Browse content similar to Aberdeenshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
From its snow-capped heights to its wild and beautiful coastline, | 0:00:26 | 0:00:30 | |
there's real majesty in the landscape of Aberdeenshire. | 0:00:30 | 0:00:34 | |
I'll be discovering its rugged north coast, | 0:00:37 | 0:00:39 | |
where villages, like Crovie here, cling to the cliffs. | 0:00:39 | 0:00:43 | |
I'll also be getting up-close to some of the coast's | 0:00:43 | 0:00:46 | |
wonderful marine life. | 0:00:46 | 0:00:49 | |
I know a lot of your fish have got names. | 0:00:49 | 0:00:51 | |
-Yes! -Do they have characters? -They do get personalities. | 0:00:51 | 0:00:54 | |
For example, there's Jemima in there, the halibut, | 0:00:54 | 0:00:57 | |
and she's definitely a meanie. | 0:00:57 | 0:00:59 | |
Really? | 0:00:59 | 0:01:00 | |
Joe's inland on the lookout for a very rare creature. | 0:01:00 | 0:01:04 | |
There's just a handful of Scottish wildcats left | 0:01:04 | 0:01:08 | |
and this is one of their last outposts. | 0:01:08 | 0:01:11 | |
I'm joining the conservation team doing all they can to save them. | 0:01:11 | 0:01:15 | |
Tom's looking at the decline in council-owned farms, | 0:01:16 | 0:01:19 | |
which is leaving some farmers facing eviction. | 0:01:19 | 0:01:22 | |
You're here with your partner and you've been here quite a while. | 0:01:22 | 0:01:25 | |
How does that make you feel? | 0:01:25 | 0:01:27 | |
Well, devastated, really. If we have to have a sale, | 0:01:27 | 0:01:29 | |
that'll be the end of it. | 0:01:29 | 0:01:31 | |
WHISTLING | 0:01:31 | 0:01:32 | |
And Adam catches up with One Man And His Dog winner Dick Roper | 0:01:32 | 0:01:35 | |
for some handling tips. | 0:01:35 | 0:01:37 | |
Dogs don't understand the words that you say. | 0:01:39 | 0:01:42 | |
They only understand the tone and the shape of the word, | 0:01:42 | 0:01:45 | |
so it's like music to them. | 0:01:45 | 0:01:47 | |
The northern coast of Aberdeenshire is closer to Bergen in Norway | 0:02:16 | 0:02:20 | |
than to Birmingham. | 0:02:20 | 0:02:22 | |
Dotted along this rugged coastline, shrugging their shoulders | 0:02:26 | 0:02:30 | |
at the Moray Firth, are a string of fishing villages. | 0:02:30 | 0:02:33 | |
Exposed to the worst excesses of the North Sea, | 0:02:33 | 0:02:36 | |
you need to be made of tough stuff to survive here. | 0:02:36 | 0:02:39 | |
I'm starting my journey in Crovie, 40 miles north of Aberdeen. | 0:02:40 | 0:02:45 | |
Clinging precariously to the cliffs, Crovie is a single strip | 0:02:45 | 0:02:48 | |
of houses mere footsteps from the sea. | 0:02:48 | 0:02:52 | |
For nearly 1,000 years, local fishermen and women | 0:02:52 | 0:02:54 | |
eked out a living on this narrow strip of shore. | 0:02:54 | 0:02:58 | |
In summer, it attracts holiday-makers, who are looking for | 0:02:58 | 0:03:01 | |
the road less travelled. | 0:03:01 | 0:03:02 | |
But at this time of year, it's pretty much a ghost town. | 0:03:02 | 0:03:06 | |
Or is it? | 0:03:06 | 0:03:07 | |
A light in the window tells me at least one house is occupied. | 0:03:07 | 0:03:11 | |
-Hello! -Oh, how are you? -You must be Billy! | 0:03:15 | 0:03:16 | |
-I am. -Good to see you. -Aye. | 0:03:16 | 0:03:19 | |
Come on then, show me Crovie. | 0:03:19 | 0:03:21 | |
-Nae problem. -What a view. | 0:03:21 | 0:03:23 | |
'Billy Wiseman is the last Crovie-born resident | 0:03:23 | 0:03:25 | |
'to live here all year round. | 0:03:25 | 0:03:27 | |
'His charming accent is pure Aberdeenshire.' | 0:03:27 | 0:03:30 | |
So what was it like growing up here? | 0:03:30 | 0:03:32 | |
Great. Who could wish for a better playground on your doorstep? | 0:03:34 | 0:03:40 | |
You can't argue with that. | 0:03:40 | 0:03:42 | |
And now you've got grandchildren, what do they make of this? | 0:03:42 | 0:03:44 | |
-Grandchildren and great-grandchildren. -Wow! | 0:03:44 | 0:03:47 | |
What do they make of it? | 0:03:47 | 0:03:49 | |
Oh, paradise. | 0:03:49 | 0:03:51 | |
For families like yours, who were born and brought up here, | 0:03:52 | 0:03:56 | |
they've all gone, bar you. | 0:03:56 | 0:03:57 | |
Why did they go? | 0:03:57 | 0:03:59 | |
Boats were becoming bigger and you couldn't have them | 0:03:59 | 0:04:03 | |
in your local ports. | 0:04:03 | 0:04:05 | |
You had to go to bigger ports, like... | 0:04:05 | 0:04:08 | |
Fraserburgh, Peterhead, Aberdeen. | 0:04:08 | 0:04:12 | |
What kept you here? | 0:04:12 | 0:04:13 | |
Where else would you want to go? | 0:04:15 | 0:04:17 | |
'And there's one thing any visitor to Crovie has to do. | 0:04:17 | 0:04:20 | |
'"Visit the North Pole."' | 0:04:20 | 0:04:21 | |
-So what's going on here? -Well, that's the North Pole. | 0:04:21 | 0:04:25 | |
Like the old Edinburgh lads would say, | 0:04:25 | 0:04:27 | |
"Unless you can go round the North Pole, | 0:04:27 | 0:04:30 | |
"it's no good saying you've been round Crovie." | 0:04:30 | 0:04:33 | |
Unless you can go around the North Pole, | 0:04:33 | 0:04:35 | |
-you haven't been in Crovie? -Aye. | 0:04:35 | 0:04:37 | |
It's nae good till you've been in... | 0:04:37 | 0:04:40 | |
Well, I've been to the South Pole, | 0:04:40 | 0:04:41 | |
but I can safely say this is a lot more rustic. | 0:04:41 | 0:04:44 | |
-But nonetheless, very endearing. -Oh, you're getting accustomed | 0:04:44 | 0:04:48 | |
to Buchan tongue. | 0:04:48 | 0:04:49 | |
SHE LAUGHS | 0:04:49 | 0:04:50 | |
-I don't know if I am, but I'm trying. -Well, I mean to say, | 0:04:50 | 0:04:54 | |
Buchan tongue, that covers the whole of Aberdeenshire. | 0:04:54 | 0:04:57 | |
OK. So I'll be able to understand everyone in Aberdeenshire? | 0:04:57 | 0:05:00 | |
You should do. | 0:05:00 | 0:05:01 | |
Hey, people don't often understand me in Cumbria, | 0:05:01 | 0:05:04 | |
and that's my tongue. | 0:05:04 | 0:05:05 | |
So, sometimes ignorance is bliss, isn't it? | 0:05:05 | 0:05:07 | |
Crovie is just one of a string of fishing villages | 0:05:10 | 0:05:13 | |
along this coast line. | 0:05:13 | 0:05:15 | |
In the next cove lies the village of Gardenstown. | 0:05:16 | 0:05:19 | |
Eleanor Hepburn of the local heritage centre | 0:05:22 | 0:05:25 | |
has a close personal interest of the lives of women here, | 0:05:25 | 0:05:28 | |
and the harsh realities of their role in the fishing industry. | 0:05:28 | 0:05:31 | |
-Eleanor, sorry to interrupt. Good to see you. -Good to see you. | 0:05:31 | 0:05:36 | |
What a treasure trove. | 0:05:36 | 0:05:38 | |
Take me back to your parents' day, what did they do here? | 0:05:38 | 0:05:42 | |
My father was a fisherman. And my mother was one of the gutting girls. | 0:05:42 | 0:05:46 | |
This is them here. That's my mum at the end there. | 0:05:46 | 0:05:49 | |
-So this is your mum here? -That's right. | 0:05:49 | 0:05:51 | |
They were employed to gut the herring which the boats landed. | 0:05:51 | 0:05:55 | |
And they worked in crews of three. | 0:05:55 | 0:05:57 | |
Two girls gutted and one packed. | 0:05:57 | 0:06:01 | |
Some of these girls were so quick, they were gutting the herring | 0:06:01 | 0:06:03 | |
-at 50 to 60 a minute. -A minute?! -Yes. | 0:06:03 | 0:06:08 | |
It was a difficult job to do, but I think most of them enjoyed doing it. | 0:06:08 | 0:06:12 | |
-It looks like it, they're all smiling, aren't they? -Yes. | 0:06:14 | 0:06:16 | |
Yes, it was a way of life, really, with them. | 0:06:16 | 0:06:18 | |
There was no rubber gloves or anything in that day, | 0:06:18 | 0:06:21 | |
so they wrapped up their fingers with these sort of bandages. | 0:06:21 | 0:06:26 | |
Every finger was wrapped up. | 0:06:26 | 0:06:28 | |
Herring stocks were later to collapse, ending a way of life | 0:06:30 | 0:06:33 | |
for many. But that wasn't the only calamity to befall this community. | 0:06:33 | 0:06:37 | |
The famous storm surge of 1953 hit this coast hard. | 0:06:37 | 0:06:42 | |
The storm didn't change Gardenstown much, but it changed Crovie. | 0:06:42 | 0:06:46 | |
Because Crovie was absolutely devastated after the storm. | 0:06:46 | 0:06:52 | |
A lot of the houses were actually never liveable in, | 0:06:52 | 0:06:55 | |
so the people moved out of Crovie then. | 0:06:55 | 0:06:58 | |
But some stayed, | 0:06:58 | 0:07:00 | |
determined to preserve their village and their way of life. | 0:07:00 | 0:07:03 | |
And what is it, do you think, about this part of the world that | 0:07:04 | 0:07:07 | |
keeps people like your family living here, working here? | 0:07:07 | 0:07:11 | |
Probably the beauty of the place and, | 0:07:11 | 0:07:15 | |
I suppose, just a root, really. | 0:07:15 | 0:07:17 | |
Crovie and its neighbours have survived, thanks to the grit of the | 0:07:17 | 0:07:21 | |
people and a sense of belonging that has endured against all the odds. | 0:07:21 | 0:07:26 | |
For years, council-owned farms have been seen as an option for | 0:07:30 | 0:07:33 | |
farmers who can't afford to buy their own land. | 0:07:33 | 0:07:35 | |
But across the country, more and more are being sold off, leaving | 0:07:35 | 0:07:38 | |
some facing the prospect of losing their livelihood and their home. | 0:07:38 | 0:07:42 | |
Here's Tom. | 0:07:42 | 0:07:44 | |
From remote, small farms to huge estates, | 0:07:50 | 0:07:53 | |
our rural economy has been built on farms of all sizes. | 0:07:53 | 0:07:57 | |
Some farmers inherit, others can afford to buy land, | 0:08:01 | 0:08:05 | |
but many rent. And one of the main routes into the competitive world of | 0:08:05 | 0:08:10 | |
farming in the last century has been to rent from your local council. | 0:08:10 | 0:08:14 | |
County farms, as they're known, took off after the First World War. | 0:08:17 | 0:08:21 | |
Concerns over food security and a need for jobs for returning soldiers | 0:08:21 | 0:08:26 | |
led to the creation of thousands of tenant farms by the government. | 0:08:26 | 0:08:30 | |
But back in 2012, I reported on the fact they were being sold off, | 0:08:30 | 0:08:35 | |
with around 1,000 disappearing in the previous decade. | 0:08:35 | 0:08:39 | |
Well, now they seem to be going faster than ever, | 0:08:39 | 0:08:42 | |
leading to fears this vital route into farming could be lost for ever. | 0:08:42 | 0:08:47 | |
HE SHOUTS | 0:08:55 | 0:08:57 | |
HE YELPS | 0:08:57 | 0:08:59 | |
Steve Clayton is a tenant farmer of beef and sheep here in | 0:09:02 | 0:09:05 | |
Herefordshire. But maybe not for much longer. | 0:09:05 | 0:09:09 | |
Come on, then! | 0:09:09 | 0:09:11 | |
-Have I scared them all away? -Oh, you have, Tom. Come on. | 0:09:11 | 0:09:15 | |
I love all the noises you're making on the bike. | 0:09:15 | 0:09:17 | |
-Who needs a sheepdog when you can yelp like you? -That's right. | 0:09:17 | 0:09:20 | |
You're having a slightly rough year, tell me about what's happening. | 0:09:20 | 0:09:23 | |
Well, we've been here now for nearly 13 years, and 13th of December | 0:09:23 | 0:09:26 | |
last year, the council decided they were going to sell the county | 0:09:26 | 0:09:30 | |
council small holdings. | 0:09:30 | 0:09:31 | |
They're sort of saying that the farms are not viable for them, | 0:09:31 | 0:09:35 | |
it needs a lot of investment put into it to bring them up to | 0:09:35 | 0:09:38 | |
date with buildings and houses. | 0:09:38 | 0:09:40 | |
14 other tenant farmers in Herefordshire have also been | 0:09:42 | 0:09:45 | |
given notice. | 0:09:45 | 0:09:47 | |
It's a period of uncertainty that could soon see them lose everything. | 0:09:47 | 0:09:52 | |
You're here with your partner and you've been here quite | 0:09:52 | 0:09:54 | |
a while, you say. How does that make you feel? | 0:09:54 | 0:09:56 | |
Well, devastated, really, because it's the only thing I know. | 0:09:56 | 0:10:00 | |
I'm nearly 55. More or less too late to start again. | 0:10:00 | 0:10:03 | |
All the stock we've got here, apart from the bull and the rams, | 0:10:03 | 0:10:08 | |
are all homebred. If we have to have a sale, that'll be the end of it. | 0:10:08 | 0:10:12 | |
You say you'll be out of farming, | 0:10:12 | 0:10:13 | |
but why couldn't you just go and rent somewhere else? | 0:10:13 | 0:10:15 | |
There aren't any farms coming up, Tom, | 0:10:15 | 0:10:17 | |
there's just not enough farms out there. | 0:10:17 | 0:10:19 | |
Steve believes the best solution would have been to invest | 0:10:19 | 0:10:22 | |
rather than sell. | 0:10:22 | 0:10:24 | |
Once these farms are sold, they're gone, that's the end of it. | 0:10:24 | 0:10:28 | |
Once the money has gone, there's no more. | 0:10:28 | 0:10:31 | |
The farmers argued in vain that the council had misled them in | 0:10:31 | 0:10:34 | |
the sale of their farms, but in October, the | 0:10:34 | 0:10:37 | |
Local Government Ombudsman ruled in the council's favour. | 0:10:37 | 0:10:41 | |
What's that sale day going to be like? | 0:10:42 | 0:10:44 | |
Very upsetting, really. | 0:10:46 | 0:10:49 | |
To see something we've worked for for 20-odd years just gone in a day. | 0:10:49 | 0:10:54 | |
It will be very, very, very upsetting. | 0:10:54 | 0:10:56 | |
Will you be able to be here for it? | 0:10:56 | 0:10:58 | |
Well, I'll have to be here for it because I'll have to see it | 0:10:58 | 0:11:00 | |
through to the end, you know? But it won't be a very good day at all. | 0:11:00 | 0:11:03 | |
We asked Herefordshire Council for an interview but they declined, | 0:11:05 | 0:11:09 | |
though they did give us a statement. | 0:11:09 | 0:11:11 | |
It's not just here in Herefordshire that council farms are being | 0:11:29 | 0:11:32 | |
sold off. | 0:11:32 | 0:11:33 | |
In Wales, hundreds of acres of farmland have gone in the | 0:11:35 | 0:11:38 | |
past few years. | 0:11:38 | 0:11:40 | |
Scotland sold theirs long ago, and Northern Ireland has never had any. | 0:11:40 | 0:11:46 | |
But in England, in the last financial year, | 0:11:46 | 0:11:48 | |
the number of county farms dropped by an average of three a week. | 0:11:48 | 0:11:52 | |
Councils, however, are facing their own problems. | 0:11:54 | 0:11:57 | |
Between 2010 and 2015, their funding from central government was | 0:11:57 | 0:12:02 | |
cut by an average of 40%. | 0:12:02 | 0:12:06 | |
Hardly surprising, then, that when the price of agricultural land is | 0:12:06 | 0:12:10 | |
rising faster than the FTSE 100, the central London housing market | 0:12:10 | 0:12:14 | |
and, until recently, even gold, county farms are seen as a cash cow. | 0:12:14 | 0:12:19 | |
This is the seven... 775,000. | 0:12:20 | 0:12:24 | |
20 acres. | 0:12:24 | 0:12:26 | |
Well, I hope it's well-drained pasture if it's like this most days. | 0:12:26 | 0:12:30 | |
'Clive Hopkins is head of farms and estates at Knight Frank, | 0:12:30 | 0:12:33 | |
'whose agricultural research team track the value of farmland.' | 0:12:33 | 0:12:37 | |
Why do you think it is going up so much? | 0:12:39 | 0:12:41 | |
It's a rare decrease in commodity. | 0:12:41 | 0:12:43 | |
And I think to own land in this country is greatly sought after. | 0:12:43 | 0:12:47 | |
Does that explain why councils are attracted to the idea of | 0:12:47 | 0:12:51 | |
selling this land off? They can make a lot of money. | 0:12:51 | 0:12:54 | |
Councils have huge pressures on them to find money from various | 0:12:54 | 0:12:58 | |
resources. And to have a land-holding | 0:12:58 | 0:13:01 | |
is certainly one of those sources which they can turn to. | 0:13:01 | 0:13:03 | |
And what forecast have you got for the next ten years on land values? | 0:13:03 | 0:13:07 | |
Well, we're in uncertain times, with Brexit and everything | 0:13:07 | 0:13:11 | |
else that's going on in the world, so it's difficult to predict, but | 0:13:11 | 0:13:14 | |
land prices, I think, have weathered the last recession extremely well. | 0:13:14 | 0:13:19 | |
And it's a very robust market. | 0:13:19 | 0:13:21 | |
With land commanding such great prices, | 0:13:27 | 0:13:29 | |
it's easy to see the attraction for councils in selling it off. | 0:13:29 | 0:13:34 | |
But is holding on to land really as unprofitable as many of them | 0:13:34 | 0:13:39 | |
seem to think? | 0:13:39 | 0:13:40 | |
That's what I'll be finding out later. | 0:13:40 | 0:13:42 | |
These are the uplands of Aberdeenshire. | 0:13:53 | 0:13:56 | |
A vista of snow crested peaks, dense forests, | 0:13:56 | 0:13:59 | |
crystalline burns and silent glens. | 0:13:59 | 0:14:03 | |
It's also one of the last haunts of an animal that's amongst our | 0:14:04 | 0:14:07 | |
rarest and most endangered. | 0:14:07 | 0:14:10 | |
The Scottish wildcat, a true creature of this wilderness. | 0:14:10 | 0:14:15 | |
The Scottish wildcat is our only native wildcat. | 0:14:18 | 0:14:21 | |
It's bigger and more muscular by far than the domestic type. | 0:14:21 | 0:14:25 | |
It's a fierce predator, stealthy and silent, | 0:14:27 | 0:14:31 | |
able to survive in the harshest conditions. | 0:14:31 | 0:14:35 | |
No-one knows for sure, | 0:14:35 | 0:14:36 | |
but some experts believe there could be as few as 50 true wildcats | 0:14:36 | 0:14:40 | |
left in Scotland, | 0:14:40 | 0:14:42 | |
and the biggest threat to their existence - | 0:14:42 | 0:14:44 | |
well, it's not what you'd think. | 0:14:44 | 0:14:46 | |
'Dr Roo Campbell is a scientist who's been on the trail of | 0:14:50 | 0:14:53 | |
'the Scottish wildcat for the last six years.' | 0:14:53 | 0:14:56 | |
Roo, what is the problem? | 0:14:56 | 0:14:58 | |
Why is the Scottish wildcat so endangered? | 0:14:58 | 0:15:00 | |
Well, the chief problem now is that the wildcats that we have here | 0:15:00 | 0:15:04 | |
are interbreeding with the feral cats. | 0:15:04 | 0:15:06 | |
As it continues, the wildcats that we have in this environment | 0:15:06 | 0:15:09 | |
-become less and less wildcat. -CAT HISSES | 0:15:09 | 0:15:11 | |
How do you define a wildcat? | 0:15:11 | 0:15:13 | |
Well, I think you define a wildcat, I think, based on | 0:15:13 | 0:15:17 | |
two fundamental things, and that's how it looks and how it behaves. | 0:15:17 | 0:15:20 | |
So, if it looks like a wildcat and it behaves like a wildcat, | 0:15:20 | 0:15:22 | |
that's really important, | 0:15:22 | 0:15:24 | |
and a lot of that's dictated by the genetics. | 0:15:24 | 0:15:26 | |
You can look at the coat patterns, the tail shape, erm, | 0:15:26 | 0:15:29 | |
and we can understand from that, | 0:15:29 | 0:15:31 | |
we can make an educated guess at how much of a wildcat this cat is. | 0:15:31 | 0:15:35 | |
But time is running out - | 0:15:37 | 0:15:40 | |
it's thought they could be extinct in less than five years, | 0:15:40 | 0:15:45 | |
so each new sighting gives | 0:15:45 | 0:15:47 | |
-Roo and his team hope... -CAT HISSES | 0:15:47 | 0:15:50 | |
..and here at the edge of Clashindarroch Forest, | 0:15:50 | 0:15:53 | |
they've seen a prize specimen. | 0:15:53 | 0:15:55 | |
In this area, we have a male that we hope... | 0:15:57 | 0:16:00 | |
we suspect is a male wildcat. | 0:16:00 | 0:16:02 | |
Erm, and it's been seen on five cameras, so that's covering | 0:16:02 | 0:16:05 | |
something like just under 20 square kilometres of ground, actually. | 0:16:05 | 0:16:08 | |
-The same cat? -The same individual cat, caught on separate cameras. | 0:16:08 | 0:16:12 | |
Does this wildcat have a name? | 0:16:12 | 0:16:14 | |
-Yes, the wildcat's named Jake. -Jake? | 0:16:14 | 0:16:16 | |
Jake the wildcat. | 0:16:16 | 0:16:17 | |
So, Jake is out there somewhere, | 0:16:19 | 0:16:22 | |
and he's been seen around a local barn. | 0:16:22 | 0:16:25 | |
Philippa Murphy of Forestry Commission Scotland is keen to | 0:16:25 | 0:16:28 | |
make it comfy for him. | 0:16:28 | 0:16:30 | |
So, lots of straw - what's the plan? | 0:16:30 | 0:16:32 | |
The plan is we're going to take some of these bales into the shed | 0:16:32 | 0:16:35 | |
down here to make it slightly more appealing for cats. | 0:16:35 | 0:16:39 | |
-Right, let's get started, shall we? -Yeah. | 0:16:39 | 0:16:41 | |
It's a bit of a squeeze coming through the door. | 0:16:50 | 0:16:52 | |
Yeah, it is, isn't it? | 0:16:52 | 0:16:53 | |
Oh, what a great barn. | 0:16:53 | 0:16:55 | |
It is. | 0:16:55 | 0:16:57 | |
-And we're going in this little cabin, this room. -We are, yes. | 0:16:58 | 0:17:01 | |
This little cabin here - hotel room number one(!) | 0:17:01 | 0:17:03 | |
-It's not ensuite, is it, no? -No. -THEY LAUGH | 0:17:05 | 0:17:08 | |
'Hidden cameras have spotted other wildcats here too, and these bales | 0:17:11 | 0:17:15 | |
'should provide everything they could wish for on a cold night.' | 0:17:15 | 0:17:19 | |
We want to try and pile them up, so that there's lots of little nooks | 0:17:19 | 0:17:22 | |
and crannies in the straw to encourage, hopefully, | 0:17:22 | 0:17:24 | |
the cats to burrow in and create a den amongst them. | 0:17:24 | 0:17:27 | |
If we can get them here, and we can get cameras out, we'll hopefully | 0:17:27 | 0:17:30 | |
have a good chance of getting some really good footage of cats. | 0:17:30 | 0:17:33 | |
Are you happy with that? Is that random enough, as it should be? | 0:17:33 | 0:17:36 | |
Yes, I think so. It's looking good. | 0:17:36 | 0:17:37 | |
And I hope they appreciate the effort you've gone to. | 0:17:37 | 0:17:39 | |
Yes, here's hoping, and hopefully we'll get some good footage as well. | 0:17:39 | 0:17:42 | |
-Excellent. -OK. | 0:17:42 | 0:17:43 | |
'There's an army of volunteers out here rigging camera traps, | 0:17:47 | 0:17:50 | |
'hoping to see Jake and his mates, | 0:17:50 | 0:17:52 | |
'and Annie Sturgeon, Marion Malcolm and Maria Dawson have struck gold.' | 0:17:52 | 0:17:57 | |
So, Jake has been here. Jake was here, as they say. | 0:17:57 | 0:18:00 | |
-Yeah, Jake was here. -Absolutely, yes. Exactly here. | 0:18:00 | 0:18:02 | |
And how elusive has Jake been? | 0:18:02 | 0:18:03 | |
-Oh, well, all last winter, we saw him a lot... -Yeah. | 0:18:03 | 0:18:06 | |
..which was great, but we haven't seen him yet. | 0:18:06 | 0:18:10 | |
-That card... -It could be the one. -Who knows? | 0:18:10 | 0:18:12 | |
-It could be the one. -It could be. -He might be there. | 0:18:12 | 0:18:15 | |
-I like how he's keeping you guessing, though. -He is, yes. | 0:18:15 | 0:18:18 | |
'But there's been an even more stunning sighting - | 0:18:20 | 0:18:24 | |
'a kitten, perhaps purebred, maybe even Jake's offspring. | 0:18:24 | 0:18:31 | |
'Fingers crossed this could be a great sign. | 0:18:31 | 0:18:34 | |
'And later I'll be seeing what else is being done to help save | 0:18:36 | 0:18:39 | |
'the Scottish wildcat.' | 0:18:39 | 0:18:40 | |
-SEAN: -There are the snow-capped Cairngorms to the west, | 0:18:47 | 0:18:51 | |
rugged coastline to the north and east, | 0:18:51 | 0:18:55 | |
but, at its heart, Aberdeenshire is farming country. | 0:18:55 | 0:18:58 | |
Livestock and cereal crops form the bulk of the agriculture here. | 0:19:00 | 0:19:04 | |
So, at this time of year, as we head toward Christmas, | 0:19:06 | 0:19:08 | |
with the harvest long past, | 0:19:08 | 0:19:10 | |
you'd expect Aberdeenshire's farmers to be putting their feet up, | 0:19:10 | 0:19:13 | |
but not here. Oh, no. | 0:19:13 | 0:19:15 | |
TURKEYS GOBBLE | 0:19:15 | 0:19:17 | |
'Not when you've got 1,200 turkeys to tend to. | 0:19:19 | 0:19:23 | |
'Craig Michie rears Bronze turkeys, | 0:19:23 | 0:19:26 | |
'famous for their iridescent plumage and great flavour.' | 0:19:26 | 0:19:30 | |
TURKEYS GOBBLE | 0:19:30 | 0:19:32 | |
I originally worked as a town planner in an office - | 0:19:34 | 0:19:37 | |
that's what I studied. | 0:19:37 | 0:19:38 | |
I met my wife over in Colombia on a career break, | 0:19:38 | 0:19:41 | |
and then thought one day, "I want to be a turkey farmer," | 0:19:41 | 0:19:44 | |
and came back to Scotland with her. | 0:19:44 | 0:19:46 | |
So, is it just December that you build up to? | 0:19:47 | 0:19:49 | |
Well, actually, we do some turkeys for Thanksgiving, | 0:19:49 | 0:19:52 | |
cos there's a lot of Americans up here through the oil industry, | 0:19:52 | 0:19:56 | |
and, you know, they share my passion for turkey too, | 0:19:56 | 0:19:58 | |
so it's great going to the markets there and chatting to Americans. | 0:19:58 | 0:20:01 | |
They're really enthusiastic about this too. | 0:20:01 | 0:20:04 | |
'Craig keeps his birds for eight months, | 0:20:05 | 0:20:07 | |
'hand-rearing them for the first few weeks.' | 0:20:07 | 0:20:10 | |
They come in a day old at the end of May, so I believe that's | 0:20:10 | 0:20:14 | |
the earliest-hatched birds in the country, and then it's the | 0:20:14 | 0:20:17 | |
journey towards December, which is a very exciting time. | 0:20:17 | 0:20:20 | |
It must cost you a fortune, though, rearing them for so long, | 0:20:20 | 0:20:23 | |
-with all of the food. -Yeah, I almost forget the economics of it. | 0:20:23 | 0:20:26 | |
It's just the love, you know? But, yeah, yeah, you are right. | 0:20:26 | 0:20:28 | |
I mean, this is inefficient weight gain, but I believe | 0:20:28 | 0:20:31 | |
the slower you grow that bird, the better it tastes on Christmas Day. | 0:20:31 | 0:20:35 | |
They'll be gobbling mad for this, | 0:20:35 | 0:20:37 | |
and this is their little treats as well, the apples. | 0:20:37 | 0:20:40 | |
TURKEYS GOBBLE | 0:20:40 | 0:20:42 | |
-They know that sound, do they? -Yeah, they do. | 0:20:49 | 0:20:51 | |
We can chuck a few out. Yeah. | 0:20:51 | 0:20:53 | |
This is the sort of stuff they would have in the wild, isn't it? | 0:20:56 | 0:20:58 | |
Yeah, it is. | 0:20:58 | 0:20:59 | |
It also attracts the insects in, these apples, | 0:20:59 | 0:21:01 | |
and that gives them that real varied protein source, | 0:21:01 | 0:21:04 | |
which I believe enhances the flavour, | 0:21:04 | 0:21:06 | |
and it gives you that little, like, distinct nuances in flavour as well. | 0:21:06 | 0:21:09 | |
TURKEYS GOBBLE | 0:21:09 | 0:21:12 | |
Craig's daughter Vima is one of the turkeys' biggest fans. | 0:21:12 | 0:21:16 | |
She likes to help out around the farm. | 0:21:16 | 0:21:18 | |
Maybe put out some feed. | 0:21:18 | 0:21:20 | |
Vima's a big help on the farm. | 0:21:20 | 0:21:22 | |
-Wow. -Big help with the feed. | 0:21:22 | 0:21:23 | |
-WOMAN SPEAKS SPANISH -What's a pavito? | 0:21:23 | 0:21:26 | |
Turkey. | 0:21:26 | 0:21:27 | |
-It's a turkey. -Yeah. | 0:21:27 | 0:21:28 | |
En ingles or en espanol? | 0:21:28 | 0:21:31 | |
-Espanol. -Espanol. | 0:21:32 | 0:21:33 | |
It was from his Colombian wife Marie that Craig got the idea for | 0:21:35 | 0:21:38 | |
using alpacas as guard animals. | 0:21:38 | 0:21:40 | |
These two are called Valderrama and Higuita, | 0:21:40 | 0:21:43 | |
after Latin American football players. | 0:21:43 | 0:21:46 | |
Back in South America, | 0:21:46 | 0:21:47 | |
farmers use them all the time to keep an eye on their livestock. | 0:21:47 | 0:21:51 | |
Basically, the alpaca in the wild will protect their young, | 0:21:51 | 0:21:55 | |
and they'll protect the turkeys. | 0:21:55 | 0:21:58 | |
You know, they'll see the turkeys as their young. | 0:21:58 | 0:22:01 | |
My uncle is a poultry farmer. | 0:22:01 | 0:22:02 | |
He actually has lots of chickens, so he was the one that got us the idea. | 0:22:02 | 0:22:07 | |
About a few months ago, | 0:22:07 | 0:22:09 | |
when we were harvesting that field of spring barley, | 0:22:09 | 0:22:11 | |
I was driving down in the tractor and I could see a big commotion. | 0:22:11 | 0:22:15 | |
Alpacas were running down the field, and they were chasing a fox. | 0:22:15 | 0:22:19 | |
I could just see this tail, and it was just incredible. | 0:22:19 | 0:22:22 | |
So, if you hadn't met Maria, | 0:22:22 | 0:22:23 | |
you wouldn't know anything about the alpacas? | 0:22:23 | 0:22:25 | |
I guess I wouldn't. It's one of the great... | 0:22:25 | 0:22:26 | |
One of the many things you wouldn't know. | 0:22:26 | 0:22:28 | |
-One of the many things. -Many, many things. | 0:22:28 | 0:22:30 | |
I had a lot to learn and, you know, I'm just slowly learning. | 0:22:30 | 0:22:32 | |
-My wife's always teaching me new things. -Yeah. | 0:22:32 | 0:22:35 | |
Christmas is just around the corner, | 0:22:37 | 0:22:39 | |
so it's time for Craig to take his turkeys to | 0:22:39 | 0:22:41 | |
one of his key customers - | 0:22:41 | 0:22:43 | |
Formartine's, a nearby farm shop and restaurant. | 0:22:43 | 0:22:46 | |
What weight are these, then? | 0:22:48 | 0:22:50 | |
Oh, these will be oven-ready. | 0:22:50 | 0:22:51 | |
They'll be around 5, 6kg. | 0:22:51 | 0:22:55 | |
Let's hit the road. | 0:22:57 | 0:22:58 | |
'The turkeys are a big hit with the visitors to the farm shop, | 0:23:06 | 0:23:09 | |
'owned by John Cooper.' | 0:23:09 | 0:23:11 | |
I think they're ready for the woodland out here. They're... | 0:23:11 | 0:23:13 | |
-On you go. Pass it over. -TURKEY SQUEAKS | 0:23:13 | 0:23:15 | |
-Lovely. -Shall we show them their new home? | 0:23:15 | 0:23:18 | |
The turkey paradise. | 0:23:18 | 0:23:19 | |
Another exciting part of the story. | 0:23:19 | 0:23:22 | |
Ah, these are their friends. | 0:23:22 | 0:23:24 | |
New neighbours. | 0:23:24 | 0:23:25 | |
Just pop them in, yeah? | 0:23:25 | 0:23:27 | |
It's nice for our customers to engage with the food we sell, | 0:23:27 | 0:23:30 | |
and so we find it's more of an educational process for them to | 0:23:30 | 0:23:35 | |
find out about Craig and the way that he rears the birds, | 0:23:35 | 0:23:38 | |
and, you know, they're a really prime local product - | 0:23:38 | 0:23:41 | |
one of the great examples of food from Aberdeenshire. | 0:23:41 | 0:23:45 | |
Well, come on in and eat some turkey. | 0:23:45 | 0:23:47 | |
Now you're talking. That sounds good. | 0:23:47 | 0:23:49 | |
'John and his chef Matt are about to cook up | 0:23:51 | 0:23:53 | |
'a Bronze turkey feast for me.' | 0:23:53 | 0:23:56 | |
Throughout December, we tend to run a, sort of, Christmas twist, | 0:23:56 | 0:23:59 | |
-and rather than just your average roasted turkey... -Yeah. | 0:23:59 | 0:24:02 | |
..the turkey galantine just combines Christmas dinner | 0:24:02 | 0:24:05 | |
and a simple lunch dish. | 0:24:05 | 0:24:07 | |
'The galantine is made by rolling turkey breast | 0:24:07 | 0:24:10 | |
'and stuffing in Serrano ham.' | 0:24:10 | 0:24:12 | |
-Are you happy, boss? -Turkey galantine - very good job, sir. | 0:24:12 | 0:24:17 | |
'Served with all the trimmings, including cranberry caviar.' | 0:24:17 | 0:24:22 | |
Here we go. | 0:24:22 | 0:24:23 | |
Mmm. | 0:24:27 | 0:24:29 | |
That is fantastic. | 0:24:29 | 0:24:31 | |
What a tasty end to a really good day, | 0:24:31 | 0:24:34 | |
and what I like about this turkey is I know where it's come from. | 0:24:34 | 0:24:37 | |
It's slow-grown, it's had a good life and it's been fed on the | 0:24:37 | 0:24:40 | |
best of Aberdeenshire's crops - | 0:24:40 | 0:24:42 | |
too good to wait for Christmas. | 0:24:42 | 0:24:44 | |
MOOING Earlier, we heard how councils are | 0:24:50 | 0:24:53 | |
selling off county farms for much-needed cash. | 0:24:53 | 0:24:58 | |
But is there a way to protect their future? | 0:24:58 | 0:25:00 | |
MOOING Here's Tom. | 0:25:00 | 0:25:02 | |
There are more than 3,000 council farms in England and Wales, | 0:25:12 | 0:25:16 | |
and they seem to be fast disappearing from our landscape, | 0:25:16 | 0:25:21 | |
but in some parts of the country, the story is quite different. | 0:25:21 | 0:25:25 | |
So, what's the plan right now? | 0:25:27 | 0:25:29 | |
-So, these cows are all around three weeks old... -Uh-huh. | 0:25:29 | 0:25:32 | |
..so we're just going to give them their milk for this afternoon. | 0:25:32 | 0:25:35 | |
'Michael and Laura Trayte are tenant dairy farmers in Staffordshire, | 0:25:37 | 0:25:41 | |
'and have been on this 80-acre council-owned farm | 0:25:41 | 0:25:44 | |
'for just over a year.' | 0:25:44 | 0:25:46 | |
So, you were working on farms before, | 0:25:46 | 0:25:48 | |
-but now, together, you actually run the place? -Yeah, we've... | 0:25:48 | 0:25:50 | |
We've worked our way up and now we've finally got our own farm, | 0:25:50 | 0:25:54 | |
which was always the...always the dream. | 0:25:54 | 0:25:56 | |
Could you have done this if there wasn't the stock of council farms? | 0:25:56 | 0:26:00 | |
I don't think we'd be able to do it at this point, | 0:26:00 | 0:26:03 | |
because council farms offer the starter farms, | 0:26:03 | 0:26:06 | |
which are a lot smaller, | 0:26:06 | 0:26:08 | |
erm, whereas, other, sort of, estate farms are a lot bigger, | 0:26:08 | 0:26:10 | |
and we wouldn't have enough cows or enough money | 0:26:10 | 0:26:13 | |
-to stock the farms to begin with. -MOOING | 0:26:13 | 0:26:15 | |
It's a pretty essential first run, really? | 0:26:15 | 0:26:16 | |
Yeah, we believe so, | 0:26:16 | 0:26:18 | |
and it gives us that experience | 0:26:18 | 0:26:19 | |
that larger landlords are looking for in the future. | 0:26:19 | 0:26:22 | |
Mike and Laura's approach helped win them | 0:26:24 | 0:26:27 | |
a national New Entrants Award - | 0:26:27 | 0:26:29 | |
the third time a Staffordshire tenant farmer | 0:26:29 | 0:26:32 | |
has won in three years - | 0:26:32 | 0:26:34 | |
but they're not resting on their laurels. | 0:26:34 | 0:26:37 | |
It's changed massively since we first...first came. | 0:26:37 | 0:26:40 | |
The council have put up the new shed, | 0:26:40 | 0:26:43 | |
and then we've put in the cubicles ourselves. | 0:26:43 | 0:26:47 | |
What about stock numbers, Laura? What's the plan there? | 0:26:47 | 0:26:50 | |
Well, we started with 80 when we got here. | 0:26:50 | 0:26:52 | |
This winter we'll be milking 100, | 0:26:52 | 0:26:54 | |
and then next year we'll be up to 120. | 0:26:54 | 0:26:57 | |
Erm, so, then... | 0:26:57 | 0:26:58 | |
then we'll see what the future holds after that, whether... | 0:26:58 | 0:27:02 | |
what we do then. | 0:27:02 | 0:27:03 | |
Mike and Laura's farm is contributing to an annual profit | 0:27:05 | 0:27:08 | |
of £500,000 for Staffordshire Council, | 0:27:08 | 0:27:11 | |
and rather than selling their farms, | 0:27:11 | 0:27:13 | |
the council sees them as a valuable long-term investment, | 0:27:13 | 0:27:18 | |
and the stats agree - 60% of all farmland sold off in the UK | 0:27:18 | 0:27:23 | |
remains as agricultural land. | 0:27:23 | 0:27:25 | |
'Mark Winnington is the man responsible for growing | 0:27:27 | 0:27:30 | |
-'the council's income.' -MOOING | 0:27:30 | 0:27:32 | |
Do you think your attitude to council farms here differs | 0:27:32 | 0:27:34 | |
from some of the others around the country? | 0:27:34 | 0:27:36 | |
Yes, I think at the moment all the councils are looking at their | 0:27:36 | 0:27:39 | |
social problems and the cost of it and thinking, | 0:27:39 | 0:27:42 | |
"Let's take the County Farms. Let's have an early Christmas present. | 0:27:42 | 0:27:44 | |
"Let's actually liquidate the assets." | 0:27:44 | 0:27:47 | |
In Staffordshire, we do things in a different way. | 0:27:47 | 0:27:49 | |
We're looking for growth. We're looking for economic opportunities. | 0:27:49 | 0:27:52 | |
All the assets in the county have got to work really hard, | 0:27:52 | 0:27:55 | |
and one of those assets, for us, is county farms. | 0:27:55 | 0:27:58 | |
In five years' time, | 0:27:58 | 0:27:59 | |
when we expect zero money coming from the Government, | 0:27:59 | 0:28:03 | |
that county farms is part of that annual revenue | 0:28:03 | 0:28:07 | |
-into the county. -Yeah. | 0:28:07 | 0:28:09 | |
'Mark believes his farming background gives him | 0:28:09 | 0:28:12 | |
'a different view from other councils.' | 0:28:12 | 0:28:14 | |
We can actually say to people, | 0:28:14 | 0:28:16 | |
"Look, county farms is a part of the rural environment." | 0:28:16 | 0:28:20 | |
It's an important cog. | 0:28:20 | 0:28:22 | |
It's training young people, | 0:28:22 | 0:28:23 | |
making sure that they can feed the nation in the future. | 0:28:23 | 0:28:27 | |
It's an asset in terms of the environment, | 0:28:27 | 0:28:29 | |
it's an asset in terms of the animals, and it's an asset | 0:28:29 | 0:28:32 | |
in terms of the young people that are coming into the industry. | 0:28:32 | 0:28:36 | |
So, here in Staffordshire, county farms are thriving - | 0:28:38 | 0:28:41 | |
a very different picture to many other parts of the country. | 0:28:41 | 0:28:45 | |
At Hartpury College near Gloucester, | 0:28:51 | 0:28:53 | |
they've been teaching the farmers of the future since the late 1940s. | 0:28:53 | 0:28:57 | |
That's it. Don't force it. Just let them gently swallow it. That's it. | 0:28:57 | 0:29:01 | |
But will today's students even get the chance to take on | 0:29:01 | 0:29:05 | |
a county farm when they leave? | 0:29:05 | 0:29:08 | |
'David Fursdon is the farmer who chaired the Government's | 0:29:08 | 0:29:11 | |
'Future of Farming Review, | 0:29:11 | 0:29:13 | |
'which encouraged councils to hang on to them.' | 0:29:13 | 0:29:16 | |
So, when it came to county farms, what did your review recommend? | 0:29:16 | 0:29:19 | |
Well, we said first of all that we wanted county estates | 0:29:19 | 0:29:22 | |
to understand what they'd got and how to make money out of it, | 0:29:22 | 0:29:26 | |
because we were afraid that, in some cases, they were looking at | 0:29:26 | 0:29:28 | |
selling them off without looking at | 0:29:28 | 0:29:30 | |
what income they could get from them. | 0:29:30 | 0:29:32 | |
There was definitely scope for looking at, and reassuring, | 0:29:32 | 0:29:35 | |
actually, some of the councillors that take the decisions, | 0:29:35 | 0:29:37 | |
reassuring them that there were ways of making money | 0:29:37 | 0:29:40 | |
out of their estates without having to sell them. | 0:29:40 | 0:29:43 | |
In the end, it will be a tough financial decision. | 0:29:43 | 0:29:45 | |
Is that asset giving a return to the owners who are, in this case, | 0:29:45 | 0:29:48 | |
the council? If it is, keep them. If it's not, they've got to go. | 0:29:48 | 0:29:51 | |
Or, if they have really got a massive capital need, | 0:29:51 | 0:29:54 | |
then we're going to struggle. | 0:29:54 | 0:29:56 | |
So, where does that leave tenant farmers like Steve, | 0:29:56 | 0:29:59 | |
who I met earlier? | 0:29:59 | 0:30:01 | |
What would you say to a farmer in their 50s whose farm is being sold? | 0:30:01 | 0:30:04 | |
It's going to be really tough for them, isn't it? | 0:30:04 | 0:30:06 | |
And I don't think we have any ready answers for it. | 0:30:06 | 0:30:08 | |
I mean, there are opportunities on some farms | 0:30:08 | 0:30:11 | |
to use their experience that they've gained, | 0:30:11 | 0:30:14 | |
in some form of a managerial role, but it isn't easy for them | 0:30:14 | 0:30:18 | |
and I feel for them and I think it is a real challenge. | 0:30:18 | 0:30:21 | |
Clearly there are tough decisions ahead, not only for farmers | 0:30:21 | 0:30:25 | |
like Steve, but also for councillors up and down the land. | 0:30:25 | 0:30:29 | |
If you've got a £1 million farm and a £1 million hole in your budget | 0:30:30 | 0:30:35 | |
for education or social care, it's hard to resist a sale, | 0:30:35 | 0:30:39 | |
but that is something you can only do once. | 0:30:39 | 0:30:42 | |
What if the decision was to invest and engage with agriculture? | 0:30:42 | 0:30:46 | |
Could that deliver longer-term profits | 0:30:46 | 0:30:49 | |
and a brighter future for farmers? | 0:30:49 | 0:30:52 | |
Aberdeenshire's north coast is one of breathtaking beauty, | 0:31:06 | 0:31:10 | |
where unflinching sandstone cliffs are battered by | 0:31:10 | 0:31:14 | |
the relentless North Sea. | 0:31:14 | 0:31:15 | |
And small fishing villages cling determinedly to the edge. | 0:31:18 | 0:31:21 | |
It's also home to a wealth of marine life. | 0:31:21 | 0:31:25 | |
Nobody knows this better than the fishermen who, for centuries, | 0:31:25 | 0:31:29 | |
have made a living from these waters. | 0:31:29 | 0:31:31 | |
Less than 100 years ago, this coast would have been heaving | 0:31:34 | 0:31:38 | |
with fishing boats and bustling with fishermen. | 0:31:38 | 0:31:41 | |
Nowadays, the industry is all but gone. | 0:31:41 | 0:31:44 | |
Few fishing boats work these waters. | 0:31:44 | 0:31:47 | |
But here in Gardenstown, I'm meeting Iain West, | 0:31:49 | 0:31:52 | |
who still scours the inshore for lobster, crab and mackerel. | 0:31:52 | 0:31:55 | |
-Iain! -Hello. How are you? | 0:31:56 | 0:31:59 | |
-You are a brave man. -It's freezing. -It's brussen, as they say. | 0:31:59 | 0:32:02 | |
Right, tell me about your family. | 0:32:02 | 0:32:04 | |
How long have you and yours been fishing? | 0:32:04 | 0:32:07 | |
I've been going out on boats as early as I could walk, | 0:32:07 | 0:32:09 | |
but I started fishing about maybe ten, or something like that. | 0:32:09 | 0:32:12 | |
Did you learn everything from your dad? | 0:32:12 | 0:32:13 | |
Has it always been training on the job? | 0:32:13 | 0:32:15 | |
My dad and my grandad. Where to put the lobster pots | 0:32:15 | 0:32:18 | |
and where get the fish in different places like that. | 0:32:18 | 0:32:20 | |
But I guess you must get all kinds of things kind of ending up | 0:32:20 | 0:32:23 | |
in your lobster pots that you're not fishing for. | 0:32:23 | 0:32:25 | |
You're never sure what you're going to get. Every day is different. | 0:32:25 | 0:32:28 | |
I'm no fish expert, but I know these aren't lobster. | 0:32:28 | 0:32:32 | |
That's some sea urchins, canniburrs. | 0:32:32 | 0:32:34 | |
Canniburrs! | 0:32:34 | 0:32:36 | |
Is that a local term, canniburrs? | 0:32:36 | 0:32:37 | |
Yeah, it's a local name for them. | 0:32:37 | 0:32:39 | |
And we've got an octopus. | 0:32:39 | 0:32:41 | |
-An octopus? -In this here. | 0:32:41 | 0:32:43 | |
-How often do you see octopus? -Not a lot. | 0:32:43 | 0:32:47 | |
'But when he does, Iain and other fishermen take them | 0:32:47 | 0:32:50 | |
'to a local aquarium, where they're in big demand.' | 0:32:50 | 0:32:54 | |
-I hope that aquarium has got a tank with a lid! -I hope so. | 0:32:54 | 0:32:58 | |
-I think we'd better close the lid, because he... -Before he disappears. | 0:32:58 | 0:33:01 | |
Yeah, he's on the move. | 0:33:01 | 0:33:03 | |
Don't worry, you're going to like it up there. | 0:33:03 | 0:33:06 | |
Iain's octopus is headed for Macduff Marine Aquarium, | 0:33:06 | 0:33:08 | |
just along the coast, | 0:33:08 | 0:33:10 | |
which specialises in species native to the Moray Firth. | 0:33:10 | 0:33:13 | |
But before the octopus can join the other residents, | 0:33:13 | 0:33:16 | |
it will be placed in quarantine so it can undergo health checks. | 0:33:16 | 0:33:19 | |
Claire Matthews is the manager here. | 0:33:19 | 0:33:22 | |
-Claire! -Hey, Helen. How are you doing? | 0:33:22 | 0:33:24 | |
I have something for you. | 0:33:24 | 0:33:26 | |
Oh, sea urchins? Lovely. Thank you very much. | 0:33:26 | 0:33:29 | |
-Are these useful? -Absolutely. | 0:33:29 | 0:33:30 | |
They are brilliant for keeping down any algae that grows in the tanks, | 0:33:30 | 0:33:34 | |
they are natural munchers. | 0:33:34 | 0:33:35 | |
They just scrunch away as they go. They're fabulous. | 0:33:35 | 0:33:38 | |
-We'll put them straight in. -Can I give you a hand? | 0:33:38 | 0:33:40 | |
-Oh, yes, he's quite spiky. -He's quite hefty. | 0:33:40 | 0:33:43 | |
-Just drop it in? -He'll be fine. | 0:33:43 | 0:33:46 | |
He does have a very strong shell, so this is absolutely fine for him. | 0:33:46 | 0:33:50 | |
-Ohh! Oh! -There he goes. See? Perfect. | 0:33:50 | 0:33:52 | |
Run me through some of the species that you have here. | 0:33:52 | 0:33:55 | |
A lot of animals that you would possibly be more familiar with | 0:33:55 | 0:33:58 | |
on your plate, so things like cod and haddock and plaice... | 0:33:58 | 0:34:02 | |
That's a menu, not a list of fish in an aquarium. | 0:34:02 | 0:34:04 | |
We are very keen to promote what's in our local environment | 0:34:04 | 0:34:07 | |
and celebrate our own marine life, | 0:34:07 | 0:34:09 | |
such as these lovely cuckoo wrasse here, | 0:34:09 | 0:34:11 | |
which are absolutely beautiful, which may be not so well known. | 0:34:11 | 0:34:15 | |
There are creatures of every size here, from enchanting anemones | 0:34:15 | 0:34:19 | |
to sharks and rays, which the aquarium also has a hand in breeding | 0:34:19 | 0:34:24 | |
and eventually releasing back into the sea. | 0:34:24 | 0:34:27 | |
Now, though, it is time for something very special. | 0:34:27 | 0:34:31 | |
Have a look at that view! | 0:34:33 | 0:34:35 | |
Oh! Up here on the roof, | 0:34:35 | 0:34:37 | |
you really can enjoy what this part of the world has to offer. | 0:34:37 | 0:34:40 | |
Incredible. | 0:34:40 | 0:34:42 | |
But we're not here to take in the vista. | 0:34:42 | 0:34:44 | |
We're here because it's feeding time. | 0:34:44 | 0:34:46 | |
-Claire, you have the all-important fish food. -Absolutely. | 0:34:46 | 0:34:49 | |
This is lunch for some of our fish in our main tank here. | 0:34:49 | 0:34:52 | |
We've got a lovely mix today. It's a bit slimy. | 0:34:52 | 0:34:55 | |
-It's pungent, isn't it? -Yes. Scatter away. | 0:34:55 | 0:34:57 | |
So, we've got some sea bass piling in. | 0:35:00 | 0:35:02 | |
Some of the cod are looking interested. | 0:35:02 | 0:35:05 | |
-I know a lot of your fish have got names. -Yes. -Do they have characters? | 0:35:05 | 0:35:08 | |
You do get personalities. | 0:35:08 | 0:35:10 | |
For example, there's Jemima in there, the halibut, | 0:35:10 | 0:35:12 | |
and she is definitely a meanie. | 0:35:12 | 0:35:15 | |
-Really? -Yeah. | 0:35:15 | 0:35:16 | |
You know when she's coming for you when it goes dark overhead! | 0:35:16 | 0:35:19 | |
To make sure that none of the fish miss out, a team of divers go in | 0:35:19 | 0:35:23 | |
to hand-feed the ones that live at the bottom of the tank. | 0:35:23 | 0:35:26 | |
This means that the flatfish, | 0:35:26 | 0:35:27 | |
the turbot and the rays all get their fair share. | 0:35:27 | 0:35:31 | |
Oh, my word! | 0:35:33 | 0:35:35 | |
Lauren is literally hand-feeding that fish, isn't she? | 0:35:35 | 0:35:38 | |
That's Eric. He likes to come over and ride on her hand. | 0:35:38 | 0:35:41 | |
There's always something to look at. | 0:35:41 | 0:35:44 | |
They are all native species. | 0:35:44 | 0:35:46 | |
That is so impressive and, actually, | 0:35:46 | 0:35:48 | |
if you live here on the Moray Firth, | 0:35:48 | 0:35:50 | |
this is a way of really appreciating what is literally on your coastline. | 0:35:50 | 0:35:55 | |
-Definitely. -And look after it. | 0:35:55 | 0:35:56 | |
Yeah, that's really what we're all about here, | 0:35:56 | 0:35:59 | |
just trying to get the message out about how amazing | 0:35:59 | 0:36:02 | |
our own marine life is, how diverse it is. | 0:36:02 | 0:36:04 | |
You hear loads about coral reefs, and ours is just as interesting. | 0:36:04 | 0:36:08 | |
It's remarkable to see such variety of marine species, | 0:36:10 | 0:36:13 | |
all of them native to this fabulous stretch of coast. | 0:36:13 | 0:36:17 | |
Now, it's said that nothing is stronger than the bond | 0:36:23 | 0:36:26 | |
between owner and their dog, | 0:36:26 | 0:36:28 | |
and this is especially true in the farming community. | 0:36:28 | 0:36:31 | |
Today, Adam's looking to hone his skills to get the most | 0:36:31 | 0:36:34 | |
out of these amazing creatures. | 0:36:34 | 0:36:36 | |
With more than 1,000 sheep and 100 cattle on the farm, | 0:36:41 | 0:36:45 | |
my sheepdogs are a crucial companion. | 0:36:45 | 0:36:47 | |
They're out in the fields with me come rain or shine. | 0:36:47 | 0:36:50 | |
I've got three dogs out just now. | 0:36:50 | 0:36:54 | |
This is Millie, who's about eight years old. Still works quite well. | 0:36:54 | 0:36:58 | |
She's an Australian kelpie cross collie, and this is Meg. | 0:36:58 | 0:37:03 | |
Here, Meg. Meg. | 0:37:03 | 0:37:04 | |
She's about 11 now. Had a few operations and is really retired. | 0:37:04 | 0:37:08 | |
She was very good in her day. | 0:37:08 | 0:37:10 | |
HE WHISTLES | 0:37:10 | 0:37:12 | |
And this one is Peg. | 0:37:12 | 0:37:13 | |
She's seven, and by far my top working dog. | 0:37:13 | 0:37:17 | |
I took her on after her previous owner died suddenly. | 0:37:17 | 0:37:20 | |
Steve Barry did an amazing job with Peg, and even won trials with her. | 0:37:22 | 0:37:27 | |
They understood the same language, but I'm still trying to work it out. | 0:37:27 | 0:37:32 | |
HE WHISTLES | 0:37:32 | 0:37:33 | |
I've worked hard with her over the last couple of years, | 0:37:33 | 0:37:36 | |
but feel like I owe it to Steve to get the absolute best out of her. | 0:37:36 | 0:37:40 | |
Good girl. | 0:37:40 | 0:37:42 | |
Good girl. | 0:37:44 | 0:37:46 | |
Peg, lie down. Lie down. Lie down! | 0:37:46 | 0:37:49 | |
It's hard work, isn't it? You're a bit tired. | 0:37:51 | 0:37:54 | |
It's a little bit frustrating because I know Peg worked | 0:37:54 | 0:37:57 | |
so well for Steve, | 0:37:57 | 0:37:59 | |
and she's a brilliant little dog. The problem is me. | 0:37:59 | 0:38:02 | |
I'm not as good as she is, | 0:38:02 | 0:38:04 | |
so that's why I've got to go and see a man about a dog. Come on, Peg. | 0:38:04 | 0:38:08 | |
But not just any man. | 0:38:08 | 0:38:10 | |
When it comes to training collies, | 0:38:10 | 0:38:12 | |
he's the best in the business. | 0:38:12 | 0:38:14 | |
-COMMENTATOR: -'He's going to take it. Wallop. | 0:38:14 | 0:38:17 | |
'Good job. Good job.' | 0:38:17 | 0:38:19 | |
England! Well done, Dick. | 0:38:21 | 0:38:23 | |
A few months ago, Dick Roper, with his dog Will, | 0:38:27 | 0:38:30 | |
led the England team to victory | 0:38:30 | 0:38:32 | |
at the One Man And His Dog competition. | 0:38:32 | 0:38:35 | |
And with 40 years' experience in the game, I'm in safe hands. | 0:38:35 | 0:38:39 | |
'Before I get down to a masterclass, | 0:38:40 | 0:38:42 | |
'I'm keen to discover what makes a good working dog...' | 0:38:42 | 0:38:46 | |
My word, what a bundle of joy! | 0:38:46 | 0:38:48 | |
'..starting with what to look for in a puppy.' | 0:38:48 | 0:38:51 | |
-How do you choose a puppy? -They are all different characters. | 0:38:51 | 0:38:54 | |
As you can see, you've got brave ones, subservient ones. | 0:38:54 | 0:38:57 | |
I like one that's inquisitive, | 0:38:57 | 0:39:00 | |
I like one that's intelligent, I like the ones that draw to me, | 0:39:00 | 0:39:03 | |
because one thing that we can't do, as human beings, | 0:39:03 | 0:39:06 | |
we can't hide our characters from the dogs. | 0:39:06 | 0:39:08 | |
We can try and hide our characters from people, | 0:39:08 | 0:39:10 | |
but you can't hide them from the dog. | 0:39:10 | 0:39:12 | |
The dog will suss you out like that. | 0:39:12 | 0:39:14 | |
So, get a dog that likes you, | 0:39:14 | 0:39:16 | |
because if it doesn't like you to start with, it'll never like you! | 0:39:16 | 0:39:19 | |
That is the way it is. | 0:39:19 | 0:39:20 | |
There's a home for every puppy, really, | 0:39:20 | 0:39:22 | |
because every puppy suits somebody. | 0:39:22 | 0:39:24 | |
Can we see one running round the sheep? | 0:39:24 | 0:39:26 | |
Yes. I'll tell you what, we'll take Solo, | 0:39:26 | 0:39:28 | |
because Solo has been before. It could be chaos. It could be chaos. | 0:39:28 | 0:39:32 | |
First of all, what we have to do is get these in, back in the kennels. | 0:39:32 | 0:39:36 | |
Come on, boys. | 0:39:36 | 0:39:37 | |
HE WHISTLES | 0:39:37 | 0:39:39 | |
'Over the years, Dick has trained more than 100 dogs, | 0:39:39 | 0:39:43 | |
'all to a very high standard, | 0:39:43 | 0:39:45 | |
'so, if anyone can help me become a better handler, | 0:39:45 | 0:39:48 | |
'Dick is the man. | 0:39:48 | 0:39:49 | |
'He is using Pete, an experienced dog, | 0:39:49 | 0:39:52 | |
'to gather the sheep and keep them contained.' | 0:39:52 | 0:39:55 | |
Lie down. | 0:39:59 | 0:40:00 | |
'Then he's going to let Solo loose | 0:40:00 | 0:40:02 | |
'with the sheep for only the second time. | 0:40:02 | 0:40:05 | |
'Dick will try and keep him at the right distance from the flock, | 0:40:05 | 0:40:08 | |
'aided by a highly technological piece of kit.' | 0:40:08 | 0:40:11 | |
It is so lovely to see that puppy's natural instinct bursting into life. | 0:40:17 | 0:40:23 | |
Circling those sheep now. | 0:40:23 | 0:40:26 | |
ADAM LAUGHS | 0:40:28 | 0:40:30 | |
He's brilliant. | 0:40:30 | 0:40:32 | |
Good dog. Good boy. Good boy. | 0:40:33 | 0:40:35 | |
He's got it going one way and now he's stopped it | 0:40:37 | 0:40:40 | |
and he's turned it back, and it's now circling the other way. | 0:40:40 | 0:40:43 | |
You have to teach a dog both sides, its left and its right. | 0:40:43 | 0:40:46 | |
It's interesting now. | 0:40:50 | 0:40:51 | |
He's just brought the puppy into him, stopped it, and he stroked it | 0:40:51 | 0:40:54 | |
and told it it's a good dog and now he's let it go again, | 0:40:54 | 0:40:57 | |
so that every time it comes to him it doesn't think it's going to get | 0:40:57 | 0:41:00 | |
dragged off the sheep, it's allowed to work again. | 0:41:00 | 0:41:03 | |
-That was pretty impressive, Dick. -Whew! | 0:41:03 | 0:41:05 | |
He's got amazing potential, hasn't he? | 0:41:05 | 0:41:08 | |
-Great potential. A lovely character. -How old? | 0:41:08 | 0:41:11 | |
-18 weeks. -Incredible! | 0:41:11 | 0:41:13 | |
For this young character to go out there, second time to sheep, | 0:41:13 | 0:41:16 | |
oh, yeah, I'm out of breath, but it is so exciting for me. | 0:41:16 | 0:41:19 | |
It really is exciting. | 0:41:19 | 0:41:21 | |
That was brilliant, seeing that puppy being put through its paces. | 0:41:25 | 0:41:29 | |
Good girl, Peg. And Dick's so good with his dogs. | 0:41:29 | 0:41:31 | |
He really understands their psychology. | 0:41:31 | 0:41:34 | |
It's almost like he's inside their heads. | 0:41:34 | 0:41:36 | |
I just hope he can share a bit of his expertise with me, | 0:41:36 | 0:41:39 | |
and I can get this one going well. | 0:41:39 | 0:41:41 | |
Come on, then, Peg. | 0:41:41 | 0:41:43 | |
I tell you what, Dick, I'm quite nervous about this. | 0:41:45 | 0:41:48 | |
As my sheepdog trialling idol, I'm ready for this tirade of abuse | 0:41:48 | 0:41:51 | |
coming out of your mouth, how useless I am. | 0:41:51 | 0:41:55 | |
I've seen you work on the television, Adam, | 0:41:55 | 0:41:57 | |
and there's definitely room for improvement, | 0:41:57 | 0:42:00 | |
but this isn't Dragons' Den, OK? | 0:42:00 | 0:42:01 | |
It's a sheepdog trialling lesson. | 0:42:01 | 0:42:03 | |
-Peg, here. Good girl. -OK. What shall I do? Put her through her paces? | 0:42:03 | 0:42:07 | |
Yeah, put her through her paces and I'll listen to you | 0:42:07 | 0:42:10 | |
-and have a chat with you afterwards. -OK. | 0:42:10 | 0:42:12 | |
Away. | 0:42:13 | 0:42:15 | |
'Firstly, I'm asking Peg to bring the sheep towards me, | 0:42:15 | 0:42:18 | |
'and then I am showcasing my ability with her... | 0:42:18 | 0:42:21 | |
'or lack of it, as the case may be.' | 0:42:21 | 0:42:23 | |
Lie down. | 0:42:26 | 0:42:28 | |
Peg, lie down. | 0:42:28 | 0:42:29 | |
I don't know what you think, Dick, | 0:42:29 | 0:42:32 | |
-but I struggle to stop her a bit at a distance. -I can see why. | 0:42:32 | 0:42:35 | |
HE WHISTLES | 0:42:35 | 0:42:36 | |
Lie down. Lie down. | 0:42:36 | 0:42:38 | |
You're talking to her like you would talk to a lady. | 0:42:38 | 0:42:41 | |
You're being very gentle with her. | 0:42:41 | 0:42:43 | |
She's taking your voice commands exceptionally well, | 0:42:43 | 0:42:46 | |
left and right spot-on, but when she's not stopping, | 0:42:46 | 0:42:48 | |
you've got to give her a command to stop, which is an order. | 0:42:48 | 0:42:52 | |
It's not an ask. It is, "You will stop." | 0:42:52 | 0:42:54 | |
In fact, she's working really well for you. | 0:42:54 | 0:42:56 | |
But when you come to give the stop command, | 0:42:56 | 0:42:58 | |
it is exactly the same. | 0:42:58 | 0:42:59 | |
You give it very, very gently. Instead of giving this... | 0:42:59 | 0:43:02 | |
HE WHISTLES SHARPLY | 0:43:02 | 0:43:03 | |
..you should be giving it to her as... | 0:43:03 | 0:43:05 | |
HE WHISTLES LONG, LOUD DESCENDING NOTE | 0:43:05 | 0:43:07 | |
-OK? -"STOP!" | 0:43:07 | 0:43:09 | |
And she just did. | 0:43:09 | 0:43:10 | |
THEY LAUGH | 0:43:10 | 0:43:12 | |
Dogs don't understand the words that you say. | 0:43:12 | 0:43:14 | |
They only understand the tone and the shape of the word, | 0:43:14 | 0:43:17 | |
so it's like music to them. | 0:43:17 | 0:43:20 | |
OK? What you've got to do is make the music slightly different. | 0:43:20 | 0:43:24 | |
You need the note to be higher and sharper. | 0:43:24 | 0:43:27 | |
Come by. | 0:43:27 | 0:43:29 | |
HE WHISTLES | 0:43:35 | 0:43:36 | |
-HE WHISTLES -Lie down! | 0:43:38 | 0:43:39 | |
Lie down. | 0:43:44 | 0:43:45 | |
And, Adam, one thing, one thing. | 0:43:45 | 0:43:48 | |
These hands you use, OK? | 0:43:48 | 0:43:51 | |
You don't use them for a dog, OK? | 0:43:51 | 0:43:53 | |
So you don't need to be telling it to lie down. | 0:43:53 | 0:43:55 | |
-It's always the voice, OK? -OK. -She's doing very well. | 0:43:55 | 0:43:57 | |
She's not looking at you, she's ignoring you. | 0:43:57 | 0:44:00 | |
-She's working perfectly without me. -That's right. -I'll sit in the car! | 0:44:00 | 0:44:04 | |
-HE WHISTLES -And with a couple of pointers... | 0:44:09 | 0:44:12 | |
Good. | 0:44:12 | 0:44:13 | |
-..whistling louder... -HE WHISTLES | 0:44:13 | 0:44:15 | |
..and with a different tone, I feel like I'm really onto something. | 0:44:15 | 0:44:19 | |
Come-bye, come-bye! | 0:44:19 | 0:44:20 | |
THEY LAUGH | 0:44:20 | 0:44:21 | |
You've put them in your pocket. | 0:44:21 | 0:44:24 | |
She's absolutely top-class. | 0:44:28 | 0:44:30 | |
That passion and knowledge that Dick has got | 0:44:31 | 0:44:33 | |
when it comes to working sheep dogs is just extraordinary. | 0:44:33 | 0:44:36 | |
And so infectious. | 0:44:36 | 0:44:37 | |
I totally get it, though. | 0:44:37 | 0:44:40 | |
My perfect moment, even though it sounds a bit corny, | 0:44:40 | 0:44:42 | |
is moving a flock of ewes and lambs across a flower meadow | 0:44:42 | 0:44:45 | |
in the spring with my dog. | 0:44:45 | 0:44:47 | |
And so I'm really excited about getting home | 0:44:47 | 0:44:49 | |
and putting into practice some of the tips he has given me, | 0:44:49 | 0:44:52 | |
and hopefully Peg and I will be an even stronger team. | 0:44:52 | 0:44:55 | |
Earlier I went on the hunt for the elusive Scottish wildcat, | 0:45:00 | 0:45:04 | |
one of our most endangered animals. | 0:45:04 | 0:45:07 | |
The hills and glens of Aberdeenshire are one of its last outposts. | 0:45:07 | 0:45:13 | |
But their numbers are dwindling | 0:45:13 | 0:45:14 | |
and the biggest threat to their survival is interbreeding. | 0:45:14 | 0:45:18 | |
Wildcats have been breeding with feral and stray cats. | 0:45:20 | 0:45:24 | |
This has been diluting the gene pool, | 0:45:24 | 0:45:26 | |
resulting in fewer and fewer purebred animals. | 0:45:26 | 0:45:31 | |
So Scottish Wildcat Action | 0:45:31 | 0:45:34 | |
is tackling the problem. | 0:45:34 | 0:45:35 | |
They are trapping feral cats and having them neutered. | 0:45:35 | 0:45:39 | |
Emma Rawling from the group | 0:45:39 | 0:45:41 | |
is keen to tell me more. | 0:45:41 | 0:45:44 | |
I know them individually and I'm | 0:45:44 | 0:45:45 | |
going to make darn sure I get those ones neutered this winter. | 0:45:45 | 0:45:48 | |
Wow! You are like a feline bounty hunter. | 0:45:48 | 0:45:50 | |
-SHE LAUGHS -A little bit! | 0:45:50 | 0:45:52 | |
'Emma is taking me to one of her traps inside an old barn | 0:45:52 | 0:45:55 | |
'where a number of feral cats have recently been caught.' | 0:45:55 | 0:45:59 | |
Mind your footing here. | 0:45:59 | 0:46:02 | |
Mind the old wire. | 0:46:02 | 0:46:04 | |
A bit of barbed wire. | 0:46:04 | 0:46:06 | |
We don't want any human neutering going on, do we? | 0:46:06 | 0:46:08 | |
THEY LAUGH | 0:46:08 | 0:46:09 | |
Right. | 0:46:09 | 0:46:11 | |
-(Quiet.) -(OK.) | 0:46:12 | 0:46:14 | |
(In case there's a cat.) | 0:46:14 | 0:46:15 | |
(Fingers crossed.) | 0:46:17 | 0:46:19 | |
It doesn't look like we've been lucky again this morning. | 0:46:22 | 0:46:25 | |
-No? -Oh, sorry. | 0:46:25 | 0:46:27 | |
It's a pity because this trap actually caught a cat | 0:46:27 | 0:46:30 | |
two nights ago. | 0:46:30 | 0:46:31 | |
Two nights ago? | 0:46:31 | 0:46:32 | |
Yes, a big female cat that we took off to the local vets | 0:46:32 | 0:46:35 | |
and had neutered and vaccinated and everything | 0:46:35 | 0:46:37 | |
and I released here on Wednesday morning. | 0:46:37 | 0:46:39 | |
And then the vet would knock them out before... | 0:46:39 | 0:46:41 | |
That's right, so the whole process is designed to be as little in terms | 0:46:41 | 0:46:45 | |
of actually handling the cat as possible, | 0:46:45 | 0:46:48 | |
so it's not too stressful for the cat. | 0:46:48 | 0:46:50 | |
And it's not too dangerous for us, cos feral cats | 0:46:50 | 0:46:52 | |
can really be very fierce and quite savage when they are cornered. | 0:46:52 | 0:46:56 | |
Basically, the transfer cage enables the vet to give it an injection, | 0:46:56 | 0:46:59 | |
make it sedated and sleepy | 0:46:59 | 0:47:02 | |
before they even handle it. | 0:47:02 | 0:47:04 | |
Then once it's quiet they can be health-checked, weighed, | 0:47:04 | 0:47:06 | |
measured, vaccinated, | 0:47:06 | 0:47:08 | |
wormed and then given the neutering surgery. | 0:47:08 | 0:47:10 | |
And then popped back in the cage to wake up, | 0:47:10 | 0:47:12 | |
all without anyone having to get bitten. | 0:47:12 | 0:47:15 | |
'To tempt the strays, Emma baits the traps with tinned fish | 0:47:16 | 0:47:20 | |
'and catnip.' | 0:47:20 | 0:47:22 | |
Someone's eaten some of our bait, though. | 0:47:22 | 0:47:24 | |
Oh, really? That's good. So... | 0:47:24 | 0:47:26 | |
Shall we have a look and see who did the deed? | 0:47:26 | 0:47:28 | |
This could be exciting. SHE LAUGHS | 0:47:28 | 0:47:29 | |
What should go through this thing, a vole, a little mouse? | 0:47:29 | 0:47:32 | |
Probably mice, yeah. | 0:47:32 | 0:47:33 | |
There is one last night, | 0:47:33 | 0:47:35 | |
and there is a little vole just in the shot there. | 0:47:35 | 0:47:37 | |
-Where? -Just a little dark shape there. | 0:47:37 | 0:47:41 | |
Mousey has been in eating | 0:47:41 | 0:47:43 | |
our bait overnight, | 0:47:43 | 0:47:45 | |
-which is kind of good, because... -That's a food source for cats. | 0:47:45 | 0:47:48 | |
..if you think about it it's a food source for the cats, spot on. | 0:47:48 | 0:47:52 | |
Probably one of the reasons that the cat is attracted to the barn. | 0:47:52 | 0:47:56 | |
There we go. | 0:47:56 | 0:47:57 | |
So, nothing today, then? | 0:48:04 | 0:48:06 | |
No, sadly not. | 0:48:06 | 0:48:08 | |
You never know, it really is just a matter of luck. | 0:48:08 | 0:48:11 | |
But we will keep persisting. | 0:48:11 | 0:48:13 | |
As we know, wildcats are less than a mile from here. | 0:48:13 | 0:48:16 | |
It's crucial that we get on top of this problem | 0:48:16 | 0:48:19 | |
and try and minimise the risk to our wild cats. | 0:48:19 | 0:48:21 | |
For you personally, what do wildcats mean to you? | 0:48:21 | 0:48:24 | |
I think the wildcat is probably emblematic of everything | 0:48:24 | 0:48:26 | |
that's special about Scotland. It's elusive, | 0:48:26 | 0:48:29 | |
it's beautiful. | 0:48:29 | 0:48:31 | |
Incredibly tough. | 0:48:31 | 0:48:33 | |
And for me personally, | 0:48:33 | 0:48:35 | |
I'm on a bit of a quest to see if I can play my part | 0:48:35 | 0:48:37 | |
in saving the species. | 0:48:37 | 0:48:39 | |
I'm certainly going to give it every last ounce of my effort. | 0:48:39 | 0:48:41 | |
(Wait!) | 0:48:43 | 0:48:44 | |
(Did you see that? Get down, get down, get down.) | 0:48:44 | 0:48:47 | |
(Can you see it just over there?) | 0:48:47 | 0:48:49 | |
(I'm sure I saw one.) | 0:48:49 | 0:48:50 | |
(Remember this is an area where the cats are coming up and down.) | 0:48:50 | 0:48:53 | |
(Let's see if we can get a bit closer.) | 0:48:53 | 0:48:55 | |
(There it is!) | 0:48:55 | 0:48:57 | |
Ooh, yes! | 0:48:57 | 0:48:58 | |
I've got one. Not a cat, | 0:48:58 | 0:49:01 | |
but the Countryfile calendar. | 0:49:01 | 0:49:03 | |
Of course! Now, last year, | 0:49:03 | 0:49:05 | |
this raised over £2 million for Children in Need. | 0:49:05 | 0:49:09 | |
I'm sure this year we can do even better, | 0:49:09 | 0:49:12 | |
and here's how you can get yours. | 0:49:12 | 0:49:15 | |
It cost £9.50, including free UK delivery. | 0:49:15 | 0:49:19 | |
You can go to our website where you will find a link to the order page. | 0:49:19 | 0:49:24 | |
Or you can phone the order line on... | 0:49:24 | 0:49:26 | |
If you prefer to order by post, | 0:49:34 | 0:49:36 | |
then send your name, address and a cheque to... | 0:49:36 | 0:49:39 | |
A minimum of £4 from the sale of each calendar | 0:49:51 | 0:49:54 | |
will be donated to BBC Children in Need. | 0:49:54 | 0:49:57 | |
I'm on the north coast of Aberdeenshire, | 0:50:09 | 0:50:11 | |
finding out how locals had been preserving the heritage of this | 0:50:11 | 0:50:14 | |
coastline and looking after the marine species that live here. | 0:50:14 | 0:50:18 | |
Now, I'm off to meet someone who is preserving life here | 0:50:20 | 0:50:23 | |
in a very different way. | 0:50:23 | 0:50:26 | |
Brian Angus is a local artist | 0:50:26 | 0:50:28 | |
who sketches all along this coast. | 0:50:28 | 0:50:31 | |
He specialises in lino cuts, | 0:50:31 | 0:50:33 | |
a bold printing method he uses | 0:50:33 | 0:50:35 | |
to capture in striking detail | 0:50:35 | 0:50:37 | |
the places and the people that live here. | 0:50:37 | 0:50:40 | |
Talk to me about this part of the world, then, Brian, | 0:50:40 | 0:50:43 | |
because it is beautiful. | 0:50:43 | 0:50:45 | |
What makes it so good to paint and draw and sketch? | 0:50:45 | 0:50:48 | |
For me it's the drama of the landscape | 0:50:48 | 0:50:50 | |
is quite marvellous. | 0:50:50 | 0:50:52 | |
Combined with the way that people have built their houses | 0:50:52 | 0:50:54 | |
in the villages into the landscape. | 0:50:54 | 0:50:57 | |
And it's got that combination of the man-made and the natural | 0:50:57 | 0:51:00 | |
which is quite engaging for me. | 0:51:00 | 0:51:02 | |
So it all starts with a sketch? | 0:51:02 | 0:51:04 | |
Is there another bit around here that we could have a go at? | 0:51:04 | 0:51:07 | |
I can see you're pretty well on with this one. | 0:51:07 | 0:51:09 | |
We can go and find a place we can do some sketching, | 0:51:09 | 0:51:11 | |
or take some photographs, and go from there. | 0:51:11 | 0:51:13 | |
Can we find something easy for me to sketch? | 0:51:13 | 0:51:15 | |
-That's what we've got to do, Brian. It needs to be beginners. -OK. | 0:51:15 | 0:51:18 | |
What are you looking for when you're looking for something to sketch? | 0:51:20 | 0:51:24 | |
I'm looking for a good compositional shape | 0:51:24 | 0:51:27 | |
and here we've got the pathway going away from us, | 0:51:27 | 0:51:30 | |
giving a sense of depth and distance. | 0:51:30 | 0:51:32 | |
And the way the houses go into the distance, is well. | 0:51:32 | 0:51:35 | |
It's a nice combination of movement in the space there. | 0:51:35 | 0:51:38 | |
Brian, I'll do you a deal. | 0:51:38 | 0:51:39 | |
-I'll take the photos if you do the sketch. -OK. | 0:51:39 | 0:51:42 | |
You'd like to think I couldn't get this wrong. | 0:51:42 | 0:51:44 | |
HE GIGGLES | 0:51:44 | 0:51:45 | |
That's so quick! | 0:51:48 | 0:51:50 | |
It's cos I'm freezing, that's why. | 0:51:50 | 0:51:53 | |
'Time, then, to go back to a nice, warm studio, I think.' | 0:51:53 | 0:51:58 | |
So, is this one of the photos that I took? | 0:51:58 | 0:52:01 | |
Yep, I just printed out one of these photographs. | 0:52:01 | 0:52:03 | |
-And we're going to take a section of it... -OK. | 0:52:03 | 0:52:05 | |
..and what we do is | 0:52:05 | 0:52:07 | |
put some tracing paper over it | 0:52:07 | 0:52:09 | |
and we draw the areas we want to include in the picture. | 0:52:09 | 0:52:13 | |
'The tracing is transferred to a lino print block | 0:52:13 | 0:52:16 | |
'and we mark which bits to cut away to leave our image.' | 0:52:16 | 0:52:19 | |
But use that as a support and what we're going to use are these, | 0:52:19 | 0:52:23 | |
and these are woodcut tools and they all have slightly different shapes. | 0:52:23 | 0:52:26 | |
That's a little U. | 0:52:26 | 0:52:28 | |
-I would start with that one. -OK. | 0:52:28 | 0:52:31 | |
It's like picking a golf club, isn't it? | 0:52:31 | 0:52:33 | |
Scoop out every bit | 0:52:33 | 0:52:36 | |
from there, that's right. | 0:52:36 | 0:52:38 | |
You have to look at it in minute detail, because | 0:52:38 | 0:52:41 | |
you are not making a big, broad sweep with a brush. | 0:52:41 | 0:52:45 | |
You're cutting out the fine detail one little cut at a time. | 0:52:45 | 0:52:48 | |
I guess it makes you think about what is out there | 0:52:48 | 0:52:51 | |
in terms of the landscape and what | 0:52:51 | 0:52:52 | |
you can see in a different way, doesn't it? | 0:52:52 | 0:52:54 | |
Because I'm going to look at those buildings in a different way now. | 0:52:54 | 0:52:57 | |
'So, with darkness falling, | 0:52:57 | 0:52:59 | |
'in the interests of speed, | 0:52:59 | 0:53:01 | |
'I hand it back to the expert. | 0:53:01 | 0:53:03 | |
'We are doing this simple print in an hour or so, | 0:53:03 | 0:53:06 | |
' but some of Brian's more detailed images take up | 0:53:06 | 0:53:08 | |
'to a week of cutting.' | 0:53:08 | 0:53:10 | |
We get this nice and even on the roller. | 0:53:10 | 0:53:12 | |
And then your job | 0:53:12 | 0:53:15 | |
is to cover that over. | 0:53:15 | 0:53:17 | |
Well, I think that looks really good. | 0:53:19 | 0:53:21 | |
I don't mean to blow our own trumpet, | 0:53:21 | 0:53:23 | |
but you're really good at this, Brian. | 0:53:23 | 0:53:25 | |
'The finished print is transferred to paper | 0:53:25 | 0:53:28 | |
'using a Victorian book press.' | 0:53:28 | 0:53:30 | |
Turn that round, nice and tight. | 0:53:30 | 0:53:32 | |
-How tight? -As far as you can. -OK. | 0:53:32 | 0:53:35 | |
It's a good core workout, isn't it? | 0:53:36 | 0:53:39 | |
All right, that's fine. | 0:53:39 | 0:53:41 | |
I'm nervous but excited. | 0:53:42 | 0:53:44 | |
Da-da! | 0:53:46 | 0:53:47 | |
Well, I think that's pretty impressive for an afternoon's work. | 0:53:49 | 0:53:52 | |
I think you should be very proud of that. | 0:53:52 | 0:53:54 | |
I don't want to sound arrogant but I am. | 0:53:54 | 0:53:57 | |
I'm rubbish at art! Everyone laughs at me. See? | 0:53:57 | 0:54:01 | |
A bit of tracing, a bit of help and look which you can create. | 0:54:01 | 0:54:04 | |
Brilliant. | 0:54:04 | 0:54:05 | |
"A bit of help." 99.9% of this was made by Brian. | 0:54:05 | 0:54:09 | |
'And there it is, a moment preserved in time | 0:54:10 | 0:54:12 | |
'in this timeless setting.' | 0:54:12 | 0:54:15 | |
Well, the setting may be timeless, but sadly we are not. | 0:54:15 | 0:54:18 | |
That's all we've got time for today | 0:54:18 | 0:54:20 | |
but daylight is running out for Joe, as well. | 0:54:20 | 0:54:24 | |
Yes, and no sighting of the elusive wildcat here today. | 0:54:24 | 0:54:27 | |
But great to know that every effort is being made | 0:54:27 | 0:54:30 | |
to save the last of them. | 0:54:30 | 0:54:32 | |
Next week we are at Bamburgh Castle in Northumberland | 0:54:32 | 0:54:34 | |
where there will be festive cheer aplenty | 0:54:34 | 0:54:37 | |
as the team get-together for a Countryfile Christmas special. | 0:54:37 | 0:54:40 | |
We'll see you then. | 0:54:40 | 0:54:42 |