Browse content similar to Surrey. Check below for episodes and series from the same categories and more!
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Surrey, just a stone's throw from London, | 0:00:26 | 0:00:29 | |
but a million miles away from the hustle and bustle of city life. | 0:00:29 | 0:00:33 | |
We owe much of our thanks for this green and pleasant landscape | 0:00:34 | 0:00:38 | |
to a quiet and unassuming local man. | 0:00:38 | 0:00:41 | |
Sir Robert Hunter may have shunned the limelight, but he was | 0:00:41 | 0:00:44 | |
one of the guiding lights in the formation of the National Trust. | 0:00:44 | 0:00:48 | |
And I'll be discovering more about this man who helped | 0:00:48 | 0:00:51 | |
to safeguard the English landscape. | 0:00:51 | 0:00:53 | |
Surrey and horse riding have always gone hand in hand. | 0:00:55 | 0:00:58 | |
Thousands of riders take to its bridleways each weekend. | 0:00:58 | 0:01:01 | |
And I'll be at a school making it possible for everybody to get out | 0:01:02 | 0:01:05 | |
and enjoy horse riding in the countryside. | 0:01:05 | 0:01:08 | |
I'll be chatting to the folk who say this place has made a real difference | 0:01:08 | 0:01:12 | |
to their lives, and I'll be conquering a fear of my own. | 0:01:12 | 0:01:15 | |
But what about fears for the future of the countryside? | 0:01:17 | 0:01:20 | |
Tom's on a mission. | 0:01:20 | 0:01:22 | |
In 2012, David Cameron told Countryfile | 0:01:22 | 0:01:25 | |
he was going to make it easier for local communities to stop | 0:01:25 | 0:01:28 | |
big housing estates being plonked right next to their village. | 0:01:28 | 0:01:32 | |
Two years on, has the Prime Minister kept his promise? | 0:01:32 | 0:01:35 | |
I'll be investigating. | 0:01:35 | 0:01:38 | |
And Adam's in good company. | 0:01:38 | 0:01:39 | |
These lovely ladies are Leicester Longwools. | 0:01:41 | 0:01:44 | |
With less than 500 of them in the country, they're a very rare breed. | 0:01:44 | 0:01:48 | |
They look a little bit similar to the Cotswolds I keep back home, | 0:01:48 | 0:01:51 | |
and I'm meeting up with a farmer whose family have been breeding | 0:01:51 | 0:01:54 | |
Leicester Longwools for seven generations. | 0:01:54 | 0:01:58 | |
Wintry woodlands, fields and wild heath. | 0:02:03 | 0:02:07 | |
London in the distance to the North. | 0:02:07 | 0:02:11 | |
This is Surrey. | 0:02:11 | 0:02:12 | |
I'm going to be exploring the South West of the county, | 0:02:12 | 0:02:15 | |
around the village of Hindhead. | 0:02:15 | 0:02:17 | |
Under a golden sun spreads a gentle expanse of heathland. | 0:02:19 | 0:02:24 | |
But step back 250 years, and the mood here was very different. | 0:02:24 | 0:02:29 | |
A dangerous highway cut through a barren hillside - | 0:02:31 | 0:02:35 | |
the main route connecting the capital to Portsmouth. | 0:02:35 | 0:02:38 | |
Here, the highway climbed to 800 feet, | 0:02:42 | 0:02:44 | |
crossing over a bleak common known as the Devil's Punchbowl. | 0:02:44 | 0:02:49 | |
The steep climb through this stark landscape became notorious. | 0:02:49 | 0:02:53 | |
In 1786, a lone sailor was murdered as he travelled along this route. | 0:02:53 | 0:02:59 | |
His identity was never discovered, | 0:02:59 | 0:03:01 | |
but the three villains who were responsible were caught and hanged. | 0:03:01 | 0:03:05 | |
This stone has stood here since, in the sailor's memory | 0:03:06 | 0:03:10 | |
and, for decades after, | 0:03:10 | 0:03:11 | |
the highway's notorious reputation remained. | 0:03:11 | 0:03:14 | |
In 1859, things changed. | 0:03:18 | 0:03:21 | |
TRAIN WHISTLES | 0:03:21 | 0:03:23 | |
The railway arrived. | 0:03:23 | 0:03:24 | |
It opened up to everyone the beauty of the once infamous | 0:03:24 | 0:03:27 | |
Wild West of Surrey, and Hindhead began to grow. | 0:03:27 | 0:03:31 | |
The quality of the air was one of the reasons why people moved here. | 0:03:33 | 0:03:37 | |
It was said to be similar to that of the Alps, and it certainly | 0:03:37 | 0:03:40 | |
attracted one very famous local resident with a very ill wife. | 0:03:40 | 0:03:45 | |
It was 1895. | 0:03:47 | 0:03:49 | |
Louise Doyle had suffered from tuberculosis for two years, | 0:03:49 | 0:03:52 | |
when her husband heard of the supposed healing power | 0:03:52 | 0:03:56 | |
of Hindhead's clear air. | 0:03:56 | 0:03:58 | |
'I acted promptly. | 0:03:58 | 0:04:00 | |
'For I rushed down to Hindhead, bought an admirable plot of land. | 0:04:00 | 0:04:04 | |
'The thought of it renewed hope for the sufferer.' | 0:04:04 | 0:04:07 | |
And the man's name? | 0:04:07 | 0:04:09 | |
Sir Arthur Conan Doyle. | 0:04:09 | 0:04:11 | |
The creator of Sherlock Holmes moved to Hindhead with his family, | 0:04:12 | 0:04:16 | |
and this is the home he had built, and called Undershaw. | 0:04:16 | 0:04:20 | |
Property consultant Damon Lidbury is showing me round. | 0:04:20 | 0:04:23 | |
Thank you very much. | 0:04:23 | 0:04:25 | |
The once-impressive house has seen better days. | 0:04:26 | 0:04:29 | |
It is a pretty sorry state now, isn't it? | 0:04:30 | 0:04:33 | |
It is, unfortunately. | 0:04:33 | 0:04:34 | |
It's been empty since 2004. | 0:04:34 | 0:04:37 | |
But there's still evidence | 0:04:39 | 0:04:40 | |
of its years as the Conan Doyle family home. | 0:04:40 | 0:04:43 | |
We've got the stained glass windows here, which are pretty much | 0:04:43 | 0:04:48 | |
floor-to-ceiling, the majority are from his family. | 0:04:48 | 0:04:51 | |
The stairs were designed with a shallow step to make it easier | 0:04:52 | 0:04:55 | |
for Louise to get around the house. | 0:04:55 | 0:04:57 | |
And upstairs, in Conan Doyle's bedroom, | 0:05:02 | 0:05:04 | |
there's a chance to see again why he chose this setting. | 0:05:04 | 0:05:08 | |
Ah! What a view that is, isn't it? You can just about see for ever. | 0:05:15 | 0:05:20 | |
Conan Doyle hoped the fresh air and sheltered location would do Louise | 0:05:21 | 0:05:26 | |
the world of good, and provide him with a quiet place to write. | 0:05:26 | 0:05:30 | |
'If we could have ordered Nature to construct a spot for us, | 0:05:30 | 0:05:34 | |
'we could not have hit upon anything more perfect.' | 0:05:34 | 0:05:36 | |
But sadly, perfect as it seemed, in 1906, | 0:05:38 | 0:05:42 | |
Louise died and the family left Undershaw. | 0:05:42 | 0:05:46 | |
Now, the Sir Arthur Conan Doyle Heritage Centre is hoping to buy it. | 0:05:46 | 0:05:51 | |
Marek Ujma is one of the founders. | 0:05:51 | 0:05:53 | |
-Did Conan Doyle write anything in this house? -Yes, he did. | 0:05:54 | 0:05:57 | |
He brought back Sherlock Holmes from the dead. | 0:05:57 | 0:05:59 | |
After he had killed him off at the Reichenbach Falls in that | 0:05:59 | 0:06:02 | |
famous fall with Moriarty. | 0:06:02 | 0:06:06 | |
And he was brought back because of public demand and also, | 0:06:06 | 0:06:09 | |
by the way, his mother thought it was a good idea. | 0:06:09 | 0:06:12 | |
What's the best-known one that he wrote here? | 0:06:12 | 0:06:13 | |
Oh, The Hound Of The Baskervilles. Probably everybody knows that one. | 0:06:13 | 0:06:18 | |
And it could well be that the common land surrounding his Surrey home | 0:06:18 | 0:06:22 | |
helped fuel his imagination for that great work of fiction. | 0:06:22 | 0:06:26 | |
'A steep curve of heath-clad land. | 0:06:26 | 0:06:29 | |
'An outlying spur of the moor lay in front of us.' | 0:06:29 | 0:06:33 | |
So he's very much got his imprint in this house. | 0:06:33 | 0:06:36 | |
-It's sad to see it in a state like this, isn't it? -It is. | 0:06:36 | 0:06:39 | |
The hope is to restore the building | 0:06:41 | 0:06:43 | |
to how it was in the Conan Doyle days, | 0:06:43 | 0:06:44 | |
so visitors can get a glimpse of the writer's life here. | 0:06:44 | 0:06:48 | |
-How much do you need to raise? -Our total budget is about £3.5 million. | 0:06:48 | 0:06:54 | |
Creating a heritage centre will enable us to tell the story of him, | 0:06:54 | 0:06:58 | |
his family, his association with Sherlock Holmes. | 0:06:58 | 0:07:01 | |
Sir Arthur Conan Doyle was the creator of one of the greatest | 0:07:01 | 0:07:05 | |
characters in fiction, and he's known throughout the world. | 0:07:05 | 0:07:08 | |
Well, you can't put it any clearer than that. Elementary! | 0:07:09 | 0:07:13 | |
When Conan Doyle built this once attractive house | 0:07:15 | 0:07:19 | |
more than a century ago, | 0:07:19 | 0:07:20 | |
it's safe to say that planning rules were much looser. | 0:07:20 | 0:07:23 | |
Today, what you can or can't build in the countryside | 0:07:23 | 0:07:26 | |
is a constant source of controversy. | 0:07:26 | 0:07:29 | |
But have new planning rules help to safeguard our rural landscape? | 0:07:29 | 0:07:34 | |
Here's Tom. | 0:07:34 | 0:07:35 | |
Housing and where to put it is a hot topic, | 0:07:39 | 0:07:42 | |
not just amongst local communities but also with the people in power. | 0:07:42 | 0:07:47 | |
Two years ago, the government was preparing to introduce new rules | 0:07:49 | 0:07:53 | |
to make planning decisions simpler. | 0:07:53 | 0:07:56 | |
At the time, some feared it would open up the countryside | 0:07:56 | 0:07:59 | |
to developers, but David Cameron assured Countryfile | 0:07:59 | 0:08:02 | |
that it would give more power to rural communities. | 0:08:02 | 0:08:07 | |
Our reforms will make it easier for communities to say, | 0:08:08 | 0:08:11 | |
"We're not going to have the big plonking housing estate | 0:08:11 | 0:08:15 | |
"landing next to the village, | 0:08:15 | 0:08:16 | |
"but we would like 10, 20, 30 extra houses, | 0:08:16 | 0:08:19 | |
"and we'd like them built in this way. | 0:08:19 | 0:08:21 | |
"We'd like them to be for local people." | 0:08:21 | 0:08:23 | |
But did the Prime Minister's reforms deliver? | 0:08:23 | 0:08:27 | |
Hook Norton in Oxfordshire is | 0:08:27 | 0:08:30 | |
a 1,000-year-old village with real charm. | 0:08:30 | 0:08:33 | |
Its traditional brewery is said to be a favourite of David Cameron's. | 0:08:33 | 0:08:37 | |
You can see why people want to live here, | 0:08:37 | 0:08:40 | |
but also understand why some residents might object to | 0:08:40 | 0:08:43 | |
the idea of new housing estates being plonked down from above. | 0:08:43 | 0:08:47 | |
But they say that's exactly what's going to happen here. | 0:08:47 | 0:08:50 | |
More than 2,000 people live in Hook Norton, | 0:08:52 | 0:08:55 | |
and they're a vocal community. | 0:08:55 | 0:08:57 | |
When plans were submitted to build 70 new houses on a greenfield site, | 0:08:57 | 0:09:01 | |
nine out of ten people were opposed. | 0:09:01 | 0:09:04 | |
-It's a fine little church, here. -Yeah, it was built in 922. -922? | 0:09:04 | 0:09:09 | |
Yeah, absolutely, so it's very old. | 0:09:09 | 0:09:12 | |
Emma Kane is the chairman of the parish council. | 0:09:12 | 0:09:15 | |
So, Emma, tell me the story of what's happened here. | 0:09:16 | 0:09:19 | |
Well, we're facing two developments, one at Stanton Engineering, | 0:09:19 | 0:09:22 | |
and one at Bourne Lane. | 0:09:22 | 0:09:24 | |
Bourne Lane is greenfield, and we opposed it vehemently. | 0:09:24 | 0:09:28 | |
Stanton Engineering was brownfield and, we're not NIMBYs, | 0:09:29 | 0:09:32 | |
we accept that there's a need for housing in the village. | 0:09:32 | 0:09:34 | |
That's 37 houses. | 0:09:34 | 0:09:36 | |
The parish council said yes to that. | 0:09:36 | 0:09:38 | |
The district council said yes to that. | 0:09:38 | 0:09:40 | |
And then we thought we would have fulfilled our quota. | 0:09:40 | 0:09:42 | |
You thought you'd done your bit | 0:09:42 | 0:09:43 | |
-with the Brownfield site. -Absolutely, totally. | 0:09:43 | 0:09:45 | |
So, despite supporting the development of new houses | 0:09:45 | 0:09:48 | |
on a brownfield site, 70 more homes are going to be built | 0:09:48 | 0:09:52 | |
on a greenfield site in the village as well. | 0:09:52 | 0:09:56 | |
We've not been listened to in opposing the greenfield site at all. | 0:09:56 | 0:09:59 | |
David Cameron said that new housing developments would not be | 0:09:59 | 0:10:02 | |
plonked down on the side of villages where they didn't want them. | 0:10:02 | 0:10:04 | |
That's exactly what's happened here. | 0:10:04 | 0:10:06 | |
Are there some particular reasons why | 0:10:06 | 0:10:08 | |
you think that the bigger sites shouldn't go ahead on a greenfield? | 0:10:08 | 0:10:11 | |
It's greenfield, for a kick-off, it's 70 houses, which is a lot | 0:10:11 | 0:10:14 | |
to land on a village at one go. | 0:10:14 | 0:10:17 | |
The infrastructure, you know from the journey here | 0:10:17 | 0:10:20 | |
that the roads aren't great. | 0:10:20 | 0:10:21 | |
It's a lot more traffic in and out of the village. | 0:10:21 | 0:10:24 | |
The school is already full. | 0:10:24 | 0:10:25 | |
There's things like water pressure, broadband. | 0:10:25 | 0:10:27 | |
None of these are great and they're going to be | 0:10:27 | 0:10:29 | |
under increased pressure with these houses. | 0:10:29 | 0:10:32 | |
The district council rejected the greenfield application, | 0:10:33 | 0:10:36 | |
but it's still going ahead. | 0:10:36 | 0:10:38 | |
How did this happen? | 0:10:38 | 0:10:40 | |
Well, in March 2012, | 0:10:40 | 0:10:42 | |
the Coalition introduced the new National Planning Policy Framework. | 0:10:42 | 0:10:46 | |
It replaced around 1,000 pages of planning guidance with about 50. | 0:10:46 | 0:10:51 | |
And one of its aims was to kick-start the building industry. | 0:10:51 | 0:10:55 | |
And, to make that happen, | 0:10:55 | 0:10:56 | |
it included a new presumption in favour of sustainable development. | 0:10:56 | 0:11:02 | |
Under this new framework, by March 2013, | 0:11:03 | 0:11:06 | |
every local planning authority in England had to have adopted | 0:11:06 | 0:11:10 | |
a local plan and what's called a five-year housing land supply. | 0:11:10 | 0:11:15 | |
But Hook Norton didn't have these in place in time. | 0:11:15 | 0:11:20 | |
-So, I understand the proposed site is just here is it? -That's right, yes. | 0:11:20 | 0:11:23 | |
Councillor Michael Gibbard is the lead member for planning | 0:11:23 | 0:11:27 | |
on Cherwell District Council. | 0:11:27 | 0:11:28 | |
As the local council have turned this down, how come it's going ahead? | 0:11:28 | 0:11:32 | |
Because it has been won at appeal. | 0:11:32 | 0:11:35 | |
The Government inspector has allowed this site, | 0:11:35 | 0:11:38 | |
mainly on the basis, not for good planning reasons, | 0:11:38 | 0:11:41 | |
but because this district council, this planning authority | 0:11:41 | 0:11:44 | |
does not have what is called a five-year housing supply. | 0:11:44 | 0:11:48 | |
But isn't it the problem that this plan hasn't been totally approved, | 0:11:48 | 0:11:52 | |
and because you haven't done it in time, | 0:11:52 | 0:11:54 | |
the developers can do what they like? | 0:11:54 | 0:11:56 | |
That is one of the problems, yes. | 0:11:56 | 0:11:58 | |
The plan has not been examined in public yet. | 0:11:58 | 0:12:02 | |
Cherwell is not alone. | 0:12:02 | 0:12:05 | |
We have learned that 49% | 0:12:05 | 0:12:06 | |
of local councils across England | 0:12:06 | 0:12:09 | |
still do not have | 0:12:09 | 0:12:10 | |
an adopted local plan, | 0:12:10 | 0:12:11 | |
leaving them all vulnerable to unwanted developments. | 0:12:11 | 0:12:15 | |
So, are councils dragging their feet or were they | 0:12:15 | 0:12:18 | |
simply set an almost impossible task? | 0:12:18 | 0:12:22 | |
We spoke to the Campaign For The Protection Of Rural England, | 0:12:22 | 0:12:25 | |
who told us that developing high quality, local plans takes time | 0:12:25 | 0:12:29 | |
and the government are not giving them a fair deal. | 0:12:29 | 0:12:32 | |
Many of the things that cause delays are beyond their control. | 0:12:32 | 0:12:36 | |
So, is the new system working or not? | 0:12:37 | 0:12:40 | |
The government's Planning Minister is Nick Boles. | 0:12:40 | 0:12:44 | |
It is quite a complicated thing putting in a plan. | 0:12:44 | 0:12:47 | |
You have to consult with local people, | 0:12:47 | 0:12:49 | |
you have to amass all the evidence | 0:12:49 | 0:12:50 | |
and you have to work out where you are going to let development happen. | 0:12:50 | 0:12:54 | |
That is not something that can take place in a matter of weeks. | 0:12:54 | 0:12:57 | |
But the progress that has been made is much faster in the last | 0:12:57 | 0:13:00 | |
three years than under any other previous planning system, | 0:13:00 | 0:13:03 | |
so I think it is working but it's just taking some time. | 0:13:03 | 0:13:05 | |
Takes the power out of the hands of local people. | 0:13:05 | 0:13:08 | |
-How does that square with localism? -No, localism... | 0:13:08 | 0:13:11 | |
You achieve it by having a local plan and a huge number of local | 0:13:11 | 0:13:14 | |
authorities have done it, and I don't hear a peep out of any of them | 0:13:14 | 0:13:17 | |
because they are getting to make all of the decisions. | 0:13:17 | 0:13:20 | |
The people who I am afraid feel let down are those communities whose | 0:13:20 | 0:13:24 | |
local authorities haven't got the local plan in place yet | 0:13:24 | 0:13:27 | |
and we're trying to do everything we can to help them do that. | 0:13:27 | 0:13:31 | |
But wherever the fault lies, with almost half of all councils | 0:13:31 | 0:13:34 | |
yet to have their plans adopted, large swathes of rural England | 0:13:34 | 0:13:38 | |
are currently vulnerable to unwanted development. | 0:13:38 | 0:13:41 | |
Unfortunately, tussles over local plans are not | 0:13:43 | 0:13:45 | |
the only problem facing the countryside when it comes | 0:13:45 | 0:13:48 | |
to the thorny issue of planning, as I will be investigating later. | 0:13:48 | 0:13:52 | |
Look closely. | 0:13:57 | 0:13:59 | |
The smooth lines... | 0:14:02 | 0:14:04 | |
the sure detail... | 0:14:04 | 0:14:07 | |
the sheer craft. | 0:14:07 | 0:14:09 | |
A recognisable form, 16 feet high, | 0:14:11 | 0:14:14 | |
dominating the skyline in this part of the Surrey Hills. | 0:14:14 | 0:14:17 | |
It's only when you get up close, | 0:14:22 | 0:14:25 | |
you realise just how imposing this is | 0:14:25 | 0:14:27 | |
and how life-like. | 0:14:27 | 0:14:29 | |
I mean, the eyes in particular. | 0:14:29 | 0:14:31 | |
You sort of touch it, expecting to feel warm flesh, | 0:14:32 | 0:14:36 | |
rather than cold lead. | 0:14:36 | 0:14:38 | |
I must admit, it does leave me feeling a little uneasy. | 0:14:43 | 0:14:47 | |
Horses and I have a chequered past and sometimes | 0:14:47 | 0:14:51 | |
I wonder if I will ever get in the saddle again. | 0:14:51 | 0:14:54 | |
I love horses but if I'm honest, I have completely avoided them | 0:14:54 | 0:14:58 | |
most of my adult life. | 0:14:58 | 0:15:00 | |
I want to refind my passion for them and I suspect that the sculptor | 0:15:02 | 0:15:05 | |
of this piece is just the guy to help me do that. | 0:15:05 | 0:15:08 | |
I am off to meet Nic Fiddian Green, world-renowned horse sculptor | 0:15:11 | 0:15:15 | |
and thorough horse fanatic. | 0:15:15 | 0:15:17 | |
Big heads, little heads, | 0:15:19 | 0:15:22 | |
clay heads, marble heads. | 0:15:22 | 0:15:25 | |
Nic's studio is full of them. | 0:15:25 | 0:15:27 | |
Nic, you clearly love horses. | 0:15:29 | 0:15:31 | |
What is it about horses that makes you want to sculpt and recreate them? | 0:15:31 | 0:15:35 | |
I think really, the starting point was... Lost art student | 0:15:35 | 0:15:38 | |
at Chelsea, on a foundation course | 0:15:38 | 0:15:41 | |
and we were sent to the British Museum for a day, to find something. | 0:15:41 | 0:15:45 | |
I came upon the great room of the Elgin marbles and there, | 0:15:45 | 0:15:49 | |
at the far end of the room, confronting me, | 0:15:49 | 0:15:52 | |
was a fragmented horse's head. | 0:15:52 | 0:15:54 | |
It struck me as one of the most beautiful objects I had ever seen. | 0:15:54 | 0:15:57 | |
That was over 30 years ago. You've been making horses heads ever since. | 0:15:57 | 0:16:01 | |
Why do you keep making horses? | 0:16:01 | 0:16:03 | |
It's inspired by the Greeks, a sense of balance and proportion. | 0:16:03 | 0:16:07 | |
For me, it's all weighed up in the head. | 0:16:07 | 0:16:10 | |
So I'm constantly, in a sense, redrawing it, | 0:16:10 | 0:16:13 | |
reworking the line and the form. | 0:16:13 | 0:16:17 | |
His studio sits at the heart of a 1,000-acre estate and pretty | 0:16:20 | 0:16:25 | |
well everywhere you turn, there is evidence of the love of horses. | 0:16:25 | 0:16:29 | |
Now I remember why we were friends. Yeah. | 0:16:30 | 0:16:33 | |
The smell of a stable block is like nowhere else on earth. | 0:16:33 | 0:16:37 | |
I'm immediately transported. | 0:16:37 | 0:16:39 | |
I think Nic's partner, Henrietta, feels it too. | 0:16:39 | 0:16:42 | |
-You grew up with horses, didn't you? -Yeah. | 0:16:42 | 0:16:45 | |
What is it about horses then that you love? | 0:16:45 | 0:16:47 | |
Everything about horses! I love riding them. | 0:16:48 | 0:16:53 | |
I love just being with them in a field, | 0:16:53 | 0:16:57 | |
feeding them, travelling with them. | 0:16:57 | 0:17:00 | |
They are amazing animals. | 0:17:00 | 0:17:03 | |
And, of course, | 0:17:05 | 0:17:06 | |
nearly every one of the horses has to do its bit as a life model for Nic. | 0:17:06 | 0:17:10 | |
How closely are you looking at Freddie then | 0:17:17 | 0:17:19 | |
when you are working on a sculpture like this? | 0:17:19 | 0:17:21 | |
I'm looking at him as closely as possible. | 0:17:21 | 0:17:24 | |
Obviously, he's moving all the time, so being able to actually | 0:17:24 | 0:17:28 | |
hold him in place and really study his structure is quite hard. | 0:17:28 | 0:17:33 | |
But in his natural environment, there's no better place to learn. | 0:17:33 | 0:17:38 | |
He has certainly made his mark. | 0:17:41 | 0:17:43 | |
This whopper is 35 feet high | 0:17:43 | 0:17:45 | |
and it's one of Nic's most famous pieces. | 0:17:45 | 0:17:49 | |
Winched into position at Marble Arch in London back in 2011, | 0:17:49 | 0:17:53 | |
the piece is called, simply, Still Water. | 0:17:53 | 0:17:56 | |
Now for the show stopper. | 0:18:03 | 0:18:06 | |
Heat and light and hopefully magic. | 0:18:09 | 0:18:12 | |
This is how Nic casts bronze. | 0:18:14 | 0:18:16 | |
The metal has been heated to 1,100 degrees centigrade. | 0:18:16 | 0:18:19 | |
-Forgive me, but is that... -It's called slag. -This is the scrap. | 0:18:24 | 0:18:29 | |
-Are you OK? -Yeah. -It's as liquid as water. | 0:18:29 | 0:18:32 | |
You would never believe a solid metal can flow like a river. | 0:18:32 | 0:18:36 | |
So, come on, Nic, the suspense is killing us. | 0:18:38 | 0:18:40 | |
Tell us what you have made. | 0:18:40 | 0:18:42 | |
Funnily enough, you'd never guess what's in that mould, | 0:18:42 | 0:18:45 | |
a horse's head! | 0:18:45 | 0:18:47 | |
Of course, we all knew really, but how will it turn out? | 0:18:50 | 0:18:54 | |
Here we go. It's falling out now. It's rather amazing, isn't it? | 0:19:00 | 0:19:03 | |
It does look quite ancient. | 0:19:03 | 0:19:04 | |
WATER SIZZLES Whoa! | 0:19:04 | 0:19:07 | |
This is going to be good. | 0:19:07 | 0:19:10 | |
And with a little spit and polish... | 0:19:10 | 0:19:12 | |
..the magic is revealed. | 0:19:14 | 0:19:16 | |
Spending time with Nic and being around his inspiring work, | 0:19:22 | 0:19:25 | |
I think a bit of his passion has definitely rubbed off on me | 0:19:25 | 0:19:28 | |
because when I saw those horses earlier today, all I wanted to do | 0:19:28 | 0:19:31 | |
was get on the back of one of them and that's a surprising feeling. | 0:19:31 | 0:19:35 | |
I think I'm ready to put the mishaps behind me. | 0:19:35 | 0:19:37 | |
In another corner of the Home Counties lies the historical | 0:19:41 | 0:19:44 | |
town of Thaxted. | 0:19:44 | 0:19:46 | |
This small corner of Essex played a big part in reviving | 0:19:46 | 0:19:49 | |
an English tradition, as James has been discovering. | 0:19:49 | 0:19:52 | |
Morris dancing might seem like one of the most iconic, age-old, | 0:19:59 | 0:20:02 | |
English traditions but in actuality by the early 1900s | 0:20:02 | 0:20:06 | |
it was virtually extinct. | 0:20:06 | 0:20:08 | |
The thriving tradition we see today is all down to a bloke called | 0:20:08 | 0:20:12 | |
Cecil Sharp, a music lover, | 0:20:12 | 0:20:14 | |
whose work inspired what's known as the English folk revival. | 0:20:14 | 0:20:18 | |
Mike Heaney is a keen Morris dancing musician | 0:20:26 | 0:20:29 | |
and an expert on Cecil Sharp. | 0:20:29 | 0:20:32 | |
Tell me who Cecil Sharp was. | 0:20:32 | 0:20:34 | |
Well, Cecil Sharp was a musician around the turn of the 19th | 0:20:34 | 0:20:38 | |
and 20th centuries. | 0:20:38 | 0:20:39 | |
Very interested in the revival of English music and he was | 0:20:39 | 0:20:43 | |
the guy who encountered Morris dancers in Oxford back in 1899. | 0:20:43 | 0:20:48 | |
So, presumably, it must have been pretty rare at the time | 0:20:48 | 0:20:51 | |
if he had to come across it, he didn't know what it was anyway. | 0:20:51 | 0:20:54 | |
That's right. Throughout most of the 19th century | 0:20:54 | 0:20:57 | |
it had been very much in decline. | 0:20:57 | 0:20:59 | |
And so, yes, he very much rescued it. | 0:20:59 | 0:21:01 | |
His main virtue was that he was | 0:21:01 | 0:21:03 | |
promoting it as a music and dance form. | 0:21:03 | 0:21:06 | |
And recording it, because until it's recorded | 0:21:06 | 0:21:08 | |
you can't spread it out to that many people. | 0:21:08 | 0:21:10 | |
With help, he devised a notation that enabled it to be written down | 0:21:10 | 0:21:15 | |
and so it could be taught from books as well as by example. | 0:21:15 | 0:21:18 | |
Being a geeky botanist I'm great at identifying plants | 0:21:18 | 0:21:22 | |
but when it comes to Morris dancing gear I have absolutely no clue. | 0:21:22 | 0:21:26 | |
What do the sticks and handkerchiefs really mean? | 0:21:26 | 0:21:29 | |
Luckily, expert Mike Heaney is back to help me | 0:21:29 | 0:21:32 | |
decipher what it's all about. | 0:21:32 | 0:21:34 | |
Mike, this is filling me | 0:21:34 | 0:21:36 | |
with trepidation just looking at all of this getup | 0:21:36 | 0:21:39 | |
but what I want to know first is what is with the cake on a stick? | 0:21:39 | 0:21:42 | |
It is not a stick, it is a sword. It's quite a sharp sword. | 0:21:42 | 0:21:45 | |
The idea of the cake is essentially you can sell pieces of the cake | 0:21:45 | 0:21:49 | |
and make money and in return for that they promise you fertility | 0:21:49 | 0:21:52 | |
and good luck throughout the year. | 0:21:52 | 0:21:54 | |
Fantastic. So, I read there with sticks involved | 0:21:54 | 0:21:57 | |
but I was imagining small magic wand type things. | 0:21:57 | 0:22:01 | |
These are proper full-on clubs, whack-you-over-the-head type things! | 0:22:01 | 0:22:04 | |
Well, you don't whack each other over the head | 0:22:04 | 0:22:06 | |
but you do whack the sticks together | 0:22:06 | 0:22:08 | |
and they do take quite a lot of a battering | 0:22:08 | 0:22:11 | |
but the idea is they help to | 0:22:11 | 0:22:12 | |
emphasise the movements, they make a noise, | 0:22:12 | 0:22:15 | |
they draw attention to the dancing and attract a crowd. | 0:22:15 | 0:22:18 | |
I have noticed the handkerchiefs as well. | 0:22:18 | 0:22:21 | |
They look a lot more like napkins. They're enormous. | 0:22:21 | 0:22:24 | |
It helps to attract attention, it helps make it | 0:22:24 | 0:22:26 | |
more of a display dance and more interesting and exciting. | 0:22:26 | 0:22:30 | |
Maybe Ray and Johnny can show us a little bit about how that works. | 0:22:30 | 0:22:33 | |
Great. I was going to ask, how do you do the handkerchiefs | 0:22:33 | 0:22:37 | |
and the sticks at the same time?! That's far too coordinated for me. | 0:22:37 | 0:22:41 | |
But cakes and hankies aside, | 0:22:45 | 0:22:47 | |
whilst Cecil Sharp's notes guaranteed the survival of Morris folk music, | 0:22:47 | 0:22:53 | |
without a crucial female figure, | 0:22:53 | 0:22:55 | |
the dancers might well have been forgotten. | 0:22:55 | 0:22:58 | |
Mary Neal was a social reformer who devoted her life's work to Britain's | 0:22:58 | 0:23:03 | |
female factory workers to whom she taught Morris and country dancing. | 0:23:03 | 0:23:08 | |
It was Mary Neal and her team of disciples that went around | 0:23:10 | 0:23:13 | |
the country to teach men, women and children how to Morris dance. | 0:23:13 | 0:23:17 | |
It was their infectious enthusiasm, combined with a really rigorous | 0:23:17 | 0:23:22 | |
and scientific recording by Cecil Sharp, | 0:23:22 | 0:23:24 | |
that brought Morris dancing back from the very | 0:23:24 | 0:23:27 | |
brink of extinction to the thriving practice it is today. | 0:23:27 | 0:23:31 | |
Mary's disciples came to Thaxted back in 1911, where | 0:23:36 | 0:23:39 | |
they taught dances to the children of local sweet-factory workers. | 0:23:39 | 0:23:45 | |
Pupils here still learn these dances today. | 0:23:45 | 0:23:48 | |
In fact, Little Tommy Bassett | 0:23:48 | 0:23:51 | |
is the great-grandson of one of Mary's proteges. | 0:23:51 | 0:23:54 | |
Well, I couldn't put it off any longer. | 0:23:58 | 0:24:02 | |
I'm being forced to have a go! | 0:24:02 | 0:24:05 | |
Here I am! | 0:24:05 | 0:24:08 | |
You tell me what I need to do. | 0:24:08 | 0:24:11 | |
If we form a circle, we will teach you the steps. | 0:24:11 | 0:24:15 | |
Very simple, straightforward. | 0:24:15 | 0:24:17 | |
So, you start off coming back right foot. | 0:24:17 | 0:24:20 | |
Everything is right foot start. This time... Right. Forward | 0:24:20 | 0:24:26 | |
Back. Turn out. | 0:24:28 | 0:24:31 | |
Now, half dip. Right shoulder. | 0:24:35 | 0:24:39 | |
Back. Now left shoulder. | 0:24:39 | 0:24:42 | |
You know what, I'm not sure if I'm going to give up botany | 0:24:45 | 0:24:49 | |
for Morris dancing but if it wasn't for Cecil Sharp and Mary Neal | 0:24:49 | 0:24:54 | |
this wouldn't be carrying on in Thaxted to this day. | 0:24:54 | 0:24:58 | |
If you've ever donned your plimsolls in school to do country dancing | 0:24:58 | 0:25:04 | |
then it's them you have to thank - or to blame! | 0:25:04 | 0:25:07 | |
I've been exploring the heathland around Hindhead | 0:25:09 | 0:25:12 | |
and the Devil's Punchbowl in the south-west corner of Surrey. | 0:25:12 | 0:25:16 | |
Once there was a hilltop residence around here | 0:25:16 | 0:25:19 | |
for Sir Arthur Conan Doyle, the creator of Sherlock Holmes. | 0:25:19 | 0:25:23 | |
At the same time as Conan Doyle was | 0:25:25 | 0:25:27 | |
making his home in this area, another very influential gentleman | 0:25:27 | 0:25:32 | |
from the nearby town of Haslemere had hatched a plan. | 0:25:32 | 0:25:36 | |
His idea was to transform our countryside, | 0:25:36 | 0:25:39 | |
protecting it for ever. | 0:25:39 | 0:25:41 | |
His name? Sir Robert Hunter, | 0:25:43 | 0:25:45 | |
a lawyer who forged a successful career in the civil service. | 0:25:45 | 0:25:49 | |
He's buried here at St Bart's church in Haslemere | 0:25:49 | 0:25:53 | |
and while you've probably never heard of the man, | 0:25:53 | 0:25:56 | |
you will certainly have heard of his greatest legacy. | 0:25:56 | 0:26:01 | |
Here is the plaque. | 0:26:01 | 0:26:03 | |
"To the honoured memory of Robert Hunter, | 0:26:03 | 0:26:06 | |
"a tireless worker in the cause of preserving and acquiring open | 0:26:06 | 0:26:11 | |
"spaces for the free enjoyment of the public in town and country. | 0:26:11 | 0:26:16 | |
"A founder and first chairman of the National Trust." | 0:26:16 | 0:26:21 | |
The trust came about from the shared vision of three like-minded | 0:26:21 | 0:26:24 | |
individuals but, with his legal background, Hunter made sure | 0:26:24 | 0:26:29 | |
it had a solid base. | 0:26:29 | 0:26:32 | |
Today, the organisation they founded protects more | 0:26:32 | 0:26:36 | |
than 300 buildings, 618 acres of land and 743 miles of coastline. | 0:26:36 | 0:26:41 | |
And while Hunter was the legal brain behind its creation, | 0:26:41 | 0:26:45 | |
he didn't like the limelight. | 0:26:45 | 0:26:48 | |
Can you show me where he is buried in this churchyard? | 0:26:48 | 0:26:51 | |
Only one person knows. | 0:26:51 | 0:26:53 | |
The person who keeps the churchyard records, who is not the rector, | 0:26:53 | 0:26:56 | |
is the person who knows and they pass it on to the next person. | 0:26:56 | 0:26:59 | |
-So, he's in an unmarked grave. -He's in an unmarked grave. | 0:26:59 | 0:27:03 | |
He chose to be buried in a pauper's grave and his wife is there too. | 0:27:03 | 0:27:06 | |
-That's what he wanted. -I wonder why. -He didn't want any fuss, I think. | 0:27:06 | 0:27:10 | |
He was an unfussy person. It is rather splendid, really, in its way. | 0:27:10 | 0:27:14 | |
To find out more about this intriguing man | 0:27:14 | 0:27:17 | |
I'm meeting Ben Cowell who's uncovered enough information | 0:27:17 | 0:27:21 | |
to write the first biography of Hunter. | 0:27:21 | 0:27:23 | |
It can't have been easy, Ben, | 0:27:23 | 0:27:25 | |
to dig into the background of this intensely private man. | 0:27:25 | 0:27:29 | |
He was a private man and it was quite hard piecing together the parts | 0:27:29 | 0:27:33 | |
of his life because there was never a biography written about him. | 0:27:33 | 0:27:37 | |
But partly this was his choice. He did not crave the limelight. | 0:27:37 | 0:27:40 | |
He didn't want the attention. He was quite self-effacing, quite modest. | 0:27:40 | 0:27:44 | |
He simply wanted to protect open spaces. | 0:27:44 | 0:27:46 | |
But he did obviously love the countryside. | 0:27:46 | 0:27:49 | |
He absolutely loved the countryside. | 0:27:49 | 0:27:51 | |
He would always be walking, | 0:27:51 | 0:27:52 | |
he loved walking around here in Haslemere where he moved in 1882. | 0:27:52 | 0:27:56 | |
So, he loved the outdoors, he loved the countryside | 0:27:56 | 0:27:59 | |
and he wanted everyone to have that chance to enjoy it. | 0:27:59 | 0:28:02 | |
So, as a young lawyer in London, he entered a competition to write | 0:28:02 | 0:28:06 | |
about the law relating to common land and this is the essay that he wrote. | 0:28:06 | 0:28:10 | |
It was highly commended, it gets published in a book in 1867. | 0:28:10 | 0:28:14 | |
An Essay On The Preservation Of Commons | 0:28:14 | 0:28:16 | |
In The Neighbourhood Of The Metropolis. | 0:28:16 | 0:28:18 | |
What he's saying is, these places are vitally important, | 0:28:18 | 0:28:22 | |
they need to be kept open, they need to be protected as common spaces | 0:28:22 | 0:28:25 | |
and it's not just the ones in London, it's everywhere | 0:28:25 | 0:28:28 | |
across the country because this was a time when commons were being | 0:28:28 | 0:28:32 | |
enclosed at a rate never seen before and rapidly being built over. | 0:28:32 | 0:28:36 | |
And it was the fact that these places were disappearing | 0:28:36 | 0:28:39 | |
so rapidly that led him to think about the notion of | 0:28:39 | 0:28:43 | |
a property-owning trust that could hold them for ever. | 0:28:43 | 0:28:46 | |
A vision that came to fruition in 1895 | 0:28:46 | 0:28:49 | |
when the National Trust was born. | 0:28:49 | 0:28:51 | |
In its early years, the trust campaigned to protect open | 0:28:51 | 0:28:55 | |
spaces, managing to purchase mostly small areas of land. | 0:28:55 | 0:28:59 | |
Then, in 1905, a big opportunity presented itself | 0:28:59 | 0:29:03 | |
right on Hunter's Surrey doorstep. | 0:29:03 | 0:29:06 | |
A rather dubious local landowner had been charged with fraud | 0:29:06 | 0:29:10 | |
and was facing a spell in prison. | 0:29:10 | 0:29:13 | |
Instead, he took his own life and his land came up for sale. | 0:29:13 | 0:29:17 | |
Robert Hunter realised that with good railway links to London | 0:29:17 | 0:29:21 | |
that land was ripe for development | 0:29:21 | 0:29:24 | |
and he didn't want that to happen | 0:29:24 | 0:29:26 | |
so instead he formed the Hindhead Preservation Society, | 0:29:26 | 0:29:30 | |
bought the land himself and donated it to the National Trust. | 0:29:30 | 0:29:34 | |
And a couple of years later the National Trust Act was | 0:29:34 | 0:29:38 | |
passed by Parliament. | 0:29:38 | 0:29:39 | |
It was another of Hunter's ideas securing the Trust's | 0:29:39 | 0:29:42 | |
responsibilities for the long-term, enshrining them in law. | 0:29:42 | 0:29:47 | |
Here at Hindhead Common, though, preservation of the land | 0:29:47 | 0:29:51 | |
has gone a step beyond Hunter's vision. | 0:29:51 | 0:29:54 | |
Until three years ago, the busy A3 London to Portsmouth road | 0:29:54 | 0:29:59 | |
ran through here. Then the Hindhead Tunnel opened | 0:29:59 | 0:30:03 | |
stretching for a mile and costing £371 million. | 0:30:03 | 0:30:06 | |
The long-fought campaign to redirect the traffic underneath | 0:30:06 | 0:30:11 | |
the common had been won. | 0:30:11 | 0:30:13 | |
Head ranger Matt Cusack is finishing off the job. | 0:30:13 | 0:30:16 | |
And this is where the old A3 used to be, Matt. | 0:30:16 | 0:30:18 | |
The last time I was here, | 0:30:18 | 0:30:20 | |
-I was driving a car! What have you done with it? -That's right. | 0:30:20 | 0:30:24 | |
Well, it's still beneath our feet. | 0:30:24 | 0:30:26 | |
The tarmac surface is still under there and even | 0:30:26 | 0:30:29 | |
deeper below that is the actual tunnel itself. | 0:30:29 | 0:30:31 | |
They took the soil out of the tunnel | 0:30:31 | 0:30:33 | |
and put it back over the old tarmac of the A3. | 0:30:33 | 0:30:36 | |
What's going on here, Matt? | 0:30:36 | 0:30:39 | |
Basically, John, we are taking out the trees that used to | 0:30:39 | 0:30:42 | |
screen the old A3 so by taking those trees out, | 0:30:42 | 0:30:45 | |
it softens the landscape and it also joins quite nicely | 0:30:45 | 0:30:48 | |
Hindhead Common which is on this side of us here | 0:30:48 | 0:30:51 | |
to the Devil's Punchbowl and that's great for the invertebrates, | 0:30:51 | 0:30:54 | |
the butterflies can migrate quite freely where the road once used | 0:30:54 | 0:30:58 | |
to cause quite a permanent barrier. | 0:30:58 | 0:31:01 | |
And how long do think it will be before there will be no sign | 0:31:01 | 0:31:04 | |
whatsoever that the A3, a very busy road, used to be here? | 0:31:04 | 0:31:08 | |
Give it five years' time, you will be hard pushed | 0:31:08 | 0:31:11 | |
to find out where the road used to be. | 0:31:11 | 0:31:13 | |
A tarmac-free view, more open than it's been for generations. | 0:31:13 | 0:31:18 | |
Here, the National Trust is re-wilding common land, | 0:31:20 | 0:31:24 | |
right on Sir Robert Hunter's home turf. | 0:31:24 | 0:31:27 | |
The man would have been proud. If quietly so. | 0:31:27 | 0:31:30 | |
Elsewhere, the countryside is under threat because we need more | 0:31:33 | 0:31:37 | |
houses but exactly where they should be built is controversial. | 0:31:37 | 0:31:41 | |
So, have new planning guidelines left our green acres exposed? | 0:31:41 | 0:31:46 | |
Here's Tom again. | 0:31:46 | 0:31:48 | |
In recent years, proposed new housing estates have frequently met | 0:31:49 | 0:31:54 | |
fierce local opposition. So, how vulnerable is our countryside? | 0:31:54 | 0:32:00 | |
In 2012, as the government prepared to unveil its new planning | 0:32:00 | 0:32:03 | |
guidelines, the Prime Minister told Countryfile that the most beautiful | 0:32:03 | 0:32:08 | |
and precious parts of our landscape would still be protected. | 0:32:08 | 0:32:12 | |
We are not changing green belt, we are | 0:32:12 | 0:32:15 | |
not changing Areas of Outstanding Natural Beauty, we are | 0:32:15 | 0:32:18 | |
not changing SSSIs, all those protections that are there | 0:32:18 | 0:32:21 | |
but at the heart of it is... and I think this is what people | 0:32:21 | 0:32:25 | |
haven't yet grasped, in a way, | 0:32:25 | 0:32:27 | |
at the heart of it is more local control, the neighbourhood plan, | 0:32:27 | 0:32:30 | |
you decide in your community | 0:32:30 | 0:32:32 | |
rather than The Man In Whitehall Knows Best. | 0:32:32 | 0:32:34 | |
The largest Area of Outstanding Natural Beauty in England | 0:32:36 | 0:32:39 | |
covers the Cotswolds and includes the picturesque town of Chipping Campden | 0:32:39 | 0:32:44 | |
which is just a few miles from David Cameron's constituency. | 0:32:44 | 0:32:48 | |
This demonstrates what's the quality of the area, I think. | 0:32:48 | 0:32:52 | |
But despite local opposition a 16-home development has been | 0:32:52 | 0:32:56 | |
given planning permission. | 0:32:56 | 0:32:58 | |
Malcolm Watt advises on planning issues in this AONB. | 0:32:58 | 0:33:02 | |
Yeah, this is the site where | 0:33:02 | 0:33:03 | |
housing development has recently been permitted. | 0:33:03 | 0:33:06 | |
It has been refused on a number of occasions | 0:33:06 | 0:33:09 | |
but finally consent was granted about two months ago. | 0:33:09 | 0:33:12 | |
How come it was consented this time? | 0:33:12 | 0:33:14 | |
Well, I think that's all due to the change in weight that's been | 0:33:14 | 0:33:18 | |
given to landscape protection and the need for housing development. | 0:33:18 | 0:33:22 | |
Certainly that seems to be the case here. | 0:33:22 | 0:33:25 | |
In theory, the protection is exactly the same, | 0:33:25 | 0:33:27 | |
the whole basis of landscape protection has been in place since | 0:33:27 | 0:33:30 | |
1949, but what I think we are seeing is a need for housing is beginning | 0:33:30 | 0:33:36 | |
to outweigh the landscape protection that's been in place for so long. | 0:33:36 | 0:33:40 | |
So, it seems even Chipping Campden's position in an | 0:33:40 | 0:33:43 | |
Area of Outstanding Natural Beauty can't help it | 0:33:43 | 0:33:47 | |
withstand the overwhelming pressure to build more homes. | 0:33:47 | 0:33:51 | |
One of the motives driving the new guidelines is a desperate need | 0:33:51 | 0:33:55 | |
for new homes so councils have had to come up with | 0:33:55 | 0:33:59 | |
a five-year housing supply plan saying how many homes | 0:33:59 | 0:34:02 | |
they are proposing, when they were going to be built | 0:34:02 | 0:34:05 | |
and crucially where they're going to go. | 0:34:05 | 0:34:08 | |
That's causing another pressure on the precious land around these | 0:34:08 | 0:34:12 | |
rural communities and the authorities looking after them. Land banking. | 0:34:12 | 0:34:16 | |
Let's imagine a local council has a quota for, say, five houses | 0:34:16 | 0:34:20 | |
and through their local plan they make five plots available. | 0:34:20 | 0:34:24 | |
The builder comes along but only builds on two of them | 0:34:24 | 0:34:28 | |
deciding to hold back the others - bank them. | 0:34:28 | 0:34:31 | |
Whilst that's the case, it gives the council less power to refuse new | 0:34:31 | 0:34:37 | |
applications for planning permission which might be put on other sites. | 0:34:37 | 0:34:42 | |
Now, if those are built | 0:34:42 | 0:34:44 | |
and then those are built as well in the future, | 0:34:44 | 0:34:47 | |
you could end up with more houses and less control over where they go. | 0:34:47 | 0:34:52 | |
It's a little more complicated in real life, of course. | 0:34:52 | 0:34:56 | |
South of there is 600 and for this site, down here, 1,000 homes. | 0:34:56 | 0:35:02 | |
But it's a problem being faced | 0:35:02 | 0:35:04 | |
by planners at Cherwell District Council. | 0:35:04 | 0:35:07 | |
This site was given permission in 2009 for 1,000 houses | 0:35:07 | 0:35:12 | |
but work only started on the site four years later. | 0:35:12 | 0:35:17 | |
Why does that give you such a problem? | 0:35:17 | 0:35:19 | |
That gives us a problem because those houses are not coming | 0:35:19 | 0:35:23 | |
forward and then we come back to the National Planning Policy | 0:35:23 | 0:35:27 | |
Framework which says we must have a five-year housing supply | 0:35:27 | 0:35:30 | |
and a five-year housing supply means houses being delivered, | 0:35:30 | 0:35:33 | |
not just identified but being put on the ground. | 0:35:33 | 0:35:37 | |
There may be many reasons why developers don't build | 0:35:37 | 0:35:41 | |
straight after getting planning permission. | 0:35:41 | 0:35:43 | |
Securing finance after years of recession, for example, | 0:35:43 | 0:35:47 | |
and not everyone thinks land banking is a problem. | 0:35:47 | 0:35:51 | |
As you can see, the buildings we are constructing now | 0:35:51 | 0:35:53 | |
are very energy efficient. | 0:35:53 | 0:35:55 | |
Andrew Whittaker, from the Home Builders Federation, | 0:35:55 | 0:35:58 | |
was named as one of the top 100 people with the greatest | 0:35:58 | 0:36:01 | |
influence on planning policy and decision-making. | 0:36:01 | 0:36:04 | |
Andrew, why is it that some developers seem to | 0:36:04 | 0:36:07 | |
sit on land for a while and not develop it for years? | 0:36:07 | 0:36:11 | |
Well, we don't think they do. | 0:36:11 | 0:36:13 | |
The whole point of house-builders is to build houses and therefore | 0:36:13 | 0:36:17 | |
when you get a planning permission you are desperate to get on site | 0:36:17 | 0:36:20 | |
as quickly as you possibly can | 0:36:20 | 0:36:21 | |
because you don't want the money tied up in the land, | 0:36:21 | 0:36:23 | |
you want to be able to build the houses and sell them. | 0:36:23 | 0:36:26 | |
You say you don't think they do, it's well-known it does happen. | 0:36:26 | 0:36:30 | |
Land banking goes on, | 0:36:30 | 0:36:31 | |
I am not sure how you can blanket deny it so clearly. | 0:36:31 | 0:36:34 | |
Well, what happens is land is the source of materials | 0:36:34 | 0:36:37 | |
for house-builders so you need land | 0:36:37 | 0:36:40 | |
but more importantly you need land with planning permission. | 0:36:40 | 0:36:43 | |
This country needs to build over 200,000 homes a year | 0:36:43 | 0:36:47 | |
and we have to keep a five-year supply of land in the bank. | 0:36:47 | 0:36:52 | |
That's over a million plots of land. | 0:36:52 | 0:36:54 | |
We are hearing there's only 400,000 out there. Now, whilst | 0:36:54 | 0:36:58 | |
we dispute that number, that number should be much higher. | 0:36:58 | 0:37:02 | |
But local authorities are between a rock and a hard place. | 0:37:02 | 0:37:06 | |
Some people oppose nearly all the development, | 0:37:06 | 0:37:09 | |
others want new affordable homes, leaving councils pushed to | 0:37:09 | 0:37:13 | |
both provide new houses and, of course, protect the countryside, | 0:37:13 | 0:37:17 | |
something the Prime Minister told us was crucially important. | 0:37:17 | 0:37:21 | |
I would no more put that at risk | 0:37:21 | 0:37:23 | |
than I would put at risk my own family. | 0:37:23 | 0:37:26 | |
So, is our countryside at risk? | 0:37:26 | 0:37:29 | |
Has the National Planning Policy Framework made the countryside | 0:37:29 | 0:37:33 | |
more vulnerable to development? | 0:37:33 | 0:37:35 | |
No, I don't believe it has but equally | 0:37:35 | 0:37:37 | |
we need to accept that this country has an intense housing need. | 0:37:37 | 0:37:41 | |
We are visiting upon the next generation the real prospect | 0:37:41 | 0:37:45 | |
of not being able to get a home until they are in their 40s | 0:37:45 | 0:37:48 | |
and we have a responsibility to protect our countryside | 0:37:48 | 0:37:51 | |
but find a way to supply enough housing for the next generation. | 0:37:51 | 0:37:56 | |
That demand for new housing is already having an impact. | 0:37:56 | 0:38:00 | |
In the two years since we spoke to David Cameron, the number of new | 0:38:00 | 0:38:04 | |
housing developments going ahead against the wishes of local | 0:38:04 | 0:38:07 | |
people has increased by nearly 10%. | 0:38:07 | 0:38:09 | |
With millions more houses still needed, | 0:38:09 | 0:38:13 | |
the pressure on our countryside will only intensify. | 0:38:13 | 0:38:17 | |
-HELEN SKELTON: -Like many parts of the British countryside, | 0:38:23 | 0:38:27 | |
sheep have helped shape the landscape we see today. | 0:38:27 | 0:38:30 | |
Nowhere more so than the Cotswolds - | 0:38:30 | 0:38:32 | |
something local boy Adam knows only too well. | 0:38:32 | 0:38:36 | |
And here on my farm I've got some of those sheep that made this | 0:38:36 | 0:38:39 | |
part of the world famous, the fiercely named Cotswold Lion. | 0:38:39 | 0:38:43 | |
By, by! Good girl! | 0:38:43 | 0:38:46 | |
It was the Romans that originally brought these sheep here to | 0:38:49 | 0:38:51 | |
clothe their legions and by the 15th century | 0:38:51 | 0:38:54 | |
they roamed the hills in big flocks up to 6,000 strong. | 0:38:54 | 0:38:59 | |
If I can get the dog to bring them over | 0:38:59 | 0:39:01 | |
and I can catch one for you, I will show you why they were so popular. | 0:39:01 | 0:39:06 | |
Good girl! Bring them on. Steady! | 0:39:06 | 0:39:08 | |
Steady! Go back, by. | 0:39:09 | 0:39:12 | |
Right, here we go. I've got one. | 0:39:16 | 0:39:19 | |
And here you can see their beautiful long lustrous fleece that was | 0:39:19 | 0:39:24 | |
known as the Golden Fleece because it was so valuable. | 0:39:24 | 0:39:28 | |
By the 1400s, almost half of the cloth made in England | 0:39:28 | 0:39:33 | |
came from this wool. Really beautiful stuff. | 0:39:33 | 0:39:37 | |
In fact, whole communities around here were built off the wealth | 0:39:37 | 0:39:41 | |
made from this wool. | 0:39:41 | 0:39:43 | |
And there was a lovely old saying that says the best wool in | 0:39:43 | 0:39:47 | |
Europe is English and in England the best wool is the Cotswold. | 0:39:47 | 0:39:52 | |
And they weren't wrong. | 0:39:52 | 0:39:54 | |
For the landowners who owned these flocks, they brought great | 0:39:55 | 0:39:59 | |
wealth, which they used to put their physical mark on the countryside. | 0:39:59 | 0:40:04 | |
Not only grand houses for themselves | 0:40:04 | 0:40:07 | |
but even greater buildings to the glory of God. | 0:40:07 | 0:40:11 | |
Here in Chipping Campden, St James's is perhaps one of the finest | 0:40:11 | 0:40:17 | |
examples of what are known as wool churches. | 0:40:17 | 0:40:20 | |
BELLS PEAL | 0:40:20 | 0:40:22 | |
This one was built largely thanks to this chap. Meet William Greville. | 0:40:24 | 0:40:30 | |
Greville was a famous trader, known as the flower of the wool | 0:40:30 | 0:40:34 | |
merchants in the entire realm of England. | 0:40:34 | 0:40:38 | |
And the money he poured into this church meant that it grew to | 0:40:38 | 0:40:42 | |
a scale far out of proportion to the local community it served. | 0:40:42 | 0:40:46 | |
His largess means this is where he is remembered. | 0:40:48 | 0:40:52 | |
At the foot of the altar, the closest place to God. | 0:40:52 | 0:40:56 | |
Men like Greville hoped their gifts to the church would give them | 0:40:56 | 0:41:00 | |
worldly wealth while they were alive but also ensure eternal salvation. | 0:41:00 | 0:41:06 | |
Now, the value of wool is nothing like it was back then. | 0:41:06 | 0:41:11 | |
In fact, the cost of a fleece hardly covers the price of shearing. | 0:41:11 | 0:41:16 | |
The fortunes made here in wool's heyday are a distant memory | 0:41:16 | 0:41:20 | |
but thanks to a dedicated bunch of farmers and | 0:41:20 | 0:41:23 | |
careful breeding, the rare Cotswold sheep is managing to cling on. | 0:41:23 | 0:41:28 | |
As we enter the depths of winter on my farm, | 0:41:28 | 0:41:31 | |
there are markers that new life will arrive in the spring. | 0:41:31 | 0:41:35 | |
I've got these Cotswolds into the pens. | 0:41:35 | 0:41:38 | |
The ram has been with them now for a couple of months | 0:41:38 | 0:41:41 | |
and he's ready to come out. | 0:41:41 | 0:41:43 | |
He's an enormous ram and he's a tremendous specimen. | 0:41:44 | 0:41:49 | |
The ram wears a harness and on the front is a chalk that we | 0:41:49 | 0:41:53 | |
change every nine days and a ewe will only let the ram mate with her | 0:41:53 | 0:41:56 | |
when she's in season so when he's mated with this ewe, for instance, | 0:41:56 | 0:42:01 | |
he's marked her with a green mark, | 0:42:01 | 0:42:03 | |
we then change to blue and red and then black. | 0:42:03 | 0:42:06 | |
And if the ram had marked them all green and then all blue | 0:42:06 | 0:42:09 | |
and then all red on top we would know he was infertile | 0:42:09 | 0:42:12 | |
because once they've conceived he shouldn't mate with them again. | 0:42:12 | 0:42:17 | |
But this one is working well and hopefully all these ewes have | 0:42:17 | 0:42:21 | |
lambs inside them and they will be giving birth in the spring. | 0:42:21 | 0:42:25 | |
But how we breed our farm animals today goes way back. | 0:42:26 | 0:42:30 | |
In the 1700s, pioneering stock breeder Robert Bakewell came up | 0:42:30 | 0:42:34 | |
with the idea of improving one of our native breeds of sheep, | 0:42:34 | 0:42:38 | |
the Leicester Longwool - a close relative to my Cotswold Lions. | 0:42:38 | 0:42:42 | |
Robert Bakewell was the man who really helped create these wonderful | 0:42:42 | 0:42:46 | |
Leicester Longwools and what he did was introduce selective breeding - | 0:42:46 | 0:42:51 | |
the breeding of livestock back then was very much on an ad hoc basis | 0:42:51 | 0:42:55 | |
but he would choose very good rams and put them with excellent ewes | 0:42:55 | 0:42:59 | |
and therefore get good lambs from them. | 0:42:59 | 0:43:02 | |
And he would ride around the countryside on his horse to select | 0:43:02 | 0:43:06 | |
the very best and he did it partly as a passion and as a hobby | 0:43:06 | 0:43:10 | |
but really as part of the agricultural revolution | 0:43:10 | 0:43:13 | |
because he realised | 0:43:13 | 0:43:14 | |
that there were lots of mouths to feed with a growing population. | 0:43:14 | 0:43:19 | |
And there's one farmer who knows this breed better than most. | 0:43:19 | 0:43:23 | |
Chris Coleman's family | 0:43:23 | 0:43:25 | |
have farmed the Leicester Longwool for seven generations. | 0:43:25 | 0:43:29 | |
So I've come to his home in Speeton on the dramatic north Yorkshire coast | 0:43:29 | 0:43:34 | |
to find out more about this incredible family legacy. | 0:43:34 | 0:43:38 | |
"Champion pen of Longwool lambs. Won by AB Coleman." | 0:43:38 | 0:43:42 | |
13 times. Know your stuff, you lot, don't you? | 0:43:42 | 0:43:46 | |
LAUGHTER My goodness me! | 0:43:46 | 0:43:49 | |
My father dressing a Leicester Longwool ready for showing. | 0:43:49 | 0:43:53 | |
That's my grandfather with a prize-winning lamb. | 0:43:53 | 0:43:57 | |
-That's my sister, Judy. -So, the whole family was involved. -Yes. | 0:43:57 | 0:44:01 | |
-That ram would win prizes today. Look at it! -What does it say on the back? | 0:44:01 | 0:44:05 | |
-Exported to Tasmania. -Yes. -So, your sheep were going all over the world. | 0:44:05 | 0:44:10 | |
Oh, we sent sheep to New Zealand, Australia, | 0:44:10 | 0:44:14 | |
Tasmania, South Africa. | 0:44:14 | 0:44:16 | |
-There are flocks in the USA! -Incredible. | 0:44:16 | 0:44:20 | |
I entered the oldest flock competition | 0:44:20 | 0:44:23 | |
run by the National Sheep Association and John Thorley | 0:44:23 | 0:44:27 | |
and he came back to me and said, "Sorry, Chris, | 0:44:27 | 0:44:31 | |
"you are not the oldest flock in the UK. | 0:44:31 | 0:44:34 | |
"I've found a flock of Romneys," who he says are one year older! | 0:44:34 | 0:44:39 | |
So, we are 178 years old. | 0:44:39 | 0:44:43 | |
-The second-oldest flock of sheep in the country! -Yes. | 0:44:43 | 0:44:47 | |
-Incredible. Shall we go and have a look at them? -Yep. | 0:44:47 | 0:44:50 | |
SHEEP BLEAT | 0:44:50 | 0:44:53 | |
As new and more commercial breeds of sheep were developed using Robert | 0:44:53 | 0:44:57 | |
Bakewell's techniques, the Leicester Longwool fell out of favour. | 0:44:57 | 0:45:02 | |
Today, there are fewer than 500 left in the UK meaning | 0:45:02 | 0:45:06 | |
they are classed as endangered. | 0:45:06 | 0:45:08 | |
Now, even Chris has decided to call it time on his flock | 0:45:08 | 0:45:13 | |
and put an end to his family dynasty. | 0:45:13 | 0:45:15 | |
My dad is 81, how old are you now? | 0:45:15 | 0:45:19 | |
-I'm 83. -And do you still get out and work with the sheep? -Oh, yes, yes. | 0:45:19 | 0:45:25 | |
Up every morning and feed the ducks, | 0:45:25 | 0:45:29 | |
feed the sheep. | 0:45:29 | 0:45:31 | |
And now that you're retired, what will happen to the flock, | 0:45:31 | 0:45:34 | |
will you keep them going for a while? | 0:45:34 | 0:45:36 | |
No, there are five females left here that are registered | 0:45:36 | 0:45:41 | |
but they are not in lamb. | 0:45:41 | 0:45:42 | |
But I shan't be putting them to the ram this year. | 0:45:42 | 0:45:46 | |
-So, really it's the end of the line. -It is the end of the line, yes. | 0:45:46 | 0:45:49 | |
It's all right some people saying they put a few sheep in a paddock | 0:45:49 | 0:45:53 | |
and that's it, but you know and I know that that's not the case. | 0:45:53 | 0:45:57 | |
It's a lot of work. And your son is busy running a commercial farm. | 0:45:57 | 0:46:01 | |
-Oh, yes, yes. -Well, congratulations for everything you've done. | 0:46:01 | 0:46:05 | |
Absolutely brilliant. | 0:46:05 | 0:46:06 | |
It's a great honour to meet you and to see your lovely sheep. | 0:46:06 | 0:46:11 | |
What Chris Coleman and generations of his family before him have done to | 0:46:11 | 0:46:16 | |
protect and preserve this traditional rare breed is pretty amazing. | 0:46:16 | 0:46:20 | |
But there are lots of farmers out there like Chris | 0:46:20 | 0:46:23 | |
doing their bit for the industry. | 0:46:23 | 0:46:26 | |
Every year, the BBC make an award to a farmer for their standout | 0:46:27 | 0:46:30 | |
contribution to farming at its Food And Farming Awards. | 0:46:30 | 0:46:34 | |
And we're looking for suggestions. | 0:46:34 | 0:46:36 | |
If you know a farmer who deserves recognition for making a real | 0:46:36 | 0:46:39 | |
difference to the future of farming, and for inspiring the rest of us, | 0:46:39 | 0:46:44 | |
then you can nominate them as Outstanding Farmer Of The Year. | 0:46:44 | 0:46:47 | |
Details on how to do that are on our website. | 0:46:47 | 0:46:50 | |
I'm here in Surrey, just a few miles from the centre of London, yet here | 0:47:02 | 0:47:07 | |
among the hills and wooded valleys, you get a real sense of remove. | 0:47:07 | 0:47:11 | |
A place to get away from it all, to be alone with your thoughts. | 0:47:11 | 0:47:16 | |
A place, even, to confront your fears. | 0:47:19 | 0:47:23 | |
Like the fear of getting back on a horse, maybe. | 0:47:24 | 0:47:28 | |
Well, that's a very real fear to me. | 0:47:28 | 0:47:31 | |
I love horses, I love everything about them, | 0:47:33 | 0:47:37 | |
the way they smell, the way they move and I was really lucky | 0:47:37 | 0:47:40 | |
that when I was little I had quite a few ponies. | 0:47:40 | 0:47:44 | |
The trouble is, I've also had quite a few falls. | 0:47:44 | 0:47:47 | |
I didn't ride for ten years because I was too afraid. | 0:47:47 | 0:47:51 | |
I got back in the saddle a couple of years ago | 0:47:51 | 0:47:54 | |
and unfortunately had another fall. | 0:47:54 | 0:47:57 | |
I'm officially the person who isn't scared of anything | 0:47:57 | 0:48:01 | |
and does mad things all over the world and crazy stunts. | 0:48:01 | 0:48:04 | |
So I'm kind of embarrassed to admit I'm nervous about this | 0:48:04 | 0:48:07 | |
but hand on heart, I actually am. | 0:48:07 | 0:48:11 | |
So today is about facing those fears and to do that I'm going | 0:48:13 | 0:48:17 | |
to be drawing some inspiration from some remarkable people. | 0:48:17 | 0:48:22 | |
I'm going to put my hands on your hips just to guide you back. | 0:48:22 | 0:48:26 | |
The only cure for this condition, Transverse Myelitis, is physio. | 0:48:26 | 0:48:30 | |
This is a wonderful form of physio. | 0:48:30 | 0:48:32 | |
Back, normal. | 0:48:32 | 0:48:33 | |
You're aiming to put a 10p piece between your shoulder blades. | 0:48:33 | 0:48:38 | |
This is Casi's Farm - home of | 0:48:38 | 0:48:40 | |
the Cranleigh Riding For The Disabled School. | 0:48:40 | 0:48:43 | |
It's part of a network of such schools that have been | 0:48:43 | 0:48:46 | |
helping disabled people ride for more than 40 years. | 0:48:46 | 0:48:50 | |
The biggest effort is getting back to being normal | 0:48:50 | 0:48:53 | |
and back on a horse feels normal. | 0:48:53 | 0:48:55 | |
You're not floundering around, stumbling around, walking badly. | 0:48:55 | 0:48:59 | |
Suddenly you're riding a horse. And in control. | 0:48:59 | 0:49:03 | |
Stroke victim Charles and the others in the group | 0:49:03 | 0:49:07 | |
come here once or twice a week. | 0:49:07 | 0:49:10 | |
Liz Harrison is the lady in charge. | 0:49:10 | 0:49:12 | |
We talk about riding for the disabled but we talk about therapeutic riding. | 0:49:12 | 0:49:16 | |
It is really therapeutic for people. | 0:49:16 | 0:49:19 | |
The environment, a different environment, | 0:49:19 | 0:49:22 | |
the horses themselves can be very emotionally calming | 0:49:22 | 0:49:26 | |
and the physical therapy of sitting on the horse. | 0:49:26 | 0:49:29 | |
What are the therapeutic benefits or, kind of, possibilities | 0:49:29 | 0:49:34 | |
of getting somebody back onto a horse who might be afraid? | 0:49:34 | 0:49:38 | |
A lot of people are afraid | 0:49:38 | 0:49:39 | |
but in a carefully controlled environment with people who know what | 0:49:39 | 0:49:44 | |
they are doing and are understanding and supportive, every chance! | 0:49:44 | 0:49:50 | |
Liz is confident. | 0:49:50 | 0:49:53 | |
First I've got to pick out a pony. | 0:49:56 | 0:49:58 | |
Feeding time is my chance to get up close. | 0:49:58 | 0:50:02 | |
-Hello. -I don't think he's going to be fast enough for you. | 0:50:02 | 0:50:06 | |
There's nothing left, Blue, I don't think. | 0:50:06 | 0:50:08 | |
I kind of feel like here anybody can ride with a whole | 0:50:11 | 0:50:15 | |
range of problems, things that are a lot more significant than me | 0:50:15 | 0:50:19 | |
-just being a little bit nervous. -Yeah, that is very significant. | 0:50:19 | 0:50:23 | |
A mental problem, a trauma like you've had is very significant. | 0:50:23 | 0:50:26 | |
You shouldn't belittle it or feel ashamed about it. You are normal. | 0:50:26 | 0:50:31 | |
One man who knows better than most about the dangers of horse riding | 0:50:33 | 0:50:38 | |
is ex-policeman Doug Smith. | 0:50:38 | 0:50:40 | |
Doug was thrown from his horse in the line of duty | 0:50:40 | 0:50:43 | |
and the back injuries he sustained | 0:50:43 | 0:50:45 | |
meant he had to retire from the force. | 0:50:45 | 0:50:48 | |
Now he's one of the country's top instructors for riding | 0:50:49 | 0:50:53 | |
for the disabled and if anybody can get me | 0:50:53 | 0:50:55 | |
back in the saddle, it's Doug. | 0:50:55 | 0:50:57 | |
In my head I can get on that horse and I can trot around here | 0:51:06 | 0:51:10 | |
and canter around here and jump over things...I think! | 0:51:10 | 0:51:16 | |
But actually there's something else in my head that's saying, | 0:51:16 | 0:51:19 | |
"Don't go near that horse, Helen." | 0:51:19 | 0:51:21 | |
-Hey, Doug. -Hello. -Who is this? -This is Robbie. -Hello, Robbie. | 0:51:24 | 0:51:29 | |
Tell me about Robbie, why do you think he and I are going to get on? | 0:51:29 | 0:51:32 | |
He's what I'd call an economical horse. | 0:51:32 | 0:51:35 | |
He won't use an ounce of energy if half will do. | 0:51:35 | 0:51:38 | |
You are going to be very safe on him. | 0:51:38 | 0:51:40 | |
-Super. Don't look at him. -Aaw! -Look where you're going. | 0:51:40 | 0:51:43 | |
Even so, I'm going to spend just a few minutes | 0:51:43 | 0:51:45 | |
walking around the ring with him. | 0:51:45 | 0:51:48 | |
-Don't look at him! -But now I've met Robbie, there's no going back. | 0:51:48 | 0:51:53 | |
-This looks like a serious bit of kit. -Mmm. | 0:51:53 | 0:51:56 | |
Hi, Robbie. | 0:52:04 | 0:52:06 | |
Just get on a horse. I've done it hundreds of times before. OK. | 0:52:06 | 0:52:11 | |
-We hold him...over there? -Yes. | 0:52:14 | 0:52:16 | |
Just hold him at the mane, that's it, up we go, | 0:52:16 | 0:52:18 | |
gently down into the saddle, that's it. OK? | 0:52:18 | 0:52:22 | |
-Now that's your grab strap, should you need it. -OK. | 0:52:22 | 0:52:26 | |
Put your hand under there. | 0:52:26 | 0:52:28 | |
Just one hand for the time being, feet out of the stirrups, | 0:52:28 | 0:52:31 | |
and put your stirrups across. | 0:52:31 | 0:52:33 | |
-OK. -So if you do the same with the other one, please, thank you. | 0:52:33 | 0:52:38 | |
Now, relax. I know it's easy for me to say, but this is teamwork. Right? | 0:52:38 | 0:52:45 | |
So all you've got to do is trust me, trust him. | 0:52:45 | 0:52:48 | |
I won't ask you to do anything you can't do, | 0:52:48 | 0:52:51 | |
and I won't ask him to anything that we can't trust him to do. | 0:52:51 | 0:52:53 | |
So just relax. | 0:52:53 | 0:52:54 | |
I've done this hundreds of times before, what is the matter with me? | 0:52:54 | 0:52:58 | |
It's natural. Just sit there and enjoy. Walking on. Good man. | 0:52:58 | 0:53:02 | |
Walking on. There's a clever boy. | 0:53:02 | 0:53:04 | |
Just going to turn him at the centre of the school | 0:53:04 | 0:53:06 | |
so just be ready, we're going to go left. | 0:53:06 | 0:53:08 | |
'Honest, viewers, these are tears of joy. | 0:53:08 | 0:53:10 | |
'I'm just so relieved and happy to be back on a horse.' | 0:53:10 | 0:53:13 | |
I'm going to change sides. | 0:53:13 | 0:53:15 | |
Now we're going to go the other way round, so at the moment, | 0:53:15 | 0:53:18 | |
he and I are taking you for a ride. | 0:53:18 | 0:53:21 | |
Just go with him. Nothing's going to happen. | 0:53:21 | 0:53:23 | |
This is just going to be nice and relaxed and enjoyable. | 0:53:23 | 0:53:26 | |
Feel the rhythm. Absorb the rhythm. | 0:53:26 | 0:53:30 | |
'I'm venturing down the bridal path, where John is waiting to meet me.' | 0:53:30 | 0:53:34 | |
That's it, well done. Excellent. | 0:53:39 | 0:53:41 | |
-Excellent, well done. -Come on, Robbie, walk on. -Keep in the rhythm. | 0:53:43 | 0:53:46 | |
-Good man, well done. -I am in my element. | 0:53:46 | 0:53:51 | |
I am absolutely in my element. Whoa, pony! Thanks, Doug. | 0:53:51 | 0:53:55 | |
I know this probably looks so tame to most people, | 0:53:55 | 0:53:58 | |
but I always say, challenges are relative. | 0:53:58 | 0:54:00 | |
And for me, getting back on a horse | 0:54:00 | 0:54:02 | |
was something I had wanted to do for a while, so... | 0:54:02 | 0:54:04 | |
I think it's a great achievement, Helen, well done! | 0:54:04 | 0:54:07 | |
-All you need to do now is get down! -I don't really want to! -Can I help? | 0:54:07 | 0:54:12 | |
There we go. | 0:54:12 | 0:54:14 | |
That wasn't really as glamorous as I would have liked it to be! | 0:54:14 | 0:54:16 | |
Thank you, Robbie. | 0:54:16 | 0:54:18 | |
And you were very, very brave there, Helen, we're very proud of you. | 0:54:18 | 0:54:21 | |
Tame, but challenges are relative. | 0:54:21 | 0:54:23 | |
Just before we go, we'd like to hear from you. | 0:54:23 | 0:54:26 | |
Because we want to know where you'd like Countryfile to go to | 0:54:26 | 0:54:30 | |
in the British Isles, in the year ahead, and why. | 0:54:30 | 0:54:33 | |
But we don't want the places that tourists go to. | 0:54:33 | 0:54:35 | |
We want to find out about places that you think don't get | 0:54:35 | 0:54:37 | |
the recognition they deserve. | 0:54:37 | 0:54:39 | |
So why don't you e-mail us, to: | 0:54:39 | 0:54:40 | |
That's it for today though. Goodbye. | 0:54:43 | 0:54:46 |