 0:56:13 | 0:56:16 | |
'it's time to get the appropriate clobber on.' | 0:56:16 | 0:56:19 | |
-This is the last slight hill before Brighton. -OK. | 0:56:20 | 0:56:24 | |
When you're coming in on the run, you have to get up this small hill. | 0:56:24 | 0:56:27 | |
From there onwards, it's downhill all the way. | 0:56:27 | 0:56:30 | |
It just brings a smile to everybody's face. | 0:56:30 | 0:56:32 | |
It does, you're absolutely right. | 0:56:32 | 0:56:33 | |
I think so, anyway. I can't quite see. | 0:56:33 | 0:56:37 | |
'Just like previous veteran car runs, it's nice to see | 0:56:38 | 0:56:41 | |
'we're not the first to have braved the inclement British weather.' | 0:56:41 | 0:56:44 | |
There we are. Let's give her a blast. | 0:56:47 | 0:56:50 | |
HORN HONKS | 0:56:50 | 0:56:51 | |
Yeah! | 0:56:51 | 0:56:53 | |
How are you doing? | 0:56:53 | 0:56:54 | |
Oh! You made it in one piece. Are you all right? | 0:56:54 | 0:56:59 | |
I can hear you but I can't see you. | 0:56:59 | 0:57:02 | |
I can't see you either because I got stung in the eye by a bee. | 0:57:02 | 0:57:05 | |
-Oh, are you all right? -I'm fine. | 0:57:05 | 0:57:07 | |
How's the jaw? Can you talk? | 0:57:07 | 0:57:09 | |
I can't move my jaw. I'm mithered to the bone. | 0:57:09 | 0:57:11 | |
It's a risky job, this Countryfile business, isn't it? | 0:57:11 | 0:57:14 | |
Oh, brilliant. | 0:57:14 | 0:57:15 | |
-Well, we better quit while we can still talk. -We will. | 0:57:15 | 0:57:17 | |
That's it for this week. | 0:57:17 | 0:57:19 | |
Next week we're going to be in Anglesey. | 0:57:19 | 0:57:21 | |
I'm going property hunting in one of the remotest locations in Wales. | 0:57:21 | 0:57:24 | |
Yes, and I'm going to be meeting a bloke who grows massive pumpkins, | 0:57:24 | 0:57:27 | |
-as it's close to Halloween. -Massive? -Huge. | 0:57:27 | 0:57:30 | |
-Can I get a lift? -You can. Jump in the back. | 0:57:30 | 0:57:33 | |
Mind you, Julia, we're going up a slight incline here | 0:57:33 | 0:57:35 | |
and whoever's sitting in the back, if we get stuck, they have to push. | 0:57:35 | 0:57:39 | |
-OK. -All right. You might want to put these on as well. -Thank you. | 0:57:39 | 0:57:42 | |
Anglesey, please. | 0:57:44 | 0:57:46 | |
Bye! | 0:57:46 | 0:57:49 | |
ENGINE BACKFIRES | 0:57:49 | 0:57:50 | |
Subtitles by Red Bee Media Ltd | 0:57:51 | 0:57:55 |