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Whether you relish the frosty mornings, | 0:00:29 | 0:00:31 | |
or dread the short days and dark nights, there's no escaping winter, | 0:00:31 | 0:00:36 | |
but get it right and you'll reap the rewards. | 0:00:36 | 0:00:41 | |
Today, we're going to embrace winter and all its seasonal spectacles. | 0:00:41 | 0:00:46 | |
Matt's meeting some farmers with a herd as rough and tough | 0:00:46 | 0:00:50 | |
as the winter landscape they graze. | 0:00:50 | 0:00:52 | |
It's hardy, it's traditional | 0:00:52 | 0:00:56 | |
and it just looks absolutely fantastic. | 0:00:56 | 0:00:58 | |
We all know he's got a penchant for a pullover, | 0:01:00 | 0:01:03 | |
but John's unravelling a yarn he's never heard | 0:01:03 | 0:01:06 | |
about fishermen's winter woollies. | 0:01:06 | 0:01:08 | |
Adam catches up with the farmers giving a bit of winter TLC | 0:01:10 | 0:01:14 | |
to some of our oldest and rarest breeds. | 0:01:14 | 0:01:17 | |
Goodness me, you Welshmen are hard! | 0:01:18 | 0:01:19 | |
What are you doing washing cattle on a day like today? | 0:01:19 | 0:01:21 | |
Well, I quite like to give them their monthly shower, you know, | 0:01:21 | 0:01:24 | |
just to freshen them up a bit! | 0:01:24 | 0:01:26 | |
And we'll be meeting those who love nothing more | 0:01:26 | 0:01:29 | |
than getting out there and embracing winter's frosty charms. | 0:01:29 | 0:01:32 | |
Aw, this is great! | 0:01:34 | 0:01:37 | |
In the heart of the Scottish Highlands is the Cairngorms. | 0:01:47 | 0:01:51 | |
Winter here shows off the landscape's raw beauty, | 0:01:53 | 0:01:57 | |
with its great glens, vast lochs and imposing peaks. | 0:01:57 | 0:02:02 | |
Thrill seekers may swarm to ski the snowy slopes | 0:02:02 | 0:02:06 | |
in the height of winter, | 0:02:06 | 0:02:08 | |
but this is our wildest national park and it's nature's patch. | 0:02:08 | 0:02:13 | |
Here, wild cats roam the woodlands, | 0:02:19 | 0:02:22 | |
pine martens dart through ancient forests | 0:02:22 | 0:02:25 | |
and ptarmigan don their winter coats. | 0:02:25 | 0:02:27 | |
But the season is harsh. | 0:02:31 | 0:02:33 | |
Some of the animals here in the summer have left for warmer climes, | 0:02:35 | 0:02:38 | |
and the rest have to adapt to the coldest, | 0:02:38 | 0:02:41 | |
the windiest and the snowiest conditions in Britain, | 0:02:41 | 0:02:44 | |
and, today, I'm hoping to spot some of those that are toughing it out. | 0:02:44 | 0:02:48 | |
'I'm starting my winter wildlife safari in Rothiemurchus, | 0:02:57 | 0:03:01 | |
'an area rich in conservation credentials, | 0:03:01 | 0:03:04 | |
'with one of the largest remaining swathes | 0:03:04 | 0:03:07 | |
'of ancient Caledonian pine forest in the country.' | 0:03:07 | 0:03:10 | |
-This place is just so gorgeous! -It really is. It really is. -Amazing! | 0:03:10 | 0:03:14 | |
'Showing me round his rather enviable workplace is | 0:03:15 | 0:03:18 | |
'Countryside Manager Julian Orsi.' | 0:03:18 | 0:03:21 | |
What makes it so special for wildlife? | 0:03:21 | 0:03:23 | |
We've got, um, every sort of habitat you can imagine. | 0:03:23 | 0:03:26 | |
Everything from the mountaintops of Braeriach, | 0:03:26 | 0:03:28 | |
right down through to the Caledonian pine forest and the wider forest, | 0:03:28 | 0:03:32 | |
and then down to the River Spey | 0:03:32 | 0:03:33 | |
and the habitats associated with river systems as well. | 0:03:33 | 0:03:36 | |
We've got 173 recorded bird species and 27 mammal species. | 0:03:36 | 0:03:41 | |
That must bring a conservation challenge of its own, all that? | 0:03:41 | 0:03:44 | |
Yeah, roughly 6,000 hectares is designated with some | 0:03:44 | 0:03:47 | |
sort of protection, whether it be environmental or cultural. | 0:03:47 | 0:03:51 | |
Nature and people is the most important thing here - | 0:03:51 | 0:03:53 | |
that they live in harmony together. | 0:03:53 | 0:03:55 | |
'Before I seek out some of the estate's wilder creatures, | 0:04:01 | 0:04:04 | |
'there's time for a bit of breakfast for their farmed red deer.' | 0:04:04 | 0:04:08 | |
How about this? | 0:04:09 | 0:04:11 | |
Wow! I've never been this close before. | 0:04:11 | 0:04:13 | |
Ooh, beautiful. So, this is how they'd be in the wild as well - | 0:04:19 | 0:04:22 | |
in a group of females, the hinds together. | 0:04:22 | 0:04:25 | |
-SHE LAUGHS: It's amazing. -It's fantastic, isn't it? | 0:04:25 | 0:04:28 | |
This is our farmed deer, um, so we always come up here | 0:04:28 | 0:04:30 | |
-and put some silage out for them during the winter time... -Yeah. | 0:04:30 | 0:04:33 | |
..and this is just a bit of a chocolate bar, really. | 0:04:33 | 0:04:35 | |
And, in the wild, when the winters are really tough, they'd come down | 0:04:35 | 0:04:38 | |
onto the lower ground and sometimes end up, then, nibbling woody browse, | 0:04:38 | 0:04:41 | |
-which can cause landowners a few problems? -Yeah, that's right. | 0:04:41 | 0:04:44 | |
We've got roughly about 150 wild red deer and about 250 roe deer. | 0:04:44 | 0:04:49 | |
If we get a really harsh winter or winter conditions, | 0:04:49 | 0:04:52 | |
we will do diversionary feeding. We'll put out silage for them | 0:04:52 | 0:04:55 | |
and the hope is it'll just deflect them from the pine forest | 0:04:55 | 0:04:57 | |
-and young trees and stop them browsing those young trees. -OK. | 0:04:57 | 0:05:00 | |
So, rather than putting fences round all of those young trees, | 0:05:00 | 0:05:03 | |
you just say, "Actually, let's lure them away with the food | 0:05:03 | 0:05:05 | |
-"they really need and want?" -Absolutely. | 0:05:05 | 0:05:07 | |
We try and leave the forest as much as we can to itself. | 0:05:07 | 0:05:09 | |
But it's not just the animals that have to survive the harsh winters. | 0:05:15 | 0:05:19 | |
The ancient Caledonian pines | 0:05:21 | 0:05:23 | |
have been braving the Scottish weather since the Ice Age. | 0:05:23 | 0:05:26 | |
Conifers are well-adapted to freezing weather. | 0:05:29 | 0:05:32 | |
On the trunk, they have this very thick bark, | 0:05:32 | 0:05:34 | |
which helps protect them against the cold. | 0:05:34 | 0:05:37 | |
The shape - cone-shaped, with these very flexible branches, | 0:05:37 | 0:05:41 | |
let me grab one, here - | 0:05:41 | 0:05:44 | |
mean that, if they're covered in heavy snowfall, they can cope. | 0:05:44 | 0:05:48 | |
The leaves are...thin, small, | 0:05:48 | 0:05:52 | |
they've got a very low surface area, a waxy covering, | 0:05:52 | 0:05:56 | |
and that helps reduce water loss. | 0:05:56 | 0:05:58 | |
And, not only that, the tree produces its own antifreeze protein, | 0:05:58 | 0:06:03 | |
which can help protect the cells from any damage from ice crystals. | 0:06:03 | 0:06:08 | |
The wildlife here relies on this pine forest, | 0:06:11 | 0:06:14 | |
and it's become a stronghold for one of our rarest mammals - | 0:06:14 | 0:06:17 | |
the red squirrel. | 0:06:17 | 0:06:19 | |
'With more than 25 years' experience at Rothiemurchus, who better | 0:06:19 | 0:06:23 | |
'to help me spot some than the guide in the hide, ranger Alf McGregor?' | 0:06:23 | 0:06:28 | |
-Is there much going on out there, Alf? -Yeah, aye, there is some activity. | 0:06:28 | 0:06:31 | |
There's some birds about. | 0:06:31 | 0:06:33 | |
-That's a coal tit down now. -Oh, yeah. | 0:06:33 | 0:06:35 | |
That flash on the back of the head. | 0:06:35 | 0:06:37 | |
Caledonian pine forests are a very special place for wildlife. | 0:06:37 | 0:06:40 | |
What are your top species? | 0:06:40 | 0:06:42 | |
-Without a doubt, the capercaillie. -Oh, yeah. -Unfortunately, | 0:06:42 | 0:06:46 | |
-they're a bit elusive, but there's also pine martens as well. -Oh? | 0:06:46 | 0:06:50 | |
But more realistically, today, in the middle of winter, | 0:06:50 | 0:06:53 | |
-what animals are we likely to see toughing it out? -Um... | 0:06:53 | 0:06:56 | |
Definitely red squirrels. | 0:06:56 | 0:06:58 | |
They're pretty active all the winter. | 0:06:58 | 0:07:01 | |
So, if we just wait patiently, we might be in luck? | 0:07:01 | 0:07:04 | |
Patience is the name of the game! | 0:07:04 | 0:07:06 | |
-There's a great tit here. -Yeah. -Just popped in really quickly. | 0:07:08 | 0:07:12 | |
Chaffinches as well. | 0:07:12 | 0:07:14 | |
Oh, and underneath the root, | 0:07:14 | 0:07:16 | |
-there's a tiny little mouse just poked his head out. -Oh, yes! | 0:07:16 | 0:07:19 | |
-They're so quick, though, aren't they? -They are. | 0:07:19 | 0:07:21 | |
If you've got 99 things wanting to eat you... | 0:07:21 | 0:07:24 | |
-You'd be quick! -..you'd be quick as well! -You'd be quick! | 0:07:24 | 0:07:26 | |
-Is that...? -Away out there... -Yeah! | 0:07:28 | 0:07:31 | |
..there's a squirrel on the move there. | 0:07:31 | 0:07:33 | |
It's always such a treat seeing them. | 0:07:33 | 0:07:35 | |
And then, look at this chase here now that they do. | 0:07:38 | 0:07:40 | |
It's this time of year they start that mating behaviour, isn't it? | 0:07:40 | 0:07:43 | |
-That's right. -Chasing around like loons. | 0:07:43 | 0:07:46 | |
-Running around. -THEY LAUGH | 0:07:46 | 0:07:47 | |
So they will store food for the winter. | 0:07:50 | 0:07:52 | |
That's just what this one's doing here - | 0:07:52 | 0:07:54 | |
just grabbing the food and getting as many winter calories as possible. | 0:07:54 | 0:07:59 | |
It's amazing, when you see...when you do see them, just chewing away. | 0:07:59 | 0:08:03 | |
-What a great sight. -Quite the thing. | 0:08:03 | 0:08:06 | |
What a sight. | 0:08:06 | 0:08:07 | |
I'm delighted. | 0:08:09 | 0:08:10 | |
Well, what a great treat | 0:08:16 | 0:08:18 | |
to see so much active wildlife in the chill of winter. | 0:08:18 | 0:08:22 | |
Now, later, I'm going to be heading up into the Highlands on a mission | 0:08:22 | 0:08:25 | |
to photograph one of winter's most elusive animals - the mountain hare. | 0:08:25 | 0:08:30 | |
The last time I saw one, it was heading for the horizon at 40mph, | 0:08:30 | 0:08:34 | |
so I'm going to need all the help I can get. | 0:08:34 | 0:08:36 | |
-MAN: -'Feefle. | 0:08:38 | 0:08:40 | |
'Blindrift. | 0:08:40 | 0:08:42 | |
'Snaw-ghast.' | 0:08:43 | 0:08:44 | |
Snow is no rarity in these parts. In fact, a study recently found | 0:08:44 | 0:08:50 | |
the Scots have 421 different words for it. | 0:08:50 | 0:08:54 | |
'Skelf. | 0:08:54 | 0:08:55 | |
'Sneesl.' | 0:08:55 | 0:08:57 | |
So what do you do when you've got more words for the white stuff | 0:08:57 | 0:09:00 | |
than Inuit Eskimos? | 0:09:00 | 0:09:02 | |
'Flindrikin.' | 0:09:02 | 0:09:04 | |
You make the most of it and "go with the snow". | 0:09:04 | 0:09:07 | |
My name's Jamie Kunka, I'm 28 years old and I'm a ski maker. | 0:09:10 | 0:09:14 | |
I was always a keen woodworker as a kid and a very keen skier as well. | 0:09:14 | 0:09:18 | |
My end goal for the skis was to | 0:09:18 | 0:09:21 | |
marry up sustainable, traditional materials. | 0:09:21 | 0:09:24 | |
I wanted to make a ski that was both beautiful and high-performance, | 0:09:24 | 0:09:28 | |
so, either when you're not using it or have finished with it, | 0:09:28 | 0:09:30 | |
you can hang it on the wall. | 0:09:30 | 0:09:32 | |
I usually start off by going to the sawmill. | 0:09:37 | 0:09:40 | |
I'll then look through the timbers | 0:09:40 | 0:09:42 | |
and select ones that are really straight grained, good quality, dry. | 0:09:42 | 0:09:46 | |
That gets sawn into strips, | 0:09:48 | 0:09:50 | |
then the strips get glued together | 0:09:50 | 0:09:53 | |
and they form the spine of the ski. | 0:09:53 | 0:09:55 | |
Every single piece of wood has its own character, its own look. | 0:09:56 | 0:09:59 | |
In the skis, that comes up, cos every ski looks different. | 0:09:59 | 0:10:02 | |
SAW BUZZES | 0:10:02 | 0:10:04 | |
I'd spend a long time sanding the wood, | 0:10:04 | 0:10:06 | |
getting it really smooth and flat. | 0:10:06 | 0:10:08 | |
Which brings out the kind of beauty of the individual piece of wood... | 0:10:10 | 0:10:14 | |
..which makes every ski look different. | 0:10:15 | 0:10:18 | |
Then the ski gets varnished and the final stamp of approval... | 0:10:18 | 0:10:22 | |
..and then it's ready to go out the door. | 0:10:23 | 0:10:25 | |
I like to think of the skis as kind of tools to explore the landscape. | 0:10:31 | 0:10:35 | |
I was particularly interested in designing a ski | 0:10:49 | 0:10:52 | |
that was going to be at home in Scotland and I get a good feedback | 0:10:52 | 0:10:54 | |
off the landscape, where I can look at a gully or a quarry and think, | 0:10:54 | 0:10:58 | |
"Ah, this'll be the ski for that," | 0:10:58 | 0:11:00 | |
and sometimes go home and draw up a new design | 0:11:00 | 0:11:02 | |
and try something out, go and test it. | 0:11:02 | 0:11:04 | |
I love to use place names as inspiration, | 0:11:06 | 0:11:09 | |
so interesting Gaelic names, Scots names, and also kind of | 0:11:09 | 0:11:14 | |
seeing bits of terrain that might inspire a new ski. | 0:11:14 | 0:11:17 | |
Say a piece of a hillside that I'm like, | 0:11:17 | 0:11:19 | |
"One day, I'm going to wait for the correct snow conditions | 0:11:19 | 0:11:22 | |
"and I'm going to hit that." | 0:11:22 | 0:11:23 | |
I used to come here with Dad, cross-country skiing over the loch | 0:11:25 | 0:11:29 | |
when I was little, so it's quite an important place for me, | 0:11:29 | 0:11:33 | |
and it's one of the most beautiful places around here, I think, | 0:11:33 | 0:11:36 | |
and particularly lovely when it's in full winter condition. | 0:11:36 | 0:11:40 | |
Scotland's one of the most beautiful countries in the world. | 0:11:55 | 0:11:58 | |
I love the variety of landscapes here, | 0:11:58 | 0:12:00 | |
from the mountains all the way to the...the coastline. | 0:12:00 | 0:12:02 | |
In Scotland, it's really a case of trying to pick the day, | 0:12:06 | 0:12:09 | |
trying to find the perfect day, a bit like surfing, | 0:12:09 | 0:12:11 | |
trying to get the perfect conditions, the perfect wave. | 0:12:11 | 0:12:14 | |
Sometimes, even if there's not much snow, I still like to get out | 0:12:16 | 0:12:19 | |
and ski on what we can, even if it's a little patch. | 0:12:19 | 0:12:22 | |
That's what I think Scottish skiing's all about - | 0:12:27 | 0:12:29 | |
it's just making the most of what you've got. | 0:12:29 | 0:12:32 | |
MATT: Winter's grip is all well and good for fresh air fanatics | 0:12:48 | 0:12:51 | |
on the slopes, but for farmers, | 0:12:51 | 0:12:54 | |
the work never stops. | 0:12:54 | 0:12:56 | |
HE CALLS, SHEEP BLEAT | 0:12:56 | 0:12:58 | |
You know, as a farmer myself, I know how hard winters can be, | 0:12:58 | 0:13:02 | |
and, in the uplands of Cumbria, winters don't get much tougher. | 0:13:02 | 0:13:05 | |
The days are short, the nights are dark, | 0:13:07 | 0:13:11 | |
and the cold will chill you to the core. | 0:13:11 | 0:13:13 | |
MUSICAL INTRO | 0:13:16 | 0:13:18 | |
-NEWSREADER: -Hill farmers in Cumberland haven't forgotten | 0:13:19 | 0:13:22 | |
their severe losses in the blizzard weather last winter... | 0:13:22 | 0:13:25 | |
In the past, farmers have been known to resort to extreme measures | 0:13:25 | 0:13:29 | |
to protect their flock from the worst the winter can throw at them. | 0:13:29 | 0:13:32 | |
SHEEP BAAS | 0:13:32 | 0:13:34 | |
This winter, it can freeze if it likes - the sheep won't feel it. | 0:13:34 | 0:13:37 | |
Do you really like having to wear jute? | 0:13:41 | 0:13:43 | |
-BLEATING VOICE: -There's no substitute for wool. | 0:13:43 | 0:13:47 | |
BAA! | 0:13:47 | 0:13:48 | |
But this lot don't need any extra layers. | 0:13:53 | 0:13:56 | |
Herdwicks - as rough and tough as the landscape they graze, | 0:13:56 | 0:14:00 | |
guardians of these fells for more than a thousand years. | 0:14:00 | 0:14:04 | |
These hardy animals can cope with anything that the Cumbrian weather | 0:14:05 | 0:14:09 | |
can throw at them, and so, for that matter, | 0:14:09 | 0:14:12 | |
can the hardy shepherds who look after them. | 0:14:12 | 0:14:15 | |
-Come on, dogs. -Come on, come on, here to me, here to me. Up here. | 0:14:17 | 0:14:21 | |
'Shepherds like Peter Bland, | 0:14:23 | 0:14:25 | |
'who runs 1,000 Herdwick ewes in Grasmere.' | 0:14:25 | 0:14:28 | |
There's a bit of a bite in the air today, Peter, | 0:14:30 | 0:14:33 | |
but nothing too drastic, I'm sure, from what you're used to, but, um, | 0:14:33 | 0:14:36 | |
how has this winter compared to the recent ones? | 0:14:36 | 0:14:39 | |
Yeah, it... it's been unbelievable, really. | 0:14:39 | 0:14:42 | |
Since December and January, we've had day after day of nice weather, | 0:14:42 | 0:14:47 | |
so the sheep are in good condition. | 0:14:47 | 0:14:49 | |
As far as their kind of coping mechanisms are concerned, | 0:14:49 | 0:14:52 | |
what are their patterns when the weather gets bad? | 0:14:52 | 0:14:54 | |
They live on these fells, high out, so, when the weather comes in, | 0:14:54 | 0:14:58 | |
they'll come in with the weather, to get shelter. | 0:14:58 | 0:15:01 | |
But they can be stubborn. If they're wanting to stay up | 0:15:01 | 0:15:04 | |
in the bad weather, they'll just find a stone to stand behind. | 0:15:04 | 0:15:06 | |
It's quite a special fleece that the Herdwick has. | 0:15:06 | 0:15:09 | |
It isn't worth a lot to us, but to them, it's invaluable, | 0:15:09 | 0:15:12 | |
and it's a very coarse, heavy, thick wool that keeps the weather out. | 0:15:12 | 0:15:17 | |
-It's the old-fashioned Gore-Tex, if you want. -That's it, absolutely. | 0:15:17 | 0:15:21 | |
A good shake and they're dry. | 0:15:21 | 0:15:23 | |
'Their blizzard-proof fleeces may not be worth much commercially, | 0:15:32 | 0:15:35 | |
'but the Herdwicks are now giving farmers like Peter | 0:15:35 | 0:15:38 | |
'a financial lifeline in other ways. | 0:15:38 | 0:15:40 | |
'That's because Herdwick lamb and mutton from the Lake District was | 0:15:41 | 0:15:45 | |
'recently awarded protected status, putting it in the same category as | 0:15:45 | 0:15:49 | |
'French champagne, Cornish pasties and Melton Mowbray pork pies. | 0:15:49 | 0:15:53 | |
'It's been a 10-year project that's been driven by the farming community | 0:15:53 | 0:15:57 | |
'and the added status is now putting some well-earned money | 0:15:57 | 0:16:00 | |
'into Peter's pocket.' | 0:16:00 | 0:16:02 | |
WHISTLING | 0:16:02 | 0:16:03 | |
And when you look now at that flock, | 0:16:04 | 0:16:06 | |
-knowing that you have this real protected status... -Yeah. | 0:16:06 | 0:16:10 | |
..and that the value and everything that you've worked for | 0:16:10 | 0:16:13 | |
-has now come to fruition... -Yes. -..I mean, for you, it must mean | 0:16:13 | 0:16:16 | |
an enormous amount and for all the Herdwick farmers around here? | 0:16:16 | 0:16:19 | |
For us Herdwick producers, we take pride in our... | 0:16:19 | 0:16:22 | |
in our being able to farm these on these fells, it isn't an easy job. | 0:16:22 | 0:16:26 | |
To breed these sheep to go and live out there all winter, | 0:16:26 | 0:16:28 | |
you have to have a lot of knowledge, | 0:16:28 | 0:16:30 | |
which you can't just pick up overnight, | 0:16:30 | 0:16:33 | |
it's passed down from generation to generation. | 0:16:33 | 0:16:36 | |
What difference has it made to the Herdwick farming community | 0:16:36 | 0:16:39 | |
around here, that are involved with it? | 0:16:39 | 0:16:42 | |
It gives us far more security. | 0:16:42 | 0:16:44 | |
Breeding a couple of lambs, and we know, | 0:16:44 | 0:16:47 | |
-if we make a good job of them, what we're going to get. -Mm-hm. | 0:16:47 | 0:16:50 | |
And you ask any sheep breeder in the business, | 0:16:50 | 0:16:53 | |
that's the big problem is you can go to a market | 0:16:53 | 0:16:56 | |
and you're at the mercy of the dealers and the buyers. | 0:16:56 | 0:16:58 | |
And I guess it just gives you buoyancy, in the darker months, | 0:16:58 | 0:17:02 | |
-when things are really tough around here? -Definitely, it does. | 0:17:02 | 0:17:05 | |
It gives us that security and...we're quids in! | 0:17:05 | 0:17:08 | |
So it's going well! | 0:17:08 | 0:17:10 | |
So, not only have you guaranteed a price at the start, | 0:17:10 | 0:17:13 | |
-but actually, that whole system has become a lot simpler? -Very much so. | 0:17:13 | 0:17:17 | |
There's now a new-found demand for the humble Herdwick and, later, | 0:17:20 | 0:17:24 | |
I'll be finding out why, when it comes to taste, | 0:17:24 | 0:17:27 | |
many are hailing it top of the chops. | 0:17:27 | 0:17:29 | |
From the fells of Cumbria to the flatlands of Kent now, | 0:17:38 | 0:17:41 | |
where wildlife cameraman, Richard Taylor-Jones, | 0:17:41 | 0:17:44 | |
is discovering the chill in the air isn't always caused by the weather. | 0:17:44 | 0:17:48 | |
I've been visiting the Isle of Sheppey | 0:17:56 | 0:17:58 | |
and watching its glorious wildlife for many years now. | 0:17:58 | 0:18:01 | |
It was better known as a summer seaside destination, | 0:18:03 | 0:18:07 | |
but since the hordes of sun-seekers have gone, | 0:18:07 | 0:18:10 | |
a winter crowd has gathered. | 0:18:10 | 0:18:11 | |
And they have something far more sinister in mind - | 0:18:12 | 0:18:16 | |
murder most "fowl". | 0:18:16 | 0:18:19 | |
Winter on the Isle of Sheppey has become famous for being | 0:18:22 | 0:18:25 | |
one of the best places in the UK to watch birds of prey. | 0:18:25 | 0:18:29 | |
And I'd just like to see how many I can see in one short winter's day. | 0:18:31 | 0:18:35 | |
BIRDS CALL | 0:18:37 | 0:18:38 | |
Now, the reason that winter brings so many raptors here to Sheppey | 0:18:40 | 0:18:46 | |
is essentially because of what I've got out in front of me here. | 0:18:46 | 0:18:51 | |
There's a large flock of feeding ducks, known as widgeon, | 0:18:51 | 0:18:55 | |
and, as well as widgeon, there are other waders and other geese | 0:18:55 | 0:19:00 | |
and all sorts of birds that birds of prey basically feed on. | 0:19:00 | 0:19:05 | |
And the widgeon behind me are going up, look at that! | 0:19:05 | 0:19:09 | |
Wow! | 0:19:09 | 0:19:10 | |
Now, there is actually a kestrel that's just flown in | 0:19:13 | 0:19:18 | |
onto the gatepost there. | 0:19:18 | 0:19:20 | |
It's very unlikely that a kestrel would take a widgeon, | 0:19:20 | 0:19:23 | |
but it's certainly enough to spook them and put them up. | 0:19:23 | 0:19:26 | |
Here's our first bird of prey. | 0:19:26 | 0:19:28 | |
Just in the distance, I can see a couple of marsh harriers perched up. | 0:19:33 | 0:19:38 | |
And that's what Sheppey's really famous for - | 0:19:38 | 0:19:40 | |
it's the marsh harriers. | 0:19:40 | 0:19:42 | |
There are probably more marsh harriers here | 0:19:42 | 0:19:44 | |
than anywhere else in the UK. | 0:19:44 | 0:19:46 | |
There it goes, just taken off. | 0:19:46 | 0:19:48 | |
There's the barn owl, here's the barn owl. | 0:19:52 | 0:19:55 | |
There we go, look at that. Lovely! | 0:19:55 | 0:19:57 | |
Such a distinctive bird. | 0:19:58 | 0:20:01 | |
These are birds that prey on voles, mice, mammals. | 0:20:01 | 0:20:06 | |
Oh, she's being attacked by something! What was that? | 0:20:06 | 0:20:09 | |
Oh, a gull. A gull just came down and attacked it. | 0:20:09 | 0:20:12 | |
I just got the briefest of glimpses | 0:20:15 | 0:20:20 | |
of a Merlin perched up on a fence | 0:20:20 | 0:20:22 | |
post and it just flew out of shot the moment I managed to hit record. | 0:20:22 | 0:20:27 | |
Lovely bird to see. | 0:20:27 | 0:20:28 | |
Our smallest British bird of prey. | 0:20:28 | 0:20:31 | |
I've moved along now | 0:20:40 | 0:20:42 | |
and arrived at what's known as the raptor watch point. | 0:20:42 | 0:20:46 | |
It is the middle of the day, when birds do tend to go | 0:20:46 | 0:20:49 | |
a bit quieter, but...who knows what might happen? | 0:20:49 | 0:20:52 | |
Oh, this is great. | 0:20:58 | 0:21:01 | |
This is the bird I was hoping that we might see | 0:21:01 | 0:21:03 | |
but not one that I expected to. | 0:21:03 | 0:21:06 | |
It's a female hen harrier, otherwise known as a ringtail. | 0:21:06 | 0:21:11 | |
There's not many birds that you want to see flying away from you | 0:21:11 | 0:21:14 | |
but this one is doing just that | 0:21:14 | 0:21:16 | |
and it's showing us a lovely white rump | 0:21:16 | 0:21:19 | |
and that identifies it. | 0:21:19 | 0:21:20 | |
This is one of Britain's rarest birds of prey. | 0:21:20 | 0:21:24 | |
That is just fabulous. | 0:21:24 | 0:21:25 | |
This is perhaps the bird I'd expect to see here, | 0:21:29 | 0:21:32 | |
it's the common buzzard. | 0:21:32 | 0:21:34 | |
Oh, look, there's a kestrel right above the buzzard. | 0:21:34 | 0:21:37 | |
Whoa, diving down... HE CHUCKLES | 0:21:37 | 0:21:40 | |
The poor buzzard's being mobbed by the kestrel | 0:21:40 | 0:21:42 | |
and is now running away really quickly. | 0:21:42 | 0:21:45 | |
Whoa! | 0:21:46 | 0:21:48 | |
Oh, what's going on here? | 0:21:48 | 0:21:50 | |
This is an aerial battle! | 0:21:50 | 0:21:54 | |
Two raptors scrapping it out. | 0:21:54 | 0:21:57 | |
And I think, that to me looks like a female peregrine - | 0:21:57 | 0:22:01 | |
big female peregrine. | 0:22:01 | 0:22:03 | |
Oh! It's in the distance, it's behind a bush, but it's a peregrine. | 0:22:03 | 0:22:07 | |
It's one to add to our list! | 0:22:07 | 0:22:08 | |
And up above me here now, very rapid wing beats that make the | 0:22:10 | 0:22:15 | |
distinctive outline of a short-eared owl. | 0:22:15 | 0:22:17 | |
Beautiful bird. This is a really good kick for the raptor list. | 0:22:17 | 0:22:22 | |
It's the last light of the day here now on Sheppey. | 0:22:33 | 0:22:36 | |
Now in the evening, the marsh harrier, they come together, | 0:22:36 | 0:22:39 | |
up to 20, 30 birds, to roost in the reed bed in front of me here. | 0:22:39 | 0:22:44 | |
I can just see them dropping in now. | 0:22:46 | 0:22:48 | |
One. There goes another one - two. | 0:22:48 | 0:22:51 | |
Three, four. | 0:22:51 | 0:22:52 | |
It's just absolutely magical to see this many marsh harriers | 0:22:54 | 0:22:58 | |
disappear for the night. | 0:22:58 | 0:22:59 | |
Do you know what, I think you can keep your summertime trip to | 0:23:01 | 0:23:04 | |
Sheppey, with its buckets and spades. | 0:23:04 | 0:23:06 | |
Give me a raptor spectacular in the winter any day. | 0:23:06 | 0:23:10 | |
ADAM: Winter is a good time of year for farmers to take stock | 0:23:18 | 0:23:21 | |
and prepare for the year to come. | 0:23:21 | 0:23:24 | |
I'm heading to Carmarthenshire to meet some farmers who are | 0:23:24 | 0:23:26 | |
thinking much further ahead, | 0:23:26 | 0:23:28 | |
going the extra mile to preserve the future of some of our rarest cattle. | 0:23:28 | 0:23:33 | |
This is the Dinefwr Estate, owned by the National Trust, | 0:23:33 | 0:23:37 | |
and it's said to be the ancestral home of one of Britain's | 0:23:37 | 0:23:40 | |
oldest breeds. | 0:23:40 | 0:23:41 | |
During the winter months, | 0:23:42 | 0:23:43 | |
most cattle farmers have got their animals indoors. | 0:23:43 | 0:23:46 | |
But this shed isn't just full of any old cattle - these are White Parks, | 0:23:46 | 0:23:50 | |
and there's only 750 breeding females left in the world | 0:23:50 | 0:23:54 | |
and this herd is particularly special. | 0:23:54 | 0:23:56 | |
They're one of the most renowned White Park herds in the UK. | 0:23:58 | 0:24:02 | |
They've been part of a landscape here at Dinefwr for more than | 0:24:02 | 0:24:04 | |
1,000 years and Wyn Davies has devoted the last 18 years | 0:24:04 | 0:24:09 | |
to looking after them. | 0:24:09 | 0:24:10 | |
In you go. | 0:24:11 | 0:24:13 | |
In you go. | 0:24:13 | 0:24:14 | |
-Hi there, Wyn. -Hello, Adam. -Good to see you. | 0:24:17 | 0:24:19 | |
Nice to see you. | 0:24:19 | 0:24:21 | |
They look in lovely condition. How many cows have you got now? | 0:24:21 | 0:24:24 | |
Oh, we've got, in total, here we've got 18 breeding cow. | 0:24:24 | 0:24:27 | |
And then the rest are young cattle, followers. | 0:24:27 | 0:24:31 | |
And you've got them in this lovely new shed. | 0:24:31 | 0:24:33 | |
Well, yes, the nature of the ground around here, it gets very wet in the | 0:24:33 | 0:24:36 | |
-winter here. -Yeah. -So they were making a bit of a mess outside, | 0:24:36 | 0:24:40 | |
so it was decided to put up this new building. | 0:24:40 | 0:24:42 | |
The cows could survive the winter outdoors, | 0:24:44 | 0:24:46 | |
but with nearly all of them pregnant, | 0:24:46 | 0:24:48 | |
keeping them under cover will allow Wyn to keep a close eye on them. | 0:24:48 | 0:24:52 | |
Well, as you see, it's been designed for plenty of fresh air | 0:24:54 | 0:24:57 | |
to come in here. It's a nice environment for them to be. | 0:24:57 | 0:24:59 | |
-Especially, they can look outside and see the sunshine. -Yeah. | 0:24:59 | 0:25:02 | |
And also see the visitors passing in the day. | 0:25:02 | 0:25:04 | |
ADAM LAUGHS And you've got a lot of experience | 0:25:04 | 0:25:06 | |
-working with these cattle. You love them, don't you? -Well, yes. | 0:25:06 | 0:25:09 | |
You know, they're part of Welsh history. | 0:25:09 | 0:25:11 | |
And good to work with? | 0:25:11 | 0:25:13 | |
Erm, challenging at times. | 0:25:13 | 0:25:16 | |
Most of these rare breeds retain their primitive instinct, | 0:25:16 | 0:25:19 | |
especially these. | 0:25:19 | 0:25:21 | |
They haven't been improved like many of our modern-day cattle, | 0:25:21 | 0:25:25 | |
so they retain that independent spirit. | 0:25:25 | 0:25:28 | |
-They've got attitude! -But we want to maintain that, don't we? | 0:25:29 | 0:25:33 | |
We want them to be survivors, to look after themselves. | 0:25:33 | 0:25:35 | |
Well, that's what makes them what they are, really, isn't it? | 0:25:35 | 0:25:38 | |
That distinctiveness. They're quite eccentric in a way, really. | 0:25:38 | 0:25:41 | |
Now, a little bird has told me you're thinking about retiring. | 0:25:41 | 0:25:44 | |
-Is that right? -Well, yes, there comes a time for everything, really. | 0:25:44 | 0:25:47 | |
I've done my best to look after these animals since they've | 0:25:47 | 0:25:50 | |
been under my care | 0:25:50 | 0:25:52 | |
and I'm looking forward and I've got every confidence in | 0:25:52 | 0:25:55 | |
Rhodri Thomas, who is going to be my successor, then. | 0:25:55 | 0:25:59 | |
-Wonderful. Well, good luck with your retirement. -Thank you, Adam. | 0:25:59 | 0:26:01 | |
-Keep in touch. All the best. -Thank you, bye-bye. | 0:26:01 | 0:26:03 | |
Rhodri has certainly got big boots to fill when | 0:26:08 | 0:26:10 | |
he takes over from Wyn in the spring. | 0:26:10 | 0:26:12 | |
-Hi, Rhodri. -Hi, Adam. -Good to see you. -Good to see you. | 0:26:12 | 0:26:16 | |
As well as keeping the deer in shape, the White Parks | 0:26:16 | 0:26:19 | |
will be ready to calve. | 0:26:19 | 0:26:20 | |
So how do you feel about being the next generation, the person who's | 0:26:22 | 0:26:26 | |
going to look after all this livestock here, | 0:26:26 | 0:26:28 | |
particularly the White Parks? | 0:26:28 | 0:26:30 | |
Yeah, it's a big responsibility, you know? | 0:26:30 | 0:26:31 | |
And I fully acknowledge that and obviously it's a huge honour | 0:26:31 | 0:26:34 | |
and a privilege for me. | 0:26:34 | 0:26:37 | |
But, you know, Wyn's overseen my development this past year and | 0:26:37 | 0:26:40 | |
a half now and I feel a lot more confident about doing it. | 0:26:40 | 0:26:43 | |
With the deer fed, | 0:27:00 | 0:27:01 | |
Rhodri and I head back to the barn to help Wyn bed up the White Parks. | 0:27:01 | 0:27:05 | |
The extra work that goes into keeping them indoors in | 0:27:12 | 0:27:15 | |
winter might seem excessive, | 0:27:15 | 0:27:17 | |
but with such a small population, | 0:27:17 | 0:27:18 | |
hopefully this 5-star treatment will protect and preserve this herd | 0:27:18 | 0:27:23 | |
that is such a big part of this landscape. | 0:27:23 | 0:27:25 | |
I think it's brilliant that Wyn is so happy to hand over his | 0:27:31 | 0:27:36 | |
knowledge to Rhodri | 0:27:36 | 0:27:37 | |
and that Rhodri is so keen to take hold of the reins. | 0:27:37 | 0:27:42 | |
I think these White Park cattle are in very safe hands. | 0:27:42 | 0:27:46 | |
Just over the hill from Dinefwr is another rare breed success story. | 0:27:52 | 0:27:55 | |
In the shadow of another castle, farmer Bernard Llewellyn | 0:28:00 | 0:28:03 | |
breeds English Longhorns. | 0:28:03 | 0:28:05 | |
By developing the Longhorns' strength to suit today's | 0:28:05 | 0:28:08 | |
modern farming methods, | 0:28:08 | 0:28:10 | |
these once incredibly rare cattle have made a remarkable recovery. | 0:28:10 | 0:28:14 | |
-Hi, Bernard! -Adam! Good to see you. -Goodness me, you Welshmen are hard. | 0:28:17 | 0:28:21 | |
What are you doing washing cattle on a day like today? | 0:28:21 | 0:28:23 | |
Well, I quite like to give them their monthly shower, you know? | 0:28:23 | 0:28:26 | |
It's just to freshen up a bit. | 0:28:26 | 0:28:28 | |
Now, these bulls are so different to what I remember. | 0:28:28 | 0:28:31 | |
-We had Longhorns, what, 15, 20 years ago. -Yeah. Yeah, yeah. | 0:28:31 | 0:28:33 | |
Goodness me, they've changed, haven't they?! | 0:28:33 | 0:28:35 | |
Well, we've tried, really, I suppose, to improve the conformation | 0:28:35 | 0:28:38 | |
really because of market needs as much as anything. | 0:28:38 | 0:28:41 | |
Well, they're certainly tremendous looking animals. I mean, look at the meat on this boy. | 0:28:41 | 0:28:45 | |
There's some money in there, isn't there? | 0:28:45 | 0:28:46 | |
Very good bull in the loin, which is where the expensive joints are. | 0:28:46 | 0:28:50 | |
People concentrate, I think, too much on this back end, | 0:28:50 | 0:28:53 | |
although he has got a good bum. | 0:28:53 | 0:28:55 | |
Now, the Longhorn has been famous for living off, you know, | 0:28:55 | 0:28:58 | |
pasture, living off grass. | 0:28:58 | 0:29:00 | |
-You know, docile, easy calving, all those sorts of things. -Yeah. | 0:29:00 | 0:29:02 | |
-Are you retaining that? -Well, I think it's vital we do retain that | 0:29:02 | 0:29:07 | |
because certainly in the future... | 0:29:07 | 0:29:09 | |
Grass-fed cattle are already being sold at a premium. | 0:29:09 | 0:29:12 | |
But certainly in areas like this, you can see we haven't got quite | 0:29:12 | 0:29:15 | |
the flat areas of | 0:29:15 | 0:29:17 | |
-the Cotswolds down here. -ADAM LAUGHS | 0:29:17 | 0:29:19 | |
You know, it's cattle that graze upland pastures, | 0:29:19 | 0:29:22 | |
but also graze hills, | 0:29:22 | 0:29:23 | |
that we're going to need, whether it be cattle or sheep. | 0:29:23 | 0:29:26 | |
I can't harvest my grass, so to convert that grass into | 0:29:26 | 0:29:30 | |
something that humans can make use of, we need cattle that can graze. | 0:29:30 | 0:29:34 | |
Grass might be plentiful here in Wales, but straw isn't. | 0:29:38 | 0:29:42 | |
Around 80% of Wales is hill country, unsuitable for arable crops. | 0:29:42 | 0:29:47 | |
Many farmers like Bernard have to buy their bedding in from | 0:29:47 | 0:29:50 | |
across the border. | 0:29:50 | 0:29:51 | |
And as demand increases over the winter months, so does the price. | 0:29:51 | 0:29:55 | |
Although housing livestock at this time of year is an expensive | 0:29:57 | 0:30:00 | |
business, Bernard firmly believes Longhorns are more than | 0:30:00 | 0:30:04 | |
capable of paying their way. | 0:30:04 | 0:30:06 | |
These cattle look well, Bernard. How many have you got in here? | 0:30:07 | 0:30:10 | |
About 25 cows in here. | 0:30:10 | 0:30:12 | |
We try to keep them looking reasonably well all the winter, | 0:30:12 | 0:30:15 | |
but all they have is this haylage from now on. | 0:30:15 | 0:30:18 | |
It's incredible how the breed has come such a long way | 0:30:18 | 0:30:21 | |
when my dad first started keeping them. | 0:30:21 | 0:30:23 | |
Back then, it was about preservation, | 0:30:23 | 0:30:25 | |
and they were more of a museum piece. | 0:30:25 | 0:30:27 | |
But breeders like you have done a lot for them, haven't you? | 0:30:27 | 0:30:30 | |
I think we've got to the stage | 0:30:30 | 0:30:31 | |
where we probably have got sufficient numbers, | 0:30:31 | 0:30:34 | |
and we've got to look at alternatives | 0:30:34 | 0:30:36 | |
for utilising the other strong characteristics that they have. | 0:30:36 | 0:30:40 | |
They produce superb quality meat. | 0:30:40 | 0:30:42 | |
And that really is what I feel the future is, | 0:30:42 | 0:30:46 | |
is producing a very high quality product from grass, | 0:30:46 | 0:30:51 | |
relatively low inputs, but superb. | 0:30:51 | 0:30:54 | |
What the chefs really like is the quality of the beef. | 0:30:54 | 0:30:57 | |
And selling that into top-class restaurants and butchers? | 0:30:57 | 0:31:00 | |
Exactly. There's got to be some added value there somewhere. | 0:31:00 | 0:31:03 | |
I couldn't afford to get involved in the costs of the straw | 0:31:03 | 0:31:06 | |
or in keeping them unless there was a bonus for me in it. | 0:31:06 | 0:31:09 | |
It's wonderful to see, isn't it? | 0:31:09 | 0:31:11 | |
That that's where agriculture is going, hopefully. | 0:31:11 | 0:31:14 | |
Well, I think we're going to be more and more dependent | 0:31:14 | 0:31:17 | |
on the marketplace as time goes on, | 0:31:17 | 0:31:18 | |
so let's produce something that people really do want. | 0:31:18 | 0:31:21 | |
These lovely old-fashioned breeds. | 0:31:21 | 0:31:23 | |
Old-fashioned, yes, but they could be the future, too. | 0:31:23 | 0:31:27 | |
-Great to see you. -Thank you, Adam. -Keep up the good work, bye-bye. | 0:31:27 | 0:31:30 | |
MATT: The Herdwick, a sheep to weather the wildest of winters. | 0:31:41 | 0:31:44 | |
Do you know, from a sheep farmer's perspective, | 0:31:48 | 0:31:50 | |
that is absolutely beautiful. | 0:31:50 | 0:31:52 | |
You've got that almost grey cloud that's just | 0:31:52 | 0:31:55 | |
sweeping across the landscape. | 0:31:55 | 0:31:56 | |
Around 95% of the world's Herdwicks live on the Cumbrian fells. | 0:31:58 | 0:32:02 | |
These special sheep are as much a feature of the landscape | 0:32:04 | 0:32:07 | |
as the lakes and hills themselves. | 0:32:07 | 0:32:09 | |
It's hardy, it's traditional, | 0:32:10 | 0:32:13 | |
and it just looks absolutely fantastic. | 0:32:13 | 0:32:16 | |
And the breed is even more important to the area | 0:32:24 | 0:32:26 | |
now that the Herdwick's meat has been awarded protected status. | 0:32:26 | 0:32:30 | |
To be branded as Lakeland Herdwick, | 0:32:31 | 0:32:33 | |
the sheep needs to be born, reared and processed in Cumbria. | 0:32:33 | 0:32:37 | |
We're not talking food miles here, more like food metres. | 0:32:37 | 0:32:41 | |
Steven Airey is currently the only butcher in the area | 0:32:42 | 0:32:45 | |
that can certify authentic Lakeland Herdwick. | 0:32:45 | 0:32:48 | |
For your customers, this stamp is very, very important. | 0:32:55 | 0:33:00 | |
All the carcasses get stamped with ten stamps on the main cuts. | 0:33:00 | 0:33:04 | |
They want the traceability. | 0:33:04 | 0:33:06 | |
They want to know all about where it comes from, | 0:33:06 | 0:33:08 | |
-the farms it comes from. -Yeah, yeah. | 0:33:08 | 0:33:10 | |
And they can get that information. | 0:33:10 | 0:33:11 | |
And so, for other farmers that may be thinking of getting together | 0:33:11 | 0:33:14 | |
because they have a heritage breed, | 0:33:14 | 0:33:16 | |
would you say that, going forward, | 0:33:16 | 0:33:18 | |
this is actually a really positive model? | 0:33:18 | 0:33:20 | |
I think anybody can do it, but they have to suss out | 0:33:20 | 0:33:23 | |
the end market first and work backwards. | 0:33:23 | 0:33:25 | |
We can't compete with the South Americas and the Australias | 0:33:25 | 0:33:29 | |
with mass production, so I think | 0:33:29 | 0:33:32 | |
really, we've got to go for the niche market. | 0:33:32 | 0:33:34 | |
Lakeland Herdwick is proving such a hit with diners, | 0:33:36 | 0:33:38 | |
it's finding its way onto the menu of top London restaurants. | 0:33:38 | 0:33:42 | |
Steven is even regularly shipping it as far afield as Hong Kong. | 0:33:42 | 0:33:47 | |
And it's all down to farmers like Peter. | 0:33:51 | 0:33:53 | |
-Happy? -Yeah. -So what are we looking for? About 40 kilos? | 0:33:57 | 0:34:00 | |
Yeah, somewhere there. But we have to knock 3.5 kilo off | 0:34:00 | 0:34:04 | |
cos our scales are not working properly! | 0:34:04 | 0:34:07 | |
-Can't you just adjust it at the top? -We could, but it's past adjustment. | 0:34:07 | 0:34:11 | |
-Oh, is it? Oh, well. As long as you know. -Yeah. | 0:34:11 | 0:34:14 | |
So why is Herdwick lamb and mutton considered | 0:34:15 | 0:34:18 | |
in such high international regard? | 0:34:18 | 0:34:20 | |
-Oh, just! -Put a pop on that. -Happy? -Yeah, put a pop on that. | 0:34:21 | 0:34:25 | |
Lovely. | 0:34:26 | 0:34:27 | |
Most growing lambs you see dotted in fields around the UK | 0:34:27 | 0:34:30 | |
are commercial crossbreeds. | 0:34:30 | 0:34:32 | |
Now, in that system, lambs would be ready for the table | 0:34:32 | 0:34:35 | |
at about three months. But for farmers who farm Herdwicks, | 0:34:35 | 0:34:38 | |
well, they've got to wait much longer. | 0:34:38 | 0:34:40 | |
In fact, these are proving to be ready at nearly ten months old. | 0:34:42 | 0:34:46 | |
-Come on, boys. -Which means more time for the sheep | 0:34:46 | 0:34:49 | |
to take in the fells' amazing grazing. | 0:34:49 | 0:34:51 | |
And for local chef Tim Brown, it's time well spent. | 0:34:51 | 0:34:55 | |
Oh, Tim, this smells absolutely unbelievable. | 0:34:56 | 0:35:00 | |
You've got three hungry farmers who are waiting to be fed. | 0:35:00 | 0:35:03 | |
-That's correct, yes. -I'm hoping this is Herdwick on the menu. | 0:35:03 | 0:35:06 | |
Of course it is, yeah. Herdwick mutton. | 0:35:06 | 0:35:08 | |
-Herdwick mutton, right. -From my brother's farm in Eskdale. | 0:35:08 | 0:35:11 | |
And looking at your trusty anatomical menu here, | 0:35:11 | 0:35:15 | |
loin, you can see, is this part here. | 0:35:15 | 0:35:17 | |
-That's right. -But you also do neck, you do shoulder, leg. | 0:35:17 | 0:35:20 | |
Obviously, it's different cooking processes | 0:35:20 | 0:35:23 | |
for different cuts of the animal, you know? | 0:35:23 | 0:35:25 | |
The more working parts, we cook slower, for a longer time. | 0:35:25 | 0:35:29 | |
The prime cuts, we can cook quick. | 0:35:29 | 0:35:31 | |
What have we got going on here, then? | 0:35:31 | 0:35:32 | |
-These are beautiful, colourful bowls. -This is just salsa verde. | 0:35:32 | 0:35:35 | |
We have some tzatziki here, | 0:35:35 | 0:35:37 | |
made out of smoked beetroot instead of the cucumber. | 0:35:37 | 0:35:40 | |
Wow. Are you a big fan of Herdwick? | 0:35:40 | 0:35:43 | |
The Herdwick has got a lot deeper flavour than you can find | 0:35:43 | 0:35:46 | |
in more intensively farmed sheep. | 0:35:46 | 0:35:48 | |
And also, it's got to pick up the flavour from the terrain. | 0:35:48 | 0:35:52 | |
Yeah, quite something for you to be cooking it down | 0:35:52 | 0:35:54 | |
in the farmyard, looking up at the fells? | 0:35:54 | 0:35:55 | |
-Yeah, it is. -It's nice, isn't it? | 0:35:55 | 0:35:57 | |
Very special, very unique in flavour. | 0:35:57 | 0:35:59 | |
Well, we need to get on and eat this, don't we, | 0:35:59 | 0:36:01 | |
to be honest with you. So, lads, come on and eat. | 0:36:01 | 0:36:04 | |
Look, it's like a pyramid, a fell of Herdwick. | 0:36:04 | 0:36:07 | |
A fell of Herdwick. | 0:36:07 | 0:36:09 | |
Do you know, at the end of the day, | 0:36:16 | 0:36:17 | |
this, really, is what it's all about. Isn't it, Peter? | 0:36:17 | 0:36:20 | |
Because you're doing what you can, with the landscape that you've got, | 0:36:20 | 0:36:23 | |
with the sheep that you've got, | 0:36:23 | 0:36:25 | |
that have been bred in this area for this very purpose. | 0:36:25 | 0:36:28 | |
And to taste that finished product is just... It makes it all worth it. | 0:36:28 | 0:36:33 | |
-Fantastic. -It's just... | 0:36:33 | 0:36:36 | |
beautiful. | 0:36:36 | 0:36:37 | |
And, you know, deserved that it has that protected status | 0:36:37 | 0:36:43 | |
and it's given that kind of... | 0:36:43 | 0:36:45 | |
-authority in the world of food. -Yeah. | 0:36:45 | 0:36:48 | |
ELLIE: For those looking to the landscape for inspiration, | 0:37:00 | 0:37:04 | |
winter can be one of the most striking times of the year. | 0:37:04 | 0:37:07 | |
This is nice, here. | 0:37:08 | 0:37:10 | |
Where you've just got a sparkle on the top of the lake. That is good. | 0:37:10 | 0:37:14 | |
Norman Ackroyd is one of Britain's most celebrated artists. | 0:37:17 | 0:37:20 | |
He uses an unusual process called aquatinting, | 0:37:20 | 0:37:24 | |
a pre-photographic technique that etches with acid on copper. | 0:37:24 | 0:37:29 | |
We caught up with him on his home turf of Yorkshire, | 0:37:29 | 0:37:32 | |
as he made the most of a rather grey day. | 0:37:32 | 0:37:34 | |
I sometimes think you're of the soil that you're brought up in. | 0:37:36 | 0:37:40 | |
It's something very elemental. | 0:37:40 | 0:37:42 | |
I worked in America for a while. | 0:37:46 | 0:37:48 | |
I woke up one morning in New York and I thought, | 0:37:48 | 0:37:51 | |
"I've got to get back to the British Isles. | 0:37:51 | 0:37:53 | |
"That's what I want to do things about." | 0:37:53 | 0:37:55 | |
I want to go and really explore MY country. | 0:37:58 | 0:38:01 | |
When you start to stare at this, it just looks grey. | 0:38:13 | 0:38:16 | |
But you suddenly realise the colours start to come out. | 0:38:16 | 0:38:20 | |
Wonderful, subtle greens and browns. | 0:38:20 | 0:38:23 | |
And the silvers. To me, it's like a rainbow. | 0:38:24 | 0:38:28 | |
It's as bright as a rainbow. | 0:38:28 | 0:38:31 | |
This hill is called Hood Hill. | 0:38:36 | 0:38:38 | |
There's no real plan. I just go where impulse takes me. | 0:38:38 | 0:38:42 | |
I don't have a, kind of, huge life project. | 0:38:42 | 0:38:46 | |
I just find myself in places like this, | 0:38:46 | 0:38:49 | |
and I want to put over the essence of it. | 0:38:49 | 0:38:52 | |
It's important that one knows the history of a place, | 0:38:54 | 0:38:57 | |
because it's not just a line of trees. | 0:38:57 | 0:39:01 | |
We get into the last outposts | 0:39:01 | 0:39:04 | |
of the Roman invasion here, | 0:39:04 | 0:39:06 | |
and this was a Roman site. | 0:39:06 | 0:39:08 | |
And you imagine the Roman legionaries then, | 0:39:08 | 0:39:11 | |
who got posted back to Italy, to a much warmer climate and they think, | 0:39:11 | 0:39:14 | |
"God, what we... I was in North Yorkshire!" | 0:39:14 | 0:39:16 | |
And remember the times, especially the winters, they spent here. | 0:39:18 | 0:39:22 | |
This is really nice on the copper. | 0:39:25 | 0:39:28 | |
Just take one pace to your right, | 0:39:29 | 0:39:31 | |
and keep holding the mirror there. Right, that's it, | 0:39:31 | 0:39:34 | |
it opens it up a bit. That's good, thank you. | 0:39:34 | 0:39:37 | |
When we print off this plate, it will print the other way around | 0:39:37 | 0:39:40 | |
to what I'm drawing it, so it has to be drawn in reverse. | 0:39:40 | 0:39:44 | |
This is a great etching image, it really is. | 0:39:46 | 0:39:48 | |
This is going to make a nice little plate, I think. | 0:39:49 | 0:39:52 | |
I do my printing in a big warehouse right in the middle of London, | 0:40:06 | 0:40:10 | |
and I live above it, | 0:40:10 | 0:40:11 | |
so if I want to do something at three in the morning | 0:40:11 | 0:40:14 | |
I can just walk down the steps and get on. | 0:40:14 | 0:40:16 | |
It's good as soon as you get back from a trip | 0:40:16 | 0:40:18 | |
to go right in on it, when your hands are still cold. You know? | 0:40:18 | 0:40:22 | |
And that way, I hope to get the freshness | 0:40:22 | 0:40:25 | |
of what it feels like with the rain falling. | 0:40:25 | 0:40:28 | |
Aquatint is an etching process. | 0:40:37 | 0:40:39 | |
It's a way of laying a thin film of resin on a plate, | 0:40:40 | 0:40:45 | |
almost like a fall of snow. | 0:40:45 | 0:40:48 | |
And when you melt it, | 0:40:48 | 0:40:50 | |
it crystallises like the surface of sandpaper. | 0:40:50 | 0:40:53 | |
And you can have a fine grain and a coarse grain, | 0:40:54 | 0:40:56 | |
and those grains resist the acid, but the acid gets in between them, | 0:40:56 | 0:41:01 | |
and so it etches a tone on the plate. | 0:41:01 | 0:41:03 | |
What you want is the bones, the skeleton of the image, | 0:41:27 | 0:41:30 | |
done on the spot. There's something in that original first drawing, | 0:41:30 | 0:41:36 | |
straight onto the copper, that has a magic that you never get | 0:41:36 | 0:41:40 | |
by repeating yourself. | 0:41:40 | 0:41:43 | |
It's the first fine careless rapture. | 0:41:43 | 0:41:46 | |
I don't want to do any more to that. | 0:41:48 | 0:41:50 | |
There's nothing mysterious about it. | 0:41:51 | 0:41:54 | |
It's all very simple, really, once you've got the logic of it! | 0:41:54 | 0:41:58 | |
I'm on a winter wildlife safari. | 0:42:18 | 0:42:20 | |
So far, I've spotted some magnificent red squirrels | 0:42:21 | 0:42:25 | |
braving the season's chill, in the ancient Caledonian Forest. | 0:42:25 | 0:42:29 | |
But now I'm heading for higher ground, | 0:42:30 | 0:42:32 | |
as there's one mountain dweller I REALLY want to see - | 0:42:32 | 0:42:35 | |
the seasonal chameleon that is | 0:42:35 | 0:42:38 | |
the mountain hare. | 0:42:38 | 0:42:40 | |
It's our only truly Arctic mammal, | 0:42:41 | 0:42:44 | |
and in winter, it changes colour | 0:42:44 | 0:42:46 | |
so it blends in with the background, | 0:42:46 | 0:42:48 | |
and camouflages itself against predators... | 0:42:48 | 0:42:51 | |
and knowing my luck, film crews. | 0:42:51 | 0:42:53 | |
The hare's winter coat blends in with the snow - | 0:42:57 | 0:43:00 | |
but with very little about, | 0:43:00 | 0:43:02 | |
I might stand a fighting chance of seeing one. | 0:43:02 | 0:43:05 | |
To help me get a close encounter of the "furred kind", | 0:43:05 | 0:43:08 | |
I've enlisted the help of wildlife photographer | 0:43:08 | 0:43:11 | |
and all-round hare whisperer, Andy Howard. | 0:43:11 | 0:43:14 | |
-You got anything, Andy? -Nothing yet, Ellie, | 0:43:14 | 0:43:16 | |
but there's plenty around, so it shouldn't be too long, | 0:43:16 | 0:43:19 | |
-hopefully, before we find one. -Excellent. | 0:43:19 | 0:43:21 | |
The images you've got of mountain hares are full of character. | 0:43:21 | 0:43:24 | |
How do you get that out of your subjects? | 0:43:24 | 0:43:27 | |
A lot of time and patience, basically, | 0:43:27 | 0:43:29 | |
and going at the hare's timescale. | 0:43:29 | 0:43:32 | |
But a lot of it is fieldcraft, | 0:43:32 | 0:43:33 | |
it's reading the body language of the hares. | 0:43:33 | 0:43:35 | |
Ideally we want to get really close today. | 0:43:35 | 0:43:38 | |
I'd love to get you within, you know, a few metres of one. | 0:43:38 | 0:43:41 | |
-Really? -And I think we should head off and go and look for one. | 0:43:41 | 0:43:43 | |
-Yeah. -Yeah? Let's go. -Let's do it. | 0:43:43 | 0:43:45 | |
Mountain hares are perfectly adapted to this harsh environment, | 0:43:51 | 0:43:54 | |
with a thick layer of hair, | 0:43:54 | 0:43:56 | |
wide feet like snowshoes, and speed to flee from predators. | 0:43:56 | 0:44:01 | |
And there's evidence we're in the right place. | 0:44:04 | 0:44:07 | |
-This is the sort of classic hare form here. -Yeah. | 0:44:09 | 0:44:12 | |
It's on a leeward side of | 0:44:12 | 0:44:13 | |
-the slope... -Out of the wind... | 0:44:13 | 0:44:15 | |
Out of the wind. I've actually photographed them in this situation | 0:44:15 | 0:44:18 | |
where they are completely covered in snow, | 0:44:18 | 0:44:20 | |
and you can just literally see | 0:44:20 | 0:44:22 | |
the top of the head and the ears poking out. | 0:44:22 | 0:44:24 | |
So, the snow really isn't an issue for hare. | 0:44:24 | 0:44:25 | |
-If anything, it insulates them against the cold. -Amazing. | 0:44:25 | 0:44:28 | |
-So we can't be far away from them now. -We can't be far away, | 0:44:28 | 0:44:31 | |
so let's just keep on looking. | 0:44:31 | 0:44:32 | |
As we venture higher up, | 0:44:39 | 0:44:41 | |
in the distance, we catch our first sighting. | 0:44:41 | 0:44:43 | |
Well, there you go, Ellie, look, there's some hares over there. | 0:44:45 | 0:44:48 | |
There's about four or five | 0:44:48 | 0:44:49 | |
-over there. -Yeah. Yeah, yeah. | 0:44:49 | 0:44:51 | |
They really stand out, don't they, against that background? | 0:44:51 | 0:44:55 | |
Oh, it's fantastic, there's plenty over there! | 0:44:55 | 0:44:57 | |
Now, I'm happy to see the whites of their coats - | 0:44:57 | 0:45:00 | |
but it's the whites of their eyes I've really come to see. | 0:45:00 | 0:45:04 | |
I just need to get close enough... | 0:45:04 | 0:45:06 | |
-There's a hare sitting in the ditch here... -Oh, yeah. | 0:45:08 | 0:45:10 | |
He's lovely. Aren't you a gorgeous boy? | 0:45:10 | 0:45:13 | |
Very peaceful. | 0:45:13 | 0:45:14 | |
It's in a lovely ball shape, | 0:45:14 | 0:45:16 | |
it's got its eyes sort of partially closed, | 0:45:16 | 0:45:18 | |
so we know even at this distance we are now, | 0:45:18 | 0:45:21 | |
-it's relaxed and happy with us being here. -Oh, right. | 0:45:21 | 0:45:23 | |
So what we're going to do is we're going to move in very slowly... | 0:45:23 | 0:45:26 | |
If it starts to twitch, we know that it's not happy. | 0:45:26 | 0:45:29 | |
It's already closer than I've ever been before, you know. | 0:45:32 | 0:45:35 | |
What we want to do is | 0:45:35 | 0:45:36 | |
we want this hare to know exactly where we are at all times. | 0:45:36 | 0:45:40 | |
This is amazingly close. | 0:45:49 | 0:45:50 | |
-What we're going to do now is we're just going to drop down... -Get low. | 0:45:50 | 0:45:53 | |
..really slowly, no sudden movements at all, | 0:45:53 | 0:45:56 | |
tell the hare that he's quite happy... | 0:45:56 | 0:45:57 | |
-Hello, hare. -We're all good. No problems here. | 0:45:57 | 0:46:00 | |
-It's pretty relaxed, isn't it? -Hello, hare. | 0:46:02 | 0:46:05 | |
Hello. | 0:46:05 | 0:46:06 | |
We're just coming to say hello. | 0:46:06 | 0:46:07 | |
That's brilliant, we're within just a few metres now. | 0:46:07 | 0:46:11 | |
Hello, little one. | 0:46:11 | 0:46:12 | |
So, look, we're going to see his head tilting forward, | 0:46:12 | 0:46:15 | |
and that's him going down to collect one of his pellets. | 0:46:15 | 0:46:17 | |
It's still quite a relaxed act, though, doesn't seem... | 0:46:17 | 0:46:20 | |
-He's really happy. -..disturbed. | 0:46:20 | 0:46:22 | |
He wouldn't be doing this if he wasn't relaxed with us. | 0:46:22 | 0:46:25 | |
Filling the frame! CAMERA SHUTTER CLICKS | 0:46:26 | 0:46:28 | |
Oh, a few of those! | 0:46:28 | 0:46:30 | |
Cor, the detail on that! | 0:46:30 | 0:46:31 | |
-You can see the detail, can't you? -It's remarkable, yeah. | 0:46:31 | 0:46:33 | |
Shall... Shall we really go for it | 0:46:35 | 0:46:37 | |
and try and...? | 0:46:37 | 0:46:38 | |
Let's say hello to him. | 0:46:38 | 0:46:39 | |
You are beautiful, aren't you? | 0:46:40 | 0:46:42 | |
Aren't you gorgeous? | 0:46:42 | 0:46:44 | |
You're lovely, aren't you? | 0:46:44 | 0:46:46 | |
Hello. | 0:46:46 | 0:46:47 | |
Look how close we are! | 0:46:47 | 0:46:48 | |
Yeah! | 0:46:56 | 0:46:58 | |
Listen, it's not going to be on the Countryfile calendar, | 0:46:59 | 0:47:01 | |
but I'm happy with that. | 0:47:01 | 0:47:03 | |
RADIO INTERFERENCE | 0:47:19 | 0:47:21 | |
-RADIO: -'..forecast, issued by the Met Office | 0:47:21 | 0:47:23 | |
'on behalf of the Maritime and Coastguard Agency. | 0:47:23 | 0:47:26 | |
'Forth, Tyne, Dogger, Fisher...' | 0:47:26 | 0:47:28 | |
Cold and unforgiving - the North Sea. | 0:47:28 | 0:47:32 | |
'..fog patches, occasionally very poor.' | 0:47:32 | 0:47:35 | |
This is Filey on the east coast of Yorkshire, | 0:47:37 | 0:47:40 | |
where winter can be a turbulent time. | 0:47:40 | 0:47:43 | |
'..otherwise increasing gale 8 at times. Rain at times, moderate...' | 0:47:43 | 0:47:47 | |
For centuries, | 0:47:47 | 0:47:49 | |
fishermen have braved these waters to bring home the catch of the day. | 0:47:49 | 0:47:52 | |
But the story of the fishing industry is also interwoven | 0:47:54 | 0:47:58 | |
with a fascinating yarn about winter woollies. | 0:47:58 | 0:48:02 | |
This is a tale of love, loss, | 0:48:02 | 0:48:05 | |
fish and fashion. | 0:48:05 | 0:48:07 | |
# I don't know if we'll get lost at sea | 0:48:08 | 0:48:12 | |
# Or we'll end up where we're supposed to be | 0:48:12 | 0:48:17 | |
# Are you brave enough to swim against the tide? | 0:48:17 | 0:48:23 | |
# Oooh-ooh-ooh-ooh-ooh! # | 0:48:25 | 0:48:29 | |
Today, the last great fishing families of Filey | 0:48:29 | 0:48:32 | |
spend most of the winter months inside, | 0:48:32 | 0:48:34 | |
mending their lobster pots and creels. | 0:48:34 | 0:48:36 | |
But Graham Taylor remembers when winter was the season to be at sea, | 0:48:39 | 0:48:43 | |
catching cod. | 0:48:43 | 0:48:44 | |
This is one of the winter lines, long lines. | 0:48:44 | 0:48:48 | |
Each man had five of these, | 0:48:48 | 0:48:50 | |
and hopefully we're going to fish in the right place. | 0:48:50 | 0:48:53 | |
What was it like, Graham, working out at sea, in small boats, | 0:48:53 | 0:48:57 | |
in the middle of winter? | 0:48:57 | 0:48:59 | |
Very cold, for a start. | 0:48:59 | 0:49:01 | |
-Bearing in mind you're three men in an open boat. -Yeah. | 0:49:01 | 0:49:05 | |
If the weather was bad, we went, | 0:49:05 | 0:49:07 | |
because that's the only reason you'd get any money. | 0:49:07 | 0:49:10 | |
But that was it, it was a way of life. | 0:49:10 | 0:49:13 | |
As their battered boats tumbled through the waves, | 0:49:13 | 0:49:16 | |
fishermen like Graham and the generations that went before him | 0:49:16 | 0:49:20 | |
were thankful for one simple reminder of home - | 0:49:20 | 0:49:24 | |
their thick woollen jumpers, known as ganseys, | 0:49:24 | 0:49:27 | |
or here in Filey, as guernseys. | 0:49:27 | 0:49:29 | |
Now, as you know, I'm partial to a good pullover. | 0:49:29 | 0:49:32 | |
But I'm told that often these were so tightly knitted around the neck | 0:49:32 | 0:49:36 | |
and the cuffs, to keep out the wintry blasts, | 0:49:36 | 0:49:39 | |
that when you pulled them over your head, | 0:49:39 | 0:49:42 | |
they could actually make your earlobes bleed. | 0:49:42 | 0:49:45 | |
In other places, they're known as knitfrocks, | 0:49:46 | 0:49:48 | |
but whatever name they're given, | 0:49:48 | 0:49:50 | |
they all serve the same purpose - | 0:49:50 | 0:49:52 | |
protecting fishermen. | 0:49:52 | 0:49:53 | |
Knitting and fishing have long been intertwined, | 0:49:55 | 0:49:58 | |
both part of the fabric of coastal life. | 0:49:58 | 0:50:02 | |
And it's what links Graham to his wife Margaret. | 0:50:02 | 0:50:05 | |
She's one of the few keeping this centuries-old tradition alive. | 0:50:05 | 0:50:09 | |
It's a labour of love. | 0:50:09 | 0:50:11 | |
So how old do you reckon those needles are, Margaret? | 0:50:12 | 0:50:15 | |
I would think these needles are about 100 years old. | 0:50:15 | 0:50:17 | |
They belonged to my grandmother. | 0:50:17 | 0:50:19 | |
I've used them constantly since 1967. | 0:50:19 | 0:50:23 | |
Well, what is it about these jumpers that makes them so special, then? | 0:50:23 | 0:50:27 | |
They're special because the guernseys knit all in one piece, | 0:50:27 | 0:50:30 | |
on five needles, and they're close-knit. | 0:50:30 | 0:50:34 | |
So this makes them kind of water resistant, and almost windproof? | 0:50:34 | 0:50:37 | |
-Wind, yes. -Yeah. | 0:50:37 | 0:50:39 | |
They fit tight to the body - they're like... | 0:50:39 | 0:50:41 | |
referred to as a second skin almost. | 0:50:41 | 0:50:44 | |
And is there a kind of standard pattern for them, then? | 0:50:44 | 0:50:47 | |
There's about 17 variations of guernsey patterns that I'm aware of, | 0:50:47 | 0:50:52 | |
but we have our Filey pattern. | 0:50:52 | 0:50:54 | |
-This is the shingle on the beach. -Uh-huh. | 0:50:54 | 0:50:57 | |
-The diamond - that's the mesh of the nets. -Uh-huh. | 0:50:57 | 0:51:01 | |
-This one is the cliffs - you walk down in a zigzag pattern. -Yeah. | 0:51:01 | 0:51:05 | |
If that was a double row, two stitches side-by-side, | 0:51:05 | 0:51:09 | |
it's the ups and downs of married life... | 0:51:09 | 0:51:11 | |
Really?! | 0:51:11 | 0:51:13 | |
..or walking along life's path together. | 0:51:13 | 0:51:15 | |
Right. | 0:51:15 | 0:51:16 | |
This one's also got the initials in, of the wearer. | 0:51:17 | 0:51:21 | |
If you found that jersey on a washed-up body, | 0:51:23 | 0:51:26 | |
somebody in the know would know that that was a Filey guernsey. | 0:51:26 | 0:51:29 | |
-They would know from the pattern it was a Filey jumper... -They would. | 0:51:29 | 0:51:32 | |
..and they would know exactly who the victim was because of the... | 0:51:32 | 0:51:35 | |
-Because of the... -..initials, yeah. -That's right. | 0:51:35 | 0:51:37 | |
-Macabre. -Realistic. | 0:51:37 | 0:51:39 | |
-They don't take identification to sea with them. -No. | 0:51:39 | 0:51:42 | |
And there would be nothing worse than not having the body | 0:51:42 | 0:51:47 | |
-brought back to the right place. -Yeah. | 0:51:47 | 0:51:49 | |
It takes a skilled knitter like Margaret at least 100 hours | 0:51:50 | 0:51:54 | |
to complete a guernsey. | 0:51:54 | 0:51:56 | |
You couldn't make a living knitting these. | 0:51:57 | 0:52:00 | |
They're a garment of love, you've got to want to knit them. | 0:52:00 | 0:52:03 | |
And you want to do them for somebody who will appreciate them. | 0:52:03 | 0:52:06 | |
Ah! Here comes Graham... | 0:52:06 | 0:52:08 | |
'wearing his latest Guernsey. | 0:52:08 | 0:52:10 | |
'Over the years, Margaret has made him 25, and he's kept them all. | 0:52:10 | 0:52:15 | |
'And this is the very first one she knitted for Graham, | 0:52:16 | 0:52:19 | |
'more than half a century ago, when they first started courting.' | 0:52:19 | 0:52:23 | |
The lady who taught me, Lizzie Hunter, | 0:52:25 | 0:52:28 | |
she was an old fisher wife, and said, | 0:52:28 | 0:52:30 | |
"If you're going to be serious, | 0:52:30 | 0:52:32 | |
"then you've got to learn to knit a guernsey". | 0:52:32 | 0:52:35 | |
Graham, was Margaret the first girl | 0:52:35 | 0:52:37 | |
who knit you a jumper? | 0:52:37 | 0:52:39 | |
Er...no. | 0:52:39 | 0:52:41 | |
Actually, there was a young lady | 0:52:41 | 0:52:43 | |
who used to come down on the Cobble Landing | 0:52:43 | 0:52:46 | |
and sort of mix with all us young fishermen. | 0:52:46 | 0:52:49 | |
But she obviously didn't impress you as much as Margaret. | 0:52:49 | 0:52:52 | |
Er... | 0:52:52 | 0:52:54 | |
..no! | 0:52:55 | 0:52:56 | |
So that was quite a challenge for you, then, Margaret? | 0:52:56 | 0:52:58 | |
It was definitely a challenge. | 0:52:58 | 0:52:59 | |
Mine had to be better than the one he already had. | 0:52:59 | 0:53:02 | |
It also had to pass Lizzie's approval, | 0:53:02 | 0:53:04 | |
which this one did. | 0:53:04 | 0:53:06 | |
When I'd finished it, that was the end of the lessons. | 0:53:06 | 0:53:10 | |
I never had any more lessons. | 0:53:10 | 0:53:12 | |
Well, I'm not a fisherman, | 0:53:12 | 0:53:13 | |
but I've managed to go through my career as well just wearing jumpers. | 0:53:13 | 0:53:16 | |
I bet you've never worn a Filey guernsey. | 0:53:16 | 0:53:19 | |
I have not! | 0:53:19 | 0:53:20 | |
I've got one here if you want to try it on. | 0:53:20 | 0:53:22 | |
Well, yes, thank you. | 0:53:22 | 0:53:24 | |
This is a grey one! | 0:53:24 | 0:53:25 | |
-Grey for Sunday best. -Oh, that's it? | 0:53:25 | 0:53:28 | |
You had a blue one during the working week... | 0:53:28 | 0:53:30 | |
-And a grey one... -..and a grey one on a Sunday. -Absolutely. | 0:53:30 | 0:53:32 | |
Sunday best, just like Countryfile. | 0:53:32 | 0:53:34 |