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'My six months as a voluntary environmental ranger in the Outer Hebrides are nearly over.' | 0:00:07 | 0:00:12 | |
That is amazing. What a shot. | 0:00:16 | 0:00:18 | |
'But the wildlife of the islands is about to give me a spectacular send-off.' | 0:00:18 | 0:00:22 | |
(I can see an otter.) | 0:00:22 | 0:00:24 | |
Welcome to my Great Escape. | 0:00:24 | 0:00:27 | |
Come on, Rubes! Come on. | 0:00:27 | 0:00:28 | |
'It's early December, and I'm on my way to a very important meeting. | 0:00:40 | 0:00:44 | |
'I'm five months into my stint working as a voluntary environmental ranger | 0:00:47 | 0:00:50 | |
'in the southern islands of the Outer Hebrides. | 0:00:50 | 0:00:53 | |
'I've been using my background as a marine biologist to gather material | 0:00:56 | 0:01:00 | |
'for interpretation boards about the rocky shore.' | 0:01:00 | 0:01:03 | |
It was rock pools that set it all off for me. It's the reason I'm standing here today. | 0:01:04 | 0:01:08 | |
'And I've been researching walking trails on each of | 0:01:10 | 0:01:12 | |
'the six main islands that I cover, from Berneray in the north...' | 0:01:12 | 0:01:17 | |
..to Barra in the south! | 0:01:17 | 0:01:19 | |
'Now, co-ordinates have been set... | 0:01:21 | 0:01:23 | |
'..marker posts delivered to far-flung locations...' | 0:01:25 | 0:01:28 | |
Just up there is the black house that Bonnie Prince Charlie hid in. | 0:01:28 | 0:01:34 | |
'..and hammered into position. | 0:01:34 | 0:01:36 | |
'But all the information is in my head, | 0:01:36 | 0:01:39 | |
'and that's not going to be any good when the first tourists start to arrive | 0:01:39 | 0:01:43 | |
'and want a trail to follow. | 0:01:43 | 0:01:45 | |
'It's time to get it all down on paper.' | 0:01:45 | 0:01:48 | |
Just hoving into view on the horizon is the ferry. | 0:01:50 | 0:01:54 | |
And on that ferry is a man who's going to turn my half-baked ideas | 0:01:54 | 0:01:59 | |
and hare-brained schemes into reality, hopefully. | 0:01:59 | 0:02:02 | |
He's a designer come down to create leaflets and interpretation boards | 0:02:02 | 0:02:07 | |
to give information for tourists in a nice, digestible form when they come to visit the islands. | 0:02:07 | 0:02:12 | |
Hi. Are you Richard? | 0:02:12 | 0:02:14 | |
Are you Richard? | 0:02:14 | 0:02:16 | |
Hello, Richard, how are you? | 0:02:16 | 0:02:17 | |
'Richard Chyzy has come down from Lewis, | 0:02:17 | 0:02:20 | |
'one of the islands to the north of me. | 0:02:20 | 0:02:22 | |
'He moved there from Northumberland just six months ago, to combine | 0:02:22 | 0:02:25 | |
'his love of wildlife with his work as a graphic designer.' | 0:02:25 | 0:02:29 | |
Just to sort of bullet-point it, | 0:02:29 | 0:02:31 | |
I thought a leaflet with the walks in. | 0:02:31 | 0:02:34 | |
I'm trying to do one on each island and produce a little booklet. | 0:02:34 | 0:02:38 | |
And £1 of that will go to the retailer who sells it, | 0:02:38 | 0:02:42 | |
and a couple of pounds will go to the ranger project, so go to local environmental projects. | 0:02:42 | 0:02:47 | |
-That's a good idea, yeah. -Yeah. The next priority, I'd say, is the rock pooling, | 0:02:47 | 0:02:51 | |
and happily, I have done, as you can see, a superb design. | 0:02:51 | 0:02:55 | |
What I've tried to do is pick species that kids can | 0:02:55 | 0:03:01 | |
definitely find very easily, so it's a nice, accessible thing for them. | 0:03:01 | 0:03:05 | |
You know, they're off on a hunt to go and find them, | 0:03:05 | 0:03:07 | |
and the rules about putting animals in buckets and giving them somewhere to hide... | 0:03:07 | 0:03:12 | |
'I'm desperate to get my hands on the material before I leave | 0:03:12 | 0:03:15 | |
'and with Christmas just three weeks away, Richard's on a tight deadline.' | 0:03:15 | 0:03:19 | |
-But the workbook is the most urgent thing, yeah? -Yeah. | 0:03:19 | 0:03:23 | |
-Right. -It's so important in all this that... | 0:03:23 | 0:03:26 | |
They're sort of collating all the work that I've done here | 0:03:26 | 0:03:29 | |
into a tangible form that can benefit people in the future. | 0:03:29 | 0:03:32 | |
-That's all about design, isn't it, and yeah, making it accessible. -Yeah, it's all doable. | 0:03:32 | 0:03:37 | |
-Three weeks is doable. It'll be hard work, but it's possible. -We've hit that sort of point now, haven't we? | 0:03:37 | 0:03:43 | |
Where it just has to be done. | 0:03:43 | 0:03:45 | |
'The pressure's off me now, | 0:03:45 | 0:03:47 | |
'but I still need to raise more cash to pay for a big print run of trail guides. | 0:03:47 | 0:03:51 | |
'I do have plans, and the most ambitious should raise several thousand pounds.' | 0:03:51 | 0:03:56 | |
Going stalking again today. But it's stalking with a difference, | 0:04:01 | 0:04:04 | |
because there's a friend of mine called Steve Burgess, who's up here for a few days. | 0:04:04 | 0:04:08 | |
And, er, Steve is an internationally renowned wildlife artist. | 0:04:08 | 0:04:14 | |
I've invited him up here because I think the rutting stag | 0:04:14 | 0:04:18 | |
out on the hills of the Outer Hebrides is one of the great wildlife spectacles. | 0:04:18 | 0:04:22 | |
So we're going to go in today. We're going to try and get really close | 0:04:22 | 0:04:25 | |
and try and get that magic shot of a stag roaring. | 0:04:25 | 0:04:28 | |
Then Steve's going to go away and do a picture of it, | 0:04:28 | 0:04:31 | |
and we're going to sell the picture to raise money for the ranger position and environmental projects. | 0:04:31 | 0:04:36 | |
Our guide for the day is Niall Leveson-Gower. | 0:04:36 | 0:04:39 | |
He runs the local hunting lodge | 0:04:39 | 0:04:41 | |
and if anyone can find a stag in rut, he can. | 0:04:41 | 0:04:43 | |
There we are. Look at that, right on top of the hill. | 0:04:43 | 0:04:46 | |
So, Steve, why haven't you painted a stag before? | 0:04:49 | 0:04:52 | |
Is this just something that's missing from your repertoire? | 0:04:52 | 0:04:55 | |
Yeah, it is, basically. | 0:04:55 | 0:04:56 | |
I mean, I've not been to this part of Scotland before. | 0:04:56 | 0:05:00 | |
Normally, I end up going to places like Africa, | 0:05:00 | 0:05:02 | |
painting all the big beasties out there - elephants, lions, et cetera. | 0:05:02 | 0:05:06 | |
It is a classic painting, isn't it? | 0:05:06 | 0:05:09 | |
The Monarch Of The Glen is probably the most famous wildlife painting. | 0:05:09 | 0:05:13 | |
It is, and I suppose that's one of the reasons I've maybe steered clear of it. | 0:05:13 | 0:05:16 | |
Because, er... A lot of places, you see the classic stag pose on the hillside. | 0:05:16 | 0:05:21 | |
It's difficult, without really putting some thought into it, to do something a little bit different. | 0:05:21 | 0:05:26 | |
Wow. Certainly seem to be a few around. | 0:05:26 | 0:05:28 | |
Just get into the midst of it all. | 0:05:31 | 0:05:34 | |
See that sort of cliffy face there? | 0:05:41 | 0:05:43 | |
-Yeah. -Then we go up a little bit from the ridge. | 0:05:43 | 0:05:47 | |
Oh, I've got him. I've got him. | 0:05:47 | 0:05:49 | |
How does this compare, Steve, to some of the stuff you've done in Africa? | 0:05:49 | 0:05:54 | |
At the moment, it's comparing very well. | 0:05:54 | 0:05:57 | |
Big difference is, in Africa, you don't get a chance to get out the vehicle and stalk the animals. | 0:05:57 | 0:06:02 | |
That's what I'm enjoying about being here - | 0:06:02 | 0:06:05 | |
getting out and getting one to one with nature, as it were. | 0:06:05 | 0:06:08 | |
MONTY WHISPERS: | 0:06:08 | 0:06:10 | |
Oh, that's the shot. | 0:06:49 | 0:06:52 | |
Going to get them swimming. | 0:06:54 | 0:06:56 | |
That is amazing. What a shot. | 0:06:58 | 0:07:01 | |
Oh, yeah! | 0:07:02 | 0:07:04 | |
Fantastic. | 0:07:06 | 0:07:07 | |
Get a nice shot of him coming out, I think. | 0:07:14 | 0:07:16 | |
Oh, wow! Look at him. | 0:07:17 | 0:07:19 | |
He's in good shape. | 0:07:19 | 0:07:20 | |
-How'd you get on, Steve? -OK. -Great. | 0:07:28 | 0:07:31 | |
Amazing sight, seeing them swim. | 0:07:31 | 0:07:33 | |
I've never seen that before today. | 0:07:33 | 0:07:36 | |
So what happens now, Steve? | 0:07:36 | 0:07:38 | |
From this point on, you've got your photos. | 0:07:38 | 0:07:41 | |
I think, more importantly, | 0:07:41 | 0:07:43 | |
you've got a kind of taste of the essence of the landscape here. | 0:07:43 | 0:07:47 | |
Yeah, I have, definitely. | 0:07:47 | 0:07:49 | |
I'll go back now and collate all the photos I've got, you know, | 0:07:49 | 0:07:52 | |
pick out the best ones that I could potentially use for paintings, | 0:07:52 | 0:07:56 | |
whether it's of bits of landscape, rocks, the hinds, the stags, whatever. | 0:07:56 | 0:08:01 | |
Do a few sketches, come up with a few ideas, and hopefully come up with the big painting. | 0:08:01 | 0:08:07 | |
'My plan is to unveil the painting during the big New Year's Eve bash at Niall's hotel. | 0:08:07 | 0:08:13 | |
'The money it raises will fund a big print run of my trail guides, | 0:08:14 | 0:08:18 | |
'and the profits from THEM will go straight into environmental projects.' | 0:08:18 | 0:08:23 | |
Now, I might look as though I'm heading off to St Kilda | 0:08:33 | 0:08:37 | |
with all this foul weather gear, but I'm not. | 0:08:37 | 0:08:39 | |
I'm about to bath the dog. | 0:08:39 | 0:08:43 | |
One of us living here stinks, | 0:08:43 | 0:08:45 | |
and I'm pretty confident it's not me. | 0:08:45 | 0:08:48 | |
So Rubes, | 0:08:48 | 0:08:49 | |
you ready? | 0:08:49 | 0:08:51 | |
He hates being bathed, by the way. | 0:08:51 | 0:08:54 | |
So, er... | 0:08:54 | 0:08:55 | |
OK. Ready, Rubes? | 0:08:55 | 0:08:57 | |
Fantastic. You think you're going for a walk, don't you? OK, and left. | 0:08:57 | 0:09:01 | |
OK, Rubes. Go on! | 0:09:01 | 0:09:03 | |
'Thanks to all the peat in the water, | 0:09:05 | 0:09:07 | |
'it's dirty brown before we even start. | 0:09:07 | 0:09:10 | |
'And it's only going to get worse.' | 0:09:10 | 0:09:13 | |
Get lathery. Well done. | 0:09:13 | 0:09:14 | |
Brilliant. Well done. | 0:09:17 | 0:09:19 | |
Rubes, this is perfumed shampoo. | 0:09:19 | 0:09:22 | |
Good lad. | 0:09:22 | 0:09:23 | |
All the local dogs will be taking the mickey, won't they? | 0:09:25 | 0:09:28 | |
There we go then, Rubes. | 0:09:28 | 0:09:29 | |
Nearly there, Rubes. | 0:09:31 | 0:09:33 | |
Quick rinse. | 0:09:33 | 0:09:34 | |
Do you want a blow-dry? No? | 0:09:34 | 0:09:36 | |
There we are. That'll be a tenner. | 0:09:36 | 0:09:39 | |
You do smell... | 0:09:39 | 0:09:41 | |
..like a window box. | 0:09:43 | 0:09:45 | |
There we are. | 0:09:45 | 0:09:46 | |
Rubes, out you get. | 0:09:46 | 0:09:48 | |
Hey! Well done. | 0:09:48 | 0:09:49 | |
You smell... | 0:09:51 | 0:09:52 | |
Oh, you smell fantastic! | 0:09:52 | 0:09:54 | |
Get out there and pull. | 0:09:54 | 0:09:56 | |
'That's Rubes sorted, but the chores keep mounting up. | 0:09:58 | 0:10:01 | |
'With my days as busy as ever, some jobs have to wait until after dark.' | 0:10:03 | 0:10:08 | |
For some reason best known to themselves, | 0:10:08 | 0:10:11 | |
the pigs ate their last front door. | 0:10:11 | 0:10:13 | |
And of course, the wind really howls in, | 0:10:13 | 0:10:16 | |
and you need to keep the heat in that their bodies... Ouch! | 0:10:16 | 0:10:19 | |
Not easy doing DIY when you've got large pigs eating your ankles. | 0:10:19 | 0:10:23 | |
The interesting thing is, it's... | 0:10:23 | 0:10:26 | |
about 4.30 in the afternoon at the moment. | 0:10:26 | 0:10:30 | |
The daylight is so brief. | 0:10:30 | 0:10:32 | |
You see, the sun just peeks shyly above the horizon, then disappears. | 0:10:32 | 0:10:36 | |
So you've just got to make the most of it, and you work, often, into the evening. | 0:10:36 | 0:10:40 | |
Mind your nose! That'd really hurt. | 0:10:40 | 0:10:42 | |
It's interesting that your rhythms adjust to this very basic, | 0:10:42 | 0:10:47 | |
kind of feral thing of the light. | 0:10:47 | 0:10:49 | |
I find I'm really - ow! - tired by... | 0:10:49 | 0:10:53 | |
by five o'clock. You know, it's just winter rhythms. | 0:10:53 | 0:10:57 | |
'But Uist folk aren't the kind to quietly hibernate. | 0:10:58 | 0:11:01 | |
'With the nights starting to get longer, entertainment moves indoors, | 0:11:01 | 0:11:06 | |
'and everyone starts to gear up for the Christmas ceilidhs.' | 0:11:06 | 0:11:09 | |
This is my debut ceilidh lesson. | 0:11:09 | 0:11:13 | |
And it ain't going to be pretty. | 0:11:13 | 0:11:15 | |
CEILIDH MUSIC PLAYS | 0:11:16 | 0:11:17 | |
Whee-oo! | 0:11:17 | 0:11:19 | |
That was a very subdued one - very middle class. | 0:11:19 | 0:11:21 | |
Which way do I go? | 0:11:25 | 0:11:26 | |
I go... Oh, down to the bottom. Oh, right. | 0:11:26 | 0:11:29 | |
Oh, right. | 0:11:31 | 0:11:33 | |
-You cast off to the side. -OK. | 0:11:35 | 0:11:37 | |
Oh, that hand out? | 0:11:39 | 0:11:40 | |
Oh, that's perfect! That was seamless. | 0:11:42 | 0:11:45 | |
I'm wildly spinning out of control. | 0:11:54 | 0:11:56 | |
Very good! | 0:11:59 | 0:12:00 | |
I'm not going to remember that in the heat of battle. | 0:12:00 | 0:12:02 | |
Oh, thank you. Thank you. | 0:12:02 | 0:12:04 | |
Not used to doing things like that sober. | 0:12:04 | 0:12:07 | |
'It's really important, things like this at this time of year, up in these islands, | 0:12:07 | 0:12:12 | |
'cos the whole community moves indoors, and you can see why this type of dancing | 0:12:12 | 0:12:16 | |
'has developed up here, cos it's everyone dancing together.' | 0:12:16 | 0:12:19 | |
It's fantastic. Just leave your dignity by the door, and you get stuck in. | 0:12:19 | 0:12:23 | |
Really, really enjoyed that. I'm hooked. Brilliant. | 0:12:23 | 0:12:26 | |
These islands are a globally significant place for migratory birds and wading birds. | 0:12:40 | 0:12:45 | |
And one of the most glamorous - | 0:12:50 | 0:12:52 | |
the kind of superstar of all of them - are the swans. | 0:12:52 | 0:12:55 | |
'Whooper and mute swans come from as far afield as Siberia | 0:12:55 | 0:13:00 | |
to spend a relatively mild winter on the Uists. | 0:13:00 | 0:13:03 | |
'Of the two, the whooper swans, with the yellow beak, | 0:13:04 | 0:13:07 | |
'are the rarest visitors. | 0:13:07 | 0:13:08 | |
'There are about 200 in all, and most of them return to the Arctic to breed. | 0:13:08 | 0:13:14 | |
'But a tiny number stay year round, | 0:13:14 | 0:13:17 | |
'making them a particular attraction.' | 0:13:17 | 0:13:20 | |
There's only three breeding pairs of whooper swans in Scotland. | 0:13:20 | 0:13:24 | |
And one of them's here, | 0:13:24 | 0:13:26 | |
and they have an area that they kind of work, as it were. | 0:13:26 | 0:13:30 | |
It's almost like their patch of three lochs. | 0:13:30 | 0:13:34 | |
And this is one of the lochs, and there's a couple more over there. | 0:13:34 | 0:13:38 | |
It's animals like this, I think, | 0:13:43 | 0:13:46 | |
that represent a great asset for these islands. | 0:13:46 | 0:13:51 | |
And it's a critical time | 0:13:52 | 0:13:55 | |
in the future of the Western Isles, | 0:13:55 | 0:13:58 | |
cos they're haemorrhaging people. | 0:13:58 | 0:14:00 | |
People are just disappearing, | 0:14:00 | 0:14:02 | |
and they've got world-class attractions like this. | 0:14:02 | 0:14:06 | |
You know, one of the best places in the world to see migrating birds. | 0:14:06 | 0:14:10 | |
And it's an asset they need to celebrate and develop, I think, | 0:14:12 | 0:14:17 | |
for the future of the islands. | 0:14:17 | 0:14:19 | |
You can see it's a big old metabolic effort to get airborne. | 0:14:24 | 0:14:29 | |
They need a runway, which is why these lochs are so perfect for them. | 0:14:29 | 0:14:33 | |
And the Uists, where the water is land and the land is water, | 0:14:33 | 0:14:37 | |
is an ideal stopping-off point for them. | 0:14:37 | 0:14:40 | |
It's a great sight, though. It's worth waiting for. | 0:14:50 | 0:14:53 | |
It's early December, | 0:15:19 | 0:15:22 | |
which is great news if you're a small child, for instance - very exciting. | 0:15:22 | 0:15:26 | |
But it's pretty bleak news, I'm sad to say, if you're a turkey. | 0:15:26 | 0:15:30 | |
And the time has come to take 'em off to be... | 0:15:31 | 0:15:36 | |
to be slaughtered. | 0:15:36 | 0:15:37 | |
OK, chaps. Nothing to be alarmed about. | 0:15:37 | 0:15:41 | |
'The turkeys are another important part of my fundraising drive. | 0:15:41 | 0:15:45 | |
'The money I get for them will go towards the trail guides and interpretation boards. | 0:15:45 | 0:15:50 | |
'I'm keeping one for my own Christmas meal, but the rest have buyers lined up.' | 0:15:50 | 0:15:55 | |
Sorry, chaps, sorry. Come on. Look at the size of those drumsticks. | 0:15:55 | 0:16:00 | |
Come on. In, in, in. | 0:16:00 | 0:16:01 | |
I've quite enjoyed having the turkeys. They're quite a bright bird, as birds go. | 0:16:01 | 0:16:06 | |
Come on in. Come on in. | 0:16:06 | 0:16:07 | |
That way, that way, that way. | 0:16:07 | 0:16:09 | |
The grey ones are the smart ones, I think. | 0:16:10 | 0:16:13 | |
He's always been a bit of a maverick, that grey one. | 0:16:19 | 0:16:21 | |
Come on, chum. | 0:16:21 | 0:16:23 | |
Come on. | 0:16:23 | 0:16:25 | |
There he is, going quietly into the good night, | 0:16:25 | 0:16:29 | |
or whatever the expression is. | 0:16:29 | 0:16:31 | |
Pigs are observing this entire scene | 0:16:31 | 0:16:33 | |
rather nervously, I think. | 0:16:33 | 0:16:37 | |
But the whole idea of raising these turkeys was to raise money for the ranger position. | 0:16:37 | 0:16:42 | |
And each turkey's - what? - 30, 40 quid. Maybe a bit more. | 0:16:42 | 0:16:45 | |
So 250 quid or so | 0:16:45 | 0:16:48 | |
towards the local environmental projects, | 0:16:48 | 0:16:51 | |
so money well spent. | 0:16:51 | 0:16:53 | |
Although not entirely sure the turkeys would agree with that. | 0:16:53 | 0:16:56 | |
'Turkeys gone, it's a reminder that I'm leaving MYSELF in a couple of weeks. | 0:17:05 | 0:17:10 | |
'Despite more than five months of trying, I still haven't seen an otter, | 0:17:12 | 0:17:16 | |
'the absolute poster boy of Hebridean wildlife. | 0:17:16 | 0:17:20 | |
'But today I'm meeting up with my old mate Jimmy MacLetchie, | 0:17:20 | 0:17:23 | |
'who used to be the ranger here. He's found some amazing evidence | 0:17:23 | 0:17:26 | |
'that there's a whole family living less than a mile from my cottage.' | 0:17:26 | 0:17:31 | |
This is one of my favourite walks. | 0:17:31 | 0:17:34 | |
-And it's plainly an area of huge otter activity, isn't it? -Yeah. | 0:17:34 | 0:17:38 | |
-Look at this. -Yeah. | 0:17:38 | 0:17:40 | |
They're just marking this area here, the sprint. | 0:17:41 | 0:17:43 | |
It's known as a sprinting site. It's almost like putting their perfume and odour on there | 0:17:43 | 0:17:47 | |
and all the coding for other otters, that only otters can understand. | 0:17:47 | 0:17:51 | |
-They'll come along and sniff this, and they'll put a sprint on top of it as well. -Look at that. | 0:17:51 | 0:17:56 | |
That's really fresh. | 0:17:56 | 0:17:58 | |
That must be... What do you think, Jimmy? This morning? | 0:17:58 | 0:18:01 | |
Well, it must be fairly fresh, because it's still not crusted. | 0:18:01 | 0:18:04 | |
Yeah. It's not frozen either, and you can see in here, as well, | 0:18:04 | 0:18:08 | |
the otoliths. | 0:18:08 | 0:18:10 | |
The otoliths are the ear bones of fish, basically, | 0:18:10 | 0:18:13 | |
and they're very, very tough. | 0:18:13 | 0:18:15 | |
That's how you can identify what animals | 0:18:15 | 0:18:18 | |
marine animals have been eating - which fish species - by their otoliths. | 0:18:18 | 0:18:22 | |
They build up these little mounds | 0:18:22 | 0:18:24 | |
and the nitrates and everything going through the soil actually enriches it | 0:18:24 | 0:18:28 | |
and the grass starts to grow and becomes a lot greener and richer than anywhere else. | 0:18:28 | 0:18:32 | |
In simple terms, a pooing house. | 0:18:32 | 0:18:34 | |
-Yeah! Right. -HE GROANS | 0:18:34 | 0:18:36 | |
Got to stop making that noise when I stand up. Why don't you make that noise? | 0:18:36 | 0:18:40 | |
Can you see the... | 0:18:40 | 0:18:41 | |
Oh, just on the... We're talking up there, on the distance, yeah. | 0:18:41 | 0:18:45 | |
Oh, wow! Look at that. | 0:18:45 | 0:18:48 | |
I mean, look at all that. That's brand new. | 0:18:48 | 0:18:51 | |
Last night, probably, or early this morning. | 0:18:51 | 0:18:54 | |
-So that's a valuable piece of real estate in there. -It is. Prime spot. | 0:18:54 | 0:18:58 | |
Prime spot, yeah, beautiful views. | 0:18:58 | 0:19:00 | |
They slide as well, otters. They run along and go down on their bellies. This is a natural slope. | 0:19:00 | 0:19:04 | |
Of course, yeah, just straight down to the sea. | 0:19:04 | 0:19:06 | |
-You can just imagine them lolloping. -Yes. | 0:19:06 | 0:19:08 | |
He goes into that puddle there, he's almost sliding into this. | 0:19:08 | 0:19:12 | |
You see where he's come in here, | 0:19:12 | 0:19:14 | |
and he's splashed into there and broken the ice, then come in here. | 0:19:14 | 0:19:18 | |
Oh, so this is really... There we are. | 0:19:18 | 0:19:20 | |
He's used that so recently that he's broken this ice. | 0:19:20 | 0:19:25 | |
And then he's come out and shaken. | 0:19:25 | 0:19:26 | |
You can still see the wetness there. | 0:19:26 | 0:19:29 | |
Wow. But of course, this is really important, isn't it? | 0:19:29 | 0:19:32 | |
Fresh water for them to wash themselves, and keep that waterproof integrity in the coating. | 0:19:32 | 0:19:38 | |
You can actually see where the body's gone in. | 0:19:38 | 0:19:42 | |
There's thicker ice here. | 0:19:42 | 0:19:44 | |
This has formed today. | 0:19:44 | 0:19:47 | |
Isn't that amazing? | 0:19:47 | 0:19:49 | |
-And you say this is one of the most dramatic you've ever seen? -Yeah, it's incredible, | 0:19:49 | 0:19:54 | |
cos normally they're scattered way over the coastline, but this is so intense to me. | 0:19:54 | 0:19:58 | |
-There must be at least three otters here, or more, looking at the amount of activity. -Yeah. | 0:19:58 | 0:20:03 | |
It just shows you - | 0:20:03 | 0:20:05 | |
such a bleak environment, yet we just found otter heaven. | 0:20:05 | 0:20:10 | |
Fantastic, fantastic. | 0:20:10 | 0:20:12 | |
'Otter heaven, but no otters. | 0:20:12 | 0:20:14 | |
'These, though, are the clearest signs that I've seen yet, | 0:20:14 | 0:20:18 | |
'all thanks to local knowledge. | 0:20:18 | 0:20:19 | |
'So I'm going to follow up any other leads I can find, | 0:20:19 | 0:20:22 | |
'in the hope of that magical encounter before I leave.' | 0:20:22 | 0:20:27 | |
The house is a hovel and I want Christmas to be special, | 0:20:39 | 0:20:44 | |
so I'm cleaning up. | 0:20:44 | 0:20:47 | |
I've no idea what... | 0:20:51 | 0:20:52 | |
weird and ancient part of his dog DNA had a problem with Hoovers. | 0:20:52 | 0:20:57 | |
Oh, sorry, Rubes! Sorry. | 0:20:59 | 0:21:01 | |
-VACUUM STOPS -There you go, Rubes. | 0:21:05 | 0:21:07 | |
You killed it. | 0:21:07 | 0:21:09 | |
Being a bloke, you know, you've got to have a massive tree, haven't you? | 0:21:18 | 0:21:22 | |
I need some pebbles, Rubes. | 0:21:22 | 0:21:24 | |
Come on, then. | 0:21:27 | 0:21:28 | |
Rubes, come here. | 0:21:33 | 0:21:34 | |
Thank you. | 0:21:35 | 0:21:37 | |
Good height, this tree, for me. | 0:21:40 | 0:21:42 | |
Just right. | 0:21:42 | 0:21:43 | |
# In the lane | 0:21:43 | 0:21:45 | |
# Snow is glistening | 0:21:45 | 0:21:48 | |
# A beautiful sight | 0:21:48 | 0:21:50 | |
# We're happy tonight | 0:21:50 | 0:21:52 | |
# Walking in a winter wonderland... # | 0:21:52 | 0:21:56 | |
It's not something I'm particularly into, actually - putting big lights up | 0:21:58 | 0:22:02 | |
all over the outside of houses at Christmas. It's a bit of a tradition in some places, isn't it? | 0:22:02 | 0:22:06 | |
But this place is kind of in the middle of nowhere. It'd be a lovely thing to come back to, | 0:22:06 | 0:22:11 | |
I think, just to see the sort of festive lights twinkling in the distance. And it's a one-off for me. | 0:22:11 | 0:22:16 | |
Chance to spend a Christmas in this cottage - middle of nowhere. | 0:22:16 | 0:22:21 | |
There we go - nice and festive. | 0:22:21 | 0:22:23 | |
My house can now be seen from space. | 0:22:23 | 0:22:25 | |
Come on, Rubes, in we go. | 0:22:26 | 0:22:28 | |
# Walking in a winter wonderland. # | 0:22:28 | 0:22:31 | |
This is it. This is the bleak midwinter. | 0:22:42 | 0:22:45 | |
It's the winter solstice, which is the shortest day of the year, | 0:22:45 | 0:22:49 | |
so we're at a turning point, really. | 0:22:49 | 0:22:51 | |
From now on, the days get longer and we start pushing inexorably towards spring. | 0:22:51 | 0:22:56 | |
So it's a day of celebration, really, for local people. | 0:22:56 | 0:22:59 | |
Kind of at a turning point. | 0:22:59 | 0:23:01 | |
The dunes here, you can see. It's midday, and the sun doesn't even get up above the dunes. | 0:23:01 | 0:23:06 | |
It really just peeks over the horizon, | 0:23:06 | 0:23:09 | |
and you get these gunmetal grey skies. Rubes! | 0:23:09 | 0:23:12 | |
Rubes goes completely insane because of the roar of the waves and the feel of the wind in his fur. | 0:23:13 | 0:23:18 | |
And I'm a bit the same myself, | 0:23:18 | 0:23:20 | |
so my beach patrolling duties continue. | 0:23:20 | 0:23:23 | |
But what I'm doing is trying to run them to stay warm. | 0:23:23 | 0:23:26 | |
Come on, then, Rubes, let's go. Let's go. | 0:23:26 | 0:23:28 | |
'It's...really cold now. | 0:23:35 | 0:23:38 | |
'It's proper North Atlantic cold, you know - | 0:23:38 | 0:23:40 | |
'this wind shrieking off the water. It's got real venom about it now, | 0:23:40 | 0:23:45 | |
'and when you get out there, you get cold so quickly - the wind chill, you know.' | 0:23:45 | 0:23:49 | |
Come on. | 0:23:49 | 0:23:50 | |
Friend of mine from down south | 0:23:51 | 0:23:53 | |
has bought me a hat and sent it up to me | 0:23:53 | 0:23:56 | |
because they're worried about me. | 0:23:56 | 0:23:58 | |
I'll put it on. | 0:23:58 | 0:23:59 | |
First time Rubes saw me in it, he attacked me, | 0:23:59 | 0:24:02 | |
and then he attacked the hat. | 0:24:02 | 0:24:04 | |
He obviously thought I was under some sort of assault from some weird clingy creature. | 0:24:04 | 0:24:08 | |
There we are - ready for anything now. You ready, Rubes? | 0:24:08 | 0:24:11 | |
Come on, then, Rubes. | 0:24:11 | 0:24:12 | |
It's my first kind of really, REALLY cold night. | 0:24:14 | 0:24:19 | |
Perfectly still, | 0:24:19 | 0:24:20 | |
and all around me the hills are glinting in the moonlight. | 0:24:20 | 0:24:25 | |
There we are. That's the moon. | 0:24:25 | 0:24:27 | |
And it feels like I'm absolutely, utterly in the middle of nowhere. | 0:24:27 | 0:24:32 | |
And if you think I look scary on this camera, | 0:24:32 | 0:24:35 | |
wait till you see my dog. | 0:24:35 | 0:24:36 | |
HE CHUCKLES | 0:24:38 | 0:24:40 | |
Rubes, you look terrifying! | 0:24:40 | 0:24:43 | |
Great eyes! Good work with the eyes. | 0:24:43 | 0:24:44 | |
Rubes, that's really scary! | 0:24:46 | 0:24:48 | |
Come on in. Come on. | 0:24:48 | 0:24:49 | |
Christmas Eve, and it's deep and crisp and even. | 0:25:00 | 0:25:04 | |
It's a winter wonderland. Look at that. | 0:25:04 | 0:25:06 | |
It was minus 16 last night. | 0:25:15 | 0:25:19 | |
REALLY cold. Obviously, minus 16 is pretty cold. | 0:25:20 | 0:25:23 | |
Everything is frozen up - look. | 0:25:23 | 0:25:25 | |
This, by they way, is, I think, | 0:25:30 | 0:25:33 | |
the nicest place I've ever spent Christmas. | 0:25:33 | 0:25:36 | |
Webster, top of the tree. | 0:25:36 | 0:25:38 | |
Don't think I've ever spent Christmas | 0:25:38 | 0:25:40 | |
in a more cosy, idyllic, festive setting. | 0:25:40 | 0:25:45 | |
And there's mission control for Christmas dinner tomorrow. | 0:25:45 | 0:25:48 | |
And Rubes, my Christmas companion, | 0:25:48 | 0:25:51 | |
is fast asleep on the bed, | 0:25:51 | 0:25:54 | |
beside himself with excitement, hoping that Santa comes. | 0:25:54 | 0:25:59 | |
Wow, looks great! | 0:25:59 | 0:26:00 | |
# Have yourself | 0:26:02 | 0:26:05 | |
# A merry little Christmas... # | 0:26:05 | 0:26:09 | |
Christmas morning. | 0:26:13 | 0:26:14 | |
Christmas morning. | 0:26:14 | 0:26:17 | |
Merry Christmas, wherever you are. | 0:26:17 | 0:26:19 | |
I'm off to feed the pigs. | 0:26:24 | 0:26:27 | |
Come on, Rubes. | 0:26:27 | 0:26:28 | |
I've got them an apple each for Christmas. | 0:26:28 | 0:26:31 | |
Morning, pigs. | 0:26:31 | 0:26:33 | |
Here you are, chaps - here's an apple. There you go. | 0:26:33 | 0:26:36 | |
Christmas apple. | 0:26:36 | 0:26:38 | |
Come on, Rubes. | 0:26:38 | 0:26:39 | |
Massive gin and tonic. | 0:26:39 | 0:26:41 | |
Right! Come on, then, chaps. | 0:26:43 | 0:26:45 | |
As I pour this out, by the way, | 0:26:47 | 0:26:50 | |
I'd like to remind you that today, I'm going swimming. | 0:26:50 | 0:26:53 | |
Local tradition, apparently, | 0:26:53 | 0:26:55 | |
which I'm deeply suspicious about. | 0:26:55 | 0:26:57 | |
But first, it's time for presents. | 0:26:58 | 0:27:01 | |
In most households, it's all about the kids. | 0:27:01 | 0:27:04 | |
In mine, for "kids", read "dog". | 0:27:04 | 0:27:08 | |
Here we go, Rubes. | 0:27:08 | 0:27:09 | |
Rubes, you ready? Are you ready? | 0:27:09 | 0:27:11 | |
Look at that, Rubes. | 0:27:14 | 0:27:15 | |
Look at that, Rubes. It's a stick. | 0:27:16 | 0:27:18 | |
So that's Reuben's present out the way. | 0:27:18 | 0:27:21 | |
But I know | 0:27:21 | 0:27:22 | |
that, er, he's got me a present as well. | 0:27:22 | 0:27:26 | |
What could it be? | 0:27:27 | 0:27:29 | |
It's a pebble. | 0:27:30 | 0:27:32 | |
That's lovely. Thanks, Rubes. | 0:27:33 | 0:27:35 | |
Very Christmassy scene, in a way, obviously with the frost | 0:27:44 | 0:27:48 | |
and the, er... | 0:27:48 | 0:27:50 | |
And the whole thing of being on the islands and the sense of community. | 0:27:50 | 0:27:54 | |
So I think it's a great place to spend Christmas. | 0:27:54 | 0:27:57 | |
Perfect place to spend Christmas. | 0:27:57 | 0:27:59 | |
Now heading down to the beach, | 0:28:00 | 0:28:02 | |
where lots of families get together and just have a few drinks | 0:28:02 | 0:28:06 | |
and check each other out and just make sure, you know, | 0:28:06 | 0:28:08 | |
everyone's had a good Christmas and everyone's OK. | 0:28:08 | 0:28:11 | |
And then a few friends coming round this evening. | 0:28:11 | 0:28:14 | |
It's always quite nerve-racking, isn't it, because I'm heading off for my swim, | 0:28:15 | 0:28:19 | |
and all I can see is ice-rimed shores | 0:28:19 | 0:28:23 | |
and iron-hard ground, coated in frost. | 0:28:23 | 0:28:27 | |
There are masses of people here. | 0:28:27 | 0:28:30 | |
Good grief. | 0:28:30 | 0:28:32 | |
Right. | 0:28:35 | 0:28:37 | |
-Merry Christmas. -Merry Christmas. | 0:28:37 | 0:28:38 | |
-Whoo! -Have that one. Looks better. | 0:28:38 | 0:28:41 | |
I think everyone's edging down to the beach | 0:28:42 | 0:28:45 | |
for the traditional...plunge. | 0:28:45 | 0:28:48 | |
I was saying to Rob the other day, I'm deeply suspicious of the whole swimming tradition thing, | 0:28:49 | 0:28:54 | |
but I want to be going at about 40 mph when I hit the sea. | 0:28:54 | 0:28:58 | |
-I think that's the idea, isn't it? -Yes. | 0:28:58 | 0:29:00 | |
I've been doing a fair amount of research | 0:29:01 | 0:29:04 | |
into winter swimming in the Outer Hebrides, | 0:29:04 | 0:29:07 | |
and it's something that's been going on for years. | 0:29:07 | 0:29:10 | |
And it turns out that between 1742 and 1896... | 0:29:10 | 0:29:16 | |
..cold-water swimming was always done in the Outer Hebrides... | 0:29:18 | 0:29:21 | |
in a mankini. | 0:29:21 | 0:29:23 | |
LAUGHTER | 0:29:24 | 0:29:26 | |
Right. | 0:29:29 | 0:29:30 | |
How bad can it be? | 0:29:30 | 0:29:32 | |
I'd like to point out that is very cold. | 0:29:58 | 0:30:00 | |
THE CROWD CHEERS | 0:30:00 | 0:30:03 | |
-Well done, mate. -Well done, man. I'm proud of you. | 0:30:05 | 0:30:07 | |
-I think your beard kept you warm. -Yeah! | 0:30:07 | 0:30:09 | |
Delighted I did it. Feel a new man. | 0:30:10 | 0:30:13 | |
A new man. Right, I need to get out of my mankini. | 0:30:13 | 0:30:16 | |
'Back at the cottage, I'm cooking my first ever Christmas dinner - | 0:30:31 | 0:30:36 | |
'one of my own home-grown turkeys, with all the trimmings. | 0:30:36 | 0:30:40 | |
'There's loads more than Rubes and I could get through, | 0:30:40 | 0:30:43 | |
'so we've invited some friends - among them Jimmy, | 0:30:43 | 0:30:46 | |
'whose knowledge as the ex-ranger has been invaluable, and Alison, | 0:30:46 | 0:30:50 | |
'who works at the local community centre and has helped to steer me | 0:30:50 | 0:30:53 | |
'through the politics of life in the Uists.' | 0:30:53 | 0:30:55 | |
-Wow, look at this. -That's enormous! | 0:30:55 | 0:30:58 | |
It is a monster, isn't it? | 0:30:58 | 0:31:00 | |
I've been on the phone to my mum most of the afternoon. | 0:31:03 | 0:31:06 | |
Like "Mum, it's starting to bubble a bit. Is that all right?" | 0:31:06 | 0:31:09 | |
"Yeah, it's absolutely fine". | 0:31:09 | 0:31:11 | |
Haven't been in touch for five months, and then suddenly, she gets 12 calls in one afternoon. | 0:31:11 | 0:31:16 | |
Look at the size of that. | 0:31:16 | 0:31:19 | |
Looks like Usain Bolt's leg. | 0:31:19 | 0:31:22 | |
An entire drumstick. | 0:31:23 | 0:31:25 | |
Parmesan-glazed parsnip, | 0:31:25 | 0:31:28 | |
butter-and-lemon-glazed carrots, | 0:31:28 | 0:31:31 | |
-Brussels sprouts with smoked bacon... -Yes. | 0:31:31 | 0:31:34 | |
..and my own... And Bernard. | 0:31:34 | 0:31:36 | |
-Bernard's right leg. -It's too big to eat, that! | 0:31:36 | 0:31:38 | |
Can we just watch you eating? | 0:31:38 | 0:31:40 | |
-Thank you very much, Monty. -Just a little something I rustled up. | 0:31:40 | 0:31:43 | |
I think the parsnips are a triumph. | 0:31:49 | 0:31:52 | |
Amazing, you know, things I've been growing here | 0:31:52 | 0:31:54 | |
that you guys don't know about. | 0:31:54 | 0:31:57 | |
'The piece de resistance is Alison's flaming clootie dumpling, | 0:31:59 | 0:32:03 | |
'a local twist on the traditional Christmas pud.' | 0:32:03 | 0:32:07 | |
-That's going now. -That's going, yeah. | 0:32:07 | 0:32:09 | |
'That's it. End of a perfect Christmas day.' | 0:32:09 | 0:32:13 | |
Like a little Vesuvius. | 0:32:13 | 0:32:15 | |
'..in so many ways. | 0:32:15 | 0:32:16 | |
'To go down the beach this morning and see everyone down there | 0:32:16 | 0:32:19 | |
'and realise how many people I've got to know over my time in the islands...' | 0:32:19 | 0:32:23 | |
Gigantic plate of food. | 0:32:23 | 0:32:25 | |
'And then have a meal this evening | 0:32:25 | 0:32:28 | |
'with these people I've come to know on the islands over the time I've been here.' | 0:32:28 | 0:32:32 | |
So...a perfect day... | 0:32:39 | 0:32:41 | |
..in a perfect place with perfect company. | 0:32:42 | 0:32:46 | |
And I think you can't ask much more than that for Christmas. | 0:32:46 | 0:32:49 | |
HE BLOWS | 0:32:52 | 0:32:53 | |
HE SPLUTTERS | 0:32:53 | 0:32:55 | |
That didn't quite work out the way I wanted it to. | 0:32:55 | 0:32:58 | |
This morning is one of the first mornings for I don't know how long | 0:33:12 | 0:33:17 | |
where the ground hasn't been frozen solid | 0:33:17 | 0:33:19 | |
and the pigs' water hasn't been frozen. | 0:33:19 | 0:33:21 | |
You can see they're tucked up nice and warm in their little house. | 0:33:21 | 0:33:24 | |
That's their front door. That's their third front door. | 0:33:24 | 0:33:27 | |
They keep eating their front doors for some reason. So morning, pigs! | 0:33:27 | 0:33:32 | |
It's really hard for them to move on this ground when it's frozen, | 0:33:33 | 0:33:38 | |
so they tend to stay inside. | 0:33:38 | 0:33:40 | |
Morning, Streaky. | 0:33:40 | 0:33:42 | |
How are you? You all right? | 0:33:42 | 0:33:44 | |
Morning, Smokey. How's it going? | 0:33:44 | 0:33:47 | |
The size of them. | 0:33:47 | 0:33:49 | |
It's very hard for them to move on this ground. They're like rugby players in stilettos. | 0:33:49 | 0:33:53 | |
They do this - "Ow, ow, ooh, ow!", | 0:33:53 | 0:33:56 | |
cos the ground's really hard, isn't it, chaps? | 0:33:56 | 0:34:00 | |
Even from when they were piglets, | 0:34:00 | 0:34:02 | |
they still have the same sort of little characteristics. | 0:34:02 | 0:34:06 | |
Streaky, who's the boar, has his vulnerable spot, | 0:34:06 | 0:34:10 | |
which is just there. | 0:34:10 | 0:34:12 | |
That causes his knees to buckle. | 0:34:12 | 0:34:15 | |
Easy. Easy, Streaky, go on. | 0:34:15 | 0:34:17 | |
Go on, fight it. You can stay up. You can... | 0:34:17 | 0:34:20 | |
No! Go on. | 0:34:20 | 0:34:22 | |
And down he goes. | 0:34:22 | 0:34:24 | |
They've been an absolute pleasure to have, these pigs. | 0:34:24 | 0:34:28 | |
They're great company and we have a little natter every morning. | 0:34:28 | 0:34:31 | |
Oi! I've really enjoyed having them. | 0:34:31 | 0:34:34 | |
You know, resilient, | 0:34:34 | 0:34:36 | |
very friendly, very docile. | 0:34:36 | 0:34:39 | |
Yeah, it's been grand. | 0:34:40 | 0:34:42 | |
It's been good knowing them, but I'll only know them for a couple more days. | 0:34:42 | 0:34:47 | |
Here we go. | 0:34:49 | 0:34:51 | |
There we go. | 0:34:53 | 0:34:54 | |
The gentleman you can see trudging over the headland behind me there is Andy, | 0:35:21 | 0:35:26 | |
who is a local guy who watches otters along here. | 0:35:26 | 0:35:29 | |
His house is just there - beautiful house. | 0:35:29 | 0:35:31 | |
Sometimes he takes a kayak out and gets incredibly close to them, | 0:35:31 | 0:35:35 | |
and that is what we're going to be doing today. | 0:35:35 | 0:35:37 | |
Five and a half months I've been waiting for today. | 0:35:37 | 0:35:41 | |
So good things come to those who wait, | 0:35:41 | 0:35:43 | |
and karma demands that I have a close encounter with an otter today. | 0:35:43 | 0:35:47 | |
'Andy McKinnon's been watching and filming his local otters for the past four years, | 0:35:47 | 0:35:52 | |
'and he has an impressive strike rate.' | 0:35:52 | 0:35:54 | |
-Where's the best point, Andy? Just here? -Just go in here. | 0:35:54 | 0:35:57 | |
'But as I know to my cost, there's no such thing as a guaranteed sighting.' | 0:35:57 | 0:36:02 | |
-What percentage chance would you say if you were a betting man? -Difficult to say. | 0:36:02 | 0:36:06 | |
I saw four yesterday. | 0:36:08 | 0:36:10 | |
Could be none today. | 0:36:10 | 0:36:11 | |
The old "I saw four yesterday" line! I've heard that a lot. | 0:36:11 | 0:36:15 | |
And it's just a question of just sort of waiting, isn't it, and looking for that distinct bow wave. | 0:36:24 | 0:36:29 | |
But this is the best chance yet, I'd say. | 0:36:31 | 0:36:35 | |
Absolutely beautiful evening. | 0:36:39 | 0:36:42 | |
It's definitely THE way to see an otter, isn't it, doing this? | 0:36:46 | 0:36:52 | |
You're down at water level, you're silent, you can just sit quietly. That's the key, isn't it? | 0:36:52 | 0:36:56 | |
You know, right in the heart of where they're hunting, where they're operating. | 0:36:56 | 0:37:00 | |
-HE WHISPERS: -We've just heard the noise of what may be an otter | 0:37:03 | 0:37:07 | |
in this bay here. | 0:37:07 | 0:37:08 | |
Trying to look as inconspicuous as we possibly can in a bright orange canoe. | 0:37:14 | 0:37:18 | |
Oh, there he is. | 0:37:22 | 0:37:23 | |
There's an otter...just here. | 0:37:26 | 0:37:29 | |
Can see an otter. | 0:37:37 | 0:37:40 | |
So this is it. At the eleventh hour of my sixth month... | 0:37:43 | 0:37:48 | |
..we get our close encounter. | 0:37:50 | 0:37:52 | |
He's chilling out of an evening. | 0:37:54 | 0:37:57 | |
Whoa! | 0:37:57 | 0:37:59 | |
Great stuff! | 0:37:59 | 0:38:00 | |
He's moving closer and closer, so we're just sitting tight. | 0:38:00 | 0:38:04 | |
With any luck... There he is! He's just behind me there. | 0:38:07 | 0:38:10 | |
And closer and closer and closer. We're going to really encounter... | 0:38:10 | 0:38:14 | |
I've waited a very long time for this. | 0:38:19 | 0:38:22 | |
He just popped up about... | 0:38:31 | 0:38:33 | |
..three feet in front of the tip of the canoe. | 0:38:34 | 0:38:37 | |
I've never seen an alarmed otter before. | 0:38:41 | 0:38:44 | |
It's amazing. | 0:38:46 | 0:38:48 | |
I could have touched him with my paddle. | 0:38:50 | 0:38:53 | |
I think he may have clocked us. | 0:38:57 | 0:38:59 | |
Yes, he did, didn't he, plainly. | 0:38:59 | 0:39:01 | |
Fantastic. | 0:39:04 | 0:39:05 | |
'Back at the cottage, it's time to start my farewells.' | 0:39:25 | 0:39:29 | |
Oi! Smokey and Streaky are leaving. | 0:39:29 | 0:39:31 | |
A trailer's going to picking them up soon. Always knew this moment would arrive. | 0:39:31 | 0:39:35 | |
Time to say goodbye to the pigs. | 0:39:35 | 0:39:36 | |
All right, all right, fellas. | 0:39:36 | 0:39:39 | |
Oi, knock it off. | 0:39:39 | 0:39:41 | |
But they've been great animals, | 0:39:43 | 0:39:45 | |
these, and they've been great company. | 0:39:45 | 0:39:47 | |
The whole reason for having them was to raise money for the ranger position with their meat, | 0:39:47 | 0:39:52 | |
so this morning I went to the cashpoint and I got out £200 of my own money | 0:39:52 | 0:39:56 | |
that I'm going to donate to local environmental projects. | 0:39:56 | 0:39:59 | |
And Smokey and Streaky here are going to go to a city farm | 0:39:59 | 0:40:03 | |
and live long, fat, dumb, happy lives. | 0:40:03 | 0:40:07 | |
'The plane's bringing in Carole Burke, | 0:40:10 | 0:40:12 | |
'who manages the Almond Valley city farm, near Edinburgh. | 0:40:12 | 0:40:16 | |
'She's Smokey and Streaky's ticket out of here, so I'm hoping they'll be on best behaviour. | 0:40:17 | 0:40:22 | |
'They're booked on the early ferry tomorrow, assuming all goes well today.' | 0:40:22 | 0:40:26 | |
-Hello, Streaky. I know. This is Streaky. -Streaky. | 0:40:26 | 0:40:30 | |
And this is Smokey. | 0:40:30 | 0:40:32 | |
You can tell them apart. | 0:40:32 | 0:40:33 | |
Smokey's got black ears, | 0:40:33 | 0:40:36 | |
-and Streaky's got... -White. | 0:40:36 | 0:40:38 | |
-And the sort of people you get visiting, the sort of people that come along? -It's families. | 0:40:38 | 0:40:43 | |
It's a very family-orientated farm, | 0:40:43 | 0:40:45 | |
and we also have school groups that come to learn about animals as well. | 0:40:45 | 0:40:49 | |
This, by the way, is Heather and Ian, | 0:40:49 | 0:40:51 | |
who are coming to take Smokey and Streaky. | 0:40:51 | 0:40:54 | |
Hello, Heather. | 0:40:54 | 0:40:56 | |
-Hello. -How are you? | 0:40:56 | 0:40:58 | |
'Heather's the crofter I got the pigs from originally, and she'll be transporting them to the mainland'. | 0:40:58 | 0:41:03 | |
-And this is Carole. -Pleased to meet you. -Hi, lovely to meet you. Two kisses. | 0:41:03 | 0:41:07 | |
-And this is Ian. -How do? | 0:41:08 | 0:41:09 | |
Well, let the fun begin. Off we go. | 0:41:09 | 0:41:12 | |
They might just go straight in, actually. | 0:41:16 | 0:41:19 | |
Round here, chaps, come on. In you go. | 0:41:23 | 0:41:25 | |
Come on. | 0:41:26 | 0:41:28 | |
Come on. | 0:41:28 | 0:41:30 | |
You ever heard of that thing where you get them to go into a bin, and then you back them in somewhere? | 0:41:33 | 0:41:38 | |
You ever heard of that? | 0:41:38 | 0:41:40 | |
I know this looks like lunacy. | 0:41:41 | 0:41:43 | |
Nothing to worry about. | 0:41:48 | 0:41:50 | |
CAROLE CHUCKLES | 0:41:50 | 0:41:51 | |
Can I just say how intelligent my pigs are? | 0:42:04 | 0:42:06 | |
Because this is the weak spot. They know this is a weak spot. | 0:42:06 | 0:42:10 | |
And we've left him at the weak spot. | 0:42:10 | 0:42:13 | |
Well done, Ian. | 0:42:13 | 0:42:14 | |
Yeah, OK. | 0:42:14 | 0:42:15 | |
OK, if you give me that board in. Quick, quick, quick! | 0:42:16 | 0:42:19 | |
Yeah, I've got him, I've got him. | 0:42:22 | 0:42:23 | |
There you go, there he goes. There he goes. | 0:42:23 | 0:42:26 | |
And if we close that divide and if we close the gate, yeah. | 0:42:26 | 0:42:30 | |
THEY CHEER | 0:42:30 | 0:42:33 | |
Piece of cake. | 0:42:33 | 0:42:35 | |
-THEY LAUGH -Piece of cake. | 0:42:35 | 0:42:37 | |
Move it forward. | 0:42:37 | 0:42:39 | |
Well done. Carole, I assure you they're not normally that difficult. | 0:42:39 | 0:42:42 | |
-They're normally terribly well behaved. -I'm having second thoughts! | 0:42:42 | 0:42:46 | |
You're city slickers now. | 0:42:46 | 0:42:48 | |
Not country boys any more. | 0:42:48 | 0:42:49 | |
See you, Streaky. See you, Smokey. | 0:42:49 | 0:42:52 | |
Take it easy. Enjoy your life as celebrities. | 0:42:52 | 0:42:56 | |
I wouldn't get too complacent, Rubes. You're next, pal. | 0:42:56 | 0:42:58 | |
-CAROLE CHUCKLES -If I can persuade Carole. | 0:42:58 | 0:43:01 | |
-What did you have in here? Was it turkeys? -Turkeys, yes. | 0:43:03 | 0:43:07 | |
We started off with just the one run, but they got, strangely enough, bigger when I fed them. | 0:43:07 | 0:43:12 | |
The final few posts still need to be hammered in on the Udal walk, | 0:43:28 | 0:43:33 | |
the North Uist walk, which is my favourite walk | 0:43:33 | 0:43:35 | |
and Jimmy's favourite walk. | 0:43:35 | 0:43:37 | |
So I've left those posts, so me and Jimmy can hammer them in together. | 0:43:37 | 0:43:41 | |
I just thought it'd be a really nice way to sort of finish the whole thing. | 0:43:43 | 0:43:47 | |
Assuming we can batter it in to the iron-hard tundra | 0:43:48 | 0:43:52 | |
that is the Udal peninsula at the moment. | 0:43:52 | 0:43:55 | |
Shall we take a little walk round and maybe look at a spot to put a post up? | 0:44:01 | 0:44:04 | |
Cos that's the idea of the trails, isn't it, that you can kind of see the next post? | 0:44:04 | 0:44:09 | |
This is a very tidy Land Rover. | 0:44:10 | 0:44:12 | |
Uncharacteristically tidy. | 0:44:12 | 0:44:14 | |
Right. | 0:44:15 | 0:44:16 | |
Wow, Monty! | 0:44:20 | 0:44:21 | |
That's quite something, isn't it? Why here? | 0:44:21 | 0:44:25 | |
Er... | 0:44:25 | 0:44:27 | |
Well, I know what I felt when I first walked up this rise and I looked at that beach. | 0:44:27 | 0:44:33 | |
One of the reasons for putting in the trails and all that | 0:44:33 | 0:44:37 | |
is to try and share that experience with other people who come to the islands, | 0:44:37 | 0:44:41 | |
and try and share that sense of wonder, | 0:44:41 | 0:44:44 | |
of being exposed to views like this. | 0:44:44 | 0:44:47 | |
-Wow. -It's amazing, isn't it? Just rock hard. | 0:44:48 | 0:44:52 | |
It's pretty rough. | 0:44:52 | 0:44:53 | |
-Pretty good. -Oh, the final symbolic clout. Go on. | 0:45:01 | 0:45:05 | |
Go on, miss it. | 0:45:05 | 0:45:06 | |
Hey! | 0:45:06 | 0:45:08 | |
There we go. | 0:45:08 | 0:45:10 | |
-That's about it. -Well done, mate. | 0:45:11 | 0:45:13 | |
-Well done, sir. -Well done. Thank you so much. | 0:45:13 | 0:45:16 | |
-Really. Thanks for all your help round the islands. -I need to get my car keys. | 0:45:16 | 0:45:20 | |
I thought we would have a symbolic bottle. | 0:45:20 | 0:45:22 | |
Thank you so much for coming here. | 0:45:22 | 0:45:24 | |
-My pleasure, mate, my pleasure. -And for doing what you're done. | 0:45:24 | 0:45:27 | |
Well, thank you for your hospitality and many cheers. | 0:45:27 | 0:45:30 | |
Slainte mhath. | 0:45:30 | 0:45:31 | |
Your fingers will be welded to that bottle now. | 0:45:39 | 0:45:41 | |
'New Year's Eve, or Hogmanay, as it's known in the Highlands and the islands - | 0:46:16 | 0:46:20 | |
always a big deal this time of year up here. | 0:46:20 | 0:46:22 | |
But it's particularly poignant and special for me | 0:46:22 | 0:46:25 | |
because, of course, this is the end of my time here. It's the culmination of six months' work, | 0:46:25 | 0:46:30 | |
and we've got the Langass Lodge full of friends | 0:46:30 | 0:46:33 | |
and people I've got to know over the last six months, | 0:46:33 | 0:46:36 | |
who've all helped me out in some way or another. | 0:46:36 | 0:46:38 | |
And I'm hoping for a real humdinger of an evening. | 0:46:38 | 0:46:43 | |
It's a sort of fond farewell to the islands, really. | 0:46:43 | 0:46:46 | |
'On the agenda tonight, we've got good food...' | 0:46:50 | 0:46:54 | |
This is proper winter food. | 0:46:54 | 0:46:57 | |
'..good company, good music...' | 0:46:57 | 0:46:59 | |
BAND PLAYS A SOFT-ROCK TUNE | 0:46:59 | 0:47:02 | |
..and also unveil the picture. Now, the picture is the oil painting | 0:47:10 | 0:47:13 | |
that Steve Burgess, the wildlife artist who was up here about a month and a half ago... | 0:47:13 | 0:47:17 | |
We took him out into the rut, the stag rut. | 0:47:17 | 0:47:20 | |
And he was blown away by it, and he did a picture | 0:47:20 | 0:47:23 | |
that we're going to sell to try and raise money for local environmental projects. | 0:47:23 | 0:47:28 | |
'Steve's paintings sell for up to £15,000, | 0:47:28 | 0:47:31 | |
'and he's promised to donate half the proceeds to the ranger fund.' | 0:47:31 | 0:47:35 | |
So that's a very, very significant painting. | 0:47:35 | 0:47:38 | |
Been a magical full stop to my time up here, really - just couldn't be better. | 0:47:39 | 0:47:44 | |
Surrounded by my friends, all dancing, having a great time. | 0:47:44 | 0:47:48 | |
-You're always welcome back. -Great. | 0:47:48 | 0:47:50 | |
Leaving is going to be hard. It really is. | 0:47:50 | 0:47:53 | |
-ALL: -Three, two, one... | 0:47:53 | 0:47:55 | |
-Happy new year! -CHEERING AND APPLAUSE | 0:47:55 | 0:47:58 | |
ALL: # Should auld acquaintance be forgot | 0:47:58 | 0:48:01 | |
# And never brought to mind? | 0:48:01 | 0:48:05 | |
# Should auld acquaintance be forgot | 0:48:05 | 0:48:10 | |
# For the sake of auld lang syne? # | 0:48:10 | 0:48:14 | |
Happy new year, by the way. | 0:48:14 | 0:48:16 | |
-Kiss me. Mwah! -We're going to miss you. | 0:48:16 | 0:48:19 | |
Oh, happy new year, mate! | 0:48:19 | 0:48:21 | |
Have a good one. Have a great summer. | 0:48:21 | 0:48:25 | |
-Have a great summer. -See you back. | 0:48:25 | 0:48:27 | |
CHEERING | 0:48:30 | 0:48:32 | |
-CROWD CHEERS -Got to make that noise at firework displays. That noise. | 0:48:35 | 0:48:39 | |
CHEERING AND APPLAUSE | 0:48:48 | 0:48:50 | |
REFLECTIVE GAELIC SONG PLAYS | 0:48:54 | 0:48:56 | |
'Overnight, the snow and plummeting temperatures have transformed the winter landscape. | 0:49:05 | 0:49:10 | |
'For someone about to head south, it's a timely reminder that the year-round inhabitants | 0:49:15 | 0:49:19 | |
'of the islands can expect the weather to get worse before it gets better.' | 0:49:19 | 0:49:24 | |
It's an interesting time to leave, because January/February, | 0:49:38 | 0:49:43 | |
everyone tells me up here, is the really tough time up here | 0:49:43 | 0:49:46 | |
because the big winter storms come in, and it's sort of grey and dank. | 0:49:46 | 0:49:52 | |
And the interesting thing about my time up here is | 0:49:52 | 0:49:55 | |
December and November have been the two most beautiful months of my whole time up here. | 0:49:55 | 0:49:59 | |
So I think the lingering feeling with me is a... | 0:49:59 | 0:50:02 | |
a feeling of wanting to come back. | 0:50:02 | 0:50:06 | |
This is my final meeting with the ranger committee. | 0:50:12 | 0:50:16 | |
It's almost a chance for me to see if I've passed muster - | 0:50:16 | 0:50:20 | |
you know, to see if I've done the job while I'm here and find out how they've viewed my efforts. | 0:50:20 | 0:50:25 | |
So the main item on the agenda today is the handover, | 0:50:25 | 0:50:28 | |
the financial position and tying up loose ends. | 0:50:28 | 0:50:32 | |
Yes. So shall I fill you in on what's still to come? | 0:50:32 | 0:50:35 | |
I am desperately trying to get hold of the walks booklets | 0:50:35 | 0:50:38 | |
and the interpretation boards to get them down here before I leave the islands. | 0:50:38 | 0:50:43 | |
One of the reasons is that I spoke to CalMac and they said, | 0:50:43 | 0:50:45 | |
"Absolutely fine. You can screw it onto the area that they've set aside, | 0:50:45 | 0:50:50 | |
"which is in the kids' area, when you leave," which would be lovely. | 0:50:50 | 0:50:53 | |
Nice final gesture, putting the interpretation board in. But if I haven't got them, I can't do it. | 0:50:53 | 0:50:58 | |
So I'm hoping, tomorrow, to pick them up. | 0:50:58 | 0:51:01 | |
And the final thing for me, really, | 0:51:01 | 0:51:03 | |
is to say thank you very much | 0:51:03 | 0:51:06 | |
for looking after me while I've been here. | 0:51:06 | 0:51:08 | |
I think one of the interesting things | 0:51:08 | 0:51:11 | |
is that you have actually demonstrated | 0:51:11 | 0:51:14 | |
-that there is a need for a ranger service. -Yeah. | 0:51:14 | 0:51:16 | |
And personally, I hope that what comes out of this is that | 0:51:16 | 0:51:19 | |
we've actually created a framework | 0:51:19 | 0:51:22 | |
which will enable a ranger service to be started up again. | 0:51:22 | 0:51:25 | |
That's music to my ears, quite frankly. | 0:51:25 | 0:51:27 | |
I've been truly happy in that cottage. | 0:51:35 | 0:51:37 | |
I think it's a combination of things. I mean, who wouldn't be? | 0:51:37 | 0:51:41 | |
It's the most beautiful cottage. | 0:51:41 | 0:51:42 | |
I've also had, while I've been here, a sort of genuine sense of purpose. | 0:51:42 | 0:51:46 | |
And the vindication of that, for me, | 0:51:46 | 0:51:48 | |
was hearing Andrew say at the meeting that they thought | 0:51:48 | 0:51:51 | |
one of the things I'd done was really show the value of the ranger here. | 0:51:51 | 0:51:55 | |
So it was an ambition realised in so many ways - | 0:51:55 | 0:51:59 | |
doing the ranger position, living somewhere like this, becoming part of the community. | 0:51:59 | 0:52:03 | |
So it was at the end of my rainbow in every sense, I think. | 0:52:03 | 0:52:06 | |
Come on, fool. Come on, Rubes. Oi! | 0:52:08 | 0:52:10 | |
Back to Bristol, Rubes. | 0:52:40 | 0:52:42 | |
Off we go. Come on, Rubes. | 0:52:44 | 0:52:46 | |
Come on. | 0:52:50 | 0:52:52 | |
Rubes, leave the stone. | 0:52:52 | 0:52:54 | |
My ferry pulls away in an hour. I've been here six months, | 0:52:59 | 0:53:03 | |
and the interpretation boards and the walks booklets, | 0:53:03 | 0:53:07 | |
which are the culmination of all my efforts here, | 0:53:07 | 0:53:11 | |
are, as we speak, heading into Lochmaddy. | 0:53:11 | 0:53:14 | |
Richard has been snowed into his house for five days | 0:53:14 | 0:53:17 | |
and has just managed to get out this morning. | 0:53:17 | 0:53:20 | |
He's on the Isle of Lewis. | 0:53:20 | 0:53:22 | |
One of the crew - one of the film crew - | 0:53:22 | 0:53:24 | |
has very kindly gone across on the ferry | 0:53:25 | 0:53:27 | |
with a little handheld video thing like you take on holiday | 0:53:27 | 0:53:30 | |
to get the actual handover moment from Richard. | 0:53:30 | 0:53:34 | |
-Happy new year. -Happy new year. | 0:53:34 | 0:53:36 | |
So this is a real race against the clock. | 0:53:36 | 0:53:39 | |
-These are the rock pool displays. -A-ha. | 0:53:39 | 0:53:41 | |
And it has literally come down to the last 20 minutes | 0:53:41 | 0:53:45 | |
about whether I can actually get my hands on them before I leave. | 0:53:45 | 0:53:50 | |
The reason it's vital they're there is, | 0:53:50 | 0:53:53 | |
I want to actually screw one of them onto the, er, wall... | 0:53:53 | 0:53:57 | |
of the ferry, the bulkhead. | 0:53:57 | 0:54:00 | |
So...yeah. | 0:54:01 | 0:54:03 | |
It really has come down to this last few minutes about whether | 0:54:03 | 0:54:07 | |
the boards will be there when I get there, and I'll be gutted if they're not. | 0:54:07 | 0:54:11 | |
No-one here. | 0:54:29 | 0:54:31 | |
Wait there, Rubes. | 0:54:35 | 0:54:36 | |
Board the ferry in about ten minutes. | 0:54:38 | 0:54:42 | |
I think I've just seen it coming round the corner there. | 0:54:42 | 0:54:45 | |
-Ah! Hello, chaps. -Hi. | 0:54:45 | 0:54:48 | |
Hello. | 0:54:48 | 0:54:50 | |
-Hello, mate. How are you? All right? -Yeah. -Yeah, good. | 0:54:53 | 0:54:56 | |
-This COULD be the interpretation boards and walks booklets. -Ah, right. | 0:54:56 | 0:55:01 | |
-Which is lovely, mate, to have you here when they... -This is your handover. | 0:55:01 | 0:55:04 | |
Don't even get out of the car if you haven't got them. | 0:55:04 | 0:55:08 | |
-Made it! -Have you got them? | 0:55:08 | 0:55:09 | |
-I have indeed. -Well done. | 0:55:09 | 0:55:11 | |
-Well done, well done. -Yes. -Fantastic. | 0:55:11 | 0:55:14 | |
And with about five minutes to spare. | 0:55:14 | 0:55:17 | |
-These are the boards. -Amazing. Fantastic. | 0:55:19 | 0:55:23 | |
The booklets. | 0:55:23 | 0:55:25 | |
Now, these are just a sample, I hasten to add. There's going to be a mass print run. | 0:55:25 | 0:55:29 | |
5,000 of these will be spread round the islands. And mate, I'm so pleased you're here. | 0:55:29 | 0:55:34 | |
This is all your expertise as well. | 0:55:34 | 0:55:35 | |
Hey! | 0:55:35 | 0:55:37 | |
-Wow. -There we are. | 0:55:37 | 0:55:39 | |
That is stunning. | 0:55:39 | 0:55:40 | |
There's so many memories. | 0:55:41 | 0:55:43 | |
And your favourite, Udal. There's the last post we hammered in. | 0:55:43 | 0:55:47 | |
That's great. Really good. | 0:55:47 | 0:55:49 | |
Amazing. Here we are. Let's have a quick look at the boards. | 0:55:49 | 0:55:52 | |
-Wow! -It's lovely, isn't it? | 0:55:55 | 0:55:57 | |
That is stunning. | 0:55:57 | 0:55:59 | |
-Fantastic. -Excellent, well done. -Thank you. | 0:55:59 | 0:56:03 | |
In the very nick of time. Last-minute stuff. What we're hoping, Jimmy, | 0:56:03 | 0:56:07 | |
is one day to actually have a coastal route that covers all the different environments, | 0:56:07 | 0:56:11 | |
so it covers the sand and the rocks and the macha and the shallows and... | 0:56:11 | 0:56:16 | |
-Wow! I think they're stunning. Just so beautiful to have something like this. -Thank you, Jimmy. | 0:56:16 | 0:56:22 | |
Yeah, it is. | 0:56:22 | 0:56:24 | |
Mate. Well done. | 0:56:24 | 0:56:26 | |
-Andrew, thank you so much. -Thank you very much. -My pleasure. | 0:56:26 | 0:56:30 | |
-Alison. -Bye, Monty. -Take care. Thank you for looking after me and feeding me. | 0:56:30 | 0:56:34 | |
This is my very final act as the ranger - | 0:56:47 | 0:56:50 | |
quite fittingly, on the ferry as I leave the islands. | 0:56:50 | 0:56:54 | |
It's just to get this interpretation board put up. | 0:56:54 | 0:56:57 | |
Hopefully, this'll inspire the next generation of marine biologists | 0:56:57 | 0:57:02 | |
and rangers and conservationists. | 0:57:02 | 0:57:05 | |
I would have tried to do it up there. There you go. | 0:57:05 | 0:57:08 | |
That end. | 0:57:08 | 0:57:10 | |
Great detail here, by the way. | 0:57:11 | 0:57:13 | |
There's a rock pool species that you don't see very often. | 0:57:13 | 0:57:17 | |
Photo number five has got Rubes in it. | 0:57:17 | 0:57:20 | |
Fantastic. | 0:57:27 | 0:57:29 | |
-Thank you. -OK. | 0:57:30 | 0:57:31 | |
Good stuff. | 0:57:31 | 0:57:33 | |
All that work. | 0:57:34 | 0:57:36 | |
That's Jimmy and Alison. | 0:57:39 | 0:57:40 | |
It's a poignant moment - there's no doubt about it. | 0:57:46 | 0:57:49 | |
I don't tend to get overly sentimental about places when I leave them, | 0:57:51 | 0:57:55 | |
because I've done so much travelling in my life | 0:57:55 | 0:57:58 | |
and I'm constantly moving on to the next thing. | 0:57:58 | 0:58:01 | |
But there are certain places that leave a mark on you, | 0:58:01 | 0:58:05 | |
and I think this place has left an indelible mark on me. | 0:58:05 | 0:58:10 | |
And my life's a little bit richer for knowing these islands. | 0:58:10 | 0:58:14 | |
I get the feeling that this isn't the end of something | 0:58:14 | 0:58:17 | |
as the islands disappear into the distance. | 0:58:17 | 0:58:20 | |
That it's actually the beginning of a lifelong association | 0:58:20 | 0:58:24 | |
for me with the Uists and Barra. | 0:58:24 | 0:58:27 | |
Come on, then, Rubes. Come on. | 0:58:29 | 0:58:32 | |
Come on, Rubes. | 0:58:38 | 0:58:39 | |
Subtitles by Red Bee Media Ltd | 0:58:49 | 0:58:52 | |
E-mail [email protected] | 0:58:52 | 0:58:56 |