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Buckinghamshire, a green and pleasant land. | 0:00:29 | 0:00:32 | |
The sweeping slopes of the Chilterns and ancient, | 0:00:32 | 0:00:34 | |
mystical woodlands as old as the hills. | 0:00:34 | 0:00:37 | |
Treasured by many for its luscious landscape, but there was one | 0:00:39 | 0:00:42 | |
remarkable family who adored and shaped this county like no other. | 0:00:42 | 0:00:46 | |
And I'll be learning more about their lasting legacy. | 0:00:46 | 0:00:50 | |
Ellie's taking a stroll in a deep, dark wood. | 0:00:50 | 0:00:53 | |
I'm on the trail of a magical, | 0:00:55 | 0:00:56 | |
monstrous creature that's rarely seen in the wild. | 0:00:56 | 0:01:01 | |
He's behind you, Ellie! | 0:01:01 | 0:01:02 | |
But something else is heading for these woodlands, | 0:01:04 | 0:01:06 | |
as Tom's been finding out. | 0:01:06 | 0:01:09 | |
Britain's new high-speed train, HS2, is on its final approach, | 0:01:09 | 0:01:13 | |
and, for those here in Buckinghamshire and beyond | 0:01:13 | 0:01:16 | |
who believe it will harm our countryside, time is running out. | 0:01:16 | 0:01:21 | |
So, how will it affect our landscape and our wildlife? | 0:01:21 | 0:01:25 | |
I'll be investigating. | 0:01:25 | 0:01:27 | |
And Adam's on a mission back at the beautiful Balmoral Estate. | 0:01:27 | 0:01:31 | |
Now that Eric, my Highland bull, is out of action, | 0:01:32 | 0:01:35 | |
I'm looking for a replacement, | 0:01:35 | 0:01:37 | |
and it's a great honour to be invited back to the Queen's | 0:01:37 | 0:01:40 | |
summer residence, here in Scotland, to help me find a replacement. | 0:01:40 | 0:01:44 | |
I like the look of that little calf but...bit young yet. | 0:01:44 | 0:01:47 | |
Wide chalk valleys meet golden beech woodlands. | 0:02:01 | 0:02:05 | |
A patchwork of pure Englishness. | 0:02:07 | 0:02:10 | |
The rolling Chilterns slope gently to the Vale of Aylesbury below. | 0:02:13 | 0:02:18 | |
Of all of the landowners in Buckinghamshire, there was | 0:02:18 | 0:02:21 | |
one family, in particular, that had more impact on the landscape | 0:02:21 | 0:02:24 | |
than any other, the Rothschilds. | 0:02:24 | 0:02:26 | |
In fact, they owned so much of this county, | 0:02:26 | 0:02:29 | |
it was often referred to as Rothschildshire. | 0:02:29 | 0:02:32 | |
They owned a whopping seven manors in the county, | 0:02:34 | 0:02:36 | |
all thanks to the profits from their huge banking dynasty. | 0:02:36 | 0:02:40 | |
In the 19th century, this lot were one of the richest | 0:02:40 | 0:02:43 | |
and most powerful families in Europe. | 0:02:43 | 0:02:46 | |
How the other half live, eh?! | 0:02:47 | 0:02:49 | |
Today, I'm exploring Waddesdon Manor, | 0:02:50 | 0:02:53 | |
the country home of Ferdinand de Rothschild, | 0:02:53 | 0:02:56 | |
an avid art collector and one-time high sheriff of Buckinghamshire. | 0:02:56 | 0:03:00 | |
Senior Curator Pippa Shirley is telling me all about him. | 0:03:00 | 0:03:04 | |
So, Pippa, Ferdinand, he didn't inherit this house at all, did he? | 0:03:04 | 0:03:08 | |
It was simply him loving the landscape | 0:03:08 | 0:03:11 | |
-and wanting a large piece of it. -Absolutely! | 0:03:11 | 0:03:13 | |
Absolutely...and when he started here, there was nothing, | 0:03:13 | 0:03:16 | |
he had a completely bare hill. | 0:03:16 | 0:03:17 | |
-Right. -But he wanted to live in Buckinghamshire | 0:03:17 | 0:03:20 | |
because he needed a country house and various members of the family | 0:03:20 | 0:03:23 | |
had already built in Buckinghamshire, so it was familiar. | 0:03:23 | 0:03:26 | |
Ferdinand spied the site whilst out hunting and started from scratch. | 0:03:26 | 0:03:30 | |
Literally, chopping the top off the hill. | 0:03:30 | 0:03:33 | |
Sculpting elaborate driveways, terraced gardens | 0:03:33 | 0:03:37 | |
and the extravagant turreted chateau all in record time. | 0:03:37 | 0:03:41 | |
He buys the land in 1874 from the Duke of Marlborough, | 0:03:42 | 0:03:45 | |
so it's part of the Blenheim Estates. | 0:03:45 | 0:03:47 | |
And then the foundation stone is laid in 1877 | 0:03:47 | 0:03:49 | |
and it's slept in for the first time in 1880. | 0:03:49 | 0:03:52 | |
Disraeli, the Prime Minister who visited | 0:03:52 | 0:03:55 | |
while the house was under construction, famously went | 0:03:55 | 0:03:58 | |
back to London and said that in his view the Almighty would have | 0:03:58 | 0:04:00 | |
achieved the creation of the world in less than seven days | 0:04:00 | 0:04:03 | |
if he'd had the assistance of the Rothschilds. | 0:04:03 | 0:04:05 | |
Was this his permanent home? | 0:04:05 | 0:04:07 | |
No, no, this is a weekend cottage, essentially. | 0:04:07 | 0:04:11 | |
This is used at weekends and the summer. | 0:04:11 | 0:04:13 | |
-Wow! -And he brings...he uses it for house parties. | 0:04:13 | 0:04:16 | |
So, he brings friends, family, | 0:04:16 | 0:04:18 | |
it's kind of a gathering spot for his political, his social circle. | 0:04:18 | 0:04:22 | |
So, the Prince of Wales, the future Edward VII, comes here a lot. | 0:04:22 | 0:04:26 | |
We've got wonderful photographs of him sitting on that very terrace. | 0:04:26 | 0:04:29 | |
Erm, and Queen Victoria famously came, | 0:04:29 | 0:04:32 | |
we think because she was curious about what her son got up to... | 0:04:32 | 0:04:35 | |
Right. | 0:04:35 | 0:04:36 | |
..during these famous house parties, | 0:04:36 | 0:04:38 | |
when the wine flowed and the food was fantastic. | 0:04:38 | 0:04:41 | |
Waddesdon Manor was a perfect playground for Ferdinand | 0:04:41 | 0:04:44 | |
but it also gave him opportunities to improve the lives of others. | 0:04:44 | 0:04:47 | |
He transformed the village of Waddesdon, with new houses for | 0:04:47 | 0:04:51 | |
employees and tenants. | 0:04:51 | 0:04:52 | |
He built the reading room, a school, a village hall and a hotel. | 0:04:52 | 0:04:56 | |
He even piped in pure, clean drinking water from the Chilterns. | 0:04:56 | 0:05:01 | |
What a character in the area, then. | 0:05:01 | 0:05:04 | |
Yes, and very much respected | 0:05:04 | 0:05:06 | |
and, I think, loved, even, in the area, | 0:05:06 | 0:05:08 | |
but he's quite kind of a complex personality, Ferdinand, | 0:05:08 | 0:05:12 | |
in lots of ways, | 0:05:12 | 0:05:14 | |
and I think there's quite a strong sense of melancholy that runs | 0:05:14 | 0:05:17 | |
through his character, which partly goes back to the fact that, | 0:05:17 | 0:05:20 | |
you know, he lost his wife, Evelina, after only a year of marriage. | 0:05:20 | 0:05:23 | |
The building of Waddesdon and the ploughing of his energies | 0:05:23 | 0:05:26 | |
into this place is partly because he never gets over her loss. | 0:05:26 | 0:05:30 | |
He grieves for her for the whole of his life, really. | 0:05:30 | 0:05:34 | |
So, Ferdinand's tragic loss became Buckinghamshire's gain. | 0:05:34 | 0:05:38 | |
His was a labour of love that left behind not just | 0:05:38 | 0:05:41 | |
the magnificent manor but a vision for the whole area | 0:05:41 | 0:05:44 | |
that remains to this day. | 0:05:44 | 0:05:46 | |
Now, few of the locals would have a problem with | 0:05:46 | 0:05:48 | |
the impact the Rothschilds had on this landscape but the same | 0:05:48 | 0:05:52 | |
can not be said for the plans for Britain's latest high-speed train. | 0:05:52 | 0:05:57 | |
Since the Industrial Revolution railways have been | 0:06:00 | 0:06:03 | |
part of our rural landscape and now there could be one more. | 0:06:03 | 0:06:08 | |
The plan is for a high-speed rail line, HS2, | 0:06:08 | 0:06:11 | |
to run from London to Birmingham and beyond, | 0:06:11 | 0:06:14 | |
potentially bringing economic | 0:06:14 | 0:06:16 | |
and transport benefits to the whole country. | 0:06:16 | 0:06:20 | |
The bill to enable phase one of HS2 has just passed its latest | 0:06:20 | 0:06:24 | |
vote in Parliament with overwhelming cross-party support, | 0:06:24 | 0:06:28 | |
so it's on the home straight towards becoming reality. | 0:06:28 | 0:06:32 | |
It's a controversial plan, | 0:06:32 | 0:06:33 | |
some say the economic case for the new train simply doesn't add up. | 0:06:33 | 0:06:38 | |
But tonight we're looking at how to manage the environmental impact of a | 0:06:38 | 0:06:42 | |
line which would run through some of England's most idyllic countryside. | 0:06:42 | 0:06:46 | |
Matt Jackson is from the Berks, Bucks and Oxon Wildlife Trust. | 0:06:46 | 0:06:50 | |
-Hi, Matt, I've found you in your hide, good to see you. -Well done, hi! | 0:06:50 | 0:06:54 | |
-So what can you spy out there today? -I'm afraid there's not a lot. | 0:06:54 | 0:06:57 | |
It's more butterfly action than bird action this morning. | 0:06:57 | 0:07:00 | |
The high-speed line will follow the route of a little-used | 0:07:00 | 0:07:03 | |
railway on the eastern edge of Calvert Jubilee, | 0:07:03 | 0:07:06 | |
a former clay pit and municipal waste tip that's been reclaimed | 0:07:06 | 0:07:10 | |
by nature and is now an important reserve for birds and butterflies. | 0:07:10 | 0:07:15 | |
So what are the species you're most proud of here? | 0:07:15 | 0:07:19 | |
We've got things like turtledoves, | 0:07:19 | 0:07:21 | |
we've had a lesser spotted woodpecker recorded in recent weeks. | 0:07:21 | 0:07:23 | |
Don't just gloss over the turtledoves, | 0:07:23 | 0:07:25 | |
they're pretty rare in our countryside now, aren't they? | 0:07:25 | 0:07:28 | |
Turtledoves are very rare! | 0:07:28 | 0:07:29 | |
And what impact do you think High Speed Two would have on them? | 0:07:29 | 0:07:32 | |
The turtledoves, unfortunately, are almost certain to go. | 0:07:32 | 0:07:35 | |
The train line's going to come straight through the scrub | 0:07:35 | 0:07:38 | |
that they've been nesting in. | 0:07:38 | 0:07:40 | |
What do you think are the big wildlife impacts, | 0:07:40 | 0:07:42 | |
sort of, along the length of High Speed 2? | 0:07:42 | 0:07:44 | |
Well, across that area, from London to Birmingham, | 0:07:44 | 0:07:47 | |
you'd be surprised just how varied our countryside is. | 0:07:47 | 0:07:49 | |
So, through the Chilterns, for instance, | 0:07:49 | 0:07:52 | |
it's going to carve through ancient woodlands. | 0:07:52 | 0:07:54 | |
Here in the Aylesbury Vale, | 0:07:54 | 0:07:55 | |
it's carving through an area called the Bernwood Forrest. | 0:07:55 | 0:07:58 | |
And if I were to look out of here in, let's say, ten or 15 years' time, | 0:07:58 | 0:08:01 | |
when it's all up and running, how different would it be? | 0:08:01 | 0:08:04 | |
Erm, the lake itself will not be affected, | 0:08:04 | 0:08:07 | |
so that will stay the same. | 0:08:07 | 0:08:08 | |
What will be different is that you'll be looking out | 0:08:08 | 0:08:10 | |
on a very changed landscape at the far end of the reserve. | 0:08:10 | 0:08:13 | |
It's going to have security fencing | 0:08:13 | 0:08:15 | |
and of course the big difference is going to be the noise. | 0:08:15 | 0:08:17 | |
Not only of the trains but there's going to be a maintenance depot | 0:08:17 | 0:08:20 | |
just off the side of the nature reserve here, | 0:08:20 | 0:08:22 | |
that's operating 24/7 once the trains are up and running. | 0:08:22 | 0:08:25 | |
So, the tranquillity that makes it | 0:08:25 | 0:08:27 | |
so popular for the bird watchers will have evaporated? | 0:08:27 | 0:08:30 | |
Yes, it'll have gone. | 0:08:30 | 0:08:31 | |
Its use as a quiet spot in the countryside for people to come | 0:08:31 | 0:08:35 | |
and enjoy, that's going to be gone forever. | 0:08:35 | 0:08:37 | |
HS2 Limited, the company owned | 0:08:40 | 0:08:42 | |
and set up by the government to build the line, knows that its | 0:08:42 | 0:08:46 | |
management of the project is under the microscope. | 0:08:46 | 0:08:48 | |
Peter Miller is in charge of the plans to minimise | 0:08:50 | 0:08:53 | |
and compensate for the line's impact on the environment. | 0:08:53 | 0:08:58 | |
Overall, do you think the environment will be | 0:08:58 | 0:09:00 | |
harmed by the building of High Speed 2? | 0:09:00 | 0:09:03 | |
We've spent a great deal of time thinking about the impact | 0:09:03 | 0:09:07 | |
of the railway and, of course, a long linear | 0:09:07 | 0:09:11 | |
piece of infrastructure will, inevitably, have an effect | 0:09:11 | 0:09:14 | |
on the natural environment. | 0:09:14 | 0:09:16 | |
I gather, overall, you've got this phrase | 0:09:16 | 0:09:18 | |
"no net loss" of bio-diversity. | 0:09:18 | 0:09:21 | |
So, overall...that nature won't lose. | 0:09:21 | 0:09:23 | |
I wonder if you can explain that a bit, how it works in practice? | 0:09:23 | 0:09:26 | |
Our approach is to think along the lines of "no net loss", | 0:09:26 | 0:09:30 | |
so that we're able to maintain the habitat for species | 0:09:30 | 0:09:36 | |
but those habitats will occur elsewhere, alongside the railway. | 0:09:36 | 0:09:40 | |
What, you're trying to recreate that similar habitat somewhere | 0:09:40 | 0:09:43 | |
away from where you're going to destroy it? | 0:09:43 | 0:09:46 | |
Yes, that's right. | 0:09:46 | 0:09:47 | |
That means that those species can migrate into the new habitats. | 0:09:47 | 0:09:50 | |
We think that's going to be a | 0:09:50 | 0:09:52 | |
really effective plan for helping bio-diversity. | 0:09:52 | 0:09:55 | |
HS2 has already taken on board | 0:09:55 | 0:09:57 | |
some of the criticisms about its plan by modifying the line's route. | 0:09:57 | 0:10:02 | |
In the Chilterns Area of Outstanding Natural Beauty, for example, | 0:10:02 | 0:10:06 | |
they've extended a tunnel. | 0:10:06 | 0:10:08 | |
But just down the road, the proposed route brings the trains out | 0:10:08 | 0:10:12 | |
of another tunnel, right in the heart of a centuries-old, ancient woodland, | 0:10:12 | 0:10:16 | |
called Mantle's Wood. | 0:10:16 | 0:10:18 | |
Perhaps we can start by showing the minimum track width along any | 0:10:18 | 0:10:21 | |
part of the route, and what that takes up, we can measure that out. | 0:10:21 | 0:10:24 | |
-And that width is? -We believe it's 22 metres, that's the standard bit. -OK. | 0:10:24 | 0:10:29 | |
-Tell me when to stop. -Will do. | 0:10:29 | 0:10:32 | |
Richard Barnes from the Woodland Trust is showing me | 0:10:32 | 0:10:36 | |
how wide the actual track will be. | 0:10:36 | 0:10:39 | |
-Am I getting close? -A bit more. | 0:10:39 | 0:10:42 | |
That's it. | 0:10:42 | 0:10:44 | |
So, this is the bare minimum | 0:10:44 | 0:10:45 | |
but the scar could actually be far wider, in reality. | 0:10:45 | 0:10:49 | |
Yes, and in this particular woodland, an ancient woodland, | 0:10:49 | 0:10:51 | |
it's actually going to take out a total of six hectares, | 0:10:51 | 0:10:54 | |
which is the biggest individual loss at anywhere along the line. | 0:10:54 | 0:10:56 | |
Wow! | 0:10:56 | 0:10:58 | |
With the route, as it stands, | 0:10:58 | 0:10:59 | |
phase one will run through at least 27 areas of ancient woodland. | 0:10:59 | 0:11:04 | |
What is so great about ancient woodland for you? | 0:11:04 | 0:11:07 | |
One of the ways of imagining it is that they're like our natural | 0:11:07 | 0:11:10 | |
cathedrals and castles. | 0:11:10 | 0:11:11 | |
They're our, sort of, cultural heritage, | 0:11:11 | 0:11:14 | |
they've been around for so long and they're irreplaceable. | 0:11:14 | 0:11:16 | |
One of the ideas I've heard is that you can actually move | 0:11:16 | 0:11:19 | |
some of the soil of an ancient woodland and even the root balls | 0:11:19 | 0:11:22 | |
of trees and take them to a new place | 0:11:22 | 0:11:26 | |
and you've taken a lot of the benefit with you, is that true? | 0:11:26 | 0:11:29 | |
That's not really true. | 0:11:29 | 0:11:30 | |
I think, at best, it's a salvage operation of last resort | 0:11:30 | 0:11:34 | |
when you know you're going to lose the woodland. | 0:11:34 | 0:11:36 | |
Ancient woodland is irreplaceable, you can not translocate it. | 0:11:36 | 0:11:39 | |
You're at best moving the soils and some of the components in the soil. | 0:11:39 | 0:11:42 | |
From the soil to the treetops, a woodland like this is a unique | 0:11:42 | 0:11:46 | |
eco-system supporting a huge variety of plants and wildlife. | 0:11:46 | 0:11:51 | |
It's not just animals that are out and about now that could suffer. | 0:11:51 | 0:11:56 | |
These woods are also home to some very rare creatures of the night, | 0:11:56 | 0:12:00 | |
as Ellie's been finding out. | 0:12:00 | 0:12:03 | |
I'm in another ancient woodland just a few miles from Tom | 0:12:06 | 0:12:10 | |
and there is something rather enchanting | 0:12:10 | 0:12:13 | |
and mysterious about this place. | 0:12:13 | 0:12:15 | |
Finemere Woods has this thrilling atmosphere as a very old | 0:12:17 | 0:12:20 | |
and very wild place, which supports its rich mosaic of insects, | 0:12:20 | 0:12:25 | |
birds and mammals. | 0:12:25 | 0:12:27 | |
I'm meeting Matt Dodds, Bio-diversity Officer | 0:12:30 | 0:12:33 | |
from Aylesbury Vale Council to tell me more about one very | 0:12:33 | 0:12:36 | |
special mammal that has made this woodland its home. | 0:12:36 | 0:12:39 | |
So, Matt, what are we hoping to see here today? | 0:12:39 | 0:12:42 | |
Well, we're here to look at the bats. | 0:12:42 | 0:12:44 | |
Erm, we've been developing a bat monitoring project in the woodland. | 0:12:44 | 0:12:47 | |
We've found out that it's one of the most important | 0:12:47 | 0:12:49 | |
woods in the country for bats. | 0:12:49 | 0:12:51 | |
Particularly, some very rare bats. | 0:12:51 | 0:12:53 | |
Matt and his colleague, Hannah Bilston, | 0:12:54 | 0:12:57 | |
set up the North Bucks Bat Trust | 0:12:57 | 0:12:59 | |
12 years ago to examine the way specialist woodland bats | 0:12:59 | 0:13:02 | |
use bat boxes in an ancient woodland setting. | 0:13:02 | 0:13:05 | |
So, we've used these five different types of bat boxes | 0:13:07 | 0:13:10 | |
and found that these two, the biggest boxes, | 0:13:10 | 0:13:13 | |
these seem to be the boxes that the bats really prefer. | 0:13:13 | 0:13:17 | |
Possibly because they do like congregating in these really | 0:13:17 | 0:13:20 | |
big maternity roost groups. | 0:13:20 | 0:13:22 | |
What have you discovered about their roosting routine? | 0:13:22 | 0:13:25 | |
So, from doing the experiments and doing box checks, radio tracking, | 0:13:25 | 0:13:29 | |
we've also had temperature sensors installed within the boxes, | 0:13:29 | 0:13:33 | |
we've found on average they're sort of in the boxes | 0:13:33 | 0:13:36 | |
maybe for between three and five days and then they switch | 0:13:36 | 0:13:40 | |
and maybe go into a tree in the wood or maybe into another bat box. | 0:13:40 | 0:13:45 | |
But they're more reliant on the tree roost than | 0:13:45 | 0:13:47 | |
they actually are the other bat boxes. | 0:13:47 | 0:13:50 | |
And how about their numbers, how are they doing? | 0:13:50 | 0:13:52 | |
The numbers are relatively stable. | 0:13:52 | 0:13:53 | |
There's good numbers of Natterer's and brown long-eareds, | 0:13:53 | 0:13:56 | |
different colonies of the two species using the wood. | 0:13:56 | 0:13:59 | |
They're a very charismatic animal, very alluring. | 0:13:59 | 0:14:02 | |
They are, they're such an interesting species to study, | 0:14:02 | 0:14:04 | |
yeah, they're fascinating. | 0:14:04 | 0:14:06 | |
-Is there any way that I can have a look for some? -Absolutely, yeah! | 0:14:06 | 0:14:09 | |
Bat expert Matt is going to show me how to get to grips with this. | 0:14:11 | 0:14:15 | |
Talk me through this kit then, Matt. | 0:14:15 | 0:14:17 | |
-So, this is a receiver. -OK, how does it work? | 0:14:17 | 0:14:20 | |
Er, well, there's a transmitter attached to the bat, | 0:14:20 | 0:14:23 | |
just between its shoulder blades, | 0:14:23 | 0:14:25 | |
and that emits a little pulse of sound, about once a second, and then | 0:14:25 | 0:14:28 | |
we can follow that pulse of noise back to where the bat is roosting. | 0:14:28 | 0:14:31 | |
It must be hard to get something onto a bat, | 0:14:31 | 0:14:33 | |
-they're tiny, aren't they? -Yeah, it's a tiny little transmitter | 0:14:33 | 0:14:35 | |
and it fits just between their shoulder blades, | 0:14:35 | 0:14:37 | |
so it doesn't interfere with them too much and it's not too disturbing. | 0:14:37 | 0:14:40 | |
That sticks on with special glue, | 0:14:40 | 0:14:42 | |
which then falls off after about 14 days. | 0:14:42 | 0:14:44 | |
Oh, so it's not on them for very long, then? | 0:14:44 | 0:14:46 | |
No, no, it's designed to do that, | 0:14:46 | 0:14:47 | |
-so that it minimises the disturbance to the bat. -Great! | 0:14:47 | 0:14:50 | |
Shall we try and find one? | 0:14:50 | 0:14:51 | |
-Yup, OK. -Switch it on! | 0:14:51 | 0:14:53 | |
-There you go. -They must be within range. | 0:14:55 | 0:14:57 | |
Yeah, we're pretty close. | 0:14:57 | 0:14:59 | |
There we go, let's get the kit going on. | 0:14:59 | 0:15:01 | |
So, wherever it's quiet. | 0:15:01 | 0:15:03 | |
-It's quiet that way so it's sort of louder this way. -Yeah. | 0:15:03 | 0:15:05 | |
Straight down there, I think. | 0:15:05 | 0:15:08 | |
It's quite difficult in woodland cos the noise changes | 0:15:09 | 0:15:14 | |
depending on what's in the way. | 0:15:14 | 0:15:17 | |
-Bouncing off trees. -Exactly. -So it can get quite confusing. | 0:15:17 | 0:15:20 | |
-This is addictive, this, isn't it? -It is. | 0:15:21 | 0:15:23 | |
This is good. | 0:15:28 | 0:15:30 | |
I found it. | 0:15:30 | 0:15:32 | |
Well done. | 0:15:32 | 0:15:33 | |
It's just stuffed in that woodpecker hole up there, the entrance. | 0:15:33 | 0:15:36 | |
Oh, perfect. You're going to stick a tiny camera in there? | 0:15:36 | 0:15:39 | |
-Yeah, a tiny little camera, yeah. -How amazing. | 0:15:39 | 0:15:42 | |
It's quite a long way up. | 0:15:42 | 0:15:44 | |
I can see them, I can see them. Bechstein's bat. | 0:15:47 | 0:15:50 | |
-Can you see them? -Oh, yes! | 0:15:51 | 0:15:54 | |
-That's not easy to see. -No. -How many are we seeing there? | 0:15:54 | 0:15:56 | |
It's probably about four in shot there, | 0:15:56 | 0:15:59 | |
all hanging upside down looking directly down at the endoscope. | 0:15:59 | 0:16:02 | |
So we're looking up the tree. | 0:16:02 | 0:16:04 | |
Yeah, exactly, | 0:16:04 | 0:16:05 | |
up to where they're roosting at the very top of the feature. | 0:16:05 | 0:16:08 | |
It's one of the first times we've filmed them in their roost. | 0:16:08 | 0:16:10 | |
That's fantastic. What a great piece of kit. | 0:16:10 | 0:16:13 | |
-That was amazing. -Yeah, fantastic. -I've never seen Bechsteins before. | 0:16:15 | 0:16:19 | |
Not many people have. They're extremely rare bats. | 0:16:19 | 0:16:21 | |
Do you see any threats to these bats in the future? | 0:16:21 | 0:16:24 | |
Well, they should be relatively secure. | 0:16:24 | 0:16:26 | |
The only problem is HS2, which is | 0:16:26 | 0:16:29 | |
a massive project which is going to bisect the three or four woodlands | 0:16:29 | 0:16:33 | |
that they occur in at the moment, | 0:16:33 | 0:16:35 | |
so we're really worried about the impact of that. | 0:16:35 | 0:16:37 | |
'With that in mind, the bat group are recording the behaviour | 0:16:37 | 0:16:40 | |
'of the bats, so that disturbances in the future can be monitored.' | 0:16:40 | 0:16:45 | |
So, as the dusk falls on Finemere Woods, the birds, bees and | 0:16:45 | 0:16:48 | |
butterflies are settling down for the night | 0:16:48 | 0:16:51 | |
and hopefully the bats are coming out to play. | 0:16:51 | 0:16:54 | |
Unfortunately, so too are the midges, so I'm going to need this. | 0:16:54 | 0:16:59 | |
'This is the first summer survey for this team, | 0:17:02 | 0:17:04 | |
'who are all licensed to handle these delicate creatures. | 0:17:04 | 0:17:07 | |
'The first thing they need to do | 0:17:07 | 0:17:09 | |
'is set up the eight-metre high mist net. | 0:17:09 | 0:17:12 | |
'And, as the sun sets, it's not long before we find our first bat.' | 0:17:13 | 0:17:17 | |
Got a Bechstein's. | 0:17:19 | 0:17:20 | |
It's amazing to be this close to it. | 0:17:20 | 0:17:22 | |
This is one of the rarest mammals in Europe. | 0:17:22 | 0:17:25 | |
-So this is one that we've ringed before. -This is one of yours already. | 0:17:25 | 0:17:29 | |
-It's rung on the left wing, which means it's a female. -OK. | 0:17:29 | 0:17:32 | |
'Although the bat has already been ringed, | 0:17:32 | 0:17:35 | |
'Matt and the team are hoping to radio tag it as well. | 0:17:35 | 0:17:38 | |
'For this to happen, the bat needs to be a certain weight, | 0:17:38 | 0:17:41 | |
'with the tag weighing no more than 5% of its body weight.' | 0:17:41 | 0:17:45 | |
-So that's eight grams. That's fine. -So we get to see the tag going on? | 0:17:46 | 0:17:49 | |
-Yeah, we can get a tag on. -Oh, marvellous. | 0:17:49 | 0:17:51 | |
So you're covering up the head here. | 0:17:51 | 0:17:53 | |
Yes, I'm just covering up the head, just to stop them struggling. | 0:17:53 | 0:17:55 | |
Yeah, keep them nice and calm. | 0:17:55 | 0:17:57 | |
Now, I'm just finding the gap between the shoulder blades there. | 0:17:57 | 0:18:00 | |
Why are they so rare? | 0:18:00 | 0:18:02 | |
They are completely dependent on ancient woodland, | 0:18:02 | 0:18:04 | |
but, as ancient woodland has got smaller and smaller and smaller, | 0:18:04 | 0:18:07 | |
so the numbers of Bechsteins have got smaller and smaller. | 0:18:07 | 0:18:11 | |
Tags are really tiny, | 0:18:11 | 0:18:13 | |
so we just snip off enough to just slightly expose the skin. | 0:18:13 | 0:18:16 | |
I'm holding my breath. | 0:18:18 | 0:18:20 | |
So nerve-racking! | 0:18:20 | 0:18:22 | |
'And with the tag firmly in place, it's time for its release, | 0:18:24 | 0:18:28 | |
'and, as we don't want to disturb the bat any further, | 0:18:28 | 0:18:30 | |
'it's lights off. | 0:18:30 | 0:18:33 | |
'Let's hope Matt, Hannah and the group get all the information | 0:18:33 | 0:18:36 | |
'they need from this exceptionally rare creature.' | 0:18:36 | 0:18:39 | |
Wow! | 0:18:42 | 0:18:45 | |
What an honour to hold that Bechstein | 0:18:45 | 0:18:47 | |
and release it back into freedom. | 0:18:47 | 0:18:49 | |
One of the rarest mammals in Europe. | 0:18:49 | 0:18:52 | |
That was great. | 0:18:52 | 0:18:53 | |
I just hope that they can cope with whatever upheaval comes their way | 0:18:53 | 0:18:57 | |
and go on to flourish. | 0:18:57 | 0:18:59 | |
Amazing. | 0:18:59 | 0:19:01 | |
As we've heard, the biggest upheaval those Bechstein bats | 0:19:04 | 0:19:07 | |
are liable to face in the foreseeable future is the coming of HS2. | 0:19:07 | 0:19:12 | |
The wood where they live is just a couple of hundreds yards | 0:19:12 | 0:19:15 | |
across a wildlife meadow from a little-used, single-track railway | 0:19:15 | 0:19:20 | |
that's the proposed route of the new high-speed line. | 0:19:20 | 0:19:23 | |
The line doesn't run through the woods, | 0:19:23 | 0:19:25 | |
but the bats depend on foraging across a much wider area to survive, | 0:19:25 | 0:19:30 | |
frequently flying along these hedge lines. | 0:19:30 | 0:19:32 | |
Local naturalists believe the new HS2 running through will | 0:19:32 | 0:19:35 | |
act like a barrier and could threaten local extinction. | 0:19:35 | 0:19:39 | |
Habitat fragmentation is a problem for bats, | 0:19:39 | 0:19:43 | |
birds and butterflies all along the line. | 0:19:43 | 0:19:46 | |
HS2 has spent a lot of time | 0:19:47 | 0:19:49 | |
and effort making plans to minimise the impact on the environment. | 0:19:49 | 0:19:54 | |
Plans which are documented in its environmental statement. | 0:19:54 | 0:19:58 | |
This is it. More than 50,000 pages of it. | 0:19:59 | 0:20:03 | |
Thankfully, we didn't have to print it off for ourselves, but some people | 0:20:03 | 0:20:07 | |
have read it all and quite a few of them think it's not detailed enough. | 0:20:07 | 0:20:12 | |
Although the high-speed line has cross-party support in Parliament, | 0:20:12 | 0:20:16 | |
because of its potential economic and transport benefits, | 0:20:16 | 0:20:19 | |
the Commons Environmental Audit Committee is among those who believe | 0:20:19 | 0:20:24 | |
that HS2's environmental statement leaves a little to be desired. | 0:20:24 | 0:20:28 | |
The Committee is chaired by Labour MP Joan Walley. | 0:20:28 | 0:20:32 | |
What do you think about High Speed 2's environmental statement? | 0:20:32 | 0:20:35 | |
We don't think that the environmental statement done | 0:20:35 | 0:20:38 | |
so far by HS2 is really fit for purpose. | 0:20:38 | 0:20:41 | |
40% of the land affected has still not been properly surveyed, | 0:20:41 | 0:20:46 | |
so how can you reach conclusions out of that, | 0:20:46 | 0:20:49 | |
when you don't have a full audit of the environmental biodiversity | 0:20:49 | 0:20:53 | |
that we're talking about? | 0:20:53 | 0:20:55 | |
Are the funds put aside for the environment protected? | 0:20:55 | 0:20:58 | |
If at a later stage, for example, | 0:20:58 | 0:21:00 | |
there's going to be huge cutbacks to HS2 | 0:21:00 | 0:21:02 | |
because it's not affordable, | 0:21:02 | 0:21:04 | |
our report really wants to make sure that those cuts will not | 0:21:04 | 0:21:07 | |
really be felt in terms of the work that should be | 0:21:07 | 0:21:10 | |
spent on environmental protection. | 0:21:10 | 0:21:12 | |
There needs to be clear forms of accountability, I believe, | 0:21:12 | 0:21:15 | |
for that to actually happen, | 0:21:15 | 0:21:17 | |
and it's not there in the detail that it needs to be at the moment. | 0:21:17 | 0:21:21 | |
'So what does HS2 Limited make of the Audit Committee's report?' | 0:21:21 | 0:21:26 | |
Do you think the Environmental Audit Committee's criticisms | 0:21:26 | 0:21:28 | |
were unjustified? | 0:21:28 | 0:21:30 | |
I think the Environmental Audit Committee's comments | 0:21:30 | 0:21:35 | |
were very welcomed. | 0:21:35 | 0:21:37 | |
Really? You like being told off? | 0:21:37 | 0:21:40 | |
I don't think we were told off. | 0:21:40 | 0:21:41 | |
I think what's interesting about that is that being | 0:21:41 | 0:21:45 | |
scrutinised in that way is really important. | 0:21:45 | 0:21:47 | |
The emphasis that has been | 0:21:47 | 0:21:48 | |
provided from the Environmental Audit Committee actually is | 0:21:48 | 0:21:51 | |
providing some guidance for us going forward and I think that's useful. | 0:21:51 | 0:21:54 | |
The Environmental Audit Committee has said you need more stringent | 0:21:54 | 0:21:58 | |
enforceable standards on the impact on the natural world. | 0:21:58 | 0:22:03 | |
Do you agree? | 0:22:03 | 0:22:04 | |
The commitments, | 0:22:04 | 0:22:05 | |
the undertakings that we will make before Parliament will be binding. | 0:22:05 | 0:22:09 | |
I think that's a really important thing for people to understand. | 0:22:09 | 0:22:13 | |
Because it is binding, we will have to deliver on our plans. | 0:22:13 | 0:22:16 | |
I gather you can avoid some environmental safeguards | 0:22:16 | 0:22:20 | |
if you deem them impractical or unreasonable. | 0:22:20 | 0:22:23 | |
Who's deciding that? | 0:22:23 | 0:22:24 | |
These plans will be scrutinised by a special Parliamentary Select | 0:22:24 | 0:22:28 | |
Committee and through that process, those plans will be confirmed. | 0:22:28 | 0:22:33 | |
'One of the big green selling points of HS2 is the potential to | 0:22:34 | 0:22:39 | |
'reduce carbon emissions by getting people out of their cars | 0:22:39 | 0:22:42 | |
'but the Environmental Audit Committee was also | 0:22:42 | 0:22:45 | |
'concerned that those benefits would be limited | 0:22:45 | 0:22:48 | |
'until the electricity it uses will become carbon neutral.' | 0:22:48 | 0:22:52 | |
But whatever HS2 does to help the environment, | 0:22:54 | 0:22:57 | |
for some people there will still be a downside. | 0:22:57 | 0:23:00 | |
Looking after rural Britain is about much more than | 0:23:01 | 0:23:04 | |
caring for biodiversity. | 0:23:04 | 0:23:07 | |
Along most of the route of the line, | 0:23:07 | 0:23:09 | |
it isn't ancient forest or even havens for wildlife. | 0:23:09 | 0:23:14 | |
It's this. Farmland. | 0:23:14 | 0:23:17 | |
The plans for habitat creation mean valuable agricultural land | 0:23:17 | 0:23:22 | |
won't just be lost on the line itself. | 0:23:22 | 0:23:25 | |
A major concern for the National Farmers Union. | 0:23:25 | 0:23:28 | |
Quite often it can be raining, it can be frosty, | 0:23:30 | 0:23:33 | |
foggy up on these hills. | 0:23:33 | 0:23:35 | |
'Robert Brown's family has been farming this land for a century. | 0:23:35 | 0:23:39 | |
'The proposed route of HS2 runs right through it.' | 0:23:39 | 0:23:43 | |
-This line is about to run, I guess, where we're standing now. -Right. | 0:23:43 | 0:23:48 | |
Um, and it runs through the block of 88 acres of winter wheat. | 0:23:48 | 0:23:55 | |
-Through that wood there? -It goes through this wood here. | 0:23:55 | 0:23:57 | |
So that's a pretty big impact on your farm. | 0:23:57 | 0:23:59 | |
Is that the only impact, the actual line itself? | 0:23:59 | 0:24:02 | |
No, it's not the only impact. | 0:24:02 | 0:24:03 | |
HS2 came out two weeks before Christmas | 0:24:03 | 0:24:07 | |
and sat us round our kitchen table with maps, | 0:24:07 | 0:24:09 | |
saying they were going to tip | 0:24:09 | 0:24:13 | |
1.93 million tonnes of spoil on our farm. | 0:24:13 | 0:24:17 | |
And it's going where? Describe what it will look like. | 0:24:17 | 0:24:21 | |
It's actually going from where the farm yard starts, | 0:24:21 | 0:24:24 | |
on level hay-making fields, | 0:24:24 | 0:24:26 | |
up to a plateau where the line of trees are, as ski slopes. | 0:24:26 | 0:24:30 | |
They're going to go up to about nine metres high apparently | 0:24:30 | 0:24:33 | |
and then down to this railway line here. | 0:24:33 | 0:24:35 | |
What do you feel about that in here? | 0:24:35 | 0:24:38 | |
It's just a complete nightmare to me. It's a complete nightmare. | 0:24:38 | 0:24:41 | |
I try not to think about it because, you know, | 0:24:41 | 0:24:44 | |
all what we've worked for all these years and got what we got here | 0:24:44 | 0:24:48 | |
and they just want to wipe it out with a train line. | 0:24:48 | 0:24:51 | |
I'm just totally devastated. I really am. | 0:24:51 | 0:24:54 | |
Farmers and landowners along the route will be compensated for | 0:24:55 | 0:24:59 | |
the loss of their land, but, as we've heard, it's not just about economics. | 0:24:59 | 0:25:03 | |
Whether we're talking about farmers or biodiversity, for many, | 0:25:03 | 0:25:07 | |
the big concern is surviving the upheaval. | 0:25:07 | 0:25:10 | |
The final decision on HS2 will be taken by our MPs next year, | 0:25:10 | 0:25:15 | |
but it looks likely, | 0:25:15 | 0:25:17 | |
and most environmental groups have shifted to damage limitation mode, | 0:25:17 | 0:25:21 | |
ensuring there's enough money, expertise and political will | 0:25:21 | 0:25:26 | |
to make this massive infrastructure project as benign as possible. | 0:25:26 | 0:25:30 | |
Elsewhere in Buckinghamshire, I'm looking at the effect of one family | 0:25:32 | 0:25:36 | |
on an entire landscape - the Rothschilds. | 0:25:36 | 0:25:40 | |
Waddesdon Manor was the vision of Ferdinand de Rothschild, | 0:25:40 | 0:25:43 | |
who loved this bit of the county so much, he bought it. | 0:25:43 | 0:25:46 | |
But the family legacy runs much deeper than the wonder of Waddesdon. | 0:25:46 | 0:25:51 | |
For a start, there was cousin Walter | 0:25:51 | 0:25:53 | |
and he was quite a guy! | 0:25:53 | 0:25:56 | |
Yep, that's him riding the giant tortoise, | 0:25:56 | 0:25:59 | |
as he set up the zoological museum round the corner in Tring. | 0:25:59 | 0:26:02 | |
His zebra-drawn carriage was probably down the vet's for its MOT. | 0:26:02 | 0:26:06 | |
Now, it's cousin Charles whose work in the early 1900s protects | 0:26:06 | 0:26:10 | |
the British landscape as we know it today. | 0:26:10 | 0:26:12 | |
I'm finding out more from Stephanie Hilborne of the Wildlife Trust. | 0:26:12 | 0:26:16 | |
Charles founded the nature conservation. | 0:26:16 | 0:26:18 | |
He founded what became the Wildlife Trust | 0:26:18 | 0:26:20 | |
and he was the first person, a real pioneer, at looking | 0:26:20 | 0:26:23 | |
scientifically at our whole country to find the best places for wildlife. | 0:26:23 | 0:26:27 | |
So how did they find these special places? | 0:26:27 | 0:26:29 | |
Interestingly, he did it rather like we do it now, which is | 0:26:29 | 0:26:32 | |
you combine science | 0:26:32 | 0:26:34 | |
and look at it from an overview national perspective, with going out. | 0:26:34 | 0:26:38 | |
He put an article in the Times | 0:26:38 | 0:26:39 | |
and got all the local natural history societies to go out | 0:26:39 | 0:26:42 | |
and find these places and then he brought in his mates, | 0:26:42 | 0:26:45 | |
like Neville Chamberlain, who became the Prime Minister | 0:26:45 | 0:26:48 | |
and the Speaker of the House of Commons, | 0:26:48 | 0:26:50 | |
and everybody was engaged in looking for these sites. | 0:26:50 | 0:26:53 | |
You know, in the end they came up with 284 of the best. | 0:26:53 | 0:26:56 | |
'The places they found became | 0:26:56 | 0:26:58 | |
'the UK's Sites of Special Scientific Interest. | 0:26:58 | 0:27:01 | |
'In uncovering these, they found one species at risk | 0:27:01 | 0:27:04 | |
'which was particular to the Chilterns.' | 0:27:04 | 0:27:07 | |
People filled in these forms. I've got one of them here. | 0:27:07 | 0:27:10 | |
Questionnaires, are they? | 0:27:10 | 0:27:12 | |
Yeah, a little questionnaire, which seems a bit simplistic now, | 0:27:12 | 0:27:15 | |
but was asking why this place was special, and they discovered | 0:27:15 | 0:27:19 | |
this amazing boxwood, the best boxwood probably in the country. | 0:27:19 | 0:27:23 | |
And boxes depend incredibly on the Chilterns as an area. | 0:27:23 | 0:27:27 | |
It needs chalk and limestone. | 0:27:27 | 0:27:30 | |
This is a stronghold for the box. | 0:27:30 | 0:27:32 | |
And so, having decided they would save it, it says, | 0:27:32 | 0:27:35 | |
for instance, that, | 0:27:35 | 0:27:36 | |
"We would charge the trustees with this pious duty of its preservation." | 0:27:36 | 0:27:39 | |
Well, the question is, was Charles recognised for his efforts? | 0:27:39 | 0:27:42 | |
John has been to find out. | 0:27:42 | 0:27:45 | |
The gentle ups and sweeping downs of the Chilterns. | 0:27:49 | 0:27:53 | |
It's an Area of Outstanding Natural Beauty | 0:27:53 | 0:27:55 | |
and one of the most heavily-wooded places in Britain. | 0:27:55 | 0:27:58 | |
And hidden within these woods there's a rare treasure of nature. | 0:28:04 | 0:28:07 | |
The remnants of a species of tree which is rooted in our history, | 0:28:07 | 0:28:12 | |
but which most of us know nothing about. | 0:28:12 | 0:28:15 | |
It's been largely forgotten | 0:28:15 | 0:28:17 | |
and now it's in very real danger. | 0:28:17 | 0:28:20 | |
The box tree. | 0:28:20 | 0:28:23 | |
There are only three officially recognised native box | 0:28:23 | 0:28:26 | |
woodlands in the UK. | 0:28:26 | 0:28:28 | |
They thrive on the chalky conditions found at Box Hill in Surrey, | 0:28:28 | 0:28:33 | |
the Ashridge Estate in Hertfordshire | 0:28:33 | 0:28:35 | |
and the largest stronghold of the three, here in the Chilterns. | 0:28:35 | 0:28:40 | |
A pretty rare place in this country. A box tree wood. | 0:28:40 | 0:28:44 | |
Yes, it's quite unusual to see box growing like this. | 0:28:44 | 0:28:47 | |
'Sarah Wright is from the Box Woodland Regeneration Project, | 0:28:47 | 0:28:51 | |
'which aims to preserve and champion this often overlooked tree.' | 0:28:51 | 0:28:55 | |
It's very slow growing. | 0:28:55 | 0:28:58 | |
It's got a very dense hard wood as a result. | 0:28:58 | 0:29:01 | |
The bark, you can see, is quite distinctive. | 0:29:01 | 0:29:03 | |
Yes, almost like a scale, isn't it? Like crocodile skin. | 0:29:03 | 0:29:08 | |
How old do you think it is? | 0:29:08 | 0:29:10 | |
Well, what we can do to estimate the age of a tree is | 0:29:10 | 0:29:12 | |
we can use a forester's tape. | 0:29:12 | 0:29:14 | |
-A forester's tape you put round the tree at breast height... -Right. | 0:29:14 | 0:29:20 | |
..and it converts the circumference to the diameter for us. | 0:29:20 | 0:29:23 | |
Five centimetre diameters is equivalent to 100 years of growth. | 0:29:23 | 0:29:27 | |
-That's telling us that it's 13 centimetres' diameter. -Yeah. | 0:29:27 | 0:29:31 | |
-That's approximately 200 to 250 years old. -Goodness me. -Yeah. | 0:29:31 | 0:29:37 | |
So it's been here all this time in a bit of woodland | 0:29:37 | 0:29:39 | |
that's been largely forgotten. | 0:29:39 | 0:29:41 | |
Very much so. | 0:29:41 | 0:29:42 | |
The timber of this rather unassuming tree is | 0:29:44 | 0:29:47 | |
regarded as one of the best for carving because it's so hard. | 0:29:47 | 0:29:51 | |
Many woodwind instruments used to be made from box. | 0:29:54 | 0:29:57 | |
Local lacemakers use boxwood bobbins to produce intricate | 0:30:00 | 0:30:05 | |
Bucks Point lace. | 0:30:05 | 0:30:07 | |
And, if you're a chess player, | 0:30:07 | 0:30:09 | |
you may have unwittingly found yourself in a Chilterns checkmate. | 0:30:09 | 0:30:13 | |
There's one industry that boxwood revolutionised - printing. | 0:30:14 | 0:30:19 | |
Thomas Bewick was an English engraver famous for carving | 0:30:19 | 0:30:23 | |
illustrations on to boxwood blocks, | 0:30:23 | 0:30:25 | |
used alongside metal type to produce pictures and words on the same page. | 0:30:25 | 0:30:30 | |
It's a technique used to this day by illustrator Chris Warmoll. | 0:30:31 | 0:30:35 | |
I became a fan of Thomas Bewick when I was a very young boy | 0:30:35 | 0:30:38 | |
because my father had this book filled with pictures of animals | 0:30:38 | 0:30:43 | |
and birds which I thought were fantastic. | 0:30:43 | 0:30:46 | |
Although they look incredibly detailed and complicated, | 0:30:46 | 0:30:49 | |
the process, once you get going, is actually fairly fast. | 0:30:49 | 0:30:53 | |
Boxwood is the ideal medium for making wood engravings because | 0:30:58 | 0:31:03 | |
it's very hard, but also very smooth | 0:31:03 | 0:31:07 | |
and has a very consistent grain | 0:31:07 | 0:31:09 | |
so that you can cut away nice, clean cut marks. | 0:31:09 | 0:31:13 | |
Almost like drawing, the way I'm doing here. | 0:31:13 | 0:31:16 | |
I actually enjoy engraving country scenes, animals and birds, | 0:31:19 | 0:31:23 | |
and countryside. | 0:31:23 | 0:31:24 | |
All the things that Bewick did. | 0:31:24 | 0:31:27 | |
Boxwood is an unsung hero of our craft heritage, | 0:31:37 | 0:31:41 | |
but for how much longer will it be around? | 0:31:41 | 0:31:44 | |
A disease called box blight is damaging what limited stocks we have. | 0:31:44 | 0:31:49 | |
It's a major concern for Liz Beale from the RHS. | 0:31:49 | 0:31:52 | |
What are the tell-tale signs? | 0:31:52 | 0:31:54 | |
What you can look for are the black streaking, which are the | 0:31:54 | 0:31:58 | |
lesions of the fungus on the stems and the leaf markings here as well. | 0:31:58 | 0:32:03 | |
So you get a leaf spot. | 0:32:03 | 0:32:05 | |
You also see defoliation coming up from the base | 0:32:05 | 0:32:08 | |
-and it can actually kill a mature tree. -So all the leaves disappear. | 0:32:08 | 0:32:12 | |
-It really is dieback, isn't it? -Yeah. | 0:32:12 | 0:32:14 | |
At the moment, there's not anything that can be done to eradicate it. | 0:32:14 | 0:32:17 | |
It's more managing the disease | 0:32:17 | 0:32:20 | |
and trying to limit its spread in this kind of environment. | 0:32:20 | 0:32:23 | |
For this young specimen, that means destroying the blighted | 0:32:24 | 0:32:27 | |
branches to avoid the disease spreading. | 0:32:27 | 0:32:30 | |
It tends to hit saplings the worst, so it's hard for trees to recover. | 0:32:30 | 0:32:34 | |
In a bid to restore this important part of the landscape, Sarah from the | 0:32:37 | 0:32:41 | |
Box Woodland Project is making the most of what the Chilterns HAVE got. | 0:32:41 | 0:32:46 | |
-What's happening here, Sarah? -I'm layering. | 0:32:46 | 0:32:50 | |
Layering is a way of creating new box plants. | 0:32:50 | 0:32:53 | |
I've dug a trench. | 0:32:53 | 0:32:54 | |
I've clipped the leaves off | 0:32:54 | 0:32:58 | |
and what I'm going to do now is just peg this down. | 0:32:58 | 0:33:02 | |
-You're pegging the branch down into the ground. -I am. | 0:33:02 | 0:33:05 | |
-This will keep the branch in the ground. -Right. | 0:33:05 | 0:33:08 | |
What we're doing here is we're mimicking what a tree | 0:33:10 | 0:33:13 | |
-naturally likes to do. -Right. | 0:33:13 | 0:33:15 | |
It creates a substantial plant very quickly. | 0:33:15 | 0:33:19 | |
When it comes to the autumn, | 0:33:19 | 0:33:22 | |
hopefully this will have rooted into the ground. | 0:33:22 | 0:33:25 | |
We'll be able to sever it from the parent plant and we will have... | 0:33:25 | 0:33:28 | |
-Created a brand-new little tree here? -Yeah. | 0:33:28 | 0:33:30 | |
The idea is that we're going to create Chiltern-sourced | 0:33:30 | 0:33:33 | |
native box plants that can be used for the restoration | 0:33:33 | 0:33:36 | |
and creation of new box woodlands in the Chilterns. | 0:33:36 | 0:33:39 | |
So the future might be OK for box trees round here? | 0:33:39 | 0:33:42 | |
Yes, we hope so, yeah. | 0:33:42 | 0:33:44 | |
-Let's hope that this little one survives the blight. -Definitely. | 0:33:44 | 0:33:48 | |
From boxwood in Buckinghamshire to bulls at Balmoral. | 0:33:58 | 0:34:03 | |
Adam's back in Aberdeenshire to find a new Highland. | 0:34:03 | 0:34:06 | |
'Last week, I was lucky enough to meet some of the Queen's beautiful | 0:34:08 | 0:34:11 | |
'Highland ponies, including a very sweet new arrival.' | 0:34:11 | 0:34:15 | |
First time up on his feet. He's a bit wobbly. | 0:34:16 | 0:34:19 | |
But this time I'm back for business. | 0:34:23 | 0:34:25 | |
A few months ago, | 0:34:26 | 0:34:28 | |
my lovely Highland bull Eric was no longer capable of doing his job. | 0:34:28 | 0:34:31 | |
I didn't have the heart to send him to slaughter, | 0:34:31 | 0:34:34 | |
so he's now retired at my sister's farm and I've got to find | 0:34:34 | 0:34:38 | |
a replacement for my lovely Highland girls back home. | 0:34:38 | 0:34:41 | |
But to follow in Eric's rather large footsteps, | 0:34:41 | 0:34:44 | |
he's got to be a good one. | 0:34:44 | 0:34:46 | |
Rugged good looks, great sense of humour and a loveable nature. | 0:34:49 | 0:34:54 | |
Lustrous red hair, broad shoulders, | 0:34:54 | 0:34:57 | |
firm body, sturdy legs. | 0:34:57 | 0:35:00 | |
But that's enough about me. Eric really is a bull with the X factor | 0:35:00 | 0:35:04 | |
and those are big hooves to fill. | 0:35:04 | 0:35:07 | |
So I wonder whether Her Majesty's Highlands will cut the mustard? | 0:35:07 | 0:35:10 | |
I know it's a long way to come for a stock bull | 0:35:10 | 0:35:12 | |
but last time I visited I was very impressed by the herd, | 0:35:12 | 0:35:16 | |
so I'm really keen to find out what they've got for sale. | 0:35:16 | 0:35:19 | |
Dochy Ormiston is stockman for the Queen's herd of Highland cattle. | 0:35:27 | 0:35:32 | |
I met him last time I was here during the winter months | 0:35:32 | 0:35:35 | |
and there's not much he doesn't know about this tough breed. | 0:35:35 | 0:35:38 | |
-Dochy, good to see you. -Hello, Adam, pleased to meet you again. | 0:35:41 | 0:35:44 | |
I was told you'd be out feeding your cows. They're looking lovely. | 0:35:44 | 0:35:47 | |
-Aye, and I see you've brought the good weather with you again. -I know. | 0:35:47 | 0:35:50 | |
It's always like that here, isn't it? | 0:35:50 | 0:35:52 | |
You seem to bring it with you, aye. | 0:35:52 | 0:35:54 | |
So, you've got some lovely calves on the ground now. | 0:35:54 | 0:35:56 | |
We've done very well this year off a new black bull we bought. | 0:35:56 | 0:35:59 | |
And there are some bull calves in here you'll be | 0:35:59 | 0:36:01 | |
-selling in the future? -We'll wait and see. | 0:36:01 | 0:36:03 | |
They're looking like it at the moment anyway, | 0:36:03 | 0:36:05 | |
-so they're looking quite good. -And does Her Majesty love them? | 0:36:05 | 0:36:08 | |
Yes, aye. She comes out and we talk about them. | 0:36:08 | 0:36:11 | |
And the calves are just the most delectable calves in the world, | 0:36:11 | 0:36:14 | |
-aren't they? They're like big teddy bears. -Teddy bears, yep. | 0:36:14 | 0:36:17 | |
But if you try and cuddle them, will the cows have you? | 0:36:17 | 0:36:20 | |
-No, they're not bad. -That's the thing I do want in a bull. | 0:36:20 | 0:36:23 | |
I want something handle-able and reasonably quiet. | 0:36:23 | 0:36:26 | |
Our old Eric is quite an act to live up to. | 0:36:26 | 0:36:29 | |
-We want something that's a good bull. -We'll find one. | 0:36:29 | 0:36:33 | |
-There's no pressure, Dochy! -No, not at all. | 0:36:33 | 0:36:36 | |
And how many bulls are you selling? | 0:36:37 | 0:36:39 | |
When I gave you a call, you said you'd virtually sold out. | 0:36:39 | 0:36:43 | |
This is probably the best year we've had. We've sold six and maybe seven. | 0:36:43 | 0:36:48 | |
-We'll see how today goes. -And is his mother in here or any relatives? | 0:36:48 | 0:36:52 | |
-This is his mother here. -Oh, yes. -She's a nice cow. | 0:36:52 | 0:36:55 | |
-She is a nice colour, isn't she? -Nice red cow. | 0:36:55 | 0:36:58 | |
And what about the horns? | 0:36:58 | 0:36:59 | |
The females have got to look like a good-looking woman. | 0:36:59 | 0:37:04 | |
They've got to look round the field and stand out to you. | 0:37:04 | 0:37:07 | |
The other thing too, you've got to look at them every day, | 0:37:07 | 0:37:09 | |
so they have to look nice, aye. | 0:37:09 | 0:37:12 | |
-And nice feminine upward horns. -Nice up horns. | 0:37:12 | 0:37:15 | |
The full sister, Sophie, she's done very well at the shows with her. | 0:37:15 | 0:37:19 | |
-That's her over there. -She's fantastic. | 0:37:19 | 0:37:21 | |
How many shows has she won? | 0:37:21 | 0:37:23 | |
I think she's won about four or five shows and an inter-breed. | 0:37:23 | 0:37:25 | |
-Goodness me. -Beaten all the other breeds. -You're spoiling me now. | 0:37:25 | 0:37:29 | |
I'm getting excited about this young bull. | 0:37:29 | 0:37:32 | |
'So we've met the girls. Time to meet the boys.' | 0:37:32 | 0:37:35 | |
This is when things get serious. Business. | 0:37:36 | 0:37:39 | |
'But apparently | 0:37:39 | 0:37:41 | |
'this big boy isn't quite what Dochy had in mind for me.' | 0:37:41 | 0:37:44 | |
So is this big fella for sale, then, Dochy? | 0:37:46 | 0:37:48 | |
-No, that's one of our stock bulls. -He's really lovely, isn't he? | 0:37:48 | 0:37:52 | |
Is this something to aspire to, then? | 0:37:52 | 0:37:54 | |
This, I would say, is probably what you're looking to breed like. | 0:37:54 | 0:37:57 | |
He's good along the top. He's got a straight back on him. | 0:37:57 | 0:38:00 | |
There's no hollows in through his shoulder here. | 0:38:00 | 0:38:04 | |
He's got some width about him, hasn't he? | 0:38:04 | 0:38:06 | |
-This is the bit that counts in here. -All the meat around the back end? | 0:38:06 | 0:38:08 | |
-Yep. -Good depth here. God, there's some width down there. Look at that. | 0:38:08 | 0:38:13 | |
-It's like a billiard table. -There's a bit of power to him, yeah. | 0:38:13 | 0:38:17 | |
Just getting to his prime now, five, six year old. | 0:38:17 | 0:38:20 | |
I really like him. | 0:38:20 | 0:38:22 | |
You don't want to find him a good home, then? | 0:38:22 | 0:38:24 | |
He might be too expensive for you, this one, Alex. | 0:38:24 | 0:38:27 | |
'Sounds like this tremendous bull isn't for sale | 0:38:29 | 0:38:31 | |
'so let's meet one Dochy is willing to part with.' | 0:38:31 | 0:38:35 | |
-He's only 14, 15 months old. -He's only a baby. | 0:38:35 | 0:38:39 | |
But it's all there if you put your hand on him. | 0:38:39 | 0:38:41 | |
He's got some meat about him, hasn't he? He's got some width. | 0:38:41 | 0:38:45 | |
-That's good. -He's full through the shoulder. | 0:38:45 | 0:38:48 | |
There's no hollows or nothing on him. | 0:38:48 | 0:38:50 | |
There's a bit of power through his brisket. | 0:38:50 | 0:38:52 | |
He handles very well through his hips. | 0:38:52 | 0:38:54 | |
-Yeah, he's got a bit of depth there, hasn't he? -Yeah. | 0:38:54 | 0:38:56 | |
-You been feeding him well, Dochy? -Not really, no. Just heather really. | 0:38:56 | 0:39:00 | |
He's losing all this down, this fluff, isn't he, at the moment? | 0:39:02 | 0:39:06 | |
You can see here how he's got the two different kinds. | 0:39:06 | 0:39:08 | |
The long stable hair and the down coming through it too. | 0:39:08 | 0:39:12 | |
Like you say, that will all come out. | 0:39:12 | 0:39:14 | |
So this downiness is the insulation. That's what keeps him warm. | 0:39:14 | 0:39:17 | |
And then the rain and sleet and snow runs off the long hair. | 0:39:17 | 0:39:21 | |
-I like the look of him. Can I see him walking up? -No bother. | 0:39:21 | 0:39:24 | |
We'll just take him for a walk the now. | 0:39:24 | 0:39:26 | |
You haven't done a lot of this with him, though? | 0:39:26 | 0:39:29 | |
No, this is only the fourth time he's been in a halter. | 0:39:29 | 0:39:31 | |
-But he seems to be very quiet. -He does, doesn't he? | 0:39:31 | 0:39:33 | |
I'll walk up behind him and get him going. Go on then, fella. | 0:39:33 | 0:39:36 | |
Let's see if this little chap has got the right moves. | 0:39:38 | 0:39:41 | |
A good bull starts from the ground up. | 0:39:41 | 0:39:45 | |
Strong, well-balanced feet are essential if he's going to | 0:39:45 | 0:39:48 | |
get around all my cows, and his weight should be evenly distributed. | 0:39:48 | 0:39:52 | |
Looking good so far. | 0:39:52 | 0:39:54 | |
Just check his assets. | 0:39:55 | 0:39:57 | |
His testicles need to be even-sized and firm. | 0:39:57 | 0:40:01 | |
No lumps and bumps. They're fine. | 0:40:01 | 0:40:04 | |
And then good teats. | 0:40:06 | 0:40:08 | |
Although the bull obviously doesn't need to suckle calves, | 0:40:08 | 0:40:11 | |
he will be throwing that into his daughters that will | 0:40:11 | 0:40:14 | |
then go on and suckle calves, and four good evenly spaced teats. | 0:40:14 | 0:40:19 | |
He's so quiet. A lot of bulls would be kicking me now. | 0:40:19 | 0:40:22 | |
He's just stood there. I like that. | 0:40:22 | 0:40:24 | |
BULL GRUNTS | 0:40:24 | 0:40:26 | |
Lovely. 14 months old. Is he going to reach my cows, though? | 0:40:26 | 0:40:29 | |
-I would think so. -You reckon? -Unless your cows are awful big. | 0:40:29 | 0:40:33 | |
They're a fair size. Do you have to sell me a couple of bales of hay | 0:40:33 | 0:40:36 | |
so he can get his front legs up onto them? | 0:40:36 | 0:40:39 | |
Someone will have to put him up to it! | 0:40:39 | 0:40:41 | |
That's my one concern, that he might not get to them, | 0:40:41 | 0:40:44 | |
because Eric, a very lovely temperament, good size, | 0:40:44 | 0:40:49 | |
he's got me some good calves, | 0:40:49 | 0:40:50 | |
so this fella has got some... living up to. | 0:40:50 | 0:40:53 | |
He'll be fine. It's all there. It's in his bloodlines. | 0:40:53 | 0:40:56 | |
When you're buying stock, you're not supposed to be too gushing, | 0:40:56 | 0:41:00 | |
because otherwise people think they've got you over a barrel, | 0:41:00 | 0:41:03 | |
and I paid about £2,500 for Eric, which I thought was a fair price. | 0:41:03 | 0:41:07 | |
What sort of value are you putting on this fella? | 0:41:07 | 0:41:09 | |
Round about that sort of money too. | 0:41:09 | 0:41:11 | |
I think he's something special, very nice, very quiet. | 0:41:11 | 0:41:14 | |
And you've got to pay for quality. | 0:41:14 | 0:41:16 | |
I suppose, as my dad always said, | 0:41:16 | 0:41:19 | |
a bull is an investment for the future, isn't he? | 0:41:19 | 0:41:22 | |
The bull's in your park now! | 0:41:22 | 0:41:24 | |
THEY LAUGH | 0:41:24 | 0:41:25 | |
He's...OK. | 0:41:25 | 0:41:28 | |
-So do you want him or not? -I like him. I want him. -Good! | 0:41:30 | 0:41:34 | |
Thank you very much! | 0:41:35 | 0:41:36 | |
Me and you are going to be mates. I love him already. | 0:41:38 | 0:41:41 | |
And now he's just got to win the hearts of the nation. | 0:41:41 | 0:41:44 | |
We'll turn you into a superstar like old Eric. | 0:41:44 | 0:41:47 | |
There's one thing we still haven't found out, and that's his name. | 0:41:50 | 0:41:54 | |
So how about one approved by the Queen herself? | 0:41:54 | 0:41:57 | |
Meet Archie I of Balmoral. | 0:41:59 | 0:42:02 | |
Heading for a new life in the Cotswolds. | 0:42:02 | 0:42:04 | |
I just hope he grows a bit! | 0:42:04 | 0:42:06 | |
The Cotswolds isn't just where I farm, it's where I was born | 0:42:07 | 0:42:11 | |
and brought up and lived pretty much all of my life. | 0:42:11 | 0:42:14 | |
It's very close to my heart, | 0:42:14 | 0:42:16 | |
and there are great places tucked away on the farm, | 0:42:16 | 0:42:18 | |
like this lovely old shed with a shepherd's hut at the end | 0:42:18 | 0:42:21 | |
and this wonderful valley with a stream running through it | 0:42:21 | 0:42:23 | |
where we used to play as kids. I just love it down here. | 0:42:23 | 0:42:26 | |
But now we want to hear about those places | 0:42:26 | 0:42:28 | |
that are very close to your heart. | 0:42:28 | 0:42:30 | |
Secret Britain is back, | 0:42:31 | 0:42:33 | |
and we want you to e-mail us with your suggestions of those | 0:42:33 | 0:42:36 | |
untold stories that are special to you, for a completely new series. | 0:42:36 | 0:42:40 | |
We know that you know Britain's countryside better than anyone else. | 0:42:44 | 0:42:48 | |
We want to hear about those secret places | 0:42:51 | 0:42:53 | |
and wonderful wildlife spectacles few people get to witness. | 0:42:53 | 0:42:57 | |
Over the summer, Ellie and I will be exploring some of the secret | 0:43:00 | 0:43:03 | |
places and people of Britain that you tell us about. | 0:43:03 | 0:43:06 | |
So this is your chance to share those locations | 0:43:06 | 0:43:09 | |
that are special to you with us all. | 0:43:09 | 0:43:11 | |
We're looking for a lost treasure revealed only at low tide, | 0:43:11 | 0:43:16 | |
a wildlife spectacle, | 0:43:16 | 0:43:19 | |
a neglected country craft, | 0:43:19 | 0:43:21 | |
or simply one of our best-known landmarks with an unknown story. | 0:43:21 | 0:43:26 | |
It's the personal connection of you | 0:43:29 | 0:43:31 | |
and your family to the secret places and people of Britain | 0:43:31 | 0:43:34 | |
that we're seeking, so share your ideas with us. | 0:43:34 | 0:43:37 | |
Please e-mail your thoughts with photos too, if you can, to... | 0:43:39 | 0:43:43 | |
You'll find all the information you need on the Countryfile website. | 0:43:47 | 0:43:51 | |
For over a century, the Rothschild family have been heavily | 0:43:56 | 0:43:59 | |
involved in conservation, nurturing and preserving the landscape. | 0:43:59 | 0:44:03 | |
Today the work being carried out on their farmland is more | 0:44:03 | 0:44:07 | |
important than ever before. | 0:44:07 | 0:44:08 | |
This farm on the estate is one of only a few in the country | 0:44:10 | 0:44:13 | |
carrying out cutting-edge environmental experiments. | 0:44:13 | 0:44:16 | |
Depending on the outcomes, | 0:44:16 | 0:44:18 | |
what you see here could be the model farm of the future. | 0:44:18 | 0:44:22 | |
James Bullock is a scientist who basically measures the weather, | 0:44:26 | 0:44:29 | |
the water and the soil, to see how we can best improve our farmland. | 0:44:29 | 0:44:33 | |
We're aiming to see how we can use certain activities | 0:44:33 | 0:44:38 | |
such as putting in field margins of wildflowers, | 0:44:38 | 0:44:41 | |
adding flowers to grasslands, digging ponds to enhance | 0:44:41 | 0:44:45 | |
things like carbon storage in the soil against climate change, to help | 0:44:45 | 0:44:49 | |
increase crop yields, to improve the quality of water coming off | 0:44:49 | 0:44:53 | |
the land, so not just biodiversity, but also the wider environment. | 0:44:53 | 0:44:57 | |
And water as well. I mean, this is a big part. | 0:44:57 | 0:45:00 | |
There's been lots of concern about water coming off farms being | 0:45:00 | 0:45:03 | |
polluted with high nutrient levels, | 0:45:03 | 0:45:05 | |
so we looked at how these margins filter the water, not so good, | 0:45:05 | 0:45:08 | |
but digging ponds, we dug a number of fairly small ponds in the corners of | 0:45:08 | 0:45:13 | |
fields that act like sedimentation tanks, so the sediment falls out, | 0:45:13 | 0:45:16 | |
takes the nutrients out, and the water coming out is much cleaner. | 0:45:16 | 0:45:20 | |
Funded by the Government, these experiments could shape | 0:45:23 | 0:45:26 | |
future policy for the way farmers use their land. | 0:45:26 | 0:45:28 | |
To the untrained eye, this might look like a normal field, | 0:45:31 | 0:45:34 | |
but its margins are a playground for biodiversity. | 0:45:34 | 0:45:37 | |
Marek Nowakowski is the man who takes | 0:45:37 | 0:45:40 | |
the science from the boffins and makes it workable for farmers. | 0:45:40 | 0:45:44 | |
The tussocky structure, good for over-wintering insects, | 0:45:44 | 0:45:47 | |
good for small mammals, so this is very much a living part. | 0:45:47 | 0:45:50 | |
Then we get into, if you like, on the dartboard, the double tops, | 0:45:50 | 0:45:55 | |
or the double 20s, this is, again, tussocky, | 0:45:55 | 0:45:59 | |
but we've put in this things like oxeye daisy, | 0:45:59 | 0:46:02 | |
meadow buttercup just behind you, vetches. | 0:46:02 | 0:46:07 | |
So what we've put into this is a pollen and nectar source, | 0:46:07 | 0:46:10 | |
so we're getting two for the price of one. | 0:46:10 | 0:46:13 | |
Soon, these wild flower margins will be in full bloom, | 0:46:13 | 0:46:15 | |
providing food for insects that will spread into the crops to pollinate | 0:46:15 | 0:46:19 | |
and eat the pests. | 0:46:19 | 0:46:21 | |
And as far as increasing wildlife, Marek has seen instant results. | 0:46:21 | 0:46:26 | |
Look, look, there's a run here, | 0:46:26 | 0:46:29 | |
it might be quite difficult to see, | 0:46:29 | 0:46:32 | |
but what will happen is the field vole | 0:46:32 | 0:46:35 | |
will actually start munching through these stems of cocksfoot | 0:46:35 | 0:46:39 | |
and he sat there and munched and spat bits out and left bits. | 0:46:39 | 0:46:43 | |
So that is small mammal, therefore barn owl. | 0:46:43 | 0:46:46 | |
Small mammal provides a nesting home for the bumblebee, | 0:46:46 | 0:46:50 | |
so if the bumblebee wakes up in the spring after hibernation, | 0:46:50 | 0:46:54 | |
which they do, and we have flowers for pollen and nectar, | 0:46:54 | 0:46:57 | |
it literally walks out of its front door | 0:46:57 | 0:46:59 | |
into a massive spread of pollen and nectar. | 0:46:59 | 0:47:02 | |
The chances of its breeding success go up quite dramatically. | 0:47:02 | 0:47:06 | |
90% percent of the wildlife has gone from farmland | 0:47:06 | 0:47:09 | |
because the habitats have gone. | 0:47:09 | 0:47:12 | |
The simplist in me says, sow the habitats back. | 0:47:12 | 0:47:16 | |
But is it feasible to give up margins for wildlife | 0:47:16 | 0:47:19 | |
that we could be growing food on? | 0:47:19 | 0:47:21 | |
If we starve and wildlife benefits, | 0:47:21 | 0:47:23 | |
we're out of balance as much as we are now. | 0:47:23 | 0:47:26 | |
It's finding this balance between feeding people, | 0:47:26 | 0:47:29 | |
but not at the expense of wildlife - | 0:47:29 | 0:47:31 | |
that's the bit that I get up in the morning for. | 0:47:31 | 0:47:34 | |
Al Brooks farms the Waddesdon Estate | 0:47:36 | 0:47:38 | |
and is the man who actually puts all this theory into practice. | 0:47:38 | 0:47:41 | |
He's got nearly 8% of his land | 0:47:41 | 0:47:43 | |
tied up in these environmental experiments. | 0:47:43 | 0:47:46 | |
-You all right? -All right, how you doing? | 0:47:46 | 0:47:48 | |
-Nice, straight furrows there, beautiful. -We try, we try. | 0:47:48 | 0:47:51 | |
-How's it going? -I think it's going all right. | 0:47:51 | 0:47:54 | |
-The scientists are telling me it's doing OK. -Yeah. | 0:47:54 | 0:47:56 | |
It's been a very interesting journey for me, | 0:47:56 | 0:47:59 | |
it's been a real learning curve, if I'm honest. | 0:47:59 | 0:48:01 | |
I've always had a sort of environmental angle to the way | 0:48:01 | 0:48:05 | |
I like to farm, but the last three years have been a serious education. | 0:48:05 | 0:48:09 | |
Obviously, to start with, you'd have had some major reservations. | 0:48:09 | 0:48:12 | |
When you're asked to put such a proportion of your land | 0:48:12 | 0:48:14 | |
into environmental measures, what am I going to be doing? | 0:48:14 | 0:48:17 | |
Am I going to be losing out financially? | 0:48:17 | 0:48:20 | |
The reality is that, you know, we have some biggish kit, | 0:48:20 | 0:48:23 | |
we have some small corners | 0:48:23 | 0:48:24 | |
and running around in these corners, we're not gaining anything, | 0:48:24 | 0:48:27 | |
they're actually becoming money-losing rather than profitable. | 0:48:27 | 0:48:30 | |
-OK. -So by doing what we're doing here, | 0:48:30 | 0:48:32 | |
we're giving environmental delivery, we're not losing financially, | 0:48:32 | 0:48:37 | |
we're improving the aesthetic of the farming that we're doing | 0:48:37 | 0:48:41 | |
-and of the land that we manage. -So knowing what you know now | 0:48:41 | 0:48:44 | |
and having experienced what you've experienced, | 0:48:44 | 0:48:46 | |
would you ever go back to the way you were farming five years ago? | 0:48:46 | 0:48:49 | |
I'd be really hard pushed to do that. | 0:48:49 | 0:48:52 | |
For Al, sewing his unproductive field edges with wildlife in mind | 0:48:52 | 0:48:56 | |
seems to be working. | 0:48:56 | 0:48:58 | |
He's still managing to grow affordable crops | 0:48:58 | 0:49:00 | |
and at the same time benefiting the environment. | 0:49:00 | 0:49:03 | |
Aylesbury Vale, the green and rolling vale in Buckinghamshire, | 0:49:21 | 0:49:25 | |
sheltered by the Chiltern Hills and its ancient Ridgeway walk. | 0:49:25 | 0:49:30 | |
And at its southern tip you find the magical Wendover Woods. | 0:49:31 | 0:49:36 | |
But not all is quite as it seems. | 0:49:36 | 0:49:39 | |
This mysterious and beautiful woodland | 0:49:41 | 0:49:44 | |
is not only a place for wildlife and plant life to thrive, | 0:49:44 | 0:49:47 | |
but for the imagination to run wild. | 0:49:47 | 0:49:49 | |
And if you go down to the woods today, | 0:49:51 | 0:49:53 | |
you'll be sure of a big surprise. | 0:49:53 | 0:49:56 | |
And in more ways than one! | 0:50:04 | 0:50:06 | |
On Countryfile, we see many unusual creatures, | 0:50:10 | 0:50:12 | |
but none quite as intriguing as what I'm searching for today | 0:50:12 | 0:50:16 | |
here in the forest. | 0:50:16 | 0:50:17 | |
One very famous children's author is only too aware | 0:50:17 | 0:50:20 | |
of what can happen when you take a stroll through the deep, dark wood. | 0:50:20 | 0:50:26 | |
The Gruffalo wasn't initially going to be about a Gruffalo at all, | 0:50:28 | 0:50:33 | |
it was going to be about a tiger. | 0:50:33 | 0:50:36 | |
I just couldn't get anything good to rhyme with tiger, really, | 0:50:36 | 0:50:40 | |
so I thought, "If I create a monster, | 0:50:40 | 0:50:43 | |
"he can rhyme with whatever I want," | 0:50:43 | 0:50:45 | |
and in this case he rhymes with, | 0:50:45 | 0:50:48 | |
"Silly old fox, doesn't he know? | 0:50:48 | 0:50:50 | |
"There's no such thing as a Gruffalo!" | 0:50:50 | 0:50:53 | |
"He has knobbly knees and turned-out toes | 0:50:56 | 0:50:59 | |
"and a poisonous wart at the end of his nose. | 0:50:59 | 0:51:03 | |
"Oh, help! Oh, no! It's a Gruffalo!" | 0:51:03 | 0:51:07 | |
Well, as scary as he is, it is his birthday | 0:51:07 | 0:51:10 | |
and everybody deserves to celebrate. | 0:51:10 | 0:51:14 | |
He's 15 years old, so these special Gruffalo trails | 0:51:14 | 0:51:18 | |
have been set up around the country in his honour. | 0:51:18 | 0:51:22 | |
I'm finding out how these trails | 0:51:22 | 0:51:24 | |
are inspiring young families all over the UK to venture out into the woods. | 0:51:24 | 0:51:29 | |
Learning Ranger Charlotte McGowan is going to tell me more. | 0:51:29 | 0:51:33 | |
Here we are, the Forestry Commission owning the nation's woodland | 0:51:33 | 0:51:37 | |
and we've got The Gruffalo, | 0:51:37 | 0:51:38 | |
one of the best forest stories you can get. It's so exciting. | 0:51:38 | 0:51:41 | |
It captures every child's imagination, | 0:51:41 | 0:51:44 | |
every adult's, too, I think. | 0:51:44 | 0:51:46 | |
So what can they see and learn about on the trail? | 0:51:46 | 0:51:48 | |
It's to get children engaged with the forest. | 0:51:48 | 0:51:51 | |
It's using their senses and actually doing things, | 0:51:51 | 0:51:54 | |
so they can find mini beasts, they can look at forest homes, | 0:51:54 | 0:51:58 | |
think about where the animals live. | 0:51:58 | 0:52:00 | |
Forests are so much more, it's not just trees, | 0:52:00 | 0:52:02 | |
it's about the wildlife, as well. | 0:52:02 | 0:52:04 | |
Well, we can see families in the woods ahead, | 0:52:04 | 0:52:06 | |
-shall we go and join them? -Oh, yes, let's. | 0:52:06 | 0:52:08 | |
Is that a logpile house you're making? | 0:52:12 | 0:52:15 | |
No, this is a mouse den. | 0:52:15 | 0:52:17 | |
Oh, this is the mouse den? We've changed it up. | 0:52:17 | 0:52:19 | |
What is it, do you think, about The Gruffalo | 0:52:19 | 0:52:21 | |
that seems to be universally loved by children? | 0:52:21 | 0:52:23 | |
I just think it's just a big adventure and he adores it. | 0:52:23 | 0:52:27 | |
Anything that can get children learning about trees, plants, | 0:52:27 | 0:52:32 | |
beetles, I just think that's so important. | 0:52:32 | 0:52:36 | |
-I found a leaf. -You found a leaf? Lovely! | 0:52:36 | 0:52:39 | |
-Keep looking. -My favourite is The Gruffalo. | 0:52:39 | 0:52:43 | |
"A Gruffalo? What's a Gruffalo? | 0:52:45 | 0:52:48 | |
"A Gruffalo? Why didn't you know? | 0:52:48 | 0:52:51 | |
"He has terrible tusks and terrible claws | 0:52:51 | 0:52:57 | |
"and terrible teeth in his terrible jaws! | 0:52:57 | 0:53:01 | |
"Where are you meeting him? | 0:53:01 | 0:53:03 | |
"Here by these rocks, and his favourite food is roasted fox." | 0:53:03 | 0:53:11 | |
What's great about these trails is that they are hands-on, | 0:53:15 | 0:53:18 | |
so they teach children about nature. | 0:53:18 | 0:53:20 | |
Today, they are making Gruffalos out of pine cones | 0:53:20 | 0:53:23 | |
and mini beast hotels to replicate the snake's logpile house. | 0:53:23 | 0:53:27 | |
Are you not making one, Steve? | 0:53:27 | 0:53:28 | |
-I'm not, I've got a good band of experts here. -You have. | 0:53:28 | 0:53:31 | |
I'm going to dig in, I couldn't not. | 0:53:31 | 0:53:33 | |
So talk to me about what the idea is behind | 0:53:33 | 0:53:35 | |
what the children are making today. | 0:53:35 | 0:53:37 | |
It's recreating an actual habitat, a deadwood habitat. | 0:53:37 | 0:53:40 | |
It's to attract insects, ground beetles, | 0:53:40 | 0:53:43 | |
slow worms are attracted by ants and things like this. | 0:53:43 | 0:53:45 | |
Also carnivorous animals such as centipedes. | 0:53:45 | 0:53:49 | |
But it's not just about having breeding habitats | 0:53:49 | 0:53:51 | |
or even feeding habitats, it's over winter habitats. | 0:53:51 | 0:53:54 | |
-How would this help out creepy crawlies? -It's excellent for earwigs. | 0:53:54 | 0:53:58 | |
Things like ladybirds will easily go into the scales on the pine cone. | 0:53:58 | 0:54:03 | |
I've got my very own mini beast. | 0:54:03 | 0:54:05 | |
But I've heard that there's a monstrous delivery on its way. | 0:54:05 | 0:54:09 | |
"All was quiet in the deep, dark wood, | 0:54:11 | 0:54:14 | |
"The mouse found a nut and the nut was good." | 0:54:14 | 0:54:20 | |
It was quiet until he showed up. | 0:54:24 | 0:54:28 | |
Blimey, look at that, he's a beast! | 0:54:28 | 0:54:30 | |
You can find these stupendous sculptures in woodlands | 0:54:33 | 0:54:36 | |
up and down the country to celebrate the Gruffalo's 15th birthday. | 0:54:36 | 0:54:40 | |
That is it from Buckinghamshire and our magical woodland adventure. | 0:54:42 | 0:54:46 | |
It's been brilliant spending time | 0:54:46 | 0:54:49 | |
with the next generation of outdoor enthusiasts. | 0:54:49 | 0:54:53 | |
How's that looking? Lovely. | 0:54:53 | 0:54:55 | |
Next week, John will be in Snowdonia to see how the hand of man | 0:54:55 | 0:55:00 | |
has influenced the landscape, | 0:55:00 | 0:55:01 | |
and to get the best view of that landscape | 0:55:01 | 0:55:04 | |
he's going to need a head for heights. We'll see you then, bye-bye. | 0:55:04 | 0:55:07 |