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THEY EXCLAIM | 0:00:05 | 0:00:07 | |
CHEERING | 0:00:14 | 0:00:16 | |
Let's tuck in! | 0:00:20 | 0:00:21 | |
The Cotswold County Show, | 0:00:28 | 0:00:31 | |
28 acres, 215 events and 20,000 people all coming together | 0:00:31 | 0:00:37 | |
over one summer weekend to celebrate the best | 0:00:37 | 0:00:40 | |
and the barmiest the British summer has to offer. | 0:00:40 | 0:00:42 | |
And, for one day only, they're going to be joined by us. | 0:00:42 | 0:00:45 | |
For over 25 years, | 0:00:49 | 0:00:50 | |
Cirencester Park has been bringing communities together | 0:00:50 | 0:00:54 | |
with a showcase of rural talent, | 0:00:54 | 0:00:56 | |
but 100 summers ago, | 0:00:56 | 0:00:58 | |
these fields were filled with tents of a very different kind, | 0:00:58 | 0:01:02 | |
serving not only community, but country. | 0:01:02 | 0:01:04 | |
I'll be finding out more about that later. | 0:01:04 | 0:01:07 | |
Adam's getting into the spirit of things with some new friends. | 0:01:11 | 0:01:15 | |
I'll be taking on the show's theme of where town meets country, | 0:01:15 | 0:01:19 | |
and taking these three city slickers onto the farm | 0:01:19 | 0:01:21 | |
to show them what it's all about. | 0:01:21 | 0:01:24 | |
Meanwhile, John will rustling up some local produce for lunch, | 0:01:24 | 0:01:28 | |
with a hand from a man who's a "Master" in the kitchen. | 0:01:28 | 0:01:31 | |
Bones off like that? | 0:01:31 | 0:01:32 | |
-So I get to be your sous chef? -Yes, you do. -Oh, great! | 0:01:32 | 0:01:35 | |
As for Tom, well, he'll be hanging around | 0:01:36 | 0:01:38 | |
to get a very different perspective on what this landscape has to offer. | 0:01:38 | 0:01:43 | |
-Welcome to the top of the tree. -Thank you. | 0:01:43 | 0:01:46 | |
I could get the hang of this. | 0:01:46 | 0:01:47 | |
With county shows traditionally a place of competition, | 0:01:48 | 0:01:52 | |
we're entering into the spirit of things | 0:01:52 | 0:01:54 | |
with an end-of-day cricket match - | 0:01:54 | 0:01:56 | |
our Countryfile gang versus our guests and their mystery captain. | 0:01:56 | 0:02:01 | |
I can see a fella who's turned up in his cricket whites. | 0:02:01 | 0:02:03 | |
I bet he's come for a match. | 0:02:03 | 0:02:05 | |
Oh, hang on a minute! | 0:02:05 | 0:02:07 | |
Where else would you fight for a coveted rosette | 0:02:19 | 0:02:22 | |
awarded to the fastest ferret, | 0:02:22 | 0:02:25 | |
witness duck-herding displays, | 0:02:25 | 0:02:27 | |
or come face to feathered face with amazing birds of prey? | 0:02:27 | 0:02:32 | |
The traditional British county show, of course - | 0:02:32 | 0:02:35 | |
an eclectic celebration of the best of rural Britain. | 0:02:35 | 0:02:38 | |
And today we are in the heart of the country at the Cotswold Show, | 0:02:38 | 0:02:43 | |
set within the magnificent Bathurst Estate, | 0:02:43 | 0:02:45 | |
just outside the market town of Cirencester in Gloucestershire. | 0:02:45 | 0:02:49 | |
And we're not just here | 0:02:50 | 0:02:52 | |
but we're creating a bit of a party of our own. | 0:02:52 | 0:02:54 | |
Look who's behind us - rugby and MasterChef star Phil Vickery, | 0:02:54 | 0:02:58 | |
cooking up a storm in the tent. | 0:02:58 | 0:03:00 | |
-We'll all have a try later. -Thank you! | 0:03:00 | 0:03:02 | |
Anyway, let's shuffle this way and part the crowds, | 0:03:02 | 0:03:04 | |
because we've got a load of knitting ladies back here as well, | 0:03:04 | 0:03:07 | |
spinning away. Hello, my dears! | 0:03:07 | 0:03:10 | |
-Are you all all right? -Yes, thank you! | 0:03:10 | 0:03:11 | |
Good, and also, look who's here. Where's he gone?! John Hammond! | 0:03:11 | 0:03:16 | |
John "Hammer" Hammond hitting the bell, good lad. | 0:03:16 | 0:03:18 | |
You're not here just to demonstrate your strength. | 0:03:18 | 0:03:20 | |
Later on, you're going to be explaining the science | 0:03:20 | 0:03:22 | |
of our wonderful summer weather. | 0:03:22 | 0:03:24 | |
Lots of little experiments to try | 0:03:24 | 0:03:25 | |
and put sense to this lovely weather we're experiencing today. | 0:03:25 | 0:03:28 | |
-We are going to get wet. -I'll see what I can do. -We are. | 0:03:28 | 0:03:32 | |
Let's shuffle this away | 0:03:32 | 0:03:33 | |
because Gloucestershire County Cricket club are here. | 0:03:33 | 0:03:35 | |
Thank you very much indeed. Nice throw. | 0:03:35 | 0:03:37 | |
Are you ready? Here it comes! | 0:03:37 | 0:03:39 | |
Lovely! They are proving a real hit with our inflatable net | 0:03:39 | 0:03:43 | |
and memorialising it all in poem and song are our friends | 0:03:43 | 0:03:47 | |
of the programme, Ian McMillan and Tony Husband. | 0:03:47 | 0:03:51 | |
Lovely to have you with us, lads. | 0:03:51 | 0:03:53 | |
The great British county show has always been | 0:03:55 | 0:03:58 | |
a showcase of the skill and ingenuity of rural communities, | 0:03:58 | 0:04:03 | |
a time for isolated villages to come together, | 0:04:03 | 0:04:06 | |
share farming know-how and sell livestock. | 0:04:06 | 0:04:09 | |
The methods of farming may have changed | 0:04:10 | 0:04:12 | |
and the animals on show may be bit more exotic, | 0:04:12 | 0:04:15 | |
but the spirit of these events remains the same. | 0:04:15 | 0:04:19 | |
The show is set in the rather grand back garden | 0:04:19 | 0:04:22 | |
of estate owner Earl Bathurst, | 0:04:22 | 0:04:25 | |
who's been entertaining the town and country folk | 0:04:25 | 0:04:27 | |
for the past 25 years, | 0:04:27 | 0:04:29 | |
along with his wife, the countess. | 0:04:29 | 0:04:31 | |
So how do I address a countess? | 0:04:31 | 0:04:34 | |
Oh, you don't. Lady B's fine, everybody calls me that. | 0:04:34 | 0:04:37 | |
OK, then, Lady B, let's start at the very beginning - | 0:04:37 | 0:04:40 | |
what was the thinking behind the Cotswold Show | 0:04:40 | 0:04:42 | |
right at the very start? | 0:04:42 | 0:04:44 | |
Right at the start, it was really important to my husband, | 0:04:44 | 0:04:47 | |
cos he felt that there was a disconnection | 0:04:47 | 0:04:50 | |
between town and country. | 0:04:50 | 0:04:51 | |
There's been a sort of miscommunication for such a long time | 0:04:51 | 0:04:55 | |
and by getting the two together | 0:04:55 | 0:04:58 | |
in a lovely atmosphere in this lovely area, | 0:04:58 | 0:05:03 | |
I think it's mutually beneficial for all. | 0:05:03 | 0:05:06 | |
We've got people coming in and it's proper, traditional, | 0:05:06 | 0:05:09 | |
really old rural crafts that are coming | 0:05:09 | 0:05:13 | |
and they want to be here and be a part of it | 0:05:13 | 0:05:15 | |
and they want to give that knowledge, | 0:05:15 | 0:05:17 | |
and that's what's so exciting about it. | 0:05:17 | 0:05:19 | |
Do you have a little favourite stall | 0:05:19 | 0:05:21 | |
you always find yourself wandering over to? | 0:05:21 | 0:05:24 | |
-Countryfile this year, of course. -Ah! | 0:05:24 | 0:05:26 | |
Is that the right answer? MATT CHUCKLES | 0:05:26 | 0:05:28 | |
Listen, Lady B, it's been an absolute pleasure. | 0:05:28 | 0:05:30 | |
I know how busy you are, so I'll let you go. | 0:05:30 | 0:05:33 | |
-I hope you have a great time. -We already are! Thank you! | 0:05:33 | 0:05:36 | |
I'll see you guys later. | 0:05:36 | 0:05:37 | |
See you later on. The gates have been open for a while, | 0:05:37 | 0:05:39 | |
the place is filling up nicely, | 0:05:39 | 0:05:42 | |
but Tom, he was quite the early bird | 0:05:42 | 0:05:43 | |
and he was indeed the first to arrive. | 0:05:43 | 0:05:46 | |
I've heard of the early bird catching the worm and all that, | 0:05:52 | 0:05:54 | |
but it is 11 hours till any punters arrive. | 0:05:54 | 0:05:56 | |
Why have you dragged me here now? | 0:05:56 | 0:05:58 | |
What we're planning on doing is getting a unique perspective | 0:05:58 | 0:06:01 | |
on the whole park before everything kicks off. | 0:06:01 | 0:06:04 | |
We're hoping to catch a glimpse of some of the park's regular visitors | 0:06:04 | 0:06:07 | |
that actually come here day in, day out. | 0:06:07 | 0:06:09 | |
By the look of what we're approaching, | 0:06:09 | 0:06:11 | |
I think you could be talking about a bird's-eye view here. | 0:06:11 | 0:06:13 | |
It is indeed, yes. It is indeed. | 0:06:13 | 0:06:15 | |
-I'm going to be up in the crow's nest. I like it. -Absolutely. | 0:06:15 | 0:06:18 | |
Best view in the park. | 0:06:18 | 0:06:19 | |
Wildlife photographer Andrew Walmsley | 0:06:21 | 0:06:24 | |
can undeniably be described as a tree hugger. | 0:06:24 | 0:06:27 | |
Cleared for take-off? | 0:06:27 | 0:06:29 | |
Cleared, on you go. | 0:06:29 | 0:06:31 | |
Chocks away. | 0:06:31 | 0:06:32 | |
He likes nothing more than to hang out for days and nights on end | 0:06:36 | 0:06:40 | |
in the treetops, waiting for the perfect shot. | 0:06:40 | 0:06:43 | |
I'm joining in him in trying to capture some local wildlife | 0:06:45 | 0:06:48 | |
from up in the canopy. | 0:06:48 | 0:06:50 | |
It's a job that demands agility and patience, | 0:06:50 | 0:06:52 | |
something that Andrew will need plenty of with me on board. | 0:06:52 | 0:06:56 | |
That's the one. And then elegantly slide on in. | 0:06:56 | 0:06:59 | |
Hello! | 0:06:59 | 0:07:00 | |
-Right, OK. Welcome to the top of the tree. -Thank you. | 0:07:00 | 0:07:05 | |
-I could get the hang of this. -Absolutely. | 0:07:05 | 0:07:07 | |
I can see the appeal tonight, looking out on this great new view, | 0:07:11 | 0:07:14 | |
but what got you into getting up trees in the first place? | 0:07:14 | 0:07:17 | |
I think I've always done it. | 0:07:17 | 0:07:18 | |
Ever since I was a young kid, | 0:07:18 | 0:07:19 | |
I think I spent half my life up a tree. Actually, it got to the point | 0:07:19 | 0:07:22 | |
that if my mum and dad couldn't find me on the ground, | 0:07:22 | 0:07:24 | |
they knew where to look - I'd be hanging around up a tree somewhere. | 0:07:24 | 0:07:28 | |
I can fully understand it, cos when I was a kid, | 0:07:28 | 0:07:30 | |
we had some pretty reasonable-sized apple trees in the garden | 0:07:30 | 0:07:33 | |
and I used to love climbing them, especially the best time of year, | 0:07:33 | 0:07:36 | |
when it was time to pick the apples, then there was an excuse | 0:07:36 | 0:07:39 | |
to go to the really high bit and try get one on the edge of the branch, | 0:07:39 | 0:07:43 | |
my mum looking a bit nervous underneath. | 0:07:43 | 0:07:46 | |
But I'm in safe hands. | 0:07:46 | 0:07:48 | |
Andrew travels to some of the remotest places on Earth | 0:07:48 | 0:07:51 | |
to get shots of exotic wildlife from the highest branches, | 0:07:51 | 0:07:55 | |
a monkey's eye view that's produced some stunning results. | 0:07:55 | 0:07:59 | |
-So if photography's your thing... -Yes. | 0:07:59 | 0:08:01 | |
..let's see some of the results, how it really works up a tree for you. | 0:08:01 | 0:08:05 | |
This is a Sulawesi crested black macaque. | 0:08:05 | 0:08:07 | |
They're found on the island of Sulawesi in Indonesia | 0:08:07 | 0:08:10 | |
and this is where they live. | 0:08:10 | 0:08:12 | |
To get those pictures, | 0:08:12 | 0:08:13 | |
you've got to get up in the trees with them. | 0:08:13 | 0:08:15 | |
I spent four hours sitting there. | 0:08:15 | 0:08:17 | |
I love the way they look so relaxed. | 0:08:17 | 0:08:18 | |
They quite literally are hanging around, seemingly unperturbed by you. | 0:08:18 | 0:08:22 | |
I don't know what they think of me. | 0:08:22 | 0:08:23 | |
I don't know whether they think I'm another monkey | 0:08:23 | 0:08:25 | |
or whether they realise I'm a human but in a different place. | 0:08:25 | 0:08:28 | |
Being tall and ginger with long arms, | 0:08:28 | 0:08:29 | |
I have a bit of an affinity with orang-utans. | 0:08:29 | 0:08:31 | |
Now that I'm hanging around up trees, I'm not helping. | 0:08:31 | 0:08:34 | |
Whether you're in the Indonesian jungle | 0:08:35 | 0:08:37 | |
or parkland on the edge of Cirencester, | 0:08:37 | 0:08:40 | |
being up in a tree is the perfect vantage point | 0:08:40 | 0:08:43 | |
to capture wildlife unawares, | 0:08:43 | 0:08:45 | |
and these long summer days are the best time to do it. | 0:08:45 | 0:08:48 | |
What do you think we might see if we're lucky in the morning? | 0:08:48 | 0:08:51 | |
If we're lucky and we get up early enough, | 0:08:51 | 0:08:53 | |
before everyone else gets in, | 0:08:53 | 0:08:55 | |
we might be able to see some deer. | 0:08:55 | 0:08:57 | |
A 200-acre deer park used to form part of the Bathurst Estate. | 0:08:59 | 0:09:03 | |
During World War I, the enclosure fell into disrepair | 0:09:03 | 0:09:06 | |
and the deer escaped, | 0:09:06 | 0:09:08 | |
but a wild herd still remains. | 0:09:08 | 0:09:10 | |
People are going to start arriving here at 6.30, | 0:09:13 | 0:09:16 | |
which means if we want to get any animals, | 0:09:16 | 0:09:18 | |
we need to be up and at 'em at 4:30, | 0:09:18 | 0:09:20 | |
so really, it's time I went bed. | 0:09:20 | 0:09:24 | |
If only it were that simple. | 0:09:24 | 0:09:26 | |
If you can just get your legs in, | 0:09:29 | 0:09:30 | |
there should be an opening there somewhere. | 0:09:30 | 0:09:32 | |
Yeah, that's the one, yep. | 0:09:33 | 0:09:36 | |
Looks pretty cosy in here, you know. | 0:09:37 | 0:09:40 | |
My only worry is what happens if I need a wee in the night. | 0:09:40 | 0:09:43 | |
I think some things are best left unexplained. | 0:09:43 | 0:09:46 | |
Good night! | 0:09:46 | 0:09:47 | |
But as dawn breaks on the morning of the Cotswold Show, | 0:09:50 | 0:09:54 | |
it looks like the great British weather means our wildlife safari | 0:09:54 | 0:09:58 | |
could be a washout. | 0:09:58 | 0:10:00 | |
It's 4:30 in the morning, | 0:10:00 | 0:10:02 | |
my alarm's just gone off, | 0:10:02 | 0:10:04 | |
to prepare us, to have us ready for a bright dawn brimming with wildlife. | 0:10:04 | 0:10:09 | |
However, it's pouring with rain, as you can probably hear. | 0:10:09 | 0:10:12 | |
Morning. | 0:10:13 | 0:10:15 | |
-Morning. -How's it looking out there? | 0:10:15 | 0:10:17 | |
Wet. | 0:10:17 | 0:10:18 | |
MUSIC: "Summertime" by George Gershwin | 0:10:25 | 0:10:28 | |
Any self-respecting bird is probably sheltering in its nest | 0:10:40 | 0:10:43 | |
-on a morning like this morning. -Absolutely. I can't really blame it. | 0:10:43 | 0:10:46 | |
The weather may be putting off the wildlife, | 0:10:49 | 0:10:52 | |
but we're not going to let that dampen our enthusiasm | 0:10:52 | 0:10:54 | |
for some treetop photography. | 0:10:54 | 0:10:57 | |
I thought that the leaves would be a total pain | 0:10:57 | 0:10:59 | |
and you can immediately see | 0:10:59 | 0:11:01 | |
that they give you that feeling of depth as well. | 0:11:01 | 0:11:04 | |
With the donkeys down there, you can use them to frame stuff up. | 0:11:04 | 0:11:07 | |
You can actually find little windows in between the leaves | 0:11:07 | 0:11:10 | |
and you can pick and choose exactly what you want to be focused on. | 0:11:10 | 0:11:13 | |
I do quite like the fact we're cherishing the donkeys from up here. | 0:11:14 | 0:11:17 | |
These are animals I could get so close | 0:11:17 | 0:11:18 | |
I could actually sit and ride on. | 0:11:18 | 0:11:20 | |
But you know what, I bet no-one's ever photographed them | 0:11:20 | 0:11:22 | |
from this angle before. | 0:11:22 | 0:11:23 | |
It's all about finding that different perspective. | 0:11:23 | 0:11:26 | |
There's a light just on the end of that caravan there. | 0:11:28 | 0:11:30 | |
If you get it totally out of focus, it's this nice, big circle, | 0:11:30 | 0:11:35 | |
this nice, big, white circle. | 0:11:35 | 0:11:36 | |
Oh, there's a nasty rain shower on my head. | 0:11:39 | 0:11:43 | |
If you change the word "nasty" for "refreshing"... | 0:11:43 | 0:11:45 | |
It's are you always this eternally optimistic first thing? | 0:11:45 | 0:11:48 | |
Annoyingly so, yes. | 0:11:48 | 0:11:49 | |
We've got a crow flying over there. | 0:11:51 | 0:11:53 | |
OK, here is wildlife shot of the century, | 0:11:53 | 0:11:57 | |
late entry for the Countryfile calendar... | 0:11:57 | 0:11:59 | |
No sightings of fallow deer, then, | 0:12:03 | 0:12:05 | |
but as the Cotswold Show gets underway, | 0:12:05 | 0:12:07 | |
life of a different form is stirring below. | 0:12:07 | 0:12:10 | |
And it's not long before we find ourselves the focus of attention. | 0:12:11 | 0:12:15 | |
Artists in residence, Ian McMillan and Tony Husband, | 0:12:16 | 0:12:19 | |
are rather taken by our leafy abode | 0:12:19 | 0:12:22 | |
and in true British fashion, | 0:12:22 | 0:12:24 | |
they're not put off by the rain. | 0:12:24 | 0:12:26 | |
It helps, I think it has to. | 0:12:26 | 0:12:28 | |
It's like an impressionist painting. | 0:12:28 | 0:12:30 | |
-Like Turner now. -Just like a Turner, cos he always did his in the rain. | 0:12:30 | 0:12:33 | |
Yeah. | 0:12:33 | 0:12:35 | |
But not everyone's quite as impressed by our monkey business. | 0:12:35 | 0:12:39 | |
Here comes something I must get a shot of. | 0:12:39 | 0:12:41 | |
A rare and exotic species. | 0:12:41 | 0:12:43 | |
Thomas, what ARE you doing in that tree?! | 0:12:45 | 0:12:48 | |
As the crowds pour in, | 0:12:59 | 0:13:00 | |
our Countryfile corner's proving to be a real hit with visitors | 0:13:00 | 0:13:04 | |
and some of the regulars. | 0:13:04 | 0:13:06 | |
Adam's quickly getting into the swing of things, | 0:13:08 | 0:13:11 | |
and Ellie's day's off to a smooth start. | 0:13:11 | 0:13:14 | |
Smoothies on a bike?! | 0:13:14 | 0:13:16 | |
Mmm! | 0:13:16 | 0:13:17 | |
That's lovely! | 0:13:17 | 0:13:19 | |
As for John, he's heading out into the showground... | 0:13:19 | 0:13:22 | |
Oh-ho! | 0:13:22 | 0:13:24 | |
..to explore some of the other attractions on offer. | 0:13:24 | 0:13:26 | |
This county show was set up as a place where townsfolk | 0:13:28 | 0:13:31 | |
could learn more about country life. | 0:13:31 | 0:13:34 | |
That doesn't just mean farm machinery and rural skills. | 0:13:34 | 0:13:37 | |
Plenty of local producers are here today, | 0:13:37 | 0:13:40 | |
celebrating Gloucestershire's proud food heritage. | 0:13:40 | 0:13:44 | |
I've been tasked with preparing lunch for the Countryfile team | 0:13:44 | 0:13:47 | |
so they'll be on great form for the cricket match later in the day, | 0:13:47 | 0:13:50 | |
if rain doesn't stop play. | 0:13:50 | 0:13:52 | |
I'm going to cook up a feast using ingredients on sale here at the show. | 0:13:52 | 0:13:56 | |
Now, they're a pretty hungry bunch, our lot, | 0:13:56 | 0:13:59 | |
so I'm enlisting the help of someone | 0:13:59 | 0:14:01 | |
who's proved to be a "Master" among chefs - | 0:14:01 | 0:14:04 | |
rugby union legend, Phil Vickery. | 0:14:04 | 0:14:07 | |
After hanging up his boots in 2010, | 0:14:07 | 0:14:10 | |
he picked up an apron and went in for MasterChef. | 0:14:10 | 0:14:13 | |
Our celebrity MasterChef champion is... | 0:14:14 | 0:14:16 | |
..Phil. | 0:14:21 | 0:14:22 | |
You were brought up, weren't you, on a farm in Cornwall. | 0:14:29 | 0:14:31 | |
Have you always been interested in cooking, or just in eating? | 0:14:31 | 0:14:34 | |
Both. Ultimately, the joy of food is eating, | 0:14:34 | 0:14:38 | |
and that's certainly my passion. | 0:14:38 | 0:14:39 | |
I'm really going to need you today, so what are you thinking of? | 0:14:39 | 0:14:43 | |
I'm just thinking lots of people, lots of sharing, food on the table, | 0:14:43 | 0:14:46 | |
I'm going to try and get back into that farmhouse kitchen, | 0:14:46 | 0:14:49 | |
people coming in, enjoying all the different flavours. | 0:14:49 | 0:14:52 | |
Nothing fancy - simple, straightforward, | 0:14:52 | 0:14:54 | |
sharing each other's company, chatting, smiling, laughing, | 0:14:54 | 0:14:57 | |
-eating good food. -So I get the bread, what do you get? | 0:14:57 | 0:15:00 | |
I'm going to try and find some really, really nice meats. | 0:15:00 | 0:15:03 | |
-Right. We'll see you later, then. -See you later. | 0:15:03 | 0:15:05 | |
There's certainly plenty here to tickle our taste buds. | 0:15:07 | 0:15:10 | |
I'm thinking about a platter of cold meat, | 0:15:13 | 0:15:16 | |
a couple of little combinations. | 0:15:16 | 0:15:17 | |
OK, the black olive's very good, it's one of our best sellers. | 0:15:17 | 0:15:21 | |
I think I'm definitely going to fry up some of your pancetta | 0:15:21 | 0:15:23 | |
and get some of that lovely oil and saltiness as a contrast. | 0:15:23 | 0:15:27 | |
-Does that sound good? -That sounds good. -Are you happy? | 0:15:27 | 0:15:30 | |
I'm happy, my friend. | 0:15:30 | 0:15:31 | |
-So if it all goes wrong, I can come back and see you? -Yeah! | 0:15:31 | 0:15:34 | |
Mustn't get distracted by the cakes - | 0:15:36 | 0:15:38 | |
I'm after bread for lunch. | 0:15:38 | 0:15:41 | |
And here's a very local loaf, a Painswick loaf. | 0:15:41 | 0:15:44 | |
This one I created after Mr Twining, who was born in Painswick village | 0:15:44 | 0:15:48 | |
where I live, so it's with a hint of Earl Grey tea. | 0:15:48 | 0:15:53 | |
Just have a taste of that. | 0:15:57 | 0:15:59 | |
That is beautiful. | 0:16:01 | 0:16:03 | |
There you go. | 0:16:03 | 0:16:05 | |
'Well, we've cherry-picked a fine selection of produce from the show, | 0:16:06 | 0:16:09 | |
'so what's on the menu?' What are you going to cook? | 0:16:09 | 0:16:12 | |
We've got the steak and the bread. What else are you going to do? | 0:16:12 | 0:16:15 | |
What I'll try and do is have a little bit for everybody. | 0:16:15 | 0:16:17 | |
I've got the cold meats with that nice smokiness | 0:16:17 | 0:16:20 | |
and some of that spicing coming through. | 0:16:20 | 0:16:22 | |
Combine that with what is for me the best of British, | 0:16:22 | 0:16:26 | |
that beautiful beef. | 0:16:26 | 0:16:27 | |
Going to roast some vegetables off as well, | 0:16:27 | 0:16:29 | |
but also the great British summertime - show off some salads. | 0:16:29 | 0:16:33 | |
Lots of different textures in there. | 0:16:33 | 0:16:35 | |
I could do you with you going to find me a nice, smoky fish | 0:16:35 | 0:16:37 | |
that I can run through with some tomatoes, the acid, the nice greens. | 0:16:37 | 0:16:41 | |
Looks vibrant, want people to eat it. | 0:16:41 | 0:16:43 | |
-I get to be your sous chef, don't I? -You do, yeah! | 0:16:43 | 0:16:46 | |
Well, you better get going, | 0:16:46 | 0:16:47 | |
cos cooking doesn't get tougher than this, does it? | 0:16:47 | 0:16:49 | |
D'oh! | 0:16:49 | 0:16:51 | |
It's a bit wet out in the showground, | 0:16:58 | 0:17:00 | |
but it's warm and dry in this rather strange shed. | 0:17:00 | 0:17:04 | |
This is the amazing travelling kipper house. | 0:17:04 | 0:17:08 | |
In here we have some that are just starting. | 0:17:08 | 0:17:11 | |
That's the last thing on the list. | 0:17:13 | 0:17:15 | |
I'm learning fast at this sous chef lark. | 0:17:15 | 0:17:18 | |
The one thing with winning MasterChef, | 0:17:22 | 0:17:26 | |
people suddenly expect you to be able to create things | 0:17:26 | 0:17:31 | |
very quickly, very easily, | 0:17:31 | 0:17:32 | |
so I do feel constantly under pressure. | 0:17:32 | 0:17:35 | |
When people say they want to come round for dinner, | 0:17:35 | 0:17:37 | |
it used to be a jacket spud | 0:17:37 | 0:17:39 | |
with a nice bowl of chilli. | 0:17:39 | 0:17:41 | |
I can't do that any more! I can't do it. | 0:17:41 | 0:17:43 | |
Got the kippers, Phil. | 0:17:44 | 0:17:46 | |
-How about that, look? -Good man, thank you. -Four of them. | 0:17:46 | 0:17:49 | |
They look good, don't they? | 0:17:49 | 0:17:50 | |
Maybe pluck the meat off and just run it through a nice salad. | 0:17:50 | 0:17:54 | |
You got any ideas? | 0:17:54 | 0:17:56 | |
Well, I tell you what, | 0:17:56 | 0:17:57 | |
it does seem odd to me, Phil, | 0:17:57 | 0:17:59 | |
to see this big, hunky rugby player talking so passionately about food. | 0:17:59 | 0:18:04 | |
It is amazing just how you can go | 0:18:04 | 0:18:06 | |
to a really, really male-orientated, rugby dinner | 0:18:06 | 0:18:10 | |
and you get these great, big hulks come up to you and say, | 0:18:10 | 0:18:13 | |
-"I cook." -A confession? -It is a confession. | 0:18:13 | 0:18:16 | |
With our local meats and freshly-smoked fish, | 0:18:17 | 0:18:20 | |
this is shaping up to be the ultimate British barbecue. | 0:18:20 | 0:18:24 | |
Shall I just scatter the cheese, then, Phil? | 0:18:26 | 0:18:28 | |
-Yes, please. -Artistically. | 0:18:28 | 0:18:29 | |
Across the salad. | 0:18:29 | 0:18:31 | |
What's the time check, chef? | 0:18:31 | 0:18:32 | |
You now have 40 minutes. | 0:18:32 | 0:18:35 | |
-NERVOUSLY: -Ooh! | 0:18:35 | 0:18:37 | |
While the guys get the food ready for the table, | 0:18:38 | 0:18:41 | |
I'm off to work up an appetite. | 0:18:41 | 0:18:43 | |
There's one activity that's been part of these rural showcases | 0:18:43 | 0:18:46 | |
since the very beginning, a display of physical prowess | 0:18:46 | 0:18:50 | |
and something that inspires a bit of healthy competition. | 0:18:50 | 0:18:52 | |
Archery. | 0:18:55 | 0:18:56 | |
Historically used as a means of hunting | 0:18:56 | 0:18:58 | |
or a defensive weapon in battle, | 0:18:58 | 0:19:00 | |
the humble bow and arrow has long been a hit at county shows. | 0:19:00 | 0:19:04 | |
However, today, rather than defending the realm, | 0:19:05 | 0:19:08 | |
I'm here to defend my honour. | 0:19:08 | 0:19:11 | |
Against Ellie. | 0:19:11 | 0:19:12 | |
Matthew Nimmo is a real Robin Hood, | 0:19:14 | 0:19:17 | |
a professional archer who's been using a traditional longbow | 0:19:17 | 0:19:20 | |
for 20 years. | 0:19:20 | 0:19:21 | |
He's going to show us how it's done and, most importantly, | 0:19:21 | 0:19:24 | |
decide the winner. | 0:19:24 | 0:19:26 | |
Oh! | 0:19:26 | 0:19:28 | |
-Matthew! -That was amazing! | 0:19:28 | 0:19:30 | |
-Hello! -How are you doing? -Hello! | 0:19:30 | 0:19:31 | |
You've obviously got a big smile on your face | 0:19:31 | 0:19:33 | |
-cos you've just popped the balloon. -He's won the prize. | 0:19:33 | 0:19:36 | |
I'm not sure I can do that, I've never done this before. | 0:19:36 | 0:19:38 | |
With a little bit of tuition, you will crack it | 0:19:38 | 0:19:40 | |
and you will get a balloon. | 0:19:40 | 0:19:42 | |
-Brilliant. -Hooray! -Shall we start by grabbing a bow each | 0:19:42 | 0:19:44 | |
-and see where we're at from there, Matthew? -Yep. | 0:19:44 | 0:19:47 | |
Our very own Friar Tuck and Little John | 0:19:48 | 0:19:51 | |
have us in their line of sight. | 0:19:51 | 0:19:52 | |
Easy to draw, those arrows? | 0:19:52 | 0:19:54 | |
Cos they look simple to me, I think I could have a go at that. | 0:19:54 | 0:19:56 | |
There we are, simples. | 0:19:57 | 0:19:59 | |
-It's like a cave painting. -I'll go home now. | 0:19:59 | 0:20:01 | |
You may as well go, Tony. Look at that. You may as well go. | 0:20:01 | 0:20:03 | |
I'm going home. | 0:20:03 | 0:20:04 | |
But will we hit the bull's-eye | 0:20:04 | 0:20:06 | |
or be all of a quiver? | 0:20:06 | 0:20:07 | |
All you need to do is just move your front foot | 0:20:07 | 0:20:10 | |
in the direction you want to travel. | 0:20:10 | 0:20:12 | |
Way off target. | 0:20:13 | 0:20:15 | |
Wah! | 0:20:15 | 0:20:16 | |
I have actually got a secret string to my bow - | 0:20:17 | 0:20:20 | |
I've done this a few times before. | 0:20:20 | 0:20:23 | |
Oh-ho! | 0:20:23 | 0:20:24 | |
Good. Right, that's it, we'll stop now, we'll stop now! | 0:20:24 | 0:20:27 | |
-Don't need to do any more. -Unbelievable. -I'm happy now. | 0:20:27 | 0:20:29 | |
-Now we'll have a little competition between the two of you. -Oh! | 0:20:33 | 0:20:37 | |
There's a balloon on the target. | 0:20:37 | 0:20:39 | |
-We just keep going till we pop the balloon? -Absolutely. | 0:20:39 | 0:20:41 | |
Maid Marian first. | 0:20:41 | 0:20:43 | |
Looks good, Ellie. | 0:20:43 | 0:20:44 | |
-Oh! -Oh! | 0:20:44 | 0:20:46 | |
At least it's in the zone now. | 0:20:47 | 0:20:49 | |
-Oh! -Oh! -That is close! | 0:20:49 | 0:20:52 | |
Oh, I thought it was there! | 0:20:52 | 0:20:55 | |
I'm imagining an apple on John Craven's encyclopaedic head. | 0:20:56 | 0:21:00 | |
Must...not...miss. | 0:21:00 | 0:21:02 | |
-Yes! -Yes! -You've done it! | 0:21:02 | 0:21:06 | |
-Sorry. -Good work! No, good on you, good on you. -I'm happy with that. | 0:21:06 | 0:21:09 | |
Do I get to take a little bit of balloon back home now? | 0:21:09 | 0:21:12 | |
-You get a balloon of your choice. -Oh, lovely! | 0:21:12 | 0:21:14 | |
A bit of friendly Countryfile competition | 0:21:15 | 0:21:18 | |
isn't the only thing that's hotting up. | 0:21:18 | 0:21:20 | |
A dismal start to the day has failed to dampen anyone's mood. | 0:21:20 | 0:21:24 | |
Everyone's getting into the spirit of the show, | 0:21:26 | 0:21:29 | |
not least Adam, who's taken its theme | 0:21:29 | 0:21:32 | |
of "where town meets country" to heart | 0:21:32 | 0:21:34 | |
by giving some new city chums a taste of rural life. | 0:21:34 | 0:21:38 | |
As a farmer, the British countryside is my bread and butter, | 0:21:40 | 0:21:43 | |
but for many people, especially those who live | 0:21:43 | 0:21:46 | |
and work in the towns or cities, it can be quite an alien environment, | 0:21:46 | 0:21:49 | |
although they still manage to get a glimpse of it every Sunday | 0:21:49 | 0:21:52 | |
night from the comfort of their own living rooms | 0:21:52 | 0:21:55 | |
while perhaps sipping a glass of wine or having a Sunday roast. | 0:21:55 | 0:21:58 | |
Ring any bells? | 0:21:58 | 0:22:00 | |
But that's about to change. | 0:22:02 | 0:22:04 | |
Three Countryfile viewers, living life in the fast lane of the | 0:22:08 | 0:22:11 | |
capital, are swapping the congestion zone for my farm in the Cotswolds. | 0:22:11 | 0:22:16 | |
I have encountered cows on a coastal walk in Cornwall. | 0:22:19 | 0:22:23 | |
I was frozen on the other side of the gate, hoping they would go away. | 0:22:23 | 0:22:28 | |
They'll be spending the day out in the sticks with me, | 0:22:28 | 0:22:31 | |
working on the farm. | 0:22:31 | 0:22:33 | |
But how will these city types fare outside zone one? | 0:22:33 | 0:22:37 | |
My contact with wildlife in London is pretty limited. | 0:22:37 | 0:22:41 | |
If I'm lucky, I might see rats on the Tube. | 0:22:41 | 0:22:45 | |
It's not nice, but it's wildlife. | 0:22:45 | 0:22:47 | |
I collect pieces of taxidermy. | 0:22:47 | 0:22:51 | |
That's wildlife, even though it's dead. | 0:22:51 | 0:22:54 | |
Will life in the countryside be all they imagine? | 0:22:54 | 0:22:58 | |
I do have a tweed jacket, which I don't really where that much, | 0:22:58 | 0:23:01 | |
cos you can't really where that in London. It's a bit silly. | 0:23:01 | 0:23:05 | |
Pink wellies, which no-one in the country would ever been seen | 0:23:05 | 0:23:08 | |
dead in. I like the idea of having some chickens, have some nice eggs. | 0:23:08 | 0:23:11 | |
Easy, manageable. Nothing too much. Not that. | 0:23:11 | 0:23:16 | |
SHE LAUGHS | 0:23:16 | 0:23:17 | |
Time to step out of their comfort zone | 0:23:17 | 0:23:19 | |
and experience the reality of life on the land. | 0:23:19 | 0:23:22 | |
Welcome to the farm. | 0:23:26 | 0:23:27 | |
I know none of you get into the countryside very often | 0:23:27 | 0:23:29 | |
and have certainly never worked on farms before, | 0:23:29 | 0:23:32 | |
so I'm going to show you around, and hopefully you'll | 0:23:32 | 0:23:34 | |
get a bit of a taste of what we get up to here and enjoy the day. | 0:23:34 | 0:23:37 | |
Right, follow me. | 0:23:37 | 0:23:38 | |
'First job of the day, sorting out the pigs.' | 0:23:40 | 0:23:43 | |
Right, these are my Gloucestershire Old Spot. | 0:23:45 | 0:23:48 | |
We've got five sows, five females and a boar in there. | 0:23:48 | 0:23:51 | |
Just got to get over this electric fence first. | 0:23:51 | 0:23:53 | |
We'll just hop over that, it's the quickest way. Hop over there, Terry? | 0:23:53 | 0:23:57 | |
-Yep. -That's it. | 0:23:57 | 0:23:59 | |
PIGS GRUNT | 0:23:59 | 0:24:00 | |
You get over there? Can you hop over? | 0:24:00 | 0:24:03 | |
Do you not like electric fences? | 0:24:05 | 0:24:07 | |
I'm quite scared of electric fences. | 0:24:07 | 0:24:09 | |
I'm scared my hair will go grey and I don't want grey hair. | 0:24:09 | 0:24:13 | |
There was a big palaver, getting me over the electric fence. | 0:24:13 | 0:24:17 | |
Huh! | 0:24:17 | 0:24:18 | |
LAUGHTER | 0:24:18 | 0:24:19 | |
-Very good. -My body touched it. -Again! | 0:24:19 | 0:24:22 | |
Right, so this is the hut where the pigs sleep. | 0:24:24 | 0:24:26 | |
-We need to bed it down with some straw. -We're getting in? | 0:24:26 | 0:24:29 | |
Get in there. | 0:24:29 | 0:24:31 | |
I could sleep in it, it's actually bigger than my flat. | 0:24:32 | 0:24:35 | |
'With the guys busy making up the pigs' bedroom, | 0:24:35 | 0:24:38 | |
'it's Anabelle's job to sort out their en-suite.' | 0:24:38 | 0:24:41 | |
Get the water out of the trough and pour it into this wallow | 0:24:41 | 0:24:43 | |
and she'll just mud bath in there. | 0:24:43 | 0:24:45 | |
When it gets hot, that cools her down. | 0:24:45 | 0:24:48 | |
PIG GRUNTS | 0:24:48 | 0:24:49 | |
-You can just shake it, look. -Yeah. | 0:24:54 | 0:24:56 | |
Mucky hands. Feel like I need to go and wash them now. | 0:24:59 | 0:25:02 | |
Not in there. Or there. | 0:25:02 | 0:25:04 | |
There we go. Look! Clean! Good as new. | 0:25:06 | 0:25:10 | |
'Anabelle might be finding the pig wallow dirty work, | 0:25:10 | 0:25:13 | |
'but at least somebody appreciates her efforts.' | 0:25:13 | 0:25:15 | |
He wants to be friends with me now. | 0:25:15 | 0:25:17 | |
'And she seems to be feeling more at home in her new surroundings.' | 0:25:19 | 0:25:23 | |
Bye! | 0:25:23 | 0:25:25 | |
'I keep everything on the farm, from rare breed goats to chickens, | 0:25:27 | 0:25:31 | |
'and it's a never-ending job to look after them all. | 0:25:31 | 0:25:34 | |
'Although I feel incredibly lucky to live in the countryside | 0:25:34 | 0:25:37 | |
'and love it, running a farm is certainly no walk in the park, | 0:25:37 | 0:25:40 | |
'as my rookie farm hands are finding out.' | 0:25:40 | 0:25:43 | |
That's it! You've only got 500 more to go. | 0:25:43 | 0:25:46 | |
It's going to be a long day. | 0:25:46 | 0:25:48 | |
'But there are rewards that come with this hard work, | 0:25:49 | 0:25:52 | |
'as they're also discovering.' | 0:25:52 | 0:25:55 | |
-It isn't a moving moment. -It IS a moving moment. | 0:25:55 | 0:25:58 | |
I feel like I'm helping nature. | 0:25:58 | 0:25:59 | |
'And their work's not yet done.' | 0:26:02 | 0:26:04 | |
We got a 1,600 acre tenancy here, so there's always things going on. | 0:26:06 | 0:26:11 | |
We've got about 500 commercial ewes on the farm, | 0:26:11 | 0:26:14 | |
and we've just got to get some into the pen. | 0:26:14 | 0:26:16 | |
There's always hard work to do, so you can help me get them in. | 0:26:16 | 0:26:19 | |
-Run if you like. -Don't run too fast. -No. | 0:26:21 | 0:26:24 | |
Whoo! | 0:26:26 | 0:26:28 | |
Don't leave any behind! | 0:26:28 | 0:26:30 | |
Boo! | 0:26:30 | 0:26:31 | |
You can always you a sheepdog for this job, | 0:26:31 | 0:26:33 | |
but why not just use three people from the city? | 0:26:33 | 0:26:37 | |
Ahh! | 0:26:37 | 0:26:38 | |
La, la, la, la, la! | 0:26:39 | 0:26:41 | |
Anabelle! | 0:26:41 | 0:26:43 | |
Get behind, you're on the wrong side! Go round the other side! | 0:26:43 | 0:26:47 | |
Oh, no, they're coming towards me! | 0:26:47 | 0:26:49 | |
BLEEP | 0:26:49 | 0:26:50 | |
Quick! Quick! | 0:26:50 | 0:26:53 | |
Not sure who's chasing who! | 0:26:53 | 0:26:55 | |
Having a lovely time! | 0:26:55 | 0:26:56 | |
Go on! Go on! Go, go, go! | 0:26:56 | 0:26:59 | |
-That's it. Well done, Liz. -GO! | 0:26:59 | 0:27:02 | |
I think I might just send the dog, give them a hand. | 0:27:03 | 0:27:06 | |
HE WHISTLES | 0:27:06 | 0:27:07 | |
Woo-ah! | 0:27:07 | 0:27:08 | |
Go on! Team dog. Come on! Up, up, up! | 0:27:08 | 0:27:14 | |
-That's it. -Just get them all, bring them all. | 0:27:14 | 0:27:16 | |
Bring them on. | 0:27:16 | 0:27:18 | |
-Get them in. -Go, go, go! | 0:27:18 | 0:27:19 | |
Up. | 0:27:19 | 0:27:21 | |
That's very good! | 0:27:21 | 0:27:22 | |
-I think that's 20 points out of 20 points for the fetch. -Yes! | 0:27:22 | 0:27:26 | |
Yeah, well... | 0:27:26 | 0:27:28 | |
I like the idea of doing lots of manual labour | 0:27:29 | 0:27:32 | |
and coming back home and having a hearty meal. I just... | 0:27:32 | 0:27:35 | |
Yeah, it's like a proper day's work, isn't it? | 0:27:35 | 0:27:37 | |
There was a point where I think I couldn't breath any more, | 0:27:37 | 0:27:41 | |
but it's been really exhilarating. No, I've loved it. | 0:27:41 | 0:27:44 | |
Come on, come on. | 0:27:44 | 0:27:46 | |
I wouldn't be able to run a farm, definitely not. | 0:27:46 | 0:27:48 | |
But, you know, I might be able to look after a couple of chickens. | 0:27:48 | 0:27:51 | |
Maybe a dog. | 0:27:51 | 0:27:52 | |
Terry, Liz and Anabelle, they've all got stuck in. | 0:27:53 | 0:27:56 | |
It just shows that anybody can come from any walk of life | 0:27:56 | 0:27:59 | |
and get involved with farming. | 0:27:59 | 0:28:01 | |
'The guys have stuck around to experience a little | 0:28:06 | 0:28:08 | |
'more of what country life has to offer.' | 0:28:08 | 0:28:11 | |
All of these people are from London. | 0:28:11 | 0:28:12 | |
They should know how to use the London digging spade! | 0:28:12 | 0:28:15 | |
Look at that. You're a natural. | 0:28:15 | 0:28:17 | |
HE LAUGHS | 0:28:17 | 0:28:18 | |
Have it back. | 0:28:20 | 0:28:21 | |
'But while it's a picture of summertime fun here today, | 0:28:22 | 0:28:26 | |
'rewind 100 years, and bucolic scenes like this were about to be | 0:28:26 | 0:28:31 | |
'shattered by the outbreak of the First World War.' | 0:28:31 | 0:28:35 | |
The activities in this park | 0:28:37 | 0:28:38 | |
were drawing a crowd for a very different reason. | 0:28:38 | 0:28:42 | |
It was commandeered as a military training camp, | 0:28:42 | 0:28:45 | |
preparing men to fight in foreign fields. | 0:28:45 | 0:28:48 | |
Armed with a sword and a rifle, soldiers were brought here to | 0:28:48 | 0:28:51 | |
be taught infantry tactics and horsemanship. | 0:28:51 | 0:28:54 | |
These rare reminders have been brought to light by the | 0:28:54 | 0:28:57 | |
Worcestershire Yeomanry Museum, and today, | 0:28:57 | 0:29:00 | |
they're being shared with the Earl and Countess. | 0:29:00 | 0:29:03 | |
Lord and Lady Bathurst, I don't know if you've met Stamford before, | 0:29:03 | 0:29:07 | |
but Stamford's brought along some incredible photographs of | 0:29:07 | 0:29:10 | |
when the estate was used as a training camp, haven't you? | 0:29:10 | 0:29:13 | |
Yes, the Worcester Yeomanry, with the Warwickshire Yeomanry | 0:29:13 | 0:29:16 | |
and the Royal Gloucester Hussars, were here from April, 1915. | 0:29:16 | 0:29:21 | |
They ran special trains from as far away as London to come | 0:29:21 | 0:29:25 | |
to the camp to view these soldiers in training on a Sunday. | 0:29:25 | 0:29:29 | |
The Tan Band would come out, apparently, | 0:29:29 | 0:29:31 | |
plus a regimental band, and they'd play the music, and of course, | 0:29:31 | 0:29:36 | |
what they were trying to do was to recruit more | 0:29:36 | 0:29:39 | |
soldiers for service in the Great War. | 0:29:39 | 0:29:42 | |
The album itself was photographed by a chap called Lieutenant Holyoake. | 0:29:42 | 0:29:47 | |
He produced this wonderful record showing what was happening | 0:29:47 | 0:29:52 | |
normally in camp at any time during the day. | 0:29:52 | 0:29:55 | |
Do you recognise any of these areas? | 0:29:55 | 0:29:59 | |
COUNTESS: Oh, that's the polo grounds. | 0:29:59 | 0:30:03 | |
One of the pictures is of Brian Hatton, | 0:30:03 | 0:30:06 | |
really quite an acclaimed equestrian artist. | 0:30:06 | 0:30:09 | |
That picture, especially, is rather poignant in that he served | 0:30:09 | 0:30:12 | |
the Worcester Yeomanry and was killed on Easter Sunday, 1916. | 0:30:12 | 0:30:17 | |
But it wasn't just the estate itself, was it, | 0:30:17 | 0:30:20 | |
that had connections with the Great War, because your family did, too? | 0:30:20 | 0:30:23 | |
Very much so, whether it was my grandfather, great-grandfather | 0:30:23 | 0:30:26 | |
or great-grandmother, they were all very heavily involved. | 0:30:26 | 0:30:30 | |
I've been reading through some of the letters | 0:30:30 | 0:30:32 | |
that my grandfather wrote back. | 0:30:32 | 0:30:36 | |
A very short paragraph here, dated 7th of October, 1918, | 0:30:36 | 0:30:41 | |
when he says, "I had a bit of fun here on my own, | 0:30:41 | 0:30:44 | |
"being sent to reconnoitre a station with about 20 men | 0:30:44 | 0:30:48 | |
"and finding the Huns were burning it, and the place full of Huns | 0:30:48 | 0:30:51 | |
"and Turks, we charged into them." | 0:30:51 | 0:30:55 | |
'Already highly decorated, Lord Bathurst's grandfather was awarded | 0:30:55 | 0:30:59 | |
'the Distinguished Service Order for this act of bravery in Egypt. | 0:30:59 | 0:31:04 | |
'But we've tracked down details never seen | 0:31:04 | 0:31:06 | |
'by the Earl and Countess.' | 0:31:06 | 0:31:08 | |
Have you come across this in the London Gazette? | 0:31:08 | 0:31:11 | |
"This officer carried out the retirement of the troop | 0:31:11 | 0:31:14 | |
"in perfect order, and when attacked by the enemy from a flank, another | 0:31:14 | 0:31:17 | |
"charge was made, inflicting loss and enabling him to get away intact. | 0:31:17 | 0:31:22 | |
"Throughout this mission, he showed splendid gallantry, | 0:31:22 | 0:31:25 | |
"a marked ability to command." That's just quite moving. | 0:31:25 | 0:31:28 | |
-Oh! -Very moving. | 0:31:28 | 0:31:30 | |
Yes, that's amazing. I've never seen that before. Gosh! Quite filling up! | 0:31:31 | 0:31:37 | |
-That's quite something. -Fantastic. | 0:31:37 | 0:31:39 | |
If you want to find out more about the role your relatives or the | 0:31:40 | 0:31:44 | |
landscape you live in played during the Great War, you can, | 0:31:44 | 0:31:47 | |
by using the BBC's World War I At Home website. | 0:31:47 | 0:31:50 | |
Ten minutes! | 0:32:01 | 0:32:03 | |
Lunchtime is fast approaching | 0:32:03 | 0:32:05 | |
and there's a gaggle of hungry Countryfilers in need of refuelling. | 0:32:05 | 0:32:08 | |
Phil and I are on our final push in the kitchen | 0:32:11 | 0:32:14 | |
and, in the nick of time, | 0:32:14 | 0:32:15 | |
our locally-sourced feast is ready to be served. | 0:32:15 | 0:32:18 | |
OK, folks, it's lunchtime. | 0:32:19 | 0:32:23 | |
-Take your places. -Yum! | 0:32:23 | 0:32:25 | |
And what a lunch we have for you. | 0:32:25 | 0:32:28 | |
John, this is lovely. | 0:32:28 | 0:32:30 | |
-How did the archery go? -That's how the archery went. Look at that. | 0:32:30 | 0:32:33 | |
You actually pierced the balloon, did you? | 0:32:33 | 0:32:35 | |
I was one away from getting the balloon. Boo! | 0:32:35 | 0:32:37 | |
Anyway, we've got this fantastic lunch for you, | 0:32:37 | 0:32:40 | |
courtesy of Mr Vickery. | 0:32:40 | 0:32:42 | |
APPLAUSE | 0:32:42 | 0:32:44 | |
-Speech! -LAUGHTER | 0:32:46 | 0:32:49 | |
Goodness me, Phil, that looks tremendous. | 0:32:49 | 0:32:52 | |
Talk us through what we've got. | 0:32:52 | 0:32:53 | |
Well, you've got to help me out, John, because, believe it or not, | 0:32:53 | 0:32:56 | |
he was actually my sous chef for the day as well. | 0:32:56 | 0:32:58 | |
So, anything you don't like is his responsibility. | 0:32:58 | 0:33:02 | |
Well, I cut the cheese... and I tried to get all of the bones | 0:33:02 | 0:33:04 | |
out of the kipper, and that's about it. | 0:33:04 | 0:33:06 | |
Yeah, we've got some beautiful Gloucester sausages, | 0:33:06 | 0:33:08 | |
some lovely British steak, | 0:33:08 | 0:33:11 | |
some beautiful Cornish hams, | 0:33:11 | 0:33:13 | |
a great, big salad to dig in, | 0:33:13 | 0:33:15 | |
John's kippers down the end... | 0:33:15 | 0:33:17 | |
-as a little bit of an option. -LAUGHTER | 0:33:17 | 0:33:21 | |
-But enjoy. -APPLAUSE | 0:33:21 | 0:33:23 | |
Good man. Good eating. | 0:33:24 | 0:33:27 | |
Just before we eat, and don't eat too much | 0:33:27 | 0:33:29 | |
because we want you all fit for the cricket this afternoon, | 0:33:29 | 0:33:32 | |
have you got any idea who our mystery star cricketer might be? | 0:33:32 | 0:33:35 | |
Well, Ian, you've got a little clue for us, haven't you? | 0:33:36 | 0:33:40 | |
The mystery guest makes my heart go thump. | 0:33:40 | 0:33:42 | |
He was the best at the middle stump. | 0:33:42 | 0:33:44 | |
Beefy Botham? | 0:33:45 | 0:33:47 | |
- Viv Richards. - Ah-ha. | 0:33:47 | 0:33:50 | |
Maybe. | 0:33:50 | 0:33:51 | |
You've been sketching away, Tony. What have you got there? | 0:33:51 | 0:33:55 | |
I've got the Countryfile Chimps Tea Party. | 0:33:55 | 0:33:58 | |
-LAUGHTER -How rude! | 0:33:58 | 0:34:00 | |
Right, everybody, let's tuck in. | 0:34:00 | 0:34:02 | |
'What a spread. | 0:34:04 | 0:34:05 | |
'Although I think that behind every good chef | 0:34:05 | 0:34:07 | |
'there's a pretty good sous chef.' | 0:34:07 | 0:34:10 | |
-You're a bit of a chef as well, John? -Oh, I am. | 0:34:10 | 0:34:12 | |
-Perfectly chopped cheese, don't you think? -It is beautiful. | 0:34:12 | 0:34:15 | |
CHATTER | 0:34:15 | 0:34:17 | |
The boys' meal might be a resounding success, | 0:34:21 | 0:34:24 | |
but something that's been hit and miss all day, | 0:34:24 | 0:34:27 | |
and usually all summer, is the weather. | 0:34:27 | 0:34:29 | |
For now, at least, it is fine, | 0:34:31 | 0:34:33 | |
much to the Countryfile barometer of all things rain or shine, | 0:34:33 | 0:34:36 | |
-weatherman John Hammond. -It's turned out nice again. | 0:34:36 | 0:34:38 | |
It certainly has. I bet you get the blame when it doesn't. | 0:34:38 | 0:34:41 | |
Yeah, but people don't understand. | 0:34:41 | 0:34:42 | |
We don't make the weather - we just try and understand it | 0:34:42 | 0:34:45 | |
and forecast it. Sometimes we get it right, don't we? | 0:34:45 | 0:34:48 | |
'Using a few simple experiments, | 0:34:48 | 0:34:50 | |
'weatherman turned fairground showman John is going | 0:34:50 | 0:34:53 | |
'to try and explain to me | 0:34:53 | 0:34:54 | |
'three things that make up our summer weather - | 0:34:54 | 0:34:58 | |
'rainstorms, lightning | 0:34:58 | 0:35:02 | |
'and, first of all, | 0:35:02 | 0:35:03 | |
'how temperature and pressure combine to create thermal currents.' | 0:35:03 | 0:35:08 | |
-OK, we've got a flask here... -And some eggs?! | 0:35:08 | 0:35:11 | |
Some hard boiled eggs, OK? | 0:35:11 | 0:35:12 | |
Now, what we're going to do is heat up the air inside that flask, | 0:35:12 | 0:35:15 | |
-so I'm going to light a bit of paper... -OK. | 0:35:15 | 0:35:18 | |
We've got yourselves a flame. OK... | 0:35:18 | 0:35:21 | |
And we're going to put that inside the flask, like that. | 0:35:21 | 0:35:24 | |
-Now, put an egg in there. -This one? -Yeah. -A squidgy one. | 0:35:24 | 0:35:28 | |
The egg cuts off the air supply, putting the flame out. | 0:35:29 | 0:35:33 | |
As the temperature in the jar drops, so does the air pressure, | 0:35:33 | 0:35:36 | |
creating an air vacuum into which our egg is sucked. | 0:35:36 | 0:35:39 | |
It's going, it's going, it's going, it's going. | 0:35:41 | 0:35:44 | |
-It gets sucked in. -APPLAUSE | 0:35:44 | 0:35:46 | |
'Turn this experiment on its head and you have thermal currents. | 0:35:48 | 0:35:53 | |
'Air at ground level is heated by rays of summer sun. | 0:35:54 | 0:35:58 | |
'This hot air is sucked up into the cooler atmosphere above. | 0:35:58 | 0:36:03 | |
'When these rising thermal currents eventually cool, | 0:36:03 | 0:36:06 | |
'they release their moisture as rain.' | 0:36:06 | 0:36:08 | |
Right, now this is my thermal device here, OK, | 0:36:11 | 0:36:14 | |
and a big, big hammer. | 0:36:14 | 0:36:15 | |
So I want you to do is sort of replicate the idea of a warm day, | 0:36:15 | 0:36:18 | |
where you've got a lot of heat being generated by the sun, | 0:36:18 | 0:36:20 | |
and it goes up through the atmosphere and it cools and condenses | 0:36:20 | 0:36:23 | |
-and produces showers. -These are our rain clouds, are they? | 0:36:23 | 0:36:26 | |
These are our rain clouds and, on a moderately warm day, | 0:36:26 | 0:36:28 | |
not too much thermal activity, but moderate. | 0:36:28 | 0:36:31 | |
-Give it a moderate whack... -Yeah. | 0:36:31 | 0:36:34 | |
..you get a slight shower. | 0:36:34 | 0:36:36 | |
Well done. So I want you to produce a big rain cloud. | 0:36:36 | 0:36:38 | |
Go ahead, see what you're made of. | 0:36:38 | 0:36:40 | |
-Here we go. -Oh, no good. | 0:36:40 | 0:36:43 | |
Done. In my puny absence, step up. | 0:36:43 | 0:36:46 | |
Here we go. | 0:36:46 | 0:36:48 | |
-I have been practising, I have to admit. -Give it some wellie. | 0:36:48 | 0:36:51 | |
Stand-by. | 0:36:51 | 0:36:53 | |
-BOTH: Yay! -We are drenched. | 0:36:53 | 0:36:56 | |
So we got a big summer rain cloud. | 0:36:56 | 0:36:58 | |
But those big storms in summer, what else do you get, Ellie? | 0:36:58 | 0:37:01 | |
-Good old thunder and lightning. -Thunder and lightning. | 0:37:01 | 0:37:04 | |
So, you know what, we're going to generate our own thunder storm. | 0:37:04 | 0:37:07 | |
In prolonged periods of hot weather, these warm, | 0:37:08 | 0:37:11 | |
moist thermal air currents can rise | 0:37:11 | 0:37:13 | |
so high into the ever-cooling atmosphere that they | 0:37:13 | 0:37:16 | |
turn from water droplets into ice crystals, which | 0:37:16 | 0:37:19 | |
rub against each other, creating an electrical charge and lightning. | 0:37:19 | 0:37:24 | |
So what we want to do is replicate that with this device here. | 0:37:24 | 0:37:27 | |
-This is called a Wimshurst generator. -Is it now? | 0:37:27 | 0:37:30 | |
And it's about 100 years old, but it does the job. | 0:37:30 | 0:37:33 | |
If you can just hold each end, right at the end. Any last wishes? | 0:37:33 | 0:37:38 | |
-SHE LAUGHS -Don't say that! | 0:37:38 | 0:37:40 | |
-I'm going to turn this handle here... -What have I got to do? | 0:37:40 | 0:37:43 | |
Just hold on to those handles. I'm charging things up. | 0:37:43 | 0:37:47 | |
-Ready. -More and more charge. Now, try and bring them together. | 0:37:47 | 0:37:52 | |
Yay! We've got lightning... and I'm alive. Woo-hoo! | 0:37:52 | 0:37:55 | |
What we've done - yes - is produce our own little | 0:37:55 | 0:37:58 | |
crack of lightning cos that's what happens in clouds. | 0:37:58 | 0:38:01 | |
One part of the cloud gets charged up with positive | 0:38:01 | 0:38:03 | |
and the other part gets charged up with negative. | 0:38:03 | 0:38:05 | |
When the charge becomes so great, you get a spark between the two. | 0:38:05 | 0:38:08 | |
That's what happens in the atmosphere - | 0:38:08 | 0:38:10 | |
huge great bolts of lightning, | 0:38:10 | 0:38:11 | |
a lot more electricity than we generated here. | 0:38:11 | 0:38:14 | |
We have produced our own thunderstorm. | 0:38:14 | 0:38:17 | |
Let's hear it for John Hammond's Weather Cabinet of Curiosity. | 0:38:17 | 0:38:20 | |
CHEERING | 0:38:20 | 0:38:23 | |
Well done, my man. | 0:38:24 | 0:38:26 | |
I've been coming to shows like this since I was a kid so, for me, | 0:38:30 | 0:38:33 | |
it's great to be able to share these occasions with my own lad, Alfie. | 0:38:33 | 0:38:37 | |
And what better way to do some father-son bonding than indulge in | 0:38:37 | 0:38:41 | |
a bit of healthy competition with the help of Alfie's four-legged friends? | 0:38:41 | 0:38:46 | |
Hi, you must be Sally. | 0:38:48 | 0:38:49 | |
-I am. Welcome. -This is Alfie. | 0:38:49 | 0:38:52 | |
-Hello. -Hello, Alfie. | 0:38:52 | 0:38:53 | |
-And this is who, Alf? -This is Pepper. This one's Scratchy. | 0:38:53 | 0:38:55 | |
Lovely. And this is Moon Bear. | 0:38:55 | 0:38:57 | |
He's part ferret, part pole cat. | 0:38:57 | 0:39:00 | |
-Is the pole cat wild...? -Pole cat is the wild version. | 0:39:00 | 0:39:03 | |
-How many ferrets do you have? -I have 46. | 0:39:03 | 0:39:07 | |
46?! | 0:39:07 | 0:39:09 | |
Now, Pepper here does try and nibble a little bit. | 0:39:09 | 0:39:11 | |
What's the technique to stop that? | 0:39:11 | 0:39:13 | |
Well, we say rocking them helps a lot. | 0:39:13 | 0:39:16 | |
It keeps them occupied and you just stroke them calmly, | 0:39:16 | 0:39:20 | |
and it sort of breaks the cycle in their heads. | 0:39:20 | 0:39:23 | |
So we thought we'd try a bit of ferret racing. Would that be OK? | 0:39:23 | 0:39:25 | |
Perfectly. We'll find someone else to make up the teams. | 0:39:25 | 0:39:28 | |
I reckon Pepper's going to thrash yours, Alf. | 0:39:28 | 0:39:30 | |
Are you ready? | 0:39:35 | 0:39:37 | |
Get set, go! | 0:39:37 | 0:39:39 | |
The rules are it starts here, goes up, | 0:39:41 | 0:39:45 | |
turning circle, comes all the way back. | 0:39:45 | 0:39:48 | |
'Bringing some spice to the yellow lane, we've got my ferret Pepper, | 0:39:48 | 0:39:52 | |
'whilst Alfie's got Scratchy tearing up the blue. | 0:39:52 | 0:39:55 | |
SHE SHOUTS | 0:39:55 | 0:39:56 | |
-Come on! -No! | 0:39:59 | 0:40:02 | |
'Pepper wins it. That's got to be salt in the wound for Scratchy.' | 0:40:02 | 0:40:07 | |
Alf. HE LAUGHS | 0:40:07 | 0:40:10 | |
The aim of the Cotswolds Show is to bring urban | 0:40:13 | 0:40:15 | |
and rural communities together... | 0:40:15 | 0:40:18 | |
but the idea is nothing new. | 0:40:18 | 0:40:20 | |
A Cirencester-based organisation brought women from the town to the | 0:40:23 | 0:40:26 | |
country a century ago, as I've been discovering. | 0:40:26 | 0:40:29 | |
The Women's Farm and Garden Union, a group of women who battled against | 0:40:34 | 0:40:39 | |
the odds to make working the land an acceptable career for a woman. | 0:40:39 | 0:40:43 | |
When the First World War broke out, men signed up to fight | 0:40:47 | 0:40:50 | |
and agricultural land was left idle. | 0:40:50 | 0:40:53 | |
It was down to the women to take their place in the fields | 0:40:53 | 0:40:56 | |
on the home front. | 0:40:56 | 0:40:58 | |
It was the Women's Farm and Garden Union that mobilised the workforce. | 0:40:58 | 0:41:02 | |
Cherish Watton is a historian who has widely researched the big | 0:41:07 | 0:41:11 | |
role this little organisation played. | 0:41:11 | 0:41:14 | |
So how did an organisation that was small and voluntary go on to | 0:41:15 | 0:41:18 | |
be something so significant once war was declared. | 0:41:18 | 0:41:21 | |
So once it was clear that there was basically | 0:41:21 | 0:41:23 | |
a shortage of labour on the farms, | 0:41:23 | 0:41:24 | |
a deputation from the Women's Farm and Garden Union | 0:41:24 | 0:41:27 | |
then met with Lord Selborn, | 0:41:27 | 0:41:28 | |
the president of the Board of Agriculture, | 0:41:28 | 0:41:31 | |
to set up the Women's National Land Service Corp. | 0:41:31 | 0:41:34 | |
Initially, 800 women were trained, but by 1916, | 0:41:34 | 0:41:38 | |
it was clear they needed thousands more... | 0:41:38 | 0:41:41 | |
and so the Women's Land Army was born. | 0:41:41 | 0:41:44 | |
But, surprisingly, recruitment drives paraded city streets, | 0:41:46 | 0:41:50 | |
not rural lanes. | 0:41:50 | 0:41:51 | |
-FEMALE VOICEOVER: -Women of England, | 0:41:53 | 0:41:55 | |
wake up and answer your country's urgent call for help. | 0:41:55 | 0:41:57 | |
30,000 are needed for the Women's Land Army | 0:41:57 | 0:42:00 | |
and where could you be doing nobler work than on a farm? | 0:42:00 | 0:42:03 | |
Right, shall we get into the spirit of things? | 0:42:06 | 0:42:08 | |
Definitely. These look lovely. | 0:42:08 | 0:42:10 | |
So where were they recruiting the ladies from? | 0:42:10 | 0:42:13 | |
So ladies mainly came from your kind of educated, middle class, | 0:42:13 | 0:42:18 | |
urban areas, who basically hadn't done any work on the land before. | 0:42:18 | 0:42:22 | |
They kind of looked at the propaganda posters | 0:42:22 | 0:42:24 | |
and wanted to have that outdoor life. | 0:42:24 | 0:42:27 | |
That seems quite a surprise. Why didn't they go for rural girls? | 0:42:27 | 0:42:30 | |
Basically, a lot of the rural women | 0:42:30 | 0:42:31 | |
had experience of working on the land. | 0:42:31 | 0:42:33 | |
They had done, first-hand, a lot of the hard work | 0:42:33 | 0:42:35 | |
and some women saw it as quite degrading | 0:42:35 | 0:42:37 | |
and actually inferior to that of domestic service. | 0:42:37 | 0:42:40 | |
So they really weren't as taken in by the propaganda posters | 0:42:40 | 0:42:43 | |
and basically had the reality of working on the land. | 0:42:43 | 0:42:47 | |
The country had to become more self-sufficient or face | 0:42:53 | 0:42:56 | |
starving into surrender. | 0:42:56 | 0:42:58 | |
The city girls quickly found their farming feet. | 0:42:58 | 0:43:01 | |
But it wasn't just the men who'd been lost to fight in battle - | 0:43:04 | 0:43:08 | |
many horses were drafted into the cavalry. | 0:43:08 | 0:43:11 | |
The land girls had to find alternative beasts of burden | 0:43:11 | 0:43:15 | |
to help feed Britain to victory. | 0:43:15 | 0:43:17 | |
Even circus elephants made an appearance in some fields. | 0:43:17 | 0:43:20 | |
So this is what the ladies would have read | 0:43:26 | 0:43:28 | |
when they came in off the land, The Landswoman. | 0:43:28 | 0:43:30 | |
Yeah, the official journal of the Women's Land Army | 0:43:30 | 0:43:32 | |
-and the Women's Institute. -Fantastic. | 0:43:32 | 0:43:34 | |
So these were the outfits they wore? They're really smart, aren't they? | 0:43:34 | 0:43:37 | |
It was the first time that they were allowed to wear breeches, | 0:43:37 | 0:43:40 | |
which really was quite revolutionary, really. | 0:43:40 | 0:43:42 | |
One person who felt this freedom was Valerie Linda's mother Dorothy. | 0:43:44 | 0:43:49 | |
She was 18 when war broke out | 0:43:49 | 0:43:51 | |
and signed up to be a land girl on a dairy farm in Peterborough. | 0:43:51 | 0:43:55 | |
-So this is your mum's armband here. -Yes. -Wow. | 0:43:56 | 0:44:01 | |
Yes, they've got them on here. | 0:44:01 | 0:44:03 | |
Are there photos of your mum here? Which one's your mum? | 0:44:03 | 0:44:06 | |
-There. -Oh, there. | 0:44:06 | 0:44:07 | |
So your mum, what was her role when she was in the Land Army? | 0:44:07 | 0:44:10 | |
-What did she do as her job? -Delivered milk. | 0:44:10 | 0:44:13 | |
Delivered milk. | 0:44:13 | 0:44:14 | |
"Here we are, two Gunthorpe girls delivering milk in a downright | 0:44:14 | 0:44:19 | |
"businesslike fashion." THEY LAUGH | 0:44:19 | 0:44:22 | |
I think they suddenly discovered women were far more important | 0:44:22 | 0:44:25 | |
than they thought they ever were. | 0:44:25 | 0:44:27 | |
And very competent. | 0:44:27 | 0:44:28 | |
And very competent and very capable, thank you very much. | 0:44:28 | 0:44:31 | |
And what did she think of the uniform? | 0:44:31 | 0:44:33 | |
-It's... -She liked it. -Did she? | 0:44:33 | 0:44:35 | |
They were wearing trousers. | 0:44:35 | 0:44:38 | |
They were not feeling restricted by the clothes they were. | 0:44:38 | 0:44:41 | |
She said many times it was the happiest time of her life. | 0:44:43 | 0:44:46 | |
She thoroughly enjoyed it. | 0:44:46 | 0:44:47 | |
100-odd years later, | 0:44:50 | 0:44:52 | |
the small organisation from which the Women's Land Army grew | 0:44:52 | 0:44:56 | |
are still helping people who want to retrain for a life working the land. | 0:44:56 | 0:45:00 | |
The Work and Retrain As a Gardener Scheme | 0:45:02 | 0:45:04 | |
is their latest recruitment drive. | 0:45:04 | 0:45:07 | |
It's transforming Debbie and Nora's lives, | 0:45:07 | 0:45:09 | |
just like the land girls before them. | 0:45:09 | 0:45:12 | |
Does it scratch that itch for you? | 0:45:12 | 0:45:14 | |
Definitely. It's changed my life totally. | 0:45:14 | 0:45:16 | |
So what do you think you'll do | 0:45:16 | 0:45:17 | |
when you've finished your placement in this garden? | 0:45:17 | 0:45:20 | |
I'm going to do a part-time horticultural course | 0:45:20 | 0:45:23 | |
-and do business in gardening. -Lovely. | 0:45:23 | 0:45:25 | |
-Keep working the land. -Yes. -The war-time spirit. -Definitely. | 0:45:25 | 0:45:29 | |
-Ah-ha! Lovely. I'll leave you to it. -Thank you very much. | 0:45:29 | 0:45:32 | |
From humble beginnings, the work of this Cirencester-based organisation | 0:45:33 | 0:45:37 | |
has revolutionised opportunities for those who want to work the land. | 0:45:37 | 0:45:42 | |
The only real difference over the past century... | 0:45:42 | 0:45:45 | |
..men can now sign up too. | 0:45:46 | 0:45:48 | |
Back at the County Show, | 0:45:56 | 0:45:58 | |
our Countryfile Corner is offering its own window onto the rural world. | 0:45:58 | 0:46:03 | |
From watching wool make its journey from fleece to jumper... | 0:46:03 | 0:46:07 | |
to something quintessential summer pastimes. | 0:46:07 | 0:46:10 | |
Like the show itself, we've been embracing traditional | 0:46:11 | 0:46:14 | |
and modern ways of country life... | 0:46:14 | 0:46:16 | |
..and witnessing it all with us have been our friends from the north, | 0:46:18 | 0:46:21 | |
poet Ian McMillan and cartoonist Tony Husband. | 0:46:21 | 0:46:26 | |
Now, with our big cricket match looming, there's a chance to | 0:46:26 | 0:46:29 | |
take time out and see what they've made of our day in the Cotswolds. | 0:46:29 | 0:46:33 | |
The poem's got a chorus, which we'd like you all to join in with. | 0:46:37 | 0:46:40 | |
Meanwhile, my friend Tony Husband will show the cartoons | 0:46:40 | 0:46:44 | |
he drew for each item. Right. | 0:46:44 | 0:46:46 | |
Well, it makes you think and it makes you smile, | 0:46:46 | 0:46:48 | |
I refer or course to... | 0:46:48 | 0:46:50 | |
-ALL: -Countryfile! | 0:46:50 | 0:46:51 | |
Yes, it makes you smile and it makes you glow, | 0:46:51 | 0:46:53 | |
-Countryfile at the... ALL: -Cotswolds Show! | 0:46:53 | 0:46:56 | |
Matt and Ellie shoot the balloon, Matt's arrow flew to a distant moon, | 0:46:56 | 0:46:59 | |
Ellie let go, well, far too soon | 0:46:59 | 0:47:01 | |
and the shot shot into a small front room in Cirencester. | 0:47:01 | 0:47:05 | |
Tom had a heap of fun in a tree, | 0:47:05 | 0:47:07 | |
got five minutes sleep at ten past three, | 0:47:07 | 0:47:09 | |
was lolling in a branch, just feeling free, | 0:47:09 | 0:47:12 | |
but where do you go when you need a...slice of toast? | 0:47:12 | 0:47:15 | |
Food is good for body and soul, | 0:47:15 | 0:47:17 | |
keeps the mind and spirit whole, | 0:47:17 | 0:47:19 | |
but you want a chef who's in control, | 0:47:19 | 0:47:21 | |
that's why I've got a belly like a rugby ball. | 0:47:21 | 0:47:24 | |
A wondrous sight is a racing ferret, | 0:47:24 | 0:47:26 | |
with style and grace and speed and merit. | 0:47:26 | 0:47:29 | |
There's nothing to which you can compare it, | 0:47:29 | 0:47:31 | |
if a creature needs a metal, Adam's one should get it. | 0:47:31 | 0:47:34 | |
LAUGHTER | 0:47:34 | 0:47:35 | |
Thunder, lightning, rain and snow all make John Hammond's experiments grow. | 0:47:35 | 0:47:39 | |
There's no weather facts that he don't know, | 0:47:39 | 0:47:42 | |
from gale force winds to ten below. | 0:47:42 | 0:47:44 | |
Every group needs a presiding spirit with the past | 0:47:44 | 0:47:46 | |
and the present contained within it, | 0:47:46 | 0:47:48 | |
whose enthusiasm knows no limit, the Countryfile King John Craven is it. | 0:47:48 | 0:47:53 | |
And there's one thing you need before you go to bed, | 0:47:53 | 0:47:55 | |
that fills with hope or fear or dread, | 0:47:55 | 0:47:57 | |
the five-day forecast for the week ahead. | 0:47:57 | 0:48:00 | |
Well, it makes you think and it makes you smile, I refer of course to... | 0:48:00 | 0:48:03 | |
-ALL: -Countryfile. | 0:48:03 | 0:48:05 | |
APPLAUSE | 0:48:05 | 0:48:08 | |
We've been celebrating the best our countryside has to offer | 0:50:06 | 0:50:10 | |
at the Cotswold County Show. | 0:50:10 | 0:50:12 | |
But summer just wouldn't be, well - cricket - without | 0:50:12 | 0:50:16 | |
the unmistakable crack of leather on willow. | 0:50:16 | 0:50:18 | |
And, as our practising has proven, | 0:50:20 | 0:50:22 | |
the inaugural Countryfile versus Guests six-a-side match | 0:50:22 | 0:50:26 | |
could be a truly unique spectacle. | 0:50:26 | 0:50:29 | |
Right, ladies and gentlemen, | 0:50:29 | 0:50:31 | |
we're about to begin this epoch-making cricket match | 0:50:31 | 0:50:34 | |
between the Countryfile presenters and the visitors. | 0:50:34 | 0:50:38 | |
Lord Bathurst will be the umpire. | 0:50:38 | 0:50:40 | |
Before we can begin, poet turned cricket commentator | 0:50:40 | 0:50:44 | |
Ian McMillan evens up the opposition with a few late entries, | 0:50:44 | 0:50:48 | |
including city slicker Liz and another familiar face in the crowd. | 0:50:48 | 0:50:53 | |
I can see a fellow who's turned up in his cricket whites. | 0:50:53 | 0:50:56 | |
I bet he's come for a match. | 0:50:56 | 0:50:59 | |
Oh! Hang on a minute! What's going on here? | 0:50:59 | 0:51:02 | |
You look a bit like that fellow, Matthew Hoggard, who used to play for Yorkshire and England. | 0:51:02 | 0:51:06 | |
-Ah, lad. That's the one. -Come and join us, for goodness' sake. | 0:51:06 | 0:51:09 | |
Matthew Hoggard, ladies and gentlemen. The great Matthew Hoggard. | 0:51:09 | 0:51:12 | |
Bowled a googly from the off, | 0:51:14 | 0:51:16 | |
with an Ashes winning cricketer now facing us, things could be tricky. | 0:51:16 | 0:51:20 | |
Luckily, Countryfile rules means, like the rest of us, | 0:51:20 | 0:51:23 | |
he can only bowl and bat for one over. | 0:51:23 | 0:51:25 | |
MUSIC: Theme from "Test Match Special" - Soul Limbo | 0:51:25 | 0:51:28 | |
So, Matt and Ellie are walking out now. | 0:51:28 | 0:51:30 | |
Looking confident, I think, with a frisson of absolute terror. | 0:51:30 | 0:51:35 | |
With Ellie and me in to bat first, | 0:51:35 | 0:51:37 | |
and rugby star Phil Vickery facing us, it's game on. | 0:51:37 | 0:51:40 | |
Come on! | 0:51:40 | 0:51:43 | |
RECORD SCRATCHES | 0:51:43 | 0:51:45 | |
I enjoyed that. It was kind of poetic. | 0:51:45 | 0:51:47 | |
There was skill involved and a certain "je ne sais quoi", | 0:51:47 | 0:51:51 | |
as we say in Barnsley. | 0:51:51 | 0:51:52 | |
'It's a slow start, but Matt "The Bat" Baker | 0:51:54 | 0:51:57 | |
'and Ellie "Hacker" Harrison soon get into the swing of things.' | 0:51:57 | 0:52:01 | |
Good. Wait, wait! | 0:52:01 | 0:52:02 | |
This is like when they first invented cricket. | 0:52:02 | 0:52:05 | |
And weren't sure what the rules were. | 0:52:05 | 0:52:08 | |
-Run! -They're running, they're running. | 0:52:08 | 0:52:10 | |
Ellie's running, Matt's running. | 0:52:10 | 0:52:12 | |
That's good that they're both running. | 0:52:12 | 0:52:15 | |
Notching up an impressive nine not out. | 0:52:15 | 0:52:17 | |
Well done! | 0:52:17 | 0:52:18 | |
It's time to hand over the reins, to let the others have a crack at it. | 0:52:18 | 0:52:22 | |
After some dubious decisions... | 0:52:29 | 0:52:31 | |
There's a wide. Matthew's having a word with the umpire, | 0:52:31 | 0:52:33 | |
he's discussing the abolition of the peerage. | 0:52:33 | 0:52:36 | |
..and mixed performances... | 0:52:38 | 0:52:39 | |
A valiant effort by John Craven. | 0:52:39 | 0:52:42 | |
..fearless investigator Tom finds himself on the end | 0:52:42 | 0:52:46 | |
of Matthew Hoggard's swing. | 0:52:46 | 0:52:48 | |
When I said you were past it, I didn't really mean it, all right? | 0:52:48 | 0:52:51 | |
HE CHEERS | 0:52:54 | 0:52:55 | |
Oh, he wasn't out. | 0:52:55 | 0:52:57 | |
After a lucky escape, | 0:52:58 | 0:53:00 | |
it isn't long before the King of Swing gets his wicket. | 0:53:00 | 0:53:03 | |
All out for 49. | 0:53:04 | 0:53:06 | |
'Time for a well-earned half-time tea break.' | 0:53:06 | 0:53:09 | |
-Cake! -This is the best bit! | 0:53:09 | 0:53:12 | |
'As we swap cricket bats for cucumber sandwiches...' | 0:53:13 | 0:53:17 | |
-Cheers, everybody! -49 to beat! | 0:53:17 | 0:53:20 | |
'..over in ex-England cricketer Matthew Hoggard's side, | 0:53:20 | 0:53:23 | |
'it's a tough team talk, rather than a genteel tea party.' | 0:53:23 | 0:53:27 | |
Play yourself in walking in. | 0:53:28 | 0:53:30 | |
-And then you smack it straight back over their heads. -Yes, boss. | 0:53:30 | 0:53:34 | |
-I thought you took it very easy first over. -I was trying to be fair. | 0:53:34 | 0:53:39 | |
When you were under Michael Vaughan, was he as bullying is this? | 0:53:39 | 0:53:42 | |
He was actually quite nice. | 0:53:42 | 0:53:45 | |
'Our more laid-back approach hasn't gone unnoticed.' | 0:53:45 | 0:53:48 | |
They might not come out. They were just having a cup of tea. Oi oi! | 0:53:48 | 0:53:51 | |
A good game's a quick game! Come on! | 0:53:51 | 0:53:55 | |
'And before John can finish his cupcake, the visitors are getting a little restless.' | 0:53:55 | 0:53:59 | |
Quick turnaround! | 0:53:59 | 0:54:01 | |
Stop stuffing your face full of chocolate cake. | 0:54:01 | 0:54:04 | |
Drink your tea. Let's get out there and play cricket. | 0:54:04 | 0:54:07 | |
With a score of 49 to defend and two ex-sportsmen coming into bat, | 0:54:10 | 0:54:15 | |
if we want to win this, it's time to show what we're really made of. | 0:54:15 | 0:54:19 | |
Tiny terror, Adam's son Alfie, | 0:54:19 | 0:54:21 | |
is the first to bowl against city slicker Liz. | 0:54:21 | 0:54:24 | |
-Oh! -First ball. Goodness gracious me! | 0:54:27 | 0:54:31 | |
And he gets our quest for Countryfile glory | 0:54:31 | 0:54:34 | |
off to a smashing start. | 0:54:34 | 0:54:36 | |
Next up, though, he faces a David versus Goliath battle | 0:54:36 | 0:54:40 | |
against rugby legend Phil Vickery. | 0:54:40 | 0:54:43 | |
He runs. Phil's looking nervous. | 0:54:43 | 0:54:45 | |
What a bouncer that was! | 0:54:47 | 0:54:50 | |
No wicket, but it's the big man who looks more shaken by the encounter. | 0:54:50 | 0:54:54 | |
Quick! | 0:54:57 | 0:55:00 | |
The helmet was in the way! | 0:55:00 | 0:55:02 | |
'With the scoreline closing faster | 0:55:02 | 0:55:04 | |
'than Adam Henson's wallet at the bar...' | 0:55:04 | 0:55:06 | |
Oh! | 0:55:06 | 0:55:09 | |
They're up to 37 now. | 0:55:09 | 0:55:12 | |
'..it's time for Baker to turn bowler...' | 0:55:12 | 0:55:14 | |
Come on! | 0:55:14 | 0:55:16 | |
'..as Matt enters the fray in true Countryfile style.' | 0:55:16 | 0:55:20 | |
Baker's going to bowl up in his special northeastern pumps. | 0:55:20 | 0:55:24 | |
It's the old Whitley Bay flip-flops he's wearing today. | 0:55:24 | 0:55:27 | |
Oh! Yeah! | 0:55:30 | 0:55:33 | |
With our weatherman's wicket well and truly bowled over, | 0:55:34 | 0:55:37 | |
Ashes legend Matthew Hoggard steps up to the crease | 0:55:37 | 0:55:40 | |
and our Matt unveils his lethal long run-up. | 0:55:40 | 0:55:44 | |
Matt runs. He throws. | 0:55:44 | 0:55:47 | |
It's landed in a marquee that's selling very expensive kitchenware. | 0:55:48 | 0:55:52 | |
Still, Lord Bathurst will pay for it. | 0:55:52 | 0:55:54 | |
Maybe sometimes you can set your sights too high. | 0:55:54 | 0:55:57 | |
And with the visitors needing three runs to win, | 0:55:57 | 0:56:00 | |
facing Countryfile King John Craven, | 0:56:00 | 0:56:03 | |
Matthew Hoggard finally goes the full hog. | 0:56:03 | 0:56:05 | |
Six runs, which means the visitors have won the match. | 0:56:09 | 0:56:13 | |
-Well played. -Thank you, sir. -Well played. Very good. | 0:56:13 | 0:56:16 | |
'We might have lost the cricket, but we've had | 0:56:16 | 0:56:19 | |
'a cracking summer's day out here at the Cotswold County Show.' | 0:56:19 | 0:56:22 | |
-Hip-hip. -Hooray! | 0:56:22 | 0:56:24 | |
-Hip-hip. -Hooray! -Hip-hip! -Hooray! | 0:56:24 | 0:56:26 | |
Well, that is it for our summer special from the Cotswolds. | 0:56:26 | 0:56:29 | |
Thank you to everybody for making us feel so welcome. | 0:56:29 | 0:56:32 | |
Next week, we will be in Northern Ireland. | 0:56:32 | 0:56:34 | |
-I hope you can all join us then. -Bye-bye! -See you later. | 0:56:34 | 0:56:38 | |
Right, I tell you what, them cucumber sandwiches were nice, | 0:56:38 | 0:56:41 | |
but, Phil, have you got any more of that steak left? | 0:56:41 | 0:56:43 |