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The tranquil parkland of an historic estate, | 0:00:47 | 0:00:50 | |
deep in the Warwickshire countryside. | 0:00:50 | 0:00:53 | |
This picturesque house, with its sweeping grounds, | 0:00:57 | 0:01:00 | |
belongs to one of our oldest aristocratic families. | 0:01:00 | 0:01:04 | |
We're at Ragley Hall, the home of Lord and Lady Hertford, | 0:01:06 | 0:01:10 | |
to get a Christmas party started. | 0:01:10 | 0:01:12 | |
And what better way to experience a true country Christmas | 0:01:12 | 0:01:15 | |
than at a stately home? | 0:01:15 | 0:01:16 | |
I bet they know how to throw a good party here. | 0:01:16 | 0:01:19 | |
Yeah, but before we can start letting our hair down, Jules, | 0:01:19 | 0:01:21 | |
there's so many things to get sorted. So let's just keep focused. | 0:01:21 | 0:01:24 | |
Yeah, you're right. Will you get my dress out of the car | 0:01:24 | 0:01:27 | |
when we've done this? And then I need to do my hair. | 0:01:27 | 0:01:30 | |
# Joy to the world... # | 0:01:32 | 0:01:34 | |
I'll be at the party as well, | 0:01:34 | 0:01:36 | |
hoping that these tuneful gentlemen will let me join them | 0:01:36 | 0:01:39 | |
when they sing for their supper at the Hall later on. | 0:01:39 | 0:01:42 | |
But first of all, unlike them, | 0:01:42 | 0:01:44 | |
I'm going to have to learn how to sing in tune. | 0:01:44 | 0:01:47 | |
And what would Christmas be without garlands? | 0:01:49 | 0:01:52 | |
I'll be searching Ragley's gardens | 0:01:52 | 0:01:54 | |
for some suitable greenery | 0:01:54 | 0:01:56 | |
and learning how to deck the halls. | 0:01:56 | 0:01:58 | |
At Ragley Hall's festive shoot, Tom's following the guns. | 0:02:00 | 0:02:04 | |
100 years ago, there would have been shooting parties like this | 0:02:04 | 0:02:07 | |
right across Britain. But since then, | 0:02:07 | 0:02:09 | |
many of our country estates have gone into an almost terminal decline. | 0:02:09 | 0:02:13 | |
So, how are they succeeding in keeping things going | 0:02:13 | 0:02:16 | |
here on the Ragley estate? | 0:02:16 | 0:02:19 | |
And what will you be cooking up for Christmas? | 0:02:19 | 0:02:22 | |
These turkeys really fit the season. | 0:02:22 | 0:02:25 | |
Although I'm not eating these ones - these are for breeding. | 0:02:25 | 0:02:27 | |
And everyone associates turkeys with Christmas. | 0:02:27 | 0:02:30 | |
But they haven't always been the favourite dish | 0:02:30 | 0:02:32 | |
for Christmas lunch. | 0:02:32 | 0:02:33 | |
At one time, it was another bird. | 0:02:33 | 0:02:35 | |
And I'll be finding out why they've fallen out of favour. | 0:02:35 | 0:02:38 | |
JULIA: This is Ragley Hall, near Alcester in Warwickshire. | 0:02:50 | 0:02:54 | |
It's the home of the ninth Marquess and Marchioness of Hertford. | 0:02:54 | 0:02:58 | |
It's been in their family since the late 1600s. | 0:02:58 | 0:03:02 | |
But this is more than just a stately pile. | 0:03:02 | 0:03:05 | |
This is a family home. | 0:03:05 | 0:03:07 | |
And right now, the family are gearing up for Christmas, | 0:03:07 | 0:03:10 | |
in grand style, as you would expect. | 0:03:10 | 0:03:14 | |
Countryfile has been invited along to take a peek and lend a hand, | 0:03:14 | 0:03:17 | |
getting the place spruced up | 0:03:17 | 0:03:19 | |
for one of the biggest social events of the calendar, | 0:03:19 | 0:03:21 | |
the staff Christmas party. | 0:03:21 | 0:03:24 | |
Pride of place will be this whopper. | 0:03:24 | 0:03:27 | |
-Nice tree, Mr Craven! -Big enough for you? -Quite large, yes. | 0:03:27 | 0:03:32 | |
It's a round about 14 feet, we think, | 0:03:32 | 0:03:35 | |
which is what was requested for the library. | 0:03:35 | 0:03:39 | |
Decorating it's going to be fun! | 0:03:39 | 0:03:41 | |
It's going to be fun trying to get it in through the door! | 0:03:41 | 0:03:43 | |
Here we go. Wipe your feet, please! Thank you. | 0:03:46 | 0:03:51 | |
-Oh, careful! Steady! -Oh, sorry, Julia. Sorry. | 0:03:51 | 0:03:54 | |
Which way to the library? | 0:03:54 | 0:03:56 | |
You've got to admit, this is quite an entrance hall. | 0:03:56 | 0:03:59 | |
Not up the stairs! Into the library! | 0:04:04 | 0:04:06 | |
-We're trying to turn it round the corner, Julia. -It's not that big! | 0:04:06 | 0:04:10 | |
That's it. That's it. | 0:04:11 | 0:04:14 | |
Despite this... Are you OK? | 0:04:17 | 0:04:21 | |
Oh, don't lose it now! | 0:04:21 | 0:04:23 | |
I'm sorry about this cable here. Mind the cable. That's it. | 0:04:23 | 0:04:27 | |
-That's it, that's it. -It's in! What a perfect fit. | 0:04:27 | 0:04:31 | |
-Look at that! -Yes, perfect. Thank you. | 0:04:31 | 0:04:34 | |
Right, John, are you going to help us decorate it now? | 0:04:34 | 0:04:36 | |
I'm afraid not, Julia. I've got other things to do. | 0:04:36 | 0:04:38 | |
I've got a lot more trees to deliver round the estate. | 0:04:38 | 0:04:41 | |
Who are you, Father Christmas(?) | 0:04:41 | 0:04:42 | |
No, I've got an appointment with a choir. | 0:04:42 | 0:04:44 | |
Always busy. Always busy! | 0:04:44 | 0:04:47 | |
'It's all hands on decks, | 0:04:53 | 0:04:56 | |
'but Lady Hertford herself is in charge. Clearly. | 0:04:56 | 0:04:59 | |
'Lady Hertford isn't your typical lady of the manor. | 0:04:59 | 0:05:02 | |
'She hails from sunnier climes.' | 0:05:02 | 0:05:06 | |
Now, you're from Brazil, | 0:05:06 | 0:05:07 | |
and Christmas Eve is a very important part | 0:05:07 | 0:05:10 | |
of the celebration, isn't it? | 0:05:10 | 0:05:12 | |
It is. The main Christmas...day, | 0:05:12 | 0:05:15 | |
so to speak, when everybody stays with family and so on. | 0:05:15 | 0:05:18 | |
And our Christmas Day is still a church day, | 0:05:18 | 0:05:21 | |
if one doesn't do the midnight mass. | 0:05:21 | 0:05:24 | |
But, you know, you go from house to house to see friends. | 0:05:24 | 0:05:28 | |
And in my case, coming from Rio de Janeiro, we go to the beach. | 0:05:28 | 0:05:33 | |
Christmas on the beaches of Rio. Lovely! | 0:05:33 | 0:05:36 | |
What was your first Christmas like in this house? | 0:05:38 | 0:05:41 | |
It was absolutely amazing, | 0:05:41 | 0:05:43 | |
because I never had a real Christmas tree before. | 0:05:43 | 0:05:47 | |
And I remember being overwhelmed by the season. | 0:05:47 | 0:05:50 | |
Because we don't have, in Rio de Janeiro, | 0:05:50 | 0:05:52 | |
the different seasons, as such. | 0:05:52 | 0:05:54 | |
The green is not the same green. | 0:05:54 | 0:05:57 | |
The trees are completely different, and so on. | 0:05:57 | 0:05:59 | |
-No Christmas trees? -No Christmas trees. | 0:05:59 | 0:06:01 | |
Which means it was my first real season, | 0:06:01 | 0:06:03 | |
Christmas in this country. | 0:06:03 | 0:06:05 | |
-It must have been incredible. -It was. It was. | 0:06:05 | 0:06:08 | |
# In the bleak midwinter | 0:06:10 | 0:06:15 | |
# Frosty wind made moan... # | 0:06:15 | 0:06:18 | |
Decorating the Hall is a monumental task. | 0:06:18 | 0:06:21 | |
There are a sumptuous state rooms to be done. | 0:06:21 | 0:06:24 | |
Ornate dining rooms too. | 0:06:24 | 0:06:27 | |
And this, one of the most impressive spaces at the Hall - | 0:06:28 | 0:06:32 | |
the South staircase. | 0:06:32 | 0:06:34 | |
These murals took 14 years to paint. | 0:06:34 | 0:06:39 | |
They show generations of the current Lord Hertford's family. | 0:06:39 | 0:06:44 | |
Ragley Hall didn't always look this fine, though. | 0:06:44 | 0:06:47 | |
When was the house in its worst state? | 0:06:47 | 0:06:50 | |
When my great-grandfather died in 1912. | 0:06:50 | 0:06:55 | |
And he had virtually bankrupted the estate. | 0:06:55 | 0:06:58 | |
His children, although they were probably in their 50s by then, | 0:06:58 | 0:07:04 | |
they just scattered. | 0:07:04 | 0:07:06 | |
Just did not want to be handed this poisoned chalice. | 0:07:06 | 0:07:10 | |
I think that was a reason why the Ragley estate did so badly. | 0:07:10 | 0:07:17 | |
-So it was mostly empty? -Yeah. | 0:07:17 | 0:07:19 | |
Until my parents moved in here in 1956, | 0:07:19 | 0:07:27 | |
-when they got married. -So they took up this great challenge? | 0:07:27 | 0:07:31 | |
They took an enormous challenge, yes. | 0:07:31 | 0:07:33 | |
My great aunts and great uncles | 0:07:33 | 0:07:35 | |
who stormed out of this room 100 years ago, | 0:07:35 | 0:07:39 | |
they would be amazed to see me and my wife | 0:07:39 | 0:07:43 | |
and our children living here now. | 0:07:43 | 0:07:45 | |
And yes, you know, a good fire | 0:07:45 | 0:07:47 | |
going there and dogs peacefully asleep! | 0:07:47 | 0:07:50 | |
Who makes most of the decisions in the house? | 0:07:50 | 0:07:53 | |
Because I've noticed that your wife knows exactly what she wants! | 0:07:53 | 0:07:57 | |
-Oh, yes! -She's a lady who's in charge, isn't she? | 0:07:57 | 0:08:00 | |
Oh, yes. Yes. | 0:08:00 | 0:08:02 | |
-You're definitely not in charge of tinsel and baubles, I know that! -No! | 0:08:02 | 0:08:07 | |
'Back in the library, | 0:08:10 | 0:08:12 | |
'Lady Hertford has asked me and her son, William, | 0:08:12 | 0:08:15 | |
'for some help with some tricky decorating. | 0:08:15 | 0:08:18 | |
'This is famed author and 18th-century politician | 0:08:18 | 0:08:21 | |
'Horace Walpole. | 0:08:21 | 0:08:22 | |
'It's a portrait by Joshua Reynolds, | 0:08:22 | 0:08:24 | |
'one of the greatest English artists of all time, | 0:08:24 | 0:08:27 | |
'which makes it priceless. | 0:08:27 | 0:08:29 | |
'One slip here, and bang goes my party invite!' | 0:08:29 | 0:08:32 | |
I tell you what, Julia, can you pull gently the other end? | 0:08:32 | 0:08:35 | |
I think it will fall off if we do that. | 0:08:35 | 0:08:38 | |
Why don't we put it on and then drag it along the top of it? | 0:08:38 | 0:08:41 | |
I will do what I'm told for the first time in my life! | 0:08:41 | 0:08:45 | |
Hey, hey, how about that? | 0:08:47 | 0:08:49 | |
Fantastic. | 0:08:49 | 0:08:51 | |
'Relax, Horace, you were never in any danger.' | 0:08:51 | 0:08:54 | |
Ragley Hall's in tip-top shape, but it wasn't always the case. | 0:08:57 | 0:09:00 | |
The current Lord Hertford's father put in a massive effort | 0:09:00 | 0:09:03 | |
to turn things around. Sadly, that hasn't been the case | 0:09:03 | 0:09:06 | |
for all of our stately homes, as Tom has been finding out. | 0:09:06 | 0:09:09 | |
TOM: Once upon a time, | 0:09:19 | 0:09:21 | |
homes like Ragley Hall were the bastions of our countryside. | 0:09:21 | 0:09:25 | |
The man-made jewels of our nation's landscape. | 0:09:25 | 0:09:29 | |
But over the last century, things have changed. | 0:09:29 | 0:09:34 | |
While Ragley prepares to welcome in another Christmas, sadly, there are | 0:09:34 | 0:09:39 | |
other stately homes that are only the ghosts of Christmas past. | 0:09:39 | 0:09:43 | |
Right across the nation, | 0:09:46 | 0:09:48 | |
beautiful historic buildings have been tumbling down. | 0:09:48 | 0:09:52 | |
CROWS CALL | 0:09:52 | 0:09:53 | |
And you only have to go 20 miles up the road to find one. | 0:09:55 | 0:09:58 | |
Guys Cliffe House, | 0:09:58 | 0:10:00 | |
proof of the turbulent history of the country estate. | 0:10:00 | 0:10:03 | |
A century ago, there were 8,000 stately homes | 0:10:06 | 0:10:09 | |
scattered across the English countryside. | 0:10:09 | 0:10:11 | |
Today, nearly 2,000 of these glorious buildings have become ruins | 0:10:11 | 0:10:17 | |
or simply vanished. | 0:10:17 | 0:10:19 | |
The cracks began showing in the late 1800s. | 0:10:29 | 0:10:33 | |
Estates made most of their money from land. | 0:10:36 | 0:10:40 | |
And farming just wasn't the money-spinner it had been. | 0:10:40 | 0:10:44 | |
So for many stately homes, their income just tumbled. | 0:10:44 | 0:10:49 | |
Add to that the social levelling surrounding the two world wars | 0:10:49 | 0:10:53 | |
and increases in inheritance tax, | 0:10:53 | 0:10:55 | |
the future of our country houses was looking bleak. | 0:10:55 | 0:10:59 | |
By 1948, we were losing one stately home nearly every week. | 0:10:59 | 0:11:05 | |
# One, two, three four... | 0:11:05 | 0:11:07 | |
# One, two, three four... # | 0:11:07 | 0:11:09 | |
In a sudden flurry, centuries of history and family homes were gone. | 0:11:09 | 0:11:15 | |
All these buildings lost forever. | 0:11:15 | 0:11:18 | |
But there were some that weathered the storm. | 0:11:25 | 0:11:29 | |
Croome Court in Worcestershire - | 0:11:29 | 0:11:31 | |
for 200 years, the seat of the Earl of Coventry. | 0:11:31 | 0:11:34 | |
In the 1940s, it was sold off. | 0:11:34 | 0:11:38 | |
But passing through various hands, it just hung on. | 0:11:38 | 0:11:42 | |
Today, it's in a mixed state of repair. | 0:11:42 | 0:11:45 | |
But there is a way to get a sense of its full glory. | 0:11:47 | 0:11:49 | |
It's been 70 years since any servants toiled here polishing and dusting | 0:11:53 | 0:11:59 | |
their way through these halls, but we've found someone | 0:11:59 | 0:12:02 | |
from that era, and she's going to drop in for a cup of tea. | 0:12:02 | 0:12:06 | |
'I'm making sure things are nice and cosy, | 0:12:16 | 0:12:20 | |
'because the lady I'm about to meet was personal maid | 0:12:20 | 0:12:23 | |
'to the Countess of Coventry in the 1930s. | 0:12:23 | 0:12:27 | |
'Her name is Hilda Newman, and that's her, just peeking out.' | 0:12:29 | 0:12:33 | |
Were you friends with the Countess? | 0:12:33 | 0:12:35 | |
You don't get friends with the Countess. | 0:12:37 | 0:12:40 | |
You're always the servant. I was a head servant. | 0:12:41 | 0:12:44 | |
And everyone respected me in the way I respected her. | 0:12:44 | 0:12:48 | |
Do you know what I mean? | 0:12:48 | 0:12:50 | |
-So that hierarchy was definitely in place? -Yes, definitely. | 0:12:51 | 0:12:55 | |
-Did you make a few mistakes ever? -I made a few mistakes. | 0:12:55 | 0:12:57 | |
Go on, tell me, what kind of thing? Did you put your foot in it? | 0:12:57 | 0:13:00 | |
Well, I remember one morning, I wanted to ask her something, | 0:13:00 | 0:13:05 | |
I can't remember what it was. | 0:13:05 | 0:13:07 | |
And, eh, I said, "Oh, Lady Coventry," over the banister. | 0:13:07 | 0:13:13 | |
She said, "It's m'lady. It's m'lady. | 0:13:13 | 0:13:19 | |
"And you come here when you want me." | 0:13:19 | 0:13:22 | |
'Hilda worked her last day here in 1939. | 0:13:22 | 0:13:26 | |
'In the 73 years since, a lot has changed.' | 0:13:26 | 0:13:29 | |
How does it feel coming back to the house today? | 0:13:30 | 0:13:33 | |
-I can't explain it. My stomach's going... -Clearly... | 0:13:36 | 0:13:41 | |
Is it, does it upset you cos they're fond memories in a way? | 0:13:41 | 0:13:45 | |
-Yes. -Yeah? | 0:13:45 | 0:13:47 | |
-Yeah. -Yes, yes. | 0:13:47 | 0:13:49 | |
-It's just time passing and things changing? -Absolutely. | 0:13:49 | 0:13:54 | |
I mean, I thought I'd got over it! | 0:13:54 | 0:13:56 | |
-That's fine. -But you don't. | 0:13:56 | 0:13:58 | |
No. You really make it come alive, it's great. | 0:13:58 | 0:14:01 | |
-I can sort of feel the...almost hear the people. -I'm living it. | 0:14:01 | 0:14:05 | |
-Still? -Yes. | 0:14:05 | 0:14:07 | |
I still do. | 0:14:07 | 0:14:08 | |
After a rocky 70 years, Croome Court is now back in safe hands. | 0:14:12 | 0:14:18 | |
In 2007, the crumbling building was acquired by the National Trust. | 0:14:18 | 0:14:23 | |
Amy Forster manages the house. | 0:14:23 | 0:14:26 | |
So what kind of things are you up against here? | 0:14:26 | 0:14:28 | |
Well, this is one of the worst places in the whole house, really. | 0:14:28 | 0:14:31 | |
This is one of the beams that support the whole ceiling, and, | 0:14:31 | 0:14:34 | |
unfortunately, as I can show you, I can put my hand right inside it | 0:14:34 | 0:14:39 | |
-and grab sawdust. -That's not going to support a big house, is it? | 0:14:39 | 0:14:43 | |
No! So this is one of the problems that we're facing all the way | 0:14:43 | 0:14:46 | |
through the house. | 0:14:46 | 0:14:47 | |
So, a mixture of that sawdust and that there | 0:14:47 | 0:14:51 | |
is actually what I'm kneeling on here. | 0:14:51 | 0:14:54 | |
-Exactly, yes. -Doesn't give a huge feeling of security. | 0:14:54 | 0:14:58 | |
-How big a project is this for you? -It's massive. | 0:14:58 | 0:15:00 | |
It's one of the biggest in the National Trust at the moment, | 0:15:00 | 0:15:03 | |
so this project is going to cost just over £5 million, | 0:15:03 | 0:15:06 | |
and that's been funded from the Heritage Lottery Fund, | 0:15:06 | 0:15:09 | |
lots of charitable trusts, lots of donations from our visitors as well. | 0:15:09 | 0:15:12 | |
Why is it worth all that money? | 0:15:12 | 0:15:14 | |
Well, this house is one of the most amazing houses in the country. | 0:15:14 | 0:15:17 | |
Unfortunately, it doesn't look like it at the moment. | 0:15:17 | 0:15:20 | |
We'll be opening it up and sharing it's like never before, | 0:15:20 | 0:15:23 | |
so we're really excited about the project. | 0:15:23 | 0:15:26 | |
I think I better move on - | 0:15:26 | 0:15:27 | |
I can hear the deathwatch beetle clicking under my feet. | 0:15:27 | 0:15:31 | |
Croome Court might have been saved, but for years to come, it's going | 0:15:32 | 0:15:36 | |
to need injections of public cash to keep it running. | 0:15:36 | 0:15:39 | |
Croome will never again be a family home, | 0:15:42 | 0:15:45 | |
but thanks to public funding, it's open to all of us. | 0:15:45 | 0:15:47 | |
I'm heading back to the home of Countryfile's Christmas, | 0:15:47 | 0:15:51 | |
Ragley Hall, where they're managing to deliver all of that | 0:15:51 | 0:15:53 | |
with their own money. How do they do that? | 0:15:53 | 0:15:56 | |
First though, Matt's been finding out | 0:15:57 | 0:15:59 | |
more about the estate's home farm. | 0:15:59 | 0:16:01 | |
Traditionally, country houses relied on their farms to feed those | 0:16:15 | 0:16:19 | |
up at the big house, but now farming is a commercial enterprise. | 0:16:19 | 0:16:22 | |
Here at Ragley, with 6,500 acres, | 0:16:22 | 0:16:26 | |
they farm arable crops, | 0:16:26 | 0:16:28 | |
beef and run over 1,000 sheep. | 0:16:28 | 0:16:31 | |
Shepherd Barry Woods has worked here for over 30 years. | 0:16:35 | 0:16:40 | |
And he looks after all the sheep on the Ragley estate. | 0:16:40 | 0:16:43 | |
BARRY WHISTLES | 0:16:43 | 0:16:45 | |
'At this time of year, he has a very important job to do, | 0:16:46 | 0:16:49 | |
'moving the sheep from the open parkland to their winter shelter.' | 0:16:49 | 0:16:52 | |
-Good to see you. -Pleased to meet you. -All right. What's happening? | 0:16:52 | 0:16:56 | |
What are you up to? | 0:16:56 | 0:16:58 | |
Well, this is early lambing flock. There's 350 ewes here. | 0:16:58 | 0:17:01 | |
-We're going to head up the farm. -OK. | 0:17:01 | 0:17:03 | |
About three quarters of a mile. | 0:17:03 | 0:17:05 | |
Right, girls. | 0:17:08 | 0:17:11 | |
BARRY WHISTLES | 0:17:11 | 0:17:13 | |
To new shelter. | 0:17:13 | 0:17:15 | |
Such a lovely sound, that. | 0:17:15 | 0:17:17 | |
Gently! Steady, steady, steady, steady. | 0:17:18 | 0:17:22 | |
You often find, when sheep go into a large open space, | 0:17:22 | 0:17:25 | |
they'll burst away. | 0:17:25 | 0:17:26 | |
'The dogs and the sheep have got a long trek to their winter quarters, | 0:17:26 | 0:17:29 | |
'and it's all uphill. | 0:17:29 | 0:17:31 | |
'Luckily for me, Barry's come prepared.' | 0:17:31 | 0:17:34 | |
-So, Barry, the dogs are going on foot, but... -We're driving. | 0:17:34 | 0:17:37 | |
We're going in the old... What a lovely job. | 0:17:37 | 0:17:40 | |
Too old to walk. | 0:17:40 | 0:17:41 | |
Stand there! | 0:17:45 | 0:17:47 | |
BARRY WHISTLES | 0:17:47 | 0:17:48 | |
It's some view from up here, Barry. | 0:17:48 | 0:17:51 | |
Absolutely beautiful, isn't it? | 0:17:51 | 0:17:53 | |
'Before the sheep can get to their winter quarters, | 0:17:55 | 0:17:58 | |
'they've got one big hazard to negotiate.' | 0:17:58 | 0:18:01 | |
Things are going to get a little bit more exciting now. | 0:18:01 | 0:18:04 | |
So from the quiet, tranquil beauty, | 0:18:04 | 0:18:07 | |
we're going to try and cross this road. | 0:18:07 | 0:18:10 | |
Are we going right or left, Barry? | 0:18:14 | 0:18:16 | |
Left, left, left, left. | 0:18:16 | 0:18:18 | |
-Right! -I ain't ready yet. | 0:18:18 | 0:18:20 | |
BARRY WHISTLES | 0:18:20 | 0:18:22 | |
Come on! Come on, come on. | 0:18:22 | 0:18:24 | |
This is where it's really handy to have a sound man with a big boom. | 0:18:24 | 0:18:28 | |
Just wave it around, Rob, that's great. | 0:18:28 | 0:18:31 | |
Come on, come on, come on! | 0:18:31 | 0:18:33 | |
Are we following you? | 0:18:33 | 0:18:34 | |
Come on, come on! | 0:18:34 | 0:18:36 | |
MATT WHISTLES | 0:18:36 | 0:18:37 | |
Come on, girls! | 0:18:37 | 0:18:39 | |
No time for nibbling. | 0:18:39 | 0:18:40 | |
Too easy, Barry. | 0:18:40 | 0:18:42 | |
-I like a big traffic jam, as a rule. -Oh, no. | 0:18:43 | 0:18:47 | |
That'll do. Stand there, stand there. | 0:18:47 | 0:18:50 | |
-Thank you! -That's it, be polite. -Thank you very much! | 0:18:50 | 0:18:54 | |
Oh, look. They know where they're going, look. | 0:18:54 | 0:18:56 | |
MATT LAUGHS | 0:18:56 | 0:18:58 | |
They only come once a year and they still know. | 0:18:58 | 0:19:00 | |
That's great, isn't it? A lovely sight. | 0:19:00 | 0:19:02 | |
Just seeing all their ears | 0:19:02 | 0:19:03 | |
and their heads just bobbing up, I love it. | 0:19:03 | 0:19:06 | |
Whoa, whoa, whoa. | 0:19:07 | 0:19:09 | |
Steady, steady. | 0:19:09 | 0:19:11 | |
Nearly there, last few. | 0:19:11 | 0:19:13 | |
Stay. There's always one. | 0:19:13 | 0:19:15 | |
There's always one. | 0:19:15 | 0:19:17 | |
Unbelievable. | 0:19:17 | 0:19:19 | |
The last one. | 0:19:20 | 0:19:21 | |
# Da-da-da-da! # | 0:19:24 | 0:19:26 | |
There's always one. | 0:19:31 | 0:19:32 | |
-Tell me about it. -Had to be done. -Tell me about it. | 0:19:32 | 0:19:35 | |
I'm not as fit as I used to be. | 0:19:35 | 0:19:37 | |
So, 350 of them in. | 0:19:40 | 0:19:41 | |
-Yep. 500 more to come. -But I tell you what - | 0:19:41 | 0:19:44 | |
-it's just nice to see them in, under a roof. -It is, in the dry. | 0:19:44 | 0:19:48 | |
-Makes me happy, anyhow. -Silage on tap. -Yep. | 0:19:48 | 0:19:51 | |
Let those lambs grow nice. | 0:19:51 | 0:19:53 | |
Certainly will. I hope so. | 0:19:53 | 0:19:56 | |
So, this is what the girls will be nibbling on | 0:19:56 | 0:19:58 | |
over the next few months. | 0:19:58 | 0:19:59 | |
They've got a roof over their head and all the silage they could want. | 0:19:59 | 0:20:02 | |
And this is what I love, cos in the depths of winter, | 0:20:02 | 0:20:04 | |
if you take a big sniff... | 0:20:04 | 0:20:06 | |
you're just transported back to summertime. | 0:20:06 | 0:20:08 | |
'It's time to kick off the wellies | 0:20:11 | 0:20:13 | |
'and head back to the Hall, as the estate butcher has just arrived.' | 0:20:13 | 0:20:17 | |
Oh, look at that! Isn't that absolutely beautiful? | 0:20:17 | 0:20:21 | |
-Jason, how you doing? -Hi, Matt, how are you? | 0:20:22 | 0:20:25 | |
'Let's face it, you can't have a party without food, and Jason Woods | 0:20:25 | 0:20:28 | |
'is in charge of feeding the masses at the staff Christmas do tonight.' | 0:20:28 | 0:20:32 | |
Well, tonight we're making canapes | 0:20:32 | 0:20:34 | |
and mince pies for the staff at Ragley. | 0:20:34 | 0:20:37 | |
We've got some fantastic Ragley sausages, | 0:20:37 | 0:20:39 | |
we're going to cut those up and pop them on a stick with a bit | 0:20:39 | 0:20:42 | |
of mustard dressing, cos they're so good, | 0:20:42 | 0:20:44 | |
-you don't need to do much with them. -Yeah. | 0:20:44 | 0:20:45 | |
What's the plan with the goose, then? | 0:20:45 | 0:20:48 | |
The goose, I'm just binding it with some strips of bacon, | 0:20:48 | 0:20:51 | |
which is, in effect, protecting the breast. | 0:20:51 | 0:20:53 | |
There's a lot of fat in there, and it's literally just to give | 0:20:53 | 0:20:56 | |
the breasts some protection and keep the moisture in during cooking. | 0:20:56 | 0:20:59 | |
Then we take the bacon off and nibble it. Lovely. | 0:20:59 | 0:21:01 | |
For anybody that is cooking turkey, | 0:21:01 | 0:21:03 | |
though, what is your top chef's tip, then, for Christmas turkey? | 0:21:03 | 0:21:06 | |
Certainly cook it the opposite way up to this, | 0:21:06 | 0:21:09 | |
to let the fat run through it. | 0:21:09 | 0:21:11 | |
I'd also probably say check the size of your oven | 0:21:11 | 0:21:13 | |
before you go and buy the turkey, because people get | 0:21:13 | 0:21:15 | |
very ambitious with turkeys, and then it doesn't fit. | 0:21:15 | 0:21:19 | |
Hello, hello, chefs! Hello. Hiya. | 0:21:19 | 0:21:21 | |
Look at you, slaving away. over a frying pan. | 0:21:21 | 0:21:24 | |
That's what I like to see you doing, Baker! | 0:21:24 | 0:21:26 | |
-Don't they look lovely? -They smell amazing. | 0:21:26 | 0:21:29 | |
Are these the same, over here? | 0:21:29 | 0:21:30 | |
Yeah, they're just fresh out. A little bit of mustard. | 0:21:30 | 0:21:34 | |
I'm not a mustard fan, but I'll just finish this one like that. | 0:21:34 | 0:21:37 | |
Have you seen what's for dessert, as well? | 0:21:39 | 0:21:41 | |
-Oh! -Mini mince pies! | 0:21:41 | 0:21:43 | |
I better taste these as well, yeah? | 0:21:43 | 0:21:45 | |
-Tell you what, I'm just going to stay in here. -It's great, isn't it? | 0:21:45 | 0:21:48 | |
It's perfect. Who needs a party? It's great. | 0:21:48 | 0:21:50 | |
We could finish everything. No-one would know. | 0:21:50 | 0:21:53 | |
Go and put your dress on. Put your dress on and come back. | 0:21:53 | 0:21:55 | |
All right, then. | 0:21:55 | 0:21:57 | |
Bye. Very good work, guys. | 0:21:57 | 0:21:59 | |
There we are. Go and put your dress on. | 0:21:59 | 0:22:01 | |
I knew how to get rid of her! | 0:22:01 | 0:22:03 | |
MATT LAUGHS | 0:22:03 | 0:22:05 | |
-JULIA: -Now, back out on the estate in the winter chill, | 0:22:11 | 0:22:14 | |
everything looks peaceful. | 0:22:14 | 0:22:16 | |
But there's still plenty going on, as John's been discovering. | 0:22:16 | 0:22:19 | |
JOHN: 'There are over a thousand acres of woodland | 0:22:21 | 0:22:24 | |
'and half a million trees on the estate, | 0:22:24 | 0:22:27 | |
'but at this time of year, it's all about Ragley's Christmas trees.' | 0:22:27 | 0:22:31 | |
'I'm meeting up with sawmill manager Len Quiney.' | 0:22:35 | 0:22:38 | |
You must have sold quite a lot this year, so getting towards the end now. | 0:22:38 | 0:22:42 | |
How important is it to the estate, this kind of business? | 0:22:42 | 0:22:46 | |
It's a big business to the estate. As a cash flow, I think... | 0:22:46 | 0:22:49 | |
I mean, we plant the trees, they do whatever they want to do. | 0:22:49 | 0:22:52 | |
They don't take much looking after. | 0:22:52 | 0:22:54 | |
All we do is go down, harvest them, bring them down to the sawmill. | 0:22:54 | 0:22:58 | |
The general public come to us, go away happy. | 0:22:58 | 0:23:01 | |
In an average year, then, | 0:23:01 | 0:23:03 | |
how many Christmas trees would you expect to sell? | 0:23:03 | 0:23:06 | |
Anything between 200, 300 trees. | 0:23:06 | 0:23:09 | |
'Earlier, I took a huge Christmas tree up to the big house | 0:23:12 | 0:23:15 | |
'and now I've got some others to deliver.' | 0:23:15 | 0:23:18 | |
Oh, yeah, that is a lovely tree, isn't it? Beautiful proportions. | 0:23:18 | 0:23:22 | |
'As a festive gesture, Lord Hertford | 0:23:24 | 0:23:26 | |
'gives Christmas trees to the local schools. | 0:23:26 | 0:23:29 | |
'I'm off to one right now, and it looks as though we're expected.' | 0:23:29 | 0:23:34 | |
-CHILDREN: -Hello! | 0:23:34 | 0:23:36 | |
CHILDREN CHEER | 0:23:38 | 0:23:39 | |
Hello! | 0:23:41 | 0:23:43 | |
Happy Christmas! Happy Christmas! | 0:23:45 | 0:23:48 | |
CHILDREN CHEER | 0:23:48 | 0:23:49 | |
Bye! | 0:23:49 | 0:23:50 | |
It's not only local schools that get a tree. | 0:23:55 | 0:23:59 | |
So do the churches dotted in and around the estate. | 0:23:59 | 0:24:01 | |
These special deliveries are one of the highlights of the year | 0:24:04 | 0:24:08 | |
for Ragley's foresters. | 0:24:08 | 0:24:10 | |
This is one of the churches that gets a free Christmas tree. | 0:24:15 | 0:24:19 | |
It's the little Weethley church, quite beautiful. | 0:24:19 | 0:24:22 | |
And I can hear the sound of Christmas music from inside. | 0:24:22 | 0:24:25 | |
# ..Child of Bethlehem | 0:24:25 | 0:24:27 | |
# Descend to us, we pray | 0:24:27 | 0:24:32 | |
# Cast out our sin and enter in... # | 0:24:32 | 0:24:37 | |
'This is a small section of the Alcester Male Voice Choir. | 0:24:37 | 0:24:42 | |
'And maybe, just maybe, they'll grant me a Christmas wish.' | 0:24:42 | 0:24:46 | |
# ..The great glad tidings tell | 0:24:48 | 0:24:54 | |
# O, come to us, abide with us | 0:24:54 | 0:24:59 | |
# Our Lord Emmanuel. # | 0:24:59 | 0:25:05 | |
Choir, Judith, that was splendid. | 0:25:05 | 0:25:08 | |
Thank you very much. | 0:25:08 | 0:25:10 | |
And I hear that you're practising for the party at Ragley Hall. | 0:25:10 | 0:25:13 | |
Yes, we are, actually. | 0:25:13 | 0:25:15 | |
Lord and Lady Hertford are our presidents, our patrons, | 0:25:15 | 0:25:18 | |
and they've invited us to sing for them at the party. | 0:25:18 | 0:25:21 | |
Secretly, Judith, I've always wanted to sing in a choir like this one, | 0:25:21 | 0:25:25 | |
but the problem is, I don't think I'm any good at singing. | 0:25:25 | 0:25:29 | |
Well, would you like to sing with us and see how it goes? | 0:25:29 | 0:25:34 | |
MUSIC: "Deck The Halls" by Talhaiarn and Thomas Oliphant | 0:25:34 | 0:25:40 | |
# Deck the halls with boughs of holly | 0:25:40 | 0:25:43 | |
# Fa la la la la la la la la | 0:25:43 | 0:25:47 | |
# Tis the season... # | 0:25:47 | 0:25:48 | |
'Well, the others sound great. | 0:25:48 | 0:25:49 | |
'We'll just have to see how it goes tonight | 0:25:49 | 0:25:51 | |
'when I join the whole choir to sing in front of 100 guests.' | 0:25:51 | 0:25:55 | |
# ..Fa la la, la la la la la la... # | 0:25:56 | 0:26:00 | |
Although we're celebrating Christmas here at Ragley Hall, | 0:26:03 | 0:26:08 | |
that's not stopped Tom doing a spot of investigating. | 0:26:08 | 0:26:11 | |
-TOM: -I've been exploring the downfall | 0:26:20 | 0:26:23 | |
of many of our historic country houses. | 0:26:23 | 0:26:26 | |
A staggering 1,845 have been lost | 0:26:26 | 0:26:28 | |
over the last 100 years, | 0:26:28 | 0:26:31 | |
many of the survivors depending on public funding. But not Ragley. | 0:26:31 | 0:26:35 | |
As well as being a family home, | 0:26:38 | 0:26:41 | |
Ragley Hall is a 21st-century country estate that pays for itself. | 0:26:41 | 0:26:45 | |
So, how has this place succeeded when so many others have failed? | 0:26:45 | 0:26:49 | |
'Like most stately homes, | 0:26:51 | 0:26:53 | |
'by the end of the Second World War, Ragley was on its knees. | 0:26:53 | 0:26:57 | |
'But the 60 years since, passionate members of | 0:26:57 | 0:27:00 | |
'the Hertford family have been fighting to bring it back. | 0:27:00 | 0:27:03 | |
'The eighth Marquess saved it from the brink in the 1950s, | 0:27:03 | 0:27:07 | |
'and today, his son, the current Lord Hertford, | 0:27:07 | 0:27:10 | |
'is determined to keep the place alive.' | 0:27:10 | 0:27:13 | |
What would you say to future generations? | 0:27:13 | 0:27:16 | |
What's the key to making sure it stays with you? | 0:27:16 | 0:27:19 | |
Just being there. | 0:27:19 | 0:27:21 | |
If you're here and you keep that fire going | 0:27:21 | 0:27:25 | |
and you keep the roof intact | 0:27:25 | 0:27:28 | |
and you keep the place open to the public, | 0:27:28 | 0:27:32 | |
if you've got the right people with you, you'll do it. | 0:27:32 | 0:27:35 | |
And you'll carry on doing it. | 0:27:35 | 0:27:38 | |
And at this time of year, there's perfect chance to meet | 0:27:39 | 0:27:42 | |
the folk that keep Ragley in good working order. | 0:27:42 | 0:27:45 | |
It's the Christmas shoot for the trustees, | 0:27:45 | 0:27:48 | |
friends and a few of the staff at Ragley Hall, | 0:27:48 | 0:27:50 | |
and I'm joining them in this executive caravan. | 0:27:50 | 0:27:53 | |
'Ragley Hall is a commercial venture. | 0:27:55 | 0:27:57 | |
'Like any other, it depends on its profits to survive. | 0:27:57 | 0:28:01 | |
'Alan Granger is the estate's Chief Executive | 0:28:02 | 0:28:05 | |
'and today he definitely means business.' | 0:28:05 | 0:28:09 | |
-So, how did you get on? -Good, yes. Very good, thank you. | 0:28:10 | 0:28:12 | |
I was worried about a few of them coming down | 0:28:12 | 0:28:14 | |
-and hitting me on the head. -Yeah, well, I did quite well. | 0:28:14 | 0:28:16 | |
Give me a feeling overall of total turnover of this estate. | 0:28:19 | 0:28:23 | |
The whole business turnover is around about £5 million. | 0:28:23 | 0:28:27 | |
So do you look at it as, you know, we've got a block of land... | 0:28:27 | 0:28:30 | |
Do you try and think quite widely | 0:28:30 | 0:28:32 | |
-about how you can capitalise on that? -Absolutely. | 0:28:32 | 0:28:35 | |
It's a series of assets that we have available to try | 0:28:35 | 0:28:38 | |
and utilise in the best way possible. | 0:28:38 | 0:28:40 | |
Farming is still a substantial part of our income, | 0:28:40 | 0:28:44 | |
property itself, letting houses. | 0:28:44 | 0:28:46 | |
We have a woodlands business and then the house itself | 0:28:46 | 0:28:49 | |
which is used for the public and as an events venue. | 0:28:49 | 0:28:53 | |
What do you think it is that you're doing right at Ragley? | 0:28:53 | 0:28:56 | |
That's a really difficult question. | 0:28:56 | 0:28:58 | |
We are just trying to do different things, keeping up with what | 0:28:58 | 0:29:02 | |
people want, trying to change the product that we're offering. | 0:29:02 | 0:29:06 | |
'Today is a bit of time off, | 0:29:06 | 0:29:08 | |
'but Alan and the team have their hands full - | 0:29:08 | 0:29:12 | |
'keeping the estate running is a never-ending job.' | 0:29:12 | 0:29:15 | |
Well done. | 0:29:15 | 0:29:16 | |
-So, is this a partridge? -It's a partridge. French partridge. | 0:29:16 | 0:29:20 | |
Identified by its red legs. | 0:29:20 | 0:29:22 | |
'But what about the future? | 0:29:26 | 0:29:28 | |
'There's a young lad that I need to catch up with to find out.' | 0:29:28 | 0:29:32 | |
Eventually, all this and the responsibility that comes | 0:29:32 | 0:29:36 | |
with it, will fall into the hands of Lord Hertford's son, William. | 0:29:36 | 0:29:41 | |
So, who are the various horses that we've got in here? | 0:29:41 | 0:29:44 | |
This one's Billy. | 0:29:44 | 0:29:46 | |
-Billy. And this one? -That one's Connor. | 0:29:46 | 0:29:48 | |
'It's a family tradition to give the horses a Christmas treat.' | 0:29:48 | 0:29:52 | |
Are there any big dreams you have for this place? | 0:29:52 | 0:29:54 | |
Any things you think, "I'd really like to see an X, | 0:29:54 | 0:29:56 | |
"which maybe I'm not going to tell my parents about." | 0:29:56 | 0:29:59 | |
But you can tell me. | 0:29:59 | 0:30:01 | |
A theme park? | 0:30:01 | 0:30:02 | |
No, I just wish to be a good custodian, really. | 0:30:02 | 0:30:06 | |
For you, there is a little bit of obligation involved. | 0:30:06 | 0:30:09 | |
I wonder if you feel like that ties you sometimes. | 0:30:09 | 0:30:12 | |
It does sometimes. | 0:30:12 | 0:30:14 | |
I wanted to do Classical Civilisation, actually, | 0:30:14 | 0:30:17 | |
because I loved the subject so much. | 0:30:17 | 0:30:19 | |
However, I realised, this summer alone, | 0:30:19 | 0:30:21 | |
that it would be more beneficial | 0:30:21 | 0:30:24 | |
for me, really, to actually study | 0:30:24 | 0:30:26 | |
Rural Land Management instead. | 0:30:26 | 0:30:28 | |
I just look around and remember what I have | 0:30:28 | 0:30:32 | |
and I'm reminded how fortunate I am, | 0:30:32 | 0:30:34 | |
so I embrace it, really. | 0:30:34 | 0:30:36 | |
'We don't have an endless pot of public money, | 0:30:38 | 0:30:41 | |
'so it's up to people like William to keep many of our stately homes | 0:30:41 | 0:30:44 | |
'alive, so future generations can enjoy them.' | 0:30:44 | 0:30:48 | |
The key to the long-term survival of these places | 0:30:50 | 0:30:53 | |
is to be loved by people. | 0:30:53 | 0:30:55 | |
Now, that could be a family who live here, | 0:30:55 | 0:30:57 | |
staff who work here, or the public that come and visit, | 0:30:57 | 0:31:01 | |
because without that, they're beautiful | 0:31:01 | 0:31:05 | |
but empty shells. | 0:31:05 | 0:31:06 | |
The gardens here at Ragley are a real draw for visitors. | 0:31:11 | 0:31:16 | |
And even in the bleak midwinter, they have a drama all of their own. | 0:31:16 | 0:31:21 | |
And that's where Ellie's heading right now, | 0:31:24 | 0:31:26 | |
to look for a little Yuletide inspiration. | 0:31:26 | 0:31:30 | |
You could be forgiven for thinking that not much goes on out here | 0:31:32 | 0:31:35 | |
at this time of year, but you'd be wrong, because right now, | 0:31:35 | 0:31:37 | |
the Ragley gardens are working harder than ever. | 0:31:37 | 0:31:40 | |
'I'm joining head gardener Ross Barbour. | 0:31:42 | 0:31:45 | |
'He's going to help me find | 0:31:45 | 0:31:47 | |
'some natural festive touches for tonight's party.' | 0:31:47 | 0:31:50 | |
Are you all right, Ross? | 0:31:50 | 0:31:52 | |
-Hi, Ellie. -How are you doing? -Good, thanks. -What are you up to here? | 0:31:52 | 0:31:54 | |
I'm getting some foliage together to go in some | 0:31:54 | 0:31:56 | |
garlands for the Hall, some Christmas garlands. | 0:31:56 | 0:31:58 | |
Ah, very festive. Do you want a hand? | 0:31:58 | 0:32:00 | |
-How long? Like this? -A bit longer than that. | 0:32:01 | 0:32:04 | |
Then the boys can shorten it down to the length that they want. | 0:32:04 | 0:32:07 | |
Sounds nice. | 0:32:07 | 0:32:09 | |
-There we go, how's that? -That's perfect. | 0:32:09 | 0:32:11 | |
-Shall we make something gorgeous out of it? -Yep. Sounds good. | 0:32:11 | 0:32:15 | |
-Here we go. -Some more. -Lovely. | 0:32:15 | 0:32:19 | |
-So this is what goes on in the woodshed, then? -Yeah. | 0:32:19 | 0:32:22 | |
What are you going to make here? | 0:32:22 | 0:32:24 | |
We're doing garlands for going over the fireplaces in the Hall. | 0:32:24 | 0:32:27 | |
Wow. And do you tend to just pick what's out there | 0:32:27 | 0:32:29 | |
or do you have to grow specifically for it? | 0:32:29 | 0:32:31 | |
It's all grown in the garden already. | 0:32:31 | 0:32:33 | |
How many of these do you have to make? How long do they have to be? | 0:32:33 | 0:32:35 | |
We do two four-metre ones that go | 0:32:35 | 0:32:37 | |
-over the fireplaces in the Great Hall. -Wow. | 0:32:37 | 0:32:39 | |
-I'm going to have a little go. -Have a bit of holly, then. -Right. | 0:32:39 | 0:32:42 | |
Have some holly with some berries on. | 0:32:42 | 0:32:44 | |
So they need to be smallish sprigs, do they? | 0:32:44 | 0:32:47 | |
I think three will do. | 0:32:47 | 0:32:48 | |
-One, two, three. -One, two, three. OK. | 0:32:48 | 0:32:52 | |
And we just... | 0:32:52 | 0:32:53 | |
So you get a little bunch, then what? | 0:32:54 | 0:32:56 | |
And then like that, and Lee will tie it up. Fantastic. | 0:32:56 | 0:33:00 | |
'It can take the gardening team a couple of days | 0:33:00 | 0:33:03 | |
'to make these garlands. | 0:33:03 | 0:33:04 | |
'We've got a few hours, and it's freezing.' | 0:33:04 | 0:33:08 | |
Perfect. | 0:33:08 | 0:33:09 | |
We'll deck the halls. | 0:33:09 | 0:33:12 | |
-A bit more. A bit of yew? -Right. | 0:33:12 | 0:33:15 | |
That's the garland sorted. | 0:33:19 | 0:33:21 | |
But there's still plenty to do over at the Hall. | 0:33:21 | 0:33:23 | |
-JULIA: -'I've a big task ahead, | 0:33:27 | 0:33:29 | |
'but where's Matt Baker when you need him? | 0:33:29 | 0:33:31 | |
'I seek him here, | 0:33:31 | 0:33:33 | |
'I seek him there... | 0:33:33 | 0:33:36 | |
'and find him in the games room - surprise, surprise.' | 0:33:36 | 0:33:40 | |
Oh, here you are. | 0:33:40 | 0:33:41 | |
I should have come here first, of course. | 0:33:41 | 0:33:43 | |
-Hey? -Come on, I need you. | 0:33:43 | 0:33:44 | |
-Can I just finish my game? -No, I need you now. | 0:33:44 | 0:33:47 | |
Come on, man. | 0:33:47 | 0:33:49 | |
Playing on your own, saddo! | 0:33:49 | 0:33:50 | |
THEY LAUGH | 0:33:50 | 0:33:52 | |
-Right. -OK, what's happening? | 0:33:53 | 0:33:55 | |
-Big job in here. -Yeah? | 0:33:55 | 0:33:57 | |
Yeah, we're going to need a bit of help. | 0:33:57 | 0:33:59 | |
There we go, that's good. | 0:33:59 | 0:34:01 | |
-Hello, guys. -Hello. | 0:34:01 | 0:34:03 | |
Right, what we've got to do, this carpet needs to be rolled up. | 0:34:03 | 0:34:07 | |
-It's actually in three sections. -What, all of it? | 0:34:07 | 0:34:10 | |
Yeah, all of it's got to come up. | 0:34:10 | 0:34:12 | |
So it's a bit of rolling that we've got to get doing. | 0:34:12 | 0:34:14 | |
-ELLIE: -OK, I'll lend you a hand. -Thank you. | 0:34:14 | 0:34:16 | |
JOHN: I'll opt out, cos I've got an important message to deliver. | 0:34:16 | 0:34:19 | |
-John, that's the second time today. -I know. But enjoy yourselves. | 0:34:19 | 0:34:22 | |
-What are you doing, John? -I've got a bad back as well. | 0:34:22 | 0:34:25 | |
-After delivering that tree. -OK. | 0:34:25 | 0:34:28 | |
So we're a man down. | 0:34:28 | 0:34:29 | |
-Yeah. -I'll get on that, don't worry. You get rolling, I'll sort it out. | 0:34:29 | 0:34:33 | |
-I'll find somebody else to help. -What? How did that happen? | 0:34:33 | 0:34:35 | |
'Rolling these carpets up is quite a task, | 0:34:35 | 0:34:37 | |
'so we've called on the help of house manager, John MacDougall, | 0:34:37 | 0:34:41 | |
'and Lord and Lady Hertford's youngest son, Edward. | 0:34:41 | 0:34:44 | |
'Oh, and Pippa the dog, who's really enjoying herself.' | 0:34:44 | 0:34:48 | |
That's it. That's looking good. | 0:34:48 | 0:34:50 | |
'These carpets protect the ancient tiled floor beneath | 0:34:54 | 0:34:57 | |
'from the feet of thousands of tourists who visit every year. | 0:34:57 | 0:35:01 | |
'Rolling them up is a Christmas ritual. | 0:35:01 | 0:35:03 | |
'The family's way of re-staking their claim | 0:35:03 | 0:35:06 | |
'after the tourist season.' | 0:35:06 | 0:35:08 | |
'You could just eat it, though, Pippa.' | 0:35:10 | 0:35:13 | |
Just two more after this, guys. | 0:35:13 | 0:35:15 | |
I'm sensing we're going off slightly. | 0:35:15 | 0:35:17 | |
OK, go. | 0:35:19 | 0:35:21 | |
-There we go. -Excellent. Right. | 0:35:24 | 0:35:27 | |
'One down, two to go.' | 0:35:27 | 0:35:29 | |
Now, this should be easier, | 0:35:30 | 0:35:32 | |
because you don't have another carpet in the way. | 0:35:32 | 0:35:34 | |
Hang on, hang on, hang on. | 0:35:37 | 0:35:39 | |
Pippa, come on, come on! | 0:35:40 | 0:35:42 | |
OK, go again. | 0:35:42 | 0:35:44 | |
'Two down, and here's Lucy checking out the handiwork too.' | 0:35:44 | 0:35:47 | |
While they're busy rolling up the carpet for Christmas, | 0:35:47 | 0:35:50 | |
we all know that New Year is just around the corner, | 0:35:50 | 0:35:52 | |
and if you haven't already got one of these, you're going to need it. | 0:35:52 | 0:35:55 | |
It's the Countryfile calendar for 2013. | 0:35:55 | 0:35:58 | |
It costs £9, | 0:35:58 | 0:36:00 | |
and at least £4 of it goes to BBC Children In Need. | 0:36:00 | 0:36:03 | |
You can get one by going to our website - that's... | 0:36:03 | 0:36:06 | |
-OK, John. -Whoa! | 0:36:10 | 0:36:12 | |
At this time of year, there's nothing like a real open fire. | 0:36:21 | 0:36:25 | |
And before he gets his glad rags on, it's Shane's job to build it. | 0:36:25 | 0:36:28 | |
-Are you all right, Shane? -Very well, thank you. -How's it going? | 0:36:28 | 0:36:31 | |
I'm not good at making fires. | 0:36:31 | 0:36:32 | |
You have to give me your best tips. Starting with paper, are we? | 0:36:32 | 0:36:35 | |
Yes, start the tinder with paper. You just scrunch it up. | 0:36:35 | 0:36:38 | |
-Not too tightly. -OK. -Looser the better, really. | 0:36:38 | 0:36:40 | |
Yeah, yeah. | 0:36:40 | 0:36:41 | |
-Then onto kindling and then onto the big stuff? -That's it. -OK. | 0:36:41 | 0:36:44 | |
So, how long have you worked here? You look very young. | 0:36:44 | 0:36:47 | |
Coming to the end of my fifth year now. | 0:36:47 | 0:36:49 | |
Really? How old were you when you started? | 0:36:49 | 0:36:51 | |
I was 21 when I started here. | 0:36:51 | 0:36:52 | |
-A mere child. -26 now. | 0:36:52 | 0:36:54 | |
-And what's your job at the estate? -I'm a houseman. | 0:36:54 | 0:36:57 | |
So, I do odd jobs around the house, | 0:36:57 | 0:36:59 | |
like maintenance and things like that. | 0:36:59 | 0:37:02 | |
-Gosh. And you get to live on the estate, don't you? -I do. | 0:37:02 | 0:37:05 | |
I feel quite privileged, actually, | 0:37:05 | 0:37:07 | |
to live at one of the gatehouses here at Ragley. | 0:37:07 | 0:37:09 | |
Some great surroundings and a really great place to be. | 0:37:09 | 0:37:12 | |
Are you looking forward to tonight? | 0:37:12 | 0:37:14 | |
Yes, really looking forward to it, actually. | 0:37:14 | 0:37:16 | |
-Don't get too drunk in front of your bosses. -I most certainly won't. | 0:37:16 | 0:37:19 | |
-Right, so the big ones on. -The small ones, first of all. | 0:37:19 | 0:37:22 | |
-Is this fire going to keep this enormous room warm? -Yeah, it will. | 0:37:22 | 0:37:25 | |
It does give out quite a lot of heat, | 0:37:25 | 0:37:27 | |
and the wood burns really well. | 0:37:27 | 0:37:28 | |
There's a really good draw on this fire. | 0:37:28 | 0:37:30 | |
-And merriment keeps you warm, as well. -It certainly will. | 0:37:30 | 0:37:33 | |
'Now, that's what I call a blaze. | 0:37:42 | 0:37:44 | |
'It's beginning to look a lot like Christmas.' | 0:37:44 | 0:37:48 | |
ELLIE: Christmas is a holiday for most of us...not for Adam. | 0:37:53 | 0:37:58 | |
There's still animals left to feed | 0:37:58 | 0:37:59 | |
and plenty left to do before the festivities begin. | 0:37:59 | 0:38:02 | |
This is a lovely time of year. | 0:38:07 | 0:38:09 | |
Christmas is just around the corner. | 0:38:09 | 0:38:12 | |
I don't like to do too much on Christmas Day, so I'm just getting | 0:38:12 | 0:38:15 | |
these logs chopped, getting some kindling to light the fire with. | 0:38:15 | 0:38:18 | |
Lots of people use an axe the wrong way. | 0:38:18 | 0:38:20 | |
They'll hold their hands together, then try and swing it. | 0:38:20 | 0:38:23 | |
What you want to do is keep your hands apart, then as you swing | 0:38:23 | 0:38:26 | |
it down, slide your hand down and let the weight of the axe do the work. | 0:38:26 | 0:38:29 | |
Very easy. | 0:38:29 | 0:38:30 | |
I've got some holly cut for the kids, as well. | 0:38:30 | 0:38:33 | |
They'll be able to decorate the house with that. | 0:38:33 | 0:38:36 | |
Keep out. Look out. | 0:38:38 | 0:38:41 | |
Mind your nose. There you go. | 0:38:41 | 0:38:45 | |
Look at that, it's nearly Christmas, and the roses are still in flower. | 0:38:56 | 0:39:00 | |
This old farmhouse doesn't have any central heating, | 0:39:07 | 0:39:10 | |
so it's good to keep the log fire in. | 0:39:10 | 0:39:12 | |
And there's something very special about looking into the flames | 0:39:12 | 0:39:15 | |
of a log fire in the winter months. | 0:39:15 | 0:39:18 | |
There are certain animals on my farm that have a starring role | 0:39:23 | 0:39:26 | |
at this time of year. | 0:39:26 | 0:39:28 | |
We keep a few donkeys on the farm | 0:39:30 | 0:39:33 | |
to breed from and to sell as pets, | 0:39:33 | 0:39:35 | |
and they're really lovely creatures, and of course lots of people think | 0:39:35 | 0:39:38 | |
about donkeys at Christmas, because they're in all the nativity scenes. | 0:39:38 | 0:39:41 | |
And on Christmas Day, for us as farmers, | 0:39:41 | 0:39:44 | |
we race around, getting all the animals fed and watered | 0:39:44 | 0:39:47 | |
and bedded down and checked on. | 0:39:47 | 0:39:48 | |
If there's any problems, we have to deal with it, | 0:39:48 | 0:39:51 | |
but hopefully there won't be, so we can get back to opening our presents. | 0:39:51 | 0:39:55 | |
And then there's lunch to tuck into. | 0:39:56 | 0:40:00 | |
These are my new turkeys. | 0:40:00 | 0:40:02 | |
I've got three different breeds. | 0:40:02 | 0:40:03 | |
I've got the Norfolk Blacks, the Bronzes and the Whites. | 0:40:03 | 0:40:07 | |
And the males are the stags that are all puffed up, | 0:40:07 | 0:40:10 | |
showing off to their smaller female. | 0:40:10 | 0:40:13 | |
And the Norfolk Black is a very traditional bird. | 0:40:13 | 0:40:16 | |
The meat is slightly gamier than the white turkey | 0:40:16 | 0:40:19 | |
and their slightly smaller breast. | 0:40:19 | 0:40:21 | |
But turkeys have been around for 10 million years, | 0:40:21 | 0:40:23 | |
and there's fossils to prove it. | 0:40:23 | 0:40:25 | |
And they were domesticated, it's said, by the Aztecs, and eventually | 0:40:25 | 0:40:28 | |
we got them over here in the UK, then farmed them on a grand scale. | 0:40:28 | 0:40:33 | |
But before lorries and roads, | 0:40:33 | 0:40:35 | |
we used to walk them from Norfolk all the way to London, to the markets. | 0:40:35 | 0:40:40 | |
And to stop their feet getting sore, they used to walk them | 0:40:40 | 0:40:42 | |
through tar and grit, to harden the bottom of their feet. | 0:40:42 | 0:40:46 | |
And also, they use to clothes them, to keep them in good condition. | 0:40:46 | 0:40:49 | |
They're remarkable animals. | 0:40:49 | 0:40:51 | |
Turkey is the UK's favourite festive meat. | 0:40:52 | 0:40:55 | |
For 87% of us, Christmas wouldn't be Christmas without one. | 0:40:55 | 0:40:59 | |
Around 10 million turkeys were sold last year, so it's big business. | 0:40:59 | 0:41:03 | |
But it hasn't always been that way. | 0:41:03 | 0:41:05 | |
Traditionally, most people ate goose for Christmas. | 0:41:06 | 0:41:09 | |
And it tied in with farming, | 0:41:09 | 0:41:11 | |
because the goose farmers used to turn the geese out onto the stubbles | 0:41:11 | 0:41:14 | |
after harvest, to feast on all the spilled grain | 0:41:14 | 0:41:17 | |
and then fatten up for Christmas. | 0:41:17 | 0:41:19 | |
And that remained the case right up until post-war years. | 0:41:19 | 0:41:24 | |
But then, in the '60s, a new breed of turkey was imported | 0:41:24 | 0:41:27 | |
from America that was fast-growing and more economical to produce. | 0:41:27 | 0:41:32 | |
And it was only then, really, that the goose | 0:41:32 | 0:41:35 | |
was knocked off its top spot. | 0:41:35 | 0:41:37 | |
And that had a major impact for geese farmers who had | 0:41:37 | 0:41:40 | |
for so long ruled the Christmas menu. | 0:41:40 | 0:41:43 | |
I'm on my way to a goose breeder in Stamford, Hampshire, | 0:41:45 | 0:41:48 | |
who has a passion for protecting many of the breeds | 0:41:48 | 0:41:51 | |
that are on the brink of extinction today. | 0:41:51 | 0:41:54 | |
Colin Murton is the go-to man when it comes to geese. | 0:41:57 | 0:42:00 | |
He's keen to preserve some of our rarer breeds. | 0:42:00 | 0:42:03 | |
-Colin, hi. -Morning. -Lovely to see you. | 0:42:05 | 0:42:08 | |
Goodness me, what a lovely scene. Toulouse geese. | 0:42:08 | 0:42:11 | |
Well, it's nice to see them, isn't it? | 0:42:11 | 0:42:13 | |
And how long have you been breeding geese for? | 0:42:13 | 0:42:16 | |
-Almost 30 years, I suppose. -Ever since you were a boy? | 0:42:16 | 0:42:19 | |
-That's about right, yeah. -Can we go in and take a closer look? | 0:42:19 | 0:42:21 | |
Yes, come and have a look. | 0:42:21 | 0:42:23 | |
Now, I've got a few Toulouse, Colin, | 0:42:26 | 0:42:28 | |
but I don't know much about their history. | 0:42:28 | 0:42:31 | |
I think they must have come in in the mid-1800s, | 0:42:31 | 0:42:34 | |
with the English passion to make everything bigger and larger. | 0:42:34 | 0:42:37 | |
And since the goose went out of fashion for our Christmas table, | 0:42:37 | 0:42:42 | |
they have become very rare, haven't they? Many of the breeds? | 0:42:42 | 0:42:45 | |
Oh, I think there's 18 breeds listed and they're all rare, | 0:42:45 | 0:42:48 | |
but the Rare Breed Survival Trust, in conjunction with the Goose Club, | 0:42:48 | 0:42:51 | |
has identified eight of these breeds really in dire straits. | 0:42:51 | 0:42:55 | |
Really want all the support they can get. | 0:42:55 | 0:42:58 | |
And why have they become so rare, then? | 0:42:58 | 0:42:59 | |
They're birds from the great outdoor. You can't intensify them. | 0:42:59 | 0:43:02 | |
With turkeys and chickens, you can keep them inside, | 0:43:02 | 0:43:05 | |
you can bring the unit costs down. | 0:43:05 | 0:43:07 | |
Geese, you just can't confine. They need grass, they need space. | 0:43:07 | 0:43:10 | |
I remember when I was a kid, we had a great big gander in what | 0:43:10 | 0:43:13 | |
we called the home paddock, which was just outside the yard, | 0:43:13 | 0:43:15 | |
and my dad heard me screaming, and this gander had me on the floor. | 0:43:15 | 0:43:19 | |
THEY LAUGH | 0:43:19 | 0:43:20 | |
But it didn't put me off geese. | 0:43:20 | 0:43:22 | |
It does happen. | 0:43:22 | 0:43:23 | |
Another of Colin's rare breeds are his Pilgrims, | 0:43:25 | 0:43:27 | |
and they need letting out. | 0:43:27 | 0:43:29 | |
If you want to let those out? The Pilgrims, in there, | 0:43:29 | 0:43:31 | |
-and I'll let these out. -OK. | 0:43:31 | 0:43:33 | |
-Come on, boys, out you come. -Come on, then, geese. | 0:43:34 | 0:43:37 | |
GEESE HONK | 0:43:37 | 0:43:40 | |
Well, they're lively. | 0:43:42 | 0:43:43 | |
Tell me about the Pilgrims, then. | 0:43:43 | 0:43:45 | |
The ganders are always white, and the geese are always grey. | 0:43:45 | 0:43:48 | |
Which is very, very useful, especially as a beginner. | 0:43:48 | 0:43:50 | |
You know how many males you've got and how many females you've got. | 0:43:50 | 0:43:53 | |
Many of these will go for Christmas, | 0:43:53 | 0:43:55 | |
apart from one or two I shall keep as replacement breeding ganders. | 0:43:55 | 0:43:59 | |
So, for people who want to get started, it's quite a good animal, | 0:43:59 | 0:44:01 | |
if they want to support a rare breed, isn't it? | 0:44:01 | 0:44:04 | |
Yeah, they really need all the support they can get. | 0:44:04 | 0:44:07 | |
But the work that's involved, other than shutting them | 0:44:07 | 0:44:09 | |
up every night to keep them away from foxes, is trivial, really. | 0:44:09 | 0:44:13 | |
And what would you recommend people choose, | 0:44:13 | 0:44:15 | |
because of all the different breeds? | 0:44:15 | 0:44:16 | |
If you choose what you like, then it will do well. | 0:44:16 | 0:44:19 | |
If you like it, you'll look after it. | 0:44:19 | 0:44:21 | |
'And now it's time to help Colin with some routine jobs. | 0:44:24 | 0:44:26 | |
'But first, we need to catch one.' | 0:44:26 | 0:44:28 | |
Yes, I've got him. I've got him. | 0:44:33 | 0:44:35 | |
So he's one of your favourites, is he? | 0:44:35 | 0:44:38 | |
I shall use him next year as a breeder, yes. | 0:44:38 | 0:44:41 | |
Lovely, aren't they? | 0:44:41 | 0:44:43 | |
Beautiful. The feathers, the down is just wonderful, isn't it? | 0:44:43 | 0:44:48 | |
Goose down, isn't it? We all sleep under goose down. | 0:44:48 | 0:44:51 | |
-What makes him so special? -Well, it's the shape, it's the type. | 0:44:51 | 0:44:54 | |
It's the strong head and just look at that eye. Look how that shines. | 0:44:54 | 0:44:57 | |
Wonderful, isn't he? So, we need to stick a ring on him. | 0:44:57 | 0:45:00 | |
He's already got one ring on his foot, I see. | 0:45:00 | 0:45:02 | |
One's a permanent ring, which has got a unique number. | 0:45:02 | 0:45:05 | |
But I like to put a colour ring on them, | 0:45:05 | 0:45:07 | |
which I can put on at any time, | 0:45:07 | 0:45:09 | |
so that I can fix him from a distance. | 0:45:09 | 0:45:12 | |
-Can I slip that on? Just coil it on, don't you? -That's right. | 0:45:12 | 0:45:15 | |
Just wind it round. | 0:45:15 | 0:45:17 | |
-There we go. -It's as easy as that. | 0:45:17 | 0:45:20 | |
And what else? | 0:45:20 | 0:45:21 | |
Well, the only other thing, it's not necessarily essential, | 0:45:21 | 0:45:24 | |
but I like to worm them, just as a precaution. | 0:45:24 | 0:45:27 | |
And I worm them twice a year. A couple of mls... | 0:45:27 | 0:45:30 | |
-Just a squirt down the mouth? -Straight down the mouth. | 0:45:30 | 0:45:32 | |
-There you are. -There we go, mate. -Back of the throat. | 0:45:32 | 0:45:35 | |
And that's it. Oops! | 0:45:35 | 0:45:36 | |
Mostly of it went down. But it's as easy as that. | 0:45:36 | 0:45:39 | |
-That's him all done. -Yep, that's finished. | 0:45:39 | 0:45:42 | |
Come on, boy. Off you go. | 0:45:42 | 0:45:44 | |
MUSIC: "We Wish You A Merry Christmas" | 0:45:44 | 0:45:48 | |
GEESE HONK | 0:45:48 | 0:45:50 | |
-So will you be eating goose for Christmas? -Oh, yes. | 0:45:52 | 0:45:55 | |
There's no comparison. | 0:45:55 | 0:45:56 | |
The flavour of the goose, far superior to a turkey. | 0:45:56 | 0:45:59 | |
A bit like duck but much drier and gamier. | 0:45:59 | 0:46:02 | |
And a little bit less meat than a turkey, though? | 0:46:02 | 0:46:04 | |
It doesn't go quite as far, pound for pound, | 0:46:04 | 0:46:06 | |
but its quality rather than quantity. | 0:46:06 | 0:46:08 | |
And really, I suppose, they are our original, | 0:46:08 | 0:46:11 | |
traditional Christmas roast? | 0:46:11 | 0:46:13 | |
Yeah, for many hundreds of years, it has been the Christmas meal. | 0:46:13 | 0:46:16 | |
-Well, it's been lovely to meet you. -Good to see you too. | 0:46:16 | 0:46:19 | |
-Happy Christmas. -Yeah, and you. Bye, now. | 0:46:19 | 0:46:21 | |
MUSIC: "Sleigh Ride" by Leroy Anderson | 0:46:23 | 0:46:27 | |
-JULIA: -Adam can't make the party tonight - shame. | 0:46:32 | 0:46:35 | |
Because back here at Ragley Hall, | 0:46:35 | 0:46:36 | |
we're all getting right into the spirit. | 0:46:36 | 0:46:38 | |
Especially Tom. | 0:46:38 | 0:46:40 | |
Look at you, Tom! Sharp suited! | 0:46:40 | 0:46:42 | |
Tell you what, wearing those, bobby-dazzler, | 0:46:42 | 0:46:44 | |
you'll have to change your name to An-Tom Du Beke. | 0:46:44 | 0:46:46 | |
LAUGHTER | 0:46:46 | 0:46:47 | |
You need to smarten up, get with the programme - look at this place! | 0:46:47 | 0:46:50 | |
What's going on? Is this Strictly or Countryfile? | 0:46:50 | 0:46:53 | |
# Da, da, da, da... # | 0:46:53 | 0:46:55 | |
Look at those trews! | 0:46:55 | 0:46:57 | |
You've got a lot of catching up to do, you three. | 0:46:57 | 0:46:58 | |
-Come on! -We certainly have. What a gorgeous day. | 0:46:58 | 0:47:00 | |
Think bodes well for Christmas Day? | 0:47:00 | 0:47:02 | |
Well, they do say, | 0:47:02 | 0:47:04 | |
"Red sky at night, shepherds' delight." | 0:47:04 | 0:47:06 | |
Is that as in-depth as the Countryfile forecast goes, | 0:47:06 | 0:47:08 | |
or shall we leave it to the experts? | 0:47:08 | 0:47:10 | |
I feel sorry for our weather boys and girls. | 0:47:10 | 0:47:12 | |
-They're missing the party. -Don't worry about it. | 0:47:12 | 0:47:14 | |
As it's Christmas, I've sent them a festive surprise. | 0:47:14 | 0:47:16 | |
Oh, you're so nice. | 0:47:16 | 0:47:17 | |
. | 0:49:50 | 0:49:57 | |
-JULIA: -This is Ragley Hall, near Alcester in Warwickshire. | 0:50:09 | 0:50:14 | |
It's a grand 17th-century mansion, | 0:50:14 | 0:50:16 | |
just the place to host our special Christmas edition of Countryfile. | 0:50:16 | 0:50:19 | |
We've been getting stuck in and helping everybody here | 0:50:21 | 0:50:23 | |
get ready for the biggest party of the year, the staff party. | 0:50:23 | 0:50:27 | |
-MATT: -THE Christmas party, where Lord and Lady Hertford | 0:50:27 | 0:50:30 | |
throw the doors to their family home wide open. | 0:50:30 | 0:50:34 | |
And it's going to get busy. | 0:50:34 | 0:50:35 | |
Very shortly, hundreds of guests are going to descend on the Hall | 0:50:35 | 0:50:40 | |
and they all need feeding. | 0:50:40 | 0:50:41 | |
Look at this, they won't be disappointed. | 0:50:41 | 0:50:43 | |
Beautiful sausages and look at the curry! | 0:50:43 | 0:50:46 | |
And I'm pretty sure a drink or two will be in order. | 0:50:47 | 0:50:51 | |
Winter sun over the yardarm and all that. | 0:50:51 | 0:50:54 | |
# Fa la la la la la la la... # | 0:50:56 | 0:51:00 | |
And what's a party without music? | 0:51:00 | 0:51:02 | |
# Tis the season to be jolly... # | 0:51:02 | 0:51:04 | |
Well, this should be the mother of all staff parties | 0:51:04 | 0:51:06 | |
and we're all going to be dressed up for the occasion. | 0:51:06 | 0:51:10 | |
-JULIA: -Easy, Tom. | 0:51:10 | 0:51:12 | |
There's plenty to do before the big event, | 0:51:12 | 0:51:15 | |
including helping Lady Hertford wrap some presents up. | 0:51:15 | 0:51:18 | |
So, are you looking forward to the party tonight, | 0:51:19 | 0:51:22 | |
or is it slightly stressful for you? | 0:51:22 | 0:51:24 | |
No, no. It's the best bit. | 0:51:24 | 0:51:25 | |
I love the background bit, which is getting together, | 0:51:27 | 0:51:30 | |
getting everyone in the same mood, Christmas time... | 0:51:30 | 0:51:34 | |
and everybody helps everybody in the Christmas spirit. | 0:51:34 | 0:51:40 | |
-Well, you helped a lot with the carpet and so on. -Thank you. | 0:51:40 | 0:51:44 | |
And thank you for that. | 0:51:44 | 0:51:46 | |
So, what are you looking forward to most tonight? | 0:51:46 | 0:51:49 | |
John perhaps singing with the choir? | 0:51:49 | 0:51:53 | |
-I hear it's the first time he does that? -Mm-hm. -I'm flattered. | 0:51:53 | 0:51:57 | |
-I think we all should be very proud of being part of this. -Yeah. | 0:51:57 | 0:52:00 | |
-JULIA: -The wrapping's done, the glassware is sparkling, | 0:52:07 | 0:52:10 | |
the best carpet is being rolled out. | 0:52:10 | 0:52:13 | |
The first guests will be here in about an hour, | 0:52:13 | 0:52:16 | |
and the Great Hall is filled with warmth and light. | 0:52:16 | 0:52:20 | |
Oh and very big Christmas cards. | 0:52:20 | 0:52:22 | |
ELLIE : We've got to do the obligatory. | 0:52:22 | 0:52:24 | |
-Are you going to be boy or girl? -I'll be the boy. | 0:52:24 | 0:52:27 | |
Really? OK, go on. | 0:52:27 | 0:52:29 | |
Victorian style. Three, two, one. | 0:52:29 | 0:52:31 | |
Ta-da! Three rounds of Silent Night. | 0:52:31 | 0:52:33 | |
MUSIC: "Silent Night" by Joseph Mohr and Franz Xaver Gruber | 0:52:35 | 0:52:39 | |
-JULIA: -The Countryfile presenters are in their finery, | 0:52:39 | 0:52:42 | |
but we're not here to party. We're here to work. | 0:52:42 | 0:52:46 | |
Tom and Matt are on the canapes, whilst Ellie and I | 0:52:46 | 0:52:49 | |
are on the wine, in a manner of speaking. | 0:52:49 | 0:52:52 | |
Before then, I've got one last decorating duty to perform. | 0:52:52 | 0:52:55 | |
-It's the moment of truth. Do the lights all still work? -Let's see. | 0:52:55 | 0:53:00 | |
One, two, three... | 0:53:00 | 0:53:02 | |
-Ta-da! -Look at that! -It's lovely, isn't it? | 0:53:02 | 0:53:05 | |
There's one more thing, though. The final touch is yours. | 0:53:05 | 0:53:10 | |
And I'll just watch you. | 0:53:10 | 0:53:11 | |
The technique is, you just chuck it. | 0:53:11 | 0:53:14 | |
There we go! | 0:53:16 | 0:53:18 | |
-Never done that before. -Fantastic! | 0:53:18 | 0:53:21 | |
MUSIC: "Jingle Bells" by James Lord Pierpont | 0:53:21 | 0:53:27 | |
'As the sun goes down, the staff party starts up. | 0:53:29 | 0:53:32 | |
'And here are the first arrivals. | 0:53:32 | 0:53:35 | |
'Seems we're still a presenter down, though.' | 0:53:35 | 0:53:38 | |
Tom! Have you seen John anywhere? | 0:53:42 | 0:53:43 | |
-Not for a while, actually. And it's getting on, isn't it? -It is. | 0:53:43 | 0:53:46 | |
Do you know the words to Come, All Ye Faithful? | 0:53:46 | 0:53:48 | |
-I could probably dredge them up. -Start warming the voice up. | 0:53:48 | 0:53:51 | |
And I'll look for him. | 0:53:51 | 0:53:53 | |
# O come, all ye faithful... # | 0:53:53 | 0:53:55 | |
# Joyful and triumphant | 0:53:55 | 0:54:00 | |
# O come ye, o come ye | 0:54:00 | 0:54:05 | |
# To Bethlehem...# | 0:54:05 | 0:54:07 | |
'Hurry up, John! Your audience awaits. | 0:54:07 | 0:54:10 | |
'We'll keep them fed and watered until you arrive.' | 0:54:10 | 0:54:13 | |
Let's do this! | 0:54:13 | 0:54:14 | |
Right. Here we go. | 0:54:18 | 0:54:21 | |
Ah. | 0:54:25 | 0:54:27 | |
Silly me. | 0:54:28 | 0:54:29 | |
# Ding dong merrily on high | 0:54:31 | 0:54:33 | |
# In heaven the bells Are ringing... # | 0:54:33 | 0:54:36 | |
Hello, everybody. Hello, Edward. | 0:54:36 | 0:54:38 | |
Can I offer you some festive mulled wine? | 0:54:38 | 0:54:40 | |
Pop that one on there. | 0:54:40 | 0:54:41 | |
The empty. Don't waste any, good idea! | 0:54:41 | 0:54:44 | |
Goodness, what's this? | 0:54:44 | 0:54:46 | |
You know, I should have asked before I came out, shouldn't I? | 0:54:46 | 0:54:50 | |
-That's goose and apple. -I'll try that one. | 0:54:50 | 0:54:53 | |
So we've got goose and apple, that's the turkey curry. | 0:54:54 | 0:54:57 | |
The sausage is good. | 0:54:59 | 0:55:00 | |
# Gloria | 0:55:00 | 0:55:05 | |
# Hosanna in excelsis | 0:55:05 | 0:55:08 | |
# Gloria... # | 0:55:08 | 0:55:12 | |
-JULIA: -'Right in the nick of time, here's the entertainment. | 0:55:12 | 0:55:15 | |
'It's John and the Alcester Male Voice Choir.' | 0:55:15 | 0:55:17 | |
-The music is here! -It is, indeed. | 0:55:17 | 0:55:19 | |
The party can now start. They're waiting for you. | 0:55:19 | 0:55:22 | |
Nice to see you. | 0:55:22 | 0:55:23 | |
Are you warmed up, John? # Me, me, me, me! # | 0:55:23 | 0:55:26 | |
# Deck the halls With boughs of holly | 0:55:26 | 0:55:30 | |
# Fa la la la la la la la la | 0:55:30 | 0:55:34 | |
# Tis the season to be jolly | 0:55:34 | 0:55:37 | |
# Fa la la la la la la la la... # | 0:55:37 | 0:55:39 | |
-Oh, good crowd! -Hello. | 0:55:39 | 0:55:41 | |
A terrible waste left my tray here. | 0:55:41 | 0:55:43 | |
-I'm supposed to be working. -No, I'm here for the party. Cheers! | 0:55:43 | 0:55:47 | |
-Bottoms up. -Happy Christmas. | 0:55:47 | 0:55:49 | |
JOHN: # Troll the ancient Yuletide carol... # | 0:55:49 | 0:55:51 | |
-That's lovely. -That will do, won't it? -Warms the cockles. | 0:55:51 | 0:55:54 | |
JOHN: # See the blazing Yule before us | 0:55:56 | 0:56:00 | |
# Fa la la la la la la la la | 0:56:00 | 0:56:03 | |
# Strike the harp And join the chorus | 0:56:03 | 0:56:07 | |
# Fa la la la la la la la la... # | 0:56:07 | 0:56:11 | |
-OK, Tom. Here you go. -That's one is ready to go, is it? | 0:56:11 | 0:56:13 | |
-Yeah, thank you very much. -Phwoar, looking good. Thank you! | 0:56:13 | 0:56:15 | |
Here we go. | 0:56:15 | 0:56:17 | |
Maybe just one to keep the engine running. | 0:56:20 | 0:56:22 | |
# Fa la la la la la la la la | 0:56:22 | 0:56:26 | |
# Sing we joyous all together | 0:56:26 | 0:56:29 | |
# Fa la la, la la la la la la | 0:56:29 | 0:56:33 | |
# Heedless of the wind and weather | 0:56:33 | 0:56:36 | |
# Fa la la la la la la la la. # | 0:56:36 | 0:56:41 | |
PRESENTERS CHEER | 0:56:41 | 0:56:44 | |
-Wasn't that lovely? Get that man a drink! -Thank you, choir! | 0:56:44 | 0:56:47 | |
-TOM: -Well done, John. Every note. Brilliant. | 0:56:47 | 0:56:50 | |
Well done, John. Well done. | 0:56:50 | 0:56:51 | |
We know that Christmas has well and truly started. | 0:56:51 | 0:56:54 | |
Yes, so there's just one final thing to do. | 0:56:54 | 0:56:56 | |
We raise our glasses for one final festive cheers. | 0:56:56 | 0:56:59 | |
So, from everybody here at Ragley Hall, | 0:56:59 | 0:57:01 | |
to all that are watching... | 0:57:01 | 0:57:03 | |
merry Christmas! | 0:57:03 | 0:57:05 | |
JOHN: Choir? | 0:57:06 | 0:57:08 | |
# We wish you a merry Christmas | 0:57:08 | 0:57:10 | |
# We wish you a merry Christmas | 0:57:10 | 0:57:13 | |
# We wish you a merry Christmas | 0:57:13 | 0:57:15 | |
# And a happy New Year | 0:57:15 | 0:57:17 | |
# Glad tidings we bring to you and your kin | 0:57:17 | 0:57:22 | |
# We wish you a merry Christmas | 0:57:22 | 0:57:24 | |
# And a happy new year! # | 0:57:24 | 0:57:30 | |
-Merry Christmas! -Merry Christmas! -Cheers. | 0:57:30 | 0:57:33 | |
# Ding dong Verily the sky | 0:57:33 | 0:57:36 | |
# Is riv'n with Angel singing | 0:57:36 | 0:57:39 | |
# Gloria... | 0:57:39 | 0:57:48 | |
# Hosanna in excelsis | 0:57:48 | 0:57:51 | |
# Gloria | 0:57:51 | 0:57:57 | |
# Hosanna in excelsis. # | 0:57:57 | 0:57:59 |