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100 years ago, there were 1.5 billion people on Earth. | 0:00:37 | 0:00:43 | |
Now, over six billion crowd our fragile planet. | 0:00:44 | 0:00:51 | |
But even so, there are still places barely touched by humanity. | 0:00:51 | 0:00:56 | |
This series will take you to the last wildernesses, | 0:01:01 | 0:01:05 | |
and show you the planet and its wildlife as you have never seen them before. | 0:01:05 | 0:01:11 | |
WIND HOWLS | 0:01:50 | 0:01:53 | |
Imagine our world without sun. | 0:02:00 | 0:02:03 | |
Male emperor penguins are facing the nearest that exists on planet Earth - | 0:02:05 | 0:02:10 | |
winter in Antarctica. | 0:02:10 | 0:02:12 | |
It is continuously dark and temperatures drop | 0:02:15 | 0:02:18 | |
to minus 70 degrees centigrade. | 0:02:18 | 0:02:21 | |
The penguins stay when all other creatures have fled | 0:02:31 | 0:02:35 | |
because each guards a treasure - a single egg resting on the top of its feet, | 0:02:35 | 0:02:41 | |
and kept warm beneath the downy bulge of its stomach. | 0:02:41 | 0:02:45 | |
There is no food and no water for them, | 0:02:49 | 0:02:52 | |
and they will not see the sun again for four months. | 0:02:52 | 0:02:56 | |
Surely no greater ordeal is faced by any animal. | 0:02:56 | 0:03:00 | |
As the sun departs from the Antarctic, | 0:03:10 | 0:03:13 | |
it lightens the skies in the far north. | 0:03:13 | 0:03:17 | |
It's March and light returns to the high Arctic, | 0:03:25 | 0:03:29 | |
sweeping away four months of darkness. | 0:03:29 | 0:03:33 | |
A polar bear stirs. | 0:03:46 | 0:03:48 | |
She has been in her den the whole winter. | 0:03:48 | 0:03:52 | |
Her emergence marks the beginning of spring. | 0:03:52 | 0:03:56 | |
After months of confinement underground, she toboggans down the slope, | 0:03:59 | 0:04:04 | |
perhaps to clean her fur, perhaps for sheer joy. | 0:04:04 | 0:04:08 | |
Her cubs gaze out at their bright new world for the very first time. | 0:04:22 | 0:04:28 | |
The female calls them, but this steep slope is not the easiest place | 0:04:30 | 0:04:36 | |
to take your first steps. | 0:04:36 | 0:04:38 | |
But they are hungry and eager to reach their mother, | 0:04:51 | 0:04:55 | |
who has delayed feeding them on this special day. | 0:04:55 | 0:04:58 | |
Now she lures them with the promise of milk - | 0:04:58 | 0:05:01 | |
the only food the cubs have known | 0:05:01 | 0:05:03 | |
since they were born, deaf and blind beneath the snow, some two months ago. | 0:05:03 | 0:05:08 | |
Their mother has not eaten for five months | 0:05:24 | 0:05:28 | |
and has lost half her body weight. | 0:05:28 | 0:05:30 | |
Now she converts the last of her fat reserves into milk for her cubs. | 0:05:30 | 0:05:36 | |
The spring sun brings warmth, but also a problem for the mother. | 0:05:54 | 0:06:00 | |
It starts to melt the sea ice. | 0:06:00 | 0:06:03 | |
That is where she hunts for the seals she needs to feed her cubs, | 0:06:03 | 0:06:07 | |
and she must get there before the ice breaks up. | 0:06:07 | 0:06:11 | |
For now though, it's still minus 30 degrees | 0:06:15 | 0:06:18 | |
and the cubs must have the shelter of the den. | 0:06:18 | 0:06:21 | |
It's six days since the bears emerged | 0:06:34 | 0:06:38 | |
and spring is advancing rapidly. | 0:06:38 | 0:06:40 | |
But even now, blizzards can strike without warning. | 0:06:40 | 0:06:44 | |
Being so small, the cubs are easily chilled and they would be | 0:06:47 | 0:06:51 | |
more comfortable resting in the den, | 0:06:51 | 0:06:54 | |
but their mother must keep them out and active. | 0:06:54 | 0:06:57 | |
She's becoming weak from hunger | 0:06:57 | 0:07:00 | |
and there is no food on these nursery slopes. | 0:07:00 | 0:07:03 | |
The sea ice still holds firm, but it won't last much longer. | 0:07:09 | 0:07:13 | |
Day ten, and the mother has led her cubs a mile from the den. | 0:07:17 | 0:07:22 | |
It's time to put them to the test. | 0:07:22 | 0:07:24 | |
They have grown enormously in confidence, | 0:07:27 | 0:07:29 | |
but they don't have their mother's sense of urgency. | 0:07:29 | 0:07:33 | |
At last, it seems they are ready for their journey, | 0:07:48 | 0:07:52 | |
and only just in time, for a few miles from the coast, | 0:07:52 | 0:07:56 | |
the ice is already splitting. | 0:07:56 | 0:07:58 | |
Now the mother can start hunting for the seals they must have, | 0:08:03 | 0:08:08 | |
but she is leading her cubs into a dangerous new world. | 0:08:08 | 0:08:12 | |
Nearly half of all cubs die in their first year out on the ice. | 0:08:12 | 0:08:18 | |
Summer brings 24 hours of sunlight and a thawing, shifting landscape. | 0:08:27 | 0:08:34 | |
Further south, | 0:08:37 | 0:08:39 | |
the winter snows have almost cleared from the Arctic tundra. | 0:08:39 | 0:08:42 | |
Northern Canada's wild frontier. | 0:08:50 | 0:08:53 | |
Here, nature stages one of her greatest dramas. | 0:08:53 | 0:08:58 | |
Every year, three million caribou migrate across the Arctic tundra. | 0:09:05 | 0:09:11 | |
The immensity of the herd | 0:09:24 | 0:09:26 | |
can only be properly appreciated from the air. | 0:09:26 | 0:09:30 | |
Some herds travel over 2,000 miles a year in search of fresh pastures. | 0:09:37 | 0:09:43 | |
This is the longest overland migration made by any animal. | 0:09:43 | 0:09:48 | |
They're constantly on the move. | 0:09:59 | 0:10:02 | |
Newborn calves have to be up and running the day they're born. | 0:10:02 | 0:10:05 | |
But the vast herds do not travel alone. | 0:10:26 | 0:10:31 | |
Wolves. | 0:10:33 | 0:10:34 | |
Packs of them, eight to ten strong, shadow the migration. | 0:10:36 | 0:10:41 | |
And they're hungry. | 0:10:43 | 0:10:45 | |
It's the newly born calves that they are after. | 0:10:50 | 0:10:54 | |
Running directly at the herd is a ploy to generate panic. | 0:11:01 | 0:11:05 | |
The herd breaks up, and now it's easier to target an individual. | 0:11:15 | 0:11:20 | |
In the chaos, a calf is separated from its mother. | 0:11:31 | 0:11:35 | |
The calf is young, | 0:11:41 | 0:11:43 | |
but it can outrun the wolf, if only it manages to keep its footing. | 0:11:43 | 0:11:47 | |
At this stage, the odds are even. | 0:11:59 | 0:12:02 | |
Either the caribou will make a mistake | 0:12:02 | 0:12:05 | |
or, after a mile, the wolf will give up. | 0:12:05 | 0:12:08 | |
Midsummer on the tundra, and the sun does not set. | 0:12:55 | 0:13:00 | |
At these latitudes, the sun's rays are glancing | 0:13:02 | 0:13:06 | |
and not enough of their energy reaches the ground | 0:13:06 | 0:13:10 | |
to enable trees to grow. | 0:13:10 | 0:13:12 | |
You need to travel 500 miles south from here before that is possible. | 0:13:14 | 0:13:19 | |
These stunted shrubs mark the tree-line, | 0:13:25 | 0:13:29 | |
the beginning of the boreal forest - | 0:13:29 | 0:13:31 | |
the taiga. | 0:13:31 | 0:13:33 | |
The needle-shaped leaves of the conifers are virtually inedible, | 0:13:41 | 0:13:46 | |
so this forest supports very little animal life. | 0:13:46 | 0:13:50 | |
It's a silent place, where the snow is unmarked by footprints. | 0:13:56 | 0:14:02 | |
In the Arctic winter, snow forms a continuous blanket across the land. | 0:14:10 | 0:14:16 | |
But, as spring creeps up from the south, the taiga is unveiled. | 0:14:16 | 0:14:22 | |
This vast forest, circling the globe, | 0:14:27 | 0:14:30 | |
contains a third of all the trees on Earth | 0:14:30 | 0:14:34 | |
and produces so much oxygen it changes the composition of the atmosphere. | 0:14:34 | 0:14:40 | |
As we travel south, so the sun's influence grows stronger, | 0:14:42 | 0:14:47 | |
and at 50 degrees of latitude, a radical transformation begins. | 0:14:47 | 0:14:52 | |
BIRDS SING | 0:14:52 | 0:14:55 | |
The summers here are long enough | 0:15:03 | 0:15:05 | |
for broad-leaved trees to replace conifers. | 0:15:05 | 0:15:09 | |
Broad leaves are much easier to eat and digest, | 0:15:09 | 0:15:12 | |
so now animals can collect their share of the energy | 0:15:12 | 0:15:17 | |
that has come from the sun. | 0:15:17 | 0:15:19 | |
It's summer and these forests are bustling with life. | 0:15:19 | 0:15:24 | |
But the good times will not last. | 0:15:49 | 0:15:52 | |
Broad leaves must be shed in winter for they are damaged by frost. | 0:15:54 | 0:15:58 | |
As they disappear, | 0:15:58 | 0:16:00 | |
so the land becomes barren, with little for animals to eat. | 0:16:00 | 0:16:05 | |
SHRILL HOWLS | 0:16:07 | 0:16:09 | |
The inhabitants must migrate, hibernate | 0:16:13 | 0:16:16 | |
or face months of near-starvation. | 0:16:16 | 0:16:20 | |
CAWING | 0:16:25 | 0:16:27 | |
The Amur leopard - the rarest cat in the world. | 0:16:37 | 0:16:41 | |
Here in the deciduous forests of eastern Russia | 0:16:45 | 0:16:48 | |
the winter makes hunting very difficult. | 0:16:48 | 0:16:51 | |
Prey animals are scarce and there's no concealing vegetation. | 0:16:51 | 0:16:55 | |
The cub is a year old and still dependent on its mother. | 0:16:58 | 0:17:03 | |
Deer are frequent casualties of the harsh winter | 0:17:10 | 0:17:14 | |
and these leopards are not above scavenging from a corpse. | 0:17:14 | 0:17:18 | |
African leopards could never survive here. | 0:17:18 | 0:17:22 | |
But the Russian cats have thick fur to shield them from the cold. | 0:17:22 | 0:17:27 | |
There are only 40 Amur leopards left in the wild | 0:17:33 | 0:17:36 | |
and that number is falling. | 0:17:36 | 0:17:38 | |
Like so many creatures, the cats have been pushed to the very edge of extinction by hunting | 0:17:40 | 0:17:46 | |
and the destruction of their habitat. | 0:17:46 | 0:17:49 | |
The Amur leopard symbolises the fragility of our natural heritage. | 0:17:50 | 0:17:56 | |
The future of an entire species | 0:17:56 | 0:17:59 | |
hangs on the survival of a tiny number of mothers like this one. | 0:17:59 | 0:18:04 | |
All animals, rare or common, ultimately depend for their energy | 0:18:10 | 0:18:14 | |
on the sun. | 0:18:14 | 0:18:16 | |
In Japan, the arrival of the cherry blossom | 0:18:23 | 0:18:26 | |
announces the beginning of spring. | 0:18:26 | 0:18:29 | |
The sun's energy brings colour to the landscape. | 0:18:49 | 0:18:53 | |
The earth, as it makes its annual journey around the sun, | 0:19:03 | 0:19:07 | |
spins on a tilted axis, and it's this tilt that creates the seasons. | 0:19:07 | 0:19:13 | |
The advance of the seasons brings constant change. | 0:19:38 | 0:19:42 | |
As the sun's influence diminishes in the north, so the deciduous forests | 0:19:43 | 0:19:47 | |
of America begin to shut down, losing their leaves in preparation | 0:19:47 | 0:19:53 | |
for the dark, cold months ahead. | 0:19:53 | 0:19:55 | |
One season hands over to another. | 0:20:10 | 0:20:12 | |
Some organisms thrive on decay, | 0:20:12 | 0:20:15 | |
but most must make special preparations for winter | 0:20:15 | 0:20:19 | |
and a life with little sun. | 0:20:19 | 0:20:21 | |
Whole populations of animals are now forced to travel great distances | 0:20:36 | 0:20:41 | |
in pursuit of food and warmth. | 0:20:41 | 0:20:44 | |
300,000 Baikal teal gather to escape from the Siberian winter | 0:20:49 | 0:20:55 | |
by migrating south to Korea. | 0:20:55 | 0:20:58 | |
The world's entire population in a single flock. | 0:21:01 | 0:21:05 | |
But there are parts of the world that have no seasons. | 0:21:10 | 0:21:13 | |
In the tropics, the sun's rays strike the earth head on | 0:21:17 | 0:21:21 | |
and their strength is more or less constant all year round. | 0:21:21 | 0:21:25 | |
That is why the jungle grows so vigorously | 0:21:28 | 0:21:31 | |
and supports so much life. | 0:21:31 | 0:21:33 | |
This forest covers only 3% of the planet's surface, | 0:21:35 | 0:21:39 | |
but it contains more than 50% of all its plants and animals. | 0:21:39 | 0:21:44 | |
The canopy is particularly rich. | 0:21:47 | 0:21:50 | |
There are monkeys, birds | 0:21:50 | 0:21:53 | |
and millions of species of insects - exactly how many we have no idea. | 0:21:53 | 0:21:58 | |
The character of the forest changes as you descend, becoming ever darker | 0:22:01 | 0:22:05 | |
and damper, favouring different kinds of animals and plants. | 0:22:05 | 0:22:10 | |
Less than 2% of the sunlight reaches the floor. | 0:22:15 | 0:22:19 | |
But even here there is extraordinary variety. | 0:22:19 | 0:22:22 | |
In the great island of New Guinea | 0:22:31 | 0:22:33 | |
there are 42 different species of birds of paradise, | 0:22:33 | 0:22:37 | |
each more bizarre than the last. | 0:22:37 | 0:22:39 | |
SHRILL SQUAWKS | 0:22:48 | 0:22:50 | |
This forest is so rich | 0:23:05 | 0:23:07 | |
that nourishing food can be gathered very quickly. | 0:23:07 | 0:23:11 | |
That leaves the male six-plumed bird of paradise with time | 0:23:11 | 0:23:14 | |
to concentrate on other matters, like tidying up his display area. | 0:23:14 | 0:23:19 | |
Everything must be spick and span. | 0:23:28 | 0:23:31 | |
All is ready. | 0:23:39 | 0:23:41 | |
Very impressive. | 0:24:01 | 0:24:03 | |
But no-one is watching. | 0:24:03 | 0:24:05 | |
The superb bird of paradise calls to attract a female. | 0:24:07 | 0:24:11 | |
And he has more luck. | 0:24:14 | 0:24:16 | |
But what does he have to do to really impress her? | 0:24:16 | 0:24:21 | |
CLICKING | 0:24:21 | 0:24:23 | |
She retires to consider her verdict. | 0:24:46 | 0:24:49 | |
It's hard not to feel deflated when even your best isn't good enough. | 0:24:55 | 0:25:01 | |
The sun influences life in the oceans just as it does on land. | 0:25:20 | 0:25:25 | |
Its richest parts are those where waves and currents bring fertilising nutrients | 0:26:11 | 0:26:16 | |
to surface waters that are bathed in sunlight. | 0:26:16 | 0:26:20 | |
The seas off the Cape in South Africa have this magic recipe | 0:26:20 | 0:26:24 | |
and are hugely productive. | 0:26:24 | 0:26:27 | |
Summer is a time of plenty and it is now that the seals start to breed. | 0:26:30 | 0:26:36 | |
The strike of a great white shark lasts a mere second. | 0:27:00 | 0:27:04 | |
Slowing it down 40 times | 0:27:04 | 0:27:07 | |
reveals the technique and immense strength of this massive predator. | 0:27:07 | 0:27:12 | |
If surprise fails, there will be a chase. | 0:27:49 | 0:27:53 | |
The shark is faster on a straight course, | 0:28:02 | 0:28:06 | |
but it can't turn as sharply as the seal. | 0:28:06 | 0:28:09 | |
It's agility versus power. | 0:28:11 | 0:28:14 | |
Once the seals have finished breeding, | 0:29:08 | 0:29:10 | |
the giant sharks will move on. | 0:29:10 | 0:29:12 | |
It's now becoming clear | 0:29:14 | 0:29:16 | |
that Great Whites migrate thousands of miles across the oceans | 0:29:16 | 0:29:21 | |
to harvest seasonal abundances in different seas. | 0:29:21 | 0:29:24 | |
The sun, beating down on tropical waters, | 0:29:51 | 0:29:54 | |
powers the weather systems of the globe. | 0:29:54 | 0:29:57 | |
Moisture evaporates from the warming ocean | 0:29:57 | 0:30:00 | |
and rises to create great storms. | 0:30:00 | 0:30:02 | |
The winds generated out at sea sweep inland across the continents. | 0:30:23 | 0:30:28 | |
As they travel across the Sahara, | 0:30:40 | 0:30:43 | |
they create the biggest of all sand storms, | 0:30:43 | 0:30:46 | |
blowing sand halfway round the world to fertilise the Amazon jungle. | 0:30:46 | 0:30:52 | |
Winds blowing across the Indian Ocean collect moisture | 0:30:56 | 0:31:01 | |
and sweep northwards towards the Himalayas. | 0:31:01 | 0:31:05 | |
As the air rises, so it cools. | 0:31:05 | 0:31:08 | |
The water it carries condenses into clouds | 0:31:12 | 0:31:16 | |
and then falls as the life-giving rains of the monsoon. | 0:31:16 | 0:31:21 | |
So air currents, powered by the sun, | 0:31:25 | 0:31:29 | |
carry wet air to the middle of continents. | 0:31:29 | 0:31:33 | |
Without water, there can be no life. | 0:31:52 | 0:31:54 | |
But its distribution over the land is far from even. | 0:31:54 | 0:31:59 | |
Deserts cover one-third of the land's surface | 0:32:05 | 0:32:09 | |
and they are growing bigger every year. | 0:32:09 | 0:32:11 | |
This is the Kalahari Desert in southern Africa. | 0:32:22 | 0:32:26 | |
It's the dry season, | 0:32:26 | 0:32:28 | |
and thousands of elephants have started to travel | 0:32:28 | 0:32:32 | |
in a desperate search for water. | 0:32:32 | 0:32:34 | |
All across southern Africa, animals are journeying for the same reason. | 0:32:44 | 0:32:49 | |
Buffalo join the great trek. | 0:32:51 | 0:32:54 | |
Nowhere else on earth are so many animals on the move | 0:32:54 | 0:32:57 | |
with the same urgent purpose. | 0:32:57 | 0:33:00 | |
They're all heading for the swamps of the Okavango - | 0:33:05 | 0:33:09 | |
a vast inland delta. | 0:33:09 | 0:33:11 | |
At the moment, it is dry. | 0:33:13 | 0:33:15 | |
But water is coming. | 0:33:15 | 0:33:17 | |
The travellers are hampered by dangerous dust storms. | 0:33:19 | 0:33:24 | |
Females and calves can easily get separated from the main herd. | 0:33:28 | 0:33:32 | |
For this pair, sanctuary lies in a patch of woodland a few miles ahead. | 0:33:48 | 0:33:53 | |
They can't rest until they reach it. | 0:33:53 | 0:33:55 | |
The main herd has already got there safely. | 0:34:11 | 0:34:15 | |
Finally, the stragglers emerge from the dust. | 0:34:19 | 0:34:23 | |
The exhausted calf is still blinded by sand. | 0:34:28 | 0:34:32 | |
Its mother does everything possible to help it. | 0:34:34 | 0:34:38 | |
The storm is now subsiding. | 0:34:51 | 0:34:53 | |
But not all the elephants have been so lucky. | 0:34:53 | 0:34:57 | |
One youngster has got lost. | 0:34:57 | 0:35:00 | |
Thirsty and exhausted, it follows the tracks of its mother, | 0:35:01 | 0:35:06 | |
but, sadly, in the wrong direction. | 0:35:06 | 0:35:10 | |
At the peak of the dry season in the Kalahari, | 0:35:33 | 0:35:36 | |
water arrives in the Okavango. | 0:35:36 | 0:35:39 | |
It fell as rain 1,000 miles away in the highlands of Angola | 0:35:39 | 0:35:43 | |
and has taken nearly five months to reach here. | 0:35:43 | 0:35:46 | |
The water drives out insects from the parched ground, | 0:35:52 | 0:35:57 | |
which are snapped up by plovers. | 0:35:57 | 0:35:59 | |
Catfish, travelling with the flood, | 0:36:03 | 0:36:05 | |
collect any drowning creatures the birds have missed. | 0:36:05 | 0:36:08 | |
It's a seasonal feast for animals of all kinds. | 0:36:19 | 0:36:23 | |
Birds are the first to arrive in any numbers. | 0:36:34 | 0:36:37 | |
Wattled cranes. | 0:36:37 | 0:36:40 | |
Then black storks. | 0:36:40 | 0:36:43 | |
Behind the birds come buffalo. | 0:36:45 | 0:36:47 | |
After weeks of marching, their trek is coming to an end. | 0:36:47 | 0:36:52 | |
As the water sweeps into the Okavango, | 0:37:11 | 0:37:14 | |
a vast area of the Kalahari is transformed into a fertile paradise. | 0:37:14 | 0:37:20 | |
Nowhere on our planet is the life-bringing power of water | 0:37:23 | 0:37:27 | |
so clearly demonstrated. | 0:37:27 | 0:37:29 | |
The Okavango becomes criss-crossed with trails | 0:37:33 | 0:37:36 | |
as animals move into its heart. | 0:37:36 | 0:37:39 | |
The new arrivals open up paths like arteries along which water flows, | 0:37:39 | 0:37:44 | |
extending the reach of the flood. | 0:37:44 | 0:37:46 | |
This is an Africa rarely seen - | 0:38:06 | 0:38:09 | |
a lush water-world. | 0:38:09 | 0:38:11 | |
Some creatures are completely at home here. | 0:38:29 | 0:38:32 | |
These are lechwe - antelope with hooves that splay widely, | 0:38:32 | 0:38:36 | |
enabling them to move at speed through the water. | 0:38:36 | 0:38:40 | |
For others, the change is far less welcome. | 0:38:42 | 0:38:45 | |
Baboons are somewhat apprehensive bathers. | 0:38:50 | 0:38:54 | |
The water brings a season of plenty for all animals. | 0:39:25 | 0:39:31 | |
Hunting dogs. | 0:39:44 | 0:39:46 | |
These are now among the rarest of Africa's mammals, | 0:40:04 | 0:40:09 | |
but they are nonetheless the continent's most efficient predators. | 0:40:09 | 0:40:13 | |
Their secret is teamwork. | 0:40:15 | 0:40:18 | |
Impala are their favourite prey. | 0:40:22 | 0:40:26 | |
They start to hunt and the pack splits up. | 0:40:26 | 0:40:30 | |
An aerial view-point gives a new insight into their strategy. | 0:40:30 | 0:40:35 | |
As the dogs approach their prey, they peel off | 0:40:35 | 0:40:38 | |
to take up separate positions around their target. | 0:40:38 | 0:40:41 | |
They seem to form a cordon around the impala. | 0:40:53 | 0:40:57 | |
Moving in total silence, they take up their positions. | 0:41:05 | 0:41:10 | |
Those ears can detect the slightest rustle. | 0:41:14 | 0:41:17 | |
The hunt is on. | 0:41:38 | 0:41:40 | |
Three dogs close in on one impala. | 0:41:44 | 0:41:47 | |
Missed! | 0:41:56 | 0:41:57 | |
The lead dog drives the impala towards the hidden flankers. | 0:42:00 | 0:42:05 | |
Anticipating their line, the leader cuts the corner | 0:42:15 | 0:42:19 | |
and joins a flanker for the final assault. | 0:42:19 | 0:42:22 | |
It's all or nothing. One on one. | 0:42:23 | 0:42:26 | |
The dog has stamina, the impala has speed. | 0:42:31 | 0:42:34 | |
Leaping into the lake is an act of desperation. Impala can barely swim. | 0:42:48 | 0:42:53 | |
The dogs know their prey must come out or drown. | 0:42:57 | 0:43:00 | |
Now it's a waiting game. | 0:43:00 | 0:43:03 | |
The rest of the pack are calling. | 0:43:11 | 0:43:14 | |
They've made a kill in the forest | 0:43:14 | 0:43:16 | |
and this is an invitation to join in the meal. | 0:43:16 | 0:43:20 | |
The impala is in luck. | 0:43:23 | 0:43:25 | |
A pack this size kills once a day and everything is shared. | 0:43:34 | 0:43:38 | |
And this impala is reprieved. | 0:43:48 | 0:43:50 | |
The elephants are nearing the end of their long journey. | 0:43:59 | 0:44:03 | |
After weeks of marching, they're desperately tired. | 0:44:05 | 0:44:09 | |
The matriarch can smell water | 0:44:16 | 0:44:19 | |
and encourages the herd to make one last effort. | 0:44:19 | 0:44:22 | |
The youngsters are exhausted, | 0:44:32 | 0:44:34 | |
but their mothers have made this journey before | 0:44:34 | 0:44:37 | |
and they know they are close to the water. | 0:44:37 | 0:44:40 | |
After many hundreds of miles, they've arrived. | 0:44:55 | 0:44:59 | |
The lives of these elephants are dominated | 0:46:07 | 0:46:11 | |
by the annual rhythm of wet and dry, | 0:46:11 | 0:46:15 | |
a seasonal cycle created by the sun. | 0:46:15 | 0:46:17 | |
At the southern end of the Earth, after four months of total darkness, | 0:46:47 | 0:46:51 | |
the sun, once more, rises over Antarctica. | 0:46:51 | 0:46:55 | |
Now, at last, the emperor penguins abandon their huddle. | 0:47:09 | 0:47:13 | |
The males are still carrying the precious eggs that they've cherished | 0:47:13 | 0:47:17 | |
throughout the Antarctic winter. | 0:47:17 | 0:47:20 | |
With the returning sun, the eggs hatch. | 0:47:28 | 0:47:31 | |
Other birds have not even arrived. | 0:47:33 | 0:47:35 | |
But the emperors, by enduring the long black winter, | 0:47:35 | 0:47:40 | |
have given their chicks a head start. | 0:47:40 | 0:47:43 | |
These youngsters are now ready and eager | 0:47:52 | 0:47:55 | |
to make the most of the brief Antarctic summer. | 0:47:55 | 0:47:58 | |
An aerial view gives a unique perspective on a vast landscape | 0:48:26 | 0:48:30 | |
such as the Okavango delta. | 0:48:30 | 0:48:32 | |
To achieve extraordinary top shots, | 0:48:32 | 0:48:35 | |
planet Earth pioneered the latest in hi-tech filming. | 0:48:35 | 0:48:39 | |
Meet the chopper squad. | 0:48:41 | 0:48:43 | |
Producer, Mark Linfield, teamed up with helicopter pilot Peter Perlstein | 0:48:44 | 0:48:50 | |
and Hollywood aerial cameraman Michael Kelem. | 0:48:50 | 0:48:53 | |
This helicopter is fitted with a new high-definition camera system - | 0:49:00 | 0:49:05 | |
the heli-gimble. Originally invented for the military, | 0:49:05 | 0:49:08 | |
it's only been used so far in Hollywood movies and glossy adverts. | 0:49:08 | 0:49:13 | |
Filming for Planet Earth will be the first time | 0:49:13 | 0:49:16 | |
that a hi-tech system like this has been taken into the wild. | 0:49:16 | 0:49:20 | |
The chopper squad fly the heli-gimble into the swampy heart of the delta, | 0:49:27 | 0:49:32 | |
an area inaccessible to ground film crews. | 0:49:32 | 0:49:36 | |
With a 360-degree view and an extremely powerful lens, | 0:49:39 | 0:49:44 | |
the camera can zoom in from a kilometre away. | 0:49:44 | 0:49:48 | |
The animal remains totally undisturbed, | 0:49:50 | 0:49:53 | |
oblivious to the film crew hovering high above. | 0:49:53 | 0:49:57 | |
The gyro-stabilised camera produces rock solid images, | 0:49:57 | 0:50:02 | |
both in wide shots and in close-up. | 0:50:02 | 0:50:05 | |
For the first time, wildlife can be put in context | 0:50:06 | 0:50:10 | |
of the epic landscape in which it lives. | 0:50:10 | 0:50:13 | |
This aerial system is key to the team's most challenging mission, | 0:50:15 | 0:50:20 | |
filming African wild dogs hunting. | 0:50:20 | 0:50:22 | |
Impossible to follow and film from the ground alone. | 0:50:22 | 0:50:26 | |
A highly experienced ground crew joins forces with the chopper squad. | 0:50:32 | 0:50:36 | |
Mike Holding has been filming hunting dogs for over 10 years, | 0:50:46 | 0:50:51 | |
but even he has never successfully filmed | 0:50:51 | 0:50:54 | |
a complete hunt from the ground. | 0:50:54 | 0:50:56 | |
In such rough terrain, even keeping up with the dogs is a struggle, | 0:50:59 | 0:51:03 | |
and filming anything more than glimpses is impossible. | 0:51:03 | 0:51:07 | |
Today, the challenge is to track the dogs | 0:51:07 | 0:51:10 | |
so that Mike can guide in the helicopter. | 0:51:10 | 0:51:14 | |
We just saw an impala fly past us, which means the dogs are hunting in this area. | 0:51:14 | 0:51:19 | |
So all hell will break loose. | 0:51:19 | 0:51:21 | |
Whoah! | 0:51:21 | 0:51:23 | |
Time to call in the chopper squad. The dogs are now racing ahead. | 0:51:25 | 0:51:30 | |
You'd better get in here. They're moving towards the impala, 2,000 feet behind me. | 0:51:30 | 0:51:37 | |
They've stopped. | 0:51:37 | 0:51:38 | |
It's chaos for the ground crew, | 0:51:38 | 0:51:40 | |
making it impossible to film anything. | 0:51:40 | 0:51:42 | |
-There they are below, 9 o'clock. -Well done. -Straight beneath us. | 0:51:42 | 0:51:46 | |
OK, left, left, left, turn left. | 0:51:46 | 0:51:48 | |
From a great height, the camera locks onto the target, and Michael zooms in for a closer shot. | 0:51:48 | 0:51:54 | |
You can see the dogs on the monitor. They're a reasonable size, but are way off in the distance, | 0:51:54 | 0:52:01 | |
probably at least 1.5 kilometres away. | 0:52:01 | 0:52:03 | |
The ground crew finally catch up but face a new hitch. | 0:52:03 | 0:52:08 | |
-What's the right of way in a situation like this? -HE LAUGHS | 0:52:08 | 0:52:11 | |
It looks like...I don't know, stalemate at the crossroads. | 0:52:11 | 0:52:16 | |
The dog's interest in the car is short-lived. | 0:52:16 | 0:52:19 | |
They've already given up hunting and are on their way back to their den. | 0:52:19 | 0:52:24 | |
Yay! Hup, hup, hup, hup! | 0:52:24 | 0:52:27 | |
It's home time for everyone. | 0:52:27 | 0:52:29 | |
He's a maniac! | 0:52:29 | 0:52:31 | |
The ground crew's day starts well before sunrise. | 0:52:32 | 0:52:36 | |
They must reach the den before the dogs wake up or they will lose them. | 0:52:36 | 0:52:41 | |
Yesterday, they caught us napping. | 0:52:41 | 0:52:43 | |
They went out earlier than we expected and we spent three hours trying to catch up with them. | 0:52:43 | 0:52:48 | |
So we'll try not to do that today. | 0:52:48 | 0:52:50 | |
Sure enough, the dogs are already up and about. | 0:52:50 | 0:52:54 | |
The ground crew must keep on their tails until it's light enough | 0:52:54 | 0:52:58 | |
for the chopper squad to take off. | 0:52:58 | 0:53:00 | |
The dogs seem oblivious to the filming vehicle | 0:53:13 | 0:53:16 | |
and to the helicopter flying high above them. | 0:53:16 | 0:53:19 | |
DIALOGUE INDISTINCT | 0:53:21 | 0:53:25 | |
The dogs are starting to hunt. | 0:53:25 | 0:53:28 | |
'Pull back slightly... Hang on, they might be on to something.' | 0:53:28 | 0:53:32 | |
Don't do anything, Michael. | 0:53:32 | 0:53:34 | |
-Nothing rash. -'There's two stalking.' -Just hold still. | 0:53:34 | 0:53:38 | |
'Hopefully, they'll dart out of these trees, so get ready.' | 0:53:38 | 0:53:41 | |
This could be Martin's only chance. | 0:53:41 | 0:53:44 | |
'I reckon it's 10 seconds they'll go.' | 0:53:44 | 0:53:47 | |
Going, going, going. | 0:53:50 | 0:53:52 | |
'And they're off.' | 0:53:54 | 0:53:55 | |
That's nice. Just keep that going. That's a nice shot. | 0:54:00 | 0:54:03 | |
This is a unique perspective on the dog hunt - | 0:54:06 | 0:54:09 | |
a revelation even to local experts. | 0:54:09 | 0:54:12 | |
He's fled out on the path after that impala. | 0:54:12 | 0:54:15 | |
Oh, no! | 0:54:19 | 0:54:20 | |
I can't believe it. | 0:54:20 | 0:54:23 | |
That was so close. Oh! | 0:54:23 | 0:54:26 | |
For the chopper crew, it's a short ride back to their landing pad in the bush. | 0:54:28 | 0:54:33 | |
The ground crew still have a two-hour journey. | 0:54:36 | 0:54:39 | |
Back at camp, there's a worrying turn of events. | 0:54:39 | 0:54:42 | |
There has been an accident, and a tent has caught fire. | 0:54:44 | 0:54:48 | |
The camp staff are on to it straight away. | 0:54:49 | 0:54:53 | |
Put sand on, put sand on. OK. All right. | 0:54:55 | 0:54:59 | |
If that had gone near the fuel and the chopper, | 0:54:59 | 0:55:02 | |
we would have had an explosion | 0:55:02 | 0:55:05 | |
that is just not even worth imagining. | 0:55:05 | 0:55:07 | |
And it's got the heli-gimble attached to it as well. | 0:55:07 | 0:55:11 | |
-SHE LAUGHS -I don't want to think about it, I really don't want to think about it. | 0:55:11 | 0:55:16 | |
With chopper and heli-gimble still intact, the aerial team embark on | 0:55:19 | 0:55:24 | |
a gruelling 10-day stint. | 0:55:24 | 0:55:28 | |
They set off every morning and evening, but after 50 hours of flying, | 0:55:28 | 0:55:33 | |
they're making little headway with filming a hunt. | 0:55:33 | 0:55:35 | |
We've still got tomorrow. We've still got tomorrow morning. | 0:55:40 | 0:55:43 | |
We will get it tomorrow morning. | 0:55:43 | 0:55:45 | |
We will. | 0:55:45 | 0:55:47 | |
There we have it. Sunrise over the Okavango Delta. | 0:55:50 | 0:55:54 | |
7 o'clock dead. | 0:55:54 | 0:55:56 | |
It's looking promising. The dogs are already onto something. | 0:55:58 | 0:56:02 | |
'Hold that. | 0:56:02 | 0:56:04 | |
'That's nice, just keep that going. | 0:56:04 | 0:56:07 | |
'All moving as a group. That's a nice shot. | 0:56:07 | 0:56:09 | |
'Yeah, feels like a real pack hunt. | 0:56:09 | 0:56:11 | |
'Nice shot. If I could see them from the chopper... | 0:56:11 | 0:56:15 | |
'There they go. They're racing. They're racing. | 0:56:15 | 0:56:19 | |
'They're at 3 o'clock. There they go. Three or four dogs, they've all spread out. | 0:56:19 | 0:56:24 | |
'Tighten up, tighten up as much as you can. | 0:56:24 | 0:56:28 | |
'That's good. Stay with him, stay with him, he's almost got him. | 0:56:28 | 0:56:33 | |
'Stay with him, stay with him. | 0:56:33 | 0:56:36 | |
'He's heading towards the water. | 0:56:36 | 0:56:38 | |
'Now the guy's prompting away. | 0:56:38 | 0:56:41 | |
'Still a nice shot, though. | 0:56:41 | 0:56:43 | |
'Ah, he's given... Oh! He's in the water. | 0:56:43 | 0:56:47 | |
'The croc's going to get that impala.' | 0:56:47 | 0:56:49 | |
-Go for the impala. -'The croc's going to get that impala.' | 0:56:49 | 0:56:51 | |
'The dogs are all surrounding this impala. | 0:56:51 | 0:56:54 | |
'You'll see these dogs grab him when he comes out.' | 0:56:54 | 0:56:57 | |
Let's get close to the impala, so when he comes out... | 0:56:57 | 0:57:00 | |
With lunch seemingly in the bag, the dogs frustrate the chopper crew with a mysterious exit. | 0:57:00 | 0:57:06 | |
-'These dogs...' -I can't believe these dogs! | 0:57:06 | 0:57:10 | |
That was close. He was so close to that guy. | 0:57:10 | 0:57:12 | |
-The closest I have ever... -'So determined.' | 0:57:12 | 0:57:15 | |
-I thought it was in the bank. -'He was closing in on him so well.' | 0:57:15 | 0:57:20 | |
I know, he was. | 0:57:20 | 0:57:21 | |
The air crew think they've failed again, | 0:57:24 | 0:57:27 | |
but soon catch up with the dogs and call in the ground crew. | 0:57:27 | 0:57:31 | |
They're on a kill somewhere in front of us. | 0:57:31 | 0:57:34 | |
The helicopter's above us, filming. | 0:57:34 | 0:57:36 | |
We're trying to get through the thick stuff. Duck! | 0:57:36 | 0:57:39 | |
We're trying to get the thick stuff to get some ground shots. | 0:57:39 | 0:57:43 | |
At last, after two weeks of near misses, the whole sequence has come together | 0:57:43 | 0:57:49 | |
in the final hour, both from the ground and the air. | 0:57:49 | 0:57:53 | |
A complete wild dog hunt, as it's never been seen before. | 0:57:53 | 0:57:57 | |
That's amazing. That is absolutely amazing. | 0:57:59 | 0:58:03 | |
Subtitles by Red Bee Media Ltd, 2006 | 0:58:28 | 0:58:32 | |
E-mail [email protected] | 0:58:32 | 0:58:35 |