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The county of Somerset. | 0:00:26 | 0:00:28 | |
A green and pleasant land, | 0:00:28 | 0:00:30 | |
with views across the point where the Severn estuary meets the sea. | 0:00:30 | 0:00:34 | |
This bucolic Somerset landscape was once | 0:00:34 | 0:00:37 | |
the scene of a devastating flood that swept across the region. | 0:00:37 | 0:00:41 | |
I'm not talking about recent events, | 0:00:41 | 0:00:43 | |
I am going back more than 300 years to the Great Storm of 1703. | 0:00:43 | 0:00:47 | |
I will be finding out what caused it and if it could happen again. | 0:00:47 | 0:00:50 | |
I'm inland from Julia, taking a ride on a heritage railway line. | 0:00:53 | 0:00:57 | |
The West Somerset Railway line is historic in every sense, | 0:00:58 | 0:01:02 | |
with its traditional carriages and beautiful steam engines. | 0:01:02 | 0:01:05 | |
-ENGINE WHISTLES -Lovely, thanks, Ian! | 0:01:05 | 0:01:08 | |
Over the years, the timetable has changed, but the train line hasn't. | 0:01:08 | 0:01:12 | |
Today, I will be hopping on board for a scenic ride with a difference. | 0:01:12 | 0:01:16 | |
And Adam is preparing to head north to give a helping hand to | 0:01:19 | 0:01:21 | |
a young farmer going it alone. | 0:01:21 | 0:01:24 | |
I've got a huge array of crops and animals on this farm, and a good team | 0:01:24 | 0:01:27 | |
to help me look after them, but there is a young man up in Yorkshire who is | 0:01:27 | 0:01:31 | |
only 22, he has no farming background and he is looking after a farm | 0:01:31 | 0:01:34 | |
all by himself. I am heading there to see how he is getting on. | 0:01:34 | 0:01:38 | |
Somerset. The county's coastal plains rise from the sea, | 0:01:50 | 0:01:54 | |
giving way to rolling hills. | 0:01:54 | 0:01:56 | |
Nestled in the South West of England, its north coast is | 0:01:59 | 0:02:02 | |
scoured daily by the Atlantic as it races up the Bristol Channel. | 0:02:02 | 0:02:07 | |
The county gets its name from an Anglo-Saxon phrase, | 0:02:07 | 0:02:10 | |
which roughly translated means, "land of the summer people". | 0:02:10 | 0:02:14 | |
The flooding here during the winter months used to be so bad, | 0:02:14 | 0:02:16 | |
it was impossible to farm the land. | 0:02:16 | 0:02:19 | |
This year, it is the summer that has been atrocious. | 0:02:19 | 0:02:22 | |
Across the country, 2012 saw the wettest summer in 100 years. | 0:02:26 | 0:02:31 | |
In Somerset, that meant widespread flooding. | 0:02:31 | 0:02:34 | |
But this is nothing new. | 0:02:40 | 0:02:42 | |
"A mighty wind blew so strong and strangely tore our sea walls. | 0:02:44 | 0:02:48 | |
"The salt water soon overflowed, forcing many of | 0:02:50 | 0:02:53 | |
"the inhabitants from their dwellings | 0:02:53 | 0:02:55 | |
"and to shift for their lives." | 0:02:55 | 0:02:56 | |
I've come to the coast on the trail of a particular storm that | 0:03:00 | 0:03:03 | |
hit this shoreline 309 years ago. | 0:03:03 | 0:03:07 | |
It has been labelled the worst storm in British history, | 0:03:07 | 0:03:11 | |
the appropriately named Great Storm. | 0:03:11 | 0:03:13 | |
THUNDER RUMBLES | 0:03:13 | 0:03:17 | |
"The wind blowing directly into the Severn sea forced the waters | 0:03:18 | 0:03:23 | |
"up eight foot higher than ever was known in the memory of man." | 0:03:23 | 0:03:27 | |
It's November 1703. | 0:03:30 | 0:03:33 | |
Hurricane force winds are making their way across the Atlantic, | 0:03:33 | 0:03:36 | |
gathering pace. | 0:03:36 | 0:03:37 | |
Late on the 26th, the storm slams into the west coast of England, | 0:03:38 | 0:03:42 | |
sending a surge of water up the Severn estuary. | 0:03:42 | 0:03:46 | |
Then it powers through the country to the east coast, | 0:03:46 | 0:03:48 | |
leaving a trail of destruction in its wake. | 0:03:48 | 0:03:52 | |
We know about it thanks to this guy, Daniel Defoe. | 0:03:52 | 0:03:55 | |
Once the winds had subsided, he compiled | 0:03:55 | 0:03:57 | |
an account of people's experiences and this book is the result. | 0:03:57 | 0:04:00 | |
"The parish of Huntspill has received great damage. | 0:04:04 | 0:04:08 | |
"Some families sheltered themselves in the church, | 0:04:08 | 0:04:10 | |
"and there stayed till the waters were abated." | 0:04:10 | 0:04:13 | |
The church still stands, and from the top, I'm told, | 0:04:16 | 0:04:19 | |
you would have had a very clear view of the devastation unfolding. | 0:04:19 | 0:04:23 | |
BELL TOLLS | 0:04:25 | 0:04:27 | |
Martin, don't stand too close, you might get blown off! | 0:04:30 | 0:04:33 | |
-Hello, nice to see you. -Hi, Julia. | 0:04:33 | 0:04:35 | |
'Historian Martin Brayne is going to paint the picture of what | 0:04:35 | 0:04:38 | |
'we would have seen the day after the storm hit.' | 0:04:38 | 0:04:41 | |
Almost everywhere that we could see from here, underwater. | 0:04:41 | 0:04:45 | |
Possibly as many as 8,000 people lost their lives, | 0:04:45 | 0:04:49 | |
farmers lost sheep and cattle. | 0:04:49 | 0:04:53 | |
And of course, the only reason that we know this detail is | 0:04:53 | 0:04:55 | |
because of Daniel Defoe and his book. | 0:04:55 | 0:04:58 | |
Absolutely, yes. He was desperately short of money. | 0:04:58 | 0:05:01 | |
He had this brilliant idea of putting an ad in the paper, | 0:05:01 | 0:05:06 | |
asking people all over the country to write to him with | 0:05:06 | 0:05:10 | |
their eyewitness accounts of what happened to them in the Great Storm. | 0:05:10 | 0:05:15 | |
-He got a terrific response. -The birth of journalism, in a way. | 0:05:15 | 0:05:18 | |
Well, it was, it was a really sort of pioneering piece of journalism. | 0:05:18 | 0:05:23 | |
Somerset bore the brunt of the storm surge. | 0:05:31 | 0:05:34 | |
So was it a one-off, or could we see a similar catastrophe here again? | 0:05:34 | 0:05:39 | |
I'm going to find out what ingredients you need | 0:05:39 | 0:05:42 | |
to cook up a great storm. | 0:05:42 | 0:05:43 | |
Here comes the science. | 0:05:43 | 0:05:47 | |
Hello, good to see you. | 0:05:47 | 0:05:50 | |
Now, this storm, it caused enormous devastation across the country, | 0:05:50 | 0:05:54 | |
but it was particularly bad here. | 0:05:54 | 0:05:56 | |
-Why? -Unique factors combine here in the Bristol Channel. | 0:05:56 | 0:05:59 | |
I have drawn a map of the Bristol Channel. | 0:05:59 | 0:06:01 | |
I thought you were making sandcastles! | 0:06:01 | 0:06:03 | |
So, we are here in Somerset. | 0:06:03 | 0:06:05 | |
Over there is the coastline of Wales and out there is the Atlantic. | 0:06:05 | 0:06:08 | |
It is from the Atlantic that that storm came. | 0:06:08 | 0:06:11 | |
But the Bristol Channel has an enormous tidal range, | 0:06:11 | 0:06:13 | |
it has the second biggest tides in the world. | 0:06:13 | 0:06:16 | |
If you move up the Bristol Channel towards Bristol, | 0:06:16 | 0:06:19 | |
towards the port of Avonmouth, the difference on a big | 0:06:19 | 0:06:22 | |
tide between the low water and the high water is as much as 13 metres. | 0:06:22 | 0:06:28 | |
And on top of that, you have the worst storm, the most severe | 0:06:28 | 0:06:31 | |
storm in meteorological history, moving in from the Atlantic. | 0:06:31 | 0:06:35 | |
Winds gusting at over 100mph, those are hurricane force winds. | 0:06:35 | 0:06:39 | |
The strong winds | 0:06:39 | 0:06:40 | |
and the low pressure at the centre of that weather system caused | 0:06:40 | 0:06:44 | |
a storm surge - a storm surge can bring the sea level up as much | 0:06:44 | 0:06:48 | |
as three metres more than that enormous tide you have already got. | 0:06:48 | 0:06:52 | |
So we had 13 metres plus another three metres on top of that. | 0:06:52 | 0:06:56 | |
Absolutely. | 0:06:56 | 0:06:57 | |
'So, huge tide plus vast storm surge equals mass flooding.' | 0:06:57 | 0:07:03 | |
But it is more than just the winds that whips up the sea. | 0:07:04 | 0:07:07 | |
The low pressure at the heart of the storm also makes the sea rise. | 0:07:07 | 0:07:10 | |
'Here is how it works.' | 0:07:11 | 0:07:13 | |
-If you wouldn't mind putting that in the water. -Yeah. | 0:07:13 | 0:07:16 | |
Imagine that this is the sea. | 0:07:16 | 0:07:19 | |
If you inhale through that tube, you will actually lower the | 0:07:19 | 0:07:23 | |
pressure above the sea and you will see the sea rising inside there. | 0:07:23 | 0:07:27 | |
-Or, I'll just get a mouthful of seawater! -I hope you don't. | 0:07:27 | 0:07:30 | |
-Shall we see if that works? Just try and hold it fixed. -OK. | 0:07:30 | 0:07:33 | |
And you can see the seawater rising there. | 0:07:35 | 0:07:38 | |
That's precisely what happens, on a much bigger scale, obviously. | 0:07:38 | 0:07:41 | |
And there is one more thing. | 0:07:41 | 0:07:43 | |
This part of Somerset where we are now, | 0:07:45 | 0:07:46 | |
hundreds of kilometres here are | 0:07:46 | 0:07:48 | |
either at or below sea level, | 0:07:48 | 0:07:50 | |
and they are incredibly susceptible to flooding. | 0:07:50 | 0:07:53 | |
So, when this water does breach the defences | 0:07:53 | 0:07:56 | |
and come over the sea walls, it's got nowhere to go. | 0:07:56 | 0:08:00 | |
What are the chances of it happening again? | 0:08:00 | 0:08:03 | |
The 1703 storm is referred to as a one in 200 years storm. | 0:08:03 | 0:08:07 | |
On average, it should happen once every 200 years. | 0:08:07 | 0:08:10 | |
We had another very bad storm in October 1987, | 0:08:10 | 0:08:13 | |
and that's about the right frequency. | 0:08:13 | 0:08:15 | |
So according to that, we could expect the next one of these | 0:08:15 | 0:08:19 | |
sometime in the year 2200. | 0:08:19 | 0:08:20 | |
But of course, the weather doesn't behave like buses, there's nothing | 0:08:20 | 0:08:24 | |
to say we couldn't get another storm similar to 1987 tomorrow. | 0:08:24 | 0:08:28 | |
"Horror and confusion seized upon all, whether on shore or at sea." | 0:08:35 | 0:08:41 | |
Daniel Defoe went on to write one of the most famous shipwreck | 0:08:44 | 0:08:47 | |
novels in history, Robinson Crusoe. | 0:08:47 | 0:08:51 | |
And it is not an enormous stretch of the imagination to think | 0:08:51 | 0:08:54 | |
he was inspired by the Great Storm that took place just here. | 0:08:54 | 0:08:58 | |
I'm further inland than Julia, exploring Somerset's rich landscape. | 0:09:10 | 0:09:14 | |
And what better way to take it all in than under steam? | 0:09:17 | 0:09:20 | |
ENGINE WHISTLES | 0:09:20 | 0:09:23 | |
These beautifully restored steam locomotives wind their way | 0:09:23 | 0:09:26 | |
through 23 miles of Somerset's glorious countryside and coastline. | 0:09:26 | 0:09:31 | |
The West Somerset Railway is one of Britain's longest heritage railway | 0:09:32 | 0:09:36 | |
lines, it starts here at Bishops Lydeard and heads west to Minehead. | 0:09:36 | 0:09:41 | |
Opened in the 1860s, the railway provided an important trade | 0:09:47 | 0:09:51 | |
route for isolated towns and villages. | 0:09:51 | 0:09:54 | |
But by 1971, it was deemed uneconomical | 0:09:54 | 0:09:57 | |
and the line was closed. | 0:09:57 | 0:09:58 | |
Just five years later, | 0:10:01 | 0:10:03 | |
it was brought back to life by a team of dedicated volunteers. | 0:10:03 | 0:10:06 | |
'Now it carries 200,000 passengers a year.' | 0:10:06 | 0:10:10 | |
And today, I'm one of them. | 0:10:10 | 0:10:12 | |
Paul Conibeare started as an apprentice on the railway in 1979. | 0:10:20 | 0:10:24 | |
-Now then, Paul. -Good afternoon, Matt. -How's things? Wow! | 0:10:26 | 0:10:29 | |
'He is now general manager.' | 0:10:29 | 0:10:32 | |
Why were the locals so keen to get it up and running again? | 0:10:32 | 0:10:35 | |
I think if you look at any local area, | 0:10:35 | 0:10:37 | |
and certainly in West Somerset, there is not a lot of employment. | 0:10:37 | 0:10:40 | |
So we rely very heavily on tourism. | 0:10:40 | 0:10:42 | |
The railway was seen as being an important tourist | 0:10:42 | 0:10:44 | |
attraction for this part of Somerset. | 0:10:44 | 0:10:46 | |
And what we find with a lot of our holidaymakers that visit | 0:10:46 | 0:10:48 | |
throughout the summer is the different pace of life, it slows | 0:10:48 | 0:10:51 | |
people down, to enjoy the glorious countryside that we live in. | 0:10:51 | 0:10:54 | |
Are you quite happy that things are going well at the moment? | 0:10:54 | 0:10:56 | |
Obviously, it is a difficult time. | 0:10:56 | 0:10:58 | |
Well, we are a big employer in the area, with about 50 full-time staff. | 0:10:58 | 0:11:01 | |
But we've got about 1,000 volunteers. | 0:11:01 | 0:11:03 | |
Without their support, the railway wouldn't survive today. | 0:11:03 | 0:11:06 | |
I think that is why it is important to get the youngsters involved, | 0:11:06 | 0:11:09 | |
with the Trackers, which are 13 to 18-year-olds, | 0:11:09 | 0:11:11 | |
there are about 50 on the books now. | 0:11:11 | 0:11:13 | |
They are the drivers, the firemen, the guards of the future. | 0:11:13 | 0:11:16 | |
So, what are you busy with at the moment, then, Ben? | 0:11:22 | 0:11:25 | |
-Always checking tickets as we pass through. -OK, yes. | 0:11:25 | 0:11:28 | |
'And one of these Trackers is 17-year-old Ben Ambling. | 0:11:28 | 0:11:31 | |
'He's been helping out for four years.' | 0:11:31 | 0:11:33 | |
What jobs did you do when you were 13? | 0:11:33 | 0:11:35 | |
Started off with general office duties, started off making tea | 0:11:35 | 0:11:40 | |
and assisting the older, more experienced staff, | 0:11:40 | 0:11:44 | |
then took on more demanding roles. | 0:11:44 | 0:11:45 | |
Why did you always want to work on the railways? | 0:11:45 | 0:11:48 | |
I've lived down here all my life and wanted to get involved. | 0:11:48 | 0:11:51 | |
How much work do they put you through, how often do you volunteer? | 0:11:51 | 0:11:54 | |
Typically every weekend, but it does vary on the rostering system. | 0:11:54 | 0:11:57 | |
I'm getting off at Blue Anchor. | 0:12:04 | 0:12:06 | |
From here, the line runs along the Severn estuary. | 0:12:06 | 0:12:10 | |
It's also where some important maintenance is going on. | 0:12:10 | 0:12:13 | |
So I'm jumping off to help out. | 0:12:13 | 0:12:16 | |
-Now then, lads. -Good morning. -How are we doing, all right? | 0:12:16 | 0:12:18 | |
Good to see you both. | 0:12:18 | 0:12:19 | |
'I'm meeting Paul and Richard.' | 0:12:19 | 0:12:21 | |
Super to see you. Right, what's the plan? | 0:12:21 | 0:12:23 | |
-We are going to do a line walk, a track inspection. -Right. | 0:12:23 | 0:12:25 | |
-And in order to do that, you'd better have some overalls. -Yeah. | 0:12:25 | 0:12:28 | |
-And some high visibility clothing. -OK. -And a pair of gloves. | 0:12:28 | 0:12:31 | |
-Oh, perfect. -But you can keep the hat. -Oh, cheers. | 0:12:31 | 0:12:34 | |
Right, I'll be back before long. | 0:12:34 | 0:12:36 | |
'After a quick change, I'm ready to go.' | 0:12:38 | 0:12:41 | |
There we are, chaps. | 0:12:41 | 0:12:43 | |
-Oh, you're looking good. -Happy with that? -Yeah, fine, absolutely. | 0:12:43 | 0:12:45 | |
Right, we'll get going, | 0:12:45 | 0:12:47 | |
because the next train is due through here in about 40 minutes' time. | 0:12:47 | 0:12:49 | |
OK. Let's go. | 0:12:49 | 0:12:51 | |
-Give this one a smack as well. -Just knock the keys in. | 0:12:52 | 0:12:55 | |
We are obliged to walk the line once every seven days | 0:12:58 | 0:13:01 | |
when we are operating trains. | 0:13:01 | 0:13:02 | |
-Right. How long are the walks? -Well, the whole railway is 23.5 miles long. | 0:13:02 | 0:13:08 | |
So we divide it into sections of usually about four or five miles. | 0:13:08 | 0:13:11 | |
-Right. -And between four or five people, we walk a section each. | 0:13:11 | 0:13:15 | |
'We are checking the rail keys are in place | 0:13:15 | 0:13:17 | |
'and that the fish plates aren't cracked.' | 0:13:17 | 0:13:19 | |
-We have a crack in this one. -Let's have a look. | 0:13:19 | 0:13:22 | |
It's underneath that bolt, right there, look. Can you see that? | 0:13:22 | 0:13:24 | |
Oh, yeah, I can, actually. | 0:13:24 | 0:13:26 | |
'The crack means we need to change the fish plate for a new one, | 0:13:26 | 0:13:29 | |
'all before the train arrives.' | 0:13:29 | 0:13:31 | |
So, how long have you worked on the line, Richard? | 0:13:31 | 0:13:34 | |
I've been a volunteer about eight years now. | 0:13:34 | 0:13:37 | |
But my full-time job is employed in the loco shelter, | 0:13:37 | 0:13:40 | |
maintaining the engines and that, which run on the track work here. | 0:13:40 | 0:13:43 | |
I mean, it's something you were obviously passionate about to | 0:13:43 | 0:13:45 | |
start with the volunteering. | 0:13:45 | 0:13:46 | |
Yeah, I've always been sort of passionate about the railway. | 0:13:46 | 0:13:48 | |
And hopefully, I can look towards a good future with the railway, we | 0:13:48 | 0:13:51 | |
need more young people like myself to keep this kind of thing going. | 0:13:51 | 0:13:55 | |
Yeah, because looking at Paul, | 0:13:55 | 0:13:56 | |
-all your colleagues are getting on quite a bit, aren't they? -They are! | 0:13:56 | 0:14:00 | |
I've actually reached the magic age of 50, | 0:14:00 | 0:14:01 | |
so I'm still one of the younger ones, actually. | 0:14:01 | 0:14:03 | |
'Less talking and more tightening. | 0:14:06 | 0:14:08 | |
'The train is coming around the bend | 0:14:08 | 0:14:09 | |
'and there is still one more bolt to go.' | 0:14:09 | 0:14:11 | |
-Are you happy with that? -I am, yeah. | 0:14:14 | 0:14:16 | |
'With literally no time to spare, we finish the job.' | 0:14:16 | 0:14:19 | |
The moment of truth. Is the fish plate tight enough? | 0:14:19 | 0:14:22 | |
Yes! The plate's still on and the train is safely through. | 0:14:25 | 0:14:31 | |
-Brilliant, job done. -Congratulations. | 0:14:31 | 0:14:33 | |
-You'll make a P-way man yet. -I thoroughly enjoyed that. | 0:14:33 | 0:14:36 | |
Later I'll be back on the train, heading for Dunster Castle, | 0:14:40 | 0:14:43 | |
where they're preparing for the winter months. | 0:14:43 | 0:14:46 | |
Despite the sea view, | 0:14:53 | 0:14:54 | |
the train line is managing to stay high and dry, for now. | 0:14:54 | 0:14:57 | |
But just along the coast, the sea poses a constant threat. | 0:14:59 | 0:15:03 | |
Here in Porlock Weir, | 0:15:06 | 0:15:07 | |
they have been struggling with flooding for generations. | 0:15:07 | 0:15:10 | |
So what are they doing about it these days? Well, nothing. | 0:15:10 | 0:15:15 | |
Until 1996, this shingle bank protected the villagers here | 0:15:19 | 0:15:23 | |
from flooding. | 0:15:23 | 0:15:24 | |
But a big storm tore a gaping hole in it. | 0:15:24 | 0:15:27 | |
So residents and landowners took the daring decision | 0:15:27 | 0:15:31 | |
not to rebuild it and nature was left to take its course. | 0:15:31 | 0:15:34 | |
So, Nigel, what factors contributed to the decision | 0:15:36 | 0:15:39 | |
not to rebuild this ridge? | 0:15:39 | 0:15:41 | |
I think at the time, | 0:15:41 | 0:15:42 | |
people were slowly realising that nature had a role to play. | 0:15:42 | 0:15:46 | |
Rather than putting in hard defences all the time, | 0:15:46 | 0:15:48 | |
we could work with nature. | 0:15:48 | 0:15:50 | |
It was quite a new idea. | 0:15:50 | 0:15:52 | |
You have to realise that for decades, this whole beach along here | 0:15:52 | 0:15:55 | |
had been managed by bulldozers keeping the sea out. | 0:15:55 | 0:15:59 | |
And that is a rather artificial, unsustainable way of managing it. | 0:15:59 | 0:16:04 | |
Nature's response was to create a salt marsh. | 0:16:04 | 0:16:07 | |
Where the tide breaches the ridge each day, it now leaves behind | 0:16:07 | 0:16:11 | |
one of the richest expanses in the Severn estuary. | 0:16:11 | 0:16:14 | |
Obviously, letting the sea take its course | 0:16:16 | 0:16:18 | |
and invade certain parts of the land, you lose animal species, | 0:16:18 | 0:16:23 | |
plant species, but you gain a tremendous amount, don't you? | 0:16:23 | 0:16:26 | |
You do over time. One of the issues initially was that this | 0:16:26 | 0:16:29 | |
was a site of special scientific interest. | 0:16:29 | 0:16:31 | |
This has now been replaced by this wonderful habitat. | 0:16:31 | 0:16:34 | |
Things like this sea aster, you can see it now in seed. | 0:16:34 | 0:16:37 | |
This is a valuable food source for the birds that come in. | 0:16:37 | 0:16:41 | |
And in terms of the impact on flooding, | 0:16:41 | 0:16:44 | |
creating a salt marsh has done what? | 0:16:44 | 0:16:47 | |
It is brilliant. What it does is absorb wave energy. | 0:16:47 | 0:16:50 | |
So, when we get the storms coming in from the Atlantic, | 0:16:50 | 0:16:53 | |
it slows the water down and protects the land behind it. | 0:16:53 | 0:16:56 | |
-A sort of buffering effect. -So it is a natural defence? | 0:16:56 | 0:16:58 | |
Yes, very much so. | 0:16:58 | 0:17:00 | |
This was one of the first stretches of Britain's coastline | 0:17:05 | 0:17:09 | |
to try out what is called a managed retreat. | 0:17:09 | 0:17:11 | |
For these rare salt-loving plants, it is a resounding success. | 0:17:11 | 0:17:16 | |
But what about the people living here? | 0:17:16 | 0:17:18 | |
I will be finding out later in the programme. | 0:17:18 | 0:17:21 | |
First, Adam is planning a trip to Yorkshire, | 0:17:23 | 0:17:25 | |
after taking care of some business closer to home. | 0:17:25 | 0:17:28 | |
A winter chill is beginning to hang in the air. | 0:17:36 | 0:17:38 | |
But as the trees shed their last few leaves, | 0:17:38 | 0:17:41 | |
we are turning our minds to new life here on the farm. | 0:17:41 | 0:17:44 | |
This is my new North Ronaldsay ram that I bought a couple of months ago. | 0:17:47 | 0:17:51 | |
He is really lovely. | 0:17:51 | 0:17:53 | |
Today is his moment of glory, because he is going to meet his new wives, | 0:17:53 | 0:17:57 | |
hopefully they'll get in lamb and give birth in the spring. | 0:17:57 | 0:18:01 | |
These are the lucky ladies my ram is on his way to meet. | 0:18:07 | 0:18:10 | |
I think they are a fine flock of females. Let's hope he agrees. | 0:18:10 | 0:18:14 | |
So before I put him out with his ladies, | 0:18:16 | 0:18:18 | |
I have got to mark him with this wax. | 0:18:18 | 0:18:21 | |
Sometimes, the rams will wear a harness that you put a chalk on | 0:18:21 | 0:18:25 | |
so when they mate with the ewes, they leave a mark. | 0:18:25 | 0:18:28 | |
But with the smaller rams, we just use this paste. | 0:18:28 | 0:18:32 | |
Just slop it on his chest, like that. | 0:18:32 | 0:18:34 | |
And then when he serves them, | 0:18:35 | 0:18:37 | |
that orange mark will be left on the rump of the ewe, | 0:18:37 | 0:18:40 | |
and then we will know roughly when she is going to lamb in the spring. | 0:18:40 | 0:18:45 | |
Off you go. Enjoy! | 0:18:48 | 0:18:50 | |
They're down there. | 0:18:52 | 0:18:54 | |
'Initially, it looks like nerves have got the better of him. | 0:18:54 | 0:18:57 | |
'Fortunately, the ewes are a bit more forward.' | 0:18:57 | 0:19:00 | |
Here they come. They've spotted him. 'And soon, he gets the hang of it.' | 0:19:00 | 0:19:04 | |
The lambs that are born from this flock will be sold either | 0:19:04 | 0:19:07 | |
to other rare breeds enthusiasts, or some will go for meat. | 0:19:07 | 0:19:11 | |
But for me, sheep is only a small part of our business. | 0:19:11 | 0:19:15 | |
But there is a young farmer up in Yorkshire | 0:19:15 | 0:19:17 | |
who is really trying to make a go of being a farmer | 0:19:17 | 0:19:19 | |
and he relies entirely on his income from sheep. | 0:19:19 | 0:19:23 | |
I am going up there now to see how he is getting on. | 0:19:23 | 0:19:25 | |
We have been following Gareth Barlow's progress since he was | 0:19:29 | 0:19:32 | |
an aspiring teenage farmer grazing a few sheep on borrowed fields. | 0:19:32 | 0:19:37 | |
When I last met him, he had been offered 40 acres of land | 0:19:37 | 0:19:40 | |
free of charge to graze his ever-expanding flock of Hebrideans. | 0:19:40 | 0:19:43 | |
But he was still hungry for more. | 0:19:43 | 0:19:46 | |
So, your dream is still a reasonable size farm of your own? | 0:19:46 | 0:19:50 | |
It gets more passionate every day. A bigger dream every day | 0:19:50 | 0:19:53 | |
and slowly, another step towards it each day. | 0:19:53 | 0:19:55 | |
I have heard that he now has got a lot more land | 0:20:01 | 0:20:03 | |
and a lot more sheep, so I am keen to find out how he has got on. | 0:20:03 | 0:20:06 | |
-Gareth, hi. Good to see you again. -Adam, you too. -Hope you're well. | 0:20:12 | 0:20:15 | |
-Wow, it's not a bad spot to work, is it? -It's pretty special. -Incredible. | 0:20:15 | 0:20:19 | |
So your land now, your acreage has grown quite a bit? | 0:20:19 | 0:20:23 | |
Yes, the last time you came it was about 40 acres. It's up to 120 now. | 0:20:23 | 0:20:27 | |
So there is a fair bit more. | 0:20:27 | 0:20:28 | |
Those black dots on the hill, are they the Hebrideans? | 0:20:28 | 0:20:30 | |
Those are. They stand out fairly well. Good in snow. | 0:20:30 | 0:20:32 | |
-That's the reason I chose them. -And how many have you got? | 0:20:32 | 0:20:35 | |
-About 350 at the moment. -Goodness me. Well, can we get a bit closer? | 0:20:35 | 0:20:39 | |
Yes, let's go. | 0:20:39 | 0:20:40 | |
Cash is always a problem for first-time farmers like Gareth. | 0:20:48 | 0:20:51 | |
But he is paying his rent for this land with hard graft. | 0:20:51 | 0:20:55 | |
Working a day a week for the farmer who owns the site. | 0:20:55 | 0:20:58 | |
-Just run round the back of them? -That's the principle. | 0:20:58 | 0:21:02 | |
We'll see if it works. | 0:21:02 | 0:21:03 | |
And that is not the only good deal he has struck. | 0:21:03 | 0:21:06 | |
The sheep now end up on dining tables in some of the UK's top restaurants. | 0:21:06 | 0:21:11 | |
Looks like we might have them! | 0:21:11 | 0:21:14 | |
This means he needs plump sheep to hand for the ten lambs a week | 0:21:14 | 0:21:17 | |
that go to slaughter. | 0:21:17 | 0:21:19 | |
So I'm helping him sort the prime meat from the skinnier sheep. | 0:21:19 | 0:21:23 | |
So with the sheep, what we are feeling for is body condition. | 0:21:24 | 0:21:28 | |
If you put your hand along the spine, you can feel the backbone poking out. | 0:21:28 | 0:21:33 | |
And if they are poking out, they are a little bit leaner, | 0:21:33 | 0:21:36 | |
and need a bit more grass and a bit more fattening up. | 0:21:36 | 0:21:39 | |
But if you can't feel it very well, then they're podgy, | 0:21:39 | 0:21:42 | |
and not far off being ready for market. | 0:21:42 | 0:21:45 | |
Once they're sorted, for the more slender sheep, | 0:21:50 | 0:21:53 | |
it's a skip, hop and a jump to pastures new, | 0:21:53 | 0:21:56 | |
where plenty of fresh grass will help them fatten up to meet future orders. | 0:21:56 | 0:22:01 | |
So you're still doing some butchering? | 0:22:01 | 0:22:03 | |
Yeah, I've got so busy with the sheep. | 0:22:03 | 0:22:05 | |
But I still do it myself in the evenings or the mornings. | 0:22:05 | 0:22:08 | |
I've got some to do this afternoon, if you want to have a look. | 0:22:08 | 0:22:10 | |
I'd love to. Yeah. | 0:22:10 | 0:22:12 | |
Right, let me see you doing your craft. | 0:22:20 | 0:22:22 | |
Obviously, this is your leg, then you go into your loin | 0:22:23 | 0:22:26 | |
and into your shoulder. So we're going to go just after this bend... | 0:22:26 | 0:22:30 | |
And there wouldn't be very many farmers who have | 0:22:30 | 0:22:32 | |
the skill of butchering as well. | 0:22:32 | 0:22:34 | |
You've got to have the time to be able to do both. | 0:22:34 | 0:22:36 | |
And it can be, if you got plenty of orders to do, | 0:22:36 | 0:22:38 | |
a time-consuming process. | 0:22:38 | 0:22:40 | |
But equally, at the end of 16 months of living, | 0:22:40 | 0:22:43 | |
you want to make sure the final process is done well. | 0:22:43 | 0:22:45 | |
So we have got a whole leg of lamb, | 0:22:45 | 0:22:47 | |
we can split this a number of different ways. | 0:22:47 | 0:22:49 | |
There will be some trim that will go into sausage and burgers. | 0:22:49 | 0:22:52 | |
-So everything is used, nothing is wasted. -And is that a modern breed? | 0:22:52 | 0:22:56 | |
Yeah, that's your big commercial, your white sheep that you see, | 0:22:56 | 0:22:59 | |
your quintessential white, big, fluffy sheep. | 0:22:59 | 0:23:01 | |
Obviously, a lot bigger carcass. | 0:23:01 | 0:23:03 | |
Now, I love my traditional British breeds, | 0:23:03 | 0:23:06 | |
but I can't help looking at that more commercial lamb that | 0:23:06 | 0:23:09 | |
I know would have been ready for slaughter in four months. | 0:23:09 | 0:23:12 | |
Your Hebrideans take around 16 months. Is that a problem for you? | 0:23:12 | 0:23:16 | |
Yeah, perhaps for a young, small business, | 0:23:16 | 0:23:18 | |
that makes an issue of the cash flow. | 0:23:18 | 0:23:20 | |
Maybe it is possible to cross a few of the Hebrideans to produce | 0:23:20 | 0:23:23 | |
a lamb that does finish quicker | 0:23:23 | 0:23:24 | |
and is ready for the autumn to pay for someone to feed. | 0:23:24 | 0:23:27 | |
Well, I think that's a great idea. | 0:23:27 | 0:23:28 | |
I've got some ideas of some traditional British breeds | 0:23:28 | 0:23:31 | |
that you could cross with a Hebridean and get that early lamb | 0:23:31 | 0:23:33 | |
and then keep some of your pure ones for those specialist restaurants. | 0:23:33 | 0:23:36 | |
But we'll take a trip to the Cotswolds | 0:23:36 | 0:23:38 | |
-and I'll show you what I've got in mind. -Fantastic. -Let's go. | 0:23:38 | 0:23:41 | |
The next morning, back on my farm, I'm keen to show Gareth | 0:23:46 | 0:23:49 | |
an accidental discovery that I think could help him. | 0:23:49 | 0:23:52 | |
What I've got here, Gareth, is a few sheep in a pen for you. | 0:23:53 | 0:23:58 | |
This is a clean tup from the Welsh peninsular. British breed. | 0:23:58 | 0:24:04 | |
But this a Castlemilk Moorit ewe. | 0:24:04 | 0:24:07 | |
And by accident last year, he got in with her and got her pregnant | 0:24:07 | 0:24:11 | |
and she gave birth to this lamb. | 0:24:11 | 0:24:14 | |
I was amazed at how quickly it grew and how good it is. | 0:24:14 | 0:24:18 | |
So it is half Castlemilk Moorit and it's around 40 kilos now | 0:24:18 | 0:24:22 | |
and ready for market at less than six months old. | 0:24:22 | 0:24:24 | |
-So I think that would work with your Hebrideans. -Fantastic. | 0:24:24 | 0:24:27 | |
What about... The Hebrideans are, as you know, really easy lambing sheep. | 0:24:27 | 0:24:31 | |
The cross, do they lamb well? | 0:24:31 | 0:24:32 | |
I don't want it up in the middle of the night in February. | 0:24:32 | 0:24:35 | |
We have no trouble lambing them at all. | 0:24:35 | 0:24:37 | |
Other people try it with Shetlands and some of the other breeds | 0:24:37 | 0:24:41 | |
and it works absolutely fine. | 0:24:41 | 0:24:42 | |
So I don't think it should be a problem. | 0:24:42 | 0:24:44 | |
But I think that what you have got with the Hebridean is a lovely idea, | 0:24:44 | 0:24:49 | |
about the tenderness and the flavour | 0:24:49 | 0:24:52 | |
and the length of growing off the grass. | 0:24:52 | 0:24:55 | |
I think you should stick with the Hebridean for half a flock | 0:24:55 | 0:24:58 | |
and maybe try some onto a clean or something. | 0:24:58 | 0:25:02 | |
-So you won't mind he comes back with me, then? -No, no. | 0:25:02 | 0:25:04 | |
A few hundred quid changes hands, you will be sorted. | 0:25:04 | 0:25:07 | |
I know this lad. He's not one to let the grass grow under his feet. | 0:25:12 | 0:25:16 | |
I reckon the next time I meet Gareth, | 0:25:16 | 0:25:18 | |
he will have expanded into other breeds | 0:25:18 | 0:25:20 | |
and I can't wait to see where his farming journey will take him. | 0:25:20 | 0:25:24 | |
Can't beat it on a day like today. | 0:25:24 | 0:25:25 | |
I've been making my way through the Somerset countryside by steam power. | 0:25:30 | 0:25:35 | |
We're just checking the map here. | 0:25:37 | 0:25:39 | |
I'm now travelling along this section of the line, | 0:25:39 | 0:25:41 | |
just along the edge of the Severn estuary up to Minehead. | 0:25:41 | 0:25:44 | |
But back in the 1860s, passengers would have been deprived | 0:25:44 | 0:25:47 | |
of this glistening view, because originally, | 0:25:47 | 0:25:50 | |
the line only went from Bishops Lydeard, down here, up to Watchet. | 0:25:50 | 0:25:54 | |
12 years after it was built, | 0:25:57 | 0:25:58 | |
a group of local landowners lobbied for the line to be extended. | 0:25:58 | 0:26:02 | |
They saw the benefits tourism would bring to the area. | 0:26:02 | 0:26:06 | |
And one of those local landowners was George Luttrell. | 0:26:06 | 0:26:09 | |
At the time, he owned the largest estate in Somerset. Dunster Castle. | 0:26:09 | 0:26:14 | |
He used the line to bring in the Maharajah of Jaipur and | 0:26:15 | 0:26:18 | |
polo ponies to the castle. | 0:26:18 | 0:26:20 | |
But today, the train brings much-needed visitors | 0:26:20 | 0:26:23 | |
to this National Trust property. | 0:26:23 | 0:26:25 | |
Normally, grand properties like this are locked up for the winter. | 0:26:25 | 0:26:29 | |
But that could become a thing of the past. Here, anyway. | 0:26:29 | 0:26:32 | |
Because this year, | 0:26:32 | 0:26:33 | |
the National Trust are keeping the doors to Dunster Castle open. | 0:26:33 | 0:26:37 | |
David Moore is house manager. | 0:26:41 | 0:26:42 | |
He is responsible for the upkeep of the castle. | 0:26:42 | 0:26:46 | |
David, that looks all very precise. How are you doing, all right? | 0:26:46 | 0:26:49 | |
-Well, thanks. -I understand that you're staying open all winter? | 0:26:49 | 0:26:53 | |
-That's quite a challenge, isn't it? -We are, indeed. | 0:26:53 | 0:26:55 | |
-Just for the weekends in December. -Right. | 0:26:55 | 0:26:58 | |
-OK, you busy setting up the table. -We are. | 0:26:58 | 0:27:00 | |
How precious is everything here? Can I sort of help you out? | 0:27:00 | 0:27:03 | |
Yeah, that would be fantastic, actually. | 0:27:03 | 0:27:05 | |
During the winter months, it takes a team of 14 staff | 0:27:05 | 0:27:08 | |
and volunteers to empty, clean and rebuild the 46 rooms of the castle. | 0:27:08 | 0:27:14 | |
Of course, a lot of work goes in to stately homes | 0:27:14 | 0:27:17 | |
and castles at this time of year. | 0:27:17 | 0:27:19 | |
Yes, it certainly is. We would normally be planning to close down, | 0:27:19 | 0:27:22 | |
checking all the content, cleaning, etc. | 0:27:22 | 0:27:25 | |
So this year, we have to really adapt that. | 0:27:25 | 0:27:27 | |
Because we're going to have all the downstairs rooms open the whole time. | 0:27:27 | 0:27:30 | |
-Yeah. Good, well, I'll get some more soup bowls. -OK, lovely. | 0:27:30 | 0:27:33 | |
Just pop the napkin on there. There we are. And that's ready to go. | 0:27:40 | 0:27:44 | |
And then you go all the way around there. | 0:27:44 | 0:27:47 | |
Will that be the table complete? | 0:27:47 | 0:27:48 | |
If we could get some flowers that would just finish the table a treat. | 0:27:48 | 0:27:51 | |
OK, well, I will do that. Now that I've laid out the knives and forks. | 0:27:51 | 0:27:55 | |
So I'm leaving David to finish laying the table | 0:27:57 | 0:28:00 | |
while I go on the hunt for some flowers. | 0:28:00 | 0:28:02 | |
The castle was in the Luttrell family | 0:28:03 | 0:28:06 | |
from the 14th century to 1976. | 0:28:06 | 0:28:08 | |
The last lady of the house, Alice Luttrell, | 0:28:08 | 0:28:10 | |
had a passion for gardening. | 0:28:10 | 0:28:12 | |
So finding the perfect petals for this table display | 0:28:12 | 0:28:15 | |
shouldn't be too much of a problem. | 0:28:15 | 0:28:17 | |
I'm hoping David Thresher, one of the gardeners, can help. | 0:28:20 | 0:28:23 | |
-David, what a place to work! -Not too bad, is it? -Isn't this beautiful! | 0:28:25 | 0:28:29 | |
-Definitely. It's called the Dream Garden. -You can see why! -Definitely. | 0:28:29 | 0:28:33 | |
Is it quite similar today as it would have been in Alice's day? | 0:28:33 | 0:28:35 | |
Well unfortunately, not. Alice had it privately designed. | 0:28:35 | 0:28:38 | |
It looked completely different. | 0:28:38 | 0:28:40 | |
We do have records of Alice in the garden. | 0:28:40 | 0:28:42 | |
We have also got records that | 0:28:42 | 0:28:43 | |
she had dahlias, and loved dahlias. | 0:28:43 | 0:28:44 | |
So, when we had the chance to reopen it, that's what we went for. | 0:28:44 | 0:28:47 | |
How many different varieties do you have here? | 0:28:47 | 0:28:49 | |
We have... It's in the late 60s now. I think it was 67 this year. | 0:28:49 | 0:28:54 | |
Right. Time to get picking. | 0:28:54 | 0:28:56 | |
I'll leave you the secateurs. Thanks ever so much indeed. | 0:28:59 | 0:29:01 | |
-No, lovely to meet you. -I'll head back up the hill. -Yeah. Enjoy. | 0:29:01 | 0:29:05 | |
Well, as beautiful as this little trug of flowers is, | 0:29:07 | 0:29:10 | |
the display needs to look a little bit more refined | 0:29:10 | 0:29:12 | |
if it is to take pride of place on the main table. | 0:29:12 | 0:29:14 | |
And thankfully, there's a team of dedicated volunteers | 0:29:14 | 0:29:17 | |
to sort all that out. I'm off to meet the flower ladies. | 0:29:17 | 0:29:20 | |
Hello, ladies! Oh, there is the most beautiful smell in here! | 0:29:26 | 0:29:30 | |
It's absolutely gorgeous. | 0:29:30 | 0:29:32 | |
OK, so where do we start then, creating this masterpiece? | 0:29:32 | 0:29:35 | |
We start by putting a little bit of greenery in first. | 0:29:35 | 0:29:38 | |
And so what you get out of doing this, then? | 0:29:38 | 0:29:40 | |
I thoroughly enjoy doing flowers. | 0:29:40 | 0:29:42 | |
And I know the other ladies do, as well. | 0:29:42 | 0:29:44 | |
It can be challenging | 0:29:44 | 0:29:46 | |
because we never know what flowers we're going to get. | 0:29:46 | 0:29:49 | |
We can't order what we want. We have whatever the gardeners have got. | 0:29:49 | 0:29:53 | |
Lovely. 'Well, that told me! | 0:29:53 | 0:29:56 | |
'But I think my display is just about finished.' | 0:29:56 | 0:29:59 | |
-You can come in on my rota, if you like, Matt. -Absolutely! | 0:29:59 | 0:30:02 | |
The more, the better. | 0:30:02 | 0:30:04 | |
-And there they are. -Wow, look at that. -What do you think, David? | 0:30:08 | 0:30:12 | |
-That is beautiful, fantastic. What do you think? -I'm happy. | 0:30:12 | 0:30:15 | |
-Yeah, definitely. It's great. -Now, listen up. | 0:30:15 | 0:30:18 | |
If you're going to reopen all winter, to stay organised, | 0:30:18 | 0:30:21 | |
to tick off the weeks, you're going to need one of these. | 0:30:21 | 0:30:24 | |
Look at this Countryfile calendar, sold in aid of Children in Need. | 0:30:24 | 0:30:27 | |
And if you want to get your hands on one, here's John with the details. | 0:30:27 | 0:30:31 | |
The Countryfile calendar has been raising lots of money | 0:30:31 | 0:30:34 | |
for the BBC's Children in Need appeal for more than a decade now. | 0:30:34 | 0:30:38 | |
And for the 2013 edition, | 0:30:38 | 0:30:40 | |
we had a fantastic number of amazing photographs | 0:30:40 | 0:30:43 | |
sent in by viewers to choose from. | 0:30:43 | 0:30:47 | |
So if you want these beautiful shots on your wall next year, | 0:30:47 | 0:30:50 | |
you can order a copy right now. | 0:30:50 | 0:30:51 | |
Either on our website... | 0:30:51 | 0:30:55 | |
or by calling the order line. | 0:30:57 | 0:30:59 | |
To order by post, send your name, address and cheque to: | 0:31:10 | 0:31:15 | |
And please make your cheques payable to: | 0:31:22 | 0:31:25 | |
Remember the calendar costs £9 | 0:31:26 | 0:31:28 | |
and at least £4 from every sale will go to Children in Need. | 0:31:28 | 0:31:32 | |
In a moment, Julia will be meeting a group of villagers | 0:31:33 | 0:31:36 | |
who are at risk of being flooded | 0:31:36 | 0:31:38 | |
that have created their own action plan. | 0:31:38 | 0:31:40 | |
And we'll be putting it to the test. | 0:31:40 | 0:31:42 | |
But before that, let's find out | 0:31:42 | 0:31:43 | |
if the weather is going to be stormy in the week ahead. | 0:31:43 | 0:31:45 | |
The Countryfile forecast. | 0:31:45 | 0:31:47 | |
. | 0:33:50 | 0:33:57 | |
Somerset, where us Brits flock to soak up the rays. | 0:34:10 | 0:34:14 | |
But I'm here to see how the coastline that draws the crowds | 0:34:14 | 0:34:17 | |
also threatens to disturb the peace. | 0:34:17 | 0:34:20 | |
Here in Porlock Weir, they've given up building barriers | 0:34:20 | 0:34:23 | |
against the sea, and are letting nature take its course. | 0:34:23 | 0:34:27 | |
So what does that mean for the people who live here? | 0:34:27 | 0:34:30 | |
This cottage belongs to Chris and Jim Morris. | 0:34:32 | 0:34:35 | |
Every morning, for 18 years, | 0:34:35 | 0:34:37 | |
they have opened their curtains to quite a view. | 0:34:37 | 0:34:39 | |
Oh, it's not just a sea view! You ARE the sea view. | 0:34:41 | 0:34:44 | |
-Yes, we're on the beach. Yes. -Right on the beach. -Yes. | 0:34:44 | 0:34:48 | |
-You must have been flooded? -Yes, we have. | 0:34:48 | 0:34:51 | |
-We've been flooded once since we've lived here. -Only once? -Yeah. | 0:34:51 | 0:34:55 | |
-But we've had near misses. -One bad one, you would say? -Yes. Very bad. | 0:34:55 | 0:34:59 | |
-How was it? Describe it to me. -Well, it was high tide, obviously. | 0:34:59 | 0:35:03 | |
One October evening. And it was about seven o'clock. | 0:35:03 | 0:35:07 | |
And I thought, I'd better see what was going on. It was pitch black. | 0:35:07 | 0:35:10 | |
I could hear the waves crashing in. | 0:35:10 | 0:35:13 | |
The wind was howling, the rain was coming down. | 0:35:13 | 0:35:16 | |
I had wandered over the bit of greenery over there with my torch. | 0:35:16 | 0:35:20 | |
And I just saw this vast wall of whiteness coming towards me. | 0:35:21 | 0:35:26 | |
So I just turned round and ran for my life! | 0:35:26 | 0:35:29 | |
I had just shut the door and about 30 seconds later, | 0:35:29 | 0:35:33 | |
the sea started bouncing into the back door. | 0:35:33 | 0:35:36 | |
What do you think about this policy to let the sea do its thing? | 0:35:36 | 0:35:40 | |
-I mean, it's going to happen to you again, isn't it? -Inevitably, yes. | 0:35:40 | 0:35:43 | |
I think you've got to let the sea do it's thing | 0:35:43 | 0:35:45 | |
because how can you fight the seat? | 0:35:45 | 0:35:47 | |
If that decides it's coming in, there's nothing you can do about it. | 0:35:47 | 0:35:50 | |
-Do you think you could lose your home? -Well... | 0:35:50 | 0:35:53 | |
In many, many years to come. I don't think in our lifetime. | 0:35:53 | 0:35:56 | |
But I think it will happen. | 0:35:56 | 0:35:58 | |
It's quite a stressful existence, | 0:35:58 | 0:36:00 | |
thinking that it could happen one day. | 0:36:00 | 0:36:02 | |
How do you sleep? | 0:36:02 | 0:36:03 | |
When you look around you, especially in the summertime, | 0:36:03 | 0:36:06 | |
it's such a beautiful place to live. | 0:36:06 | 0:36:09 | |
We've got the sea, we've got the moors, | 0:36:09 | 0:36:11 | |
we've got the woods. We've got it all. | 0:36:11 | 0:36:13 | |
But what gives this area its unique charm is what puts it | 0:36:16 | 0:36:20 | |
at double risk of flooding. | 0:36:20 | 0:36:22 | |
The steep wooded hillsides that descend into the sea here | 0:36:23 | 0:36:26 | |
conceal a network of gushing streams. | 0:36:26 | 0:36:29 | |
A short trek up the hill from Porlock Weir is Porlock village. | 0:36:30 | 0:36:33 | |
Their main flood risk comes from this. | 0:36:33 | 0:36:36 | |
It might look fairly docile right now, but add some heavy rain | 0:36:36 | 0:36:40 | |
into the mix and you got a potential flash flood on your hands. | 0:36:40 | 0:36:43 | |
The last biggie was in 1960 | 0:36:44 | 0:36:46 | |
but a repeat performance is always on the cards. | 0:36:46 | 0:36:50 | |
These ever-resourceful locals have come up with a plan | 0:36:53 | 0:36:56 | |
if and when it should happen again. | 0:36:56 | 0:36:59 | |
I'm going to put that plan to the test. | 0:36:59 | 0:37:01 | |
Local resident Terry Gable is part of a team of village flood wardens | 0:37:03 | 0:37:07 | |
so today she will be playing a key role | 0:37:07 | 0:37:09 | |
in their flood action practice run. | 0:37:09 | 0:37:13 | |
Hi, Terry. Hello, hello. | 0:37:13 | 0:37:15 | |
So tell me about this plan, how did you come up with it and create it? | 0:37:15 | 0:37:19 | |
I think the parish council recognised | 0:37:19 | 0:37:22 | |
that we should have something in place. | 0:37:22 | 0:37:24 | |
We are a very close community and we are in a very vulnerable | 0:37:24 | 0:37:29 | |
position because we have got the river and we have got the sea, | 0:37:29 | 0:37:32 | |
so we have got water coming at us from both angles. | 0:37:32 | 0:37:35 | |
-Better to be prepared! -Yes. | 0:37:35 | 0:37:38 | |
Well, I've enlisted some help this afternoon, Baker boy. | 0:37:38 | 0:37:40 | |
Yes, you, come on, lazybones. And we're going to see how it works. | 0:37:40 | 0:37:44 | |
How you all pull together. | 0:37:44 | 0:37:46 | |
PHONE RINGS | 0:37:46 | 0:37:47 | |
There we go. There it is. | 0:37:46 | 0:37:48 | |
-That's it. See, I'm quick. -Is that it? -That's it. Come on, let's go. | 0:37:48 | 0:37:51 | |
-Come on, then. -Right. So, what do we do first? | 0:37:51 | 0:37:53 | |
-Knock on doors? -Yes. -Got to let people know? -Yes. -Right. | 0:37:53 | 0:37:56 | |
Flood warning. | 0:38:00 | 0:38:02 | |
Flood warning. | 0:38:02 | 0:38:05 | |
Flood warning. | 0:38:05 | 0:38:07 | |
-I'm going to be rescued, aren't I? -Yes, of course. Don't worry. | 0:38:07 | 0:38:10 | |
We're going to make sure about that. | 0:38:10 | 0:38:12 | |
Floods! Floods! Flood warning! | 0:38:12 | 0:38:14 | |
-Right, Terry. Everyone is on red alert. What next? -Sandbags. | 0:38:15 | 0:38:20 | |
-Not handbags? -Sandbags. | 0:38:20 | 0:38:21 | |
-Got that end? -Yes. -Heavy, aren't they? -They are. | 0:38:24 | 0:38:27 | |
I'm leaving Terry to finish off the flood defences | 0:38:32 | 0:38:35 | |
while I go to the nerve centre of the operation - | 0:38:35 | 0:38:38 | |
the village hall, of course. | 0:38:38 | 0:38:40 | |
Afternoon, hello. | 0:38:44 | 0:38:47 | |
Hi. | 0:38:47 | 0:38:48 | |
Afternoon, ladies. | 0:38:48 | 0:38:50 | |
Afternoon. Right, what's going on in here? What are you preparing? | 0:38:50 | 0:38:53 | |
-We're making soup for the evacuees. -Of course. A bit of food. | 0:38:53 | 0:38:56 | |
-Do you need some help? -Oh, yes. | 0:38:56 | 0:38:59 | |
Now you remember, and indeed were here, for the 1960 flood. | 0:38:59 | 0:39:03 | |
The river just came down the road and straight in our front door | 0:39:03 | 0:39:09 | |
and out the back door. | 0:39:09 | 0:39:10 | |
-So just whooshed through the whole house? -Through the house. | 0:39:10 | 0:39:13 | |
So it just went in? You had a nice well? | 0:39:13 | 0:39:15 | |
All the food was floating out the door. | 0:39:15 | 0:39:18 | |
How long did it take to sort it out, | 0:39:18 | 0:39:20 | |
for the house to dry out and everything? | 0:39:20 | 0:39:22 | |
Oh, weeks, weeks. And the mud was terrible. | 0:39:22 | 0:39:26 | |
What do you think about this plan now, | 0:39:26 | 0:39:28 | |
the action plan to have everybody on standby? | 0:39:28 | 0:39:31 | |
It's brilliant. We had nothing like that. | 0:39:31 | 0:39:33 | |
So the village is prepared and ready. Just one thing missing. | 0:39:40 | 0:39:45 | |
-Super job. Right. Where are you? -I knew that would be you! | 0:39:52 | 0:39:57 | |
-Oh, you're there. -Squeaking away. -Hello! How are you? Nice to see you. | 0:39:57 | 0:40:02 | |
-What are you dressed as? -What do you mean? I'm ready. | 0:40:02 | 0:40:04 | |
-Is this your action hero outfit? -As always, I'm here to the rescue. | 0:40:04 | 0:40:08 | |
-Oh, right! -Have you come to rescue me? | 0:40:08 | 0:40:09 | |
-What are you going to do? -Well, I don't know. | 0:40:09 | 0:40:11 | |
-That was going to ask the boys. -Great. As prepared as ever. | 0:40:11 | 0:40:14 | |
-Can I have your autograph for my cousin in Sunderland? -Oh, OK. Right. | 0:40:14 | 0:40:18 | |
That's not a problem. We can sort that out. | 0:40:18 | 0:40:21 | |
He's got some people to save, let him get on with it. Do something! | 0:40:21 | 0:40:25 | |
Come on, lads. What's happening here? | 0:40:25 | 0:40:26 | |
If the village's flood defences hold, it shouldn't ever get to this. | 0:40:28 | 0:40:32 | |
But if the water did make its way indoors, | 0:40:32 | 0:40:34 | |
it would be down to these guys to pump it back out. | 0:40:34 | 0:40:37 | |
OK, we'll turn that off | 0:40:39 | 0:40:40 | |
and I'll make sure everything is all right in here. | 0:40:40 | 0:40:43 | |
Right, coming through! | 0:40:43 | 0:40:44 | |
Put me down!! Put me down! I don't need saving! | 0:40:44 | 0:40:49 | |
It's all clear in there. Everything is fine! Good. | 0:40:49 | 0:40:54 | |
Oh, Paul, how did we do? | 0:40:54 | 0:40:55 | |
Not that last bit. | 0:40:55 | 0:40:56 | |
Not the last bit. You done really well. | 0:40:56 | 0:40:59 | |
Really good, we'd love to see local communities | 0:40:59 | 0:41:01 | |
having their own resilience plans for flooding. | 0:41:01 | 0:41:04 | |
-Makes our life so much easier. -So this is what you need. | 0:41:04 | 0:41:07 | |
If you're watching at home, if you're a village at risk of flood, | 0:41:07 | 0:41:10 | |
you need to get a plan in place. | 0:41:10 | 0:41:12 | |
There you are. Well, what a note to finish on. | 0:41:12 | 0:41:14 | |
That's all we've got time for this week. | 0:41:14 | 0:41:16 | |
Next week, we'll be in Jane Austen country in the South Downs. | 0:41:16 | 0:41:18 | |
Indeed, the countryside that inspired | 0:41:18 | 0:41:20 | |
one of our first naturalists. | 0:41:20 | 0:41:22 | |
-See you then, bye-bye. -Just give them a wave. -Bye! | 0:41:22 | 0:41:25 | |
Oh, no! Not again! | 0:41:25 | 0:41:26 | |
-Right, lads. -Where are you taking me? Where am I going? | 0:41:26 | 0:41:30 | |
Straight up there. Perfect. See you next week. | 0:41:30 | 0:41:33 | |
Subtitles by Red Bee Media Ltd | 0:41:55 | 0:41:57 |