Browse content similar to Devon. Check below for episodes and series from the same categories and more!
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Dartmoor, Devon. | 0:00:27 | 0:00:29 | |
A carpet of colour as far as the eye can see. | 0:00:29 | 0:00:32 | |
A landscape of stark wilderness and beauty. | 0:00:33 | 0:00:36 | |
It is stunning, this sweeping moorland, | 0:00:38 | 0:00:41 | |
but it can also be inhospitable, and during World War II | 0:00:41 | 0:00:46 | |
Dartmoor was the site of several tragic plane crashes. | 0:00:46 | 0:00:50 | |
Because of that, this rugged earth | 0:00:50 | 0:00:52 | |
holds the key to many unanswered questions. | 0:00:52 | 0:00:55 | |
Anita will be discovering how the Devon countryside | 0:00:57 | 0:01:00 | |
is helping to shape lives. | 0:01:00 | 0:01:03 | |
LandWorks is a project that tackles the issue of criminals reoffending. | 0:01:03 | 0:01:07 | |
It supports them as they try and break out of the vicious cycle | 0:01:07 | 0:01:10 | |
and take their first steps towards getting work. | 0:01:10 | 0:01:13 | |
Charlotte's across the border in Cornwall. | 0:01:15 | 0:01:17 | |
Many people dream of owning a second home | 0:01:19 | 0:01:21 | |
in the countryside or by the sea, | 0:01:21 | 0:01:24 | |
but are these weekend retreats doing more harm than good? | 0:01:24 | 0:01:28 | |
I'll be investigating. | 0:01:28 | 0:01:29 | |
And Countryfile is now home to the legendary | 0:01:32 | 0:01:34 | |
One Man And His Dog sheepdog trials, | 0:01:34 | 0:01:37 | |
so Helen and Shauna are meeting | 0:01:37 | 0:01:38 | |
the English and Irish teams hoping they'll be top dog. | 0:01:38 | 0:01:42 | |
You going to be cheering him on all the way? | 0:01:43 | 0:01:45 | |
OK, that's a good idea, | 0:01:45 | 0:01:47 | |
but I'm going to do it right now. Go, Daddy! | 0:01:47 | 0:01:50 | |
Nestled in Britain's south-west corner | 0:01:58 | 0:02:00 | |
sits one of our most beautiful national parks. | 0:02:00 | 0:02:04 | |
The granite which forms the uplands here dates back millions of years. | 0:02:04 | 0:02:08 | |
We're on Dartmoor, South Devon, | 0:02:11 | 0:02:14 | |
a purple heather-clad moor | 0:02:14 | 0:02:16 | |
of wide open landscapes and obscure granite tors. | 0:02:16 | 0:02:20 | |
There's one piece of granite that I am very keen to see, | 0:02:22 | 0:02:25 | |
and I think it's just up here. | 0:02:25 | 0:02:27 | |
Late in the evening of March 21st, 1941, | 0:02:29 | 0:02:33 | |
a bomber took off from RAF Scampton in Lincolnshire | 0:02:33 | 0:02:37 | |
to attack German U-boat pens in Lorient in France. | 0:02:37 | 0:02:40 | |
On its way back, it crashed on Dartmoor. | 0:02:40 | 0:02:43 | |
Looming large on the moor, | 0:02:47 | 0:02:49 | |
high on the slopes of a whale back-shaped landscape, | 0:02:49 | 0:02:53 | |
sits a granite memorial marking the spot where that plane came down. | 0:02:53 | 0:02:57 | |
Well, this is definitely it. | 0:02:59 | 0:03:01 | |
All these letters, look, carved into the stone. | 0:03:01 | 0:03:04 | |
RAF, I'm assuming Squadron 49, | 0:03:04 | 0:03:08 | |
and then the initials of those that died. | 0:03:08 | 0:03:11 | |
But this isn't the only crash site. | 0:03:14 | 0:03:16 | |
During World War II, Dartmoor was surrounded by airfields | 0:03:16 | 0:03:20 | |
and more than 20 planes met their end here. | 0:03:20 | 0:03:22 | |
But exactly who were the four men on board this aircraft? | 0:03:23 | 0:03:27 | |
And why did it crash? | 0:03:27 | 0:03:29 | |
I found the perfect person to help unravel the mystery - | 0:03:29 | 0:03:32 | |
Former RAF policeman Jon Lowe. | 0:03:32 | 0:03:35 | |
When and how did your connection with this stone start, John? | 0:03:36 | 0:03:41 | |
Purely by accident. | 0:03:41 | 0:03:43 | |
I'd come for a walk on the moor, | 0:03:43 | 0:03:45 | |
found the stone as part of a navigation exercise, | 0:03:45 | 0:03:49 | |
and then, as I turned away and went back down the slope, | 0:03:49 | 0:03:52 | |
something was compelling me to find out who and what had happened here. | 0:03:52 | 0:03:58 | |
It was a Hampden, one of the early bombers of the Second World War, | 0:04:00 | 0:04:04 | |
but the staggering thing was the size - | 0:04:04 | 0:04:07 | |
skin to skin on the cockpit. | 0:04:07 | 0:04:09 | |
The internal width in which those men were working was that wide, | 0:04:11 | 0:04:14 | |
and when you place that against your shoulders, | 0:04:14 | 0:04:17 | |
-you'll see that there's hardly any spare capacity at all. -Yeah. | 0:04:17 | 0:04:21 | |
It was very, very tight and claustrophobic within there. | 0:04:21 | 0:04:24 | |
And you think of all the stuff that was around them, | 0:04:24 | 0:04:26 | |
-and even the gear they were wearing. -Yeah. | 0:04:26 | 0:04:29 | |
How old were they? | 0:04:29 | 0:04:31 | |
The pilot was 25, the youngest was 22. | 0:04:31 | 0:04:34 | |
The second pilot, Ellis, was 23, and Brames, | 0:04:34 | 0:04:38 | |
who that night was acting as a wireless operator, he was also 23. | 0:04:38 | 0:04:42 | |
The boys were becoming more than just a set of initials. | 0:04:44 | 0:04:48 | |
There was the pilot, Robert Wilson, | 0:04:48 | 0:04:50 | |
wireless operator Charles Lyon, | 0:04:50 | 0:04:53 | |
gunner Ronald Brames, | 0:04:53 | 0:04:55 | |
and navigator Richard Ellis. | 0:04:55 | 0:04:57 | |
Although it wasn't difficult to find basic details | 0:04:58 | 0:05:01 | |
relating to the four young crewmembers, | 0:05:01 | 0:05:03 | |
finding anybody who knew anything else about them | 0:05:03 | 0:05:06 | |
proved a whole lot harder. | 0:05:06 | 0:05:08 | |
But John wasn't going to give up easily. | 0:05:08 | 0:05:11 | |
After months, | 0:05:11 | 0:05:12 | |
he received a breakthrough he'd been waiting for. | 0:05:12 | 0:05:15 | |
The great niece of one of the crew | 0:05:15 | 0:05:17 | |
came across John's work on the internet and got in touch. | 0:05:17 | 0:05:20 | |
-Tanya, it is lovely to meet you. -You too. | 0:05:22 | 0:05:24 | |
You had a relative, didn't you, that was on board, | 0:05:24 | 0:05:27 | |
-part of the crew? -I did. -Who was he? | 0:05:27 | 0:05:29 | |
He was called Richard Ellis, and he was my great uncle, | 0:05:29 | 0:05:32 | |
and he was from South Africa. | 0:05:32 | 0:05:35 | |
This document down here, I mean, | 0:05:35 | 0:05:37 | |
it looks absolutely beautiful. | 0:05:37 | 0:05:39 | |
Oh, it is. This is amazing. | 0:05:39 | 0:05:41 | |
This was made by his mother just after he died. | 0:05:41 | 0:05:44 | |
You can see it's all hand drawn on the front, | 0:05:44 | 0:05:47 | |
and here is a photo of him probably taken within a year before he died. | 0:05:47 | 0:05:52 | |
And then there's a letter here, | 0:05:52 | 0:05:54 | |
which we found, all of us found quite emotional | 0:05:54 | 0:05:57 | |
when we were looking through it, especially. | 0:05:57 | 0:05:59 | |
And there's a quote here which is amazing, where he says, | 0:05:59 | 0:06:04 | |
"Darlings, I have had a wonderful life | 0:06:04 | 0:06:06 | |
"and if the worst should happen then please may I say here | 0:06:06 | 0:06:09 | |
"how terribly grateful I am for the way you both have brought me up | 0:06:09 | 0:06:12 | |
"and for all the wonderful times you have given me. | 0:06:12 | 0:06:14 | |
"I have no regrets to look back on and only hope to look forward to." | 0:06:14 | 0:06:18 | |
'But, just 18 months after this letter was written, | 0:06:18 | 0:06:21 | |
'sadly, the worst did happen.' | 0:06:21 | 0:06:23 | |
This is an official copy of the Air Ministry form | 0:06:25 | 0:06:28 | |
which records the details of that crash. | 0:06:28 | 0:06:32 | |
Now, originally, there were three killed and one injured, | 0:06:32 | 0:06:36 | |
so what it tells us is when this form was initially raised, | 0:06:36 | 0:06:40 | |
the pilot was still alive. | 0:06:40 | 0:06:41 | |
And what happened to him? | 0:06:41 | 0:06:43 | |
He was taken by ambulance to Moretonhampstead Hospital, | 0:06:43 | 0:06:46 | |
where he was operated on. | 0:06:46 | 0:06:47 | |
At three o'clock on the Saturday afternoon, his mother arrived | 0:06:47 | 0:06:51 | |
and he actually passed away at around about 10 o'clock that evening | 0:06:51 | 0:06:55 | |
with his family by his bedside. | 0:06:55 | 0:06:56 | |
And did his mum have something to do with this stone, then? | 0:06:56 | 0:07:01 | |
She came here on the Tuesday morning in a howling gale | 0:07:01 | 0:07:05 | |
and pouring rain, and she stood by the cockpit, | 0:07:05 | 0:07:08 | |
and the words that she used are, | 0:07:08 | 0:07:10 | |
"I settled to have a stone gatepost | 0:07:10 | 0:07:12 | |
"placed where the cockpit finished. | 0:07:12 | 0:07:15 | |
"And I want the initials and a simple cross of our boys." | 0:07:15 | 0:07:19 | |
Evidence suggests the bomber crashed on its way back | 0:07:25 | 0:07:28 | |
from its mission after the boys lost radio contact with base. | 0:07:28 | 0:07:32 | |
They were coming up from Widecombe, which is just below the horizon. | 0:07:35 | 0:07:39 | |
The cloud base was on the floor, so they couldn't see anything. | 0:07:39 | 0:07:43 | |
It was 11 o'clock at night. | 0:07:43 | 0:07:45 | |
And they impacted the slope here at around about 1,500 feet. | 0:07:45 | 0:07:50 | |
Death was instantaneous. | 0:07:53 | 0:07:54 | |
Travelling at around 180mph, the impact of the crash was massive. | 0:07:57 | 0:08:02 | |
Later, I'll be joining scientists | 0:08:04 | 0:08:06 | |
as they uncover the scars left on the landscape. | 0:08:06 | 0:08:09 | |
Well, while we're exploring Devon, | 0:08:11 | 0:08:14 | |
Charlotte is just over the border in Cornwall | 0:08:14 | 0:08:17 | |
looking at the impact of second homes. | 0:08:17 | 0:08:19 | |
An Englishman's home is his castle, or so the saying goes. | 0:08:26 | 0:08:31 | |
And, if you can afford it, splashing out on a second one | 0:08:31 | 0:08:34 | |
to use for holidays gives you the best of both worlds - | 0:08:34 | 0:08:37 | |
a permanent residence and a house in the country | 0:08:37 | 0:08:40 | |
or bolt hole by the sea to use... | 0:08:40 | 0:08:43 | |
whenever you like. | 0:08:43 | 0:08:45 | |
Whether the appeal is quality of life, a second income or both, | 0:08:49 | 0:08:53 | |
it's an idea that many Britons have bought into. | 0:08:53 | 0:08:57 | |
More than 1.5 million of us now have a second home in the UK. | 0:08:57 | 0:09:01 | |
And the number one choice of where to have one? | 0:09:03 | 0:09:05 | |
You guessed it, Cornwall. | 0:09:05 | 0:09:08 | |
It's not surprising, is it? | 0:09:10 | 0:09:12 | |
Stunning coastline, picture postcard villages. | 0:09:12 | 0:09:15 | |
But now, in some of the most sought-after | 0:09:17 | 0:09:19 | |
of Cornish coastal resorts, two in every five houses are second homes. | 0:09:19 | 0:09:24 | |
And, while their owners have clearly fallen in love with Cornwall, | 0:09:26 | 0:09:30 | |
the feeling's not always mutual. | 0:09:30 | 0:09:32 | |
-Hiya. -Patrick. Hello, I'm Charlotte. -Hello, Charlotte, come on in. | 0:09:34 | 0:09:38 | |
'Patrick, his wife, Becky, and their three children | 0:09:38 | 0:09:41 | |
'live in the seaside town of Padstow on Cornwall's north coast.' | 0:09:41 | 0:09:45 | |
Hi. | 0:09:45 | 0:09:46 | |
'Their families have lived here for hundreds of years, | 0:09:46 | 0:09:49 | |
'but things are changing.' | 0:09:49 | 0:09:50 | |
We've got a massive influx of second homes in Padstow, | 0:09:50 | 0:09:53 | |
and that second home, through no fault of their own, | 0:09:53 | 0:09:57 | |
is decimating the local communities within Cornwall. | 0:09:57 | 0:09:59 | |
'Despite both having jobs in the area, | 0:10:02 | 0:10:04 | |
'Patrick and Becky live in social housing, | 0:10:04 | 0:10:07 | |
cos they can't afford to buy a house in Padstow.' | 0:10:07 | 0:10:09 | |
It's the dark side of tourism. | 0:10:11 | 0:10:13 | |
People come to Padstow, they fall in love with the place, | 0:10:13 | 0:10:16 | |
they want to buy a house here at all costs | 0:10:16 | 0:10:18 | |
and that's pushing the prices of houses up and up, | 0:10:18 | 0:10:21 | |
to the point where we've pretty much got absolutely no chance | 0:10:21 | 0:10:24 | |
of buying a house in Padstow, ever, realistically. | 0:10:24 | 0:10:28 | |
What impact does it have on you, Becky? | 0:10:28 | 0:10:30 | |
I was made homeless about eight years ago. | 0:10:30 | 0:10:34 | |
I was always private rented, | 0:10:34 | 0:10:36 | |
and the house I was renting got sold. | 0:10:36 | 0:10:40 | |
You used to be able to find private rent quite easy to come by, | 0:10:40 | 0:10:45 | |
but now because of all the houses, | 0:10:45 | 0:10:47 | |
there's more money to be made, I think, in holiday letting, | 0:10:47 | 0:10:51 | |
and it's very hard to find a private let now in Padstow. | 0:10:51 | 0:10:55 | |
We were put in bed and breakfast by the council | 0:10:56 | 0:10:58 | |
for I think it was about six weeks, | 0:10:58 | 0:11:01 | |
then we got put in temporary accommodation in Wadebridge. | 0:11:01 | 0:11:04 | |
It must have been really stressful, though, | 0:11:04 | 0:11:06 | |
with two young children at that point, to have nowhere to call home. | 0:11:06 | 0:11:10 | |
Yeah, it was awful. It was really traumatic. | 0:11:10 | 0:11:14 | |
I wouldn't wish it on anybody, it was just horrible. | 0:11:14 | 0:11:17 | |
Padstow is now the country's | 0:11:19 | 0:11:21 | |
fourth most expensive place to live by the sea. | 0:11:21 | 0:11:24 | |
The average price of a house here? | 0:11:24 | 0:11:27 | |
A cool £373,271 - | 0:11:27 | 0:11:32 | |
well over £100,000 more than the national average. | 0:11:32 | 0:11:36 | |
As a result, on average, | 0:11:36 | 0:11:38 | |
a house in Padstow is 20 times the local annual salary. | 0:11:38 | 0:11:42 | |
That's twice as much as in London. | 0:11:42 | 0:11:44 | |
This is the biggest onion I have ever seen! | 0:11:46 | 0:11:49 | |
The thing is, Patrick, you're really lucky to live here, | 0:11:49 | 0:11:51 | |
in such a lovely place like Padstow, | 0:11:51 | 0:11:53 | |
and you can't stop other people coming here, too, can you? | 0:11:53 | 0:11:56 | |
No, you can't stop other people coming to Padstow, but, er... | 0:11:56 | 0:12:00 | |
you can regulate it. | 0:12:00 | 0:12:01 | |
I really just think that these massive influxes of people | 0:12:01 | 0:12:05 | |
coming in the summer months, it's no good to anybody. | 0:12:05 | 0:12:07 | |
It's not a stable economy for Cornwall. | 0:12:07 | 0:12:09 | |
That's an economy built on sand. | 0:12:09 | 0:12:11 | |
What about the children? | 0:12:11 | 0:12:12 | |
What do you see for them in the future? | 0:12:12 | 0:12:15 | |
I've got my fingers crossed that they will be able to find a job | 0:12:15 | 0:12:18 | |
in Padstow and be able to earn enough money | 0:12:18 | 0:12:21 | |
to buy a house here one day. | 0:12:21 | 0:12:23 | |
There should be that opportunity for them | 0:12:23 | 0:12:24 | |
but at the moment there just isn't. | 0:12:24 | 0:12:26 | |
This isn't just about Cornwall. | 0:12:31 | 0:12:33 | |
In many rural and coastal communities, | 0:12:33 | 0:12:35 | |
from Yorkshire to the south coast, | 0:12:35 | 0:12:37 | |
from the Cotswolds to the Western Isles, | 0:12:37 | 0:12:40 | |
there are serious concerns about the impact of second homes. | 0:12:40 | 0:12:43 | |
Take Coniston in the Lake District, | 0:12:46 | 0:12:48 | |
where 35% of houses don't have permanent residents. | 0:12:48 | 0:12:52 | |
Here they face many of the same problems as Cornwall. | 0:12:52 | 0:12:56 | |
Villagers feel priced out and, | 0:12:56 | 0:12:57 | |
with many homes lying empty for large parts of the year, | 0:12:57 | 0:13:01 | |
the local primary school is now only half full. | 0:13:01 | 0:13:04 | |
'But, for some people, | 0:13:08 | 0:13:09 | |
'second homes play a vital role in supporting the rural economy.' | 0:13:09 | 0:13:13 | |
What's their destiny? | 0:13:13 | 0:13:15 | |
They are going into the store to be salted down for lobster bait. | 0:13:15 | 0:13:19 | |
'Johnny Murt's family have been making a living | 0:13:19 | 0:13:22 | |
'from fishing out of Padstow for four generations.' | 0:13:22 | 0:13:25 | |
How important are the tourists to this business? | 0:13:26 | 0:13:29 | |
Very important, certainly more important | 0:13:29 | 0:13:31 | |
than they've ever been in the past. | 0:13:31 | 0:13:33 | |
All the restaurants we have in Padstow now | 0:13:33 | 0:13:36 | |
and in the surrounding area, | 0:13:36 | 0:13:37 | |
it's become a bit of a Mecca for foodies | 0:13:37 | 0:13:40 | |
and they want fresh fish and shellfish. | 0:13:40 | 0:13:42 | |
So, what about the tourists who then like it so much | 0:13:42 | 0:13:44 | |
they decide to buy here and they have second homes? | 0:13:44 | 0:13:47 | |
How much is that a concern for you? | 0:13:47 | 0:13:50 | |
It's not a huge concern for me, to be honest. | 0:13:50 | 0:13:52 | |
I know lots of people in town do get very upset about it | 0:13:52 | 0:13:56 | |
but, whichever side you're on, | 0:13:56 | 0:13:58 | |
we do need the tourists and we do... | 0:13:58 | 0:14:00 | |
You know, we need that money coming into Padstow | 0:14:00 | 0:14:03 | |
keeping all the businesses alive. | 0:14:03 | 0:14:05 | |
It used to be a six-week season, but now it's almost year-round. | 0:14:05 | 0:14:09 | |
I mean, we've got a Christmas festival, | 0:14:09 | 0:14:11 | |
we've got things going on throughout the year that seem | 0:14:11 | 0:14:14 | |
to draw the tourists into Padstow, and everybody's got jobs. | 0:14:14 | 0:14:17 | |
Everybody didn't used to have jobs in this town, | 0:14:17 | 0:14:20 | |
and now there's a lot higher employment than there ever was. | 0:14:20 | 0:14:23 | |
Across the countryside, where traditional industries | 0:14:25 | 0:14:28 | |
like fishing are struggling, communities need tourism to survive. | 0:14:28 | 0:14:32 | |
In Cornwall alone, it's an industry worth £1.8 billion. | 0:14:34 | 0:14:38 | |
Across the UK, tourism brings in well over 100 billion every year. | 0:14:38 | 0:14:44 | |
And, like them or not, second homes are part of that. | 0:14:44 | 0:14:47 | |
But that means that in some of the UK's most charming villages | 0:14:50 | 0:14:54 | |
nearly every other house belongs to someone | 0:14:54 | 0:14:57 | |
who uses it as a second address. | 0:14:57 | 0:14:59 | |
I do exaggerate sometimes, darling. It's a fault. | 0:14:59 | 0:15:03 | |
'One of them belongs to Anne Lamb and her family, | 0:15:05 | 0:15:07 | |
'who come to Cornwall in the summer holidays.' | 0:15:07 | 0:15:10 | |
As you will be aware, there are now a lot of second homes in this area. | 0:15:10 | 0:15:14 | |
Aren't you in danger of destroying that community | 0:15:14 | 0:15:17 | |
because you're occupying a house | 0:15:17 | 0:15:19 | |
-but you're not here? -I don't think so. | 0:15:19 | 0:15:21 | |
I don't think so, because we employ people. | 0:15:21 | 0:15:23 | |
We've employed people and taken them to London, given them other jobs. | 0:15:23 | 0:15:27 | |
The whole thing rejuvenates itself. | 0:15:27 | 0:15:29 | |
When we came, we said to each other, my husband and I, | 0:15:29 | 0:15:33 | |
we will never buy a property in order to make a profit. | 0:15:33 | 0:15:37 | |
We will buy it because we love the place and want to go on living here. | 0:15:37 | 0:15:40 | |
I love the church, I love the music, I love the place. | 0:15:40 | 0:15:44 | |
Everything that goes on here, I love. | 0:15:44 | 0:15:47 | |
And I have no regrets about it at all, | 0:15:47 | 0:15:49 | |
it's one of the happiest things in my life. | 0:15:49 | 0:15:51 | |
Not everyone invests quite so much in the community as the Lamb family, | 0:15:53 | 0:15:57 | |
yet there's no doubting the fact that second home owners | 0:15:57 | 0:16:01 | |
do provide a welcome boost to the local economy. | 0:16:01 | 0:16:03 | |
But, despite the obvious benefits to businesses, | 0:16:05 | 0:16:07 | |
there are many locals who feel the advantages brought | 0:16:07 | 0:16:10 | |
by second homes are simply not worth the sacrifices they have to make. | 0:16:10 | 0:16:14 | |
For some, second homes cast a shadow | 0:16:18 | 0:16:20 | |
over some of the most beautiful parts of the UK. | 0:16:20 | 0:16:24 | |
Demand raises prices, | 0:16:24 | 0:16:26 | |
and many who live and work there can't afford to stay. | 0:16:26 | 0:16:30 | |
But others say without the money that second home owners bring, | 0:16:30 | 0:16:33 | |
these local economies wouldn't survive. | 0:16:33 | 0:16:36 | |
How important is this boat yard to the village? | 0:16:37 | 0:16:41 | |
It's enormously important to the village. | 0:16:41 | 0:16:43 | |
'Edwina Hannaford is the Cornwall councillor | 0:16:43 | 0:16:46 | |
'responsible for Environment, Heritage and Planning. | 0:16:46 | 0:16:49 | |
'I'm meeting her in the coastal parish of Lanteglos-by-Fowey, | 0:16:49 | 0:16:52 | |
'where in parts of some villages half the houses are second homes.' | 0:16:52 | 0:16:56 | |
Are there too many holiday homes here, do you think? | 0:16:56 | 0:17:00 | |
If you haven't got a home and you can't afford to buy one, | 0:17:00 | 0:17:02 | |
then, yes, the answer is yes. But there is another side to this. | 0:17:02 | 0:17:07 | |
Those holiday homes, they employ an army of people - | 0:17:07 | 0:17:11 | |
the plumbers, the caretakers, the gardeners. | 0:17:11 | 0:17:14 | |
All those people rely on the business that comes their way. | 0:17:14 | 0:17:18 | |
But there are 28,000 people on the housing register in Cornwall... | 0:17:18 | 0:17:22 | |
-Waiting for housing? -..Waiting for housing. | 0:17:22 | 0:17:25 | |
I think it's starting to tip the wrong way now. | 0:17:25 | 0:17:28 | |
'To try and control the problem, | 0:17:29 | 0:17:31 | |
'Cornwall Council has scrapped the 10% council tax discount | 0:17:31 | 0:17:35 | |
'on second homes and invested millions in more affordable housing. | 0:17:35 | 0:17:39 | |
'But councils in affected areas can only do so much | 0:17:39 | 0:17:43 | |
'without national legislation.' | 0:17:43 | 0:17:45 | |
Is there more that central government should be doing? | 0:17:45 | 0:17:48 | |
Well, we've already asked once through a motion | 0:17:48 | 0:17:51 | |
through Cornwall Council for government | 0:17:51 | 0:17:54 | |
to put a separate use class for second homes | 0:17:54 | 0:17:57 | |
that would restrict the number, | 0:17:57 | 0:17:59 | |
so they'd have to apply for planning permission | 0:17:59 | 0:18:01 | |
if you change from a full-time occupancy to a second home. | 0:18:01 | 0:18:06 | |
We were knocked back on that but we're trying again, | 0:18:06 | 0:18:10 | |
and we're working with South Lakeland Council | 0:18:10 | 0:18:13 | |
up in the Lake District, | 0:18:13 | 0:18:15 | |
who have a very similar issue to places like Polruan. | 0:18:15 | 0:18:18 | |
The councils in Cornwall and the South Lakes | 0:18:20 | 0:18:23 | |
were hoping for a change in the law so people would have to get | 0:18:23 | 0:18:26 | |
council permission to create a second home. | 0:18:26 | 0:18:29 | |
But the MP supporting them has now withdrawn his bid | 0:18:29 | 0:18:32 | |
to change the legislation. | 0:18:32 | 0:18:34 | |
The Government itself has no plans to step in. | 0:18:34 | 0:18:37 | |
The Housing Minister, Brandon Lewis, told us... | 0:18:37 | 0:18:40 | |
Instead, he pointed to the number of affordable homes | 0:18:44 | 0:18:47 | |
the Government's delivered. | 0:18:47 | 0:18:49 | |
Who wouldn't want to live here, even if only for part of the year? | 0:18:52 | 0:18:56 | |
For some locals, second homes are a bonus. | 0:18:56 | 0:18:58 | |
For others, they're ruining the place. | 0:18:58 | 0:19:01 | |
The challenge for local councils and for government | 0:19:01 | 0:19:04 | |
is to find a way of keeping a balance. | 0:19:04 | 0:19:06 | |
Countryfile is once again proud to play host to One Man And His Dog. | 0:19:14 | 0:19:18 | |
Next week, we're going to be bringing together | 0:19:18 | 0:19:20 | |
the best shepherding talent the British Isles has to offer | 0:19:20 | 0:19:23 | |
as they battle it out to win this coveted trophy. | 0:19:23 | 0:19:26 | |
So far, we've met our Scottish and Welsh competitors. | 0:19:27 | 0:19:31 | |
This week, we're going to be meeting the English and Irish teams | 0:19:31 | 0:19:34 | |
who believe they have what it takes to become the champions of 2014. | 0:19:34 | 0:19:39 | |
First up, Helen's meeting | 0:19:40 | 0:19:41 | |
the mesmerising duo representing England. | 0:19:41 | 0:19:44 | |
In these parts, picturesque valleys | 0:19:48 | 0:19:50 | |
and silent hills gently roll into the distance. | 0:19:50 | 0:19:53 | |
This is Lancashire, in England's Northwest, | 0:19:53 | 0:19:56 | |
a rural county full of rich grassland. | 0:19:56 | 0:19:58 | |
It's perfect sheep farming territory. | 0:19:58 | 0:20:00 | |
Which means you need someone to show them who's boss. Away. | 0:20:02 | 0:20:06 | |
Class. | 0:20:07 | 0:20:09 | |
This northern corner of Lancashire is home to both | 0:20:10 | 0:20:13 | |
the senior and young pairings representing England. | 0:20:13 | 0:20:17 | |
First up, I'm meeting the old hand brimming with experience, | 0:20:17 | 0:20:20 | |
Richard Hutchinson and his dog, Sweep. | 0:20:20 | 0:20:22 | |
HE WHISTLES | 0:20:24 | 0:20:26 | |
Born and raised on the family farm in Littledale, Richard's | 0:20:26 | 0:20:29 | |
ancestors have been working this land for five generations. | 0:20:29 | 0:20:33 | |
'Today, he's managed to rope in yours truly as his little helper | 0:20:33 | 0:20:37 | |
'to give his ewes some vitamins.' | 0:20:37 | 0:20:39 | |
Yeah! | 0:20:39 | 0:20:40 | |
-Oh, good girl. -That one liked it, actually. | 0:20:40 | 0:20:42 | |
She did like it. | 0:20:42 | 0:20:44 | |
'But when it comes to rounding them up, Richard needs | 0:20:44 | 0:20:46 | |
'a companion with a little more finesse - | 0:20:46 | 0:20:49 | |
'his loyal sheepdog, Sweep.' | 0:20:49 | 0:20:50 | |
Tell me a bit about Sweep. What's he like as a dog? | 0:20:51 | 0:20:55 | |
He's pretty reliable. | 0:20:55 | 0:20:56 | |
He tries hard. He's got a big heart. | 0:20:56 | 0:20:58 | |
That's probably his best attribute. | 0:20:58 | 0:21:00 | |
-And how old is he? -He's six and a half. | 0:21:00 | 0:21:03 | |
I bred him and a friend of mine had him as a puppy. | 0:21:03 | 0:21:05 | |
and then I bought him off him when he was about a year old. | 0:21:05 | 0:21:08 | |
-So, you bred him, got rid of him and bought him back? -Yes. Yes. | 0:21:08 | 0:21:12 | |
You must have seen something you liked, then. | 0:21:12 | 0:21:14 | |
Yeah, he was cheap! | 0:21:14 | 0:21:15 | |
'Richard may be a joker, | 0:21:15 | 0:21:18 | |
'but one thing he takes very seriously is trialling.' | 0:21:18 | 0:21:21 | |
Having first appeared as a young handler in 2000, | 0:21:21 | 0:21:25 | |
Richard became a regular face on One Man And His Dog, | 0:21:25 | 0:21:28 | |
with a hat trick of appearances in 2009, 2010... | 0:21:28 | 0:21:33 | |
Yeah, "In you go," he says. That way, that way, that's it. | 0:21:33 | 0:21:37 | |
..and then 2011. | 0:21:37 | 0:21:38 | |
So far, he's claimed a solid second, | 0:21:38 | 0:21:41 | |
but the gold has eluded him. | 0:21:41 | 0:21:43 | |
You're a bit of an old hand at this, then, aren't you? | 0:21:44 | 0:21:47 | |
-How many times have you done One Man And His Dog? -Erm... | 0:21:47 | 0:21:50 | |
This will be my fifth, | 0:21:50 | 0:21:51 | |
and I still haven't won it, cos I'm not very good. | 0:21:51 | 0:21:53 | |
-Oh, shut up! -Well, I still haven't. I still haven't. | 0:21:53 | 0:21:56 | |
No, I've just been second a few times but, yeah. | 0:21:56 | 0:21:58 | |
So, if you've been second a few times, | 0:21:58 | 0:22:00 | |
does that make you kind of more determined to go for the top spot? | 0:22:00 | 0:22:03 | |
I think I would be determined whatever, wouldn't I? | 0:22:03 | 0:22:05 | |
But it would be really tough this year | 0:22:05 | 0:22:07 | |
cos you've got Michael Shearer, Kevin Evans, | 0:22:07 | 0:22:10 | |
who are two of the best five handlers in the world. | 0:22:10 | 0:22:12 | |
And then James from Ireland - | 0:22:12 | 0:22:14 | |
I've competed against him and he's a proper good handler. | 0:22:14 | 0:22:16 | |
So I'm hoping I cause an upset but we'll see. | 0:22:16 | 0:22:19 | |
And Richard has a fair idea how he will be judged, | 0:22:21 | 0:22:24 | |
as when he's not competing in trials, he's helping set them up. | 0:22:24 | 0:22:27 | |
A poacher-cum-gamekeeper, if you will. | 0:22:27 | 0:22:30 | |
We run the trials ourselves. | 0:22:30 | 0:22:32 | |
We help set up courses. There is a local one tomorrow. | 0:22:32 | 0:22:34 | |
I think Alex Briggs, the young handler from England, | 0:22:34 | 0:22:37 | |
I think he's going to be there as well. | 0:22:37 | 0:22:38 | |
And, you know, we judge and we let the sheep out. | 0:22:38 | 0:22:41 | |
Generally, it's the competitors that run the trials. | 0:22:41 | 0:22:43 | |
When you're a judge, are you looking for certain things? | 0:22:43 | 0:22:46 | |
-Cos it's a subjective opinion, to a degree, isn't it? -Yeah, it is. | 0:22:46 | 0:22:49 | |
It is. And it's all an opinion, that's what the judgment is. | 0:22:49 | 0:22:53 | |
You may disagree with the judge, and regularly people do, | 0:22:53 | 0:22:56 | |
but it's just someone's opinion, at the end of the day. | 0:22:56 | 0:22:58 | |
That sounds like the voice of experience! | 0:22:58 | 0:23:00 | |
Oh, yeah, yeah, yeah, yeah. | 0:23:00 | 0:23:02 | |
-Is Team England a force to be reckoned with? -I hope so. | 0:23:02 | 0:23:06 | |
Tight-lipped. Poker face. | 0:23:06 | 0:23:08 | |
It's the only one I've got. Unfortunately. | 0:23:08 | 0:23:11 | |
The seasoned senior duo of Richard Hutchinson | 0:23:11 | 0:23:14 | |
and Sweep is clearly one to watch. | 0:23:14 | 0:23:16 | |
And to complete this year's England line-up, | 0:23:16 | 0:23:18 | |
they are bolstered by having a local alliance. | 0:23:18 | 0:23:21 | |
'And to meet the pairing of young handler and dog | 0:23:25 | 0:23:28 | |
'that completes Team England, I don't need to travel very far. | 0:23:28 | 0:23:32 | |
'That's because, this year, Team England are relative neighbours. | 0:23:32 | 0:23:36 | |
'Living just ten miles down the road in Wennington, Lancashire | 0:23:36 | 0:23:39 | |
'are 15-year-old Alex Briggs and his trusty sheepdog Rio.' | 0:23:39 | 0:23:43 | |
ENGINE STARTS | 0:23:46 | 0:23:47 | |
Hello. | 0:23:55 | 0:23:56 | |
-Hello. -I can see Rio's already itching to get going. | 0:23:58 | 0:24:01 | |
-How old is he? -Two in May. | 0:24:01 | 0:24:03 | |
That's quite young, isn't it, to take him into a competition? | 0:24:03 | 0:24:06 | |
It is, but I've got a lot of faith in him, | 0:24:06 | 0:24:08 | |
and hopefully he'll do me justice. | 0:24:08 | 0:24:10 | |
Why did you decide to put the faith in Rio, then? | 0:24:10 | 0:24:13 | |
He's just always raring to go, and what you want to do, | 0:24:13 | 0:24:17 | |
he's already clicked on to what you want him to do before you... | 0:24:17 | 0:24:20 | |
before you've actually done it. | 0:24:20 | 0:24:22 | |
So how much competing has he done? | 0:24:22 | 0:24:25 | |
I think I've been to one trial. | 0:24:25 | 0:24:27 | |
So it's a bit of a risk, but I'll give it a go. | 0:24:27 | 0:24:31 | |
'Despite his dog's limited experience, | 0:24:32 | 0:24:34 | |
'Alex clearly has a lot of faith in Rio the rookie. | 0:24:34 | 0:24:38 | |
'But, as a man of ambition, | 0:24:38 | 0:24:39 | |
'he's already training up some even younger potential puppy champs.' | 0:24:39 | 0:24:43 | |
Wow, they're keen, aren't they? | 0:24:43 | 0:24:45 | |
'And with pups of this age, you need to know how to handle them.' | 0:24:45 | 0:24:48 | |
-Let that one out. -Whoa! Oh! | 0:24:48 | 0:24:52 | |
Just let them go. | 0:24:53 | 0:24:55 | |
I didn't want them to fall out. | 0:24:55 | 0:24:57 | |
You can see now they're already working. | 0:24:57 | 0:25:00 | |
So, how old are they when you first bring them out to meet the sheep? | 0:25:00 | 0:25:03 | |
Well, it depends. | 0:25:03 | 0:25:04 | |
If they're keen enough, that's when we'll take them out. | 0:25:04 | 0:25:07 | |
Is it a fine line, when you've got such a young dog, | 0:25:07 | 0:25:09 | |
between them being keen and too keen? | 0:25:09 | 0:25:12 | |
You don't want the dogs to frighten them, do you? | 0:25:12 | 0:25:14 | |
That's the difference between a top dog and not a top dog. | 0:25:14 | 0:25:17 | |
A lot of people say your dog is at its best | 0:25:17 | 0:25:19 | |
when it's six years old. So that's when they've calmed down, | 0:25:19 | 0:25:21 | |
they're a bit more experienced and they're just a bit more laid back. | 0:25:21 | 0:25:24 | |
Two-year-old Rio is clearly the exception to that rule. | 0:25:26 | 0:25:29 | |
With mature heads on their shoulders, | 0:25:29 | 0:25:31 | |
this duo is brimming with confidence, | 0:25:31 | 0:25:34 | |
and deservedly so. | 0:25:34 | 0:25:35 | |
-Do you enjoy competing? -Yeah, I love it. I like the... | 0:25:36 | 0:25:41 | |
not the pressure, but the challenge | 0:25:41 | 0:25:43 | |
of a hard course or something, really. | 0:25:43 | 0:25:45 | |
And what would it mean to you to win? | 0:25:45 | 0:25:48 | |
It'd mean a lot. | 0:25:48 | 0:25:49 | |
I don't want to come last or second. | 0:25:49 | 0:25:52 | |
It's either first or nothing, really. | 0:25:52 | 0:25:54 | |
So that's our determined English duo - | 0:25:54 | 0:25:57 | |
the Lancashire lads who are in it to win it. | 0:25:57 | 0:25:59 | |
A combination of youth and experience - | 0:25:59 | 0:26:01 | |
Alex Briggs with Rio and Richard Hutchinson with Sweep. | 0:26:01 | 0:26:05 | |
The River Dart has its source in the soil of Dartmoor. | 0:26:14 | 0:26:17 | |
Rain water seeps through the centuries-old peat | 0:26:17 | 0:26:20 | |
before carving its way across South Devon to reach the sea. | 0:26:20 | 0:26:24 | |
Halfway along its journey, the river runs through the Valley of Totnes. | 0:26:24 | 0:26:28 | |
And here, in this rather magical spot, hardly anything has | 0:26:31 | 0:26:34 | |
changed for centuries, from the ruins of Berry Pomeroy Castle | 0:26:34 | 0:26:37 | |
to the trees that hold it up | 0:26:37 | 0:26:39 | |
and the ancient waters that surround it. | 0:26:39 | 0:26:41 | |
So it's the perfect spot to meet a sculptor who takes | 0:26:42 | 0:26:45 | |
inspiration from the old to create something very new. | 0:26:45 | 0:26:49 | |
Alarik Greenland is a local sculptor. | 0:26:53 | 0:26:56 | |
His muse - trees. | 0:26:56 | 0:26:58 | |
He painstakingly twists wires and jewels together | 0:27:00 | 0:27:03 | |
to create perfect replicas, each leaf a semiprecious stone. | 0:27:03 | 0:27:08 | |
These aren't just any trees, | 0:27:13 | 0:27:14 | |
they're ancient trees from his childhood surroundings. | 0:27:14 | 0:27:18 | |
Alarik, you can see that this is a very special spot. | 0:27:20 | 0:27:24 | |
It is, yeah. It's very special to me. | 0:27:24 | 0:27:26 | |
Everywhere I go around here, it stirs up memories for me just | 0:27:26 | 0:27:30 | |
because I've been here my whole life. | 0:27:30 | 0:27:33 | |
What is it about the trees in particular? | 0:27:33 | 0:27:35 | |
It's the sense that they have been here for so long | 0:27:35 | 0:27:39 | |
and that they've been touched by people that I've never known. | 0:27:39 | 0:27:42 | |
The ruined castle offers fantastic views of the woodland below. | 0:27:48 | 0:27:52 | |
A perfect spot for a lesson in tree sculpture. | 0:27:52 | 0:27:55 | |
Wow. How many hours to did take you to make this? | 0:27:57 | 0:28:00 | |
Altogether, it can take about four to five weeks to make a tree. | 0:28:00 | 0:28:05 | |
I can't promise you four weeks of my life, | 0:28:05 | 0:28:07 | |
-but I certainly fancy having a go. -Yeah. -Shall we? | 0:28:07 | 0:28:09 | |
This is gold-plated copper wire. | 0:28:12 | 0:28:14 | |
-Right, so don't mess up, Anita, cos it's expensive. -Yes! | 0:28:14 | 0:28:18 | |
Pinch the two bits of wires. | 0:28:18 | 0:28:21 | |
And then make about three to four twists. | 0:28:21 | 0:28:25 | |
-OK. -And how many beads would one tree have? -One tree? -Yeah. | 0:28:25 | 0:28:30 | |
The latest one that I've got is 10,000. Over 10,000 stones. | 0:28:30 | 0:28:35 | |
-10,000 stones! -Yeah. | 0:28:35 | 0:28:37 | |
I don't know about this, though. | 0:28:37 | 0:28:39 | |
I might have just wasted a bit of gold. | 0:28:39 | 0:28:41 | |
THEY LAUGH | 0:28:41 | 0:28:43 | |
This is an incredibly intricate work of art, | 0:28:46 | 0:28:50 | |
but the piece of wood it sits on has a fascinating life of its own, too. | 0:28:50 | 0:28:55 | |
Alarik salvages these centuries-old pieces of wood | 0:28:56 | 0:28:59 | |
from the depths of the River Dart. | 0:28:59 | 0:29:01 | |
But how did they get their remarkable appearance? | 0:29:01 | 0:29:05 | |
I was excavating a Bronze Age site on the top of Dartmoor... | 0:29:05 | 0:29:08 | |
'Dr Ralph Fyfe, an expert on fossilised plants, | 0:29:08 | 0:29:12 | |
'is casting his eye over one of Alarik's finds.' | 0:29:12 | 0:29:14 | |
This end here was down in the silts in the bottom of the river. | 0:29:16 | 0:29:20 | |
-So a bit like this. -Let's spin it round. So it was like this? | 0:29:20 | 0:29:23 | |
-This was out in the water column. -So why is the top bit black? | 0:29:23 | 0:29:28 | |
What's happened is, as this piece of wood has been | 0:29:28 | 0:29:31 | |
sitting in the water, there are tannins in the wood, | 0:29:31 | 0:29:34 | |
and those tannins are reacting with the slightly acidic waters | 0:29:34 | 0:29:37 | |
and the iron in the water as well. | 0:29:37 | 0:29:39 | |
That means that a chemical process occurs, which means the wood | 0:29:39 | 0:29:42 | |
draws the iron into the actual structure itself. | 0:29:42 | 0:29:45 | |
So it begins life as a tree, then it sits around in the water | 0:29:45 | 0:29:49 | |
for a few hundred years and it becomes this, | 0:29:49 | 0:29:52 | |
and then it gets given a new life by an artist. | 0:29:52 | 0:29:55 | |
I'm keen to find a piece, and Alarik knows just what to look for. | 0:29:58 | 0:30:02 | |
Sometimes it can be too rotten, not bogged enough, | 0:30:04 | 0:30:06 | |
so it's just sort of quite new, and another thing is it's not | 0:30:06 | 0:30:09 | |
the right shape, so we've got to really look carefully. | 0:30:09 | 0:30:11 | |
We've got to look for a really nice piece. | 0:30:11 | 0:30:13 | |
-But, first things first, we've got to get me in the water. -Yes. | 0:30:13 | 0:30:16 | |
-How do you plan on doing that, then, Alarik? -Running! | 0:30:16 | 0:30:19 | |
'The sun's shining and I'm all out of excuses. | 0:30:20 | 0:30:23 | |
'Time for an underwater forage.' | 0:30:23 | 0:30:25 | |
Go for it! | 0:30:25 | 0:30:27 | |
Ooh! | 0:30:31 | 0:30:32 | |
It's freezing! | 0:30:33 | 0:30:34 | |
OK, let's swim. | 0:30:35 | 0:30:36 | |
On three. One, two, three. | 0:30:40 | 0:30:43 | |
I can't see anything. It's just black. | 0:30:46 | 0:30:49 | |
Where's he gone? | 0:30:49 | 0:30:50 | |
'Enough fun. We've got a job to do.' | 0:30:53 | 0:30:56 | |
HE EXCLAIMS | 0:31:14 | 0:31:16 | |
Oh, my God. | 0:31:16 | 0:31:17 | |
-I want to get out and look at it. -Let's pull it out. Hey! | 0:31:20 | 0:31:23 | |
-God! -That is lush. -Look at that. | 0:31:24 | 0:31:27 | |
-That's brilliant. -Are you happy with that? | 0:31:27 | 0:31:29 | |
-My mind's ticking over already about how I can use it. -That's wonderful. | 0:31:29 | 0:31:33 | |
So, in a few months' time, this could look like that. | 0:31:33 | 0:31:36 | |
-It could well be, yes. -Wow. | 0:31:36 | 0:31:38 | |
-I feel like we've done a good day's work today. -Yeah, we have. | 0:31:38 | 0:31:41 | |
-Well done. -Thank you. | 0:31:41 | 0:31:43 | |
-Shall we get back in? -Yeah! | 0:31:43 | 0:31:45 | |
Alarik's beautiful sculptures, combined with the deadwood from | 0:31:46 | 0:31:50 | |
the river, are giving Devon's ancient trees an artistic afterlife. | 0:31:50 | 0:31:55 | |
I'm on Dartmoor - sometimes dangerous, always beguiling... | 0:31:58 | 0:32:03 | |
as former RAF policeman John Law found out | 0:32:03 | 0:32:06 | |
when he started to investigate the crash site of a 1941 bomber. | 0:32:06 | 0:32:11 | |
So, John, you've been researching this site, | 0:32:13 | 0:32:15 | |
then, for the past three years. | 0:32:15 | 0:32:17 | |
You've now reached a very critical stage. | 0:32:17 | 0:32:20 | |
And we're surrounded by all sorts of gadgets and beeping. | 0:32:20 | 0:32:22 | |
What's going on? | 0:32:22 | 0:32:24 | |
-The culmination of this is a geophysical survey... -Right. | 0:32:24 | 0:32:27 | |
..to establish where the aircraft actually impacted. | 0:32:27 | 0:32:32 | |
All we've got is hearsay. | 0:32:32 | 0:32:34 | |
-So they're basically scanning the ground, then? -Absolutely. | 0:32:34 | 0:32:38 | |
After the crash, the wreckage was cleared away. | 0:32:38 | 0:32:41 | |
But the impact would have been so strong, John believes | 0:32:41 | 0:32:44 | |
fragments of the plane may still lie beneath the soil. | 0:32:44 | 0:32:48 | |
Fragments that today's survey might reveal. | 0:32:48 | 0:32:50 | |
Has anyone ever kind of stumbled across anything? | 0:32:53 | 0:32:56 | |
Yes, the Perspex of this aircraft was pinched or stolen by young boys | 0:32:56 | 0:33:02 | |
and turned into a ring, usually to give to the sweethearts. | 0:33:02 | 0:33:06 | |
Wow. Look at that. | 0:33:06 | 0:33:07 | |
So that would have been from maybe | 0:33:10 | 0:33:12 | |
-the windshield of the cockpit or something. -Yeah. | 0:33:12 | 0:33:15 | |
Do you know what? I'm going to get involved in all the stuff | 0:33:15 | 0:33:17 | |
that's going on behind us and I've been told, because there's | 0:33:17 | 0:33:20 | |
lots of magnetic waves flying around, I've got to get rid of | 0:33:20 | 0:33:23 | |
-all things metal. -Everything that's... -So if I give you my watch. | 0:33:23 | 0:33:26 | |
-Lovely. -And then I might just pop my wedding ring | 0:33:26 | 0:33:31 | |
over the top of there. | 0:33:31 | 0:33:32 | |
There we are. | 0:33:32 | 0:33:33 | |
'Time for me to get stuck in. | 0:33:35 | 0:33:37 | |
'Archaeologist Mark Edwards | 0:33:37 | 0:33:38 | |
'hooks me up to a piece of kit called a magnetometer.' | 0:33:38 | 0:33:42 | |
-OK, and what's my route? -Just press that. -Where am I headed? | 0:33:42 | 0:33:44 | |
You're heading down to the pole. | 0:33:44 | 0:33:46 | |
OK. And I just walk, | 0:33:46 | 0:33:48 | |
I don't have to shove it in the ground or anything? | 0:33:48 | 0:33:50 | |
No, you just walk and it'll take eight readings per metre. | 0:33:50 | 0:33:53 | |
'The magnetometer uses sensors to detect magnetic objects | 0:33:53 | 0:33:57 | |
'and disturbances to the soil, | 0:33:57 | 0:33:59 | |
'which may have been caused by a sudden impact | 0:33:59 | 0:34:01 | |
'such as a plane crash.' | 0:34:01 | 0:34:03 | |
And how big is the area, then, that you've been wandering over? | 0:34:06 | 0:34:09 | |
-Cos you've been doing this for three days now. -Three days. | 0:34:09 | 0:34:11 | |
We started off originally as half a hectare | 0:34:11 | 0:34:13 | |
and I think we've got up to about three hectares now. | 0:34:13 | 0:34:16 | |
We started off over here to here and we've extended this way | 0:34:16 | 0:34:21 | |
because we found a large concentration of what we believe is | 0:34:21 | 0:34:24 | |
iron in the south-west corner. | 0:34:24 | 0:34:27 | |
-Must be an interesting project, this, for you, though. -This is... | 0:34:27 | 0:34:29 | |
-Yeah, this is a bit different. -Yeah. Right. | 0:34:29 | 0:34:32 | |
-It's a nice story with it as well. -Exactly. -Which is good. | 0:34:32 | 0:34:35 | |
-We've arrived at our destination. -We've arrived. | 0:34:35 | 0:34:37 | |
The team uses another bit of kit to get a more detailed | 0:34:38 | 0:34:41 | |
reading, before printing out and analysing the revealing results. | 0:34:41 | 0:34:46 | |
As soon as we started, we started seeing this, as you can see, | 0:34:46 | 0:34:49 | |
high and low readings. | 0:34:49 | 0:34:51 | |
These are just different parts of the same data, | 0:34:51 | 0:34:54 | |
they show different parts of that data. | 0:34:54 | 0:34:56 | |
-So high and low readings of what? -Of the magnetic response of the soils. | 0:34:56 | 0:35:00 | |
-Yeah. -We started here. It's very low on this site, | 0:35:00 | 0:35:02 | |
about one. And it's coming in, it starts to rise. | 0:35:02 | 0:35:05 | |
That looks pretty natural but then it just keeps rising and rising. | 0:35:05 | 0:35:08 | |
We're up to 50 or 60, which is five or six times what we expect. | 0:35:08 | 0:35:12 | |
I think that's steel or iron buried in the ground. | 0:35:12 | 0:35:16 | |
We need to confirm this, and the next stage of this process, | 0:35:16 | 0:35:19 | |
we get down there with the metal detector | 0:35:19 | 0:35:21 | |
-and run it across just to see if that's the case. -Yeah. | 0:35:21 | 0:35:23 | |
The team thinks it is likely this dense patch of metal could be | 0:35:24 | 0:35:28 | |
the plane's wheels, or even the engine. | 0:35:28 | 0:35:31 | |
-What do you make of all this, then, John? -It's just amazing. | 0:35:34 | 0:35:37 | |
Honestly, it really is. | 0:35:37 | 0:35:39 | |
What's exciting is what Ross has said | 0:35:39 | 0:35:42 | |
with this section here. | 0:35:42 | 0:35:44 | |
And we need to go back | 0:35:44 | 0:35:46 | |
and really, really investigate these areas. | 0:35:46 | 0:35:50 | |
Something tells me there's plenty more detective work | 0:35:50 | 0:35:52 | |
for John to do here in future. | 0:35:52 | 0:35:54 | |
It's fascinating to think that, more than 70 years on, | 0:35:57 | 0:36:01 | |
through the work of people like John and Ross, the story | 0:36:01 | 0:36:05 | |
and lives of the four men who died are not forgotten, | 0:36:05 | 0:36:09 | |
but live on in this beautiful Dartmoor landscape. | 0:36:09 | 0:36:12 | |
Earlier, Helen met the team hoping to win this year's | 0:36:17 | 0:36:20 | |
One Man And His Dog for England. | 0:36:20 | 0:36:22 | |
Hoping they're on a winning streak are current titleholders Ireland. | 0:36:23 | 0:36:27 | |
Shauna's meeting this year's optimistic Irish contenders. | 0:36:27 | 0:36:31 | |
Hailing from its wild Atlantic coastline | 0:36:35 | 0:36:38 | |
to its tranquil, lush, green hills, | 0:36:38 | 0:36:40 | |
over the years, the Emerald Isle has produced | 0:36:40 | 0:36:43 | |
an impressive pedigree when it comes to sheepdog handling. | 0:36:43 | 0:36:46 | |
After their success in last year's tournament, | 0:36:47 | 0:36:50 | |
Ireland are defending champions, but hopes of retaining the title | 0:36:50 | 0:36:53 | |
lie with a couple of One Man And His Dog first-timers. | 0:36:53 | 0:36:57 | |
I've come to the picturesque Inishowen Peninsula in County Donegal | 0:36:57 | 0:37:01 | |
to meet the potentially perfect pairing of senior handler | 0:37:01 | 0:37:05 | |
and dog who are hoping to keep the title in Ireland yet again. | 0:37:05 | 0:37:09 | |
It's James McLaughlin and four-year-old Ben. | 0:37:13 | 0:37:16 | |
Brought up on the family hill farm near the town of Carndonagh, | 0:37:18 | 0:37:22 | |
James and Ben's sheep herding prowess | 0:37:22 | 0:37:24 | |
have given them local celebrity status. | 0:37:24 | 0:37:27 | |
-Hello, James. -Hi, Seamus. How are you? -Good luck to you. | 0:37:27 | 0:37:30 | |
-I hope you bring the trophy back to Carndonagh. -Hope I can do it. | 0:37:30 | 0:37:33 | |
-Do us all proud for One Man And His Dog. -Thanks now. | 0:37:33 | 0:37:36 | |
Everybody knows what's happening now and I hope I don't let them down. | 0:37:36 | 0:37:40 | |
The local community are firmly behind them, but how will | 0:37:43 | 0:37:46 | |
they fare with the pressure of representing the whole of Ireland? | 0:37:46 | 0:37:49 | |
James, this will be your first time on One Man And His Dog, | 0:37:50 | 0:37:53 | |
whereas the other senior handlers from England, Scotland | 0:37:53 | 0:37:56 | |
and Wales have all been on it before. How do you feel about that? | 0:37:56 | 0:38:00 | |
A little nervous. A little nervous. | 0:38:00 | 0:38:03 | |
A bit like the pup in with the old dogs, | 0:38:03 | 0:38:06 | |
but I'm confident in Ben | 0:38:06 | 0:38:08 | |
so I'll give it our best shot. | 0:38:08 | 0:38:10 | |
HE WHISTLES | 0:38:10 | 0:38:12 | |
James may consider himself to be an underdog, | 0:38:12 | 0:38:15 | |
but he isn't facing the pressure on his own. | 0:38:15 | 0:38:17 | |
He'll be with his loyal sidekick, Ben - | 0:38:17 | 0:38:19 | |
a dog that's adept with sheep of any breed...or colour. | 0:38:19 | 0:38:23 | |
-What's with the pink? -Yes. | 0:38:25 | 0:38:27 | |
It assures good visibility for out on the mountain there. | 0:38:27 | 0:38:31 | |
So, Ben is four now. When did you notice something special about him? | 0:38:31 | 0:38:35 | |
Eight, nine months to ten months old, | 0:38:35 | 0:38:37 | |
I knew he had something that I was always looking for, you know. | 0:38:37 | 0:38:40 | |
At a young age, he was quite capable of doing a lot of nice work. | 0:38:40 | 0:38:45 | |
He would have exceptional balance. | 0:38:45 | 0:38:47 | |
He would make the moves himself without me excessively | 0:38:47 | 0:38:50 | |
commanding him. With a ewe just trying to break, | 0:38:50 | 0:38:54 | |
-he can move himself using his own initiative, you know? -Right. | 0:38:54 | 0:38:57 | |
-So, he's got a natural ability, would you say? -Yes. Yes. | 0:38:57 | 0:39:00 | |
-And is that quite rare to find at such a young age? -Oh, yes. Yes. | 0:39:00 | 0:39:05 | |
I would... I haven't found it in previous dogs that I would have. | 0:39:05 | 0:39:09 | |
HE WHISTLES AND CALLS COMMANDS | 0:39:12 | 0:39:15 | |
So, a hard-working dog in the field. What's he like out of the field? | 0:39:17 | 0:39:20 | |
The kids love him, you know? | 0:39:20 | 0:39:22 | |
-Your ultimate good dog with kids, you know? -Kids adore him. | 0:39:22 | 0:39:24 | |
-And he's a dad himself, isn't he? -Yes, he is. | 0:39:24 | 0:39:27 | |
This last litter I've recently kept. I have three there, you know, | 0:39:27 | 0:39:32 | |
-which are showing me good... -Good promise already? -Good promise. | 0:39:32 | 0:39:36 | |
And the next generation looks bright, as James's own offspring, | 0:39:42 | 0:39:46 | |
nine-year-old Caitlin and six-year-old Coran, | 0:39:46 | 0:39:49 | |
are training up a potential future champ in Ben's son Rock. | 0:39:49 | 0:39:53 | |
Come by. | 0:39:53 | 0:39:54 | |
-Rock is doing amazingly. How old is he? -Just four months. -Wow. | 0:39:54 | 0:40:01 | |
Hey, Caitlin, can you give me some advice, | 0:40:02 | 0:40:04 | |
some tips on how to do some trialling? | 0:40:04 | 0:40:07 | |
Erm... | 0:40:07 | 0:40:08 | |
left is "come by", right is "keep out"... | 0:40:08 | 0:40:13 | |
..and to leave the sheep is "lie down" and... | 0:40:14 | 0:40:20 | |
Have you got your list? | 0:40:22 | 0:40:25 | |
"Stand" is another way to stop your puppy. | 0:40:25 | 0:40:28 | |
Very good. | 0:40:30 | 0:40:31 | |
How do you feel about your dad being on One Man And His Dog? | 0:40:31 | 0:40:34 | |
I feel so proud of him cos that way it makes me smile all the time. | 0:40:34 | 0:40:38 | |
Oh, that's so sweet. | 0:40:38 | 0:40:40 | |
Are you going to be cheering him on all the way? | 0:40:40 | 0:40:42 | |
OK, that's a good idea but I'm going to do it right now. Go, Daddy! | 0:40:42 | 0:40:47 | |
The Irish challenge with James McLaughlin and Ben is shaping | 0:40:54 | 0:40:57 | |
up to be quite formidable, but what about Ireland's young handler? | 0:40:57 | 0:41:01 | |
From the remote and rugged Atlantic coastline in the north-west | 0:41:07 | 0:41:10 | |
to the rich river valleys, hills and picture postcard towns | 0:41:10 | 0:41:14 | |
of County Kilkenny in the South. | 0:41:14 | 0:41:16 | |
And it's here, in the agricultural highlands of Mullinavat, that | 0:41:16 | 0:41:20 | |
I'll be getting an insight into the world of those representing | 0:41:20 | 0:41:23 | |
Ireland in the young handlers class. | 0:41:23 | 0:41:25 | |
It's 17-year-old Caleb O'Keefe and Tess. | 0:41:30 | 0:41:33 | |
Growing up on the family farm, when Caleb is not at school, | 0:41:38 | 0:41:41 | |
he can be found helping his dad with their 140 Suffolk cross ewes. | 0:41:41 | 0:41:46 | |
In you go. Right. There we go. | 0:41:48 | 0:41:50 | |
Did you know from a young age that this is what you wanted to do? | 0:41:55 | 0:41:58 | |
I always, always wanted to do this, yeah. | 0:41:58 | 0:42:00 | |
'And when it comes to working with sheep, Caleb's future | 0:42:03 | 0:42:06 | |
'looks bright, thanks to his partnership with five-year-old Tess.' | 0:42:06 | 0:42:10 | |
-So how long have you had Tess for, Caleb? -Since she was six months old. | 0:42:10 | 0:42:14 | |
-Have you been trialling her since she was a pup, then? -Yes. | 0:42:14 | 0:42:17 | |
Well, Daddy trained her and I've been trailing her since then, | 0:42:17 | 0:42:20 | |
-since she was about two years old. -And what's her character like? | 0:42:20 | 0:42:24 | |
She's awful friendly, like. She's a very pleasant bitch. | 0:42:24 | 0:42:27 | |
Ireland, obviously, are the reigning champs at the moment. | 0:42:27 | 0:42:31 | |
How do you feel about representing them this time? | 0:42:31 | 0:42:34 | |
Yeah, it's a once-in-a-lifetime chance to do this, | 0:42:34 | 0:42:37 | |
so hopefully it'll go well. Tess'll give me 110% anyway. | 0:42:37 | 0:42:41 | |
Oh, look at her. There she is. | 0:42:41 | 0:42:43 | |
She obviously enjoys her work. | 0:42:43 | 0:42:45 | |
She is lovely. | 0:42:45 | 0:42:46 | |
WHISTLING | 0:42:48 | 0:42:50 | |
So that's our team from Ireland. | 0:42:50 | 0:42:53 | |
Young handler Caleb O'Keeffe with his sheepdog, Tess, | 0:42:53 | 0:42:56 | |
and James McLaughlin with Ben. | 0:42:56 | 0:42:58 | |
The lush countryside of the Dartington Estate in South Devon. | 0:43:12 | 0:43:16 | |
An inspiring place to think and reflect, | 0:43:16 | 0:43:19 | |
and a beautiful place to work. | 0:43:19 | 0:43:21 | |
'This combination of work and space are the key ingredients | 0:43:23 | 0:43:27 | |
'in a unique project tackling one of society's biggest problems - | 0:43:27 | 0:43:31 | |
'crime.' | 0:43:31 | 0:43:33 | |
Nearly 50% of prisoners will reoffend | 0:43:33 | 0:43:36 | |
within their first year of release. | 0:43:36 | 0:43:38 | |
It's a huge figure, but the cost to the economy is equally as huge - | 0:43:38 | 0:43:41 | |
around £13 billion a year. | 0:43:41 | 0:43:44 | |
But, at this place, they're using the countryside to try | 0:43:44 | 0:43:47 | |
and reduce those figures. | 0:43:47 | 0:43:48 | |
At LandWorks, the idea is simple. | 0:43:52 | 0:43:54 | |
A group of offenders come here four days a week, | 0:43:54 | 0:43:57 | |
work the land and gain new skills. | 0:43:57 | 0:43:59 | |
With any luck, they'll go on to find work within the community, | 0:44:01 | 0:44:05 | |
without reoffending. | 0:44:05 | 0:44:06 | |
-Hello, Chris. -Hi, Anita. Nice to see you. -Pleased to meet you. | 0:44:08 | 0:44:11 | |
'Chris Parsons is in charge.' | 0:44:11 | 0:44:13 | |
What is LandWorks? | 0:44:14 | 0:44:17 | |
Well, the purpose, really, is to provide a work placement, | 0:44:17 | 0:44:19 | |
a real work placement where people who may not have worked before can | 0:44:19 | 0:44:23 | |
find their feet and start to take some responsibility | 0:44:23 | 0:44:26 | |
and progress back into the community. | 0:44:26 | 0:44:28 | |
Well, I've got a lot of questions and I'm quite keen to explore it. | 0:44:28 | 0:44:32 | |
-Why don't you have a look round? -Yeah. | 0:44:32 | 0:44:34 | |
Why don't you go round and meet everyone who's out here. Perhaps we | 0:44:34 | 0:44:37 | |
-can meet up later and you can tell me what you found out. -Thank you. | 0:44:37 | 0:44:40 | |
To earn a place here, | 0:44:43 | 0:44:44 | |
you must show a genuine desire to change your life. | 0:44:44 | 0:44:48 | |
Tony's been here for ten weeks. | 0:44:48 | 0:44:50 | |
I'm remembering old skills being here but also I'm learning new | 0:44:51 | 0:44:55 | |
-skills at the same time as well, like, you know? -Yeah. | 0:44:55 | 0:44:58 | |
-And do you enjoy it? -Yeah. | 0:44:58 | 0:44:59 | |
The people here are just brilliant people. | 0:44:59 | 0:45:02 | |
Really easy to get on with. | 0:45:02 | 0:45:03 | |
And Dartington the area itself is just a beautiful area. | 0:45:03 | 0:45:06 | |
And everyone wants to get involved with the projects, like, you know? | 0:45:06 | 0:45:09 | |
-So, how many times have you been in prison? -This is my fourth sentence. | 0:45:09 | 0:45:13 | |
-Fourth sentence. -Yeah. | 0:45:13 | 0:45:14 | |
Some people watching this, Tony, | 0:45:14 | 0:45:16 | |
might think you've been in and out of prison, four sentences, | 0:45:16 | 0:45:19 | |
you could have destroyed quite a few lives, certainly upset | 0:45:19 | 0:45:23 | |
a lot of people, why should we let him, you know, grow vegetables? | 0:45:23 | 0:45:27 | |
-Surely you should be being punished for what you did. -Yeah. | 0:45:27 | 0:45:30 | |
Well, I mean, I've done my prison sentence | 0:45:30 | 0:45:33 | |
and people need a chance, if they want to, to change their lives, | 0:45:33 | 0:45:37 | |
because otherwise they're just going to go back into crime. | 0:45:37 | 0:45:41 | |
LandWorks is a place full of character, filled with art | 0:45:43 | 0:45:47 | |
and expressions from current and former trainees. | 0:45:47 | 0:45:50 | |
It also offers offenders a chance to rub shoulders with people | 0:45:50 | 0:45:54 | |
they may not normally mix with. | 0:45:54 | 0:45:56 | |
Today, Lee is working with artist Sarah on a tunnel | 0:45:56 | 0:45:59 | |
based around the idea of a beehive. | 0:45:59 | 0:46:01 | |
Hello. Hiya, Lee. | 0:46:01 | 0:46:03 | |
If someone said to you about a year ago you'd be out here building | 0:46:03 | 0:46:07 | |
an art piece called Fragments Of Society, based on a honeycomb... | 0:46:07 | 0:46:11 | |
No. THEY LAUGH | 0:46:11 | 0:46:13 | |
-No. -..what would you have said? -About a year ago... | 0:46:13 | 0:46:17 | |
-What were you up to a year ago? -A year ago... Er... | 0:46:17 | 0:46:23 | |
-I was having a breakdown. I... -Why? Where had you got to in life? | 0:46:23 | 0:46:29 | |
What...? Where were you? | 0:46:29 | 0:46:31 | |
Basically, I was a fully qualified scaffolder and I lost my job, | 0:46:31 | 0:46:35 | |
I had an accident at work. | 0:46:35 | 0:46:38 | |
I had a privately rented house and three kids and a missus, | 0:46:38 | 0:46:43 | |
and, basically, I hit rock bottom. | 0:46:43 | 0:46:45 | |
Lost my house, my career, from the accident at work, | 0:46:45 | 0:46:49 | |
spiralled out of control, and I ended up in prison. | 0:46:49 | 0:46:52 | |
And then I moved on to here, | 0:46:53 | 0:46:55 | |
and it's ended up being the best thing that I've done in a long time. | 0:46:55 | 0:46:59 | |
There is a light at the end of the tunnel, like, you know? | 0:46:59 | 0:47:01 | |
So, I can see there's a job at the end of it. | 0:47:01 | 0:47:04 | |
I've seen other people come through this. | 0:47:04 | 0:47:06 | |
So it's a route back into society without being judged along the way. | 0:47:06 | 0:47:13 | |
'One of the key parts of the scheme is developing softer | 0:47:22 | 0:47:24 | |
'skills like respect and teamwork. | 0:47:24 | 0:47:28 | |
'So lunch is a very important part of the day here. | 0:47:28 | 0:47:31 | |
'It's a chance to mix in and share stories.' | 0:47:31 | 0:47:35 | |
It gives me the chance to socialise, meet new people. | 0:47:35 | 0:47:38 | |
It's been a real keystone of the project. | 0:47:38 | 0:47:40 | |
-So it's a good experience for us all. -Food for the soul. -Yeah. | 0:47:40 | 0:47:43 | |
This place is being transformed into something of which | 0:47:47 | 0:47:50 | |
those who come here can be proud. | 0:47:50 | 0:47:52 | |
But the scheme's greatest achievement is its graduates. | 0:47:52 | 0:47:56 | |
'With LandWorks' help, Rich has changed his life.' | 0:47:56 | 0:48:00 | |
-We are sitting on your legacy, aren't we? Cos you made this. -Yes. | 0:48:00 | 0:48:03 | |
Did you have any carpentry skills before you got here? | 0:48:03 | 0:48:05 | |
-None whatsoever. -Have you ever had a job before this? -Before now, no. | 0:48:05 | 0:48:10 | |
-In 40 years of your life, you've never had a job? -No. Never. -And now? | 0:48:10 | 0:48:14 | |
I managed to get onto this project | 0:48:14 | 0:48:17 | |
and good things started happening to me. Now I work 12 hours a day. | 0:48:17 | 0:48:21 | |
If you work, you know that every fortnight | 0:48:21 | 0:48:23 | |
I've got that guaranteed money. It's mine. | 0:48:23 | 0:48:26 | |
I can pay my rent, I can pay my council tax and feel good. | 0:48:26 | 0:48:29 | |
-I can't even believe I'm saying that. -I know, listen to you! | 0:48:29 | 0:48:32 | |
I've spoken to a few people here today at LandWorks, | 0:48:32 | 0:48:34 | |
and you are the role model. You do realise that, don't you? | 0:48:34 | 0:48:37 | |
People say, "We want to be like Rich. | 0:48:37 | 0:48:39 | |
"We want to get out of here and get a job." | 0:48:39 | 0:48:42 | |
Which is good, and I encourage | 0:48:42 | 0:48:43 | |
them all to work, but I don't want them to feel they need to be like me. | 0:48:43 | 0:48:47 | |
But it's good, and if I can pass my experience on to the boys, | 0:48:47 | 0:48:50 | |
I can tell them the road they should go down. | 0:48:50 | 0:48:53 | |
It's been a fascinating day, | 0:48:56 | 0:48:57 | |
and manager Chris wants to know what I think. | 0:48:57 | 0:49:01 | |
-Hi, Chris. -Hi, Anita. | 0:49:01 | 0:49:03 | |
-How did it go? -Yeah. Amazing. -Good. -What an eye-opener. | 0:49:03 | 0:49:07 | |
I'm surprised at how open everyone is. | 0:49:07 | 0:49:10 | |
Yeah, I think honesty comes through here as the guys settle in | 0:49:10 | 0:49:16 | |
and spend some time here and develop a sense of ownership for the project. | 0:49:16 | 0:49:20 | |
They start discussing subjects | 0:49:20 | 0:49:22 | |
that might not normally be discussed or even, you know, | 0:49:22 | 0:49:24 | |
starting to take responsibility for their crime. | 0:49:24 | 0:49:26 | |
This is an opportunity to start afresh. | 0:49:29 | 0:49:32 | |
I've got more shame and guilt than anybody that I know and I've | 0:49:34 | 0:49:39 | |
had to learn to deal with that myself and I need a chance, you know? I do. | 0:49:39 | 0:49:45 | |
I need a chance. Because I'm not bad. | 0:49:45 | 0:49:47 | |
There should be more places like this, because if you want to | 0:49:47 | 0:49:52 | |
change then somewhere like this will give you the opportunity to do so. | 0:49:52 | 0:49:56 | |
If these guys take their chance out here, | 0:49:58 | 0:50:01 | |
they'll experience a sense of freedom in more ways than one. | 0:50:01 | 0:50:05 | |
This week, we're in South Devon - | 0:50:12 | 0:50:14 | |
a place with an unusual draw, as we've been finding out. | 0:50:14 | 0:50:18 | |
From scientists uncovering secrets of a Second World War plane crash, | 0:50:18 | 0:50:22 | |
to artists inspired by the natural wonders of the landscape. | 0:50:22 | 0:50:27 | |
But there's one group of people that have been based | 0:50:29 | 0:50:31 | |
here on Dartmoor for over 6,000 years - farmers. | 0:50:31 | 0:50:36 | |
Meet the Retallick family. | 0:50:37 | 0:50:39 | |
There's grandfather Maurice, son Russell and his wife, Carol, | 0:50:39 | 0:50:43 | |
and grandchildren Anneliese, Max, Harold and Olivia. | 0:50:43 | 0:50:47 | |
This family's been farming on Dartmoor for over 100 years. | 0:50:47 | 0:50:50 | |
In recent times, something exciting has happened | 0:50:55 | 0:50:57 | |
which has had a real impact on Russell's farm. | 0:50:57 | 0:51:01 | |
In 2007, he joined the Dartmoor Farmers' Association. | 0:51:01 | 0:51:05 | |
Supported by the Duchy of Cornwall, | 0:51:05 | 0:51:07 | |
it's an ambitious cooperative of over 50 farms working together. | 0:51:07 | 0:51:11 | |
How did the cooperative come about, then, Russell? | 0:51:14 | 0:51:16 | |
There was a group of Dartmoor farmers who decided this would be | 0:51:16 | 0:51:20 | |
a good idea to get together to market | 0:51:20 | 0:51:24 | |
our produce, our beef and lamb. | 0:51:24 | 0:51:27 | |
-And is it a model that you'd seen working elsewhere? -Yes. | 0:51:27 | 0:51:31 | |
We found an association in Lenk in Switzerland that were doing | 0:51:31 | 0:51:35 | |
-a very similar thing. -Not that close to home, then. -Well, no. | 0:51:35 | 0:51:38 | |
It was a very similar sort of topography to what we've got here. | 0:51:38 | 0:51:43 | |
With autumn approaching, | 0:51:47 | 0:51:49 | |
Russell and his family have an important job to do - bringing | 0:51:49 | 0:51:52 | |
their cattle down from the moorland to graze on lower pastures. | 0:51:52 | 0:51:56 | |
En route, we meet up with fellow cooperative farmer | 0:51:58 | 0:52:01 | |
Ed Williams, who's come to lend a hand. | 0:52:01 | 0:52:03 | |
So, Ed, you're not part of the family | 0:52:05 | 0:52:06 | |
but you are part of the cooperative. | 0:52:06 | 0:52:08 | |
The Dartmoor Farmers' Cooperative, yes. Yes. | 0:52:08 | 0:52:10 | |
In what ways, then, has your business now changed? | 0:52:10 | 0:52:13 | |
It's just everything has been brought back a lot more local. | 0:52:13 | 0:52:16 | |
All of a sudden, you've got a bit of pride in the job | 0:52:16 | 0:52:18 | |
and it's great to go in the pub of a Friday night and somebody says, | 0:52:18 | 0:52:21 | |
"I had a piece of your meat out of the village shop | 0:52:21 | 0:52:23 | |
"and it was fantastic." When we started, | 0:52:23 | 0:52:25 | |
we thought we were going to sell everything in a box | 0:52:25 | 0:52:27 | |
on the internet, a delivery van was going to come | 0:52:27 | 0:52:29 | |
and collect it and send it off. It's completely the opposite. | 0:52:29 | 0:52:32 | |
If you look at Dartmoor as a hill of food producing, or beef | 0:52:32 | 0:52:36 | |
and lamb producing area, with market towns all around the outside, | 0:52:36 | 0:52:40 | |
butchers shops in each, we don't need to reinvent the wheel. | 0:52:40 | 0:52:43 | |
We've just got to try and sell to those shops. | 0:52:43 | 0:52:46 | |
And we are doing eight local towns now where we're | 0:52:46 | 0:52:50 | |
-available in butcher shops. -And pasties as well, I understand. | 0:52:50 | 0:52:52 | |
-Oh, yes. Pasties, pies. -I can't wait for one of these pasties. | 0:52:52 | 0:52:55 | |
Oh, well, later. After you've done your work! | 0:52:55 | 0:52:57 | |
They obviously sell well cos I haven't had one yet! | 0:52:57 | 0:52:59 | |
THEY LAUGH | 0:52:59 | 0:53:01 | |
Right, time to get the cows. | 0:53:01 | 0:53:03 | |
There we go, King. | 0:53:04 | 0:53:05 | |
The cowboys and cowgirls of England. | 0:53:05 | 0:53:08 | |
Cooperative rules state that members must only farm native breeds. | 0:53:12 | 0:53:16 | |
Livestock must be born, raised and finished on Dartmoor. | 0:53:16 | 0:53:19 | |
Russell's cows are all Aberdeen Angus, Aberdeen Angus cross. | 0:53:22 | 0:53:26 | |
So, these black ones here and the occasional rusty-coloured one. | 0:53:26 | 0:53:29 | |
So now we're just going to take them nice and gently round here | 0:53:29 | 0:53:33 | |
and down to the lower ground. | 0:53:33 | 0:53:35 | |
-Come on. -Go on! | 0:53:38 | 0:53:40 | |
And, in true Countryfile cooperative style, | 0:53:48 | 0:53:51 | |
Ed and co-pilot Anita are keen to get in on the action. | 0:53:51 | 0:53:54 | |
That's the end of the road. There we are. | 0:53:58 | 0:54:01 | |
Hang on. Hang on. | 0:54:01 | 0:54:03 | |
I feel like a Horse Guard with the Queen arriving. | 0:54:03 | 0:54:05 | |
Yes, well, that's about right, Matt. | 0:54:05 | 0:54:08 | |
Let me jump down. | 0:54:08 | 0:54:10 | |
-That looked incredible. How was it? -Anita, it's absolutely beautiful. | 0:54:10 | 0:54:14 | |
Now, the big question is did you bring a bale of hay for King here? | 0:54:14 | 0:54:16 | |
I've got a pasty. Does King eat pasties? I brought you it. | 0:54:16 | 0:54:19 | |
-Shall we share a bit of this pasty? -Good idea. -That was wonderful. | 0:54:19 | 0:54:22 | |
-So this is... -From the cooperative? -Yeah. | 0:54:22 | 0:54:24 | |
-The fruits of our labour, really. -That's how much you're getting. | 0:54:24 | 0:54:27 | |
-It's lovely. -Yeah, really good. | 0:54:27 | 0:54:29 | |
Just hold King cos we can't be doing with this. Hang on. | 0:54:29 | 0:54:31 | |
-Oh! -There we are. We're all happy now. -Everyone's happy. | 0:54:33 | 0:54:36 | |
So that is about it from glorious, glorious Dartmoor in Devon. | 0:54:36 | 0:54:40 | |
Next week, we're going to be at Byland Abbey, where the best | 0:54:40 | 0:54:43 | |
shepherding talent from across the British Isles will be coming | 0:54:43 | 0:54:45 | |
together to go head-to-head, hoping to be crowned champions | 0:54:45 | 0:54:48 | |
of One Man And His Dog 2014. | 0:54:48 | 0:54:51 | |
But which nation will be top dog? | 0:54:51 | 0:54:53 | |
-You'd better tune in and find out. -See you then. -King will. -Bye-bye. | 0:54:53 | 0:54:56 |