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From hedgerow to meadow, field to fork, | 0:00:31 | 0:00:35 | |
we rely on plants. | 0:00:35 | 0:00:37 | |
They give nourishment to our bodies and even our souls. | 0:00:37 | 0:00:42 | |
Today, I'm in the West Country, | 0:00:42 | 0:00:44 | |
looking at just how much of our everyday lives depend on plants - | 0:00:44 | 0:00:49 | |
how they clothe us, help us when we're sick and of course feed us. | 0:00:49 | 0:00:55 | |
-Right, down the hatch, then. -Down the hatch. -Cheers. | 0:00:56 | 0:00:59 | |
We've long harnessed the power of plants to feed and heal | 0:00:59 | 0:01:03 | |
and even steady the nerve. | 0:01:03 | 0:01:05 | |
They drank lots of this for its calmative effects | 0:01:07 | 0:01:09 | |
before they went into battle. | 0:01:09 | 0:01:11 | |
I think a lot of us know the calming effects of gin as well. | 0:01:11 | 0:01:14 | |
As well as plant historians, I'll also be meeting top chefs | 0:01:17 | 0:01:21 | |
and textile designers, all working their magic with plants and flowers. | 0:01:21 | 0:01:26 | |
Da-da-da-da! Ready? | 0:01:26 | 0:01:28 | |
-The yellow has come out really nicely. -Yeah. -It's lovely. | 0:01:28 | 0:01:31 | |
And I'll also be looking back at some of the best times | 0:01:31 | 0:01:35 | |
we've featured plants and flowers in the past. | 0:01:35 | 0:01:38 | |
Like the time Anita met the farmer making a mint from herb oil. | 0:01:38 | 0:01:43 | |
-I am going to smell of peppermint for a long time. -Lovely smell. | 0:01:44 | 0:01:49 | |
-It's the nicest-smelling farm I've ever been on. -I'm glad to hear it. | 0:01:49 | 0:01:52 | |
And when Matt turned his hand to a tea-time favourite. | 0:01:56 | 0:02:00 | |
And there you have it. My very first jar of mayonnaise. | 0:02:00 | 0:02:05 | |
We look again at James, finding out how | 0:02:08 | 0:02:10 | |
daffodils are helping in the fight against Alzheimer's. | 0:02:10 | 0:02:13 | |
So, a single pill a day has this huge impact on your life? | 0:02:15 | 0:02:18 | |
Oh, it's unbelievable! Unbelievable. | 0:02:18 | 0:02:21 | |
And we recall the time John met | 0:02:21 | 0:02:24 | |
the man known simply as Dr Smell. | 0:02:24 | 0:02:27 | |
Oh, goodness me, smell that! | 0:02:27 | 0:02:29 | |
I mean, it leaps out at you. | 0:02:29 | 0:02:31 | |
Charles Darwin said the origin of flowering plants | 0:02:44 | 0:02:48 | |
remained an abominable mystery. | 0:02:48 | 0:02:50 | |
But since the earliest times, we've attempted to unlock | 0:02:51 | 0:02:55 | |
their hidden secrets and release the healing power within. | 0:02:55 | 0:02:59 | |
A lot of our common drugs hail from the natural world. | 0:02:59 | 0:03:02 | |
Aspirin from willow, morphine is derived from opium poppies, | 0:03:02 | 0:03:07 | |
and aloe is used to treat sunburn. | 0:03:07 | 0:03:10 | |
Nature was the original medicine cabinet. | 0:03:10 | 0:03:13 | |
The Western Medicine Garden in Bristol | 0:03:13 | 0:03:16 | |
is just such a healing cabinet, | 0:03:16 | 0:03:18 | |
packed full of familiar plants that have all kinds of medicinal uses. | 0:03:18 | 0:03:23 | |
And according to curator Nicholas Wray, it's some of our | 0:03:27 | 0:03:30 | |
most ordinary that have the most extraordinary healing properties. | 0:03:30 | 0:03:34 | |
There's one over here which is the sage plant. | 0:03:36 | 0:03:39 | |
Which we recognise for food, that's how we use it these days. | 0:03:39 | 0:03:42 | |
Yes, it's a culinary herb, but also it's an important medicinal herb. | 0:03:42 | 0:03:45 | |
It has antiseptic properties. | 0:03:45 | 0:03:48 | |
Greek soldiers used to take this into battle | 0:03:48 | 0:03:51 | |
because you can dry the leaves and then transport them long distances. | 0:03:51 | 0:03:55 | |
But it's important if you get a cut or a wound | 0:03:55 | 0:03:57 | |
because it helps sterilise the cut and wound. | 0:03:57 | 0:03:59 | |
So they made a poultice or something like that. | 0:03:59 | 0:04:01 | |
Yes, exactly, that's right. And of course it's a culinary herb as well. | 0:04:01 | 0:04:05 | |
A lovely smell. Are there other foodie ones here? | 0:04:05 | 0:04:08 | |
-Yes, over here we have... -I recognise this sign. | 0:04:08 | 0:04:11 | |
-Juniper for gin. -That's right, this is a really important herb for gin. | 0:04:11 | 0:04:15 | |
In fact, actually, you can't have gin | 0:04:15 | 0:04:18 | |
unless it's been flavoured with juniper berries. | 0:04:18 | 0:04:21 | |
What's the history with juniper and medicine? | 0:04:21 | 0:04:25 | |
Well, juniper, er... Gin, effectively, | 0:04:25 | 0:04:28 | |
was first made by the Dutch. | 0:04:28 | 0:04:30 | |
They call it genever. | 0:04:30 | 0:04:33 | |
And that begins with the letter G. | 0:04:33 | 0:04:35 | |
And English couldn't actually pronounce that, | 0:04:35 | 0:04:37 | |
so of course in English that G is a hard sort of G. | 0:04:37 | 0:04:41 | |
And so the drink became gin. | 0:04:41 | 0:04:43 | |
And English soldiers drank genever, | 0:04:43 | 0:04:46 | |
or gin, as they called it, before they went into battle. | 0:04:46 | 0:04:50 | |
They were helping the Dutch fight the Spanish in the 80-year war | 0:04:50 | 0:04:53 | |
and they drank lots of this for its calmative effects | 0:04:53 | 0:04:56 | |
before they went into battle. | 0:04:56 | 0:04:58 | |
And that's where you get the phrase "Dutch courage". | 0:04:58 | 0:05:01 | |
Oh, that's a good history! | 0:05:01 | 0:05:03 | |
I think a lot of us know the calming effects of gin as well. | 0:05:03 | 0:05:06 | |
-Without juniper berries, there's no gin. -That would be a sad day. | 0:05:06 | 0:05:11 | |
Modern science is now showing that there may be more | 0:05:13 | 0:05:15 | |
to these old remedies than we think. | 0:05:15 | 0:05:17 | |
So, this is an important herb, this is a rosemary. | 0:05:19 | 0:05:22 | |
For centuries, this has been known as a memory herb. | 0:05:22 | 0:05:25 | |
And recent studies have shown that it increases circulation, | 0:05:25 | 0:05:28 | |
increases blood supply to the brain. | 0:05:28 | 0:05:30 | |
So, all the while we're eating these herbs with our food, we've no idea | 0:05:30 | 0:05:34 | |
they've got all these additional health-related benefits going on? | 0:05:34 | 0:05:37 | |
Yes, science is understanding and unravelling now | 0:05:37 | 0:05:40 | |
what has been understood for many centuries. | 0:05:40 | 0:05:43 | |
We're now actually putting some hard science into this | 0:05:43 | 0:05:46 | |
and finding out the molecules that are in here | 0:05:46 | 0:05:48 | |
and the effect they have on the body. | 0:05:48 | 0:05:51 | |
One of the most important medical compounds ever discovered | 0:05:52 | 0:05:56 | |
comes from one of our most familiar trees. | 0:05:56 | 0:05:58 | |
This is English yew, which is a really common conifer, | 0:06:01 | 0:06:04 | |
all the way across Europe. | 0:06:04 | 0:06:06 | |
But there's a really important drug that comes from this called Taxol, | 0:06:06 | 0:06:09 | |
which is used in the fight against ovarian cancer and certain tumours. | 0:06:09 | 0:06:14 | |
And it's actually distilled from the foliage. | 0:06:14 | 0:06:17 | |
-Wow! -So there are gardeners all over the UK that are actually | 0:06:17 | 0:06:21 | |
collecting the clippings from their yew hedges each year | 0:06:21 | 0:06:24 | |
and then that's collected up to a central point | 0:06:24 | 0:06:26 | |
-and it all goes off to France to be distilled. -Wow! | 0:06:26 | 0:06:28 | |
And they take a tiny amount of that out and use it in the drug. | 0:06:28 | 0:06:31 | |
Yes, it takes huge amounts of yew clippings | 0:06:31 | 0:06:33 | |
to get just a few millilitres of the drug. | 0:06:33 | 0:06:35 | |
But it's very, very powerful and really useful. | 0:06:35 | 0:06:38 | |
That's certainly been around for the last 20 or 25 years. | 0:06:38 | 0:06:41 | |
-So it's quite recent, then? -Yes, it is. | 0:06:41 | 0:06:43 | |
The compound for this drug is now so important | 0:06:47 | 0:06:50 | |
as a treatment for cancers, | 0:06:50 | 0:06:51 | |
including lung, pancreatic and breast cancer, | 0:06:51 | 0:06:54 | |
that the World Health Organisation | 0:06:54 | 0:06:56 | |
has added it to its list of essential medicines. | 0:06:56 | 0:07:00 | |
The power of plants can be harnessed to aid serious medical conditions, | 0:07:01 | 0:07:05 | |
including some of our most life-threatening illnesses... | 0:07:05 | 0:07:09 | |
..as James Wong discovered when he visited a farm in Wales a while ago. | 0:07:12 | 0:07:16 | |
He went to find out how the humble daffodil is offering | 0:07:16 | 0:07:20 | |
a lifeline to people living with Alzheimer's. | 0:07:20 | 0:07:23 | |
What do you think of when you think of Wales? It might be dragons. | 0:07:24 | 0:07:28 | |
It could be male voice choirs. Nice! | 0:07:28 | 0:07:31 | |
It might be rugby, which I was always a little bit rubbish at. | 0:07:31 | 0:07:35 | |
And of course there's always...the sheep. | 0:07:35 | 0:07:40 | |
But to me, as a confirmed plant geek, | 0:07:40 | 0:07:42 | |
the one thing I think of is the humble daffodil. | 0:07:42 | 0:07:45 | |
But there is more to this Welsh icon than meets the eye. | 0:07:49 | 0:07:52 | |
Or, in this case, the mind. | 0:07:52 | 0:07:54 | |
The daffodil produces many chemicals, | 0:07:55 | 0:07:57 | |
one of which is galanthamine. | 0:07:57 | 0:07:59 | |
The drug, originally found in wild snowdrops, combats Alzheimer's, | 0:07:59 | 0:08:04 | |
the most common cause of dementia. | 0:08:04 | 0:08:06 | |
But it's expensive and difficult to make. | 0:08:08 | 0:08:11 | |
The Stephens family farmed predominately sheep until 2004, | 0:08:13 | 0:08:17 | |
when they decided to trial growing daffs | 0:08:17 | 0:08:19 | |
as an alternative source of the drug. | 0:08:19 | 0:08:21 | |
My son decided he wanted to be a farmer when he grew up | 0:08:21 | 0:08:25 | |
and hill farming is not a really commercial, | 0:08:25 | 0:08:29 | |
viable alternative, going forward. | 0:08:29 | 0:08:32 | |
So I was looking for diversification opportunities for a Welsh hill farm. | 0:08:32 | 0:08:36 | |
We're off the beaten track, there's no passing trade, | 0:08:36 | 0:08:40 | |
a farm shop wouldn't work. | 0:08:40 | 0:08:42 | |
We needed a crop that had an industrial application. | 0:08:42 | 0:08:45 | |
And presumably the conditions up here mean | 0:08:45 | 0:08:48 | |
the things you can grow are quite limited. | 0:08:48 | 0:08:50 | |
It's full of stones, high altitude, so it's cold. | 0:08:50 | 0:08:53 | |
-Not the easiest place to plough and cultivate. -You're absolutely right. | 0:08:53 | 0:08:57 | |
Some of the daffodil-growing experts I've spoken to | 0:08:57 | 0:09:00 | |
consider me to be completely mad. | 0:09:00 | 0:09:02 | |
But I'm not growing daffodils, I'm growing galanthamine. | 0:09:02 | 0:09:04 | |
What's the market like for the product? | 0:09:04 | 0:09:07 | |
Currently, the market is worth about 8 billion. | 0:09:07 | 0:09:11 | |
The problem with Alzheimer's disease is it's increasing | 0:09:11 | 0:09:15 | |
at a terrific rate, and that's set to double in the next 20 years, | 0:09:15 | 0:09:18 | |
then double again in the following 20 years. | 0:09:18 | 0:09:20 | |
Anything that can tackle those numbers has to be a good thing. | 0:09:20 | 0:09:25 | |
Galanthamine is only found in a few varieties of daffodil, | 0:09:28 | 0:09:32 | |
and only in significant quantities when it's grown at altitude. | 0:09:32 | 0:09:35 | |
This stresses the plant and causes it to produce the chemical. | 0:09:35 | 0:09:39 | |
The smell of some of these varieties is really intoxicating. | 0:09:41 | 0:09:46 | |
The thing is, though, I wouldn't be tempted | 0:09:46 | 0:09:48 | |
to start knocking up a home remedy out of these | 0:09:48 | 0:09:52 | |
because they are extremely toxic. | 0:09:52 | 0:09:55 | |
Armed with my daffodils, I'm off to a trial site | 0:09:56 | 0:09:59 | |
high in the Brecon Beacons to meet Professor Trevor Walker. | 0:09:59 | 0:10:03 | |
His research has gone a long way in treating | 0:10:03 | 0:10:05 | |
some of the 465,000 people affected by Alzheimer's in the UK. | 0:10:05 | 0:10:11 | |
It looks like we've got a picnic set up here, Trevor. | 0:10:15 | 0:10:18 | |
What are we going to do? | 0:10:18 | 0:10:20 | |
We're going to see if there's any galanthamine in these varieties | 0:10:20 | 0:10:23 | |
-that you've picked for us. -OK. -We'll cut these bulbs off. | 0:10:23 | 0:10:26 | |
We'll squeeze some juice out of them | 0:10:28 | 0:10:30 | |
and take that juice back for filtration. | 0:10:30 | 0:10:35 | |
So you're already looking for the presence of galanthamine | 0:10:35 | 0:10:39 | |
in different plants. What sort of sparked off that hunt? | 0:10:39 | 0:10:42 | |
We had a eureka moment when the wife of one of my colleagues | 0:10:42 | 0:10:46 | |
was diagnosed with Alzheimer's disease at the age of 58 | 0:10:46 | 0:10:50 | |
and we decided we'd do something about it. | 0:10:50 | 0:10:53 | |
We'd make galanthamine available as an anti-Alzheimer's drug | 0:10:53 | 0:10:57 | |
to do something about the extortionate costs | 0:10:57 | 0:11:00 | |
and the tremendous cost of care. | 0:11:00 | 0:11:03 | |
If you could delay someone going into a home for a few years, | 0:11:03 | 0:11:07 | |
then you've made a great saving. | 0:11:07 | 0:11:09 | |
-You've got a lovely collection there. -Look at that! | 0:11:09 | 0:11:11 | |
That's absolutely perfect. | 0:11:11 | 0:11:12 | |
We'll take that back to the girls at the labs. | 0:11:12 | 0:11:14 | |
-And that's enough? -That's enough. -You'd never think | 0:11:14 | 0:11:17 | |
that bit of plant juice would contain such an important drug | 0:11:17 | 0:11:19 | |
that can really transform people's lives. | 0:11:19 | 0:11:22 | |
Now, for the first time, | 0:11:23 | 0:11:25 | |
the daffodil fields are able to commercially supply galanthamine. | 0:11:25 | 0:11:29 | |
Currently, people like Keith get the drug elsewhere. | 0:11:29 | 0:11:33 | |
He was diagnosed two years ago. | 0:11:33 | 0:11:35 | |
Totally gutted in the beginning. | 0:11:35 | 0:11:38 | |
You think it's the end of the world. | 0:11:38 | 0:11:42 | |
But time passed and you realise that life will carry on. | 0:11:43 | 0:11:49 | |
I'm living a full life... | 0:11:49 | 0:11:52 | |
..thanks to the... the medication that I'm taking. | 0:11:53 | 0:11:57 | |
How do you think you'd feel if you didn't take the medication? | 0:11:59 | 0:12:02 | |
My quality of life would drop a lot. | 0:12:02 | 0:12:06 | |
I would forget things in a big way. | 0:12:06 | 0:12:09 | |
Mm-hm. | 0:12:09 | 0:12:10 | |
Now... | 0:12:10 | 0:12:12 | |
..it's just one or two things that I get wrong. | 0:12:14 | 0:12:17 | |
So, how do you take the galanthamine? | 0:12:17 | 0:12:19 | |
Is it a pill or is it an injection? | 0:12:19 | 0:12:21 | |
-No, it's a pill, only a little thing, that big. -OK. | 0:12:21 | 0:12:24 | |
Right, so a single pill a day has this huge impact on your life? | 0:12:24 | 0:12:28 | |
Oh, it's unbelievable! Unbelievable. | 0:12:28 | 0:12:30 | |
The work that these guys are doing here, growing all these daffodils, | 0:12:30 | 0:12:34 | |
you think they'd just look pretty, | 0:12:34 | 0:12:36 | |
but it's so important to so many people. | 0:12:36 | 0:12:38 | |
It is, especially me! | 0:12:38 | 0:12:40 | |
Who'd have thought that the humble daffodil could be such a giant | 0:12:48 | 0:12:52 | |
at treating such a debilitating disease? | 0:12:52 | 0:12:54 | |
And I'm happy to say that since we first showed this film, | 0:13:00 | 0:13:04 | |
Keith is still living a full life | 0:13:04 | 0:13:06 | |
and, as he put it, he's still on the daffs. | 0:13:06 | 0:13:10 | |
From fields of daffodils in Wales to the wild woods of Derbyshire now, | 0:13:10 | 0:13:15 | |
where a couple of years ago Anita met a craftsmen who didn't | 0:13:15 | 0:13:18 | |
chop down trees to make chairs, he just grew his furniture from seed. | 0:13:18 | 0:13:23 | |
Every tree tells a story. | 0:13:28 | 0:13:30 | |
Every fork, every twist, every knot is a life history written in wood. | 0:13:30 | 0:13:35 | |
A tale of seasons, scars and sunlight. | 0:13:35 | 0:13:38 | |
But it's a slow tale. | 0:13:38 | 0:13:41 | |
You might not notice it grow, but over time, months and years, | 0:13:41 | 0:13:45 | |
a tree is shaped by its surroundings. | 0:13:45 | 0:13:49 | |
Like this derelict mill, slowly reclaimed by woodland - | 0:13:50 | 0:13:54 | |
roots and branches twisting over stones, | 0:13:54 | 0:13:57 | |
long abandoned by man. | 0:13:57 | 0:13:59 | |
But what if you could tame this process? | 0:13:59 | 0:14:02 | |
Bend it to your will, train the tree into a very specific shape? | 0:14:02 | 0:14:07 | |
Well, one man here in Derbyshire is doing just that. | 0:14:07 | 0:14:11 | |
Gavin Munro is an artist and furniture designer. | 0:14:11 | 0:14:15 | |
After years in California making pieces from driftwood, he returned | 0:14:15 | 0:14:18 | |
to his home county of Derbyshire to become a farmer of furniture. | 0:14:18 | 0:14:23 | |
-Hi, Gavin. -Hi there. -Lovely to meet you. | 0:14:23 | 0:14:26 | |
-Right, so you're growing furniture. -That's right. | 0:14:26 | 0:14:30 | |
You'll have to explain this to me. What is going on? | 0:14:30 | 0:14:33 | |
What do you mean by that? | 0:14:33 | 0:14:34 | |
Well, what it means is we're neatly organising woodland | 0:14:34 | 0:14:39 | |
and shaping trees as they grow into the shapes of chairs and tables. | 0:14:39 | 0:14:44 | |
-Like these? -All sorts, yeah. | 0:14:44 | 0:14:46 | |
So this is our prototype, this is the thing that kind of | 0:14:46 | 0:14:49 | |
got the ball rolling and proved to us that it will work. | 0:14:49 | 0:14:53 | |
This was grown as four trees brought together, | 0:14:54 | 0:14:57 | |
which is why it was quite hard to make the seat. | 0:14:57 | 0:14:59 | |
-This branch here was from one tree. -Yeah. | 0:14:59 | 0:15:01 | |
This is from another and these here are brought together here | 0:15:01 | 0:15:04 | |
and you can see where they've grafted together into one piece. | 0:15:04 | 0:15:07 | |
This was the thing that gave us the confidence | 0:15:07 | 0:15:10 | |
to then plant the rest of this. | 0:15:10 | 0:15:12 | |
Gavin remembers when his inspiration struck. | 0:15:12 | 0:15:15 | |
It was one of those eureka moments where I realised that | 0:15:15 | 0:15:18 | |
instead of chopping trees down and making them into smaller bits | 0:15:18 | 0:15:22 | |
just to stick back together again, | 0:15:22 | 0:15:24 | |
we could grow these into the shapes we want. | 0:15:24 | 0:15:27 | |
-It made so much sense. -How long does it take? | 0:15:27 | 0:15:29 | |
It takes between four and eight years for a chair. | 0:15:29 | 0:15:31 | |
-That's a long time for a chair. -It is a long time for a chair, | 0:15:31 | 0:15:34 | |
but we're making stuff from wood. | 0:15:34 | 0:15:36 | |
Wood is basically solid air and sunshine. | 0:15:36 | 0:15:39 | |
This is a kind of... It's kind of like 3-D printing. | 0:15:39 | 0:15:42 | |
Today, Gavin is experimenting with everything | 0:15:42 | 0:15:46 | |
from fast-growing willow to oak, sycamore and hazel. | 0:15:46 | 0:15:50 | |
The chairs start life upside down. | 0:15:50 | 0:15:54 | |
-Well, it looks impressive. -Cheers. | 0:15:55 | 0:15:58 | |
And I think I can see how this is starting to take shape. | 0:15:58 | 0:16:03 | |
-This is the chair back. These will form the seat. -Oh, fantastic! -Yeah. | 0:16:03 | 0:16:09 | |
And these will come along here, | 0:16:09 | 0:16:11 | |
and then the four legs will come out the back. | 0:16:11 | 0:16:13 | |
It's brilliant. And how do you get a tree to do what you want it to do? | 0:16:13 | 0:16:18 | |
You can't force a tree to do something it doesn't want to do, | 0:16:18 | 0:16:21 | |
because the branch will die and it will start again somewhere else. | 0:16:21 | 0:16:25 | |
So, actually, we've got to make a pretty nice life for the tree. | 0:16:25 | 0:16:28 | |
For every hundred pieces that we have, | 0:16:28 | 0:16:30 | |
we want to keep control over a thousand branches that we want, | 0:16:30 | 0:16:35 | |
and there's 10,000 branches that we don't want, | 0:16:35 | 0:16:38 | |
and we've just got to make sure that we're doing the rounds, | 0:16:38 | 0:16:42 | |
making sure that we spot the right moment to bend the right branch. | 0:16:42 | 0:16:46 | |
Growing chairs is hard graft. | 0:16:46 | 0:16:48 | |
Gavin's team is here in all weathers, | 0:16:48 | 0:16:50 | |
making sure the trees are flourishing. | 0:16:50 | 0:16:53 | |
It won't be long before the first batch of chairs | 0:16:53 | 0:16:56 | |
is ready to harvest. | 0:16:56 | 0:16:58 | |
-I can see it! -Yeah. -It's all becoming so clear. -Uh-huh. | 0:16:59 | 0:17:03 | |
-Is it absolutely finished, this? -Well, the shape is finished. | 0:17:03 | 0:17:06 | |
Now we're just waiting for this one to thicken up. | 0:17:06 | 0:17:09 | |
Then we'll plane off some of the outer edges, | 0:17:09 | 0:17:12 | |
-so it'll look a little bit like this that you can see here. -Ah! | 0:17:12 | 0:17:15 | |
-Gorgeous! -This is a projection | 0:17:15 | 0:17:17 | |
of one of the ones further down the row. | 0:17:17 | 0:17:19 | |
The time it takes to grow a chair means each will sell | 0:17:19 | 0:17:22 | |
for around £2,500. | 0:17:22 | 0:17:24 | |
What's the benefit of having one of these over a shop-bought wood chair? | 0:17:24 | 0:17:29 | |
Well, there's the environmental benefit to start with, of course, | 0:17:29 | 0:17:32 | |
but one of the main aspects is the kind of aesthetic quality. | 0:17:32 | 0:17:35 | |
Each one of these is a kind of art piece. | 0:17:35 | 0:17:38 | |
And because there's no joints, like regularly made stuff, | 0:17:38 | 0:17:43 | |
everything's grafted into one solid piece, | 0:17:43 | 0:17:45 | |
these could last for hundreds of years. | 0:17:45 | 0:17:48 | |
Making them an heirloom for any BRANCH of the family. | 0:17:49 | 0:17:53 | |
I've travelled to the foot of the Mendip Hills in Somerset | 0:17:58 | 0:18:02 | |
to visit a traditional kitchen garden that's packed, wall to wall, | 0:18:02 | 0:18:07 | |
with all manner of colourful plants and flowers. | 0:18:07 | 0:18:10 | |
But, as beautiful as this garden is, it's not just about the visual | 0:18:13 | 0:18:17 | |
but also the edible. | 0:18:17 | 0:18:19 | |
At one restaurant, they're not only growing their own seasonal produce, | 0:18:19 | 0:18:23 | |
they're fermenting it, | 0:18:23 | 0:18:25 | |
preserving this summer larder for the lean winter months. | 0:18:25 | 0:18:29 | |
The Ethicurean restaurant is true to its sense of place. | 0:18:31 | 0:18:35 | |
Its owners, Matthew and Iain Pennington, grow all their own veg. | 0:18:35 | 0:18:40 | |
It's all local and seasonal. | 0:18:40 | 0:18:43 | |
And they've come up with a novel way of feeding diners | 0:18:43 | 0:18:46 | |
during the hungry gap, those few months in the spring | 0:18:46 | 0:18:48 | |
when nothing comes out of the ground. | 0:18:48 | 0:18:51 | |
How many different types of fruit and veggies do you grow? | 0:18:53 | 0:18:56 | |
It's quite difficult to quantify, but pretty much everything | 0:18:56 | 0:18:59 | |
that you can imagine to be grown in a walled garden, we grow it. | 0:18:59 | 0:19:02 | |
Loads of different varieties, maybe 20 to 30 different | 0:19:02 | 0:19:06 | |
-varieties of things we've got growing at any point. -Wow. | 0:19:06 | 0:19:09 | |
And what are we having? These today? | 0:19:09 | 0:19:11 | |
Yeah, we're going to harvest some beetroot today. | 0:19:11 | 0:19:13 | |
I love beetroot, I absolutely love beetroot. | 0:19:13 | 0:19:15 | |
And you pickle everything? | 0:19:15 | 0:19:17 | |
We ferment a lot, we pickle a lot. | 0:19:17 | 0:19:19 | |
Come summertime, we've got a lot of fresh produce to use | 0:19:19 | 0:19:21 | |
so we will ferment everything there | 0:19:21 | 0:19:23 | |
-to kind of see us through the harder times. -Nice. | 0:19:23 | 0:19:27 | |
Fermenting is the latest red-hot foodie trend. | 0:19:27 | 0:19:30 | |
It's like pickling but you leave the vegetables for longer. | 0:19:30 | 0:19:34 | |
-Shall we take them indoors, then? -Absolutely, yeah. | 0:19:34 | 0:19:37 | |
And eating fermented veg is said to have added health benefits. | 0:19:37 | 0:19:41 | |
Right, let's ferment beetroot. What have I got to do? | 0:19:41 | 0:19:44 | |
It's only going to involve some salt, some water, | 0:19:44 | 0:19:47 | |
and we're going to use a little bit of yoghurt whey this time. | 0:19:47 | 0:19:50 | |
-Yoghurt whey? So, we chop it up, I presume? -Yes, tear off the leaves. | 0:19:50 | 0:19:55 | |
-Tear off the tops. -Keep it rustic on the top, do we? -Yeah, why not? | 0:19:55 | 0:19:58 | |
These are chunky pieces | 0:19:58 | 0:19:59 | |
because we're going to make a slow ferment. | 0:19:59 | 0:20:01 | |
-What are we making out of this? -We're making a beetroot kvass. | 0:20:01 | 0:20:05 | |
Kvass? What does that mean? | 0:20:05 | 0:20:07 | |
It's normally a fermented bread drink but, in this case, | 0:20:07 | 0:20:11 | |
we're going to use vegetables, because they contain lactobacillus, | 0:20:11 | 0:20:14 | |
and it'll do the same thing as a bread yeast would. | 0:20:14 | 0:20:16 | |
So, it's a bit like those yoghurt-y drinks you buy that are healthy... | 0:20:16 | 0:20:19 | |
Yes, it's packed with lactobacillus, which is | 0:20:19 | 0:20:22 | |
what we will naturally find in our gut anyway. | 0:20:22 | 0:20:24 | |
And it's one that is really beneficial to us. | 0:20:24 | 0:20:27 | |
I guess most people think of sauerkraut when they think of | 0:20:27 | 0:20:30 | |
this fermenting thing. We're not that used to it | 0:20:30 | 0:20:32 | |
-in this country, are we? -There are so many types of things | 0:20:32 | 0:20:34 | |
that can be made. You could have kefirs, which are fermented milks, | 0:20:34 | 0:20:37 | |
all the vegetable ferments. | 0:20:37 | 0:20:39 | |
We need to catch on, don't we, in this country a little bit. | 0:20:39 | 0:20:41 | |
We're getting there, absolutely. It's getting more and more popular. | 0:20:41 | 0:20:44 | |
Jar full of beetroot - what goes in next? | 0:20:44 | 0:20:46 | |
So, this is a live organic yoghurt. | 0:20:46 | 0:20:48 | |
We're also going to introduce a little bit of lovage. | 0:20:48 | 0:20:50 | |
So, this is a herb from the garden which is a really distinct | 0:20:50 | 0:20:54 | |
-celery, curried... -It's like celery. -It's like celery on steroids. | 0:20:54 | 0:20:58 | |
Mineral water. | 0:20:59 | 0:21:02 | |
We need to add salt. | 0:21:02 | 0:21:03 | |
It's going to allow the lactobacillus to thrive. | 0:21:03 | 0:21:07 | |
And that's that, and you leave it for how long? | 0:21:07 | 0:21:09 | |
-We're going to leave that one for a month. -A month? So a fair old while. | 0:21:09 | 0:21:12 | |
-At room temperature, yeah. -Can I sample what it will taste like? | 0:21:12 | 0:21:16 | |
-Yeah. We've got some glasses there, have we? -Look at the colour of that! | 0:21:16 | 0:21:20 | |
-It's incredible, this. -Straight out of nature. | 0:21:20 | 0:21:23 | |
-This is from October last year. -A vintage year! | 0:21:23 | 0:21:26 | |
When the beetroot was at its finest. | 0:21:26 | 0:21:28 | |
And this is how you'd have it, you'd have it as a drink like this? | 0:21:28 | 0:21:31 | |
-Yeah, absolutely. -Look at that colour! Wild. | 0:21:31 | 0:21:34 | |
Everyone take your glass. | 0:21:34 | 0:21:36 | |
I love the way we're swilling it like a great single malt. | 0:21:36 | 0:21:38 | |
-Right, down the hatch, then. Cheers to you guys. -Cheers. | 0:21:38 | 0:21:42 | |
Ooh! It's got a really clean flavour, still a hint of beetroot | 0:21:44 | 0:21:48 | |
but that tanginess in the background. | 0:21:48 | 0:21:50 | |
-It's got a nice acidity to it, yeah, absolutely. -Yoghurt-y fresh. | 0:21:50 | 0:21:53 | |
I had no idea fermented beetroot could be such a tonic. | 0:21:57 | 0:22:01 | |
You live and learn. | 0:22:01 | 0:22:03 | |
Plants don't just feed us. | 0:22:05 | 0:22:07 | |
They appeal to all our senses, | 0:22:07 | 0:22:10 | |
their bright colours a real feast for the eyes. | 0:22:10 | 0:22:13 | |
In the shadow of the Highlands, John went to stimulate a different sense. | 0:22:18 | 0:22:22 | |
Rather than feed his appetite, he followed his nose. | 0:22:22 | 0:22:27 | |
This led to an encounter with renowned biochemist George Dodd, | 0:22:29 | 0:22:33 | |
known in chemistry circles as Dr Smell. | 0:22:33 | 0:22:36 | |
How are you, George? | 0:22:40 | 0:22:42 | |
Fancy meeting on a beach like this! | 0:22:42 | 0:22:43 | |
Welcome to the Highlands. | 0:22:43 | 0:22:45 | |
Thank you very much. And what's it like to be known as Dr Smell? | 0:22:45 | 0:22:49 | |
-In the nicest possible way. -You just get used to it. | 0:22:49 | 0:22:53 | |
In truth, I was born downwind of Guinness's brewery in Dublin, | 0:22:53 | 0:22:57 | |
and I always say it's the wonderful tangy aroma | 0:22:57 | 0:22:59 | |
that stimulated my sense of smell. | 0:22:59 | 0:23:01 | |
And what a perfect place here to smell the ocean. | 0:23:01 | 0:23:04 | |
In the spring, the ocean warms up very quickly here, | 0:23:04 | 0:23:07 | |
and the algae, the green seaweed, begins to bloom. | 0:23:07 | 0:23:11 | |
And that emits a very telltale aroma of spring, particularly for birds. | 0:23:11 | 0:23:15 | |
Literally, you have the cleanest air in the world. | 0:23:15 | 0:23:18 | |
It's coming across 3,000 miles of Atlantic Ocean from America, | 0:23:18 | 0:23:21 | |
and it's filtered and cleaned. You can't beat it, John. | 0:23:21 | 0:23:25 | |
We were designed to smell the world. | 0:23:25 | 0:23:27 | |
George is also a master perfumer and his triad of smells has | 0:23:30 | 0:23:34 | |
inspired him to create a scent that captures spring in the Highlands. | 0:23:34 | 0:23:38 | |
First up, it's the green smells. | 0:23:38 | 0:23:41 | |
Pluck a little bit and have a sniff. | 0:23:41 | 0:23:43 | |
Put it up to your nose. | 0:23:43 | 0:23:45 | |
That's one of the most important biological molecules for humans. | 0:23:45 | 0:23:49 | |
That's the smell of spring, as the Earth warms up. | 0:23:49 | 0:23:52 | |
That tells us the vitality of life is coming back. | 0:23:52 | 0:23:54 | |
Along with the green... You get the green note on top of the Earth? | 0:23:54 | 0:23:58 | |
-That's a much softer smell, isn't it? -Much softer. | 0:23:58 | 0:24:01 | |
A magical molecule called geosmin, "geo" from Earth, | 0:24:01 | 0:24:05 | |
the Greek for Earth, and "osmic", the Greek word for smell. | 0:24:05 | 0:24:08 | |
Natural green smells are happy. | 0:24:08 | 0:24:10 | |
We're biologically engineered to respond. It's a feel-good feeling. | 0:24:10 | 0:24:15 | |
I must say, I feel quite happy now. Where shall we go next? | 0:24:15 | 0:24:19 | |
Next, it's the smell of Highland wood, although | 0:24:20 | 0:24:23 | |
I discover that this time my nose isn't as finely tuned as George's. | 0:24:23 | 0:24:28 | |
So, what am I supposed to be smelling? | 0:24:29 | 0:24:32 | |
It's a very faint but very deep woody smell. | 0:24:32 | 0:24:35 | |
THEY SNIFF | 0:24:35 | 0:24:37 | |
Nothing at all there, George, I'm afraid, for me. | 0:24:37 | 0:24:40 | |
-We'll have to give you some smell training lessons! -Yes. | 0:24:40 | 0:24:43 | |
Overlooking Loch Ewe lies the last component | 0:24:46 | 0:24:49 | |
in George's trio of spring smells. | 0:24:49 | 0:24:51 | |
This is unique. This is Highland myrtle. | 0:24:54 | 0:24:56 | |
-These are miniature myrtle. -These are only found, these plants, here? | 0:24:56 | 0:25:00 | |
Only found in the Highlands. They grow wild. Oh, goodness me! | 0:25:00 | 0:25:04 | |
Smell that. Smell that! It leaps out at you. | 0:25:04 | 0:25:07 | |
-It's a lovely, green, resin... -It does, doesn't it? | 0:25:07 | 0:25:09 | |
A lovely, green resin-y smell. | 0:25:09 | 0:25:12 | |
But, you know, George, the frustration, I think, | 0:25:12 | 0:25:15 | |
is that people at home can't smell all the aromas that we're smelling. | 0:25:15 | 0:25:19 | |
Give them two or three years, we're working on it. | 0:25:19 | 0:25:21 | |
In my research group at the University of Warwick, we are | 0:25:21 | 0:25:24 | |
-putting the age-old dream of smelly television into practice. -Really? | 0:25:24 | 0:25:28 | |
So, that could really happen, could it? | 0:25:28 | 0:25:30 | |
Smelly telly is just around the corner? | 0:25:30 | 0:25:32 | |
-Yes, it's going to revolutionise Countryfile. -Yes! | 0:25:32 | 0:25:35 | |
Down by the loch, it's time to put to the test | 0:25:36 | 0:25:39 | |
whether those three distinctive smells of spring can be bottled. | 0:25:39 | 0:25:43 | |
Adrian Hollister was one of George's biochemistry students in the 1970s. | 0:25:43 | 0:25:50 | |
-Hello, Adrian. -John. -How are you? Good to see you. | 0:25:50 | 0:25:53 | |
-So, this is the final product? -This is the final product. | 0:25:53 | 0:25:57 | |
Springtime in the Highlands. In a jar. | 0:25:57 | 0:26:01 | |
-Yeah, I'd buy that. -You'd buy that? | 0:26:03 | 0:26:05 | |
I'd buy that as the Highlands in a bottle. | 0:26:05 | 0:26:08 | |
Here's a bottle I bottled earlier for you. | 0:26:08 | 0:26:10 | |
Oh, thank you! | 0:26:10 | 0:26:12 | |
From the heady fragrances of the Highlands | 0:26:16 | 0:26:19 | |
to the exotic scents of the Himalayas. | 0:26:19 | 0:26:23 | |
I'm not in a Nepalese jungle but in a school glasshouse in the Mendips. | 0:26:28 | 0:26:33 | |
In here are some of the rarest orchids in the world. | 0:26:35 | 0:26:38 | |
But, in the wild, many are foraged for medicine | 0:26:39 | 0:26:43 | |
so face the threat of extinction. | 0:26:43 | 0:26:45 | |
Orchids like these are highly prized in traditional medicine | 0:26:46 | 0:26:49 | |
for their healing properties, but this trade is | 0:26:49 | 0:26:52 | |
doing terrible damage to wild populations across the world. | 0:26:52 | 0:26:56 | |
The pupils at Writhlington and Mendips Studios School | 0:27:03 | 0:27:07 | |
are combating this problem by growing rare varieties | 0:27:07 | 0:27:10 | |
from seed in their greenhouse. | 0:27:10 | 0:27:12 | |
And they each have their own particular favourites. | 0:27:17 | 0:27:21 | |
This is... | 0:27:23 | 0:27:24 | |
Dracula bella. | 0:27:24 | 0:27:26 | |
And... | 0:27:26 | 0:27:28 | |
Well, it's an orchid. | 0:27:28 | 0:27:30 | |
It has a rather pungent odour that smells a bit, to me, like cheese. | 0:27:30 | 0:27:37 | |
It smells a bit like... | 0:27:37 | 0:27:39 | |
This is Sobralia macrantha. | 0:27:41 | 0:27:44 | |
We call it Samantha. | 0:27:44 | 0:27:46 | |
It doesn't really smell. It smells a bit like toast. | 0:27:46 | 0:27:51 | |
By looking after the plants, the pupils here are learning | 0:27:53 | 0:27:56 | |
all about their breeding and propagation. | 0:27:56 | 0:28:00 | |
-Simon, hello. -Welcome, Ellie. -Thank you. This place is amazing! | 0:28:00 | 0:28:03 | |
It's all the brainchild of teacher and orchid-lover Simon Pugh-Jones. | 0:28:03 | 0:28:08 | |
-Wow. It's wild in here. -Yes, so this is our Cool Asia section, | 0:28:08 | 0:28:13 | |
so we've got a lot of the Himalayan species that mostly flower | 0:28:13 | 0:28:15 | |
in the spring, but they're in their growth season at the moment. | 0:28:15 | 0:28:18 | |
Where did your passion for orchids come from? | 0:28:18 | 0:28:20 | |
Well, I've been passionate about orchids since I was a teenager. | 0:28:20 | 0:28:23 | |
So, I started growing them when I was 13. | 0:28:23 | 0:28:25 | |
And I've kind of been addicted ever since. | 0:28:25 | 0:28:27 | |
I just knew when I became a teacher that they had potential, | 0:28:27 | 0:28:30 | |
in terms of the stories they tell about the places | 0:28:30 | 0:28:32 | |
they come from, the ecosystems that they're part of. | 0:28:32 | 0:28:35 | |
And now this is a nationally important collection, isn't it? | 0:28:35 | 0:28:38 | |
It's kind of become that way. We've been doing it now for 27 years, | 0:28:38 | 0:28:41 | |
which means the little plants we had 27 years ago | 0:28:41 | 0:28:45 | |
are now real monster orchids. | 0:28:45 | 0:28:47 | |
This is Renanthera imschootiana. | 0:28:47 | 0:28:50 | |
It's identified as one of the most threatened plants in the world. | 0:28:50 | 0:28:53 | |
It's rare, it's very attractive, | 0:28:53 | 0:28:55 | |
so it's been mostly stripped from its habitat. | 0:28:55 | 0:28:58 | |
All these exotic beauties started out as microscopic organisms, | 0:29:00 | 0:29:04 | |
grown in their thousands in jam jars. | 0:29:04 | 0:29:07 | |
So, in there, you've got probably 50,000 orchids. | 0:29:08 | 0:29:12 | |
And they are complicated to raise from seed | 0:29:12 | 0:29:16 | |
but I was convinced we could do it in a school, | 0:29:16 | 0:29:18 | |
and having proved that, we're now sharing that model around the world. | 0:29:18 | 0:29:22 | |
This is Coelogyne nitida, which comes from the Himalayas. | 0:29:22 | 0:29:25 | |
This is used to treat fevers and also burns. | 0:29:25 | 0:29:28 | |
So, it's not the medicinal use that's the problem. | 0:29:28 | 0:29:31 | |
-It's the fact they're collected unsustainably. -Taken from the wild. | 0:29:31 | 0:29:34 | |
But if these can be grown, if people can develop the knowledge to grow | 0:29:34 | 0:29:37 | |
them themselves, then they don't need to take the wild specimens. | 0:29:37 | 0:29:40 | |
Yeah, yeah. | 0:29:40 | 0:29:41 | |
So, if you look at... There's one plant, | 0:29:41 | 0:29:44 | |
there's 10,000 plants in a jar, | 0:29:44 | 0:29:47 | |
you can turn these into these without too much problems, | 0:29:47 | 0:29:50 | |
once you've been taught the skills and the techniques. | 0:29:50 | 0:29:53 | |
One of the rarest species in here is Pseudolaelia corcovadensis - | 0:29:53 | 0:29:58 | |
easier to grow than to say. | 0:29:58 | 0:30:00 | |
They're a busy bunch in here. | 0:30:02 | 0:30:04 | |
Even so, it hasn't been recorded in its native Brazil since 1935. | 0:30:04 | 0:30:09 | |
Hi, Jess. How's it going? | 0:30:09 | 0:30:10 | |
But student Jess is poised to reintroduce it back into the wild. | 0:30:10 | 0:30:14 | |
This could be one of the only plants of the species in the entire world. | 0:30:14 | 0:30:19 | |
-It just makes it so special. -Yeah. | 0:30:19 | 0:30:21 | |
And makes it incredibly important, | 0:30:21 | 0:30:23 | |
and the fact that we may have the opportunity to reintroduce it | 0:30:23 | 0:30:26 | |
and to get its numbers back up, | 0:30:26 | 0:30:28 | |
-it just makes it an incredible plant, really. -Wow! | 0:30:28 | 0:30:31 | |
This school project shows | 0:30:35 | 0:30:37 | |
that if you grow and manage orchids sustainably, | 0:30:37 | 0:30:40 | |
then it might just be possible to harvest them for medicine | 0:30:40 | 0:30:43 | |
without threatening their survival. | 0:30:43 | 0:30:45 | |
And growing medicinal plants can also be a sustainable business | 0:30:49 | 0:30:52 | |
for UK farmers. | 0:30:52 | 0:30:53 | |
It can be a bit of a risk | 0:30:57 | 0:30:59 | |
moving away from traditional arable farming | 0:30:59 | 0:31:02 | |
in favour of more unusual crops. | 0:31:02 | 0:31:05 | |
Last summer, Anita visited a farm | 0:31:05 | 0:31:07 | |
where the scent of camomile and peppermint filled the air. | 0:31:07 | 0:31:11 | |
Here at this farm, they're in the business | 0:31:19 | 0:31:21 | |
of creating something rather special, | 0:31:21 | 0:31:23 | |
by taking crops like this and turning it into this. | 0:31:23 | 0:31:28 | |
The farm specialises in creating top-quality essential oils. | 0:31:28 | 0:31:33 | |
From lavender to camomile, | 0:31:33 | 0:31:35 | |
the oil is cooked up right here on the premises. | 0:31:35 | 0:31:38 | |
But there's an ancient crop that's at the heart of the harvest here. | 0:31:40 | 0:31:44 | |
Sir Michael Coleman, of the famous Coleman dynasty, is the owner. | 0:31:46 | 0:31:51 | |
20 years ago, he decided to revive a once much-loved British crop - | 0:31:51 | 0:31:56 | |
peppermint. | 0:31:56 | 0:31:57 | |
Britain was once at the forefront of growing world-class mint. | 0:31:58 | 0:32:02 | |
But during the Second World War, | 0:32:02 | 0:32:04 | |
land used to grow the mint was reclaimed | 0:32:04 | 0:32:07 | |
for farming essential produce, and the crop fell out of favour. | 0:32:07 | 0:32:11 | |
-Lovely to see you. -Hello, lovely to see you too. | 0:32:11 | 0:32:14 | |
Sir Michael decided to grow | 0:32:14 | 0:32:16 | |
traditional Black Mitcham peppermint, | 0:32:16 | 0:32:18 | |
originally produced in Surrey. | 0:32:18 | 0:32:21 | |
So, what was the eureka moment where you thought, | 0:32:21 | 0:32:23 | |
this is it, we have to do peppermint? | 0:32:23 | 0:32:25 | |
I was very fortunate. | 0:32:25 | 0:32:28 | |
A lovely lady, she asked if she could come and see me. | 0:32:28 | 0:32:31 | |
She came along and she said, "My grandfather had a farm in Surrey | 0:32:31 | 0:32:37 | |
"growing peppermint and he showed me pictures of the still." | 0:32:37 | 0:32:43 | |
He used to sit with it all night, putting steam through it. | 0:32:43 | 0:32:47 | |
And she still had a bottle of oil off his still. | 0:32:47 | 0:32:53 | |
She very kindly gave me a bit. There you are. | 0:32:53 | 0:32:55 | |
-Ah, it's lovely! -It's amazing, isn't it? | 0:32:55 | 0:32:58 | |
That's really strong, for 100 years old. | 0:32:58 | 0:33:00 | |
It is amazing how it's kept its punch. | 0:33:00 | 0:33:03 | |
And it's a heritage product, isn't it? | 0:33:03 | 0:33:05 | |
-That you're bringing back. -Exactly. | 0:33:05 | 0:33:08 | |
The farm's manager, Ian Margetts, | 0:33:08 | 0:33:10 | |
has spent 20 years getting to grips with his crop. | 0:33:10 | 0:33:13 | |
There is a wonderful smell in the air, Ian. It's fantastic. | 0:33:14 | 0:33:18 | |
We're in this field of Black Mitcham peppermint. | 0:33:18 | 0:33:20 | |
We've got Derek in the background there mowing the crop down. | 0:33:20 | 0:33:23 | |
So what you can smell is the vapour that's coming off that as we mow it. | 0:33:23 | 0:33:27 | |
It really does smell fantastic. Can we take a closer look? | 0:33:27 | 0:33:30 | |
-Of course we can, yes. Indeed. -If I tasted it... | 0:33:30 | 0:33:33 | |
-A lot more potent than you would get in your garden mint. -Oh, wow! | 0:33:33 | 0:33:37 | |
-Totally different beast to the garden mint. -Very different. | 0:33:37 | 0:33:40 | |
Is it very different to grow than the mint in our back gardens? | 0:33:40 | 0:33:43 | |
Because that just grows like a weed, doesn't it? | 0:33:43 | 0:33:45 | |
This is a very difficult crop to grow. | 0:33:45 | 0:33:47 | |
I classify it as a lazy crop. It only roots in about this much soil, | 0:33:47 | 0:33:51 | |
so it is one that wants a lot of nurturing. | 0:33:51 | 0:33:54 | |
So, how have you mastered it? | 0:33:54 | 0:33:55 | |
I knew that the Americans were growing very fine peppermint crops | 0:33:55 | 0:33:59 | |
in the Willamette Valley. | 0:33:59 | 0:34:01 | |
They'd already got a good system of distillation, | 0:34:01 | 0:34:04 | |
so I thought I'm not going to reinvent the wheel, | 0:34:04 | 0:34:06 | |
so we imported the equipment back here. | 0:34:06 | 0:34:08 | |
So, once the mint has been cut, what happens next? | 0:34:08 | 0:34:10 | |
What we do, we leave it on the ground for, say, 24, 48 hours, | 0:34:10 | 0:34:15 | |
depending on the weather. We want it to wilt. | 0:34:15 | 0:34:17 | |
In the leaf is where the oil capsules are, | 0:34:17 | 0:34:19 | |
and that's what we're after. | 0:34:19 | 0:34:20 | |
So we're not interested in the moisture within the plant, | 0:34:20 | 0:34:23 | |
we need the oil capsules that are in the leaf. | 0:34:23 | 0:34:26 | |
So we can pick it up, chop it, put it into the distillation unit, | 0:34:26 | 0:34:29 | |
then take it down there and plug it into the steam. | 0:34:29 | 0:34:31 | |
Now it's my turn to get to grips with gathering in the mint. | 0:34:32 | 0:34:35 | |
Off we go. | 0:34:38 | 0:34:40 | |
Whoo-hoo, this is fun! | 0:34:41 | 0:34:43 | |
I'm going all over the shop here. | 0:34:45 | 0:34:47 | |
I don't want to make a mess of Sir Michael's fields. | 0:34:47 | 0:34:49 | |
No, you'll be all right. | 0:34:49 | 0:34:51 | |
Once the harvest is gathered, it's off to the distillery. | 0:34:53 | 0:34:56 | |
Just like the peppermint, | 0:35:01 | 0:35:02 | |
the distillery equipment has been brought over from America. | 0:35:02 | 0:35:06 | |
So, we've harvested the peppermint, Ian, | 0:35:10 | 0:35:12 | |
what's the next stage of the process? | 0:35:12 | 0:35:14 | |
Well, this is where the separation takes place, in this container here. | 0:35:14 | 0:35:19 | |
It comes in at the bottom, then floats off | 0:35:19 | 0:35:21 | |
and the oil floats on the water | 0:35:21 | 0:35:23 | |
-so we've got the pure oil floating up here. -Yeah. | 0:35:23 | 0:35:25 | |
We've got waste water running away here, and this is the pure oil here. | 0:35:25 | 0:35:28 | |
-That's pure oil? -That is pure oil. -There it is. -Indeed. | 0:35:28 | 0:35:31 | |
The alchemy! | 0:35:31 | 0:35:33 | |
-The magic. And it's distilled to here. -Yeah. | 0:35:33 | 0:35:37 | |
And how does it compare in profitability to a cereal crop? | 0:35:37 | 0:35:41 | |
If we get this right and we do our job correctly, | 0:35:41 | 0:35:43 | |
we end up with this lovely oil that we are getting, it can be worth | 0:35:43 | 0:35:46 | |
about six times the value of a cereal crop. | 0:35:46 | 0:35:48 | |
It really is that profitable. | 0:35:48 | 0:35:51 | |
-It's not hot, it's not that greasy. -No. | 0:35:51 | 0:35:53 | |
Whoo! | 0:35:55 | 0:35:57 | |
I am going to smell of peppermint for a long time. | 0:35:57 | 0:36:01 | |
-Lovely stuff. -Nicest-smelling farm I've ever been on. | 0:36:01 | 0:36:03 | |
I'm glad to hear it. | 0:36:03 | 0:36:05 | |
Here in the South West, the sheer beauty of the landscape | 0:36:14 | 0:36:18 | |
cascades down the rolling Mendip Hills. | 0:36:18 | 0:36:21 | |
Reds pop, yellows sing and purples dance, | 0:36:24 | 0:36:29 | |
all in a bid to attract the local pollinators. | 0:36:29 | 0:36:32 | |
But these vibrant colours attract OUR senses too. | 0:36:33 | 0:36:36 | |
Natural dyes from flowers, roots and berries | 0:36:36 | 0:36:39 | |
are enjoying a bit of a resurgence, | 0:36:39 | 0:36:42 | |
with designers like Vivienne Westwood and Stella McCartney | 0:36:42 | 0:36:45 | |
using these natural methods in their collections. | 0:36:45 | 0:36:48 | |
I'm meeting a local dye-maker who's turn her back on synthetic dyes | 0:36:50 | 0:36:54 | |
and toxic chemicals in favour of more natural ingredients. | 0:36:54 | 0:36:58 | |
-Hi, Flora. -Hello. -I've brought you a little gift. | 0:37:03 | 0:37:06 | |
I thought they were quite vivid. | 0:37:06 | 0:37:07 | |
-Yeah, I think those will work really well. -It's like an apothecary here. | 0:37:07 | 0:37:12 | |
All these here, have you sourced them yourself? | 0:37:12 | 0:37:14 | |
Yeah, it's a complete mixture of some things | 0:37:14 | 0:37:16 | |
like the roses and the buddleia | 0:37:16 | 0:37:20 | |
I've just picked and gathered. | 0:37:20 | 0:37:22 | |
Some things I forage and then some things, | 0:37:22 | 0:37:24 | |
like onion skins, are just food waste. | 0:37:24 | 0:37:26 | |
And then some things I grow, like sunflower seeds and marigolds. | 0:37:26 | 0:37:30 | |
So it's a complete mixture of just seeing what's there | 0:37:30 | 0:37:34 | |
and where I can find things. | 0:37:34 | 0:37:35 | |
And how do you choose which one comes up with which colour? | 0:37:35 | 0:37:38 | |
You just experiment, really, cos some plants are obvious. | 0:37:38 | 0:37:41 | |
Like roses make pink, or whatever the colour of the rose is. | 0:37:41 | 0:37:44 | |
But some colours aren't obvious. | 0:37:44 | 0:37:46 | |
So, buddleia, it makes a yellow, although it's a purple flour. | 0:37:46 | 0:37:50 | |
Oh, really? That's a surprise. | 0:37:50 | 0:37:51 | |
-Can I have a go at doing some dyeing? -Yeah. Let's have a go. | 0:37:51 | 0:37:54 | |
I use silk because silk is the most effective fabric to use | 0:37:54 | 0:37:59 | |
for natural dyeing, the easiest fabric to use, | 0:37:59 | 0:38:01 | |
cos it's made of protein. | 0:38:01 | 0:38:03 | |
Natural dye-making has a long and romantic heritage. | 0:38:05 | 0:38:08 | |
The earliest examples of plants | 0:38:11 | 0:38:13 | |
grown and cultivated for natural dyes dates back thousands of years. | 0:38:13 | 0:38:17 | |
Everything in nature is beautiful, so it's much easier to get | 0:38:20 | 0:38:24 | |
-colours that go together using natural colours. -Natural dyes. | 0:38:24 | 0:38:28 | |
This doesn't look very floral. | 0:38:28 | 0:38:30 | |
No, these are rusty nails, which you can also use. | 0:38:30 | 0:38:34 | |
You can see here we have some rusty nails in here. | 0:38:34 | 0:38:37 | |
And you can see how it changes the colour. | 0:38:37 | 0:38:40 | |
-Gosh, yes. -So that's where the nails were. | 0:38:40 | 0:38:42 | |
-You get the lovely rusty colour. -Lovely rust colour. | 0:38:42 | 0:38:44 | |
What's the hardest colour to create? | 0:38:44 | 0:38:46 | |
Green, funnily enough. | 0:38:46 | 0:38:48 | |
Because green is made from chlorophyll, which is living, | 0:38:48 | 0:38:52 | |
so in the autumn all the leaves die | 0:38:52 | 0:38:54 | |
and they go brown, so it's very unstable. | 0:38:54 | 0:38:57 | |
-So, what's in here? -That is vinegar. -Vinegar? | 0:38:57 | 0:38:59 | |
It's so difficult in this wind. | 0:38:59 | 0:39:01 | |
It does actually create quite a nice ripple, | 0:39:01 | 0:39:03 | |
it all adds to the artistry of the bees. | 0:39:03 | 0:39:05 | |
So, this helps us to fix the colour into the cloth as well. | 0:39:05 | 0:39:10 | |
So, now we just need to fold it in half. | 0:39:10 | 0:39:12 | |
-You can be quite random with it. -Not even a neat fold. Look at that. | 0:39:12 | 0:39:16 | |
-So if you just hold that, I'll get some string. -OK. | 0:39:16 | 0:39:19 | |
-Like a little Christmas parcel there. -Yeah. | 0:39:20 | 0:39:23 | |
-So we're just going to steam this... with a clip. -Right. | 0:39:24 | 0:39:27 | |
And then we just... | 0:39:27 | 0:39:29 | |
Steam away. | 0:39:31 | 0:39:32 | |
Using the colours of nature is a magical and mysterious process. | 0:39:36 | 0:39:41 | |
You never know what you might get. | 0:39:41 | 0:39:43 | |
-So, the moment of truth. -Yeah. | 0:39:49 | 0:39:51 | |
-The yellow's come out really nicely. -Wow. | 0:39:51 | 0:39:53 | |
-That's lovely. -Yeah. | 0:39:53 | 0:39:55 | |
-How about that? Oh, wow! -That's come out really nicely. | 0:39:55 | 0:39:58 | |
-It's really vivid, isn't it? -Yeah. -What do you love about doing this? | 0:39:58 | 0:40:01 | |
I find it's just that relationship with nature, | 0:40:01 | 0:40:04 | |
learning about different plants that grow at different times of year | 0:40:04 | 0:40:07 | |
and what you can use them for. Not just looking at things as weeds. | 0:40:07 | 0:40:11 | |
And for people who are worried about synthetic dyes | 0:40:11 | 0:40:13 | |
and toxic chemicals used, this is a much lighter touch on the planet. | 0:40:13 | 0:40:17 | |
-Absolutely. -And also a thing of beauty. | 0:40:17 | 0:40:19 | |
From one natural yellow to another. | 0:40:28 | 0:40:30 | |
A while ago, Matt went to meet a farming family in the Chilterns | 0:40:30 | 0:40:34 | |
who are growing one of our most brightly coloured crops. | 0:40:34 | 0:40:37 | |
The oil it produces is one of the healthiest there is, | 0:40:40 | 0:40:44 | |
having less saturated fats than all other cooking oils. | 0:40:44 | 0:40:47 | |
Along with linseed, it's the only oil grown and bottled in the UK. | 0:40:48 | 0:40:53 | |
It is of course... | 0:40:55 | 0:40:56 | |
..rapeseed. | 0:40:56 | 0:40:58 | |
In recent decades, | 0:40:58 | 0:41:00 | |
fields of gold have become a familiar sight in our countryside. | 0:41:00 | 0:41:03 | |
Simon Mead's family have been growing rapeseed since the 1980s. | 0:41:06 | 0:41:09 | |
Eight years ago, they began transforming its tiny black grains | 0:41:11 | 0:41:15 | |
into the liquid gold of rapeseed oil. | 0:41:15 | 0:41:17 | |
Now, obviously, Simon, when you're growing this yourself | 0:41:17 | 0:41:19 | |
and trying to produce the finest oil you can, protection is the key. | 0:41:19 | 0:41:23 | |
And that's why we're carrying this stuff here. | 0:41:23 | 0:41:26 | |
Yes, the pigeons are starting to become a bit of a nuisance. | 0:41:26 | 0:41:29 | |
They've eaten all the beech mast up in the Chiltern Hills | 0:41:29 | 0:41:33 | |
and this is the next crop on the menu. | 0:41:33 | 0:41:35 | |
In a hard winter, when there's not much else for the pigeons to eat, | 0:41:35 | 0:41:39 | |
they can reduce even a crop like this down to ground level. | 0:41:39 | 0:41:43 | |
So we're going to set some up and see if we can scare them off a bit. | 0:41:43 | 0:41:46 | |
These are bird-scarers. Basically, you just light the end of the rope | 0:41:46 | 0:41:49 | |
and then, as time progresses, the bangers go off. | 0:41:49 | 0:41:52 | |
Every half an hour. | 0:41:52 | 0:41:53 | |
So they go off and it scares them off. | 0:41:53 | 0:41:55 | |
Establishing this crop initially, it's quite a tricky process, Simon. | 0:41:55 | 0:41:59 | |
Yes, it gets planted in August | 0:41:59 | 0:42:03 | |
and it's in the ground all the way through to the following July, | 0:42:03 | 0:42:07 | |
so it's in the ground for 11 months. | 0:42:07 | 0:42:09 | |
There's lots of opportunity for things to go wrong. | 0:42:09 | 0:42:11 | |
But once it's up and away, like this crop here, | 0:42:11 | 0:42:14 | |
we don't seem to have many problems. | 0:42:14 | 0:42:16 | |
In the spring, rapeseed produces yellow flowers | 0:42:18 | 0:42:21 | |
that turn into seed pods. | 0:42:21 | 0:42:23 | |
By mid-summer, the pods have dried out and the seeds turn black. | 0:42:23 | 0:42:27 | |
It's these seeds which are pressed to create the oil. | 0:42:27 | 0:42:31 | |
We get about 3½ to 4½ tonnes a hectare, | 0:42:31 | 0:42:33 | |
-which is about the size of a football pitch. -Yeah. | 0:42:33 | 0:42:36 | |
-That should produce about 2,000 to 2,500 bottles off a hectare. -Right. | 0:42:36 | 0:42:41 | |
So, off this field, we're getting about 32,000 bottles. | 0:42:41 | 0:42:45 | |
OK, right, let's get this sorted out so you can get rid of these pigeons. | 0:42:45 | 0:42:50 | |
Simon's crop has already become a buffet for the birds today. | 0:42:50 | 0:42:53 | |
So it's time to light the bangers. | 0:42:53 | 0:42:55 | |
-Super. -That's it, so we'd better get out of the way. -Yes. | 0:42:55 | 0:42:58 | |
There must be 300 or so up there. I saw a flock as I came in. | 0:42:59 | 0:43:03 | |
EXPLOSION | 0:43:03 | 0:43:04 | |
WINGS FLAP | 0:43:04 | 0:43:06 | |
Once harvested, the rapeseed grains are dried and stored, | 0:43:12 | 0:43:16 | |
then cold-pressed and bottled on the farm. | 0:43:16 | 0:43:19 | |
The result is 100% pure rapeseed oil. | 0:43:19 | 0:43:23 | |
Simon has recently started using the oil to create a new product. | 0:43:23 | 0:43:27 | |
Right, so the seasoning and the sugar has already gone in. | 0:43:27 | 0:43:31 | |
This is a bowlful of mustard. | 0:43:31 | 0:43:33 | |
And we're in the process of making some mayonnaise, then, Simon. | 0:43:33 | 0:43:38 | |
Yeah, it's a natural progression to go down, Matt. | 0:43:38 | 0:43:41 | |
There's lots of oil in it, 70% of a good mayonnaise is oil. | 0:43:41 | 0:43:45 | |
-Has it been quite a steep learning curve? -We've split a few batches... | 0:43:48 | 0:43:52 | |
-Right. -..before we got it right. | 0:43:52 | 0:43:54 | |
Next is? | 0:43:54 | 0:43:55 | |
-Egg yolk. -Yes, it's a free-range egg yolk. | 0:43:55 | 0:43:57 | |
Right, so that's all the ingredients in there now? | 0:43:57 | 0:44:00 | |
Yeah, all the main ingredients. | 0:44:00 | 0:44:02 | |
Just get it all mixed up nicely before we start introducing the oil. | 0:44:02 | 0:44:06 | |
Oh, yeah, look at the difference. | 0:44:11 | 0:44:13 | |
-Stir the outside into the middle, Matt. -Yeah. | 0:44:13 | 0:44:15 | |
-You've made and a nice mayonnaise there, Matt, well done. -Happy, yeah? | 0:44:15 | 0:44:19 | |
And there you have it - my very first jar of mayonnaise. | 0:44:27 | 0:44:31 | |
But it's not just cultivated plants that provide for us. | 0:44:40 | 0:44:44 | |
Britain's wildflower meadows are also very much part of our diet, | 0:44:44 | 0:44:49 | |
our wellbeing and our language. | 0:44:49 | 0:44:51 | |
In Devon, John took a stroll through the history | 0:44:54 | 0:44:57 | |
and medicinal properties of some of our most remarkable meadow species. | 0:44:57 | 0:45:01 | |
Some of Britain's meadowland plants and flowers | 0:45:03 | 0:45:05 | |
have the most wonderful names. | 0:45:05 | 0:45:07 | |
How about sneezewort? | 0:45:07 | 0:45:09 | |
Or bee's bread? Or nosebleed? | 0:45:09 | 0:45:12 | |
Even granny's toenails? | 0:45:12 | 0:45:14 | |
But how and why did they get these amazing names? | 0:45:14 | 0:45:17 | |
Here in Devon, Bridget McNeil teaches people about the history | 0:45:28 | 0:45:32 | |
and medicinal properties of some of our remarkable meadow species. | 0:45:32 | 0:45:37 | |
This place is absolutely jam-packed with wildflowers, isn't it? | 0:45:37 | 0:45:40 | |
-A fantastic place to work. -I know, I'm so lucky. | 0:45:40 | 0:45:43 | |
It's got so many varieties, habitats and medicinal plants, | 0:45:43 | 0:45:47 | |
edible plants, it's beautiful, really beautiful. | 0:45:47 | 0:45:50 | |
-You know this one? -That's a nettle. -That's a nettle. | 0:45:50 | 0:45:53 | |
-A beauty, this is my favourite plant. -Why is that? | 0:45:53 | 0:45:56 | |
It's just so good for you. | 0:45:56 | 0:45:57 | |
I eat it, I use it as a medicine, it's food as medicine, really. | 0:45:57 | 0:46:01 | |
So, what do you do with all the wildflowers that you collect? | 0:46:01 | 0:46:04 | |
Well, I make salves, make tinctures, make oils and vinegars, | 0:46:04 | 0:46:08 | |
so it's really stepping between the worlds of food and medicine. | 0:46:08 | 0:46:12 | |
Plants growing on your doorstep or in these beautiful meadows | 0:46:12 | 0:46:15 | |
are so beneficial. | 0:46:15 | 0:46:17 | |
For Bridget, meadows are nature's medicine cabinet. | 0:46:17 | 0:46:20 | |
She's going to use some of what we've collected | 0:46:20 | 0:46:22 | |
to make a healing ointment. | 0:46:22 | 0:46:24 | |
This is a wound salve, | 0:46:24 | 0:46:25 | |
which has some of the things we picked earlier. | 0:46:25 | 0:46:28 | |
So, really wonderful for wounds and bruises and strains and muscle ache. | 0:46:28 | 0:46:33 | |
I've got a touch of tennis elbow at the moment. Will it work on that? | 0:46:33 | 0:46:36 | |
Yes. We shall give you some salve to take away with you. | 0:46:36 | 0:46:39 | |
Many herbs and plants were often named | 0:46:39 | 0:46:42 | |
for their medicinal properties or for the way they looked. | 0:46:42 | 0:46:46 | |
-What about a really common plant, like dandelion? -Yeah. | 0:46:46 | 0:46:49 | |
-Has that got more than one name? -It's got so many names. | 0:46:49 | 0:46:52 | |
-In this country, there are about 90 different names. -Never! | 0:46:52 | 0:46:55 | |
Yeah, so here's a leaf of dandelion. | 0:46:55 | 0:46:57 | |
-Dent de lion, in French. -Lion's tooth. | 0:46:57 | 0:46:59 | |
Lion's tooth. Can you see? | 0:46:59 | 0:47:01 | |
Oh, yes. | 0:47:01 | 0:47:03 | |
These names were like a gateway for ordinary folk | 0:47:03 | 0:47:06 | |
to be able to know what plants did what. | 0:47:06 | 0:47:09 | |
So you've got the woundwort here, staunch weed, nosebleed. | 0:47:09 | 0:47:12 | |
Of course, you've got to be very careful with some of them, | 0:47:12 | 0:47:15 | |
-haven't you? -Yeah. | 0:47:15 | 0:47:16 | |
This is hemlock, one of the most poisonous plants in Britain. | 0:47:16 | 0:47:19 | |
This plant will kill you, if ingested. | 0:47:19 | 0:47:22 | |
So you've really got to know what you're doing when it comes to herbs. | 0:47:22 | 0:47:26 | |
Absolutely you do. | 0:47:26 | 0:47:27 | |
-And how's the salve doing, then? -It's doing really well. | 0:47:27 | 0:47:30 | |
I'm going to add this beeswax. And that will melt in. | 0:47:30 | 0:47:33 | |
You know, modern medicine is taken from plants. | 0:47:34 | 0:47:37 | |
So, aspirin originated from meadowsweet and willow. | 0:47:37 | 0:47:40 | |
We all know camomile has that lovely calming effect. | 0:47:40 | 0:47:43 | |
These ancient remedies have a really important place in modern life. | 0:47:43 | 0:47:48 | |
-A really important place. I think this is ready to pour. -Right. | 0:47:48 | 0:47:52 | |
There we go. | 0:47:55 | 0:47:56 | |
-So, here you go, John. One finished salve. -Thank you, Bridget. | 0:48:01 | 0:48:04 | |
-Use it on your elbow. -I'll let you know what happens. | 0:48:04 | 0:48:07 | |
-Yeah, do. -Thank you. | 0:48:07 | 0:48:08 | |
For many centuries, people have had faith | 0:48:10 | 0:48:12 | |
in the healing properties of plants. | 0:48:12 | 0:48:14 | |
But before they can be used on an industrial scale, | 0:48:14 | 0:48:18 | |
they need rigorous testing. | 0:48:18 | 0:48:20 | |
At this laboratory in Plymouth, | 0:48:20 | 0:48:21 | |
Dr Jan Knight is carrying out important research. | 0:48:21 | 0:48:24 | |
This is the first time, Jan, | 0:48:26 | 0:48:27 | |
I've ever seen wildflowers in a laboratory. | 0:48:27 | 0:48:29 | |
What are they here for? | 0:48:29 | 0:48:31 | |
It's probably the first time they've been growing | 0:48:31 | 0:48:33 | |
in our laboratory as well, | 0:48:33 | 0:48:35 | |
but people bring us materials for us to test. | 0:48:35 | 0:48:38 | |
So, we do a lot of work for cosmetics, for the food industry, | 0:48:38 | 0:48:42 | |
for the supplement industry, and to the pharma industry as well. | 0:48:42 | 0:48:46 | |
It's difficult to use wild plants and flowers in commercial medicines | 0:48:46 | 0:48:51 | |
because their active compounds can vary a great deal. | 0:48:51 | 0:48:54 | |
So people are now taking it seriously, scientifically... | 0:48:54 | 0:48:58 | |
-Yes. -..the claims some of these plants make. | 0:48:58 | 0:49:01 | |
But you have to prove it. | 0:49:01 | 0:49:02 | |
-Correct. -You have to prove it in a laboratory. -Yes. | 0:49:02 | 0:49:05 | |
The anecdotal results have given you feedback that this seems to be | 0:49:05 | 0:49:09 | |
good for this condition, but you daren't make the claim | 0:49:09 | 0:49:12 | |
until you've actually carried out clinical trials. | 0:49:12 | 0:49:15 | |
Jan's tests aim to make sure the wild plants used in medical | 0:49:15 | 0:49:19 | |
and cosmetic products are always at the same potency. | 0:49:19 | 0:49:23 | |
There is an enormous wealth of potential material in our plants. | 0:49:23 | 0:49:30 | |
You find the gems, then cultivate them | 0:49:30 | 0:49:33 | |
and then use those as your source for new ideas. | 0:49:33 | 0:49:37 | |
It's good to know that the ancient skills | 0:49:38 | 0:49:40 | |
of turning wildflowers into medicines still survive | 0:49:40 | 0:49:43 | |
and that modern science is now helping ensure their effectiveness. | 0:49:43 | 0:49:48 | |
Now, in a moment, I'm going to be up close | 0:49:52 | 0:49:54 | |
with one of the most powerful medicinal drugs in the world. | 0:49:54 | 0:49:58 | |
But first, do we need to water the flowers this week? | 0:49:58 | 0:50:01 | |
Time to find out with the Countryfile forecast. | 0:50:01 | 0:50:04 | |
I've been exploring the power of plants, | 0:51:09 | 0:51:12 | |
how they play a part in many aspects of our daily lives. | 0:51:12 | 0:51:15 | |
We've turned to their healing qualities for millennia. | 0:51:19 | 0:51:22 | |
And there's one plant above all others | 0:51:22 | 0:51:25 | |
whose medicinal power is without equal. | 0:51:25 | 0:51:28 | |
A couple of summers ago, I was given rare access to a top-secret site | 0:51:29 | 0:51:34 | |
in Dorset where they were growing this plant on an industrial scale. | 0:51:34 | 0:51:38 | |
It was to be the last crop grown here | 0:51:40 | 0:51:42 | |
before our rainy climate got the better of it. | 0:51:42 | 0:51:45 | |
The plant that I'm about to see is one of the most powerful | 0:51:50 | 0:51:54 | |
and valuable known to man. | 0:51:54 | 0:51:55 | |
These are opium poppies, the plant we use to get morphine from. | 0:52:04 | 0:52:10 | |
The stuff used to treat the very worst kind of pain. | 0:52:10 | 0:52:13 | |
The flowers look wonderful in full bloom, | 0:52:16 | 0:52:19 | |
but they need to die back and dry out before they can be harvested. | 0:52:19 | 0:52:23 | |
This crop belongs to pharmaceutical company MacFarlan Smith, | 0:52:24 | 0:52:27 | |
the only company allowed to produce morphine in the UK, | 0:52:27 | 0:52:32 | |
which they do under special licence from the Home Office. | 0:52:32 | 0:52:36 | |
Jonathan Gibbs is their head of production. | 0:52:36 | 0:52:38 | |
Jonathan, this is pretty incredible, | 0:52:40 | 0:52:42 | |
I've never seen anything like this before. | 0:52:42 | 0:52:44 | |
How many poppies do you think you've got growing here? | 0:52:44 | 0:52:46 | |
On this farm, we've got 120 hectares of poppies. | 0:52:46 | 0:52:49 | |
And that's out of 2,500 hectares that we've got growing in the UK. | 0:52:49 | 0:52:53 | |
Gosh. | 0:52:53 | 0:52:54 | |
This is just one of 45 sites | 0:52:56 | 0:52:57 | |
where the company is growing opium poppies. | 0:52:57 | 0:53:01 | |
Any day now, harvesting will begin. | 0:53:01 | 0:53:03 | |
It's done using a specially adapted harvester | 0:53:03 | 0:53:06 | |
which takes just the poppy head and the top of the stalk. | 0:53:06 | 0:53:10 | |
It cuts at about 11mph - | 0:53:10 | 0:53:12 | |
three times faster than a combine cutting wheat. | 0:53:12 | 0:53:15 | |
So, should you be harvesting now? | 0:53:18 | 0:53:19 | |
Yeah, unfortunately we'd love to be cutting today, | 0:53:19 | 0:53:22 | |
but the rain has stopped that. | 0:53:22 | 0:53:23 | |
So they need to be not squidgy like this? | 0:53:23 | 0:53:25 | |
No, the capsules need to be rock-hard like a walnut. | 0:53:25 | 0:53:28 | |
So you want a good few good days of dry before you can harvest. | 0:53:28 | 0:53:30 | |
Yes, maybe tomorrow afternoon we can get cutting. | 0:53:30 | 0:53:33 | |
-Constantly watching the weather at harvest time. -Yeah. | 0:53:33 | 0:53:35 | |
Morphine is derived from naturally occurring chemicals | 0:53:40 | 0:53:44 | |
found in the outer casing of the seed pod | 0:53:44 | 0:53:46 | |
and the top couple of inches of the stalk. | 0:53:46 | 0:53:49 | |
So, how do you go from these poppy-head maracas to the drug? | 0:53:51 | 0:53:55 | |
We get the crop to our initial processing facility | 0:53:55 | 0:53:58 | |
and it goes through a separator to separate the seeds from the straw. | 0:53:58 | 0:54:02 | |
And the straw gets hammer-milled and then pelletised. | 0:54:02 | 0:54:06 | |
And the pellets increase the density and make storing safer. | 0:54:06 | 0:54:10 | |
It looks like stock feed like this, doesn't it? | 0:54:10 | 0:54:12 | |
Yeah, it's exactly the same process. | 0:54:12 | 0:54:14 | |
Those pellets are then taken to a processing plant in Scotland, | 0:54:15 | 0:54:19 | |
where the morphine is extracted and prepared for medical use. | 0:54:19 | 0:54:22 | |
And what about these poppy seeds? | 0:54:23 | 0:54:25 | |
Once we've separated the seeds from the straw, | 0:54:25 | 0:54:28 | |
it's a valuable by-product that we sell to the culinary markets. | 0:54:28 | 0:54:31 | |
And if you buy bread with poppy seeds on, | 0:54:31 | 0:54:34 | |
it's quite likely, in the UK, that we've produced it. | 0:54:34 | 0:54:37 | |
How much value would you get from, | 0:54:37 | 0:54:38 | |
let's say, a hectare of these poppies? | 0:54:38 | 0:54:40 | |
Well, in terms of morphine production, | 0:54:40 | 0:54:42 | |
we'd be looking at around about the 15 kilo a hectare. | 0:54:42 | 0:54:46 | |
What does that turn into in money? | 0:54:46 | 0:54:47 | |
To the farmer, it's around about £1,000 a hectare. | 0:54:47 | 0:54:51 | |
This has to be one of the most unexpected crops I've ever seen, | 0:54:53 | 0:54:57 | |
and possibly one of our most important. | 0:54:57 | 0:55:00 | |
From painkillers to peppermint oil to gin... | 0:55:08 | 0:55:11 | |
..plants can repair, restore and revitalise. | 0:55:12 | 0:55:16 | |
We'd be lost without them. | 0:55:18 | 0:55:20 | |
Well, that's it from me | 0:55:22 | 0:55:24 | |
with the power of plants here in the South West. | 0:55:24 | 0:55:28 | |
Join us next week when we're in Dartmoor | 0:55:29 | 0:55:32 | |
exploring the many ways this rugged landscape | 0:55:32 | 0:55:34 | |
is inspiring artists and craftspeople. | 0:55:34 | 0:55:37 | |
See you then. | 0:55:37 | 0:55:39 |