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When you look at the Devon countryside, what do you see? | 0:00:27 | 0:00:30 | |
Nature in all its glory or the hand of man shaping it all | 0:00:32 | 0:00:36 | |
from fields to forests? | 0:00:36 | 0:00:38 | |
Once upon a time, | 0:00:41 | 0:00:43 | |
conifer plantations like this one were all the rage. But not any more. | 0:00:43 | 0:00:47 | |
These days, it's all about restoring native woodland, | 0:00:47 | 0:00:50 | |
so the conifers have to go. | 0:00:50 | 0:00:52 | |
And I'm here to get stuck in. | 0:00:52 | 0:00:54 | |
Not far away, Ellie is finding that it's the hand of an entirely | 0:00:55 | 0:00:59 | |
different creature that's changing the landscape. | 0:00:59 | 0:01:02 | |
This is Culm wetland. | 0:01:02 | 0:01:04 | |
It's incredibly rare and needs to be carefully managed. | 0:01:04 | 0:01:09 | |
But thankfully, here, we've got just the animal for the job. | 0:01:09 | 0:01:13 | |
And it should be making an appearance for its next shift very soon. | 0:01:13 | 0:01:17 | |
Tom's working on a pet project. | 0:01:19 | 0:01:22 | |
Cats are the nation's favourite pet. | 0:01:22 | 0:01:26 | |
But the minute they step out of the door, | 0:01:26 | 0:01:28 | |
their wild animal instincts tend to kick in. | 0:01:28 | 0:01:32 | |
And so, with millions of moggies across the country, | 0:01:32 | 0:01:36 | |
is their appetite for birds and small animals damaging our wildlife? | 0:01:36 | 0:01:41 | |
I'll be investigating. And it may be harvest, | 0:01:41 | 0:01:44 | |
but Adam's animals are keeping him on his toes. | 0:01:44 | 0:01:47 | |
There's a lot going on in the farm at the moment. | 0:01:47 | 0:01:49 | |
We're in the middle of sorting out ewes and rams | 0:01:49 | 0:01:51 | |
for the pedigree autumn sales. | 0:01:51 | 0:01:53 | |
The harvest team are hard at work. | 0:01:53 | 0:01:55 | |
We've got cows giving birth. | 0:01:55 | 0:01:57 | |
And Eric, my Highland bull, has been a bit of a naughty boy. | 0:01:57 | 0:02:01 | |
Glorious Devon - | 0:02:08 | 0:02:09 | |
a fertile landscape providing for farmers, wildlife | 0:02:09 | 0:02:12 | |
and the occasional surprise visitor. | 0:02:12 | 0:02:14 | |
JET ROARS | 0:02:14 | 0:02:15 | |
A county good to look at, with breathtaking views from every | 0:02:20 | 0:02:23 | |
hilltop and valley bottom. | 0:02:23 | 0:02:25 | |
We find ourselves today in the heart of Devonian countryside, | 0:02:29 | 0:02:32 | |
on the northern edge of Dartmoor. | 0:02:32 | 0:02:34 | |
The magnificent swathes of trees behind me make up Fingle Woods, | 0:02:37 | 0:02:41 | |
825 acres of woodlands. | 0:02:41 | 0:02:45 | |
Now, this land has just been snapped up to be given back to the public. | 0:02:45 | 0:02:49 | |
For the first time in their histories, the National Trust | 0:02:51 | 0:02:54 | |
and the Woodland Trust have joined forces to buy this enormous site | 0:02:54 | 0:02:58 | |
and slowly return it to its former glory. | 0:02:58 | 0:03:01 | |
What brought these two agencies together was the chance | 0:03:03 | 0:03:06 | |
to get their hands on one of the last bits of ancient UK woodland | 0:03:06 | 0:03:10 | |
still in private ownership. | 0:03:10 | 0:03:13 | |
Fingle Woods is really a sort of once-in-a-lifetime opportunity. | 0:03:13 | 0:03:17 | |
It's very rare for sites of this size, scale | 0:03:17 | 0:03:20 | |
and this importance to come to the market. | 0:03:20 | 0:03:23 | |
It sits in probably one of the most picturesque landscapes | 0:03:23 | 0:03:27 | |
of Northern Dartmoor, and the other thing that is so important about this site, | 0:03:27 | 0:03:30 | |
there's about three quarters of it is ancient semi-natural woodland. | 0:03:30 | 0:03:34 | |
And we can see in the patchwork in the hillside a bit of that | 0:03:34 | 0:03:37 | |
that remains today. | 0:03:37 | 0:03:38 | |
So that sort of broccoli shape over there on the hillside, and there's another | 0:03:38 | 0:03:42 | |
sort of shape that runs up round the hillside, which is actually the old oak coppice. | 0:03:42 | 0:03:47 | |
But amongst the broccoli patches of oak are rows and rows | 0:03:48 | 0:03:51 | |
of non-native species. So what are these doing here? | 0:03:51 | 0:03:55 | |
These conifers are from North America. | 0:03:56 | 0:03:59 | |
There was a big drive, particularly after | 0:03:59 | 0:04:01 | |
the end of the First World War | 0:04:01 | 0:04:03 | |
and again after the end of the Second World War, where the country | 0:04:03 | 0:04:06 | |
was exposed, really, as having insufficient of a timber resource. | 0:04:06 | 0:04:10 | |
And so this is part of the strategic reserve that was | 0:04:10 | 0:04:14 | |
conceived by the Forestry Commission when it was set up in 1919. | 0:04:14 | 0:04:17 | |
These reserves were seen as a good cash crop after the war. | 0:04:18 | 0:04:22 | |
And the woodlands were worked hard. | 0:04:22 | 0:04:24 | |
But the conifers were never meant to be here, so they've got to go. | 0:04:24 | 0:04:28 | |
We're looking to try and restore this site over a generation - | 0:04:32 | 0:04:35 | |
60 to 80 years - to native woodland. | 0:04:35 | 0:04:38 | |
Is it open to the public now? | 0:04:38 | 0:04:40 | |
We're intending to open the whole woodland in the spring of next year. | 0:04:40 | 0:04:44 | |
About 35 to 45 kilometres of footpath track. | 0:04:44 | 0:04:48 | |
So they'll be available for people to mountain bike, | 0:04:48 | 0:04:50 | |
to ride on horses, to walk. It'll be great to see people using the site. | 0:04:50 | 0:04:55 | |
Because it's big enough, it really is big enough to get lost in. | 0:04:55 | 0:04:58 | |
And Dave wasn't wrong. | 0:05:03 | 0:05:04 | |
Once beneath the canopy, | 0:05:04 | 0:05:05 | |
the sheer size of the woodland is awe-inspiring. | 0:05:05 | 0:05:08 | |
My guide through the trees is Adrian Colston, | 0:05:09 | 0:05:12 | |
Dartmoor's general manager for the National Trust. | 0:05:12 | 0:05:15 | |
Adrian, this is a shocking difference, isn't it? | 0:05:20 | 0:05:23 | |
You've brought me to this point where you can see, obviously, | 0:05:23 | 0:05:25 | |
what is going on in the conifer side, and then the broadleaf here. | 0:05:25 | 0:05:28 | |
I'm astounded by this. | 0:05:28 | 0:05:30 | |
Well, this is exactly the reason why this project is so important. | 0:05:30 | 0:05:34 | |
You can just look through the broadleaves over there | 0:05:34 | 0:05:36 | |
and you can see the sky behind it. | 0:05:36 | 0:05:38 | |
Look into the conifers back there | 0:05:38 | 0:05:40 | |
and you can only see two or three trees back. | 0:05:40 | 0:05:42 | |
So that's the amount of light actually coming to the ground | 0:05:42 | 0:05:45 | |
and that's completely reflected. | 0:05:45 | 0:05:46 | |
You can see there's absolutely nothing growing on the floor down there. No. | 0:05:46 | 0:05:50 | |
Whereas under there, there's a carpet of bilberry | 0:05:50 | 0:05:53 | |
and lots of kind of ancient woodland plants. What is the plan? | 0:05:53 | 0:05:56 | |
The plan is to slowly | 0:05:56 | 0:05:58 | |
but surely start removing the conifers. | 0:05:58 | 0:06:00 | |
So what that will mean is we'll take them one row at a time. | 0:06:00 | 0:06:04 | |
That will encourage the light to come in. | 0:06:04 | 0:06:06 | |
That will get the ancient woodland flora to start to creep back | 0:06:06 | 0:06:09 | |
from the deciduous woodland into the conifer. | 0:06:09 | 0:06:12 | |
There are some key indicators just down here in front of us. Absolutely. | 0:06:12 | 0:06:15 | |
You've got things like wood sorrel, the common cow wheat. | 0:06:15 | 0:06:18 | |
You've got various of these lovely green ferns. | 0:06:18 | 0:06:21 | |
So we'll see these gradually creeping back in. | 0:06:21 | 0:06:24 | |
We'll also see some of the other wildlife | 0:06:24 | 0:06:26 | |
coming back like some of the birds and butterflies. | 0:06:26 | 0:06:29 | |
We are about to open up | 0:06:31 | 0:06:32 | |
this place to access for people on 40 kilometres of woodland. | 0:06:32 | 0:06:36 | |
But I don't think this sign is really appropriate. | 0:06:36 | 0:06:38 | |
Perhaps you'd do us the honours? I will do the honours for you, no problem. | 0:06:38 | 0:06:41 | |
You obviously want me to leave this one. Let's leave that one. | 0:06:41 | 0:06:43 | |
Remove the "private" one. People will know where we are. | 0:06:43 | 0:06:45 | |
'The leaves will be fallen before I've finished.' | 0:06:49 | 0:06:52 | |
Long screws. | 0:06:52 | 0:06:54 | |
THEY LAUGH | 0:06:55 | 0:06:57 | |
Adrian, there you are, my friend. How is that? Thank you very much. | 0:07:02 | 0:07:06 | |
Congratulations on taking this place over. | 0:07:06 | 0:07:08 | |
I look forward to coming back and seeing how you get on. Brilliant. | 0:07:08 | 0:07:11 | |
All right. Here's the screwdriver back. | 0:07:11 | 0:07:14 | |
Do you want that as well, in case you want to put it on some other woodland? | 0:07:14 | 0:07:18 | |
Whilst wildlife is being encouraged to return to these woodlands, | 0:07:22 | 0:07:26 | |
in some parts of the country, | 0:07:26 | 0:07:27 | |
it's being scared away by a more domestic predator. | 0:07:27 | 0:07:31 | |
The cat. So we sent our Tom to investigate. | 0:07:31 | 0:07:34 | |
We now have more pet cats in the UK than at any point in history. | 0:07:39 | 0:07:45 | |
Around ten million. | 0:07:45 | 0:07:46 | |
But are our favourite felines sleepy, cuddly pets or predatory killers? | 0:07:48 | 0:07:54 | |
Now the claws are out, with some conservationists claiming cats | 0:07:56 | 0:08:00 | |
are a major threat to wildlife. | 0:08:00 | 0:08:02 | |
CAT YOWLS | 0:08:02 | 0:08:03 | |
No cat owner likes to see it. | 0:08:05 | 0:08:07 | |
SHE SCREAMS | 0:08:07 | 0:08:08 | |
The pile of feathers on the lawn or a dead present on the doormat. | 0:08:08 | 0:08:13 | |
But how much damage is really caused to our wildlife | 0:08:15 | 0:08:19 | |
by our penchant for pets? | 0:08:19 | 0:08:21 | |
For the Wildlives animal rescue and rehabilitation centre | 0:08:23 | 0:08:27 | |
here in Essex, cats are a big problem. | 0:08:27 | 0:08:30 | |
In fact, 80% of their admissions have been injured by pets on the prowl. | 0:08:30 | 0:08:35 | |
'I'm going to find out more from the aptly named Rosie Catford | 0:08:35 | 0:08:39 | |
'with her faithful friend, Florence the sheep.' | 0:08:39 | 0:08:42 | |
A devoted follower. | 0:08:42 | 0:08:44 | |
So this is your hospital, is it? Yes. Can I have a look? | 0:08:44 | 0:08:47 | |
Most of it... Most of the problem is cats. It is, yes. | 0:08:47 | 0:08:51 | |
It's really upsetting. | 0:08:51 | 0:08:53 | |
We see the damage, and then a lot of the animals, | 0:08:53 | 0:08:57 | |
we do have to put to sleep because they have been eaten alive. | 0:08:57 | 0:09:00 | |
And, of course, | 0:09:00 | 0:09:02 | |
you are only seeing the ones that have survived at least long enough to get in here. | 0:09:02 | 0:09:05 | |
A lot have presumably been killed out there in the garden and in the wild. | 0:09:05 | 0:09:09 | |
A lot are being killed out there or cats have just finished | 0:09:09 | 0:09:12 | |
playing with them and they let them go. | 0:09:12 | 0:09:15 | |
Is this just a problem of individual animals suffering | 0:09:15 | 0:09:19 | |
or does it go a bit wider than that? It goes a lot wider. | 0:09:19 | 0:09:22 | |
Because with climate change, with all the buildings, roads, | 0:09:22 | 0:09:27 | |
intensive farming, our wildlife is finding it harder | 0:09:27 | 0:09:31 | |
and harder to adapt to the 21st century. | 0:09:31 | 0:09:34 | |
It's happening too quick for everything to evolve. | 0:09:34 | 0:09:38 | |
The cat is then too much for it to handle. | 0:09:39 | 0:09:43 | |
Are cats the final straw for struggling species? | 0:09:46 | 0:09:49 | |
Their populations have more than doubled over the last 40 years. | 0:09:49 | 0:09:53 | |
In that same time, | 0:09:53 | 0:09:55 | |
there has been a dramatic decline in some bird populations. | 0:09:55 | 0:09:59 | |
So, are millions of us harbouring bloodthirsty killers in our homes? | 0:09:59 | 0:10:04 | |
The Mammal Society has estimated that cats kill 275 million | 0:10:07 | 0:10:11 | |
items of prey every year, 55 million of which are birds. | 0:10:11 | 0:10:16 | |
But isn't it just in their nature? | 0:10:16 | 0:10:18 | |
Animal behaviourist John Bradshaw has been studying cats for over 25 years. | 0:10:18 | 0:10:23 | |
Cats today - do they need to hunt any more? No, they don't. | 0:10:25 | 0:10:29 | |
I mean, that is the sad truth. | 0:10:29 | 0:10:31 | |
Modern cat food gives them absolutely everything they need. | 0:10:31 | 0:10:34 | |
That's a comparatively recent development. | 0:10:34 | 0:10:37 | |
50 years ago, even commercial cat food didn't necessarily | 0:10:37 | 0:10:40 | |
have everything and so they would continue to hunt. | 0:10:40 | 0:10:42 | |
And of course, in many parts of the world where cat food isn't | 0:10:42 | 0:10:45 | |
so widely available, they do still carry on hunting. | 0:10:45 | 0:10:48 | |
I suppose what upsets people is, then, that idea | 0:10:48 | 0:10:50 | |
that they are killing for fun. It does. | 0:10:50 | 0:10:54 | |
You can interpret it in that way. | 0:10:54 | 0:10:55 | |
I think a better way of looking at it is that they are just | 0:10:55 | 0:10:58 | |
living out their natural instincts. | 0:10:58 | 0:11:00 | |
It's something we've encouraged in them for many thousands of years. | 0:11:00 | 0:11:02 | |
We started taking them in because they were such efficient mousers. | 0:11:02 | 0:11:06 | |
It's only recently we've decided we don't really like it any more. | 0:11:06 | 0:11:09 | |
As they are not hunting for survival, | 0:11:09 | 0:11:12 | |
John thinks the domesticated cat of the future will hunt less. | 0:11:12 | 0:11:15 | |
But what about these big headline-grabbing tallies - | 0:11:16 | 0:11:20 | |
the claim that 275 million birds | 0:11:20 | 0:11:24 | |
and other animals are being killed by British cats every year? | 0:11:24 | 0:11:28 | |
Can we really be so accurate about the impact of cats on wildlife, though? | 0:11:30 | 0:11:35 | |
Dr Phil Baker, a conservation biologist at the University of Reading, | 0:11:36 | 0:11:40 | |
says the figures should be taken in context. | 0:11:40 | 0:11:43 | |
You've got a lot laid out on the slab, there, Phil. Yes. | 0:11:45 | 0:11:49 | |
This is a collection of prey animals that we've | 0:11:49 | 0:11:51 | |
recovered from houses in and around Reading in just the last six months. | 0:11:51 | 0:11:55 | |
So it gives you a good idea of the range of species taken. | 0:11:55 | 0:11:59 | |
The most common is the wood mouse, a fair few juvenile rats | 0:11:59 | 0:12:03 | |
and even the odd squirrel. | 0:12:03 | 0:12:05 | |
These three specimens here are taken from one large male cat. | 0:12:05 | 0:12:08 | |
Then, of course, the inevitable selection of bird species, | 0:12:08 | 0:12:12 | |
several whose numbers are dwindling. | 0:12:12 | 0:12:15 | |
What's the estimate of the number of birds or perhaps | 0:12:15 | 0:12:17 | |
the number of individual species killed across country by cats? | 0:12:17 | 0:12:20 | |
I think our studies have suggested that you have to be | 0:12:20 | 0:12:24 | |
very careful making those kind of extrapolations, | 0:12:24 | 0:12:27 | |
because there is a huge variation in the numbers | 0:12:27 | 0:12:30 | |
killed between different locations. | 0:12:30 | 0:12:32 | |
So getting an average number across locations is exceedingly difficult. | 0:12:32 | 0:12:37 | |
So when people try and estimate the numbers killed at a national level, | 0:12:37 | 0:12:41 | |
I think you have to take those figures with a pinch of salt. | 0:12:41 | 0:12:43 | |
We have a population that is estimated around about ten million | 0:12:43 | 0:12:46 | |
pet cats now. If each of those only brings home a couple of things | 0:12:46 | 0:12:50 | |
each year, that's 20 million animals and birds that are killed | 0:12:50 | 0:12:53 | |
each and every year, according to these estimates. | 0:12:53 | 0:12:56 | |
How does that compare with the number of birds or | 0:12:56 | 0:12:58 | |
the number of young they are having? | 0:12:58 | 0:12:59 | |
One recent national study suggested that | 0:12:59 | 0:13:01 | |
cats were killing in order of around about four million house sparrows. | 0:13:01 | 0:13:04 | |
But what we do know is that the population of house sparrows is | 0:13:04 | 0:13:07 | |
producing around about 16 million chicks every year. | 0:13:07 | 0:13:09 | |
So four million, in the absence of that context, is a massive figure. | 0:13:09 | 0:13:14 | |
Within that context, it's much less important. | 0:13:14 | 0:13:17 | |
Some would still say there are vulnerable species | 0:13:17 | 0:13:20 | |
being put at risk by an unprecedented number of cats. | 0:13:20 | 0:13:23 | |
It may seem hard to believe when you see Daisy looking as soft as this, | 0:13:24 | 0:13:29 | |
but there is no doubt that cats do pose some threat to wildlife. | 0:13:29 | 0:13:34 | |
So what can we do about it? That's what I'll be looking at later. | 0:13:34 | 0:13:37 | |
Devon is a county rich in diverse and special landscapes. | 0:13:42 | 0:13:46 | |
None more so than Culm grassland. | 0:13:46 | 0:13:48 | |
Also known as purple moor grass rush pasture, | 0:13:54 | 0:13:57 | |
it might not be that much to look at, | 0:13:57 | 0:13:59 | |
but this stuff is really quite something. | 0:13:59 | 0:14:02 | |
It's tussocky and clumpy. | 0:14:05 | 0:14:08 | |
And it's a vital home to all sorts of insects. | 0:14:08 | 0:14:12 | |
But that's not all. | 0:14:12 | 0:14:14 | |
It also holds water in the ground, | 0:14:14 | 0:14:17 | |
making it really valuable in flood defence. | 0:14:17 | 0:14:20 | |
The trouble is, it's rapidly disappearing. | 0:14:20 | 0:14:23 | |
Culm wetland has been losing out to scrub since the 1950s, | 0:14:25 | 0:14:27 | |
and that's causing it to dry out. | 0:14:27 | 0:14:31 | |
In the past, man would have kept on top of this invasive growth | 0:14:31 | 0:14:35 | |
but here, the Devon Wildlife Trust is trying something new. | 0:14:35 | 0:14:39 | |
They are using beavers, nature's lumberjacks, | 0:14:39 | 0:14:42 | |
once native in this land. | 0:14:42 | 0:14:45 | |
They were released into an enclosure on private farmland | 0:14:45 | 0:14:48 | |
back in 2011 and already they're having an effect. | 0:14:48 | 0:14:52 | |
Mark Elliott from the Trust explains. | 0:14:52 | 0:14:54 | |
What's happening, particularly in the area upstream where the beavers | 0:14:54 | 0:14:58 | |
are most active, is the water level has become higher and more stable. | 0:14:58 | 0:15:02 | |
So what's happening is the beavers are storing water behind the dams | 0:15:02 | 0:15:06 | |
and that's actually having quite an impact on the stream | 0:15:06 | 0:15:09 | |
and potentially on the flows downstream. | 0:15:09 | 0:15:12 | |
So that's good for the grassland. | 0:15:12 | 0:15:13 | |
It's great for the grassland, it's great for wetland species, | 0:15:13 | 0:15:16 | |
but it's also great for communities living downstream, | 0:15:16 | 0:15:19 | |
because the flood risk is reduced, | 0:15:19 | 0:15:20 | |
and also we have a more constant flow of water when it's dry. | 0:15:20 | 0:15:24 | |
The beavers have created nine pools, | 0:15:26 | 0:15:29 | |
now holding around 400 cubic metres of water. | 0:15:29 | 0:15:33 | |
So all the way across here the beavers have built a little dam | 0:15:33 | 0:15:36 | |
out of mud and sticks. Isn't that remarkable, and how strong it is? | 0:15:36 | 0:15:39 | |
I'm standing on it. It's really good. That's really incredible. | 0:15:39 | 0:15:42 | |
This is one of the first trees that the beavers took off. | 0:15:43 | 0:15:47 | |
It's quite a big tree. | 0:15:47 | 0:15:48 | |
That's one of the very first ones they attacked, | 0:15:48 | 0:15:50 | |
and there's a canal there coming down into the pond, and that's the lodge. | 0:15:50 | 0:15:55 | |
Oh, you can't miss it! It's huge. You can see a lot more of it | 0:15:55 | 0:15:57 | |
at the moment cos the water level in the pond's dropped quite a long way. | 0:15:57 | 0:16:00 | |
There's an underwater entrance as well that the beavers created | 0:16:00 | 0:16:03 | |
to allow them to come and go without coming onto the surface. | 0:16:03 | 0:16:07 | |
Looking at this lodge, | 0:16:09 | 0:16:10 | |
the beavers have clearly made themselves at home here, | 0:16:10 | 0:16:13 | |
and it's almost late enough for me to see them, | 0:16:13 | 0:16:16 | |
but first I want to meet their landlord. | 0:16:16 | 0:16:19 | |
John Morgan's the farmer whose stock now includes beaver. | 0:16:22 | 0:16:26 | |
What was it that made you decide to accept beavers on your land? | 0:16:27 | 0:16:32 | |
Well, I was approached | 0:16:32 | 0:16:33 | |
because I had some ground that was suitable for them, | 0:16:33 | 0:16:36 | |
and they were fenced in so it didn't really matter, | 0:16:36 | 0:16:39 | |
it wasn't going to affect anybody. That's true. | 0:16:39 | 0:16:41 | |
And I thought it was a very good idea to bring them | 0:16:41 | 0:16:44 | |
back to where they should be. | 0:16:44 | 0:16:45 | |
What do you like the most about having them here? | 0:16:45 | 0:16:48 | |
Just to see how clever they are. | 0:16:48 | 0:16:50 | |
I mean, they're such clever engineers the way they build | 0:16:50 | 0:16:52 | |
and so on. We've had one or two of the dams washed out once or twice. | 0:16:52 | 0:16:58 | |
The next night they just put it back together. | 0:16:58 | 0:17:01 | |
John's certainly a fan, and their extensive landscaping is | 0:17:01 | 0:17:05 | |
doing a great job so far at helping the grass fight off the scrub. | 0:17:05 | 0:17:10 | |
But I wonder if I'm going to be lucky enough to see one. | 0:17:10 | 0:17:13 | |
This is just a bit of a waiting game now. | 0:17:15 | 0:17:17 | |
I'm hoping it's not going to be too long, | 0:17:17 | 0:17:20 | |
because it's evening and they're crepuscular, | 0:17:20 | 0:17:23 | |
which means they come out at dawn and dusk, rather than nocturnal. | 0:17:23 | 0:17:26 | |
We're definitely in the right spot. There are signs of them everywhere. | 0:17:26 | 0:17:29 | |
There's obviously the lodge right there, | 0:17:29 | 0:17:32 | |
which is where they'll be at the moment, and this still pool, | 0:17:32 | 0:17:35 | |
which if there isn't a natural one, they'll make | 0:17:35 | 0:17:38 | |
so that they can float all of their food | 0:17:38 | 0:17:40 | |
and their building materials, all these pieces of wood | 0:17:40 | 0:17:43 | |
across the water, rather than dragging it over land. | 0:17:43 | 0:17:46 | |
So we're in the right spot. We've just got to wait. | 0:17:46 | 0:17:49 | |
And wait. | 0:17:49 | 0:17:50 | |
And wait. | 0:17:51 | 0:17:53 | |
Don't lose heart. The waiting's worth it. | 0:18:01 | 0:18:04 | |
Yay! I see one already. Just look at this one here. | 0:18:11 | 0:18:16 | |
Very relaxed out in this pool. | 0:18:16 | 0:18:18 | |
They're the second biggest rodent, so they are really big | 0:18:19 | 0:18:22 | |
and they do blow your mind that way. | 0:18:22 | 0:18:25 | |
It's just like sort of puffing out there. | 0:18:25 | 0:18:27 | |
It's back again, it just popped underneath for a little while. | 0:18:31 | 0:18:35 | |
They can stay under for anything up to 15 minutes. | 0:18:35 | 0:18:38 | |
Look at this one, the tail, | 0:18:38 | 0:18:40 | |
that tail is an indication of how well it's doing. | 0:18:40 | 0:18:43 | |
The fatter, the better. | 0:18:43 | 0:18:45 | |
So that's it. It's dark, so I think the show's over for me. | 0:18:51 | 0:18:56 | |
Now, Countryfile has been marking | 0:18:56 | 0:18:57 | |
the BBC's Summer Of Wildlife campaign | 0:18:57 | 0:19:00 | |
with a series of films by wildlife cameraman Richard Taylor-Jones. | 0:19:00 | 0:19:03 | |
Tonight he shows us how he captures the end of the summer | 0:19:03 | 0:19:07 | |
in a very special way. | 0:19:07 | 0:19:08 | |
The BBC Summer Of Wildlife is all about discovering plants | 0:19:18 | 0:19:22 | |
and animals that live on your doorstep. | 0:19:22 | 0:19:24 | |
On my local patch, Deal in Kent, I filmed some pretty difficult species, | 0:19:27 | 0:19:32 | |
from seals to kingfishers. | 0:19:32 | 0:19:35 | |
But to do that, I had to use some very specialist filming kit. | 0:19:35 | 0:19:39 | |
And so today I'm going to show you how you can enjoy nature | 0:19:41 | 0:19:44 | |
in a lot more accessible way using stills cameras. | 0:19:44 | 0:19:47 | |
Some, expensive and complicated, and another that's a lot more simple. | 0:19:47 | 0:19:52 | |
Most of us have a small point and shoot camera like this, | 0:19:54 | 0:19:57 | |
and with a bit of thought | 0:19:57 | 0:19:59 | |
you can use them to get some great wildlife shots. | 0:19:59 | 0:20:02 | |
These rather lovely little birds scooting around | 0:20:02 | 0:20:04 | |
on the end of the pier here are called Turnstones. | 0:20:04 | 0:20:07 | |
They spend their summers breeding up in the Arctic, | 0:20:07 | 0:20:10 | |
and they come here to spend the winter. Why? | 0:20:10 | 0:20:12 | |
Well, if you look behind me you can probably see some fisherman, | 0:20:12 | 0:20:15 | |
and they often leave bits of worm and squid lying around, their bait. | 0:20:15 | 0:20:19 | |
The birds have worked out it's an easy meal for them. | 0:20:21 | 0:20:24 | |
Much easier than foraging out in the beach | 0:20:24 | 0:20:26 | |
where they would normally be found. | 0:20:26 | 0:20:28 | |
I figure they won't be able to resist some squid | 0:20:28 | 0:20:31 | |
if I leave it in front of my camera. | 0:20:31 | 0:20:33 | |
And I stand back with a remote control. | 0:20:33 | 0:20:36 | |
Sure enough, they come in to have a look. | 0:20:36 | 0:20:39 | |
This one's looking brave. This one's looking really good. | 0:20:41 | 0:20:44 | |
Oh, he just ducked away at the last-minute. He came very close. | 0:20:46 | 0:20:49 | |
But it's only a matter of time before the birds give in. | 0:20:50 | 0:20:53 | |
And, bingo. | 0:20:53 | 0:20:55 | |
Right, then, let's see how I got on. | 0:20:57 | 0:21:01 | |
It's never easy with a remote, | 0:21:01 | 0:21:02 | |
cos often when you press the button | 0:21:02 | 0:21:04 | |
there's a delay before the camera fires, | 0:21:04 | 0:21:06 | |
so you have to kind of anticipate what the birds are going to do. | 0:21:06 | 0:21:10 | |
And yeah... | 0:21:10 | 0:21:12 | |
The first few shots I've just got a head appearing in frame, | 0:21:12 | 0:21:15 | |
or a tail leaving. | 0:21:15 | 0:21:18 | |
Not quite got it yet. But I had plenty of goes. | 0:21:18 | 0:21:21 | |
Aww! That's the one! That's the one I was after. | 0:21:22 | 0:21:25 | |
That's just fantastic. The bait in the foreground | 0:21:25 | 0:21:28 | |
and the turnstone in the background eying it up. | 0:21:28 | 0:21:31 | |
Just goes to show you don't need big expensive telephoto lenses | 0:21:31 | 0:21:35 | |
to get cracking wildlife images. | 0:21:35 | 0:21:38 | |
Who doesn't love a bit of rock pooling? | 0:21:47 | 0:21:50 | |
It's a great way to get up close to the wildlife on the seashore. | 0:21:50 | 0:21:55 | |
But you've got to tempt it in first, | 0:21:55 | 0:21:58 | |
so I'm using a bit of leftover roast beef dropped into my net. | 0:21:58 | 0:22:03 | |
A crab has been hiding away under the edge of the rocks | 0:22:03 | 0:22:07 | |
and he can smell my roast beef. | 0:22:07 | 0:22:10 | |
If I just move the net around, it'll probably scare him off a bit. | 0:22:10 | 0:22:13 | |
But he might be so latched on to my beef, | 0:22:16 | 0:22:20 | |
that he's quite happy... | 0:22:20 | 0:22:21 | |
There we go! Hey, hey, hey! | 0:22:24 | 0:22:27 | |
There we go. Proof that that works. | 0:22:27 | 0:22:29 | |
What a cracking crab we've got here. Look at him. There you go. | 0:22:29 | 0:22:33 | |
A bit of... Ow! | 0:22:33 | 0:22:34 | |
A bit of roast beef in a net, | 0:22:34 | 0:22:37 | |
and within just two minutes I've got myself a nice rock pool subject. | 0:22:37 | 0:22:42 | |
But how do you get a shot of it underwater | 0:22:44 | 0:22:46 | |
if you haven't got an expensive underwater camera? | 0:22:46 | 0:22:50 | |
Easy. | 0:22:50 | 0:22:52 | |
Grab yourself a cheap fish tank, and hey presto, | 0:22:52 | 0:22:55 | |
instant underwater studio. | 0:22:55 | 0:22:57 | |
The biggest problem with this technique | 0:22:58 | 0:23:00 | |
is reflections from the glass. | 0:23:00 | 0:23:02 | |
But just pop your coat, or perhaps beach towel over your head, | 0:23:02 | 0:23:05 | |
to block the light and the problem's sorted. | 0:23:05 | 0:23:09 | |
It really works. | 0:23:09 | 0:23:10 | |
Use this method and I guarantee you'll get some great results. | 0:23:10 | 0:23:14 | |
Now, I won't deny that this is a very simple method | 0:23:20 | 0:23:24 | |
of photographing animals underwater, but it is quite effective, | 0:23:24 | 0:23:27 | |
especially if you're on a budget. | 0:23:27 | 0:23:29 | |
Now, just before I completely finish, | 0:23:29 | 0:23:31 | |
there is one golden rule of rock pooling you must remember, | 0:23:31 | 0:23:34 | |
and that is when you've enjoyed looking or photographing animals, | 0:23:34 | 0:23:38 | |
just put them back where you found them. | 0:23:38 | 0:23:40 | |
From seas to stars, it's the end of the summer | 0:23:44 | 0:23:48 | |
and the nights are coming down more quickly. | 0:23:48 | 0:23:51 | |
Here beneath the white cliffs of Dover, that's a bonus. | 0:23:51 | 0:23:54 | |
I absolutely adore these cliffs. | 0:23:56 | 0:23:59 | |
They are, to me, one of nature's most timeless monuments. | 0:23:59 | 0:24:03 | |
And what better way to record them than by altering time itself. | 0:24:03 | 0:24:08 | |
And you can do that with all sorts of cameras. Even the ones on your phone. | 0:24:08 | 0:24:12 | |
The method I'm using is called time-lapsing. | 0:24:15 | 0:24:18 | |
There are free apps for your phone that make it easy to do. | 0:24:18 | 0:24:22 | |
They take one picture every few seconds for, say, about ten minutes, | 0:24:22 | 0:24:26 | |
and then when done, the app plays them all together at once. | 0:24:26 | 0:24:30 | |
Suddenly, ten minutes becomes ten seconds. | 0:24:30 | 0:24:33 | |
To take my time-lapses one stage further, to end all this off, | 0:24:37 | 0:24:41 | |
I want to do something that I feel is truly spectacular, | 0:24:41 | 0:24:44 | |
and that's create star-lapses. | 0:24:44 | 0:24:46 | |
To do it, I will need some hand-warmers, | 0:24:46 | 0:24:49 | |
some tape and a plastic bag. | 0:24:49 | 0:24:51 | |
Rather odd, you might think, but let me explain. | 0:24:51 | 0:24:53 | |
As this camera gets colder and colder because the sun's gone down | 0:24:53 | 0:24:58 | |
and the night's setting in, | 0:24:58 | 0:24:59 | |
condensation will start to form on the lens. | 0:24:59 | 0:25:02 | |
So, if I simply take these hand-warmers | 0:25:02 | 0:25:04 | |
and wrap them around the lens, | 0:25:04 | 0:25:08 | |
that lens is going to stay nice and warm. | 0:25:09 | 0:25:12 | |
If I then also put this plastic bag over the front of the camera, | 0:25:12 | 0:25:18 | |
those hand-warmers will also keep the majority of the camera warm. | 0:25:18 | 0:25:22 | |
That stops any condensation settling | 0:25:23 | 0:25:26 | |
and ruining my shot over the next four or five hours. | 0:25:26 | 0:25:29 | |
Follow that simple rule | 0:25:29 | 0:25:30 | |
and you should end up with spectacular star-lapses. | 0:25:30 | 0:25:33 | |
For me, seeing the stars wheeling above the heavens, | 0:25:55 | 0:26:00 | |
just reminds me what truly magnificent and timeless icons | 0:26:00 | 0:26:05 | |
these cliffs really are. | 0:26:05 | 0:26:06 | |
A great way to say goodbye to what's been a great summer. | 0:26:11 | 0:26:15 | |
And I hope you've been encouraged to get out and have a go. | 0:26:15 | 0:26:19 | |
Find out more about the BBC Summer Of Wildlife on the Countryfile website. | 0:26:19 | 0:26:24 | |
I'm at Fingle Woods, | 0:26:34 | 0:26:35 | |
an area of ancient woodland that's about to undergo restoration. | 0:26:35 | 0:26:39 | |
It'll take 60, maybe 80 years to bring it back. | 0:26:40 | 0:26:43 | |
But just down the road, there's a template for how it might work. | 0:26:46 | 0:26:50 | |
These are Bovey Valley Woodlands, | 0:26:50 | 0:26:52 | |
where they've already thinned out conifers to help the local wildlife. | 0:26:52 | 0:26:56 | |
Well, this is woodland management, | 0:26:57 | 0:26:59 | |
a fair few decades ahead of what they've got in mind at Fingle. | 0:26:59 | 0:27:03 | |
So I'm here to help out with a little bit of conservation, | 0:27:03 | 0:27:06 | |
and the group that I'm joining, | 0:27:06 | 0:27:07 | |
well, they're a pretty enthusiastic bunch. | 0:27:07 | 0:27:09 | |
Introducing the Wildlife Hit Squad. | 0:27:12 | 0:27:15 | |
Here today to improve the lot of this woodland's rare butterflies. | 0:27:16 | 0:27:21 | |
It's a tough name, and it's a tough job. Lads, you're doing all right! | 0:27:21 | 0:27:24 | |
You're getting through it, yeah? Oh, yeah, we are. Good. | 0:27:24 | 0:27:27 | |
Right, well, I'll get the gloves on and I'll give you a hand. | 0:27:27 | 0:27:29 | |
Let's go have a chat with Jenny down here. | 0:27:29 | 0:27:31 | |
Right, so, for you then, it's all about butterflies, isn't it? | 0:27:31 | 0:27:34 | |
It is all about butterflies for me. Indeed it is. | 0:27:34 | 0:27:36 | |
And what's the plan in this area and why are we here? | 0:27:36 | 0:27:40 | |
We're here because we're trying to create some better connectivity | 0:27:40 | 0:27:45 | |
between some open habitat on the other side of the river, | 0:27:45 | 0:27:47 | |
and between the glade that's behind us. | 0:27:47 | 0:27:50 | |
So we're trying to punch holes through all of this thicket | 0:27:50 | 0:27:53 | |
of holly and other scrub, just to maintain the connectivity. | 0:27:53 | 0:27:57 | |
To make it easier for them to fly through. | 0:27:57 | 0:28:00 | |
What type of butterflies are they? | 0:28:00 | 0:28:01 | |
Well, there are two very rare butterflies that we find here, | 0:28:01 | 0:28:04 | |
which are the Pearl-bordered Fritillary | 0:28:04 | 0:28:06 | |
and the Small Pearl-bordered Fritillary, | 0:28:06 | 0:28:08 | |
and a whole host of other woodland species. | 0:28:08 | 0:28:10 | |
Back in the day, these woodlands would've been coppice | 0:28:12 | 0:28:14 | |
on a regular basis. | 0:28:14 | 0:28:16 | |
The perfect balance of wood production and wildlife. | 0:28:16 | 0:28:19 | |
But today, it's down to us | 0:28:19 | 0:28:20 | |
to clear some of these branches to link up the butterfly habitats. | 0:28:20 | 0:28:24 | |
And having thinned one side of the flight path, | 0:28:24 | 0:28:27 | |
it's time to cross the water. | 0:28:27 | 0:28:28 | |
Feel free to just hack out any of the smaller pieces of holly. | 0:28:31 | 0:28:35 | |
If I were a butterfly, I'd fly through now. Yeah. | 0:28:40 | 0:28:44 | |
Careful management of these woodlands is already | 0:28:45 | 0:28:47 | |
making a difference. | 0:28:47 | 0:28:49 | |
Lichens like this need pristine environments, | 0:28:49 | 0:28:53 | |
so things here must be pretty good. | 0:28:53 | 0:28:54 | |
Ooh! | 0:28:57 | 0:29:00 | |
Just thought I'd ramp it up a bit. | 0:29:01 | 0:29:03 | |
It's not going to happen, I'm not going to fall in, | 0:29:03 | 0:29:06 | |
so don't even bother waiting. | 0:29:06 | 0:29:07 | |
Well, I was hoping to meet another group down here | 0:29:17 | 0:29:19 | |
who are doing their bit to create the perfect habitat | 0:29:19 | 0:29:22 | |
for butterflies, but as I'm experiencing, | 0:29:22 | 0:29:25 | |
they're prone to wandering off and doing their own thing. | 0:29:25 | 0:29:28 | |
They're not over there, Simon. OK. Must be over this way somewhere. | 0:29:31 | 0:29:35 | |
Yeah. | 0:29:35 | 0:29:36 | |
How often to do you get them into the woodlands to do this work? | 0:29:36 | 0:29:41 | |
This group are in for about six to eight weeks in this area. Yeah. | 0:29:41 | 0:29:44 | |
And then they're in 24 hours a day doing their thing. Yeah. | 0:29:44 | 0:29:48 | |
It's quite easy to lose track of them. Very easy. | 0:29:48 | 0:29:52 | |
But looking at the areas that they've already been working in, | 0:29:52 | 0:29:55 | |
something tells me we're getting close. | 0:29:55 | 0:29:57 | |
Oh, there they are! There they are! I've got them! Here they are. | 0:29:59 | 0:30:02 | |
So this then is the Dartmoor Heritage Pony. Yeah. | 0:30:02 | 0:30:08 | |
15 in the woods in total. Right. | 0:30:08 | 0:30:11 | |
And then we've got four in this particular paddock | 0:30:11 | 0:30:13 | |
and we move them around from place to place to do a job. | 0:30:13 | 0:30:17 | |
They're quite heavy, so they've trampled the bracken down, | 0:30:17 | 0:30:21 | |
they'll go for scrub, bits of willow, bits of hazel, | 0:30:21 | 0:30:24 | |
and that's what we want them to do. | 0:30:24 | 0:30:26 | |
We want them to do a double job of doing some thinning of scrub | 0:30:26 | 0:30:29 | |
and bits of woody material as well as grazing the grass. | 0:30:29 | 0:30:32 | |
We can move them onto their next job of work. Come on, girls. | 0:30:33 | 0:30:38 | |
Off we go. | 0:30:38 | 0:30:39 | |
They're very obliging, aren't they? | 0:30:39 | 0:30:41 | |
They need to be obliging enough that we can move them around | 0:30:41 | 0:30:44 | |
and handle them, but not so friendly | 0:30:44 | 0:30:47 | |
that they end up being a nuisance to members of the public. | 0:30:47 | 0:30:50 | |
The ponies seem at ease in their open plan office. | 0:30:56 | 0:30:59 | |
And thanks to equine and human help, | 0:30:59 | 0:31:01 | |
Bovey Valley Woodlands are flourishing. | 0:31:01 | 0:31:04 | |
Earlier, we looked at the impact that cats are having | 0:31:12 | 0:31:15 | |
on our wildlife. | 0:31:15 | 0:31:17 | |
Minor or major, there are those who think it's time to act, | 0:31:17 | 0:31:20 | |
as Tom's been finding out. | 0:31:20 | 0:31:22 | |
With a quarter of UK households now having at least one pet cat, | 0:31:28 | 0:31:33 | |
there are growing concerns over the amount of prey they kill. | 0:31:33 | 0:31:36 | |
Some countries have rules like night-time curfews | 0:31:39 | 0:31:43 | |
to reduce the amount of prey caught by cats. | 0:31:43 | 0:31:46 | |
And here in Britain we have plenty of laws for our dogs, | 0:31:46 | 0:31:50 | |
is it time we got more tough with our cats? | 0:31:50 | 0:31:52 | |
At the Animal Rehabilitation Centre I visited earlier in Essex, | 0:31:54 | 0:31:58 | |
Rosie Catford thinks so. | 0:31:58 | 0:32:01 | |
What do you think we should do about the problem of cat predation? | 0:32:01 | 0:32:04 | |
I'd like to see owners take responsibility for the actions | 0:32:04 | 0:32:08 | |
of their cats. | 0:32:08 | 0:32:09 | |
In Australia they've got a lot of very small marsupials, | 0:32:09 | 0:32:13 | |
and these marsupials have started to be wiped out | 0:32:13 | 0:32:17 | |
because the cats are out at night. | 0:32:17 | 0:32:20 | |
So they've brought in a law that the cats must be kept in | 0:32:20 | 0:32:23 | |
between dusk and dawn. | 0:32:23 | 0:32:26 | |
Any cats that are found out after those hours, cat-catchers, | 0:32:26 | 0:32:31 | |
whatever, they're taken in and kept overnight, the owners informed, | 0:32:31 | 0:32:35 | |
and then they have to pay a fine to get their cat back. | 0:32:35 | 0:32:38 | |
So would you like to see a law or something similar to that | 0:32:38 | 0:32:40 | |
here in the UK? I think the first step is for cat owners to take | 0:32:40 | 0:32:44 | |
responsibility for the actions of their cats. | 0:32:44 | 0:32:46 | |
Dog owners don't go to bed at night | 0:32:46 | 0:32:48 | |
and put their dogs out on the street. | 0:32:48 | 0:32:51 | |
So dog owners, the majority take responsibility | 0:32:51 | 0:32:54 | |
and keep their dogs in at night. | 0:32:54 | 0:32:56 | |
I'd like cat owners to do the same thing. | 0:32:56 | 0:32:59 | |
It may sound extreme to us in the UK, | 0:33:01 | 0:33:04 | |
but scientists in Australia have even called for restricted numbers of cats | 0:33:04 | 0:33:08 | |
per household, and mandatory sterilisation. | 0:33:08 | 0:33:11 | |
Others have taken a less controversial approach. | 0:33:14 | 0:33:18 | |
Ex-engineer Bill Hookie gets a bit twitchy at the idea of cats | 0:33:18 | 0:33:22 | |
getting the birds in his garden. So he's devised some cunning solutions. | 0:33:22 | 0:33:28 | |
So this is like a water trap. It's a water trap. | 0:33:28 | 0:33:32 | |
I see you've got it going... | 0:33:32 | 0:33:34 | |
You've got to go all the way round the corner. Yes, you do. | 0:33:34 | 0:33:37 | |
It's a chore. And that's to protect what exactly? Yes, the nest. | 0:33:37 | 0:33:43 | |
There's this year's nest. | 0:33:43 | 0:33:44 | |
Once a cat has heard the nestlings chirping away, | 0:33:44 | 0:33:47 | |
there's very little is going to stop them. But I've found that this does. | 0:33:47 | 0:33:50 | |
So, it's true, cats are so reluctant to get their feet wet, | 0:33:50 | 0:33:53 | |
they won't even chase a bird through it. Yeah. | 0:33:53 | 0:33:56 | |
Bill doesn't stop at anti-cat paddling pools, | 0:33:56 | 0:33:59 | |
he's also paw-proofed his trees. | 0:33:59 | 0:34:02 | |
I try and erect a piece of corrugated roofing plastic | 0:34:02 | 0:34:09 | |
high enough so that a cat cannot leap up to it, | 0:34:09 | 0:34:13 | |
and therefore it stops the cat getting up into the... | 0:34:13 | 0:34:16 | |
So if a cat's determined enough to climb this bit of the trunk, | 0:34:16 | 0:34:19 | |
when it gets to here... Yes. ..it can't get its claws into that. | 0:34:19 | 0:34:22 | |
That's the idea. And the bird is safe. Wow. | 0:34:22 | 0:34:25 | |
In the nesting season, any cat on the prowl in Bill's garden... | 0:34:25 | 0:34:28 | |
Nailed nicely on both sides, and bottom. | 0:34:28 | 0:34:32 | |
..can expect to snag their predatory claws on one of these contraptions. | 0:34:32 | 0:34:36 | |
How do you feel about the fact you're having to go to pretty great lengths | 0:34:36 | 0:34:40 | |
to protect birds? | 0:34:40 | 0:34:42 | |
I must admit, although I enjoy doing this, | 0:34:42 | 0:34:44 | |
I do feel the boot's on the wrong foot. | 0:34:44 | 0:34:47 | |
I really feel there should be more control from the cat owners. | 0:34:47 | 0:34:52 | |
I don't think it should be upon us, the bird lovers, | 0:34:52 | 0:34:55 | |
to go to such extreme lengths. | 0:34:55 | 0:34:59 | |
But are there simpler ways to save wildlife from cats? | 0:34:59 | 0:35:03 | |
Jeff Knott is from the organisation | 0:35:06 | 0:35:08 | |
set up to protect wild birds - the RSPB. | 0:35:08 | 0:35:11 | |
And what's the key to making sure that the birds get well fed, | 0:35:14 | 0:35:17 | |
but the cats don't dine on the birds? | 0:35:17 | 0:35:19 | |
The most important thing is siting feeders a little bit out | 0:35:19 | 0:35:22 | |
in the open, so about two metres away from any cover. | 0:35:22 | 0:35:25 | |
That's far enough away that it means cats can't come out | 0:35:25 | 0:35:27 | |
and ambush the birds while they're feeding, | 0:35:27 | 0:35:29 | |
but close enough that if they feel scared or threatened by anything | 0:35:29 | 0:35:32 | |
while they're feeding, the birds can dash off into the cover | 0:35:32 | 0:35:35 | |
and get away. They've got an escape plan. | 0:35:35 | 0:35:37 | |
We've heard about some rather more drastic measures to help birds, | 0:35:37 | 0:35:41 | |
like curfews for cats. What do you think about that? | 0:35:41 | 0:35:45 | |
Well, keeping cats in at night at dawn and dusk does make sense | 0:35:45 | 0:35:48 | |
for reducing predation on small mammals, | 0:35:48 | 0:35:51 | |
which are very active overnight. | 0:35:51 | 0:35:53 | |
Birds are most active at dawn and dusk, so it would help do that. | 0:35:53 | 0:35:57 | |
Perhaps a more practical solution is a simple collar with a bell, | 0:35:57 | 0:36:01 | |
then there's no danger of a stealthy approach. | 0:36:01 | 0:36:06 | |
But for the RSPB, there are bigger threats than cats. | 0:36:06 | 0:36:10 | |
The real factors that are driving the decline | 0:36:10 | 0:36:12 | |
to some of our best-loved birds, it's loss of habitat, | 0:36:12 | 0:36:15 | |
intensification of the way our countryside is managed | 0:36:15 | 0:36:18 | |
in farmland and woods and other places. | 0:36:18 | 0:36:21 | |
In our gardens we can actually do our own little bit to help | 0:36:21 | 0:36:23 | |
reverse that, to help provide some fantastic habitat, some food, | 0:36:23 | 0:36:27 | |
some nesting sites, and give nature a home in our garden | 0:36:27 | 0:36:29 | |
safe in the knowledge cats are well down that list. | 0:36:29 | 0:36:32 | |
In the grand scheme of things, then, | 0:36:32 | 0:36:35 | |
the bigger threat is our modern landscape. | 0:36:35 | 0:36:38 | |
So, on the charge of decimating numbers of our wild birds, | 0:36:39 | 0:36:43 | |
the verdict for cats seems to be not guilty. | 0:36:43 | 0:36:48 | |
But, if you have a Sylvester nearby with an unquenchable | 0:36:48 | 0:36:52 | |
appetite for the Tweety Pies in your garden, | 0:36:52 | 0:36:55 | |
there are plenty of things you can do to protect them. | 0:36:55 | 0:36:58 | |
Cat owner or not, we would love to know what you think. | 0:36:58 | 0:37:02 | |
Should more be done to control their animal instincts, | 0:37:02 | 0:37:05 | |
or should cats be left to their own devices? | 0:37:05 | 0:37:08 | |
Let us know your views via the Countryfile website. | 0:37:08 | 0:37:11 | |
Down on Adam's farm, the harvest continues, | 0:37:20 | 0:37:23 | |
but it's not all about the crops. | 0:37:23 | 0:37:25 | |
He's still got his animals to look after, | 0:37:25 | 0:37:27 | |
so it's time for a seasonal stock-take. | 0:37:27 | 0:37:30 | |
This is my new Gloucester Old Spot boar, | 0:37:39 | 0:37:41 | |
and he's settled in really well. | 0:37:41 | 0:37:42 | |
He's everything I hoped for. | 0:37:42 | 0:37:44 | |
He's got wonderful physique, and hopefully that will pass | 0:37:44 | 0:37:47 | |
through into his piglets and we'll get some great porkers. | 0:37:47 | 0:37:50 | |
He's settled in with his new wife really well | 0:37:50 | 0:37:53 | |
and hopefully we'll have piglets in about three months' time. | 0:37:53 | 0:37:57 | |
So it's all worked out very well. | 0:37:57 | 0:37:58 | |
There's another of my animals | 0:38:01 | 0:38:02 | |
who already knows what it's like to be a dad. | 0:38:02 | 0:38:05 | |
Eric. | 0:38:05 | 0:38:06 | |
Eric has fathered five lovely calves this year. | 0:38:09 | 0:38:13 | |
We've got three females and two males and they've been growing very well. | 0:38:13 | 0:38:18 | |
They're looking fantastic, | 0:38:18 | 0:38:21 | |
and there's one little calf that was born quite an unusual colour. | 0:38:21 | 0:38:25 | |
He was very silver when he was born, and I've named him Nevis. | 0:38:25 | 0:38:30 | |
That's the name you all came up with, and just look at him now. | 0:38:30 | 0:38:33 | |
And he's just in at the back there. He's a young bull calf. | 0:38:35 | 0:38:39 | |
He's got a lovely dossan, this hairy bit on the front of his forehead, | 0:38:39 | 0:38:43 | |
and he's quite hairy all over, but he's well made up, | 0:38:43 | 0:38:46 | |
he's a stocky bull, and I'm very pleased with him. | 0:38:46 | 0:38:48 | |
BULL BELLOWS | 0:38:50 | 0:38:52 | |
I love that noise these bulls make, | 0:38:58 | 0:39:01 | |
sort of stamping their mark of authority, that deep, throaty bellow, | 0:39:01 | 0:39:06 | |
and he's basically warning off any other bulls in the area. | 0:39:06 | 0:39:10 | |
And unfortunately, recently, | 0:39:10 | 0:39:12 | |
he bust down a fence and got in with my White Park bull. | 0:39:12 | 0:39:16 | |
And Eric came off worse. He's cut his lip quite badly. | 0:39:19 | 0:39:22 | |
We had to get the vet to have a look at it | 0:39:22 | 0:39:24 | |
and put him on a course of antibiotics, | 0:39:24 | 0:39:27 | |
and it's mending quite well, although it's still hanging down a bit. | 0:39:27 | 0:39:30 | |
I think he's feeling a little bit sorry for himself. | 0:39:30 | 0:39:33 | |
There are calves everywhere on the farm | 0:39:36 | 0:39:39 | |
and one of my favourite cows gave birth last night. | 0:39:39 | 0:39:43 | |
A cow udder is made up of four quarters, so each teat has | 0:39:45 | 0:39:49 | |
a separate compartment attached to it where it produces the milk. | 0:39:49 | 0:39:52 | |
And this calf has been sucking on the front teats, | 0:39:52 | 0:39:55 | |
but not so much on the back ones, | 0:39:55 | 0:39:56 | |
and it's good, it's just starting to get onto the back one now, | 0:39:56 | 0:39:59 | |
and so it will drink the milk evenly from all four quarters. | 0:39:59 | 0:40:03 | |
And a calf butts the cow like that to encourage her to let the milk down. | 0:40:03 | 0:40:08 | |
She produces a hormone and the milk is released down into the teat. | 0:40:08 | 0:40:11 | |
Steady. | 0:40:23 | 0:40:24 | |
HE WHISTLES Sit! Sit! | 0:40:24 | 0:40:26 | |
WHISPERS: Sit. Sit. Sit. | 0:40:26 | 0:40:29 | |
Pearl's a lovely little dog. | 0:40:29 | 0:40:31 | |
Sadly, when she was a puppy, she got run over | 0:40:31 | 0:40:33 | |
and has now got pins in her leg, and just recently, | 0:40:33 | 0:40:36 | |
she damaged her tendons in the lower leg, | 0:40:36 | 0:40:38 | |
and the vet tells me that she's still OK to run around, | 0:40:38 | 0:40:41 | |
but she won't ever get the use of those tendons again, and while she's | 0:40:41 | 0:40:45 | |
happy working sheep and she's in no pain, | 0:40:45 | 0:40:47 | |
then I'm pleased to have her out here helping me. | 0:40:47 | 0:40:50 | |
Today, she's helping me round up some sheep that I'm taking to a sale. | 0:40:51 | 0:40:55 | |
At this time of year up and down the country | 0:40:55 | 0:40:57 | |
the breeding sheep sales are taking place for both ewes and rams. | 0:40:57 | 0:41:01 | |
Right, I've got some female sheep in here, some young ewes, | 0:41:02 | 0:41:06 | |
and I've just got to sort out the ones I want to keep | 0:41:06 | 0:41:09 | |
and the ones I want to sell. So the first ones I'm going to work with, | 0:41:09 | 0:41:13 | |
I think, are the Castlemilk Moorits. | 0:41:13 | 0:41:15 | |
The Castlemilk Moorit is a rare breed that | 0:41:15 | 0:41:18 | |
originates from the Scottish Borders. | 0:41:18 | 0:41:20 | |
If I just grab one and show you what I want in a good Castlemilk Moorit. | 0:41:23 | 0:41:27 | |
Ooh, Missus! They're certainly a lively breed. Here we are. | 0:41:33 | 0:41:38 | |
What I need is a nice head on them, nice horns but not too wide, | 0:41:38 | 0:41:42 | |
not too close, a good gap in between the horns | 0:41:42 | 0:41:46 | |
and then the wool on the Castlemilk Moorit is important. | 0:41:46 | 0:41:50 | |
The colour on the surface is very bleached by the sun where it's | 0:41:50 | 0:41:53 | |
gone pale, but Moorit is Gaelic for mousey brown, | 0:41:53 | 0:41:56 | |
and they have this lovely brown fleece on them. | 0:41:56 | 0:41:59 | |
But on the whole, she's a well made up ewe, she's a good size, | 0:41:59 | 0:42:02 | |
she'll be able to carry lambs well, | 0:42:02 | 0:42:03 | |
and I like her. I think I'll keep this one. | 0:42:03 | 0:42:05 | |
Let's pop her out in the field. | 0:42:07 | 0:42:08 | |
I'll keep a couple more of the Moorits back. The rest I'll sell. | 0:42:08 | 0:42:11 | |
Next up is one of the most common breeds. | 0:42:16 | 0:42:18 | |
These are some Suffolk crosses, they're a commercial breed of sheep, | 0:42:21 | 0:42:26 | |
really for producing lamb for the table that we've bred on the farm here. | 0:42:26 | 0:42:31 | |
They're surplus to our requirements and we'll sell them on. | 0:42:31 | 0:42:34 | |
And with modern-day breeds of sheep, most of their wool are white | 0:42:34 | 0:42:37 | |
so that it can be dyed any colour, | 0:42:37 | 0:42:40 | |
so these have got lovely white fine fleeces. | 0:42:40 | 0:42:44 | |
It's really quite staggering | 0:42:45 | 0:42:47 | |
when you compare the old traditional breeds | 0:42:47 | 0:42:49 | |
with the modern commercial breeds. | 0:42:49 | 0:42:51 | |
I've just put a Suffolk cross and a Castlemilk Moorit together for you | 0:42:51 | 0:42:54 | |
so you can see the difference between a modern-day sheep | 0:42:54 | 0:42:57 | |
and an ancient, primitive breed. | 0:42:57 | 0:42:59 | |
These females are the same age, | 0:42:59 | 0:43:01 | |
but have got totally different confirmation and look about them. | 0:43:01 | 0:43:05 | |
And you can see, really, how, over hundreds of years, | 0:43:05 | 0:43:08 | |
farmers have improved and developed sheep | 0:43:08 | 0:43:11 | |
so they can produce a much bigger, better carcass. | 0:43:11 | 0:43:14 | |
That's my animals sorted. Better get back to the fields. | 0:43:17 | 0:43:20 | |
The combine has just started cutting in this field, which is oilseed rape. | 0:43:26 | 0:43:30 | |
It's been in wheat and in barley and now it's come into this crop, | 0:43:30 | 0:43:33 | |
and we thought it was going to be a disaster | 0:43:33 | 0:43:35 | |
because of the horrible spring, but actually it's come quite well. | 0:43:35 | 0:43:39 | |
This is the crop that has those lovely yellow flowers. | 0:43:39 | 0:43:42 | |
It sets its seed and the seed is this little, | 0:43:42 | 0:43:46 | |
tiny black ball bearings that my neighbour cold-presses | 0:43:46 | 0:43:50 | |
to produce oilseed rape oil that you can use in cooking and in dressings. | 0:43:50 | 0:43:55 | |
And this is looking pretty tidy. I'm quite pleased with this. | 0:43:55 | 0:43:57 | |
Dave's driving the combine, who's one of the guys on the farm. | 0:44:04 | 0:44:07 | |
This is the first year he's been driving it, | 0:44:07 | 0:44:09 | |
and he's doing really well. | 0:44:09 | 0:44:11 | |
It's incredibly technical, the job in there, all computer-driven, | 0:44:11 | 0:44:14 | |
loads of buttons. | 0:44:14 | 0:44:16 | |
But he loves it! | 0:44:17 | 0:44:18 | |
After a dodgy start to the year with bad weather, | 0:44:20 | 0:44:23 | |
it looks like being a decent harvest, and that's a big relief. | 0:44:23 | 0:44:26 | |
Devon is a patchwork of thatched cottages and hidden hamlets. | 0:44:32 | 0:44:37 | |
And the picture-postcard village of Iddesleigh | 0:44:37 | 0:44:40 | |
might look like any other in this part of the world, | 0:44:40 | 0:44:42 | |
but today a very special horse is coming home. | 0:44:42 | 0:44:45 | |
MARCHING BAND PLAYS | 0:44:45 | 0:44:48 | |
This is Joey, star of the hit stage show War Horse. | 0:44:48 | 0:44:52 | |
JOEY WHINNIES | 0:44:56 | 0:44:57 | |
Fresh from the National Theatre and in advance of a UK tour, | 0:44:57 | 0:45:01 | |
he's in Iddesleigh for the first time since he was dreamt up | 0:45:01 | 0:45:04 | |
by local author Michael Morpurgo some 30 years ago. | 0:45:04 | 0:45:08 | |
The story is based on the plight of the horses in the First World War. | 0:45:11 | 0:45:15 | |
Used in cavalry units and to pull cannons and artillery, | 0:45:16 | 0:45:20 | |
it's estimated eight million died. | 0:45:20 | 0:45:23 | |
Faced with machine guns and tanks, | 0:45:23 | 0:45:25 | |
their flesh was no match for bullets and barbed wire. | 0:45:25 | 0:45:28 | |
Michael started the book after speaking | 0:45:31 | 0:45:33 | |
to three World War I veterans who lived here. | 0:45:33 | 0:45:36 | |
One of them was a cavalry officer named Captain Budgett. | 0:45:38 | 0:45:41 | |
I went to see him and I said, "You were in the First World War." | 0:45:42 | 0:45:46 | |
He said, "Yeah, I was there with horses," | 0:45:46 | 0:45:48 | |
and he started talking again about the horses in the First World War. | 0:45:48 | 0:45:52 | |
And what came across to me then was something | 0:45:52 | 0:45:55 | |
I found intensely moving, | 0:45:55 | 0:45:57 | |
was the relationship which he had with his horse | 0:45:57 | 0:46:00 | |
and how important that was, how he would go to the horse lines | 0:46:00 | 0:46:04 | |
at night and he would talk to the horse and he would tell this horse | 0:46:04 | 0:46:07 | |
things that he wouldn't dream of telling his pals, | 0:46:07 | 0:46:09 | |
because his pals all had the same terrible anxieties | 0:46:09 | 0:46:11 | |
going on in their heads. They'd just seen terrible things happen that day, | 0:46:11 | 0:46:15 | |
they were fearful for their lives every day, | 0:46:15 | 0:46:17 | |
and they were longing for home, | 0:46:17 | 0:46:19 | |
and he could say these things to his horse. | 0:46:19 | 0:46:21 | |
Both sides suffered, | 0:46:24 | 0:46:26 | |
but telling the story from Joey the horse's point of view | 0:46:26 | 0:46:29 | |
allowed Michael to be impartial. | 0:46:29 | 0:46:31 | |
Bringing that vision to life for the National Theatre involved | 0:46:33 | 0:46:37 | |
a set of very skilled puppeteers. | 0:46:37 | 0:46:39 | |
It is amazing how lifelike Joey is. That's really remarkable. | 0:46:42 | 0:46:47 | |
Just down the road from Iddesleigh | 0:46:49 | 0:46:51 | |
is Lower Upcott Farm where Ben May's shire horses | 0:46:51 | 0:46:54 | |
helped creators bring the idea of Joey to life. | 0:46:54 | 0:46:58 | |
Today they're coming face-to-face for the very first time. | 0:46:58 | 0:47:02 | |
Jimmy, this is such an amazing experience. | 0:47:06 | 0:47:08 | |
This isn't the first time I've seen Joey, because I went to the play | 0:47:08 | 0:47:11 | |
and he really moves people, people end up crying, even, | 0:47:11 | 0:47:14 | |
and I'm not much of a crier. Why is that? | 0:47:14 | 0:47:16 | |
It's quite an unusual experience, because you can see the puppeteers, | 0:47:16 | 0:47:19 | |
so you know they're creating this impression of life with the puppet, | 0:47:19 | 0:47:23 | |
but at the same time, all these details, the movement, | 0:47:23 | 0:47:26 | |
the breath, you're kind of convinced it's alive, | 0:47:26 | 0:47:28 | |
so it's working on lots of different levels. | 0:47:28 | 0:47:31 | |
All of these movements, they are so reminiscent | 0:47:31 | 0:47:34 | |
of the real horses behind me. | 0:47:34 | 0:47:35 | |
How have you managed to create something that looks so real. | 0:47:35 | 0:47:38 | |
One of the things you just picked out is important, the micro movements, | 0:47:38 | 0:47:41 | |
so whether it's just a tiny flick in the ear, | 0:47:41 | 0:47:43 | |
or a tiny adjustment in the horse's focus or a little flick of the tail, | 0:47:43 | 0:47:47 | |
all these tiny little details | 0:47:47 | 0:47:48 | |
are things that add up to the impression of life. | 0:47:48 | 0:47:51 | |
But it's not just about the physical movements, it's the sounds as well. | 0:47:51 | 0:47:54 | |
Yes, and that starts with the breath. | 0:47:54 | 0:47:56 | |
It's important for the puppeteers to communicate with each other, | 0:47:56 | 0:47:59 | |
is the breath and breathing together, | 0:47:59 | 0:48:01 | |
and we can see it in the chest of the horse | 0:48:01 | 0:48:03 | |
that they are all breathing and aware of each other's breaths | 0:48:03 | 0:48:07 | |
and from there we start to have | 0:48:07 | 0:48:09 | |
the sound of the snort and the nose blows. | 0:48:09 | 0:48:12 | |
JOEY GRUMBLES | 0:48:12 | 0:48:16 | |
SNORTS | 0:48:18 | 0:48:19 | |
I wasn't sure where that was coming from! | 0:48:21 | 0:48:23 | |
And it's all three purposes that make those sounds, not just one, | 0:48:23 | 0:48:26 | |
so the sound travels through the horse. | 0:48:26 | 0:48:28 | |
And why was the decision made to use a puppet | 0:48:28 | 0:48:31 | |
rather than a live horse or an alternative? | 0:48:31 | 0:48:34 | |
There are obviously complications trying to rehearse and work with | 0:48:34 | 0:48:37 | |
a live horse on stage, but I guess | 0:48:37 | 0:48:40 | |
if you're watching the show, you can see the magical experience | 0:48:40 | 0:48:43 | |
of something where you know it's not a live animal, | 0:48:43 | 0:48:46 | |
you know it's a puppet, | 0:48:46 | 0:48:47 | |
but actually you start to suspend your disbelief and see it as a real | 0:48:47 | 0:48:51 | |
living animal, and that's part of the magic of it and the spectacle of it. | 0:48:51 | 0:48:55 | |
And just as he does on the stage, | 0:48:55 | 0:48:57 | |
the spectacle of Joey back home in Iddesleigh has attracted big crowds. | 0:48:57 | 0:49:01 | |
He's been all over the world, but this is the first time | 0:49:09 | 0:49:11 | |
he's been here in Devon for 30 years since he was first created. | 0:49:11 | 0:49:15 | |
Wow! Hello! | 0:49:15 | 0:49:18 | |
And the whole village has come out to welcome him home. | 0:49:18 | 0:49:22 | |
Incredible. An incredible experience. | 0:49:23 | 0:49:26 | |
It's lovely for the village. The actual puppet, amazing. | 0:49:26 | 0:49:29 | |
I saw him from a distance and I thought it was a real horse. | 0:49:29 | 0:49:32 | |
The way his ears move definitely looks like a real horse. | 0:49:32 | 0:49:36 | |
BUGLE PLAYS "LAST POST" | 0:49:36 | 0:49:41 | |
When you think of all those thousands and thousands | 0:49:47 | 0:49:50 | |
of horses who died, it does bring it back and it is very emotional. | 0:49:50 | 0:49:55 | |
Well, as much as I would love to stay, | 0:49:59 | 0:50:01 | |
I've got to go and catch up with Matt. | 0:50:01 | 0:50:04 | |
He's been set a rather tricky challenge | 0:50:04 | 0:50:06 | |
and could do with all the help he can get. | 0:50:06 | 0:50:08 | |
Before then, let me hand you over to the weather centre | 0:50:08 | 0:50:11 | |
for the Countryfile five-day forecast. | 0:50:11 | 0:50:13 |