
Browse content similar to 25th Anniversary. Check below for episodes and series from the same categories and more!
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It's not just new music in the air, | 0:00:25 | 0:00:27 | |
there's a buzz too, | 0:00:27 | 0:00:29 | |
a great feeling of a countryside celebration. | 0:00:29 | 0:00:32 | |
A traditional country fair. | 0:00:32 | 0:00:33 | |
A time for communities to come together | 0:00:33 | 0:00:37 | |
and share our love of the Great British countryside. | 0:00:37 | 0:00:39 | |
-ALL: -Ooh! | 0:00:45 | 0:00:46 | |
-He's very good, isn't he? -Very good. | 0:00:46 | 0:00:48 | |
We're here to mark a very special occasion. | 0:00:48 | 0:00:50 | |
This is Countryfile's Silver Jubilee. | 0:00:50 | 0:00:53 | |
Can you believe it? | 0:00:53 | 0:00:54 | |
To celebrate, we are hosting our very own country fair | 0:00:54 | 0:00:57 | |
right here, in the Cotswolds, and we're all here on Adam's farm. | 0:00:57 | 0:01:00 | |
Thanks for having us, Adam. | 0:01:00 | 0:01:01 | |
It's lovely to have you guys here. | 0:01:01 | 0:01:03 | |
But, also, we've got 250 Countryfile viewers | 0:01:03 | 0:01:07 | |
who were randomly selected to be here | 0:01:07 | 0:01:08 | |
from literally thousands of people who applied. So, welcome. | 0:01:08 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:13 | |
It's lovely to have you all here, from all over Britain. | 0:01:13 | 0:01:16 | |
So what is the order of ceremony? | 0:01:16 | 0:01:18 | |
I hear Countryfile titan John Craven has a special treat in store. | 0:01:18 | 0:01:22 | |
That's right, Ellie. | 0:01:22 | 0:01:23 | |
I'm going to be putting everybody's memories to the test | 0:01:23 | 0:01:26 | |
with a special Countryfile quiz. | 0:01:26 | 0:01:28 | |
What are you up to, Tom? | 0:01:28 | 0:01:30 | |
-I'm looking at a very precious gift. JULIA: -John Craven? -No, not quite. | 0:01:30 | 0:01:34 | |
Something we couldn't live without, that has shaped our landscape | 0:01:34 | 0:01:37 | |
and has run like a theme through Countryfile for 25 years. | 0:01:37 | 0:01:41 | |
There's lots to look forward to. Shall we get on with the show? | 0:01:41 | 0:01:44 | |
-Yes, wagons roll! Come on, everyone! -CHEERING | 0:01:44 | 0:01:46 | |
25 years, it's been quite a journey. | 0:01:56 | 0:02:01 | |
From the first programme in July 1988, to today, | 0:02:01 | 0:02:04 | |
Countryfile has brought the best of the UK's countryside | 0:02:04 | 0:02:07 | |
to the nation's homes. | 0:02:07 | 0:02:09 | |
We've covered the rural stories that have shaped our times, | 0:02:09 | 0:02:12 | |
from farming and the environment, | 0:02:12 | 0:02:15 | |
to the land and its people. | 0:02:15 | 0:02:18 | |
And we thought, what better way to celebrate | 0:02:21 | 0:02:24 | |
than to bring everybody together at our own country fair. | 0:02:24 | 0:02:28 | |
But let me tell you, | 0:02:28 | 0:02:29 | |
this lot has taken some setting up over the last 24 hours. | 0:02:29 | 0:02:33 | |
Tepees have gone up. | 0:02:34 | 0:02:36 | |
Stallholders from across the Cotswolds have assembled | 0:02:38 | 0:02:41 | |
food, games, entertainment | 0:02:41 | 0:02:44 | |
and bunting that goes on forever. | 0:02:44 | 0:02:46 | |
And we have something that I am very, very excited about. | 0:02:48 | 0:02:50 | |
-Our own artist-in-residence, Cecil. -Hi. | 0:02:50 | 0:02:53 | |
-A very good morning to you, how are you? -I'm very well, thanks. | 0:02:53 | 0:02:56 | |
-Oh, you've started already with a few pencil lines. -That's right. | 0:02:56 | 0:03:00 | |
It's good to get it planned. | 0:03:00 | 0:03:01 | |
Is it quite difficult often to capture a live scene like this | 0:03:01 | 0:03:04 | |
if it's going to be changing a lot with people? | 0:03:04 | 0:03:06 | |
It's tricky, but the painting has a liveliness | 0:03:06 | 0:03:08 | |
-because you've done it on the spot. -Yeah, sure. | 0:03:08 | 0:03:12 | |
And that's the challenge. | 0:03:12 | 0:03:14 | |
Scenes like this have long been a staple of rural life. | 0:03:18 | 0:03:23 | |
From humble beginnings, | 0:03:23 | 0:03:24 | |
they've become a highlight of the summer calendar. | 0:03:24 | 0:03:27 | |
Author Clive Aslett is very much a fan of the fair. | 0:03:27 | 0:03:29 | |
-Very nearly did it! -Good to see you. Let's have a go then. | 0:03:29 | 0:03:33 | |
-Oh, no! You are a cricketer. -MATT LAUGHS | 0:03:33 | 0:03:37 | |
Clive, good to see you. | 0:03:37 | 0:03:38 | |
Tell us, what are the origins of the country fair? | 0:03:38 | 0:03:41 | |
I think they go back to the Middle Ages | 0:03:41 | 0:03:44 | |
when fairs were really important for trade. | 0:03:44 | 0:03:46 | |
There was another thing, the Church ale, | 0:03:46 | 0:03:48 | |
which was when the Church raised money, | 0:03:48 | 0:03:50 | |
and a lot of ale was obviously drunk. | 0:03:50 | 0:03:52 | |
And they were quite lewd at times. | 0:03:52 | 0:03:54 | |
Of course, the Puritans didn't really like it. | 0:03:54 | 0:03:56 | |
Let's go sample the cheese, yes. | 0:03:56 | 0:03:58 | |
I'm going to go for this traditional cheddar. | 0:03:58 | 0:04:00 | |
Can I have the double Gloucester? | 0:04:00 | 0:04:03 | |
-Thank you. -Thank you very much. | 0:04:03 | 0:04:04 | |
In the 18th century, with the agricultural revolution, | 0:04:04 | 0:04:07 | |
it became important for great landowners to show | 0:04:07 | 0:04:09 | |
what you could do to improve your farm. | 0:04:09 | 0:04:11 | |
They gathered everybody together. | 0:04:11 | 0:04:13 | |
Fairs were also a chance to show off the fruits of your labour. | 0:04:16 | 0:04:22 | |
Our fairs, I think, are really a product of the Victorian era | 0:04:22 | 0:04:25 | |
when everything was getting a bit more decorous and a bit more polite. | 0:04:25 | 0:04:28 | |
And, of course, they're great fun. | 0:04:28 | 0:04:30 | |
The opportunity to sponge the person you've always wanted to. | 0:04:30 | 0:04:33 | |
Very nearly! | 0:04:33 | 0:04:34 | |
Of all the things, what do you love about them, Clive? | 0:04:34 | 0:04:37 | |
Here we are, people put on their summer dresses, maybe a hat, | 0:04:37 | 0:04:40 | |
and they come out to a field to take part | 0:04:40 | 0:04:44 | |
in some fairly home-spun entertainment. | 0:04:44 | 0:04:47 | |
We all love it, this is our tradition. | 0:04:47 | 0:04:48 | |
It's unlike anything else that there is in Europe because | 0:04:48 | 0:04:52 | |
everybody else does things which are a bit more gutsy, | 0:04:52 | 0:04:55 | |
a bit more ambition. | 0:04:55 | 0:04:57 | |
-But we like this simple home-made scale, I think. -Yes. | 0:04:57 | 0:05:01 | |
-Oh! -CHEERING | 0:05:01 | 0:05:03 | |
-JULIA: -While Matt tries to get out of that tricky situation, | 0:05:03 | 0:05:06 | |
I'm nipping off for a look around. | 0:05:06 | 0:05:09 | |
The setting for our summer fair is familiar to us all - Adam's farm. | 0:05:10 | 0:05:15 | |
For the past four years, | 0:05:15 | 0:05:16 | |
it's given us a rare insight into farming life. | 0:05:16 | 0:05:20 | |
We see this place week in, week out, on the telly. | 0:05:20 | 0:05:22 | |
But what's it like behind the scenes? | 0:05:22 | 0:05:25 | |
So, this is HQ. It's not a TV set, it's the nerve centre of the farm. | 0:05:25 | 0:05:30 | |
It's a busy working farm. Almost 1,000 acres of crop. | 0:05:30 | 0:05:33 | |
2,500 animals to run. | 0:05:33 | 0:05:35 | |
And there's a man who has to do the planning, business, the strategy. | 0:05:35 | 0:05:38 | |
You might think it's Adam, but it's not. | 0:05:38 | 0:05:41 | |
-Afternoon, Duncan, how are you? -Very well, thank you. -Nice to see you. | 0:05:41 | 0:05:44 | |
-So, this is it. -This is the nerve centre. | 0:05:44 | 0:05:47 | |
A lot of livelihoods depend on the success of this farm. | 0:05:47 | 0:05:50 | |
Not just Adam's family but my family too. | 0:05:50 | 0:05:52 | |
But also 14 full-time staff and up to 50 seasonal staff. | 0:05:52 | 0:05:56 | |
That's the business side of things | 0:05:56 | 0:05:58 | |
but, of course, this is also Adam's home. | 0:05:58 | 0:06:00 | |
And it's not just the people he works alongside | 0:06:00 | 0:06:03 | |
who've become the stars of the show. | 0:06:03 | 0:06:05 | |
Over the years, his son Alfie and daughter Ella | 0:06:05 | 0:06:08 | |
have also appeared on the programme. | 0:06:08 | 0:06:11 | |
-Hi, Ella. -Hi. -How are you? -I'm really good, thank you. | 0:06:12 | 0:06:15 | |
-Lovely chickens. -Yeah, they're barred rocks. | 0:06:15 | 0:06:17 | |
-They're very pretty, aren't they? -Yeah. | 0:06:17 | 0:06:19 | |
Tell me what life's been like since your dad's been on the telly? | 0:06:19 | 0:06:22 | |
Yeah, it's really good. | 0:06:22 | 0:06:23 | |
Having the film crew here is also quite interesting. | 0:06:23 | 0:06:26 | |
What do you think people at home don't know about your dad? | 0:06:26 | 0:06:29 | |
He does quite a lot of work on the farm. | 0:06:29 | 0:06:31 | |
Some people think he doesn't do a lot, like he's away quite a lot. | 0:06:31 | 0:06:34 | |
But he works really hard doing the sheep and cows. | 0:06:34 | 0:06:38 | |
-He is juggling, he's very hands-on. -Yeah. | 0:06:38 | 0:06:40 | |
-Are you proud of him? -Yeah. -He's a cool dad to have. -Got to be. | 0:06:40 | 0:06:43 | |
-He'd be very proud that you got the name of the chickens right. -Yeah. | 0:06:43 | 0:06:46 | |
COCK CROWS | 0:06:46 | 0:06:48 | |
OK, so that's the family and the business. | 0:06:48 | 0:06:52 | |
Now for the main man. | 0:06:52 | 0:06:54 | |
And, surprise, surprise, he's filming. | 0:06:54 | 0:06:56 | |
I wanted one of my best looking animals in the background | 0:06:56 | 0:06:59 | |
so people could see him from the country fair. | 0:06:59 | 0:07:02 | |
-And now, I think he's looking tip-top. -The master at work. | 0:07:02 | 0:07:05 | |
I'm very pleased with that. Ah, hello, Julia, what do you think? | 0:07:05 | 0:07:09 | |
-I don't know, I think Eric's looking pretty gorgeous. -He is, isn't he? | 0:07:09 | 0:07:12 | |
Is it grooming time? | 0:07:12 | 0:07:13 | |
It is. He's had a shampoo. Me and Alfie have shampooed him | 0:07:13 | 0:07:16 | |
so that he looks beautiful for the country fair. | 0:07:16 | 0:07:18 | |
And now, we've got to walk him up there. | 0:07:18 | 0:07:20 | |
-You can give me a hand, if you like? -Absolutely. | 0:07:20 | 0:07:22 | |
Adam's let the cameras into his life for four years. | 0:07:22 | 0:07:26 | |
But he's got a history on Countryfile which goes way back. | 0:07:26 | 0:07:30 | |
In fact, it all started with a presenter search in 2001, | 0:07:30 | 0:07:33 | |
and an audition tape from a fresh-faced young farmer. | 0:07:33 | 0:07:36 | |
Television presenting is something I've always wanted to do. | 0:07:36 | 0:07:39 | |
I've got a close understanding of people | 0:07:39 | 0:07:42 | |
and animals and agricultural issues. | 0:07:42 | 0:07:45 | |
And I hope that you will be able to consider me for the job. | 0:07:45 | 0:07:47 | |
Since then, Adam's been a familiar face on our screens. | 0:07:47 | 0:07:50 | |
And we've been with him through the highs, and some of the lows. | 0:07:50 | 0:07:54 | |
Probably the worst time for us here has been TB testing. | 0:07:54 | 0:07:59 | |
And filming it makes it even worse. | 0:07:59 | 0:08:01 | |
It is a very tense day, bringing the cattle into the pens, | 0:08:01 | 0:08:03 | |
the bulls getting too close together, | 0:08:03 | 0:08:05 | |
cows being separated from their calves. | 0:08:05 | 0:08:07 | |
If you lose an animal to TB, and it has to be compulsory slaughter, | 0:08:07 | 0:08:10 | |
and you've got a camera in your face, | 0:08:10 | 0:08:11 | |
you're supposed to give a response. It is very real. | 0:08:11 | 0:08:14 | |
CATTLE LOW | 0:08:14 | 0:08:16 | |
Reaction? | 0:08:17 | 0:08:19 | |
The first cow, and she's reacted. | 0:08:19 | 0:08:21 | |
It's an absolute travesty, a complete disaster. | 0:08:21 | 0:08:25 | |
All right. | 0:08:25 | 0:08:27 | |
That was a huge blow for Adam. | 0:08:28 | 0:08:31 | |
But there have been happier moments too, | 0:08:31 | 0:08:33 | |
both on the farm and beyond. | 0:08:33 | 0:08:36 | |
Sometimes, I have to pinch myself to think, | 0:08:36 | 0:08:38 | |
I'm getting paid to do this job. Getting behind the scene on farms, | 0:08:38 | 0:08:41 | |
meeting other farmers is always great. | 0:08:41 | 0:08:43 | |
I've travelled abroad, | 0:08:43 | 0:08:44 | |
going to Australia, following Hereford cattle. | 0:08:44 | 0:08:47 | |
If they were to do this with horse people on the ground, | 0:08:47 | 0:08:50 | |
it would take them weeks, I'd imagine. | 0:08:50 | 0:08:52 | |
-There have been wonderful moments. -BULL LOWS | 0:08:52 | 0:08:55 | |
-Eric agrees with you, you see! -ADAM LAUGHS | 0:08:55 | 0:08:57 | |
Just like Adam, the countryside overall has had its fair share | 0:09:01 | 0:09:05 | |
of ups and downs over the last quarter of a century. | 0:09:05 | 0:09:08 | |
And we've been there to see them all. | 0:09:08 | 0:09:11 | |
Since the very beginning of the programme, | 0:09:14 | 0:09:17 | |
we've covered the issues that matter. | 0:09:17 | 0:09:19 | |
We were there for the start of the organic movement. | 0:09:20 | 0:09:24 | |
Today, we're investigating the upsurge in organic farming. | 0:09:24 | 0:09:28 | |
We've witnessed foot-and-mouth. | 0:09:30 | 0:09:33 | |
BSE. | 0:09:33 | 0:09:34 | |
And bird flu. | 0:09:34 | 0:09:36 | |
Not forgetting the issues that divided the countryside. | 0:09:36 | 0:09:39 | |
The people who've banned it just don't understand it. | 0:09:39 | 0:09:42 | |
Yeah, it's a good day for us, a good day for the wildlife. | 0:09:42 | 0:09:44 | |
But there's one subject that flows through everything we do, | 0:09:46 | 0:09:52 | |
and it always will. | 0:09:52 | 0:09:55 | |
Water. A fundamental of the natural world. | 0:09:55 | 0:09:59 | |
It sustains our landscape and all life within it. | 0:09:59 | 0:10:03 | |
But it's also given our countryside some of its greatest challenges. | 0:10:03 | 0:10:09 | |
In the early days of the programme, | 0:10:10 | 0:10:13 | |
the big challenge was pollution in our water. | 0:10:13 | 0:10:16 | |
Although the presenters' fashion taste | 0:10:16 | 0:10:19 | |
was sometimes as questionable as the state of our waterways. | 0:10:19 | 0:10:22 | |
Believe it or not, it takes just one pint of milk | 0:10:22 | 0:10:26 | |
discharged into a river or stream | 0:10:26 | 0:10:29 | |
to do as much damage as 800 gallons of treated sewage. | 0:10:29 | 0:10:34 | |
1988 saw the birth of Countryfile, | 0:10:35 | 0:10:38 | |
and the privatisation of the water industry in England and Wales. | 0:10:38 | 0:10:42 | |
A year later, the National Rivers Authority was created | 0:10:42 | 0:10:45 | |
to clean up our waterways. | 0:10:45 | 0:10:48 | |
So, I think the idea it's cheaper to go on polluting and pay the fines | 0:10:48 | 0:10:53 | |
is going to be a thing of the past. | 0:10:53 | 0:10:56 | |
We, as an organisation, will not hesitate to prosecute for offences. | 0:10:56 | 0:11:00 | |
More than 20 years after he first appeared on the show, | 0:11:00 | 0:11:03 | |
Lord Crickhowell is back to reflect. | 0:11:03 | 0:11:06 | |
When you set up the National Rivers Authority, | 0:11:08 | 0:11:10 | |
-what was the scale of the problem you were facing? -Oh, very big. | 0:11:10 | 0:11:13 | |
Water pollution was extensive. Farm pollution was extensive. | 0:11:13 | 0:11:17 | |
There was flooding on a considerable scale. | 0:11:17 | 0:11:20 | |
There were water shortages on a considerable scale. | 0:11:20 | 0:11:23 | |
Many of the fisheries were dead. | 0:11:23 | 0:11:26 | |
The National Rivers Authority became the Environment Agency in 1996. | 0:11:26 | 0:11:32 | |
So, did these agencies really manage to get to grips with the problems? | 0:11:32 | 0:11:37 | |
I think they've got better. | 0:11:37 | 0:11:38 | |
I won't say they've gone away, I think the Environment Agency | 0:11:38 | 0:11:41 | |
has got to go on working extremely hard on all these problems. | 0:11:41 | 0:11:45 | |
Because we live in a very congested country. | 0:11:45 | 0:11:49 | |
We live in a world of changing climate. | 0:11:49 | 0:11:52 | |
And the problems aren't going to go away. | 0:11:52 | 0:11:55 | |
Our rivers may now be far cleaner, | 0:11:59 | 0:12:01 | |
but they can still turn nasty. | 0:12:01 | 0:12:04 | |
Floods aren't a new phenomenon | 0:12:04 | 0:12:05 | |
but, since the turn of the century, | 0:12:05 | 0:12:08 | |
the British Isles have seen flooding on an almost unprecedented scale. | 0:12:08 | 0:12:13 | |
Boscastle in Cornwall, 2004. | 0:12:14 | 0:12:17 | |
Gloucestershire, 2007. | 0:12:18 | 0:12:21 | |
Cumbria, 2009. | 0:12:21 | 0:12:23 | |
We're seeing heavier, more frequent downpours | 0:12:23 | 0:12:26 | |
and, with predictions of yet more extreme weather, | 0:12:26 | 0:12:30 | |
more and more of us are relying on flood defences | 0:12:30 | 0:12:32 | |
and early warnings to keep us safe. | 0:12:32 | 0:12:35 | |
Manning the defences against flooding | 0:12:35 | 0:12:37 | |
is the Environment Agency, | 0:12:37 | 0:12:39 | |
and their latest weapon is a remote control Navy. | 0:12:39 | 0:12:42 | |
-Am I allowed a bit of a go with your toy? -You sure can. | 0:12:52 | 0:12:55 | |
And use this cyber remote control, and have a little tweak. | 0:12:55 | 0:12:58 | |
-Ooh, there we go. -Just slow down just slightly. | 0:12:58 | 0:13:00 | |
-You can tell it's very responsive. -It is, yes. | 0:13:00 | 0:13:04 | |
I can feel a note of nervousness in your voice, Mike! | 0:13:04 | 0:13:07 | |
It is a lot of fun, I can see that, but what's it actually for? | 0:13:08 | 0:13:11 | |
OK, it's used for measuring the depth of the water, | 0:13:11 | 0:13:15 | |
and the speed of the water. | 0:13:15 | 0:13:17 | |
And that will give you the amount of water moving down the river. | 0:13:17 | 0:13:20 | |
Which is absolutely key if you're trying to work out flood risk | 0:13:20 | 0:13:23 | |
-and anything else like that. -This is the future of technology. | 0:13:23 | 0:13:27 | |
-The future of flood defence, in fact. -Yes. | 0:13:27 | 0:13:29 | |
If you noticed, I'm going around in circles | 0:13:29 | 0:13:31 | |
because I've worked out how to do that. | 0:13:31 | 0:13:34 | |
I'm not trying anything too stretching here. | 0:13:34 | 0:13:36 | |
If the past 25 years have taught us anything, | 0:13:37 | 0:13:39 | |
it's that we are rarely in control of the natural world. | 0:13:39 | 0:13:43 | |
And that's true above all of water. | 0:13:43 | 0:13:47 | |
We've had successes, like the clean-up of our rivers, | 0:13:47 | 0:13:50 | |
and also endured stresses, | 0:13:50 | 0:13:52 | |
like the battle against the harshest of the elements. | 0:13:52 | 0:13:55 | |
But one thing's for sure, whether it's too much water or too little, | 0:13:55 | 0:13:59 | |
that struggle is only going to intensify in the future, | 0:13:59 | 0:14:02 | |
as I'll be finding out later. | 0:14:02 | 0:14:04 | |
The party's in full swing down on Adam's farm. | 0:14:07 | 0:14:09 | |
But no country fair would be the same without food. My favourite! | 0:14:09 | 0:14:14 | |
Over the past quarter of a century, Countryfile has followed | 0:14:14 | 0:14:17 | |
the incredible journey of our food, from field to fork. | 0:14:17 | 0:14:22 | |
The aim is to eat as many nettles as you can in one hour. | 0:14:24 | 0:14:28 | |
Cromer lobster, fresh from the sea, and onto the plate. | 0:14:30 | 0:14:33 | |
-That's a nice truffle. -A strong smell. | 0:14:33 | 0:14:35 | |
It's not about size, it's about the quality of the truffle. | 0:14:35 | 0:14:38 | |
For some crazy reason, we now agree to try the shop-bought wasabi. | 0:14:38 | 0:14:43 | |
-Without the salmon, that's very brave. -Argh! Rargh... | 0:14:43 | 0:14:46 | |
This time, though, we've asked the food to come to us. | 0:14:47 | 0:14:51 | |
Our invited guests are taking part | 0:14:55 | 0:14:57 | |
in Countryfile's Grow It, Bake It or Preserve It competition. | 0:14:57 | 0:15:03 | |
All morning, people have been delivering some tasty delights | 0:15:03 | 0:15:06 | |
in the hope of winning a rosette or two. | 0:15:06 | 0:15:08 | |
Including some more familiar faces. | 0:15:08 | 0:15:11 | |
Beautiful. Gloucestershire Old Spot pork pie. It is a winner! | 0:15:14 | 0:15:18 | |
Well. Look at all this jam. What a spread! | 0:15:19 | 0:15:23 | |
Anyway, luckily, I've got just the man to help me judge them all. | 0:15:23 | 0:15:27 | |
Ladies and gentlemen, we're welcoming a culinary king, | 0:15:29 | 0:15:32 | |
it's Nigel Slater! | 0:15:32 | 0:15:34 | |
There's a lot of jeopardy involved... I'm sorry, guys, | 0:15:35 | 0:15:38 | |
we're going to have to do this behind closed fake windows. | 0:15:38 | 0:15:40 | |
And no peeking through the plastic. | 0:15:40 | 0:15:42 | |
Nigel, in here, come on, get your game face on. | 0:15:46 | 0:15:48 | |
Security's tight. | 0:15:52 | 0:15:53 | |
-We're in, Nigel. OK, let the judging begin. -Begin. | 0:15:56 | 0:16:00 | |
So, basically, from your perspective, | 0:16:00 | 0:16:03 | |
how does British food compare with that of the rest of the world? | 0:16:03 | 0:16:07 | |
It's fabulous but it's underrated, it's so underrated. | 0:16:07 | 0:16:11 | |
We've had an idea, I think, for a long time, that other people are better. | 0:16:11 | 0:16:16 | |
That their cooking is better than ours, which is how we've ended up | 0:16:16 | 0:16:19 | |
with so many different cultures being thought of as ours. | 0:16:19 | 0:16:23 | |
Whether it's pizza, pasta, whatever. | 0:16:23 | 0:16:25 | |
And, only now, only recently, | 0:16:25 | 0:16:28 | |
have we started to realise the treasure that we've got. | 0:16:28 | 0:16:31 | |
The wonderful ingredients, the great cooking and fabulous recipes. | 0:16:31 | 0:16:36 | |
And what you do is you inspire people to have a go, | 0:16:36 | 0:16:39 | |
which is what our viewers have done here. | 0:16:39 | 0:16:41 | |
-So, let's start here with the grown section. -Beautiful. | 0:16:41 | 0:16:45 | |
I'm sorry, I'd rather have that than a bunch of flowers. | 0:16:45 | 0:16:47 | |
Really, really tight. | 0:16:47 | 0:16:50 | |
These will be so good. | 0:16:50 | 0:16:52 | |
Tomato and basil alpaca. | 0:16:52 | 0:16:55 | |
-Alpaca meat? -Yes. Is this a first for you? -Absolutely. | 0:16:55 | 0:17:00 | |
Yeah, it's dense. | 0:17:03 | 0:17:06 | |
You've got a nice bit of coarseness, nice little bit of texture. | 0:17:06 | 0:17:09 | |
-What's this? -This is a elderflower cordial. | 0:17:09 | 0:17:11 | |
Wow! | 0:17:15 | 0:17:18 | |
Right, and a wonderful, wonderful selection. | 0:17:18 | 0:17:20 | |
Things from the hedgerows, things from the allotment, | 0:17:20 | 0:17:23 | |
things from the garden, in jars, we're great at it. | 0:17:23 | 0:17:26 | |
-Mm. -That's very good. -A nice bit of rind there. | 0:17:31 | 0:17:34 | |
I do love a lemon curd. | 0:17:34 | 0:17:36 | |
If I'm going to spread one thing on my toast, it's going to be this. | 0:17:36 | 0:17:39 | |
Do you see, that's perfect for me. Absolutely perfect. | 0:17:39 | 0:17:43 | |
It's when things quiver on the spoon rather than just sit there. | 0:17:45 | 0:17:48 | |
Oh, that's a lemon meringue pie in a jar. | 0:17:48 | 0:17:51 | |
Imagine that in a little jam tart. | 0:17:51 | 0:17:53 | |
Ah. That's good. | 0:17:55 | 0:17:58 | |
-The next table awaits now, Nigel. -Cake! | 0:17:58 | 0:18:01 | |
THEY LAUGH Cake. | 0:18:01 | 0:18:04 | |
So, a bit of pork pie. | 0:18:04 | 0:18:05 | |
It's tender, soft, crumbly. | 0:18:08 | 0:18:13 | |
If this was Adam Henson's, that's not his writing. | 0:18:13 | 0:18:15 | |
No, but he's a pork pie man. | 0:18:15 | 0:18:17 | |
Rhubarb and apple crumble. | 0:18:19 | 0:18:20 | |
-I'm always drawn to a crumble. -OK. | 0:18:20 | 0:18:24 | |
What is going on there? Has that been in the oven long enough? | 0:18:26 | 0:18:29 | |
Something's going on there, isn't it? | 0:18:29 | 0:18:32 | |
It's sharp with that rhubarb. | 0:18:32 | 0:18:34 | |
Sorry, I'm turning into you! | 0:18:34 | 0:18:36 | |
Right. Good. | 0:18:39 | 0:18:41 | |
So, we're talking about British food. | 0:18:41 | 0:18:44 | |
Let's find out we you think to the South African breakfast rusks. | 0:18:44 | 0:18:48 | |
As they say in South Africa, these rusks are "ongelooflik". | 0:18:48 | 0:18:52 | |
Unbelievable. | 0:18:52 | 0:18:55 | |
SHARP TAPPING | 0:18:55 | 0:18:56 | |
Am I allowed to say awful? | 0:18:58 | 0:19:00 | |
We might be here a while! | 0:19:02 | 0:19:05 | |
No, OK, let's... Are these frozen? No. | 0:19:05 | 0:19:08 | |
Wow. | 0:19:08 | 0:19:10 | |
Look at that. Oh. | 0:19:11 | 0:19:14 | |
If I'd made that cake, I would be so proud. | 0:19:14 | 0:19:17 | |
Who do you think cooked this one? | 0:19:17 | 0:19:19 | |
I think it's Mary Berry. | 0:19:19 | 0:19:20 | |
It's perfect. | 0:19:20 | 0:19:22 | |
This is going to be tough. | 0:19:24 | 0:19:26 | |
You've got a doughy bit. | 0:19:26 | 0:19:29 | |
-You see, you had me at rhubarb. -That was amazing. | 0:19:29 | 0:19:32 | |
Do you want some water? | 0:19:32 | 0:19:33 | |
Mm. | 0:19:34 | 0:19:36 | |
There's something in there that I don't want in there. | 0:19:36 | 0:19:39 | |
Later Matt and Nigel will be handing out a few rosettes. | 0:19:40 | 0:19:44 | |
Say hello to Moses. He's a magnificent peregrine falcon. | 0:19:45 | 0:19:48 | |
14 months old, so a juvenile. | 0:19:48 | 0:19:50 | |
These guys are known as nature's rockets. | 0:19:50 | 0:19:53 | |
They can reach speeds of up to 200 miles an hour, | 0:19:53 | 0:19:55 | |
that's faster than John Craven! | 0:19:55 | 0:19:57 | |
Off you go. | 0:19:57 | 0:19:58 | |
HE LAUGHS | 0:19:58 | 0:19:59 | |
That was really close, I wasn't expecting that. | 0:19:59 | 0:20:02 | |
Peregrine numbers dropped seriously in the 1960s, | 0:20:02 | 0:20:05 | |
but they've now recovered quite a lot | 0:20:05 | 0:20:07 | |
thanks to the fact they are a protected species. | 0:20:07 | 0:20:10 | |
But, perhaps the greatest wildlife success story | 0:20:10 | 0:20:13 | |
in the time Countryfile has been on the air, | 0:20:13 | 0:20:15 | |
certainly as far as birds are concerned, | 0:20:15 | 0:20:17 | |
is the reintroduction of the red kite. | 0:20:17 | 0:20:20 | |
Once widespread in the UK, | 0:20:20 | 0:20:22 | |
persecution reduced numbers to just a few, | 0:20:22 | 0:20:24 | |
but now they're back again right across the country | 0:20:24 | 0:20:27 | |
following a project which started in the 1990s, and which we helped with. | 0:20:27 | 0:20:32 | |
I'm just boarding a flight to London | 0:20:32 | 0:20:34 | |
escorting a rather unusual passenger, | 0:20:34 | 0:20:37 | |
it's this rare and beautiful bird of prey, a red kite. | 0:20:37 | 0:20:40 | |
And since then we've seen our fair share of wildlife firsts. | 0:20:41 | 0:20:45 | |
It feels like we are on, kind of, safari in Bedfordshire. | 0:20:45 | 0:20:48 | |
I tell you what, I can imagine for those that don't like spiders, | 0:20:48 | 0:20:52 | |
that is a horrific sight. | 0:20:52 | 0:20:55 | |
BIRDS SQUAWK | 0:20:56 | 0:20:58 | |
SHE LAUGHS Ow! | 0:20:58 | 0:21:01 | |
And our appreciation of wildlife doesn't stop there. | 0:21:04 | 0:21:07 | |
This summer our landscape is simply glorious. | 0:21:07 | 0:21:10 | |
Wild flowers dance in the breeze, and wildlife, | 0:21:10 | 0:21:15 | |
well, it's having a whale of a time. | 0:21:15 | 0:21:17 | |
In recent years, we have all been encouraged to do what we can | 0:21:17 | 0:21:20 | |
to protect the natural environment and all the life that lives in it. | 0:21:20 | 0:21:25 | |
Anything from inviting wildlife into our garden, to picking up litter. | 0:21:25 | 0:21:29 | |
Every little counts, and it's a job for us all. | 0:21:31 | 0:21:35 | |
I've come to a small patch of rare limestone grassland | 0:21:35 | 0:21:38 | |
just a stone's throw from the revelry of the fair, Barton Bushes. | 0:21:38 | 0:21:41 | |
80 years ago, 40% of the Cotswolds were | 0:21:41 | 0:21:45 | |
cloaked in grassland like this. | 0:21:45 | 0:21:47 | |
Today, it covers just 1.5% | 0:21:47 | 0:21:50 | |
making this a site of special scientific interest. | 0:21:50 | 0:21:54 | |
I'm going to take a look at the plants and animals | 0:21:54 | 0:21:56 | |
that make this rare grassland their home | 0:21:56 | 0:22:01 | |
and I've called in an army of wildlife enthusiasts | 0:22:01 | 0:22:05 | |
to give me a hand. | 0:22:05 | 0:22:07 | |
Pupils from nearby Temple Guiting school. | 0:22:10 | 0:22:14 | |
Our mission is to record as many species as we can in one morning. | 0:22:14 | 0:22:17 | |
We want to see how healthy the grassland is. | 0:22:17 | 0:22:22 | |
So, bug kit, check. | 0:22:22 | 0:22:25 | |
Clipboard, check. Camera, check. | 0:22:25 | 0:22:28 | |
We'll be reporting to Paul Hackman from Natural England. | 0:22:29 | 0:22:32 | |
OK, everybody. We are going to go on a creepy-crawly hunt. | 0:22:33 | 0:22:36 | |
The most important animals of all are the creepy-crawlies. | 0:22:36 | 0:22:39 | |
They feed all the bigger animals that we usually get excited about. | 0:22:39 | 0:22:42 | |
Paul and I are going to come around with you, see what you get. | 0:22:42 | 0:22:45 | |
We'll have a lot of fun. Have you all got your bug kits? | 0:22:45 | 0:22:48 | |
-CHILDREN: -Yes. -Let's go. | 0:22:48 | 0:22:51 | |
Here's a fly, quick. | 0:22:57 | 0:22:59 | |
Yes, a ladybird crossed with a butterfly. | 0:23:00 | 0:23:03 | |
It's a moth. | 0:23:03 | 0:23:05 | |
-There's a grasshopper. -Well done. See if you can get it. | 0:23:10 | 0:23:13 | |
It's a grasshopper, they need nice, tall grass to live in. | 0:23:15 | 0:23:18 | |
The snail is important as well because they live on the Cotswolds. | 0:23:18 | 0:23:22 | |
They like all the lime soil that helps them to form their shells. | 0:23:22 | 0:23:26 | |
-What have we got here? -Poo. | 0:23:29 | 0:23:31 | |
We've got Exmoor ponies that come in here in the winter | 0:23:31 | 0:23:34 | |
and the autumn. The grazing gets the grass nice and short. | 0:23:34 | 0:23:38 | |
And that helps the wild flowers to come up for the following season. | 0:23:38 | 0:23:42 | |
'Watching on, their teacher Miss Newsham is hoping today's quest | 0:23:45 | 0:23:49 | |
'will contribute to a wildlife project closer to home.' | 0:23:49 | 0:23:53 | |
We have got a wildlife area back at school that's just beginning, | 0:23:53 | 0:23:56 | |
-literally just beginning. -Oh, right. | 0:23:56 | 0:23:58 | |
So, blank canvas and I just want them to get a little bit motivated | 0:23:58 | 0:24:02 | |
and get a little bit of enthusiasm to take back to school. | 0:24:02 | 0:24:06 | |
-How are they doing, do you think? -They have been amazing. | 0:24:06 | 0:24:09 | |
I can't believe how much they have found, | 0:24:09 | 0:24:12 | |
and the interest, I'm really impressed. | 0:24:12 | 0:24:15 | |
The team are also recording flowers. | 0:24:17 | 0:24:19 | |
Oh, wow. Josephine, that's great drawing. | 0:24:21 | 0:24:23 | |
It's this one you're drawing, isn't it? | 0:24:23 | 0:24:26 | |
-What is this one, Paul? -This one is ploughman's spikenard. | 0:24:26 | 0:24:30 | |
How many flowers do you think you have seen here today? | 0:24:30 | 0:24:33 | |
-We've seen six species of flowers. -And all of these. | 0:24:33 | 0:24:37 | |
As well as some unexpected creatures. | 0:24:41 | 0:24:44 | |
OK, everybody, time is up. Come on over. | 0:24:50 | 0:24:52 | |
You have all done fabulously well. | 0:24:52 | 0:24:55 | |
We have been here a really short time. | 0:24:55 | 0:24:57 | |
But how many plant and animal species have we found? | 0:24:57 | 0:25:00 | |
We have a grand total of 34! | 0:25:00 | 0:25:02 | |
CHEERING | 0:25:02 | 0:25:05 | |
Fantastic. You've done brilliantly well. | 0:25:05 | 0:25:07 | |
'With the mood high, it's about turn and back to school, | 0:25:07 | 0:25:11 | |
'to the wildlife garden where I have called on the services | 0:25:11 | 0:25:14 | |
'of Will Masefield from the Gloucestershire Wildlife Trust.' | 0:25:14 | 0:25:18 | |
Come on in here. It's all happening. | 0:25:19 | 0:25:22 | |
This gang at the back are doing the finishing touches | 0:25:22 | 0:25:25 | |
on the creepy-crawly hotel. | 0:25:25 | 0:25:27 | |
If you come round here, | 0:25:27 | 0:25:28 | |
this group are busy working away preparing the ground | 0:25:28 | 0:25:31 | |
for some wild flowers which are great for the pollinators. | 0:25:31 | 0:25:35 | |
Will and this group are leading the charge on the pond. | 0:25:35 | 0:25:37 | |
-How's it all going? ALL: -Good. -Good. | 0:25:37 | 0:25:40 | |
Do you want to plant that? | 0:25:40 | 0:25:42 | |
It's really important to have as much diversity | 0:25:42 | 0:25:45 | |
of habitat as possible. | 0:25:45 | 0:25:47 | |
Some of this, some of the native plants that we can put in | 0:25:47 | 0:25:51 | |
like these, the native ones are much less vigorous | 0:25:51 | 0:25:54 | |
and can exist side-by-side much more easily. | 0:25:54 | 0:25:58 | |
'If you use the right species and provide lots of shallow areas, | 0:25:58 | 0:26:01 | |
'in no time at all, you'll have a watery wildlife hotel.' | 0:26:01 | 0:26:05 | |
-We just did it about five minutes ago. -I've got two tadpoles... | 0:26:05 | 0:26:09 | |
-Well, it's not quite a tadpole. -Oh, look at this. | 0:26:09 | 0:26:13 | |
Do you guys know what this is? There's two of them. | 0:26:13 | 0:26:16 | |
-They look like grown-up tadpoles. -Yeah? -They've got legs. | 0:26:16 | 0:26:19 | |
And they are a little bit longer | 0:26:19 | 0:26:21 | |
than your average tadpole, aren't they? | 0:26:21 | 0:26:24 | |
They're amphibians. These are baby newts. | 0:26:24 | 0:26:28 | |
'Well, I never. Newts already! I hope Miss Newsham is impressed.' | 0:26:28 | 0:26:32 | |
So, what do you reckon to the wildlife garden? | 0:26:34 | 0:26:37 | |
It's coming along fantastically. | 0:26:37 | 0:26:39 | |
It's good, isn't it? Do you know we found two newts already. | 0:26:39 | 0:26:41 | |
Really? I didn't think we had anything in there at all. | 0:26:41 | 0:26:45 | |
It's fab, isn't it? Let the wildlife move in. | 0:26:45 | 0:26:48 | |
If you want to know about the incredible species in your back yard, | 0:26:51 | 0:26:55 | |
log onto the Countryfile website | 0:26:55 | 0:26:57 | |
where you will find all the information about the BBC's | 0:26:57 | 0:27:01 | |
summer of wildlife and how you can get involved. | 0:27:01 | 0:27:04 | |
There's a real buzz in the air at the Countryfile summer fair. | 0:27:07 | 0:27:11 | |
The viewers are getting caught up in the spirit of things and so am I. | 0:27:11 | 0:27:16 | |
Water is a source of fun as well as the stuff of life. | 0:27:17 | 0:27:21 | |
As important to farming in the countryside as it is to all of us. | 0:27:21 | 0:27:25 | |
And, as we have seen earlier, it has given some of the biggest | 0:27:25 | 0:27:28 | |
challenges to us in the last 25 years. | 0:27:28 | 0:27:31 | |
But could things be even tougher in the future? | 0:27:31 | 0:27:35 | |
When the British weather is at its best, our farms are some | 0:27:35 | 0:27:38 | |
of the most productive in the world. | 0:27:38 | 0:27:40 | |
But as every farmer knows, the weather doesn't always deliver. | 0:27:40 | 0:27:44 | |
It is hard to believe on scorching summer days like these, | 0:27:45 | 0:27:48 | |
but since Countryfile began we have had four of the five | 0:27:48 | 0:27:52 | |
wettest years on record | 0:27:52 | 0:27:53 | |
and that has meant financial disaster for our farmers. | 0:27:53 | 0:27:57 | |
Ellie met Worcestershire farmer Charles Hudson who grows | 0:27:59 | 0:28:02 | |
flowers for natural confetti. | 0:28:02 | 0:28:04 | |
In 2007, the floodwaters hit. | 0:28:04 | 0:28:07 | |
We lost 75% of our crop that year. | 0:28:07 | 0:28:10 | |
We just had enough, sort of, stock to tide us through. | 0:28:10 | 0:28:14 | |
This summer it's been a different story, | 0:28:14 | 0:28:18 | |
but Charles is still fearful for the future. | 0:28:18 | 0:28:21 | |
So are you in no doubt that the climate is changing a bit? | 0:28:22 | 0:28:25 | |
Definitely, definitely. There is no question about it. | 0:28:25 | 0:28:28 | |
I have farmed here since 1974. | 0:28:28 | 0:28:31 | |
Through to 1998, we didn't have any problems like this. | 0:28:31 | 0:28:36 | |
The river came over, it flooded the flood plain, | 0:28:36 | 0:28:38 | |
and I know things have been exacerbated enormously | 0:28:38 | 0:28:42 | |
by excessive development and building on the flood plain, | 0:28:42 | 0:28:46 | |
but that coupled with these torrential storms we now get... | 0:28:46 | 0:28:51 | |
I was going to ask you, that is one thing they say about climate change. | 0:28:51 | 0:28:54 | |
It is not just the overall quantity of water, | 0:28:54 | 0:28:56 | |
it's the fact that storms can be fiercer and presumably, | 0:28:56 | 0:28:58 | |
particularly for... Excuse me for picking this, | 0:28:58 | 0:29:00 | |
but for something like that, if it gets battered by rain... | 0:29:00 | 0:29:03 | |
-Not good for it. Soggy confetti. -Soggy confetti. | 0:29:03 | 0:29:05 | |
With current predictions of climate change, over the next 25 years | 0:29:05 | 0:29:10 | |
we could see more unusual and dramatic weather than in the last. | 0:29:10 | 0:29:14 | |
That doesn't just mean too much water, it could also mean too little. | 0:29:14 | 0:29:18 | |
But when it comes to water shortage we can't just blame the weather. | 0:29:20 | 0:29:24 | |
So, 43 buckets, Jacob, what do they represent? | 0:29:30 | 0:29:34 | |
If these were all full of water, that's 500 litres of water. | 0:29:34 | 0:29:37 | |
And that's as much as a family of four, two adults, two kids, | 0:29:37 | 0:29:40 | |
the average family use in a single day. | 0:29:40 | 0:29:43 | |
Families, food producers and energy suppliers, | 0:29:44 | 0:29:47 | |
everyone wants more of the wet stuff. | 0:29:47 | 0:29:49 | |
But what happens when the taps run dry? | 0:29:49 | 0:29:53 | |
But it's not just farmers who'd feel the pain of a water shortage, | 0:29:53 | 0:29:57 | |
potatoes use half of the water needed to irrigate crops. | 0:29:57 | 0:30:00 | |
So, if these become dearer, your bag of chips could rocket up in price. | 0:30:00 | 0:30:06 | |
We're already seeing the impact of our thirst for water | 0:30:06 | 0:30:09 | |
in the countryside, so just how big is the challenge that lies ahead? | 0:30:09 | 0:30:14 | |
Jacob Tompkins, from Waterwise. | 0:30:14 | 0:30:17 | |
Are we running out of water? | 0:30:17 | 0:30:18 | |
That's a very difficult question! | 0:30:18 | 0:30:20 | |
Yes and no. | 0:30:20 | 0:30:21 | |
On one hand, it looks like there is water everywhere, | 0:30:21 | 0:30:24 | |
it seems to rain all the time. On the other hand, | 0:30:24 | 0:30:27 | |
the amount of water we use and the changes in rainfall patterns | 0:30:27 | 0:30:31 | |
means it's very difficult to collect and store that water. | 0:30:31 | 0:30:34 | |
And the way we're going at the moment, it's unsustainable. | 0:30:34 | 0:30:37 | |
We will not have enough money to sustain the lifestyles | 0:30:37 | 0:30:40 | |
we currently have, in terms of water use. | 0:30:40 | 0:30:42 | |
Is it a crisis of too much, too little | 0:30:42 | 0:30:45 | |
or just too extreme, either way? | 0:30:45 | 0:30:46 | |
Both. It's effectively a crisis of water management. | 0:30:46 | 0:30:50 | |
What we've got to do is adapt to these new natural circumstances | 0:30:50 | 0:30:53 | |
and try and live with nature a bit more. | 0:30:53 | 0:30:56 | |
Water is an issue that affects all of us... | 0:30:59 | 0:31:02 | |
..but whether too much or too little, water is the stuff of life | 0:31:06 | 0:31:12 | |
and we certainly shouldn't take it for granted. | 0:31:12 | 0:31:15 | |
JOHN: As the longest-serving member of the Countryfile team, | 0:31:21 | 0:31:25 | |
I know quite a bit about the countryside | 0:31:25 | 0:31:27 | |
and about the programme's history. | 0:31:27 | 0:31:30 | |
But just how much do Matt and Julia know? Let's find out. | 0:31:31 | 0:31:35 | |
I'm going to be hosting a Countryfile quiz, | 0:31:35 | 0:31:38 | |
pitching Matt against Julia. | 0:31:38 | 0:31:40 | |
Fancy a little quiz about the countryside and Countryfile? | 0:31:40 | 0:31:43 | |
-I'm not good at quizzes. -Definitely. Come on. | 0:31:43 | 0:31:45 | |
I reckon you'd better look around this group of people here - | 0:31:45 | 0:31:49 | |
some of our biggest fans - to recruit a couple of team members each. | 0:31:49 | 0:31:52 | |
-Two each? -Two each. | 0:31:52 | 0:31:54 | |
Young man, just come here a second. | 0:31:54 | 0:31:56 | |
If somebody has to look like you, John, I think I've found the man! | 0:31:56 | 0:32:00 | |
This is perfect! | 0:32:02 | 0:32:03 | |
-Do you watch Countryfile for more than the weather? -Yes. | 0:32:03 | 0:32:07 | |
Great, let's have a chat! OK, come on! | 0:32:07 | 0:32:09 | |
-Are you a big fan, Patricia? -Oh, yes. -What are you good with? | 0:32:09 | 0:32:12 | |
-Geography? -Flowers. -Flowers! -Wild flowers. -That's good. | 0:32:12 | 0:32:15 | |
-Any flower questions? -Can't say. -Who are you with today? | 0:32:15 | 0:32:18 | |
-With my wife, Rosie. -Hello, Rosie, how are you? | 0:32:18 | 0:32:21 | |
So, it's all about the fashion of the day. It is all about fashion. | 0:32:21 | 0:32:25 | |
You've done a lovely job with your nails. | 0:32:25 | 0:32:27 | |
Look at this! | 0:32:29 | 0:32:30 | |
'That's my favourite part, Adam's farm.' | 0:32:30 | 0:32:33 | |
He's pretty cool, isn't he, Adam? | 0:32:33 | 0:32:35 | |
A Hebridean. Is that a cow or a sheep? | 0:32:35 | 0:32:38 | |
-It's a cow. -Ugh! | 0:32:38 | 0:32:40 | |
I'm looking for somebody to be a member of my quiz team. | 0:32:40 | 0:32:43 | |
-What's your name? -Jack. -Jack, I've lodged you. | 0:32:43 | 0:32:46 | |
-I might be back. -I wouldn't be very good, mind. | 0:32:46 | 0:32:48 | |
I need somebody good, cos I'm rubbish! | 0:32:48 | 0:32:51 | |
Have you got any idea what the investigation was | 0:32:51 | 0:32:53 | |
in the second Sunday of October last year? | 0:32:53 | 0:32:57 | |
MAN LAUGHS | 0:32:57 | 0:32:58 | |
-No! -Was it something about cows? | 0:32:58 | 0:33:00 | |
Unbelievable(!) | 0:33:00 | 0:33:02 | |
-It's a sheep. -A sheep. -Little black one. Very hard. | 0:33:03 | 0:33:05 | |
LAUGHS | 0:33:05 | 0:33:07 | |
JOHN: And we'll find out later just who they picked. | 0:33:07 | 0:33:10 | |
ADAM: Earlier, Julia was finding out | 0:33:15 | 0:33:17 | |
what life's really like down on my farm, | 0:33:17 | 0:33:20 | |
but now I need to get on | 0:33:20 | 0:33:21 | |
with preparing some of my animals that will take centre stage | 0:33:21 | 0:33:24 | |
at the country fair. | 0:33:24 | 0:33:25 | |
Miam! | 0:33:28 | 0:33:29 | |
HE WHISTLES | 0:33:30 | 0:33:31 | |
Come on, then! Come on, then! | 0:33:31 | 0:33:34 | |
HE LAUGHS | 0:33:34 | 0:33:36 | |
It's really important, | 0:33:36 | 0:33:37 | |
when you're selecting animals for a country fair, to have ones | 0:33:37 | 0:33:41 | |
that are really friendly and this is a little golden Guernsey cross goat | 0:33:41 | 0:33:45 | |
that one of my staff has trained. She's called Miam, | 0:33:45 | 0:33:48 | |
which is a strange name, but it's a bit like when a goat bleats - | 0:33:48 | 0:33:51 | |
"Miam, miam!" There we are! | 0:33:51 | 0:33:53 | |
She comes to the whistle. I'll take her to the fair and put her in a pen | 0:33:53 | 0:33:58 | |
and, hopefully, that will inspire people. | 0:33:58 | 0:34:00 | |
They'll be able to feed and touch her and think they might like to keep | 0:34:00 | 0:34:04 | |
some goats or sheep or other animals on their little smallholdings. | 0:34:04 | 0:34:07 | |
Come on, then! | 0:34:07 | 0:34:09 | |
I do have my favourites and Eric the bull's one of them. | 0:34:11 | 0:34:15 | |
He has to be on display at the fair, but I want him looking his best, | 0:34:15 | 0:34:19 | |
so I'm taking him back to the farm, to tidy him up. | 0:34:19 | 0:34:22 | |
It's never easy moving such a large beast. | 0:34:22 | 0:34:25 | |
As we pass the bulls in the other fields, | 0:34:25 | 0:34:27 | |
Eric gets a bit feisty and takes his aggression out on a straw bale. | 0:34:27 | 0:34:31 | |
Look at the power of this bull. He's an absolute monster! | 0:34:31 | 0:34:34 | |
He's chucking that bale around like it's nothing, | 0:34:34 | 0:34:37 | |
but it probably weighs about a quarter of a tonne. | 0:34:37 | 0:34:40 | |
He's got such strength in his shoulders and neck. He's a real star. | 0:34:40 | 0:34:44 | |
We've loved him since he came to the farm. | 0:34:44 | 0:34:45 | |
He's become a bit of a national treasure. | 0:34:45 | 0:34:48 | |
MOOING | 0:34:48 | 0:34:51 | |
To help with Eric's makeover, my son Alfie's offered to lend me a hand. | 0:34:51 | 0:34:54 | |
-Hi, Alf! -All right? -You're just in time to help me wash Eric. | 0:34:55 | 0:34:58 | |
-Right, you have that bucket and I'll have this one. -OK. | 0:34:58 | 0:35:02 | |
Come round this way. Right. | 0:35:02 | 0:35:04 | |
If you just hold there, I'll just put this on him. | 0:35:05 | 0:35:08 | |
There you go, boy! | 0:35:08 | 0:35:09 | |
So, you need to just get him nice and wet. You pour your one on. | 0:35:09 | 0:35:14 | |
-Just chuck it on? -Yeah, chuck it on. Don't get wet yourself. | 0:35:14 | 0:35:17 | |
ADAM LAUGHS | 0:35:17 | 0:35:19 | |
That's it! And then rub it in. | 0:35:19 | 0:35:21 | |
-Watch it, Dad! -Sorry, Alf! | 0:35:23 | 0:35:25 | |
Eric's lost his winter coat, but he's still got quite a lot of hair, | 0:35:28 | 0:35:33 | |
even though this is his summer coat. | 0:35:33 | 0:35:35 | |
He's quite dirty and dusty, | 0:35:35 | 0:35:37 | |
so we're shampooing him, so he looks at his best. | 0:35:37 | 0:35:40 | |
This is a special animal shampoo. | 0:35:42 | 0:35:45 | |
Really good for getting the grease out of their coat | 0:35:45 | 0:35:47 | |
and making them lovely and shiny. | 0:35:47 | 0:35:50 | |
-Grab his tail. -Yep. -Shove it in the bucket. | 0:35:55 | 0:35:59 | |
Give it a good wash. You wash it. | 0:35:59 | 0:36:01 | |
'A light sanding of the horns, | 0:36:03 | 0:36:05 | |
'a dab of oil, to shine them up, and he's a new bull.' | 0:36:05 | 0:36:08 | |
I really wanted to have one of my best-looking animals | 0:36:08 | 0:36:11 | |
in the background, so that people could see him at the country fair. | 0:36:11 | 0:36:16 | |
And now, I think Eric, here, is looking tip-top. | 0:36:16 | 0:36:20 | |
I'm pleased with that. | 0:36:20 | 0:36:21 | |
'Eric's not the only animal getting a starring role at the country fair.' | 0:36:21 | 0:36:26 | |
In here are some of my geese. | 0:36:28 | 0:36:30 | |
Five of them. Come on, then. Out you come. | 0:36:32 | 0:36:34 | |
These are Toulouse geese. Quite young ones. | 0:36:36 | 0:36:39 | |
A mixture of males and females - ganders and geese. | 0:36:39 | 0:36:42 | |
And they are quite a lively bunch. We've all heard of dog agility, | 0:36:42 | 0:36:46 | |
but today, what we're going to do is a bit of geese agility. | 0:36:46 | 0:36:49 | |
There we are. Just got these loaded. That should be everything in order | 0:36:54 | 0:36:59 | |
for a good country fair. | 0:36:59 | 0:37:00 | |
'Later, you'll be able to see how they get on.' | 0:37:01 | 0:37:03 | |
MUSIC: "TOP OF THE FORM" THEME | 0:37:03 | 0:37:07 | |
JOHN: Hello and welcome to Countryfile's 25th Anniversary Quiz. | 0:37:07 | 0:37:12 | |
CHEERING | 0:37:12 | 0:37:14 | |
So, Matt, who have you found to join you on your team? | 0:37:15 | 0:37:18 | |
This is Bridget and this is Patrick! | 0:37:18 | 0:37:21 | |
The reason I have gone | 0:37:21 | 0:37:24 | |
for Bridget is because she has a degree in the Classics, | 0:37:24 | 0:37:27 | |
so she'll know what happened when Countryfile started. | 0:37:27 | 0:37:30 | |
LAUGHTER | 0:37:30 | 0:37:31 | |
And Patrick doesn't go anywhere in his car without his walking poles. | 0:37:31 | 0:37:35 | |
-Julia, introduce us to Team Bradbury. -This is the lovely Patricia. | 0:37:35 | 0:37:39 | |
She's a lady in charge. Good with horticulture. Keen gardener. | 0:37:39 | 0:37:44 | |
That's what you said! | 0:37:44 | 0:37:45 | |
LAUGHTER | 0:37:45 | 0:37:47 | |
And young Chris. He's a travel agent | 0:37:47 | 0:37:49 | |
-and he's good at pub quizzes, apparently. -I lied to get on TV. | 0:37:49 | 0:37:53 | |
Oh-h-h! | 0:37:53 | 0:37:54 | |
We have a very good friend of the programme, somebody known, | 0:37:54 | 0:37:58 | |
on occasion on TV, to pass off as me - Jon Culshaw! | 0:37:58 | 0:38:02 | |
APPLAUSE | 0:38:02 | 0:38:04 | |
Welcome, Jon. We've raided the dog's toy box. | 0:38:04 | 0:38:08 | |
Yes! | 0:38:08 | 0:38:09 | |
-Julia, you can have the ducks. -Fab! | 0:38:09 | 0:38:12 | |
-And Matt, you've got the pigs! -Oh, good! -The first question... | 0:38:12 | 0:38:17 | |
Name for me, at least one of the original presenters. | 0:38:17 | 0:38:20 | |
QUACKING | 0:38:20 | 0:38:22 | |
There was a lady in the mix. Do you remember the lady? | 0:38:22 | 0:38:25 | |
There were two ladies. | 0:38:25 | 0:38:26 | |
-Caroline... -Caroline..? | 0:38:26 | 0:38:29 | |
Caroline Hall was one of them. | 0:38:29 | 0:38:31 | |
Well done! Yes! | 0:38:31 | 0:38:33 | |
I'd like you to take a look and a listen now to the following | 0:38:33 | 0:38:38 | |
Countryfile theme tunes. What I'd like you to do is to | 0:38:38 | 0:38:42 | |
rearrange them in the order they've appeared over the last 25 years, | 0:38:42 | 0:38:46 | |
with the oldest one first. | 0:38:46 | 0:38:48 | |
Here they come. | 0:38:48 | 0:38:50 | |
Yep. Yeah. | 0:39:01 | 0:39:02 | |
-I think that was before A. -Yeah. | 0:39:06 | 0:39:09 | |
Matt, which order? | 0:39:19 | 0:39:21 | |
-We think the oldest one was... -C. -Then A. | 0:39:21 | 0:39:25 | |
-Then... -D. -Then B. | 0:39:25 | 0:39:28 | |
What's your thoughts on this one, Julia and your team? | 0:39:28 | 0:39:30 | |
Well, we're going to go C, D, A, B. | 0:39:30 | 0:39:32 | |
-Matt's team were right. -Excellent! | 0:39:32 | 0:39:35 | |
CHEERING | 0:39:35 | 0:39:36 | |
And let's go straight on to round two, | 0:39:38 | 0:39:40 | |
which happens to be all about my time on Countryfile. | 0:39:40 | 0:39:44 | |
So I thought it might be nice, Jon, if you don't mind, | 0:39:44 | 0:39:47 | |
to read these questions as if you were me. | 0:39:47 | 0:39:50 | |
-AS JOHN: -So, question two is the John Craven round. | 0:39:50 | 0:39:53 | |
And the first of those questions, what year did I join the programme? | 0:39:53 | 0:39:58 | |
Well, you've been here since the beginning, | 0:40:00 | 0:40:02 | |
-didn't you come straight from Newsround? -No, not straight. | 0:40:02 | 0:40:05 | |
Ah, that's confusing. | 0:40:05 | 0:40:07 | |
-That's why I was not in the list of first presenters. -I wasn't born, so...! | 0:40:07 | 0:40:11 | |
-So I'll give this one to you, Matty. -What do you want to say, Bridget? | 0:40:11 | 0:40:14 | |
I mean, you've got a degree in the Classics. | 0:40:14 | 0:40:16 | |
-Come on, what was he doing? -LAUGHTER | 0:40:16 | 0:40:18 | |
-I'd say '89. -Yeah. -Let's go '89. -You'd be absolutely right. | 0:40:18 | 0:40:23 | |
CHEERING AND APPLAUSE | 0:40:23 | 0:40:25 | |
So, next question. What was the occasion | 0:40:29 | 0:40:31 | |
when I was surprised, nay ambushed, | 0:40:31 | 0:40:33 | |
by someone doing a rather cheeky impersonation of me? | 0:40:33 | 0:40:36 | |
It was 20 years of Countryfile. | 0:40:37 | 0:40:41 | |
-Absolutely right. -Well done. | 0:40:41 | 0:40:43 | |
-Absolutely right. Up popped you. -We ambushed you. -Yes! | 0:40:43 | 0:40:48 | |
Anyway, next question. | 0:40:50 | 0:40:51 | |
I like a good tune and I've sung a few times on the programme. | 0:40:51 | 0:40:54 | |
The question is, when and where | 0:40:54 | 0:40:56 | |
was my first performance for two possible points? | 0:40:56 | 0:41:00 | |
This is a hard one, I must admit. | 0:41:00 | 0:41:02 | |
The Highlands, you were singing in the Highlands of Scotland. | 0:41:02 | 0:41:04 | |
-Have another go. -I'm going to go with Wales. | 0:41:04 | 0:41:07 | |
Wales, you'd be wrong. Shores of Galway Bay. | 0:41:07 | 0:41:09 | |
-Oh, beautiful! -Yes. And I think we've got a clip of that. -Excellent. | 0:41:09 | 0:41:14 | |
Bing Crosby had a big hit with a song about Galway Bay. | 0:41:14 | 0:41:17 | |
-'I might be able to sit on the shores...' -Don't do it, John! | 0:41:17 | 0:41:20 | |
-Don't do it, John! -So here's a first for Countryfile. | 0:41:20 | 0:41:24 | |
# If you ever go across the sea to Ireland | 0:41:24 | 0:41:29 | |
# Then maybe at the closing of your day... # | 0:41:29 | 0:41:34 | |
We quickly mixed to Bing Crosby! | 0:41:34 | 0:41:36 | |
-That's quite emotional, John. -I think Bing was slightly better. | 0:41:36 | 0:41:40 | |
APPLAUSE | 0:41:40 | 0:41:43 | |
So, very close, all to play for in our final round. What happened next? | 0:41:44 | 0:41:48 | |
Come on, Chris. | 0:41:48 | 0:41:49 | |
We've got a couple of outtakes here when things didn't quite go to plan. | 0:41:49 | 0:41:53 | |
What we'd like you to tell us is, what happened? | 0:41:53 | 0:41:56 | |
First up, for you, Julia, it's Matt, showing off his sporting prowess. | 0:41:56 | 0:42:02 | |
-As ever! -Not his dancing. | 0:42:02 | 0:42:05 | |
Enid loved to swing the clubs... | 0:42:05 | 0:42:07 | |
Oh, yes! This is brilliant. | 0:42:07 | 0:42:09 | |
But this place was an inspiration for her Famous Five books. | 0:42:09 | 0:42:13 | |
-Because as she played golf... -So, what happened next? | 0:42:13 | 0:42:17 | |
-You'll never get it, actually. -A duck. -Some wildlife... | 0:42:18 | 0:42:22 | |
-A duck, shall we go for a duck? -Some wildlife entered the shot. | 0:42:22 | 0:42:26 | |
-Bit close on that, Andy, I think. -Oh! | 0:42:28 | 0:42:31 | |
-He hit the camera! -LAUGHTER | 0:42:31 | 0:42:34 | |
Oh! Oh, dear. | 0:42:34 | 0:42:37 | |
There you go! | 0:42:37 | 0:42:39 | |
Right, next one for you, Matt. | 0:42:41 | 0:42:42 | |
This year it was found here, in the Forest of Dean. | 0:42:42 | 0:42:46 | |
The idea is to stop it in its tracks... | 0:42:46 | 0:42:48 | |
-So. What happened next? -Something falls on her head? | 0:42:50 | 0:42:54 | |
A squirrel drops something on her hat? | 0:42:54 | 0:42:55 | |
Something happens to her head, Bridget? | 0:42:55 | 0:42:57 | |
-She takes an impact of some sort from here upwards. -Fine. | 0:42:57 | 0:43:01 | |
-That's your final answer? -Yes. -Let's see what actually happened. | 0:43:01 | 0:43:05 | |
That means that thousands of these trees... | 0:43:05 | 0:43:08 | |
..aren't going anywhere! They just stay right here! | 0:43:12 | 0:43:15 | |
LAUGHTER AND APPLAUSE | 0:43:17 | 0:43:19 | |
So... | 0:43:19 | 0:43:20 | |
-..are for the chop. -CHEERING | 0:43:22 | 0:43:25 | |
-So, that brings us to the end of our little Countryfile quiz. -Oh! | 0:43:25 | 0:43:31 | |
-So the final scores, please, Jon. -Well, final scores. | 0:43:31 | 0:43:34 | |
It's six points to Team Matt, and Julia's team, | 0:43:34 | 0:43:37 | |
the winner with seven points. | 0:43:37 | 0:43:39 | |
CHEERING | 0:43:39 | 0:43:41 | |
Well done, Patricia! Well done, Chris! | 0:43:45 | 0:43:48 | |
It couldn't have been closer, so congratulations to both of you | 0:43:48 | 0:43:52 | |
-and your team members. -Thank you. -Thank you! | 0:43:52 | 0:43:55 | |
APPLAUSE | 0:43:55 | 0:43:57 | |
Back at the produce tent, there's tension in the air. | 0:44:13 | 0:44:16 | |
The crowds are gathering, | 0:44:16 | 0:44:17 | |
eager to see whose efforts have most made Matt and Nigel's mouths water. | 0:44:17 | 0:44:23 | |
Over to our judges. | 0:44:23 | 0:44:24 | |
-Wow! -We have some tough decisions to make. | 0:44:24 | 0:44:28 | |
Of all the things, right there, on those tables right now, | 0:44:29 | 0:44:33 | |
if you close your eyes, which one are you going to run back to? | 0:44:33 | 0:44:37 | |
I think we have our winners. | 0:44:46 | 0:44:48 | |
I don't know about the South African rusks, | 0:44:56 | 0:44:58 | |
but you can cut the tension with a knife. | 0:44:58 | 0:45:00 | |
Right, everybody! | 0:45:03 | 0:45:04 | |
We have sliced, we've sampled, | 0:45:04 | 0:45:07 | |
and we've celebrated all that you have bought here today. | 0:45:07 | 0:45:10 | |
And now it's time to find out who has been victorious. So, in you go. | 0:45:10 | 0:45:16 | |
'Ooh, my award-winning crumble!' | 0:45:21 | 0:45:23 | |
-Try a bit of this, actually. -Delicious! | 0:45:23 | 0:45:26 | |
Second prize. With a bit of rhubarb. | 0:45:26 | 0:45:29 | |
I could quite happily take that home. | 0:45:29 | 0:45:31 | |
-Adam! When did you bake this pork pie? -My auntie Jan made it. | 0:45:31 | 0:45:35 | |
Yeah, exactly! Exactly! | 0:45:35 | 0:45:39 | |
-Look at the first prize. -So, Adam... -Miss Harrison. | 0:45:39 | 0:45:42 | |
-My sister! -You should bring her in. | 0:45:42 | 0:45:45 | |
-I've got a good sister, she's a fine cook. -There she is. -Where is she? | 0:45:45 | 0:45:48 | |
Yay! Thanks, sis! | 0:45:48 | 0:45:50 | |
Now, who made the lemon curd that's on that table? | 0:45:52 | 0:45:56 | |
Honestly? I just have to give you a round of applause. | 0:45:56 | 0:45:58 | |
Because actually, you don't want to hear it from me, hear it from Nigel. | 0:45:58 | 0:46:02 | |
-Because it was very impressive. -It is beautiful. -Thank you very much. | 0:46:02 | 0:46:07 | |
It's airy and soft and light and sharp and fabulous. | 0:46:07 | 0:46:10 | |
-So, honestly, congratulations. -Well done, very good. | 0:46:12 | 0:46:14 | |
-Best in show! -APPLAUSE | 0:46:14 | 0:46:17 | |
It's not just cooking that our viewers excel at. | 0:46:21 | 0:46:24 | |
Since 1990, our annual photographic condition | 0:46:24 | 0:46:27 | |
has really caught the imagination of hundreds of thousands of you | 0:46:27 | 0:46:31 | |
who are keen to become Countryfile's photographers of the year. | 0:46:31 | 0:46:35 | |
In 2000, those winning photos were turned into a calendar | 0:46:37 | 0:46:40 | |
we sold in aid of Children In Need. | 0:46:40 | 0:46:42 | |
And here's just a selection of those calendars over the past 14 years, | 0:46:42 | 0:46:47 | |
with a stunning image on every cover. | 0:46:47 | 0:46:49 | |
Well, now for a big moment, everybody, | 0:46:50 | 0:46:52 | |
because I can reveal just how much the Countryfile calendar | 0:46:52 | 0:46:56 | |
has raised for Children In Need over the past 14 years or so. | 0:46:56 | 0:47:00 | |
And here comes the figure. It is... | 0:47:00 | 0:47:03 | |
£6,316,877! | 0:47:03 | 0:47:09 | |
How about that! | 0:47:09 | 0:47:11 | |
CHEERING AND APPLAUSE | 0:47:11 | 0:47:13 | |
Now, that is the very first time I've seen that figure as well. | 0:47:18 | 0:47:22 | |
It's amazing, isn't it? | 0:47:22 | 0:47:23 | |
And here it says that that amounts to almost 1% | 0:47:23 | 0:47:27 | |
of all the money ever raised for Children In Need. | 0:47:27 | 0:47:31 | |
So, well done everybody who's bought the calendars, | 0:47:31 | 0:47:33 | |
and everybody who's sent in pictures. | 0:47:33 | 0:47:35 | |
And we will be revealing the winners of the current calendar | 0:47:38 | 0:47:41 | |
in a couple of months' time. | 0:47:41 | 0:47:43 | |
Now, normally, I'm found digging away on the investigations, | 0:47:48 | 0:47:50 | |
the more serious side of the programme. | 0:47:50 | 0:47:53 | |
But today I'm doing something a touch lighter. | 0:47:53 | 0:47:55 | |
I'm looking for a straw man with an interesting tale to tell. | 0:47:55 | 0:47:58 | |
-And here he is. David. So, David... -Hello, Tom. | 0:47:58 | 0:48:02 | |
Tell me all about what you're doing here. | 0:48:02 | 0:48:04 | |
This lantern was first made to keep the corn spirit in | 0:48:04 | 0:48:08 | |
-so at the following year they had a good harvest. -Can I have a go? | 0:48:08 | 0:48:12 | |
Yes. I have got one here which is a bit simpler. | 0:48:12 | 0:48:15 | |
-It's going to have to be a lot simpler, I can tell you that! -Right! | 0:48:15 | 0:48:19 | |
Over the front, and round the back. Round the back, and over the front. | 0:48:19 | 0:48:23 | |
Tell me, as I have a go, how did you get into this yourself? | 0:48:23 | 0:48:26 | |
I first started making corn dollies when I was six years old. | 0:48:26 | 0:48:32 | |
A thatcher by name and a thatcher by trade showed me | 0:48:32 | 0:48:35 | |
how to make a corn dolly and he said to me, in broad Gloucestershire, | 0:48:35 | 0:48:39 | |
"I'll show you summat, young'un, that'll last you the rest of your life." | 0:48:39 | 0:48:43 | |
-And has it? -Yes. Well, I'm still here making them! | 0:48:43 | 0:48:46 | |
Well, making a corn dolly is a first for me, as you can probably tell! | 0:48:46 | 0:48:51 | |
And another first would be introducing the weather. | 0:48:51 | 0:48:55 | |
It's a glorious day on Adam's farm, but what about the week ahead? | 0:48:55 | 0:48:58 | |
Here's the Countryfile weather forecast. | 0:48:58 | 0:49:01 | |
If you're having a big old 25th birthday bash outside, | 0:51:07 | 0:51:10 | |
what better present could you wish for than a sunny day? | 0:51:10 | 0:51:14 | |
Well, we got the sun and we've really gone to town. | 0:51:14 | 0:51:18 | |
We've got craft stalls. | 0:51:18 | 0:51:20 | |
Food. | 0:51:22 | 0:51:23 | |
Entertainment. | 0:51:24 | 0:51:25 | |
And 250 specially invited guests, | 0:51:27 | 0:51:29 | |
all here to mark Countryfile's quarter of a century. | 0:51:29 | 0:51:32 | |
Now, you can't have a country fair without a bit of friendly competition. | 0:51:32 | 0:51:36 | |
And I'm preparing something with these guys. | 0:51:36 | 0:51:39 | |
Geese, that aren't very well trained, | 0:51:39 | 0:51:41 | |
and have never done anything like this before. | 0:51:41 | 0:51:44 | |
And every year on Countryfile, those behind the scenes | 0:51:44 | 0:51:47 | |
revel in setting us presenters various challenges to do on screen. | 0:51:47 | 0:51:53 | |
HE LAUGHS | 0:51:56 | 0:51:58 | |
-This is to stimulate your nervous system. -Just surprise me. | 0:51:58 | 0:52:02 | |
-Go for it! Oh, lovely! -This is the brandy and soda of the water cure. | 0:52:02 | 0:52:07 | |
-And this is the equivalent of a plunge pool. -Oh! | 0:52:07 | 0:52:11 | |
HOUNDS BARK | 0:52:16 | 0:52:18 | |
-They're here, they're here, I can hear them. -Yeah. -So scary. | 0:52:19 | 0:52:23 | |
Are we going? Go for it! Go! | 0:52:23 | 0:52:25 | |
Hie! Hie! Hie! Hie! Hie! | 0:52:25 | 0:52:27 | |
Go on, keep running! | 0:52:27 | 0:52:30 | |
Hie... Whoa! | 0:52:30 | 0:52:31 | |
Now, this time, I'm in charge. And it's a different kind of pain. | 0:52:34 | 0:52:38 | |
Geese herding. | 0:52:38 | 0:52:40 | |
Matt and Julia have done something similar before | 0:52:40 | 0:52:42 | |
involving Indian runner ducks. | 0:52:42 | 0:52:44 | |
Not listening to a word I'm saying. | 0:52:44 | 0:52:46 | |
-I'm enjoying watching them. -His ducks are on the run, aren't they? | 0:52:46 | 0:52:50 | |
I'm more of a spectator in this one. | 0:52:50 | 0:52:52 | |
I tell you what, I tell you what... | 0:52:52 | 0:52:55 | |
-Away! Oh, so close. -Yes! | 0:52:55 | 0:52:58 | |
-Lovely! Very good. -Woo hoo! | 0:53:00 | 0:53:04 | |
But they've never done it before without a sheepdog or with geese. | 0:53:04 | 0:53:07 | |
So that will get them running around. | 0:53:07 | 0:53:10 | |
-What do you reckon, then, John? -Good! | 0:53:10 | 0:53:13 | |
Geese look much the same, don't they? We need to differentiate teams | 0:53:13 | 0:53:16 | |
-so I thought we'd put stickers around the necks of one team. -You're a clever man. | 0:53:16 | 0:53:19 | |
I'm always learning from you, John. | 0:53:19 | 0:53:21 | |
-I'll hold the geese, you do the stickers. -There we go. | 0:53:21 | 0:53:26 | |
-Not too tight, now! -There you are, there you are. One sticker on. | 0:53:27 | 0:53:32 | |
-They're being very well-behaved. -They are, aren't they? | 0:53:32 | 0:53:35 | |
-I'm hoping they're going to give Matt and Julia a bit of a run around. -I'm sure they will. | 0:53:35 | 0:53:40 | |
The course is built. The geese are in place. | 0:53:40 | 0:53:45 | |
The spectators are arriving. | 0:53:45 | 0:53:47 | |
All we need now are the contestants. | 0:53:47 | 0:53:49 | |
Right, now then, fellow presenters. | 0:53:51 | 0:53:53 | |
-We have the goose challenge. Girls versus boys. -I'm an expert at this. | 0:53:53 | 0:53:57 | |
-Pick your geese. -I think we'll have these two. | 0:53:57 | 0:54:01 | |
And the challenge is, through the bails, zig-zag the sacks, | 0:54:01 | 0:54:04 | |
round the churn, back down the middle, into the pen, on the stopwatches. | 0:54:04 | 0:54:07 | |
-John will be judging and we have our very own commentator. -Excellent! | 0:54:07 | 0:54:12 | |
Are you ready? On your marks, get set, go! | 0:54:12 | 0:54:16 | |
-Come on, girls! -They are off! | 0:54:16 | 0:54:17 | |
From Adam's farm, Cotswolds, England, | 0:54:17 | 0:54:19 | |
it really is a case of let's get ready to rumble. | 0:54:19 | 0:54:21 | |
That's very much the key to this. | 0:54:21 | 0:54:24 | |
The geese are going into the crowd now! | 0:54:24 | 0:54:27 | |
-They're going over each other's course! -That's ours. | 0:54:27 | 0:54:30 | |
'Oh, dear. It's not going well.' | 0:54:30 | 0:54:32 | |
Parts of the course being ignored here, | 0:54:32 | 0:54:34 | |
-they're going around the cameras. -They're gone! | 0:54:34 | 0:54:37 | |
The geese are running off into the field there. | 0:54:37 | 0:54:39 | |
-Look at them, look. Bye! -Freedom! | 0:54:39 | 0:54:43 | |
'They didn't have their freedom for long. | 0:54:43 | 0:54:45 | |
'We got them back in place for attempt two.' | 0:54:45 | 0:54:48 | |
Are you ready? On your marks, go. | 0:54:48 | 0:54:51 | |
The geese are out now. | 0:54:51 | 0:54:52 | |
This is going to be straight through the straw Stonehenge. Not quite! | 0:54:52 | 0:54:57 | |
The team are chasing after them now. | 0:54:57 | 0:54:59 | |
All of the obstacles abandoned at this stage. | 0:54:59 | 0:55:01 | |
-Turning left at the can, that's pretty good. -Come on, girls. | 0:55:01 | 0:55:04 | |
And that is absolutely textbook. | 0:55:04 | 0:55:06 | |
Look at this, like a goose One Direction, ladies and gentlemen! | 0:55:06 | 0:55:08 | |
The two green tagged geese at the back, | 0:55:08 | 0:55:10 | |
the goose ombudsmen keeping a good look-out there. | 0:55:10 | 0:55:14 | |
We're coming back to the straw henge. | 0:55:14 | 0:55:16 | |
These are definitely geese, technically they're not emus, | 0:55:16 | 0:55:19 | |
we looked at that earlier. | 0:55:19 | 0:55:21 | |
This is a beautiful, beautiful, very gentle guidance of the geese. | 0:55:21 | 0:55:24 | |
Goodness gracious, 25 years of Countryfile | 0:55:24 | 0:55:27 | |
and it should come to this! This is the pinnacle, quite unprecedented. | 0:55:27 | 0:55:31 | |
We have got them straight back into the pen. Look at that! | 0:55:31 | 0:55:35 | |
APPLAUSE | 0:55:35 | 0:55:37 | |
'Well, we got there in the end. Geese safely in the pen. | 0:55:37 | 0:55:41 | |
'But with no clear winner, it's down to the master of ceremonies | 0:55:41 | 0:55:44 | |
'to decide if any of them are worthy of a rosette.' | 0:55:44 | 0:55:47 | |
-The ladies can have a first, and a runner-up. -Fabulous. | 0:55:47 | 0:55:53 | |
And the gents can have a first and a runner-up. | 0:55:53 | 0:55:57 | |
-CHEERING -Thank you. Thank you, John. | 0:55:57 | 0:55:59 | |
Thank you very much indeed. | 0:55:59 | 0:56:01 | |
JOHN: Presenter challenge done and dusted. | 0:56:01 | 0:56:03 | |
And there's just time to see how our artist in residence, | 0:56:03 | 0:56:06 | |
Cecil Rice, got on capturing the day in a painting. | 0:56:06 | 0:56:10 | |
And here it is. | 0:56:12 | 0:56:14 | |
Well, what a fantastic way to celebrate | 0:56:24 | 0:56:26 | |
the real star of our show, the British countryside. | 0:56:26 | 0:56:29 | |
And of course, our special relationship with it | 0:56:29 | 0:56:31 | |
in our silver jubilee year. | 0:56:31 | 0:56:33 | |
Yes. And thanks to everybody here for making a special day | 0:56:33 | 0:56:36 | |
even more memorable. | 0:56:36 | 0:56:37 | |
We're going to leave you with a little reminder of why we're all here. | 0:56:37 | 0:56:41 | |
-Bye-bye. -Bye! -Bye! | 0:56:41 | 0:56:42 | |
Subtitles by Red Bee Media Ltd | 0:57:19 | 0:57:21 |