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Yorkshire, a landscape shaped by nature and cherished by man. | 0:00:29 | 0:00:34 | |
It was home to Alf Wight, known to millions as James Herriot, | 0:00:40 | 0:00:44 | |
the vet the world took to its heart. | 0:00:44 | 0:00:47 | |
And this year, we're marking 100 years since his birth. | 0:00:47 | 0:00:49 | |
He's famous for his real-life tales of working in the countryside that | 0:00:55 | 0:00:59 | |
are cherished by people across the globe, including me. | 0:00:59 | 0:01:03 | |
And I'm on a very special journey in Yorkshire to celebrate his life | 0:01:03 | 0:01:07 | |
and legacy. | 0:01:07 | 0:01:09 | |
I'll be finding out about the global impact his stories had. | 0:01:13 | 0:01:16 | |
The bottom line is, Herriot is responsible. | 0:01:17 | 0:01:20 | |
And we were just the messengers, weren't we, really? | 0:01:20 | 0:01:23 | |
Learning what life was like as a rural vet in the 1940s. | 0:01:23 | 0:01:28 | |
Very satisfying because you see the cow, this enormous, bloated animal, | 0:01:28 | 0:01:32 | |
just goes... Like a deflated balloon. | 0:01:32 | 0:01:35 | |
As well as indulging my own love of Herriot's Yorkshire. | 0:01:35 | 0:01:39 | |
Darrowby 385. | 0:01:39 | 0:01:41 | |
I've always wanted to do that! | 0:01:41 | 0:01:43 | |
I'll also be looking back at some of our favourite | 0:01:43 | 0:01:45 | |
stories on Countryfile. | 0:01:45 | 0:01:46 | |
Those that reveal the work of people who devote their lives to | 0:01:46 | 0:01:50 | |
helping all creatures great and small. | 0:01:50 | 0:01:53 | |
Like the time Adam met the Yorkshire farmers who are keeping the | 0:01:55 | 0:01:57 | |
traditional county breeds going strong. | 0:01:57 | 0:02:00 | |
If you were out here all winter, | 0:02:00 | 0:02:02 | |
first thing you'd want would be a good warm, dry topcoat. | 0:02:02 | 0:02:05 | |
Pull it tight. | 0:02:06 | 0:02:08 | |
When Joe got to grips with a very dangerous rescue... | 0:02:08 | 0:02:11 | |
It's an incredible sound. Very guttural. | 0:02:11 | 0:02:13 | |
..and when John got more than he bargained for, | 0:02:15 | 0:02:17 | |
helping out smaller animals in need. | 0:02:17 | 0:02:20 | |
Ow! Oh, sorry. | 0:02:20 | 0:02:22 | |
That was a really big bite. | 0:02:22 | 0:02:24 | |
Yorkshire. | 0:02:40 | 0:02:41 | |
Empty and wild. | 0:02:43 | 0:02:45 | |
Occasionally bleak... | 0:02:47 | 0:02:49 | |
..but always beautiful. | 0:02:50 | 0:02:52 | |
I'm on the edge of the North Yorkshire moors near the market town | 0:02:59 | 0:03:02 | |
of Thirsk, the place that | 0:03:02 | 0:03:03 | |
James Herriot called home for most of his life. | 0:03:03 | 0:03:06 | |
We know him as James Herriot but his real name | 0:03:14 | 0:03:17 | |
was James Alfred Wight, | 0:03:17 | 0:03:19 | |
or Alf to his friends and family. | 0:03:19 | 0:03:21 | |
He was born in 1916 and grew up in Glasgow. | 0:03:23 | 0:03:26 | |
As a child with a love of animals, | 0:03:27 | 0:03:29 | |
there was only one job he ever wanted - to become a vet. | 0:03:29 | 0:03:34 | |
Good morning. | 0:03:34 | 0:03:35 | |
-How are you today? -All right, how is yourself? | 0:03:35 | 0:03:37 | |
-Fine, thanks. Grand weather, hey? -Yes, it's lovely weather. | 0:03:37 | 0:03:41 | |
It seemed to me a most fulfilling and marvellous life if I could spend | 0:03:41 | 0:03:46 | |
my whole time helping animals. | 0:03:46 | 0:03:49 | |
But animals to me were dogs and cats. | 0:03:49 | 0:03:52 | |
But I qualified at the time of the Depression. | 0:03:52 | 0:03:54 | |
There was only one job going, and that was in rural Yorkshire. | 0:03:54 | 0:03:58 | |
And it took me just a fortnight to realise that this was the kind of | 0:03:58 | 0:04:01 | |
life I wanted. | 0:04:01 | 0:04:03 | |
He fell in love with this landscape and its people, | 0:04:03 | 0:04:06 | |
and he stayed in his practice for 50 more years until his death in 1995, | 0:04:06 | 0:04:11 | |
but he wasn't just a rural vet. | 0:04:11 | 0:04:14 | |
He was also a world-famous author. | 0:04:14 | 0:04:16 | |
He wrote many books about his time as a vet, | 0:04:20 | 0:04:23 | |
set in a fictional Dales town of Darrowby. | 0:04:23 | 0:04:26 | |
But the characters were all real, | 0:04:26 | 0:04:28 | |
including his eccentric partner, | 0:04:28 | 0:04:30 | |
Donald Sinclair, and his flighty brother, | 0:04:30 | 0:04:32 | |
Brian, known as Siegfried and Tristan in the stories. | 0:04:32 | 0:04:36 | |
They were a witty and honest view of the hard-working but sometimes dour | 0:04:39 | 0:04:45 | |
Yorkshire farming community. | 0:04:45 | 0:04:46 | |
His books were a huge success, | 0:04:49 | 0:04:51 | |
selling more than 60 million copies across the world, | 0:04:51 | 0:04:54 | |
but it didn't end there. | 0:04:54 | 0:04:57 | |
Keep clear. | 0:04:57 | 0:04:58 | |
Turn over. | 0:04:59 | 0:05:01 | |
Two films were made and a BBC TV series All Creatures Great and Small | 0:05:02 | 0:05:07 | |
brought James Herriot into millions of our sitting rooms for | 0:05:07 | 0:05:10 | |
more than a decade. | 0:05:10 | 0:05:11 | |
One of those sitting rooms was mine. | 0:05:17 | 0:05:19 | |
As a child, I adored All Creatures Great and Small. | 0:05:19 | 0:05:23 | |
But what was it about this place and its people that inspired him? | 0:05:23 | 0:05:27 | |
In a moment, I'll be joining his daughter, Rosie, on one of his | 0:05:27 | 0:05:30 | |
favourite walks to find out. | 0:05:30 | 0:05:31 | |
But first, we look back to when Adam gave us an insight into the breeds, | 0:05:33 | 0:05:37 | |
great and small, that made this rural county famous. | 0:05:37 | 0:05:41 | |
One or two of which James Herriot | 0:05:41 | 0:05:42 | |
would have been all too familiar with. | 0:05:42 | 0:05:44 | |
It fascinates me how throughout the country there are breeds particular | 0:05:51 | 0:05:55 | |
to individual places. | 0:05:55 | 0:05:57 | |
Our livestock has been shaped by the landscape it lives in and the way we | 0:05:57 | 0:06:01 | |
farm it. | 0:06:01 | 0:06:02 | |
So today, I'm getting a closer look | 0:06:02 | 0:06:04 | |
at seven county breeds that are special to Yorkshire. | 0:06:04 | 0:06:07 | |
Come by, come by. | 0:06:07 | 0:06:09 | |
When I think about the traditional breeds of Yorkshire, | 0:06:09 | 0:06:12 | |
this is what springs to mind. | 0:06:12 | 0:06:14 | |
Swaledale sheep up here about | 0:06:14 | 0:06:17 | |
1,000 foot up on the weather-beaten hills of the Yorkshire Dales. | 0:06:17 | 0:06:21 | |
'In fact, there are 30 times more | 0:06:23 | 0:06:25 | |
'sheep in the Yorkshire Dales than people, | 0:06:25 | 0:06:28 | |
'more than half a million of them. | 0:06:28 | 0:06:30 | |
'They're hardy creatures, used to being out in all weathers. | 0:06:30 | 0:06:34 | |
'Roy Nelson has been a shepherd here all his working life. | 0:06:34 | 0:06:38 | |
'I've chosen to meet him on a day | 0:06:38 | 0:06:39 | |
'that shows why farmers here need to be tough too.' | 0:06:39 | 0:06:43 | |
This is a good bit of Yorkshire weather, Roy, isn't it? | 0:06:43 | 0:06:45 | |
Just have a marvellous view down there if it had been clear, | 0:06:45 | 0:06:48 | |
but it didn't so that's that. | 0:06:48 | 0:06:50 | |
And why is it that Swaledale suits this region so well? | 0:06:50 | 0:06:55 | |
Well, they're just hardier. | 0:06:55 | 0:06:57 | |
Ours live out on top of winter more | 0:06:57 | 0:07:00 | |
or less same as they did 50 years ago | 0:07:00 | 0:07:03 | |
and grow to a size that they can support themselves. | 0:07:03 | 0:07:07 | |
So, what should the ewe look like? What does she need to be like? | 0:07:07 | 0:07:10 | |
We like them with a good hard coat on, a jacket and waistcoat. | 0:07:11 | 0:07:14 | |
-What does that mean? -It wants to be a thick bed of wool | 0:07:15 | 0:07:18 | |
that will keep wind out, it won't open with wind. | 0:07:18 | 0:07:21 | |
-Yeah. -And then it wants a bit of top on it to throw water off, | 0:07:21 | 0:07:23 | |
-so it's white today. -It just runs away, yes. | 0:07:23 | 0:07:27 | |
And if you were out here all winter, first thing you would want would be | 0:07:27 | 0:07:30 | |
-a good warm, dry topcoat. -So, you've got these tough sheep up here. | 0:07:30 | 0:07:34 | |
You've got to be a pretty hardy farmer too, haven't you? | 0:07:34 | 0:07:37 | |
Well, I don't know, it's just what we're used to. | 0:07:37 | 0:07:39 | |
You just don't think about it. | 0:07:39 | 0:07:41 | |
And do you feel the sheep are part of you as a Yorkshireman? | 0:07:41 | 0:07:44 | |
-Oh, definitely. -Proud of them? -Oh, definitely, yes. | 0:07:44 | 0:07:47 | |
One of the biggest thrills to me is | 0:07:47 | 0:07:49 | |
when somebody buys one off me and then | 0:07:49 | 0:07:51 | |
they take it to a show somewhere and they'll maybe win a show with it. | 0:07:51 | 0:07:56 | |
I feel quite proud of that. | 0:07:56 | 0:07:58 | |
And the annual Ryedale Agricultural Show | 0:08:02 | 0:08:04 | |
is just the place to see the best | 0:08:04 | 0:08:06 | |
of this breed in amongst 1,000 sheep exhibits. | 0:08:06 | 0:08:09 | |
Now, here we are. Let me explain something to you. | 0:08:12 | 0:08:15 | |
The Swaledale ewe here, the female, | 0:08:15 | 0:08:17 | |
not only is a fantastic sheep for surviving on the hills but, also, | 0:08:17 | 0:08:23 | |
if she is crossed with this ram, the Bluefaced Leicester, | 0:08:23 | 0:08:26 | |
this great big brute, put him on her, you get a lamb called a mule. | 0:08:26 | 0:08:31 | |
And this is a mule ewe. A wonderful mother. | 0:08:31 | 0:08:35 | |
So, she has fine wool, lots of lambs, | 0:08:35 | 0:08:38 | |
plenty of milk from the Bluefaced Leicester, | 0:08:38 | 0:08:40 | |
and then that wonderful mothering ability and hardiness from the | 0:08:40 | 0:08:43 | |
Swaledale. It's an incredible mix that creates this fantastic sheep | 0:08:43 | 0:08:47 | |
that is now the mainstay of lowland sheep farming, | 0:08:47 | 0:08:51 | |
producing lamb for the table. | 0:08:51 | 0:08:53 | |
And that's why the Swaledale is the backbone of the UK sheep industry. | 0:08:54 | 0:08:59 | |
But Yorkshire's not just the birthplace of hardy sheep. | 0:08:59 | 0:09:02 | |
It has some good lookers too. | 0:09:02 | 0:09:04 | |
You've heard of Wensleydale cheese. | 0:09:04 | 0:09:06 | |
Well, this is the Wensleydale sheep. | 0:09:06 | 0:09:08 | |
This one's called Nosterfield Lulu 2. | 0:09:09 | 0:09:13 | |
She's just won | 0:09:13 | 0:09:14 | |
Reserve Supreme Champion of Show for owner Ernie Sherwin. | 0:09:14 | 0:09:18 | |
How long have you been breeding Wensleydales? | 0:09:18 | 0:09:20 | |
They've been in the family for nearly over a century, really. | 0:09:20 | 0:09:23 | |
Over the years with my grandparents and my dad and things. | 0:09:23 | 0:09:25 | |
So you feel really passionate about them as a breed? | 0:09:25 | 0:09:28 | |
Yeah, they're just a bit of a fun thing. | 0:09:28 | 0:09:29 | |
I love to keep these traditional breeds on for the wool. | 0:09:29 | 0:09:32 | |
Fleeces are worth in excess of £100 now in the right places. | 0:09:32 | 0:09:35 | |
Oh, congratulations. | 0:09:35 | 0:09:36 | |
-Thank you. -Beautiful. And they came from Wensleydale itself? | 0:09:36 | 0:09:40 | |
Yes, yes, the Cistercian monks are supposed to | 0:09:40 | 0:09:43 | |
have set up with the Wensleydale Creamery | 0:09:43 | 0:09:45 | |
to start off milking them and making cheese, apparently. | 0:09:45 | 0:09:48 | |
-So that's where the famous Wensleydale cheese comes from? -Yeah. | 0:09:48 | 0:09:51 | |
There are also 1,000 horses on show here, | 0:09:52 | 0:09:55 | |
and there's one local breed I'm particularly interested in. | 0:09:55 | 0:09:58 | |
In the show ring now is the Cleveland Bay. | 0:09:59 | 0:10:02 | |
They used to be known as the Chapman Horse | 0:10:02 | 0:10:04 | |
because the chapmen were the | 0:10:04 | 0:10:05 | |
travelling salesman and they used these | 0:10:05 | 0:10:07 | |
animals as pack horses to carry all their wares around. | 0:10:07 | 0:10:09 | |
And they were very versatile. | 0:10:09 | 0:10:11 | |
They could pull the plough, | 0:10:11 | 0:10:12 | |
they could be ridden or they'd pull carriages. | 0:10:12 | 0:10:15 | |
But sadly, now, they're in decline and they're a rare breed. | 0:10:15 | 0:10:18 | |
This is another classic Yorkshire breed. | 0:10:23 | 0:10:26 | |
The Middle White with its lovely squashed nose. | 0:10:26 | 0:10:29 | |
And it was developed about 200 years ago by a guy called Joseph Tuley in | 0:10:29 | 0:10:34 | |
Keighley, West Riding. | 0:10:34 | 0:10:35 | |
And they're great at producing pork | 0:10:35 | 0:10:38 | |
but there is another breed of pig from Yorkshire that's become | 0:10:38 | 0:10:40 | |
famous worldwide. | 0:10:40 | 0:10:41 | |
The Middle White's much bigger cousin is creatively called the | 0:10:45 | 0:10:49 | |
Large White. They used to be seen as the perfect pig, | 0:10:49 | 0:10:52 | |
sent all over the world to establish commercial breeding herds. | 0:10:52 | 0:10:56 | |
Earning them a great reputation. | 0:10:56 | 0:10:57 | |
They're still a favourite of Ron Fieldhouse, | 0:10:59 | 0:11:02 | |
who breeds them on his farm in Tadcaster. | 0:11:02 | 0:11:04 | |
Goodness me, how many piglets has she got? | 0:11:06 | 0:11:08 | |
13. | 0:11:08 | 0:11:10 | |
They're gorgeous! | 0:11:10 | 0:11:12 | |
Tell me about the breed itself. Where did it originate from? | 0:11:12 | 0:11:15 | |
It originated in West Riding of Yorkshire... | 0:11:15 | 0:11:18 | |
and was quickly developed into a | 0:11:18 | 0:11:21 | |
fast lean growing pig suitable for the | 0:11:21 | 0:11:24 | |
bacon trade and was exported worldwide. | 0:11:24 | 0:11:27 | |
And when was it at its height? | 0:11:27 | 0:11:29 | |
I would say it was at its height in | 0:11:29 | 0:11:31 | |
the '50s and then started declining in | 0:11:31 | 0:11:34 | |
the late '70s when the breeding companies started developing hybrids | 0:11:34 | 0:11:41 | |
which are basically a mixture of Large White and other breeds. | 0:11:41 | 0:11:45 | |
And do you think they still have their place? | 0:11:45 | 0:11:47 | |
They still have their place. | 0:11:47 | 0:11:48 | |
They are still a fast lean growing pig that can compete with the | 0:11:48 | 0:11:52 | |
commercial market. | 0:11:52 | 0:11:53 | |
We call them Large Whites | 0:11:53 | 0:11:55 | |
but worldwide they're known as the Yorkshire pig. | 0:11:55 | 0:11:57 | |
-Lovely. How does that make you feel? -Oh, it's very proud, very proud. | 0:11:57 | 0:12:01 | |
Despite their recent decline, | 0:12:04 | 0:12:05 | |
it's hybrids of the breed that are used by the large-scale producers to | 0:12:05 | 0:12:09 | |
supply supermarkets. | 0:12:09 | 0:12:11 | |
They're big pigs, aren't they? | 0:12:12 | 0:12:13 | |
-Yeah. -And here in Yorkshire the pure bred Large Whites are in safe hands. | 0:12:13 | 0:12:18 | |
Ron's son, David, is building up the herd to help preserve them. | 0:12:18 | 0:12:21 | |
We've seen that there's going to be a real problem | 0:12:23 | 0:12:26 | |
because people just aren't breeding them, | 0:12:26 | 0:12:28 | |
so there's a few of us that are just trying to get them out and get | 0:12:28 | 0:12:32 | |
them spread throughout the country. | 0:12:32 | 0:12:33 | |
Do you keep them because they're a good pig or because | 0:12:33 | 0:12:36 | |
they're Yorkshire pigs and you're a Yorkshireman? | 0:12:36 | 0:12:38 | |
It's a bit of both, really. | 0:12:38 | 0:12:40 | |
I mean, there's pride in it that they are a Yorkshire breed and we | 0:12:40 | 0:12:43 | |
are based in Yorkshire, so what better pig to keep? | 0:12:43 | 0:12:46 | |
Yorkshire's local breeds have spread their influence | 0:12:49 | 0:12:52 | |
far beyond the farmyard. | 0:12:52 | 0:12:54 | |
Bred here in the 1860s for hunting, | 0:12:56 | 0:12:59 | |
the Airedale terrier became a hero of the First World War. | 0:12:59 | 0:13:02 | |
They were trained to find wounded soldiers and carry messages. | 0:13:04 | 0:13:08 | |
But it's one of the world's smallest stocks that's the best known | 0:13:11 | 0:13:14 | |
Yorkshire breed of all. | 0:13:14 | 0:13:15 | |
So, why have you chosen to keep Yorkshire terriers? | 0:13:15 | 0:13:18 | |
Because they're a nice little dog. The hairs don't drop out. | 0:13:18 | 0:13:23 | |
Come on. And they're sporting. She does the ratting. | 0:13:23 | 0:13:26 | |
And very good at ratting. | 0:13:26 | 0:13:28 | |
And this little one that's hanging back... | 0:13:28 | 0:13:30 | |
Come on, mate. I use her for my deerstalking. | 0:13:30 | 0:13:33 | |
She finds all the deer and the rabbits that I shoot. | 0:13:33 | 0:13:36 | |
Really? So they're proper little working dogs, then. | 0:13:36 | 0:13:39 | |
-Proper working dogs. -And how did they come about? | 0:13:39 | 0:13:41 | |
Why Yorkshire terriers in Yorkshire? | 0:13:41 | 0:13:44 | |
Well, they were bred initially for keeping the rat population down in | 0:13:44 | 0:13:47 | |
-the mills. -And there would have been a lot of mills round here. | 0:13:47 | 0:13:50 | |
Hundreds. Hundreds of mills. | 0:13:50 | 0:13:52 | |
And I suppose, as a little dog, | 0:13:52 | 0:13:53 | |
they can get into all the nooks and crannies. | 0:13:53 | 0:13:56 | |
Yes, and they're lightning quick as well. | 0:13:56 | 0:13:58 | |
They have got a bit of a reputation as being a handbag breed. | 0:14:00 | 0:14:03 | |
Have they been bred smaller for that? | 0:14:03 | 0:14:05 | |
Yes. An old lady's dog. | 0:14:05 | 0:14:08 | |
But they're not. They're very, very game little dogs. | 0:14:08 | 0:14:11 | |
They would tackle any dog when they're out on a walk. | 0:14:11 | 0:14:15 | |
With or without the ribbons in their hair. | 0:14:15 | 0:14:17 | |
ADAM LAUGHS | 0:14:17 | 0:14:18 | |
They've got a big attitude for a little animal. | 0:14:18 | 0:14:20 | |
They have got a big attitude. | 0:14:20 | 0:14:21 | |
They're very sweet, aren't they? | 0:14:21 | 0:14:23 | |
They can be a bit snappy, though, can't they? | 0:14:23 | 0:14:25 | |
This one's never bitten anybody yet. | 0:14:25 | 0:14:27 | |
-Always a first time! -There's always a first time. | 0:14:28 | 0:14:31 | |
Tiny dogs, enormous pigs, versatile workhorses. | 0:14:31 | 0:14:36 | |
Yorkshire has given us so much. | 0:14:36 | 0:14:38 | |
But, for me, this is the image that defines the county. | 0:14:38 | 0:14:42 | |
A man, a dog and a flock of Swaledale sheep. | 0:14:42 | 0:14:46 | |
The romance and the grit of farming in Yorkshire. | 0:14:46 | 0:14:49 | |
Working side-by-side with farmers like Roy, | 0:14:56 | 0:14:59 | |
the rural vet has been an invaluable service for hundreds of years. | 0:14:59 | 0:15:03 | |
But it wasn't until the 20th century that one vet in particular reached a | 0:15:03 | 0:15:08 | |
global audience. | 0:15:08 | 0:15:10 | |
So who was the real man behind James Herriot? | 0:15:10 | 0:15:13 | |
Why did he love this county so much that he felt compelled | 0:15:13 | 0:15:16 | |
to put pen to paper? | 0:15:16 | 0:15:18 | |
No-one knows the answers better than his daughter, Rosie Page. | 0:15:21 | 0:15:25 | |
I'm meeting her at a very special place to her and her father, | 0:15:25 | 0:15:29 | |
Sutton Bank near Thirsk. | 0:15:29 | 0:15:31 | |
This is such an incredible spot, Rosie. | 0:15:32 | 0:15:34 | |
What can we see from up here? | 0:15:34 | 0:15:36 | |
Yeah, I think it's incredible too and so did my dad. | 0:15:36 | 0:15:38 | |
We're looking right over the plain of York here. | 0:15:45 | 0:15:49 | |
From a very breezy point about 1,000 feet up. | 0:15:49 | 0:15:52 | |
You can see almost from York to Darlington from here. | 0:15:52 | 0:15:54 | |
One of the finest views in England, I think, this. | 0:15:55 | 0:16:00 | |
You look over what was his practice, basically, | 0:16:00 | 0:16:03 | |
all his best memories were up here. | 0:16:03 | 0:16:05 | |
He used to take us as kids to climb trees, | 0:16:05 | 0:16:08 | |
to press flowers and we had a whale of a time, | 0:16:08 | 0:16:11 | |
but this whole escarpment was very special to him. | 0:16:11 | 0:16:14 | |
The spot was so special to the family that, when Alf passed away in | 0:16:18 | 0:16:23 | |
1995, his ashes were scattered here overlooking his | 0:16:23 | 0:16:26 | |
beloved Vale of York. | 0:16:26 | 0:16:27 | |
What kind of man was your dad? | 0:16:31 | 0:16:33 | |
He was gentle, good-natured, didn't often see him in a bad temper. | 0:16:33 | 0:16:39 | |
He was the observer in life, usually. | 0:16:39 | 0:16:42 | |
His books were, I think, observing other people rather than himself | 0:16:43 | 0:16:47 | |
-and their animals. -And yet, even in interviews that he gave, | 0:16:47 | 0:16:50 | |
he didn't really talk about... | 0:16:50 | 0:16:52 | |
He didn't mention his name or where he was from. | 0:16:52 | 0:16:54 | |
-Was he a very private man, your dad? -Extremely private man. | 0:16:54 | 0:16:57 | |
He thought, fondly, | 0:16:58 | 0:17:00 | |
that nobody would find out who he was or where he lived. | 0:17:00 | 0:17:02 | |
Staying out of the limelight was important to Alf. | 0:17:04 | 0:17:07 | |
He didn't plan to be famous and was happy to continue being a vet. | 0:17:07 | 0:17:11 | |
Something made much easier with a pen name. | 0:17:11 | 0:17:14 | |
I was watching a football match and James Herriot | 0:17:16 | 0:17:19 | |
was playing for Birmingham. | 0:17:19 | 0:17:20 | |
He was the goalkeeper. He played such a good game that night, | 0:17:20 | 0:17:23 | |
and I thought, "By Jove, what a nice name, James Herriot." | 0:17:23 | 0:17:26 | |
And just at that time, I was looking desperately for a nice-sounding name | 0:17:26 | 0:17:31 | |
to use as my pseudonym. | 0:17:31 | 0:17:33 | |
What inspired him to write the books? | 0:17:34 | 0:17:37 | |
Well, he had these wonderful characters to write about. | 0:17:37 | 0:17:43 | |
He had the Yorkshire farmers, who were characters in themselves. | 0:17:43 | 0:17:47 | |
But then he had these heaven sent characters in Donald Sinclair, | 0:17:47 | 0:17:51 | |
Siegfried and Brian Sinclair's brother, Tristan. | 0:17:51 | 0:17:55 | |
And there were so many funny stories that he used to tell about them, | 0:17:55 | 0:18:00 | |
that it would have been a shame not to write them down. | 0:18:00 | 0:18:02 | |
I wanted to start writing funny books. | 0:18:06 | 0:18:09 | |
I wanted to tell people about Yorkshire, | 0:18:09 | 0:18:11 | |
about the beauties of the Yorkshire Dales. | 0:18:11 | 0:18:14 | |
And I also wanted to tell them about the sad and touching things | 0:18:14 | 0:18:17 | |
that there are in veterinary practice. | 0:18:17 | 0:18:18 | |
Triplets, eh? Oh, he's lively. | 0:18:19 | 0:18:23 | |
Look at him. | 0:18:23 | 0:18:25 | |
Do you have a favourite story? | 0:18:25 | 0:18:26 | |
I have several favourite stories. | 0:18:26 | 0:18:28 | |
I love them. But the ones that always | 0:18:28 | 0:18:30 | |
make me laugh the most are that first book. | 0:18:30 | 0:18:33 | |
They were what Dad thought were his best stories. | 0:18:33 | 0:18:36 | |
-Yeah. -And, of course, he had the ability to make you laugh out loud. | 0:18:36 | 0:18:41 | |
And I remember reading them and watching the TV and having the audio | 0:18:41 | 0:18:45 | |
tape as well. And they are very accessible. | 0:18:45 | 0:18:46 | |
I was a child when I read them. | 0:18:46 | 0:18:48 | |
And I remember this one story about | 0:18:48 | 0:18:50 | |
him going off to treat a cow that had | 0:18:50 | 0:18:52 | |
mastitis and it says here... | 0:18:52 | 0:18:53 | |
"One second later, I was sitting gasping in the dung channel with a | 0:18:53 | 0:18:56 | |
"neat imprint of a cloven hoof on my shirt front | 0:18:56 | 0:19:00 | |
"just over the solar plexus." | 0:19:00 | 0:19:01 | |
"And then the farmer replies, 'She allus likes to shake hands.'" | 0:19:01 | 0:19:05 | |
Brilliant. Very witty but very accessible. | 0:19:05 | 0:19:08 | |
Yeah, absolutely. | 0:19:08 | 0:19:09 | |
What would you say is your dad's legacy? | 0:19:09 | 0:19:12 | |
His books brought such joy to millions of people. | 0:19:12 | 0:19:16 | |
He sort of touched their hearts and he made them laugh. | 0:19:16 | 0:19:20 | |
He made them feel better. | 0:19:20 | 0:19:22 | |
So I'd love to think that that legacy could be passed on to a | 0:19:22 | 0:19:26 | |
generation who've missed it. | 0:19:26 | 0:19:28 | |
Alf didn't just make a difference to his readers | 0:19:32 | 0:19:35 | |
but also closer to home, to the animals he looked after. | 0:19:35 | 0:19:38 | |
It's what vets and those who work with animals | 0:19:43 | 0:19:45 | |
do every day in Britain. | 0:19:45 | 0:19:47 | |
Even though it comes with its challenges. | 0:19:47 | 0:19:50 | |
As Joe found out in Sussex a while ago. | 0:19:50 | 0:19:53 | |
When there's an emergency, | 0:19:59 | 0:20:00 | |
the crew of this ambulance are ready for anything. | 0:20:00 | 0:20:03 | |
But it's not a human casualty we're attending | 0:20:03 | 0:20:05 | |
because this is a wildlife ambulance. | 0:20:05 | 0:20:08 | |
The East Sussex Wildlife Rescue and Ambulance Service was the brainchild | 0:20:08 | 0:20:12 | |
of Trevor Weeks and, with around 50 emergency calls a week, | 0:20:12 | 0:20:16 | |
it's a full-time job. | 0:20:16 | 0:20:17 | |
Casualties happen 24 hours a day, | 0:20:17 | 0:20:20 | |
seven days a week, 365 days of the year. | 0:20:20 | 0:20:23 | |
So, whether you want your Christmas dinner with family, | 0:20:23 | 0:20:27 | |
you've got to take into consideration | 0:20:27 | 0:20:29 | |
that the phone could ring and you're going to have to go. | 0:20:29 | 0:20:31 | |
The centre deals with 2,000 to 3,000 animals a year. | 0:20:35 | 0:20:39 | |
There's all sorts of wildlife here, great and small. | 0:20:39 | 0:20:42 | |
From poorly pigeons to helpless hedgehogs. | 0:20:42 | 0:20:45 | |
PHONE RINGS | 0:20:45 | 0:20:47 | |
East Sussex Wildlife Rescue. | 0:20:50 | 0:20:53 | |
The ambulance has been called out to something big, | 0:20:53 | 0:20:55 | |
a fallow deer stag has got its | 0:20:55 | 0:20:57 | |
antlers tangled up in some tough nylon rope | 0:20:57 | 0:20:59 | |
on a farmer's field and the animal is very distressed. | 0:20:59 | 0:21:03 | |
So Trevor has to act fast. | 0:21:03 | 0:21:05 | |
Once you've caught that animal, | 0:21:05 | 0:21:06 | |
you've got to get it basically either sedated or released within | 0:21:06 | 0:21:10 | |
30 minutes. | 0:21:10 | 0:21:11 | |
Otherwise, you're technically looking at an animal that's going | 0:21:11 | 0:21:14 | |
-to have a heart attack. -Oh, really? | 0:21:14 | 0:21:16 | |
So it's putting stress on the animal? | 0:21:16 | 0:21:17 | |
Yes, they're very highly strung animals. | 0:21:17 | 0:21:21 | |
Call-outs like this are rare so, when they do happen, | 0:21:21 | 0:21:23 | |
they require expert handling. | 0:21:23 | 0:21:25 | |
-There we go. -Got him? | 0:21:26 | 0:21:28 | |
Yeah, he's just down there. | 0:21:28 | 0:21:29 | |
We'll keep our distance and we'll wait for the | 0:21:29 | 0:21:32 | |
rest of the team to arrive. | 0:21:32 | 0:21:34 | |
Got to be treated with respect, it's quite dangerous. | 0:21:34 | 0:21:36 | |
You are talking a dangerous situation here. | 0:21:36 | 0:21:38 | |
We are looking at him being caught | 0:21:46 | 0:21:50 | |
halfway along a long stretch of rope. | 0:21:50 | 0:21:53 | |
OK, so the net at full stretch. | 0:21:53 | 0:21:55 | |
Careful. | 0:21:57 | 0:21:58 | |
-Right. -So, try and go in? | 0:21:59 | 0:22:01 | |
-Yeah. -Do you want to come round the back next to the legs? | 0:22:01 | 0:22:03 | |
OK. That's fine. | 0:22:03 | 0:22:05 | |
The first challenge is to pin the animal to the ground. | 0:22:05 | 0:22:07 | |
Keep it steady. Pull it tight. | 0:22:07 | 0:22:10 | |
-Can I have a blanket? -Over his eyes. | 0:22:11 | 0:22:13 | |
Over his head completely. Step back, step back. | 0:22:13 | 0:22:16 | |
The blanket should calm the stag down | 0:22:17 | 0:22:20 | |
but it's still rough and tumble. | 0:22:20 | 0:22:22 | |
Trevor has to draw on 30 years of experience with wildlife to get the | 0:22:22 | 0:22:25 | |
animal under control. | 0:22:25 | 0:22:28 | |
Do you want Chris to come round the far side for an extra pair of hands? | 0:22:28 | 0:22:32 | |
-Just hold on. -Watch the feet. | 0:22:32 | 0:22:34 | |
Cover his head completely. | 0:22:34 | 0:22:37 | |
OK. | 0:22:38 | 0:22:40 | |
Fantastic. | 0:22:40 | 0:22:42 | |
OK. | 0:22:42 | 0:22:43 | |
Let's start cutting away, please. | 0:22:43 | 0:22:45 | |
Cut that one. | 0:22:45 | 0:22:46 | |
Yeah, cut that one. | 0:22:48 | 0:22:49 | |
-That's it, you're doing well. -It's an incredible sound. | 0:22:51 | 0:22:55 | |
Very guttural. It's quite stressed. | 0:22:55 | 0:22:57 | |
The idea is to do this as quickly as possible. | 0:22:57 | 0:22:59 | |
They've got him pinned down and they've got a blanket | 0:22:59 | 0:23:01 | |
covering his eyes. | 0:23:01 | 0:23:02 | |
To try to calm him down but now they've got to hack through all | 0:23:02 | 0:23:04 | |
this rope and there is a lot of it. | 0:23:04 | 0:23:06 | |
Clearly, the deer has really become entwined in this over some time | 0:23:06 | 0:23:09 | |
perhaps. They've got to work as | 0:23:09 | 0:23:11 | |
quickly as possible to free him without doing him any damage. | 0:23:11 | 0:23:15 | |
Something's caught round there. What's this one? | 0:23:15 | 0:23:17 | |
That's the one that he's lying on. OK. | 0:23:17 | 0:23:20 | |
Joe, can you walk towards the net and | 0:23:20 | 0:23:22 | |
bring it round to my left so it comes | 0:23:22 | 0:23:24 | |
underneath his leg, if you can? | 0:23:24 | 0:23:26 | |
-Back over his legs? -No, just keep it at that angle. | 0:23:26 | 0:23:30 | |
-OK. -Right, we're almost free. -Not quite, not quite. | 0:23:30 | 0:23:33 | |
It's this one down here you're caught on. | 0:23:33 | 0:23:35 | |
OK, you've got that away. | 0:23:36 | 0:23:39 | |
Leave my blankets in place. | 0:23:39 | 0:23:40 | |
So if you can clear out. | 0:23:40 | 0:23:42 | |
Purple blanket away. | 0:23:44 | 0:23:45 | |
This is the really tricky moment. | 0:23:47 | 0:23:49 | |
The deer's completely free now, it's been cut loose. | 0:23:49 | 0:23:51 | |
Thankfully, there are no injuries but this is the most difficult time. | 0:23:51 | 0:23:55 | |
Sorry, can I have the meds bag? I'm just going to listen to his chest. | 0:23:55 | 0:23:59 | |
This is the point that he's got to be set free. | 0:23:59 | 0:24:02 | |
But first, I think he's doing a quick health check. | 0:24:04 | 0:24:06 | |
He's going to listen to his heart and see what condition he's in and | 0:24:06 | 0:24:09 | |
how stressed he is. | 0:24:09 | 0:24:10 | |
OK, back off from the area. | 0:24:12 | 0:24:14 | |
I'll clear the rest up afterwards. | 0:24:14 | 0:24:17 | |
-OK? -Pick the rest up afterwards. | 0:24:19 | 0:24:21 | |
What an incredible sight! | 0:24:34 | 0:24:36 | |
That is textbook animal rescue. | 0:24:37 | 0:24:39 | |
Wow! | 0:24:39 | 0:24:40 | |
Congratulations! | 0:24:42 | 0:24:44 | |
-That was amazing. -Oh, dear. -You must be very happy with that? | 0:24:44 | 0:24:47 | |
That's what you do rescue work for, at the end of the day, | 0:24:47 | 0:24:50 | |
to get them back to the wild, where they belong. | 0:24:50 | 0:24:52 | |
Within an hour of us getting the call, it's released. | 0:24:52 | 0:24:54 | |
Amazing work. Well done, well done! | 0:24:54 | 0:24:56 | |
Time for a cup of tea. | 0:24:56 | 0:24:58 | |
I'm in Yorkshire, exploring the life and legacy of Alf Wight, | 0:25:05 | 0:25:09 | |
better known as James Herriot. | 0:25:09 | 0:25:11 | |
By the time his tales of life in the Dales had become an international | 0:25:14 | 0:25:18 | |
hit, Alf had been a vet in Thirsk for more than 30 years. | 0:25:18 | 0:25:22 | |
But what was the job like when he started out? | 0:25:22 | 0:25:25 | |
I've come to his original practice to meet his son and former partner, | 0:25:25 | 0:25:28 | |
Jim Wight, to find out. | 0:25:28 | 0:25:30 | |
-Hello, Ellie. -Hi, Jim. -How nice to meet you. -Thanks, you too. | 0:25:31 | 0:25:34 | |
-Come in. -Thanks. | 0:25:34 | 0:25:35 | |
Jim, it's the actual phone! | 0:25:37 | 0:25:39 | |
I've got to do this, forgive me. | 0:25:39 | 0:25:40 | |
Darrowby 385. I've always wanted to do that! | 0:25:41 | 0:25:44 | |
The house and surgery where he lived and worked has been painstakingly | 0:25:49 | 0:25:53 | |
restored - a time capsule of the life of a busy vet | 0:25:53 | 0:25:56 | |
in 1940s Yorkshire. | 0:25:56 | 0:25:58 | |
Now, this was your family home, wasn't it, Jim? | 0:26:00 | 0:26:03 | |
The whole building doubled up as a | 0:26:03 | 0:26:04 | |
family home and a veterinary practice | 0:26:04 | 0:26:06 | |
because there was very little dog and cat work. | 0:26:06 | 0:26:09 | |
It was an agricultural practice so this was what they used to call our | 0:26:09 | 0:26:13 | |
best room if we had visitors. | 0:26:13 | 0:26:15 | |
It also doubled up as the office | 0:26:15 | 0:26:16 | |
with the old-fashioned typewriter there. | 0:26:16 | 0:26:18 | |
The farmers would come here on a Monday to pay the bills. | 0:26:18 | 0:26:21 | |
-Why Monday? -It was market day. | 0:26:21 | 0:26:24 | |
And the pubs were open all day. | 0:26:24 | 0:26:26 | |
What was veterinary work like back in the '40s? | 0:26:26 | 0:26:29 | |
Massively different. It was 90-95% agricultural work, | 0:26:29 | 0:26:34 | |
cows, pigs, sheep. | 0:26:34 | 0:26:36 | |
There was one job that took up much of Alf's time. | 0:26:37 | 0:26:40 | |
People were dying of TB through drinking | 0:26:40 | 0:26:43 | |
tuburculous milk off infected cows. | 0:26:43 | 0:26:45 | |
That's how my dad was introduced to the Yorkshire Dales and that is | 0:26:45 | 0:26:49 | |
why my father and his partner, | 0:26:49 | 0:26:50 | |
Donald Sinclair, better known as Siegfried, | 0:26:50 | 0:26:53 | |
they went up there to do to tuberculin testing | 0:26:53 | 0:26:56 | |
but it was a hard life. | 0:26:56 | 0:26:58 | |
Every animal had to be tested - dairy cattle, calves, | 0:26:58 | 0:27:01 | |
wild animals off the fells, off the moors. | 0:27:01 | 0:27:05 | |
He had to travel 30 miles up there in a car with no brakes, no heater, | 0:27:05 | 0:27:10 | |
holes in the floor. | 0:27:10 | 0:27:12 | |
-Tough. -He used to arrive up there and his words were, | 0:27:12 | 0:27:15 | |
"stupefied with cold." | 0:27:15 | 0:27:17 | |
So, physical work, really, wasn't it? | 0:27:17 | 0:27:19 | |
He always used to say, James Herriot said in his books, | 0:27:19 | 0:27:22 | |
his work was harder but more fun. | 0:27:22 | 0:27:25 | |
'The sitting room holds row upon row of Alf's favourite books and the | 0:27:29 | 0:27:33 | |
'tankard that was used as the office till for many years still sits on | 0:27:33 | 0:27:37 | |
'the mantelpiece. | 0:27:37 | 0:27:38 | |
'But it's round the corner that the real tricks of the trade | 0:27:41 | 0:27:44 | |
'are revealed.' | 0:27:44 | 0:27:45 | |
This is incredible, like a vet's apothecary. | 0:27:47 | 0:27:50 | |
This was the days when my father first started here, | 0:27:50 | 0:27:53 | |
when the vets made their own medicines up. | 0:27:53 | 0:27:55 | |
We've got all these balances and weighs and they all had their own | 0:27:55 | 0:27:59 | |
recipes. A lot of these medicines here did no good whatsoever | 0:27:59 | 0:28:05 | |
but the vet had to do something. | 0:28:05 | 0:28:07 | |
Universal mixture. | 0:28:07 | 0:28:10 | |
-Very generic. -Universal Cattle Medicine, UCM, | 0:28:10 | 0:28:13 | |
if you see the old vet day books, they're always saying, | 0:28:13 | 0:28:16 | |
"visit cow, dispense UCM", | 0:28:16 | 0:28:19 | |
so the vet doesn't know what's wrong with it but he knows that the UCM is | 0:28:19 | 0:28:22 | |
-going to cure it. -It's kind of a placebo, | 0:28:22 | 0:28:24 | |
except the animals don't know. | 0:28:24 | 0:28:26 | |
Castor oil, the worst thing that happened was a stoppage. | 0:28:26 | 0:28:29 | |
Farmers called it opening medicine. | 0:28:29 | 0:28:31 | |
The old vet in Glasgow said to my dad, | 0:28:31 | 0:28:34 | |
"One of the secrets of veterinary practice is, | 0:28:34 | 0:28:37 | |
"keep the bowels open and trust the rest to God!" | 0:28:37 | 0:28:40 | |
There was other things, like, on | 0:28:40 | 0:28:42 | |
wounds, they would put turpentine on top of | 0:28:42 | 0:28:44 | |
iodine crystals. There would be a | 0:28:44 | 0:28:46 | |
great explosion of purple clouds, which | 0:28:46 | 0:28:49 | |
looked really good. This was the final, | 0:28:49 | 0:28:51 | |
the piece de resistance for the vet. | 0:28:51 | 0:28:53 | |
Utterly fantastic but it did no good whatsoever but the vet got | 0:28:53 | 0:28:56 | |
a lot of credit. | 0:28:56 | 0:28:59 | |
All our treatments were steeped in black magic and witchcraft and, | 0:28:59 | 0:29:02 | |
of course, that was one of the things that motivated me to write. | 0:29:02 | 0:29:06 | |
The treatment's so funny. | 0:29:07 | 0:29:08 | |
I often think, when science comes in the door, | 0:29:10 | 0:29:13 | |
the fun flies out of the window. | 0:29:13 | 0:29:14 | |
As well as the lotions and potions, | 0:29:16 | 0:29:18 | |
the vets of Alf's day had some rather primitive tools, too. | 0:29:18 | 0:29:23 | |
Oh, it's quite cosy in here. | 0:29:23 | 0:29:24 | |
Are these the implements that were used? | 0:29:24 | 0:29:26 | |
Yeah, these are a real blast from the past. | 0:29:26 | 0:29:29 | |
-They look slightly torturous, don't they? -This here... | 0:29:29 | 0:29:32 | |
is what my father used multiple, multiple times. | 0:29:32 | 0:29:34 | |
It's called the probang. | 0:29:34 | 0:29:36 | |
In those days, cows were often fed chopped potatoes, chopped mangels, | 0:29:36 | 0:29:41 | |
chopped turnips and sometimes these things would lodge in the gullet. | 0:29:41 | 0:29:45 | |
The cow blows up like a balloon and, if she gets really big, | 0:29:45 | 0:29:49 | |
she'll die because the pressure on the chest is such that the cow will | 0:29:49 | 0:29:52 | |
asphyxiate, so what does the vet do? | 0:29:52 | 0:29:54 | |
He puts that into the cow's mouth. | 0:29:54 | 0:29:57 | |
Oh, my goodness! | 0:29:57 | 0:29:58 | |
He puts this probang through there and he pushes the probang | 0:29:58 | 0:30:03 | |
down the gullet. | 0:30:03 | 0:30:05 | |
The full length of this? | 0:30:05 | 0:30:06 | |
He pushes it down until he'll feel the obstruction | 0:30:06 | 0:30:10 | |
and then, very gently, you tap the obstruction down, down, | 0:30:10 | 0:30:14 | |
down and, eventually, of course, it goes into the stomach. | 0:30:14 | 0:30:17 | |
You have released the obstruction | 0:30:17 | 0:30:18 | |
and it's very satisfying because you see the cow, | 0:30:18 | 0:30:21 | |
this enormous bloated animal, just goes like a deflated balloon. | 0:30:21 | 0:30:25 | |
An almighty belch? | 0:30:25 | 0:30:27 | |
You just watch it going right down. | 0:30:27 | 0:30:30 | |
Very, very satisfying. | 0:30:30 | 0:30:31 | |
It's such a fascinating insight into your dad's life and work. | 0:30:31 | 0:30:35 | |
Going around with my father from the age of three... | 0:30:35 | 0:30:38 | |
..to watch him doing all these things was a huge adventure. | 0:30:39 | 0:30:42 | |
Exciting stuff. | 0:30:43 | 0:30:44 | |
Getting up close and personal with all creatures great and small | 0:30:52 | 0:30:55 | |
was Alf's bread and butter. | 0:30:55 | 0:30:57 | |
And, as John found out one Christmas in Gloucestershire, | 0:31:00 | 0:31:03 | |
sometimes, it's the little ones you have to watch out for. | 0:31:03 | 0:31:06 | |
Winter can be a hard time for a lot of British wildlife and this | 0:31:10 | 0:31:16 | |
prickly little fellow finds it particularly tough. | 0:31:16 | 0:31:19 | |
A hedgehog. He should be sleeping away the cold winter months | 0:31:20 | 0:31:24 | |
in hibernation but, like many others like him, | 0:31:24 | 0:31:28 | |
his calendar is a bit out of kilter. | 0:31:28 | 0:31:30 | |
The trouble is, hedgehogs often have a second and even third litter | 0:31:32 | 0:31:36 | |
of babies, known as hoglets, in late summer. | 0:31:36 | 0:31:39 | |
But when the weather starts to turn, | 0:31:40 | 0:31:42 | |
Mum goes into hibernation and the late arrivals are left | 0:31:42 | 0:31:46 | |
to fend for themselves. | 0:31:46 | 0:31:47 | |
Many of the youngsters haven't built up enough fat reserves in time | 0:31:49 | 0:31:53 | |
for the cold weather. | 0:31:53 | 0:31:54 | |
So, if they try to hibernate, they might never wake up. | 0:31:54 | 0:31:58 | |
Luckily, they're determined little creatures and, when it comes to | 0:31:59 | 0:32:03 | |
Christmas wishes, they've got quite a list. | 0:32:03 | 0:32:05 | |
Mary Hinton can fulfil some of those wishes. | 0:32:09 | 0:32:13 | |
She's a volunteer with Help A Hedgehog and her garage, | 0:32:13 | 0:32:16 | |
a few minutes from Westonbirt, doubles up as a hospital. | 0:32:16 | 0:32:20 | |
This one was found out in the day in a road. | 0:32:21 | 0:32:24 | |
When he first came in, he was only 355g, | 0:32:24 | 0:32:28 | |
so hedgehogs have to be 600g to have a safe chance of hibernating. | 0:32:28 | 0:32:33 | |
You weigh him in a food bowl? | 0:32:33 | 0:32:34 | |
Yes. Yes, just on a domestic pair of scales. | 0:32:35 | 0:32:38 | |
This is what people could do at home. | 0:32:38 | 0:32:39 | |
He is 605g so he's above danger level now? | 0:32:39 | 0:32:43 | |
-He is. -605, so this one has done very well, | 0:32:43 | 0:32:47 | |
it's now up to a safe weight. | 0:32:47 | 0:32:49 | |
So, top of the Christmas wishes list for hedgehogs is a nice fat tummy. | 0:32:49 | 0:32:55 | |
That means lots of lovely food. | 0:32:55 | 0:32:56 | |
So, in hedgehog terms, he's getting quite chubby now? | 0:33:00 | 0:33:03 | |
-He is. -What do you feed them on? | 0:33:03 | 0:33:05 | |
Basically, we do a mixture of wet cat food, non-fishy, | 0:33:05 | 0:33:09 | |
and we mix up that with dried mealworms, | 0:33:09 | 0:33:11 | |
which they're absolutely addicted to, so that's a bit of a treat. | 0:33:11 | 0:33:14 | |
Also, little cat biscuits and we mix that altogether and that gives them | 0:33:14 | 0:33:18 | |
a good mixture, a good range in their diet. | 0:33:18 | 0:33:21 | |
What shouldn't you feed them? | 0:33:21 | 0:33:24 | |
-You shouldn't give them bread and milk. -Really? | 0:33:24 | 0:33:27 | |
It's a complete fallacy because hedgehogs are actually lactose | 0:33:27 | 0:33:30 | |
intolerant so actually it makes them very, very poorly and can kill them. | 0:33:30 | 0:33:34 | |
Hedgehogs are tenacious characters, which often gets them | 0:33:36 | 0:33:39 | |
into a spot of bother. | 0:33:39 | 0:33:41 | |
In some cases, they need more than a good meal to put them right. | 0:33:41 | 0:33:45 | |
That's why another perfectly ordinary home has been transformed | 0:33:47 | 0:33:52 | |
into a life-saving facility for hedgehogs in need. | 0:33:52 | 0:33:54 | |
This bungalow also provides high-rise living for 53 hedgehogs. | 0:34:01 | 0:34:07 | |
That's a record number for another helper, the festively named | 0:34:07 | 0:34:12 | |
Carol Doyton. | 0:34:12 | 0:34:14 | |
-Shall I hold him? -Yes. | 0:34:14 | 0:34:15 | |
We want to... Come on. | 0:34:15 | 0:34:17 | |
Even the tiniest hedgehogs get 5-star treatment right here | 0:34:18 | 0:34:23 | |
in Carol's kitchen. | 0:34:23 | 0:34:24 | |
This is a special milk. | 0:34:24 | 0:34:26 | |
Milk? I thought you weren't supposed to give them milk. | 0:34:26 | 0:34:29 | |
But it is special, it is puppy milk that we feed the hogs. | 0:34:29 | 0:34:33 | |
Oh, there we go. Yes, he's got the hang of it now. | 0:34:34 | 0:34:37 | |
Well, he's really enjoying that, isn't he? | 0:34:39 | 0:34:41 | |
So this is a kind of emergency unit here, is it? | 0:34:41 | 0:34:43 | |
It is the intensive care unit in here. | 0:34:43 | 0:34:45 | |
Mainly because little ones need such constant care. | 0:34:45 | 0:34:49 | |
What's wrong with this one here? | 0:34:49 | 0:34:51 | |
That is our strimmer injury. | 0:34:51 | 0:34:53 | |
-Strimmer? -Yes. | 0:34:53 | 0:34:54 | |
Here's an object lesson to be very careful when you're out | 0:34:54 | 0:34:57 | |
in the garden. | 0:34:57 | 0:34:58 | |
-Yeah. -Because it's easy to give a hedgehog a haircut | 0:34:58 | 0:35:03 | |
without really intending it. | 0:35:03 | 0:35:05 | |
That's right. He's been on antibiotics for a week. | 0:35:05 | 0:35:08 | |
He's also got round worm so he's actually on medicines | 0:35:08 | 0:35:13 | |
for that as well. | 0:35:13 | 0:35:15 | |
So, how do you see the future for hedgehogs, | 0:35:15 | 0:35:17 | |
because we keep hearing they're in a bad way in the wild? | 0:35:17 | 0:35:20 | |
It's worrying. | 0:35:20 | 0:35:21 | |
Well, it's said that, by 2025, | 0:35:22 | 0:35:25 | |
there won't be any hedgehogs as we know it now. | 0:35:25 | 0:35:28 | |
Do you believe that? | 0:35:28 | 0:35:30 | |
I do actually because there is just so many things... | 0:35:30 | 0:35:33 | |
-netting... -Ow! | 0:35:33 | 0:35:35 | |
Oh, sorry, that was a really big bite. | 0:35:35 | 0:35:38 | |
Look at that! | 0:35:40 | 0:35:42 | |
THEY LAUGH | 0:35:42 | 0:35:43 | |
No, no, no. | 0:35:43 | 0:35:44 | |
He's obviously got a little bit fed up. | 0:35:46 | 0:35:48 | |
We'll put you back in there. | 0:35:48 | 0:35:49 | |
Hedgehogs are a threat to me now, | 0:35:49 | 0:35:51 | |
I don't know about humans being a threat to hedgehogs! | 0:35:51 | 0:35:54 | |
Good job you had your gloves on! | 0:35:54 | 0:35:56 | |
Talk about biting the hand that feeds! | 0:35:57 | 0:36:00 | |
But this little fellow will survive to join the dwindling hedgehog | 0:36:00 | 0:36:04 | |
population, down to just under a million today, | 0:36:04 | 0:36:08 | |
compared to an estimated 30 million in the 1950s. | 0:36:08 | 0:36:12 | |
So, it's a good job that people like Carol are able to do their bit. | 0:36:12 | 0:36:17 | |
But there's one more Christmas wish that you can help with. | 0:36:17 | 0:36:20 | |
So, if you come across a tiny hedgehog like this that's obviously | 0:36:27 | 0:36:31 | |
underweight, best to try and keep it warm | 0:36:31 | 0:36:34 | |
and then call someone like Carol or Mary to get help. | 0:36:34 | 0:36:37 | |
But should you find a fully grown hedgehog that's hibernating cosily | 0:36:37 | 0:36:42 | |
somewhere safe, just leave it in peace. | 0:36:42 | 0:36:45 | |
That's the best Christmas present any hedgehog could have. | 0:36:45 | 0:36:48 | |
The 1970s were a time of huge success for James Herriot, | 0:36:56 | 0:37:00 | |
the author, while Alf continued life as a vet. | 0:37:00 | 0:37:03 | |
It's a funny smelling stuff, this. | 0:37:03 | 0:37:07 | |
His adventures hit our TV screens with a BBC programme, | 0:37:07 | 0:37:10 | |
All Creatures Great and Small, | 0:37:10 | 0:37:12 | |
and it made a star of Christopher Timothy, who played him. | 0:37:12 | 0:37:15 | |
As a big fan myself, | 0:37:17 | 0:37:19 | |
I wanted to find out what it was like and I'm meeting him | 0:37:19 | 0:37:23 | |
somewhere he should feel right at home. | 0:37:23 | 0:37:25 | |
Does this all feel familiar, coming back to a farm? | 0:37:26 | 0:37:29 | |
Well, yeah, but I did visit farms prior to being a vet. | 0:37:29 | 0:37:34 | |
-To being James Herriot? -Yeah, absolutely. | 0:37:34 | 0:37:36 | |
I grew up in North Wales so the smell of cow poo is one of my favourite smells. | 0:37:36 | 0:37:41 | |
And that's a fact. | 0:37:41 | 0:37:43 | |
I've got to declare my absolute dedication to the programme. | 0:37:43 | 0:37:47 | |
I used to love All Creatures Great and Small, | 0:37:47 | 0:37:49 | |
it was compulsory viewing for me, | 0:37:49 | 0:37:50 | |
and I can even remember how your wife answered the phone, | 0:37:50 | 0:37:53 | |
"Darrowby 385." | 0:37:53 | 0:37:54 | |
-I remember that. -You remember the number? -I do. -Amazing! | 0:37:54 | 0:37:57 | |
PHONE RINGS | 0:37:57 | 0:38:00 | |
Hello, Darrowby 385. | 0:38:00 | 0:38:01 | |
Yes. Hello, Mr Mellis. | 0:38:03 | 0:38:05 | |
What was it like for you working on that really important series? | 0:38:05 | 0:38:08 | |
It was a gift from heaven. | 0:38:08 | 0:38:11 | |
I arrived in Yorkshire, not knowing it very well and, suddenly, | 0:38:11 | 0:38:14 | |
this glorious, glorious countryside | 0:38:14 | 0:38:16 | |
and these amazing people who say it like it is. | 0:38:16 | 0:38:19 | |
It's not often, or not always, what you want to hear, | 0:38:19 | 0:38:23 | |
but at least you know it comes from the heart and it's true. | 0:38:23 | 0:38:26 | |
Straight-talking Yorkshiremen, that's what you mean, isn't it? | 0:38:26 | 0:38:29 | |
How did you prepare for the role as a vet because you were working with | 0:38:29 | 0:38:33 | |
real animals, weren't you? | 0:38:33 | 0:38:35 | |
I spent a week with a real vet in Leyburn called Jack Watkinson | 0:38:35 | 0:38:37 | |
who became a dear, dear friend. | 0:38:37 | 0:38:40 | |
I arrived at this house wearing faded denim, | 0:38:40 | 0:38:43 | |
because I thought that's what you wear when you play the lead | 0:38:43 | 0:38:46 | |
in a television series, and a pair of white moccasins | 0:38:46 | 0:38:49 | |
and when Jack arrived at the house to meet me, | 0:38:49 | 0:38:51 | |
I saw his face fall and I went out on all his calls, all of them. | 0:38:51 | 0:38:56 | |
He'd wake me up sometimes in the morning at four and say, | 0:38:56 | 0:38:59 | |
"You did say to wake you up?" | 0:38:59 | 0:39:00 | |
"No, absolutely." | 0:39:00 | 0:39:01 | |
So we used to get out in the morning as dawn was breaking. | 0:39:01 | 0:39:05 | |
Oh, goodness, he really put you through your paces? | 0:39:05 | 0:39:07 | |
It was, without exception, | 0:39:08 | 0:39:10 | |
as much as I adored playing James for all those years and everything, | 0:39:10 | 0:39:14 | |
it was the best week of the whole job. | 0:39:14 | 0:39:16 | |
Wow! | 0:39:16 | 0:39:18 | |
Christopher's early training would come in handy episode after episode. | 0:39:18 | 0:39:22 | |
Didn't you, in the series, deliver a foal? | 0:39:27 | 0:39:30 | |
Yes, it was a story whereby Siegfried and James both went out | 0:39:31 | 0:39:36 | |
to a foaling and the foal that James delivered is born dead. | 0:39:36 | 0:39:40 | |
There's the head, David. There's the head. | 0:39:42 | 0:39:44 | |
Can you get the cowl off? | 0:39:44 | 0:39:46 | |
I was used to delivering calves, I'd never done a foal before, | 0:39:46 | 0:39:48 | |
standing up. And I knew that the legs were there and there. | 0:39:48 | 0:39:51 | |
Lying down, they were in a different place, so I forgot that. | 0:39:51 | 0:39:54 | |
So, I was really getting a bit uptight about it | 0:39:54 | 0:39:58 | |
and out came this beautiful foal. | 0:39:58 | 0:40:00 | |
Yes, yes! | 0:40:00 | 0:40:03 | |
Come on! | 0:40:03 | 0:40:04 | |
It is an extraordinary moment and then, almost immediately, | 0:40:04 | 0:40:08 | |
they brought in a dead foal and I had to pretend to give it | 0:40:08 | 0:40:12 | |
the kiss of life but the actual joy of the birth was... | 0:40:12 | 0:40:16 | |
-Yeah. -Never got over it. -Pretty magical. -Yeah. | 0:40:16 | 0:40:18 | |
-Stays with you... -Absolutely. -That sort of thing, yeah. | 0:40:18 | 0:40:21 | |
That's laminated tissue, | 0:40:24 | 0:40:26 | |
she's got haemorrhages under the soles. | 0:40:26 | 0:40:29 | |
The TV show introduced Herriot's stories to a new audience, | 0:40:29 | 0:40:33 | |
many of whom were so inspired by the programme they signed up to become | 0:40:33 | 0:40:37 | |
vets themselves. | 0:40:37 | 0:40:38 | |
It soon picked up the attention of the press and became known as the | 0:40:40 | 0:40:44 | |
Herriot effect. | 0:40:44 | 0:40:45 | |
People used to stop me and say, "Excuse me, | 0:40:47 | 0:40:49 | |
"I'm sorry to trouble you, but I am now a vet and I'm a vet because of you." | 0:40:49 | 0:40:53 | |
The bottom line is Herriot is responsible | 0:40:54 | 0:40:57 | |
-and we were just the messengers, weren't we, really? -I suppose so. | 0:40:57 | 0:41:00 | |
Which is incredible. | 0:41:00 | 0:41:02 | |
And what did Alf think of his alter ego's performance? | 0:41:02 | 0:41:06 | |
I was in hospital with a badly broken leg and he wrote to me | 0:41:06 | 0:41:10 | |
and he said very nice things and my biggest regret | 0:41:10 | 0:41:13 | |
is that I lost the letter. | 0:41:13 | 0:41:14 | |
-Oh, what a shame. -Well, I framed it and put it near the front door | 0:41:14 | 0:41:18 | |
so everybody who came to the house would see. | 0:41:18 | 0:41:19 | |
Yes! It was part of the grand tour of the house. | 0:41:19 | 0:41:21 | |
He was very, very complimentary and I was very relieved. | 0:41:21 | 0:41:24 | |
The way we treat and understand animals has changed dramatically | 0:41:29 | 0:41:32 | |
since the boom days of the Herriot effect. | 0:41:32 | 0:41:35 | |
It's down to the passion of those who dedicate their lives to helping | 0:41:36 | 0:41:39 | |
them, as I found out on a trip to Nottinghamshire last year. | 0:41:39 | 0:41:43 | |
We use them for recreation, a gentle canter in the country, | 0:41:51 | 0:41:56 | |
some people work the land with them. | 0:41:56 | 0:41:57 | |
But bio-mechanics - pilates for horses - | 0:41:58 | 0:42:03 | |
apparently, it's something every rider should know. | 0:42:03 | 0:42:06 | |
And it starts with some colouring in. | 0:42:13 | 0:42:15 | |
This might look like an unusual art class but there's a serious reason | 0:42:17 | 0:42:20 | |
for painting on this horse. | 0:42:20 | 0:42:22 | |
Horse therapist Gillian Higgins isn't teaching art. | 0:42:23 | 0:42:27 | |
She's teaching anatomy. | 0:42:27 | 0:42:28 | |
-Gillian, how are you doing? -Hi, Ellie. | 0:42:30 | 0:42:31 | |
-Good to meet you. -You too. | 0:42:31 | 0:42:33 | |
What are you painting here? | 0:42:33 | 0:42:35 | |
Well, this is Derby. | 0:42:35 | 0:42:37 | |
Derby, hello. | 0:42:37 | 0:42:38 | |
I'm painting the muscles on the side of Derby's body so | 0:42:38 | 0:42:42 | |
we can really see what's going on inside when he moves later on. | 0:42:42 | 0:42:46 | |
-Can I have a little go at some colouring in? -Yeah, of course. | 0:42:46 | 0:42:48 | |
Absolutely. So what you're painting here is the muscle called the | 0:42:48 | 0:42:51 | |
longissimus dorsi muscle | 0:42:51 | 0:42:53 | |
and this muscle is the one that we actually sit on | 0:42:53 | 0:42:57 | |
when we're riding and it runs either side of the length | 0:42:57 | 0:43:02 | |
of our spine and, quite often, people get back pain, | 0:43:02 | 0:43:05 | |
it would be in the longissimus dorsi muscle. | 0:43:05 | 0:43:09 | |
It takes quite a lot of paint, doesn't it, to get it on? | 0:43:09 | 0:43:11 | |
-It does, yes. -You must get through a lot. -Yes, indeed. | 0:43:11 | 0:43:14 | |
The paint is washable and doesn't harm the horse. | 0:43:17 | 0:43:20 | |
What it does do is give us a picture | 0:43:20 | 0:43:22 | |
of how the animal's bones and muscles flex when we ride them. | 0:43:22 | 0:43:26 | |
And that's important to understand because horses weren't designed to | 0:43:26 | 0:43:29 | |
carry us. The stresses we put them under can give them back problems | 0:43:29 | 0:43:33 | |
and bad posture, just like us. | 0:43:33 | 0:43:35 | |
Why have you got me dressed like this, Gillian? | 0:43:35 | 0:43:37 | |
Well, just like with the horse posture, | 0:43:37 | 0:43:39 | |
rider posture is really important as well. | 0:43:39 | 0:43:42 | |
Posture and position and, when you're wearing that skeleton suit, | 0:43:42 | 0:43:45 | |
we can really see how your bones are on the inside. | 0:43:45 | 0:43:49 | |
-Of course, how you sit will affect how the horse moves. -Aha! | 0:43:49 | 0:43:54 | |
As soon as you sit on the horse, | 0:43:54 | 0:43:56 | |
we're adding weight onto the horse's back and, actually, | 0:43:56 | 0:43:59 | |
to help reduce the burden that we place on the back, | 0:43:59 | 0:44:03 | |
it's important that we maintain a really good balance and posture | 0:44:03 | 0:44:06 | |
position so that they're comfortable and perform well. | 0:44:06 | 0:44:09 | |
Put your left foot... | 0:44:09 | 0:44:11 | |
I'm not an experienced rider but I am keen to see how this works. | 0:44:11 | 0:44:14 | |
Well done. That's good. | 0:44:14 | 0:44:16 | |
OK, so thinking about your general posture. | 0:44:16 | 0:44:19 | |
-You'd sit up nice and tall, wouldn't you? -Yeah. | 0:44:19 | 0:44:21 | |
So that's better already. You're sitting up much taller. | 0:44:21 | 0:44:25 | |
You want to imagine a balloon attached to the back of your head, | 0:44:25 | 0:44:28 | |
pulling you up really tall. | 0:44:28 | 0:44:30 | |
Gillian has spotted many potential problems this way, | 0:44:32 | 0:44:35 | |
and she's put them right by using a very human solution. | 0:44:35 | 0:44:39 | |
She's devised a set of stretching exercises for horses based on Pilates. | 0:44:39 | 0:44:43 | |
But how do you get a horse to do Pilates? | 0:44:43 | 0:44:46 | |
This is a really good exercise for stimulating the abdominal muscles, | 0:44:47 | 0:44:51 | |
that I've painted on here in pink, and the hip flexors. | 0:44:51 | 0:44:55 | |
It's really important to make sure that your horse is happy | 0:44:55 | 0:44:59 | |
for you to be around the back end before you get started. | 0:44:59 | 0:45:02 | |
I'm pretty confident with him. | 0:45:02 | 0:45:03 | |
Just come up to the back end. Just give him a bit of a rub here to say, | 0:45:03 | 0:45:06 | |
"Are you all right with that, Smoky?" | 0:45:06 | 0:45:08 | |
He seems absolutely fine. | 0:45:08 | 0:45:09 | |
What I'll do is just gently change that from a flat hand to a scratch. | 0:45:09 | 0:45:14 | |
To give him a nice feeling, as if they're having a good itch. | 0:45:14 | 0:45:17 | |
-Yeah. -He likes that. And then he should start rounding his back up, | 0:45:17 | 0:45:20 | |
contracting his abdominal muscles, his hip flexors. | 0:45:20 | 0:45:24 | |
And you might see the saddle's gone up as well. | 0:45:24 | 0:45:26 | |
-Good boy! -Fantastic. | 0:45:26 | 0:45:27 | |
-Well done. -A perfect response. | 0:45:27 | 0:45:30 | |
The next exercise involves a little bribery. | 0:45:30 | 0:45:33 | |
I'm going to stand on the other side so you can see what's happening. | 0:45:33 | 0:45:36 | |
And you should notice that, as I move his head, | 0:45:36 | 0:45:41 | |
it will get him to contract his abdominal muscles | 0:45:41 | 0:45:43 | |
and his back will round up. | 0:45:43 | 0:45:44 | |
So I'm going to come and stand by his shoulder here. | 0:45:44 | 0:45:47 | |
I'm going to use the first carrot. Here we go, Smoky. | 0:45:47 | 0:45:49 | |
Stand still. First carrot to get him to lower his head down. | 0:45:49 | 0:45:53 | |
And then the second carrot to take his head back. | 0:45:54 | 0:45:57 | |
And there you should see he's recruiting his abdominal muscles | 0:45:57 | 0:46:01 | |
and really rounding his back up. | 0:46:01 | 0:46:03 | |
Oh, good boy, Smoky. | 0:46:03 | 0:46:05 | |
-Yeah. -He likes that carrot. | 0:46:05 | 0:46:06 | |
Well done. The human equivalent of this exercise would us be doing... | 0:46:06 | 0:46:11 | |
-A crunch. -A bit of a stomach crunch, yeah. | 0:46:11 | 0:46:12 | |
-Good boy. Absolutely. -A little cheeky reward along the way. | 0:46:12 | 0:46:15 | |
Yeah, absolutely. | 0:46:15 | 0:46:16 | |
Gillian's also created routines to help improve performance | 0:46:18 | 0:46:21 | |
and uses them to train amateur owners | 0:46:21 | 0:46:23 | |
as well as professional eventers, | 0:46:23 | 0:46:25 | |
like Fiona Davidson, who's now taken over in the skeleton suit. | 0:46:25 | 0:46:28 | |
What about with jump work? | 0:46:30 | 0:46:32 | |
Well, Fiona's now just about to go through this grid that we've set up. | 0:46:32 | 0:46:36 | |
So the design of it is different fences, different shapes, | 0:46:36 | 0:46:39 | |
and they're all different distances to get Smoky up in the air, | 0:46:39 | 0:46:44 | |
powerfully using his body. | 0:46:44 | 0:46:45 | |
And you'll see, as she comes through here, | 0:46:45 | 0:46:47 | |
just how much movement there is in his skeleton | 0:46:47 | 0:46:50 | |
and just how much power's required to get him over those fences. | 0:46:50 | 0:46:53 | |
-That's a big fence coming out. -That's really impressive, isn't it? | 0:46:53 | 0:46:56 | |
The range of movement, just to get over that fence. | 0:46:56 | 0:46:58 | |
-The whole body... -Yes. -..is really being tested. | 0:46:58 | 0:47:01 | |
Yeah, absolutely. | 0:47:01 | 0:47:02 | |
Absolutely. He's done a very, very good job. | 0:47:02 | 0:47:05 | |
HORSE WHINNIES | 0:47:15 | 0:47:17 | |
Yorkshire. | 0:47:21 | 0:47:22 | |
Patchwork farms and ancient moors. | 0:47:22 | 0:47:25 | |
I'm here learning about Alf Wight, | 0:47:29 | 0:47:31 | |
the man behind the James Herriot books that put Yorkshire | 0:47:31 | 0:47:34 | |
and its farmers on the map. But what of his surgery? | 0:47:34 | 0:47:38 | |
Well, it may have moved house, but it's still going strong in Thirsk. | 0:47:38 | 0:47:42 | |
Peter Wright is one of the partners in the practice today | 0:47:44 | 0:47:47 | |
but was trained as a young man by Alf himself. | 0:47:47 | 0:47:50 | |
Let's go on your rounds. | 0:47:54 | 0:47:55 | |
So you trained with Alf? | 0:48:01 | 0:48:03 | |
-Yes. -What was that like? | 0:48:03 | 0:48:04 | |
Within two hours of being there, | 0:48:04 | 0:48:06 | |
if they said, "Look, bring your sleeping bag | 0:48:06 | 0:48:08 | |
"and sleep in one of the consulting rooms at night," | 0:48:08 | 0:48:10 | |
I probably wouldn't have left. | 0:48:10 | 0:48:11 | |
I just liked the whole thing about the work, the atmosphere, | 0:48:11 | 0:48:15 | |
the challenges, the variety. | 0:48:15 | 0:48:18 | |
Being out in the open air. | 0:48:18 | 0:48:20 | |
So it was just phenomenal, as far as I was concerned. | 0:48:20 | 0:48:22 | |
It was exactly what I wanted, I knew straightaway. | 0:48:22 | 0:48:25 | |
But times have certainly changed for rural vets. | 0:48:28 | 0:48:31 | |
A lot of the family farms are disappearing. | 0:48:32 | 0:48:35 | |
The children don't want to go into farming because... | 0:48:35 | 0:48:39 | |
..there's no money to be made at it. | 0:48:40 | 0:48:42 | |
When Peter started out, | 0:48:44 | 0:48:46 | |
there were more than 50 dairy herds in the area. | 0:48:46 | 0:48:49 | |
Now there are just three. | 0:48:49 | 0:48:50 | |
The modern-day vets now, that are predominantly small animal, | 0:48:51 | 0:48:55 | |
they tend to be standing consulting all day long. | 0:48:55 | 0:48:58 | |
But it would be wrong to say there aren't some of the same perks | 0:49:00 | 0:49:03 | |
there used to be working in this wonderful countryside. | 0:49:03 | 0:49:06 | |
All around me was the beautiful Yorkshire moors. | 0:49:08 | 0:49:12 | |
I used to stop the car and get out | 0:49:12 | 0:49:14 | |
and let the breeze blow under my shirt | 0:49:14 | 0:49:16 | |
and look over this wonderful panorama. | 0:49:16 | 0:49:18 | |
I say to people that come to work for us in Thirsk, | 0:49:20 | 0:49:22 | |
Thirsk's the centre of the world! | 0:49:22 | 0:49:24 | |
THEY CHUCKLE | 0:49:24 | 0:49:26 | |
So has it got easier, then, | 0:49:28 | 0:49:29 | |
as technology and techniques and medicine has improved? | 0:49:29 | 0:49:32 | |
Nowadays, veterinary surgeons, young veterinary surgeons, | 0:49:32 | 0:49:35 | |
rely more on laboratory assessments, on X-rays, | 0:49:35 | 0:49:39 | |
on ultrasound scans and this sort of thing. | 0:49:39 | 0:49:41 | |
But as my old boss used to say, | 0:49:41 | 0:49:44 | |
there is nothing to beat a good clinical examination. | 0:49:44 | 0:49:47 | |
An ethos that seemed to have passed on to Alf, too. | 0:49:48 | 0:49:51 | |
In the immortal words of my partner, Siegfried, | 0:49:52 | 0:49:56 | |
there's more to be learned up a cow's backside | 0:49:56 | 0:49:58 | |
than in many an encyclopaedia. | 0:49:58 | 0:50:00 | |
And this is literally true. | 0:50:00 | 0:50:01 | |
I'm in Yorkshire, exploring the life and legacy | 0:50:26 | 0:50:29 | |
of the world's most famous vet, Alf Wight, | 0:50:29 | 0:50:32 | |
better known to millions of us as James Herriot. | 0:50:32 | 0:50:35 | |
Although times have changed, | 0:50:36 | 0:50:38 | |
Skeldale Surgery still has his farmers on its books. | 0:50:38 | 0:50:42 | |
Here we are. | 0:50:42 | 0:50:43 | |
Today, John Swales needs a hand pregnancy testing | 0:50:43 | 0:50:45 | |
some of his pedigree heifers | 0:50:45 | 0:50:47 | |
and Julian, Peter's partner in the practice, is already on site. | 0:50:47 | 0:50:51 | |
It's all go here, John, isn't it? | 0:50:56 | 0:50:57 | |
-Yeah, it certainly is. -Tell me about this breed that you've got here. | 0:50:57 | 0:51:01 | |
Pedigree Limousins. | 0:51:01 | 0:51:02 | |
-Pedigrees. -At one time, they were classed as very, very wild. | 0:51:02 | 0:51:07 | |
We've bred the nastiness out of them, if you like. | 0:51:07 | 0:51:11 | |
So today, you're hoping that each one of these is in calf? | 0:51:11 | 0:51:14 | |
They haven't told me anything any different yet. | 0:51:14 | 0:51:16 | |
We'll find out. The moment of truth shortly. | 0:51:16 | 0:51:19 | |
You knew Alf Wight, didn't you? | 0:51:19 | 0:51:20 | |
-Yes. -Have you got fond memories? | 0:51:20 | 0:51:22 | |
Very fond, yes. | 0:51:22 | 0:51:24 | |
He was a gentleman. | 0:51:24 | 0:51:25 | |
When I was starting in farming, he always had time to explain things. | 0:51:27 | 0:51:34 | |
He didn't tell you just what the problem was but he told you why, | 0:51:34 | 0:51:39 | |
and then, of course, you learned things. | 0:51:39 | 0:51:41 | |
So he helped you become a more knowledgeable farmer? | 0:51:41 | 0:51:43 | |
Yeah. | 0:51:43 | 0:51:45 | |
Thank you, Josh. That's brilliant. | 0:51:45 | 0:51:46 | |
And it looks like John's grandson, Joshua, is benefiting | 0:51:48 | 0:51:51 | |
from the know-how of a new generation of vet. | 0:51:51 | 0:51:54 | |
COW LOWS | 0:51:54 | 0:51:55 | |
That's a calf there, look. | 0:51:55 | 0:51:57 | |
-Yeah. -That little white thing that looks like a kidney bean. | 0:51:57 | 0:52:00 | |
Yeah. | 0:52:00 | 0:52:01 | |
That's about six weeks. | 0:52:01 | 0:52:03 | |
There may be a lot more technology around than in Alf's day | 0:52:08 | 0:52:12 | |
but the vet's most useful tool will always be a steady arm. | 0:52:12 | 0:52:17 | |
The scanner probe looks through into the cow's uterus | 0:52:17 | 0:52:19 | |
and tells me whether there's a calf in there or not. | 0:52:19 | 0:52:22 | |
She is well and truly in calf. | 0:52:22 | 0:52:25 | |
So that's good news for her. | 0:52:25 | 0:52:26 | |
And you can't use this ultrasound from the outside, | 0:52:26 | 0:52:29 | |
you have to do an internal to get the image? | 0:52:29 | 0:52:31 | |
That's right, a rectal probe. | 0:52:31 | 0:52:33 | |
A cow's abdomen is too big to put the scanner on the outside, | 0:52:33 | 0:52:37 | |
-like you would with a human baby. -Yeah. | 0:52:37 | 0:52:39 | |
They're big animals and you need to be inside to do it. | 0:52:39 | 0:52:42 | |
Nowadays, it's a bit easier | 0:52:42 | 0:52:43 | |
cos we've got the benefit of modern technology | 0:52:43 | 0:52:45 | |
but, as you can see, you know, | 0:52:45 | 0:52:47 | |
we're just as plastered in mess as Alf would have been, | 0:52:47 | 0:52:49 | |
even without the benefit of modern equipment. | 0:52:49 | 0:52:52 | |
Just as it was back then. | 0:52:52 | 0:52:53 | |
-Exactly. -And did the James Herriot effect work on you? | 0:52:53 | 0:52:57 | |
Very much so. I was a young kid | 0:52:57 | 0:52:59 | |
watching the television series in the '70s and '80s | 0:52:59 | 0:53:02 | |
and it was really what set me on the path towards being a vet. | 0:53:02 | 0:53:06 | |
Our practice is probably as close as you can get | 0:53:06 | 0:53:08 | |
to the Herriot way of working | 0:53:08 | 0:53:10 | |
and it's a great privilege to be part of that. | 0:53:10 | 0:53:13 | |
And time for the news that all farmers want to hear. | 0:53:15 | 0:53:18 | |
So John's been waiting on this news. | 0:53:19 | 0:53:21 | |
So far, what success rate have you got? | 0:53:21 | 0:53:24 | |
So far, everything's good. We've been to about six or seven cows | 0:53:24 | 0:53:26 | |
and they're all pregnant. | 0:53:26 | 0:53:28 | |
So the bull's obviously been working and this is good news. | 0:53:28 | 0:53:30 | |
It's a really nice, good-quality suckler herd | 0:53:30 | 0:53:32 | |
that John's got here and it's important for him | 0:53:32 | 0:53:35 | |
that his cows are pregnant. | 0:53:35 | 0:53:36 | |
-So far, it's looking good. -100% success rate, John, how about that? | 0:53:36 | 0:53:40 | |
-I hope so, yeah. -That's good. | 0:53:40 | 0:53:41 | |
-How do you feel about that? -Very good. | 0:53:41 | 0:53:43 | |
-That's what... -That's what you wanted to hear today? | 0:53:43 | 0:53:45 | |
That's what it's all about. | 0:53:45 | 0:53:47 | |
So much has changed since James Herriot first arrived in Yorkshire | 0:53:54 | 0:53:58 | |
in 1940 - farming, being a vet, the way we live and work. | 0:53:58 | 0:54:04 | |
But his wonderful stories full of humour and humanity will live on, | 0:54:04 | 0:54:08 | |
inspiring future generations. HE WHISTLES, DOG PANTS | 0:54:08 | 0:54:11 | |
Come on, then. | 0:54:11 | 0:54:12 | |
Are we going home, then, eh? Are we going home? Come on, then. | 0:54:14 | 0:54:18 | |
Next week, Anita will be exploring an area of the countryside | 0:54:25 | 0:54:29 | |
that's close to her heart and we'll be taking a trip down memory lane | 0:54:29 | 0:54:32 | |
with some famous faces to their favourite places. | 0:54:32 | 0:54:36 | |
To find out where, you'll have to join us then. | 0:54:36 | 0:54:38 | |
See you next week. Bye-bye. | 0:54:38 | 0:54:40 |