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'This is Mission Control, Houston. | 0:00:03 | 0:00:05 | |
'We are in a terminate case.' | 0:00:05 | 0:00:07 | |
A dramatic conclusion to Tim Peake's first-ever spacewalk. | 0:00:09 | 0:00:13 | |
It didn't go to plan. Four and a half hours in, the mission is terminated, | 0:00:13 | 0:00:17 | |
as Tim's partner has a malfunction in his spacesuit. | 0:00:17 | 0:00:21 | |
And it all takes place as the pair fly through space | 0:00:21 | 0:00:25 | |
at 17,000 miles an hour, | 0:00:25 | 0:00:26 | |
clinging to the outside of the space station. | 0:00:26 | 0:00:29 | |
We'll bring you every critical moment. | 0:00:29 | 0:00:31 | |
I'm Brian Cox, he's Dara O Briain, | 0:00:31 | 0:00:33 | |
and this is Stargazing Live: The Spacewalk. | 0:00:33 | 0:00:36 | |
APPLAUSE | 0:01:03 | 0:01:05 | |
Thank you very much. It's been an extremely dramatic day | 0:01:06 | 0:01:10 | |
and we've brought the best team on the planet together | 0:01:10 | 0:01:12 | |
to guide us through Tim Peake's first spacewalk - | 0:01:12 | 0:01:15 | |
astronaut and former space station commander, Chris Hadfield, | 0:01:15 | 0:01:18 | |
a key member of Tim's support team here in the UK | 0:01:18 | 0:01:20 | |
and a former Columbus flight director, Libby Jackson. | 0:01:20 | 0:01:23 | |
And an expert in space flight biology, Dr Kevin Fong, | 0:01:23 | 0:01:27 | |
and later, joining us from Chichester, Tim's dad and sister. | 0:01:27 | 0:01:31 | |
Well, what today's events showed | 0:01:31 | 0:01:32 | |
is that spacewalking is incredibly perilous. | 0:01:32 | 0:01:34 | |
And it doesn't matter, Libby, how much these things are planned out, | 0:01:34 | 0:01:37 | |
as they are meticulously planned out, they can occasionally go wrong. | 0:01:37 | 0:01:41 | |
Absolutely, that's why Mission Control train and train and train. | 0:01:41 | 0:01:44 | |
We run simulations with the crew | 0:01:44 | 0:01:46 | |
to make sure that we're prepared for any eventuality. | 0:01:46 | 0:01:48 | |
Chris, as an astronaut, | 0:01:48 | 0:01:49 | |
there are obviously many hazardous things you do, | 0:01:49 | 0:01:52 | |
there's launch, space flight, spacewalks, re-entry, | 0:01:52 | 0:01:55 | |
what is the order? What's the most hazardous? | 0:01:55 | 0:01:59 | |
The most dangerous nine minutes of your life is flying the rocket ship. | 0:01:59 | 0:02:03 | |
-That's the most dangerous part. -So, we've done that. | 0:02:03 | 0:02:06 | |
Now that we've got that part over, | 0:02:06 | 0:02:08 | |
today was the next most dangerous thing that an astronaut does. | 0:02:08 | 0:02:12 | |
And that is to not be protected by the ship itself, | 0:02:12 | 0:02:16 | |
but to pull yourself out and do a spacewalk. | 0:02:16 | 0:02:18 | |
So, you don't do a spacewalk for the fun, | 0:02:18 | 0:02:21 | |
-it's not something you do lightly? -No. | 0:02:21 | 0:02:23 | |
-This had to be done? -Yeah. We only go outside the spaceship | 0:02:23 | 0:02:26 | |
when we've exhausted all the other options. | 0:02:26 | 0:02:28 | |
When something needs the dexterity of our fingertips, | 0:02:28 | 0:02:32 | |
or the real-time judgment of a crew, | 0:02:32 | 0:02:35 | |
like they needed to go out and replace that unit today. | 0:02:35 | 0:02:38 | |
And so, Kevin, how many things can damage you medically on a spacewalk? | 0:02:38 | 0:02:42 | |
Well, from a doctor's point of view this is a total nightmare, | 0:02:42 | 0:02:45 | |
there's threat from the moment you get into that airlock | 0:02:45 | 0:02:47 | |
and you start decompressing, and it doesn't stop | 0:02:47 | 0:02:50 | |
until you're back in and you've gone back to normal pressure again, | 0:02:50 | 0:02:52 | |
so I look at this thing the whole way through and think, | 0:02:52 | 0:02:55 | |
"What's going to kill him next? What's the danger? What's the danger?" | 0:02:55 | 0:02:58 | |
The whole way through? Now, we've been following Tim's adventures | 0:02:58 | 0:03:01 | |
since 2011 when he'd recently recruited as an astronaut. | 0:03:01 | 0:03:04 | |
And before Christmas, just before he blasted off, | 0:03:04 | 0:03:07 | |
he told us why he so cherished the idea of walking in space. | 0:03:07 | 0:03:11 | |
The prospect of doing an EVA, an actual spacewalk of course, | 0:03:11 | 0:03:14 | |
I think for any astronaut is the absolute icing on the cake. | 0:03:14 | 0:03:18 | |
It's a real dream come true. | 0:03:18 | 0:03:20 | |
You shouldn't really get your hopes up. | 0:03:22 | 0:03:23 | |
Even if there's an EVA scheduled, all sorts of things can change. | 0:03:23 | 0:03:27 | |
And until that hatch opens, you can't really be sure that you're going to get a get a spacewalk, | 0:03:27 | 0:03:31 | |
but, of course, it's something that I'm really hoping for. | 0:03:31 | 0:03:35 | |
Now, a spacewalk is not a fast thing, | 0:03:35 | 0:03:37 | |
it's six and a half hours we're scheduled for today, | 0:03:37 | 0:03:40 | |
so we've been here all day with Chris Hadfield | 0:03:40 | 0:03:42 | |
watching this spacewalk every step of the way. | 0:03:42 | 0:03:44 | |
We've been listening to the communication between Tim and Mission Control. | 0:03:44 | 0:03:48 | |
And when Tim started the spacewalk, everything was going to plan. | 0:03:48 | 0:03:52 | |
-'All right, gentlemen, it's... -I've got the airlock. | 0:03:52 | 0:03:56 | |
'If you're ready, it's time for Tim Kopra to head outside. | 0:03:56 | 0:04:00 | |
'And you'll be going out with the crew-lock bag torque wrench bundle, | 0:04:00 | 0:04:03 | |
'keeping the large and small wrench on the bag.' | 0:04:03 | 0:04:05 | |
BEEPING | 0:04:05 | 0:04:06 | |
'Copy that.' | 0:04:06 | 0:04:08 | |
-So, Tim Kopra's heading outside now. -Correct. | 0:04:08 | 0:04:11 | |
And they're going to be passing equipment out, | 0:04:11 | 0:04:13 | |
cos they need all of this equipment during the day, they are doing a lot of work. | 0:04:13 | 0:04:18 | |
And they're just pushing those out, getting them tethered. | 0:04:18 | 0:04:21 | |
Once all those are squared away, Tim'll head up and start getting to work. | 0:04:21 | 0:04:25 | |
And then Tim Peake'll come outside. | 0:04:25 | 0:04:26 | |
What I find wonderful is the juxtaposition between the mundane and the kind of extreme. | 0:04:26 | 0:04:31 | |
"Have you got the tool bag? Yeah, I've got the tool bag. | 0:04:31 | 0:04:34 | |
"The hammer's coming out now." | 0:04:34 | 0:04:35 | |
This is the last of the bags that Tim Peake is handing out. | 0:04:35 | 0:04:38 | |
Oh, here comes sunset. Look. | 0:04:41 | 0:04:43 | |
It happens so fast. | 0:04:43 | 0:04:46 | |
-Darkness. -The whole station glows red, | 0:04:46 | 0:04:48 | |
or just the station is driving into the shade of the Earth. | 0:04:48 | 0:04:51 | |
So there's a little bit as the sun goes through the atmosphere. | 0:04:51 | 0:04:54 | |
-So that's a sunset? It's the red of the sun? -This is a sunset, yeah. | 0:04:54 | 0:04:58 | |
It's just like watching the whole sky turn red and then go dark. | 0:04:58 | 0:05:02 | |
-Oh, hello. There's Tim Peake. -There he is. | 0:05:02 | 0:05:05 | |
His favourite view is the night, | 0:05:05 | 0:05:06 | |
so his first view of the Earth is going to be the view that he loves, | 0:05:06 | 0:05:10 | |
which are the lights of the planet. | 0:05:10 | 0:05:12 | |
-'A beautiful sunset. -I know. | 0:05:12 | 0:05:14 | |
'Gosh!' | 0:05:14 | 0:05:17 | |
So, we should see Tim emerge somewhere. | 0:05:17 | 0:05:19 | |
You can see the white of Tim Kopra's suit. | 0:05:19 | 0:05:24 | |
And when Tim Peake comes outside, we'll see... | 0:05:24 | 0:05:27 | |
He may come out feet first, he may come out headfirst, | 0:05:27 | 0:05:29 | |
I'm not sure the geometry's going to work for him. | 0:05:29 | 0:05:32 | |
-Hello. -It might be a breech birth, we'll see how it comes out. | 0:05:32 | 0:05:35 | |
Well, there's some feet there. | 0:05:35 | 0:05:36 | |
-'OK, I'm coming out. -OK.' | 0:05:36 | 0:05:39 | |
I think he must be on his way out. | 0:05:40 | 0:05:43 | |
-There we are. -There he is. He's actually at the door now. -Yeah. | 0:05:43 | 0:05:46 | |
'Tim, it's really cool seeing that Union Jack go outside. | 0:05:48 | 0:05:51 | |
'It's explored all over the world, now it's explored space. | 0:05:51 | 0:05:55 | |
'Thank you. It's great to be wearing it.' | 0:05:55 | 0:05:58 | |
So that's his helmet. | 0:05:58 | 0:06:01 | |
-So he's holding on. -This is the moment where he's about to step into space. | 0:06:01 | 0:06:04 | |
He's about to pull himself out. | 0:06:04 | 0:06:06 | |
'All right, gents, once you're happy, we are ready for config checks.' | 0:06:06 | 0:06:10 | |
So Tim is now outside... in the universe. | 0:06:10 | 0:06:14 | |
-Tim is outside. -We should have a round of applause. | 0:06:14 | 0:06:17 | |
APPLAUSE | 0:06:17 | 0:06:20 | |
We're going to have a look at a spacesuit like Tim's. | 0:06:21 | 0:06:24 | |
And if you have any questions you want to ask about spacesuits or spacewalks, | 0:06:24 | 0:06:28 | |
send them to the usual addresses. They're on the screen right now. | 0:06:28 | 0:06:31 | |
Chris, this is a model of a similar spacesuit to the one | 0:06:31 | 0:06:34 | |
that Tim was using today. Could you show us around? | 0:06:34 | 0:06:36 | |
Yeah. It's inherently just a little bag of the Earth's atmosphere | 0:06:36 | 0:06:43 | |
that you're carrying around with you to keep you alive - | 0:06:43 | 0:06:46 | |
a little pressurised, one-person spaceship, | 0:06:46 | 0:06:48 | |
and it's mostly just, you know, cloth, | 0:06:48 | 0:06:51 | |
and it's not all that thick. | 0:06:51 | 0:06:55 | |
It comes... If I could borrow that. | 0:06:55 | 0:06:57 | |
It's got multiple layers. | 0:06:57 | 0:06:58 | |
It's got this white stuff to protect | 0:06:58 | 0:06:59 | |
you against the sun and the outside | 0:06:59 | 0:07:01 | |
and then it's got some sort of protective tough layers here in case you get hit by a little meteorite. | 0:07:01 | 0:07:07 | |
And then one thick, tough layer here. | 0:07:07 | 0:07:09 | |
And then inside, it's a pressure bladder in order to hold the air inside. | 0:07:09 | 0:07:14 | |
And then all of that against your skin is a liquid-cooling garment, | 0:07:14 | 0:07:19 | |
pumping water around your body, all keeping you alive alone outside. | 0:07:19 | 0:07:23 | |
Because one of the things, obviously, | 0:07:23 | 0:07:24 | |
it's not just there to keep air around you, | 0:07:24 | 0:07:26 | |
it's also to protect against vast extremes of temperature. | 0:07:26 | 0:07:29 | |
If you're in the sun and then you're out of the sun, | 0:07:29 | 0:07:32 | |
it's a difference of 300 degrees. | 0:07:32 | 0:07:34 | |
It is. If the sun was right there on your chest, | 0:07:34 | 0:07:38 | |
it would be in the order of plus 150 Celsius, | 0:07:38 | 0:07:42 | |
but on your back it would be minus 140 Celsius or so, | 0:07:42 | 0:07:46 | |
so a huge temperature... And you can feel it on your legs. | 0:07:46 | 0:07:50 | |
You don't want to let the flesh of your legs touch the ice-cold pipes of the suit itself. | 0:07:50 | 0:07:55 | |
-You really feel where you are. -As you say, it's a little spacecraft, | 0:07:55 | 0:07:59 | |
so up here there are displays monitoring the systems. | 0:07:59 | 0:08:02 | |
So this is a computer system? | 0:08:02 | 0:08:03 | |
It is, it has the essential stuff that you need just analogue, like a pressure gauge. | 0:08:03 | 0:08:08 | |
But then you can watch and if there's an emergency, | 0:08:08 | 0:08:12 | |
you'll hear a little tone and you can look down and read what's failed on your suit. | 0:08:12 | 0:08:16 | |
You can control temperature right here by controlling that fluid, the water flowing around your body. | 0:08:16 | 0:08:22 | |
And then you can turn the volumes up and down and the lights. | 0:08:22 | 0:08:25 | |
-So it's a primitive little ship. -It all seems easy, but then you've got one of these on, | 0:08:25 | 0:08:29 | |
which actually in this configuration, it's not too bad, | 0:08:29 | 0:08:34 | |
-it's like a gardening glove. -But in truth, | 0:08:34 | 0:08:36 | |
picture that you're wearing that gardening glove with all the structure of the suit inside, | 0:08:36 | 0:08:41 | |
but then also pressurised to about the same pressure as a volleyball. | 0:08:41 | 0:08:46 | |
So that resistance of the cloth itself, | 0:08:46 | 0:08:51 | |
every time you want to close your fist, it's like you're squeezing a tennis ball every time. | 0:08:51 | 0:08:56 | |
And there's no break, you're in the suit for six or seven hours that way. | 0:08:56 | 0:09:00 | |
So when we see Tim doing quite difficult, very precise tasks with cabling, | 0:09:00 | 0:09:05 | |
he's doing it with this glove but inflated to that pressure? | 0:09:05 | 0:09:09 | |
It's as if someone has strapped you to an exercise machine | 0:09:09 | 0:09:11 | |
for six and a half hours for everything you move. | 0:09:11 | 0:09:14 | |
So when you come in after being on a spacewalk in this suit, | 0:09:14 | 0:09:16 | |
I mean, you've skinned yourself essentially? | 0:09:16 | 0:09:19 | |
Oh, yeah. You're tired, your hands are used up, | 0:09:19 | 0:09:23 | |
your fingers throb for days afterwards. | 0:09:23 | 0:09:25 | |
You have to be really careful, trim your nails beforehand, | 0:09:25 | 0:09:30 | |
and try and conserve your energy, because the things you do in the last 15 minutes of the spacewalk | 0:09:30 | 0:09:35 | |
are just as important as the things you did at the start. | 0:09:35 | 0:09:38 | |
So you have to pace yourself and be ready for it. | 0:09:38 | 0:09:40 | |
And the controls, I notice, they're all printed backwards. | 0:09:40 | 0:09:43 | |
Yeah. If you're in this suit and you're trying to control the stuff in the front, you can't see it, | 0:09:43 | 0:09:48 | |
so you wear a wrist mirror on your left wrist. | 0:09:48 | 0:09:51 | |
And so if you want to adjust the temperature, you look at that, | 0:09:51 | 0:09:54 | |
you reach down, you dial it to where it needs to be. | 0:09:54 | 0:09:57 | |
Or the main control of the pressurisation of the suit are all here. | 0:09:57 | 0:10:00 | |
We used the word earlier, | 0:10:00 | 0:10:02 | |
-it's a nontrivial exercise doing a spacewalk. -Yes. -That's probably right. -Yes. | 0:10:02 | 0:10:06 | |
Yes. There's a lot of engineering in spacesuits, but they can and do fail during a spacewalk. | 0:10:06 | 0:10:11 | |
In 2013, a potentially fatal water leak nearly drowned Italian astronaut Luca Parmitano. | 0:10:11 | 0:10:17 | |
He told his story to Liz Bonnin. | 0:10:17 | 0:10:20 | |
Luca, tell me about the moment when you realised something was wrong. | 0:10:20 | 0:10:23 | |
I had just completed the first task of the day or maybe the second task. | 0:10:23 | 0:10:27 | |
And I was just moving away from this corner that I had been working in, | 0:10:27 | 0:10:32 | |
and in doing the motion I leaned back inside the helmet with my head | 0:10:32 | 0:10:36 | |
and I felt cold water touching the back of my head. | 0:10:36 | 0:10:41 | |
Water that wasn't supposed to be there. | 0:10:41 | 0:10:43 | |
It was coming from the back of my head and it was flowing forward. | 0:10:43 | 0:10:47 | |
'I feel a lot of water on the back of my head, but I don't think it's leaked from my bag.' | 0:10:47 | 0:10:53 | |
And at that moment the water covered my eyes | 0:10:53 | 0:10:56 | |
and then it went inside my nose. | 0:10:56 | 0:10:58 | |
'My head is really wet and I have a feeling that it's increasing.' | 0:10:58 | 0:11:04 | |
And the sun went down at the same moment. | 0:11:04 | 0:11:07 | |
And so, all at once, I went from a situation where I thought I was comfortable | 0:11:07 | 0:11:13 | |
to being very uncomfortable. | 0:11:13 | 0:11:15 | |
'It feels like a lot of water.' | 0:11:15 | 0:11:17 | |
At that point, I didn't know how much time I had, because the water is still filling my helmet. | 0:11:20 | 0:11:25 | |
Is it going to reach my mouth? Am I going to be able to breathe? | 0:11:25 | 0:11:28 | |
And so I basically started navigating my way in the blind, | 0:11:28 | 0:11:31 | |
using the experience that I had to try to reach the airlock. | 0:11:31 | 0:11:35 | |
'Hatch is open, Shane. Luca's going in the lock.' | 0:11:38 | 0:11:43 | |
After all of this, are you still very keen to do spacewalks? | 0:11:43 | 0:11:47 | |
And if so, will you approach them differently? | 0:11:47 | 0:11:50 | |
I was ready to go outside the next day. I wanted to go outside and finish the job. | 0:11:50 | 0:11:54 | |
Libby, what happened there in that situation? | 0:11:56 | 0:11:58 | |
So, in order to keep the astronaut's body temperature regulated, | 0:11:58 | 0:12:02 | |
they wear, as Chris said, a liquid-cooling garment. | 0:12:02 | 0:12:05 | |
And that feeds back into the back of the spacesuit there. | 0:12:05 | 0:12:08 | |
And what we now know happened, we didn't know at the time, | 0:12:08 | 0:12:10 | |
was that some grit had got into that system | 0:12:10 | 0:12:14 | |
and it was causing the part where the water and air meet, and they should never mix, | 0:12:14 | 0:12:18 | |
the water was getting into the air system. | 0:12:18 | 0:12:20 | |
Now, the air's blown up over the top of the head into the helmet to keep the air circulating, | 0:12:20 | 0:12:25 | |
and with water in there it was getting into the helmet, | 0:12:25 | 0:12:28 | |
going over, and so it was getting into Luca's eyes. | 0:12:28 | 0:12:30 | |
In space you can't feel the effects of gravity, | 0:12:30 | 0:12:33 | |
so the overriding force is one of surface tension. | 0:12:33 | 0:12:36 | |
So the water's just going to stick to everything, it stuck to his eyes, | 0:12:36 | 0:12:39 | |
his ears, got in his nose, got in his mouth. | 0:12:39 | 0:12:41 | |
As Luca said there, he couldn't see, he couldn't hear, | 0:12:41 | 0:12:43 | |
the only way back was to feel his way back. | 0:12:43 | 0:12:45 | |
We've footage of the test they did on Luca's helmet afterwards | 0:12:45 | 0:12:48 | |
and you can see how the water gathered in front of him. | 0:12:48 | 0:12:51 | |
And it is possible, Kevin, to drown in this situation. | 0:12:51 | 0:12:54 | |
Yeah. And certainly when Luca's mission was on, this was the worry of the flight surgeon on the desk, | 0:12:54 | 0:12:59 | |
could he drown in his suit? | 0:12:59 | 0:13:01 | |
And, you know, it doesn't take very much water to drown. | 0:13:01 | 0:13:04 | |
A few hundred mils of water in your lungs is going to cause irreparable damage. | 0:13:04 | 0:13:10 | |
And you don't have to drown completely, a partial drowning will cause problems with your lungs | 0:13:10 | 0:13:15 | |
that you'd need the services of an intensive care unit. | 0:13:15 | 0:13:17 | |
There's no intensive care unit up there. | 0:13:17 | 0:13:19 | |
But this suit, or this section of the suit, | 0:13:19 | 0:13:22 | |
it was returned into use again. | 0:13:22 | 0:13:25 | |
Well, Nasa, of course, looked into it really seriously, | 0:13:25 | 0:13:29 | |
they looked at the design, but if it's something that only happens when you're weightless, | 0:13:29 | 0:13:33 | |
then it's really difficult to figure out exactly what caused the problem. | 0:13:33 | 0:13:37 | |
But they replaced a bunch of pieces | 0:13:37 | 0:13:39 | |
and they put the suit back into service. | 0:13:39 | 0:13:42 | |
And that suit was being worn again today. | 0:13:42 | 0:13:47 | |
There aren't many of these suits in existence, are there? | 0:13:47 | 0:13:50 | |
No, there's, like, a dozen of these suits that exist. | 0:13:50 | 0:13:52 | |
And there are three up on the space station right now. | 0:13:52 | 0:13:55 | |
It's not like there's a bunch of reserves you can go to, | 0:13:55 | 0:13:57 | |
they're complex and rare and expensive, | 0:13:57 | 0:13:59 | |
and so you want to use them for as long and as many times as you can. | 0:13:59 | 0:14:02 | |
So it was the suit Tim Kopra was wearing today? | 0:14:02 | 0:14:05 | |
-It's the same one that Luca was wearing. -OK. | 0:14:05 | 0:14:07 | |
The first moments of Tim's spacewalk were in darkness, | 0:14:07 | 0:14:10 | |
but after just half an hour, he experienced his first sunrise. | 0:14:10 | 0:14:14 | |
'All right, gents, the sun is coming up. You're over Western Canada. | 0:14:14 | 0:14:18 | |
'We're looking great on the timeline, | 0:14:18 | 0:14:20 | |
'we can take it nice and easy and no hurry at all.' | 0:14:20 | 0:14:24 | |
Now I think we're going to see our first glimpses, hopefully, of Tim Peake in daylight | 0:14:24 | 0:14:29 | |
on his first spacewalk. | 0:14:29 | 0:14:31 | |
You really get a sense of the scale. | 0:14:31 | 0:14:33 | |
I haven't really had that sense before, | 0:14:33 | 0:14:36 | |
but looking at these pictures, it is a vast structure, isn't it? | 0:14:36 | 0:14:39 | |
It's nice if you get lost, though. | 0:14:39 | 0:14:41 | |
We have painted little arrows all over the station that say, | 0:14:41 | 0:14:44 | |
-"Airlock - that way." -LAUGHTER | 0:14:44 | 0:14:47 | |
-That must be Tim Peake there. -I think Tim Kopra already went out. | 0:14:47 | 0:14:50 | |
He did, yeah. So that's Tim Peake clinging onto the bottom of... | 0:14:50 | 0:14:53 | |
He's got a bag of tools. | 0:14:53 | 0:14:56 | |
-You can see his safety tether as well. -Yeah. | 0:14:56 | 0:14:58 | |
There's his hand on the hatch back. | 0:14:58 | 0:15:01 | |
That there is a Union Jack on his shoulder | 0:15:01 | 0:15:04 | |
on the outside of the space station for the first time. | 0:15:04 | 0:15:06 | |
-It's nice to see. -It is, isn't it? | 0:15:06 | 0:15:09 | |
Does it make you feel...insignificant? | 0:15:09 | 0:15:12 | |
Does it make you feel proud to watch that unfurl beneath you? | 0:15:12 | 0:15:17 | |
I think what Tim's going to come back inside with is a true sense of perspective. | 0:15:17 | 0:15:23 | |
And the fact that you recognise that you're small | 0:15:23 | 0:15:26 | |
does not necessarily make you feel insignificant. | 0:15:26 | 0:15:30 | |
Because through our creativity and our invention, | 0:15:30 | 0:15:34 | |
we have figured out a way to get to where he is today. | 0:15:34 | 0:15:38 | |
You know, to get to see the whole world like this out the window, | 0:15:38 | 0:15:42 | |
to start exploring the rest of the universe in person, | 0:15:42 | 0:15:45 | |
that gives you a great sense of historical significance. | 0:15:45 | 0:15:48 | |
But you also recognise just how small you are, | 0:15:48 | 0:15:51 | |
how ancient world is, how the distances are beyond comprehension, | 0:15:51 | 0:15:56 | |
and you're just out there in the middle of it all. | 0:15:56 | 0:15:58 | |
You really get a sense of...of where we are in the universe. | 0:15:58 | 0:16:04 | |
You know, one of my favourite moments, a beautiful little moment, | 0:16:04 | 0:16:07 | |
when we saw that Tim Kopra had a picture of his family strapped to his arm. | 0:16:07 | 0:16:13 | |
And we believe that Tim Peake also did, | 0:16:13 | 0:16:16 | |
but we saw that image there, which I thought was very beautiful. | 0:16:16 | 0:16:19 | |
And there it is. | 0:16:19 | 0:16:21 | |
And it's attached to his checklist, to his emergency checklist. | 0:16:21 | 0:16:24 | |
Actually, you brought your emergency checklist along, didn't you? | 0:16:24 | 0:16:27 | |
-This is the one that's flown twice. -Yeah. So, it's really nice, | 0:16:27 | 0:16:31 | |
cos Tim Kopra's wife was there in Mission Control watching today, | 0:16:31 | 0:16:34 | |
so she got to look at that quick image over his shoulder | 0:16:34 | 0:16:37 | |
and see on one of these blank pages in the very back | 0:16:37 | 0:16:41 | |
where he'd put something personal. | 0:16:41 | 0:16:42 | |
It's kind of like social media sort of - | 0:16:42 | 0:16:46 | |
you're out there doing an important thing, | 0:16:46 | 0:16:48 | |
but it gives us insight into what it is like to be a person, a family member. | 0:16:48 | 0:16:51 | |
-It reminds you to be careful, I would think. -That's true too, yeah. | 0:16:51 | 0:16:54 | |
They were lucky, actually, cos both Tims had time to take photographs, | 0:16:54 | 0:16:58 | |
we have footage of them, and they even got Tim Peake to lift up his visor to get a better photograph. | 0:16:58 | 0:17:02 | |
David Hartley wants to know, do astronauts have any time | 0:17:02 | 0:17:06 | |
for sightseeing or contemplation during an EVA? | 0:17:06 | 0:17:09 | |
There's no... If you were to look at the timeline that Nasa built for the spacewalk, | 0:17:09 | 0:17:13 | |
-nowhere in there does it say, "Take time out for contemplation." -LAUGHTER | 0:17:13 | 0:17:17 | |
But...but you try and work as efficiently as you can. | 0:17:17 | 0:17:20 | |
Inevitably, there's going to be a few moments in there | 0:17:20 | 0:17:24 | |
where you get ahead of the timeline. | 0:17:24 | 0:17:26 | |
And in this case, they got all the way out to the furthest end of the space station, | 0:17:26 | 0:17:30 | |
and they had in the order of 15 or 20 minutes | 0:17:30 | 0:17:33 | |
waiting for the sun to go down before they could start doing the actual work. | 0:17:33 | 0:17:36 | |
So it was a beautiful moment that Tim will remember. | 0:17:36 | 0:17:39 | |
I loved it as well. Visor up and a big smile. | 0:17:39 | 0:17:43 | |
-Yeah. -You'd have to! LAUGHTER | 0:17:43 | 0:17:46 | |
Shaun Murphy aged seven asks, "How heavy is that suit?" | 0:17:46 | 0:17:49 | |
How heavy is the suit? It weighs more than I do, | 0:17:49 | 0:17:52 | |
-maybe as much as you do, Dara. -LAUGHTER | 0:17:52 | 0:17:55 | |
So, not heavy at all. | 0:17:55 | 0:17:57 | |
No, no. It's weightless in fact. | 0:17:57 | 0:17:59 | |
-All right. Yeah. -LAUGHTER | 0:17:59 | 0:18:01 | |
Spacewalks are integral to the functioning of the space station. | 0:18:01 | 0:18:04 | |
In fact, it simply wouldn't exist without them. | 0:18:04 | 0:18:08 | |
In March 1965, Russian cosmonaut, Alexey Leonov, | 0:18:11 | 0:18:16 | |
became the first person to walk in space. | 0:18:16 | 0:18:20 | |
Since then, 214 astronauts | 0:18:21 | 0:18:24 | |
have stepped outside their spaceship into the dark vacuum of space. | 0:18:24 | 0:18:29 | |
Tim Peake is number 215. | 0:18:32 | 0:18:35 | |
The ISS was built from scratch by spacewalking astronauts. | 0:18:41 | 0:18:45 | |
It's taken 191 EVAs to construct and maintain the station so far. | 0:18:45 | 0:18:51 | |
That's over 1,000 hours in space. | 0:18:51 | 0:18:54 | |
Russian cosmonaut Anatoly Solovyev | 0:19:01 | 0:19:04 | |
holds the record for the most spacewalks. | 0:19:04 | 0:19:07 | |
He left the safety of the Mir space station 16 times. | 0:19:07 | 0:19:12 | |
The longest ever spacewalk was done by Americans Susan Helms and Jim Voss in 2001, | 0:19:15 | 0:19:21 | |
and lasted eight hours and 56 minutes. | 0:19:21 | 0:19:24 | |
Spacewalking astronauts experience temperature swings of up to 277 degrees Celsius | 0:19:28 | 0:19:35 | |
as the ISS moves from day to night. | 0:19:35 | 0:19:39 | |
Only six untethered spacewalks have ever been performed. | 0:19:41 | 0:19:45 | |
In 1984, Bruce McCandless floated freely away from the space shuttle for over 300 feet, | 0:19:45 | 0:19:53 | |
the most remote anyone has been in space. | 0:19:53 | 0:19:57 | |
So, Libby, space stations built and repaired... | 0:19:59 | 0:20:02 | |
Excuse me, spacewalks built and repaired the International Space Station, | 0:20:02 | 0:20:05 | |
so what was broken that had to be repaired today? | 0:20:05 | 0:20:07 | |
Back in November, a box called the sequential shunt unit broke. | 0:20:07 | 0:20:11 | |
Now, there are eight solar arrays on the space station, | 0:20:11 | 0:20:14 | |
and each one of those provides power to the space station. | 0:20:14 | 0:20:16 | |
It's completely solar-array powered. | 0:20:16 | 0:20:18 | |
Now, the sequential shunt unit is effectively a voltage regulator for one of those solar arrays. | 0:20:18 | 0:20:23 | |
It makes sure that the power coming in is good to use. | 0:20:23 | 0:20:26 | |
So that broke. We need to go and fix it. | 0:20:26 | 0:20:29 | |
The space station's fine at the moment, but if another problem were to happen with the power system, | 0:20:29 | 0:20:33 | |
we'd be down a quarter of our power and that's not ideal. | 0:20:33 | 0:20:36 | |
So we've gone out... but it's fairly tricky. | 0:20:36 | 0:20:39 | |
The sequential shunt unit is a bit like the on/off switch for the solar array. | 0:20:39 | 0:20:43 | |
Now, if you were going into your house to do some electrical work, | 0:20:43 | 0:20:45 | |
you wouldn't touch anything until you'd switched | 0:20:45 | 0:20:48 | |
the power off at the mains and the system was completely dead. | 0:20:48 | 0:20:50 | |
Now, we can't go and switch the mains off, our power comes from the sun. | 0:20:50 | 0:20:55 | |
So the astronauts had to wait until we were in the darkness, until the sun had set, | 0:20:55 | 0:20:59 | |
for them to go and touch that box to be able to move it and replace it. | 0:20:59 | 0:21:03 | |
So, it makes it technically more difficult than it already is | 0:21:03 | 0:21:06 | |
that the work has to be done within a very specific time limit. | 0:21:06 | 0:21:10 | |
Yeah. As a spacewalker, you always feel the clock ticking behind you, | 0:21:10 | 0:21:16 | |
but for these two gentlemen today, they knew that they had, basically, a half hour. | 0:21:16 | 0:21:21 | |
And at the end of it, the electricity was going to be back on. | 0:21:21 | 0:21:25 | |
So they really got a sense of the time and the urgency and the pace with which they had to work. | 0:21:25 | 0:21:30 | |
And if they'd had a problem and the sunrise was approaching, | 0:21:30 | 0:21:34 | |
they'd have to step back, step away from it and wait till the sun sets? | 0:21:34 | 0:21:38 | |
Yeah. And the problem is while they back away and wait, | 0:21:38 | 0:21:40 | |
they're way out on the end of the station and they've got a bunch of gear deployed, | 0:21:40 | 0:21:44 | |
so it wouldn't make sense to go all the back to the centre of the station to do any other work. | 0:21:44 | 0:21:48 | |
They sort of would have been trapped out there for a whole orbit, | 0:21:48 | 0:21:51 | |
so it gave them even more motivation to try to get everything done | 0:21:51 | 0:21:55 | |
in that one dark pass behind in the shadow of the world. | 0:21:55 | 0:21:59 | |
So, knowing the limitations under which this had to be done, | 0:21:59 | 0:22:02 | |
let's go back to Tim's spacewalk as the astronauts start their repair, | 0:22:02 | 0:22:05 | |
which is not without its hazards. | 0:22:05 | 0:22:07 | |
So explain to us the risk that's involved here. | 0:22:07 | 0:22:10 | |
The risk is...electrocution, | 0:22:10 | 0:22:14 | |
because a lot of the suit is metal, | 0:22:14 | 0:22:16 | |
so you could actually conduct electricity through the suit, | 0:22:16 | 0:22:19 | |
or if it starts sparking and arcing and spitting little bits of molten metal out, | 0:22:19 | 0:22:25 | |
the molten metal could go into the cloth of the suit | 0:22:25 | 0:22:27 | |
and burn through it and cause your suit to start leaking, | 0:22:27 | 0:22:29 | |
especially if you're hit up on your visor. | 0:22:29 | 0:22:32 | |
So those are kind of the primary risks we're trying to avoid. | 0:22:32 | 0:22:35 | |
And that's why we really want to make sure | 0:22:35 | 0:22:37 | |
that you're in the dark side of the world. | 0:22:37 | 0:22:39 | |
'Right, Tim, it's time.' | 0:22:39 | 0:22:41 | |
'Perfect. We are ready to go. You can verify the socket is fully engaged. | 0:22:41 | 0:22:46 | |
'And we are going to have you do four and a half turns.' | 0:22:46 | 0:22:49 | |
So that's the wrench. | 0:22:49 | 0:22:51 | |
So he has the big power tool on top of the main central bolt that is holding the SSU on. | 0:22:51 | 0:22:57 | |
And you can see Tim is watching, highlighting the area that he's working. | 0:22:57 | 0:23:00 | |
-'Three.' -It sounds like it's turning at a nice rate, which is good. | 0:23:00 | 0:23:03 | |
'Four...and a half. | 0:23:03 | 0:23:05 | |
'Push it my way a little bit more. | 0:23:05 | 0:23:08 | |
'I'm looking at the basin end of it and...it all looks clean.' | 0:23:08 | 0:23:14 | |
-So old one has been removed, it's been checked, it's been stowed. -Yep. | 0:23:14 | 0:23:17 | |
So now the new one goes in. | 0:23:17 | 0:23:19 | |
And now the focus is taking the last strap off the bag of the new, pristine... | 0:23:19 | 0:23:24 | |
This sequential shunt unit just came up to them on the last spaceship. | 0:23:24 | 0:23:28 | |
And now they're going to start the meticulous process of positioning it | 0:23:28 | 0:23:32 | |
so that it brings this whole solar array back to life. | 0:23:32 | 0:23:36 | |
'First engagement is good. | 0:23:36 | 0:23:38 | |
'Excellent. Connectors are on. | 0:23:38 | 0:23:41 | |
'Bravo One, clockwise two.' | 0:23:41 | 0:23:43 | |
So, it's attached in place and now it's being secured. | 0:23:43 | 0:23:46 | |
Will they begin to get stressed now? Are they working against the clock? | 0:23:46 | 0:23:49 | |
You're always working... | 0:23:49 | 0:23:52 | |
The clock is your enemy in a spacewalk, always. | 0:23:52 | 0:23:55 | |
You're... The clock is always ticking | 0:23:55 | 0:23:58 | |
-and you always have... -But there's a very real risk here | 0:23:58 | 0:24:01 | |
-when we move back into daylight? -Right, but here they are definitely working against the next 15 minutes, | 0:24:01 | 0:24:06 | |
they have to get this solved | 0:24:06 | 0:24:08 | |
or it's going to have an effect on the rest of their spacewalk. | 0:24:08 | 0:24:10 | |
It looks like it's going well. | 0:24:10 | 0:24:13 | |
'OK, guys, just a second. Everything looks good. | 0:24:13 | 0:24:15 | |
'Just hang out for a second and we'll give you final word. | 0:24:15 | 0:24:18 | |
-'My CO2 stats are bad. -OK, Tim, we copy. CO2 stats are bad.' | 0:24:18 | 0:24:23 | |
So Tim just had a problem with his suit. | 0:24:23 | 0:24:25 | |
'You did get about a quarter turn out of that PGT.' | 0:24:25 | 0:24:27 | |
-Just to be clear, that's Tim Kopra's CO2 sensor? -I think I understood it as Tim Kopra, | 0:24:27 | 0:24:32 | |
his carbon dioxide sensor in his suit failed. | 0:24:32 | 0:24:36 | |
'We're going to page 26 of the cuff checklist. | 0:24:36 | 0:24:40 | |
'And step one is to periodically monitor from water in the EMU.' | 0:24:40 | 0:24:43 | |
Yeah, so they think it was caused by water. | 0:24:43 | 0:24:45 | |
If they thought there was a problem with the actual CO2 level, | 0:24:45 | 0:24:48 | |
they would pop this, this comes out turns 90, | 0:24:48 | 0:24:51 | |
and that opens up a little hole into the suit. | 0:24:51 | 0:24:56 | |
So oxygen, and in this case CO2 would start hissing out here, | 0:24:56 | 0:25:00 | |
and then the new oxygen supply coming from your backpack | 0:25:00 | 0:25:04 | |
would be flowing over your head. | 0:25:04 | 0:25:06 | |
And so it flows it across your mouth, so you get a nice, new, pure environment, | 0:25:06 | 0:25:11 | |
which I did for about a half hour during my first spacewalk, | 0:25:11 | 0:25:15 | |
when I was dealing with...with a suit contamination problem. | 0:25:15 | 0:25:20 | |
-Why did you have to...? -In my case, there was contaminated water floating around inside, | 0:25:20 | 0:25:25 | |
and it picked up some contamination off the visor and put contaminated water into my left eye. | 0:25:25 | 0:25:31 | |
And really...like oil or shampoo or something in your eye, so you can't see, but your tears don't drain. | 0:25:31 | 0:25:38 | |
And the ball of tear got bigger and bigger on my eye, | 0:25:38 | 0:25:41 | |
until eventually it got so big, this floating ball of contaminated tear | 0:25:41 | 0:25:46 | |
went across the bridge of my nose and went into my other eye and blinded me. | 0:25:46 | 0:25:51 | |
So I did what Tim just did, called down to Houston and said, "Houston, I'm blind." | 0:25:51 | 0:25:56 | |
And they said, "Well, give us a minute to think about it." | 0:25:56 | 0:26:00 | |
And then they thought maybe it's contamination, so they had me open this valve. | 0:26:00 | 0:26:04 | |
So I was holding on to the outside of the station...blind, | 0:26:04 | 0:26:09 | |
listening to my oxygen hiss out into the cosmos for a while. | 0:26:09 | 0:26:14 | |
Until eventually, I'd cried enough and my tears evaporated, | 0:26:14 | 0:26:19 | |
so that it started to dilute the stuff in there and I could start to see again. | 0:26:19 | 0:26:22 | |
So then I told Houston I could see, | 0:26:22 | 0:26:24 | |
although I couldn't really see very well, | 0:26:24 | 0:26:26 | |
but I could see enough and I was tired of listening to my oxygen hiss out. | 0:26:26 | 0:26:30 | |
As soon as I could just start to make out shapes, | 0:26:30 | 0:26:32 | |
I...I closed this valve and then got back to work. | 0:26:32 | 0:26:36 | |
And we finished the whole spacewalk, about an eight-hour spacewalk. | 0:26:36 | 0:26:39 | |
-But I was blind for about a half hour. -But they should now, | 0:26:39 | 0:26:44 | |
eight minutes till sunrise, they should be moving away? | 0:26:44 | 0:26:47 | |
OK, so... | 0:26:47 | 0:26:49 | |
They're good, they don't need to move away, | 0:26:49 | 0:26:52 | |
because they got it locked down and torqued and it's safe. | 0:26:52 | 0:26:57 | |
-So anything that goes wrong will go wrong internally? -Correct. | 0:26:57 | 0:27:01 | |
They have all indications that the SSU they just secured is just as good as the SSUs | 0:27:01 | 0:27:06 | |
that they went by on their way out there. | 0:27:06 | 0:27:08 | |
They got everything done in this darkness period, so that's terrific. | 0:27:08 | 0:27:12 | |
Now, Kevin, we heard there something which sounded a small problem, | 0:27:12 | 0:27:17 | |
which is a CO2 sensor failure in the suit. | 0:27:17 | 0:27:20 | |
So as the doctor, the flight surgeon, sat there, | 0:27:20 | 0:27:23 | |
what do you feel if the CO2 sensor fails? | 0:27:23 | 0:27:27 | |
They're fairly temperamental sensors, | 0:27:27 | 0:27:30 | |
and it's not uncommon that they fail, | 0:27:30 | 0:27:32 | |
but it leaves you with a problem. As the flight surgeon, | 0:27:32 | 0:27:35 | |
you're monitoring the health of the astronaut indirectly through all of these devices, | 0:27:35 | 0:27:39 | |
and now you're blind to that. Now, you've no reason to suspect | 0:27:39 | 0:27:41 | |
that the thing that's removing his carbon dioxide, | 0:27:41 | 0:27:44 | |
those carbon dioxide scrubbing units inside the suit have failed, | 0:27:44 | 0:27:47 | |
but you will now have to monitor his carbon dioxide levels | 0:27:47 | 0:27:49 | |
through what he's feeling, to monitor for the symptoms. | 0:27:49 | 0:27:52 | |
And the astronaut will have to monitor for the symptoms | 0:27:52 | 0:27:55 | |
of high levels of carbon dioxide, so drowsiness, dizziness, confusion. | 0:27:55 | 0:27:58 | |
So, it will be unnerving for the flight surgeon. | 0:27:58 | 0:28:01 | |
And certainly this would not have been a comfortable spacewalk. | 0:28:01 | 0:28:05 | |
And slightly unnerving for the astronaut, | 0:28:05 | 0:28:07 | |
cos you're saying that you put the diagnosis pressure back onto the astronaut. | 0:28:07 | 0:28:10 | |
And say, "Do you feel as if your CO2 levels are rising?" | 0:28:10 | 0:28:14 | |
-Cos that's all you can do. -Absolutely. | 0:28:14 | 0:28:16 | |
Now you're going to your second monitor, which is the astronaut themself. | 0:28:16 | 0:28:20 | |
And...it's really the sort of thing that... | 0:28:20 | 0:28:23 | |
You don't want to have to rely upon just your feel of the situation. | 0:28:23 | 0:28:29 | |
You know, everyone wants to be clear that everything is working. | 0:28:29 | 0:28:33 | |
And there's a saying in space operations, | 0:28:33 | 0:28:34 | |
which is as soon as things start to go wrong, they tend to continue to go wrong. | 0:28:34 | 0:28:38 | |
So that sort of sometimes heralds other problems. | 0:28:38 | 0:28:41 | |
Question from Jill Martin. | 0:28:41 | 0:28:43 | |
She asks, "They keep looking at their gloves, do they do that to check for damage?" | 0:28:43 | 0:28:47 | |
Occasionally, the space station gets hit by a tiny meteorite. | 0:28:47 | 0:28:51 | |
It's like a little bullet hole, and if it's in one of the handrails, | 0:28:51 | 0:28:55 | |
you might not even know it was there. | 0:28:55 | 0:28:57 | |
And you grab onto that handrail and inadvertently maybe put a little tear in your glove. | 0:28:57 | 0:29:02 | |
The glove's got some layers in it and a pretty tough almost like a chainmail armour layer underneath, | 0:29:02 | 0:29:08 | |
but it's a really good idea every half hour or so to stop, | 0:29:08 | 0:29:11 | |
hold your gloves up to the camera that's looking at them, | 0:29:11 | 0:29:14 | |
do a full inventory and watch how your gloves are surviving the whole spacewalk. | 0:29:14 | 0:29:19 | |
You don't want to have inadvertently poked a hole through your glove and not know that it's there. | 0:29:19 | 0:29:25 | |
Jamie on Twitter asks, "Is there a special diet before a spacewalk?" | 0:29:25 | 0:29:30 | |
Well, the night before, astronauts carb load. | 0:29:30 | 0:29:33 | |
They're going outside for about eight hours at a time, | 0:29:33 | 0:29:35 | |
and they can't eat while they're out there, so in order to make sure they've got enough energy, | 0:29:35 | 0:29:39 | |
they'll eat well the night before, they'll have protein bars or something in the morning. | 0:29:39 | 0:29:43 | |
-OK. As if they're running a marathon, essentially? -Exactly. | 0:29:43 | 0:29:46 | |
The same amount of effort they're putting into it. | 0:29:46 | 0:29:48 | |
Christian Wood got it touch to ask, | 0:29:48 | 0:29:50 | |
"If Tim were to become detached when outside the space station, is there anything that could be done?" | 0:29:50 | 0:29:54 | |
Well, astronauts do have a jet pack to help them get back, | 0:29:54 | 0:29:57 | |
but its fuel only lasts minutes, | 0:29:57 | 0:29:59 | |
a scenario that Tim had practised for safely when on the ground. | 0:29:59 | 0:30:02 | |
Houston, EV2 is off-structure at the airlock and drifting. | 0:30:06 | 0:30:10 | |
It's September last year, three months before Tim's mission. | 0:30:11 | 0:30:16 | |
He's in Nasa's Virtual Reality Lab in Houston. | 0:30:16 | 0:30:20 | |
-It feels incredibly real. -As he floats away from the space station, | 0:30:20 | 0:30:24 | |
he has one chance to save himself. | 0:30:24 | 0:30:27 | |
Safety handle deployed. | 0:30:27 | 0:30:29 | |
Powering on. | 0:30:29 | 0:30:31 | |
Waiting for motion to cease. | 0:30:31 | 0:30:32 | |
In the simulation, Tim has just fired up the jet pack on his back. | 0:30:32 | 0:30:37 | |
It's the best hope for an astronaut drifting in the void. | 0:30:39 | 0:30:43 | |
So, basically, there are six jets on every corner, | 0:30:43 | 0:30:45 | |
the top two and the bottom two corners. | 0:30:45 | 0:30:47 | |
And those six thrusters allow the crew member to manoeuvre themselves | 0:30:47 | 0:30:50 | |
in space and bring themselves back to the space station. | 0:30:50 | 0:30:53 | |
Plus X. Ten seconds. | 0:30:53 | 0:30:56 | |
If floating free in the vastness isn't bad enough, | 0:30:56 | 0:30:59 | |
one thing could make Tim's job of saving himself even harder. | 0:30:59 | 0:31:03 | |
Because the space station passes from day to night twice every 90 minutes, | 0:31:03 | 0:31:08 | |
disaster could strike in the dark. | 0:31:08 | 0:31:11 | |
It's a lot more difficult to do it at night. | 0:31:11 | 0:31:13 | |
As soon as you come away from the station, then you're just left with a dark piece of station. | 0:31:13 | 0:31:17 | |
Pitching up. | 0:31:17 | 0:31:20 | |
M2 level 35%. | 0:31:22 | 0:31:24 | |
-What are you thinking? -I'm thinking I'm drifting a little bit port | 0:31:25 | 0:31:28 | |
and I'm still high above the station not really adjusting as quickly as I'd like. | 0:31:28 | 0:31:32 | |
People might think you can use this to fly around the space station, | 0:31:32 | 0:31:35 | |
you don't have that much time, it's a limited amount of gas. | 0:31:35 | 0:31:38 | |
Pretty low on gas. I'm at 6%. | 0:31:38 | 0:31:41 | |
If he runs out of fuel, Tim has no other way to get himself back to the station. | 0:31:41 | 0:31:46 | |
A crew member has to get it right the first time. | 0:31:46 | 0:31:48 | |
Braking. Negative X. | 0:31:48 | 0:31:51 | |
OK, this would be our reach. | 0:31:52 | 0:31:54 | |
I've got the handrail. | 0:31:55 | 0:31:57 | |
All right, Tim, you made it back to the station. Good job. | 0:31:57 | 0:31:59 | |
-BOTH LAUGH -Wow! -That's pretty impressive. | 0:31:59 | 0:32:02 | |
On the back of that, James Bass asks, | 0:32:02 | 0:32:05 | |
"How do thrusters work on the suit when there's nothing to push against in space?" | 0:32:05 | 0:32:09 | |
It's very simple. Mr Newton told us in 1687, | 0:32:09 | 0:32:12 | |
if you throw something one way, you go the other way. | 0:32:12 | 0:32:15 | |
-It's the conservation of momentum, that's how a rocket works. -Very good. | 0:32:15 | 0:32:18 | |
Let's rejoin Tim now as he's attaching 28 metres of communication cables - | 0:32:18 | 0:32:23 | |
it's work needed to pave the way for a new adapter | 0:32:23 | 0:32:26 | |
which will allow commercial spacecraft to dock with the ISS. | 0:32:26 | 0:32:29 | |
Previously, he was working alongside Tim Kopra, | 0:32:29 | 0:32:32 | |
and now he's on his own. | 0:32:32 | 0:32:34 | |
I've got to say that is a great shot. | 0:32:34 | 0:32:36 | |
-Isn't that a beautiful view? -The scale of the space station, | 0:32:36 | 0:32:39 | |
then little Tim Peake making his way along. | 0:32:39 | 0:32:41 | |
This is Tim's point of view here as he moves, | 0:32:41 | 0:32:43 | |
as they call it, as he translates across the space station. | 0:32:43 | 0:32:46 | |
As you can see, he's on the lab. | 0:32:46 | 0:32:47 | |
So this is an area code. | 0:32:47 | 0:32:50 | |
This is the armour that's on the outside of the laboratory here. | 0:32:50 | 0:32:53 | |
So you can see he's on the underside of the lab, holding on to... | 0:32:53 | 0:32:58 | |
The only places you can touch normally are designated in advance handrails, some of this shielding. | 0:32:58 | 0:33:05 | |
Lot of places they don't even want you to brush with your hand, | 0:33:05 | 0:33:08 | |
because of a coating on it or a fragility to it. | 0:33:08 | 0:33:12 | |
Is this painstaking to move around? | 0:33:12 | 0:33:14 | |
Erm, yes, it is. I think it's the definition of painstaking, | 0:33:14 | 0:33:18 | |
you want to take great pains of how you move along, carefully, deliberately. | 0:33:18 | 0:33:23 | |
Cos if you just miss one grip, then you are going to tumble off into space | 0:33:23 | 0:33:27 | |
to the full length of your tether. | 0:33:27 | 0:33:30 | |
And then your entire life is counting on the fact that this tether, | 0:33:30 | 0:33:33 | |
when it pulls tight, is going to pull you back in again. | 0:33:33 | 0:33:35 | |
You never want to get yourself in that boat. | 0:33:35 | 0:33:38 | |
And you're always just one missed grip away from doing that. | 0:33:38 | 0:33:40 | |
And how important is Capcom for that? Cos we hear every now and again that you get the message, | 0:33:40 | 0:33:45 | |
"Tim, you're doing great," reminding him to do things. | 0:33:45 | 0:33:48 | |
So how important is that relationship? | 0:33:48 | 0:33:51 | |
Er, well, Capcom can definitely save the day. | 0:33:51 | 0:33:55 | |
Cos what the Capcom has in front of him is exactly what I'm holding right here, | 0:33:55 | 0:33:58 | |
step by step with reminders that are in yellow, | 0:33:58 | 0:34:02 | |
cautions, all of the things that you might get wrong, | 0:34:02 | 0:34:05 | |
the values for maybe torques or things like that. | 0:34:05 | 0:34:10 | |
And also making sure... you can just miss a step. | 0:34:10 | 0:34:13 | |
And so it's sort of like having, I don't know, your mom with you to say, | 0:34:13 | 0:34:21 | |
"Hey, don't do that. OK, you're doing great. Watch out for that." | 0:34:21 | 0:34:24 | |
Someone that gives you that voice of second look and comfort. | 0:34:24 | 0:34:30 | |
And it's not just an anonymous voice from Houston, | 0:34:30 | 0:34:33 | |
this is someone with who you have... It's another astronaut. | 0:34:33 | 0:34:36 | |
And not only another astronaut, | 0:34:36 | 0:34:38 | |
but it's an astronaut who's done multiple spacewalks, who's lived on the space station. | 0:34:38 | 0:34:42 | |
So a great depth of expertise, who's been in the pool to practise this, | 0:34:42 | 0:34:47 | |
-so they know exactly what's going on. -And they will know you as well, have a relationship with you. | 0:34:47 | 0:34:51 | |
Yeah. They know both of these Tims, they trained in Russia together, | 0:34:51 | 0:34:54 | |
in Houston, in...Europe, in Canada, all over. | 0:34:54 | 0:34:59 | |
So...so there's a great collegial feel of professional trust | 0:34:59 | 0:35:04 | |
as well as just knowing each other as two people. | 0:35:04 | 0:35:07 | |
And it's a very nice voice to hear in your ears when you're so far from home. | 0:35:07 | 0:35:14 | |
He's doing very well at this point, isn't he? He's doing very well out there. | 0:35:14 | 0:35:17 | |
Yeah. You can listen to his tone of voice, | 0:35:17 | 0:35:21 | |
he's staying on the schedule, everything's working well. | 0:35:21 | 0:35:25 | |
He's really done an excellent job to this point. | 0:35:25 | 0:35:28 | |
And it's making him feel good, but also it's a great reflection | 0:35:28 | 0:35:31 | |
on everything that went into his training and his selection. | 0:35:31 | 0:35:34 | |
Quickly on the dangers from Clare Aldridge, "Could Tim be hit by space junk?" | 0:35:34 | 0:35:39 | |
Both man-made space junk orbiting the world, | 0:35:39 | 0:35:43 | |
but also just little tiny pieces of the universe, | 0:35:43 | 0:35:46 | |
little grains of sand, little bits. | 0:35:46 | 0:35:48 | |
The station gets hit by those all the time | 0:35:48 | 0:35:51 | |
and it's one of the concerns out on a spacewalk, | 0:35:51 | 0:35:53 | |
it's why it's got all those layers. And we practise just in case one of them were to cause a leak. | 0:35:53 | 0:35:58 | |
You told me once that you could hear them when you're asleep. | 0:35:58 | 0:36:01 | |
Yeah. If you sit and wait inside the station with your head somewhere near the metal hull, | 0:36:01 | 0:36:06 | |
if you wait long enough, you'll hear the station get hit, like a little ricochet sound. | 0:36:06 | 0:36:11 | |
You even today described some parts, "That is armour," you said. | 0:36:11 | 0:36:14 | |
Yeah. So you're thankful for the armour when you hear it getting hit. | 0:36:14 | 0:36:18 | |
But when we bring back a piece of the station, | 0:36:18 | 0:36:21 | |
like an old communication antenna, | 0:36:21 | 0:36:23 | |
we look at that and it has hundreds of little punctures, little dings all around the surface. | 0:36:23 | 0:36:29 | |
So we can actually figure just how often we do get hit. | 0:36:29 | 0:36:32 | |
That's just luck, because you look at these things and the fabric | 0:36:32 | 0:36:35 | |
and there's not a lot of protection in a spacesuit, is there? | 0:36:35 | 0:36:39 | |
-So you just... -Yeah. Eventually, | 0:36:39 | 0:36:42 | |
something will go very wrong on a spacewalk. | 0:36:42 | 0:36:46 | |
But we take our chances, we do the math, we try and understand it, | 0:36:46 | 0:36:50 | |
we try and make the suit as robust as we can. | 0:36:50 | 0:36:53 | |
And for the 193 spacewalks we've done at the station, our design has worked well. | 0:36:53 | 0:36:58 | |
Mark Clifford asks, "What are the others," | 0:36:58 | 0:37:00 | |
presumably on the ISS, "doing while Tim is on his spacewalk?" | 0:37:00 | 0:37:03 | |
Well, there's four people inside while Tim and Tim are outside. | 0:37:03 | 0:37:06 | |
Scott Kelly, the Commander of the space station, he helped them get | 0:37:06 | 0:37:09 | |
into their spacesuit and will help them get out of their spacesuits | 0:37:09 | 0:37:12 | |
when they come back into the space station later. | 0:37:12 | 0:37:14 | |
The three Russian crew members will be aware of what's going on, | 0:37:14 | 0:37:17 | |
they'll be following along, | 0:37:17 | 0:37:18 | |
but they'll also be carrying on with their science experiments | 0:37:18 | 0:37:21 | |
-and their exercise and their normal day-to-day life. -OK. | 0:37:21 | 0:37:23 | |
-So the day is normal for most people. -With awareness. -OK. | 0:37:23 | 0:37:28 | |
Now let's rejoin Tim as he carrying...carries on, excuse me, installing those cables. | 0:37:28 | 0:37:33 | |
The task they've given Tim Peake is one of the ones | 0:37:35 | 0:37:39 | |
all astronauts dread. | 0:37:39 | 0:37:41 | |
It's a perpetual pressure and force on your fingertips, | 0:37:41 | 0:37:45 | |
so they're throbbing, and they'll throb for the next week. | 0:37:45 | 0:37:48 | |
Actually, his fingertips will hurt for a week. | 0:37:48 | 0:37:50 | |
If you aren't careful, you'll rip a fingernail off, the suits will rip your fingernail off. | 0:37:50 | 0:37:55 | |
And by now, he's probably skinned most of his knuckles. | 0:37:55 | 0:37:58 | |
-It doesn't... -We've just had big news, sorry. | 0:37:58 | 0:38:01 | |
They're terminating the EVA, they're going back into the space station. | 0:38:01 | 0:38:05 | |
Ah. OK, it must be because of Tim Kopra's... | 0:38:05 | 0:38:08 | |
'Breathe my work state in a good...' | 0:38:08 | 0:38:10 | |
'For Tim Kopra. We want you to get... | 0:38:10 | 0:38:12 | |
'For Tim Kopra. We want you to get your crew-lock bag on your BRT | 0:38:12 | 0:38:15 | |
'and start heading back towards the airlock.' | 0:38:15 | 0:38:18 | |
OK, so that's Tim Kopra's suit probably? | 0:38:18 | 0:38:21 | |
Yeah. I haven't heard the reason yet, | 0:38:21 | 0:38:23 | |
but Tim Kopra has a sensor in his suit | 0:38:23 | 0:38:26 | |
that measures the level of carbon dioxide. | 0:38:26 | 0:38:28 | |
Here he is now. So, they've told him to get straight back. | 0:38:28 | 0:38:31 | |
It's not that the air supply... | 0:38:31 | 0:38:33 | |
We've just heard... Sorry, we've just heard there's water in his helmet as well. | 0:38:33 | 0:38:37 | |
Oh, OK. So he's got water in his helmet. | 0:38:37 | 0:38:39 | |
Water in the helmet is one of two things. You have a water bag that you can drink out of | 0:38:39 | 0:38:43 | |
and sometimes it leaks and then there's just water floating around. | 0:38:43 | 0:38:46 | |
If that happens, just drink the whole bag and get rid of the water source. | 0:38:46 | 0:38:50 | |
But you're wearing a liquid-cooling suit, | 0:38:50 | 0:38:53 | |
there's a lot of tubes in your undergarment. | 0:38:53 | 0:38:56 | |
If it starts leaking, then you could have a fairly high volume of water collecting in your helmet, | 0:38:56 | 0:39:01 | |
and then that can really lead to problems, cos you can breathe it or get it in your eye. | 0:39:01 | 0:39:05 | |
'For Tim Peake, as Tim Kopra comes by you, which he's going to do in just a minute, | 0:39:05 | 0:39:10 | |
'we want you to give a quick visual assessment of the water in the top of Tim Kopra's helmet.' | 0:39:10 | 0:39:14 | |
That's a good idea. So he's going to look into Tim's helmet and see... | 0:39:14 | 0:39:18 | |
Obviously, that's Tim Kopra, he's doing all right and he's heading back. | 0:39:18 | 0:39:23 | |
'Kopra, you're, er, rear 25 lock...' | 0:39:23 | 0:39:26 | |
He's heading towards the airlock. | 0:39:26 | 0:39:29 | |
But it can go bad fairly quickly, water in your helmet, | 0:39:29 | 0:39:32 | |
because if you start losing hearing or worse start losing vision, | 0:39:32 | 0:39:36 | |
and worst case you're starting to have to spit out water every time you breathe, | 0:39:36 | 0:39:39 | |
that can happen rapidly. | 0:39:39 | 0:39:42 | |
This is the time to be doubly methodical. | 0:39:42 | 0:39:44 | |
Nobody's dying right now, | 0:39:44 | 0:39:46 | |
let's think about we don't want to inadvertently | 0:39:46 | 0:39:49 | |
make a bad problem worse by feeling a sense of rushing. | 0:39:49 | 0:39:52 | |
-This is Tim Kopra's? -This is Tim Kopra, through his helmet cam, | 0:39:52 | 0:39:56 | |
working his way back to the airlock, and you see he's on Node 3. | 0:39:56 | 0:39:59 | |
'Lift up your visor... looking into the sun.' | 0:39:59 | 0:40:02 | |
So now, they're looking at each other. | 0:40:02 | 0:40:04 | |
-'A film of water right now, see it? -I see it, it's a film of water.' | 0:40:04 | 0:40:08 | |
-Tim Peake said that he could see a film of water. -Yeah. | 0:40:08 | 0:40:13 | |
'OK, we're happy with that, guys. | 0:40:13 | 0:40:15 | |
'We want Tim Kopra to continue moving back, | 0:40:15 | 0:40:18 | |
'so grab your green hook on the way back for Tim Kopra. | 0:40:18 | 0:40:22 | |
'The, er, water from my helmet is cold.' | 0:40:22 | 0:40:25 | |
-BRIAN COX: What does that tell you? That it's cold? -Well, if he's... | 0:40:25 | 0:40:28 | |
If it's the drinking bag water, then it's against his chest, | 0:40:28 | 0:40:30 | |
so it'll be warm, but he's got cold water, | 0:40:30 | 0:40:33 | |
which means it's coming from his liquid cooling system. | 0:40:33 | 0:40:35 | |
-We've actually got... -Yeah. -So this is a spacesuit. -Right. | 0:40:35 | 0:40:39 | |
-And all the layers of the spacesuit. -These are all the external layers, | 0:40:39 | 0:40:42 | |
but right against your body is an undergarment with these | 0:40:42 | 0:40:45 | |
tubes in it and these tubes collect the heat all around your body... | 0:40:45 | 0:40:51 | |
Then they go through an adaptor and then they hook up to the plumbing of | 0:40:51 | 0:40:55 | |
the spacesuit itself and then that runs through a chiller in the back. | 0:40:55 | 0:40:58 | |
'Check the water may be a little bit thicker, | 0:40:58 | 0:41:01 | |
'it's about four inches long. | 0:41:01 | 0:41:02 | |
'The neck cavity's about one inch wide | 0:41:02 | 0:41:04 | |
'and the pool is about four inches across two inches.' | 0:41:04 | 0:41:07 | |
So it sounds like it's pulling on his visor in front of his eyes. | 0:41:07 | 0:41:10 | |
He's looking at it here and describing. | 0:41:10 | 0:41:13 | |
And when Tim Peake says it's a film of water, | 0:41:13 | 0:41:16 | |
I think it's on his visor collecting in front of him. | 0:41:16 | 0:41:19 | |
So what they're doing now, they say, "As quickly as possible, | 0:41:19 | 0:41:22 | |
"back to the airlock," and now, they're... | 0:41:22 | 0:41:25 | |
'Hey, gents, we got, er, a big picture update for you. | 0:41:25 | 0:41:27 | |
'Tim Kopra, this is going to be mainly on you. We're thinking that | 0:41:27 | 0:41:30 | |
'we are going to have you ingress first and go on to EV2, SCU...' | 0:41:30 | 0:41:35 | |
-That's an umbilical. -'..and have Tim Peake in EV1 position for ingress.' | 0:41:35 | 0:41:39 | |
That was actually a pretty big thing, because, | 0:41:39 | 0:41:42 | |
if we go with that plan, then Tim Peake is going to now be | 0:41:42 | 0:41:46 | |
responsible for, er, closing up and being the person that's going | 0:41:46 | 0:41:50 | |
to close the hatch, he's going to be basically taking over | 0:41:50 | 0:41:53 | |
in the EV1 role for the last part of the spacewalk, so it puts | 0:41:53 | 0:41:56 | |
a bunch of new responsibility on Tim at the end of this... | 0:41:56 | 0:41:59 | |
-So we see now Tim Kopra entering the airlock? -Yeah. -Headfirst? -Yeah. | 0:41:59 | 0:42:04 | |
Tim's going to wait for him? | 0:42:04 | 0:42:06 | |
So Tim Kopra is basically inside the airlock | 0:42:06 | 0:42:10 | |
and now he's claiming forward to grab that umbilical off the wall. | 0:42:10 | 0:42:13 | |
This is being done in a very calm way, in a very methodical way, | 0:42:13 | 0:42:16 | |
but nonetheless, an hour and a half early, maybe two hours early? | 0:42:16 | 0:42:20 | |
-They... -This is the response to an emergency. -This is coming back fast? | 0:42:20 | 0:42:23 | |
Yeah. They've had a, er... an unexpected and serious emergency | 0:42:23 | 0:42:30 | |
with one of the suits, that, for whatever reason, | 0:42:30 | 0:42:33 | |
water is getting into the helmet | 0:42:33 | 0:42:36 | |
while it shouldn't be - outside during a spacewalk - | 0:42:36 | 0:42:39 | |
and it's water from this cooling system and so they have stopped | 0:42:39 | 0:42:43 | |
the EVA in the most safe and, er, and careful manner they can. | 0:42:43 | 0:42:47 | |
They've already got Tim back inside | 0:42:47 | 0:42:49 | |
and they were hooking him up to the ship's oxygen and water | 0:42:49 | 0:42:52 | |
and now it's up to Tim Peake to finish all the clean-up | 0:42:52 | 0:42:55 | |
and he'll be responsible for closing up | 0:42:55 | 0:42:57 | |
and closing the hatch. | 0:42:57 | 0:43:00 | |
So there was a sudden change in mood - an expected emergency. | 0:43:00 | 0:43:03 | |
Suddenly it was about a controlled urgency to get Tim Kopra | 0:43:03 | 0:43:07 | |
back inside the International Space Station. | 0:43:07 | 0:43:09 | |
Um, what was happening inside his suit? | 0:43:09 | 0:43:12 | |
Er, well, ever since Luca Parmitano had that problem, | 0:43:12 | 0:43:16 | |
where the water started enveloping his whole head, | 0:43:16 | 0:43:20 | |
we've come up with a different procedure. | 0:43:20 | 0:43:22 | |
We actually wear sort of a modified nappy on the back, | 0:43:22 | 0:43:25 | |
just in case that happens, so it won't get into your eyes, | 0:43:25 | 0:43:28 | |
and I think, listening to what happened to, er, to Tim Kopra today, | 0:43:28 | 0:43:32 | |
he had essentially the same problem Luca had, | 0:43:32 | 0:43:35 | |
but the absorbent material took a lot of the water, | 0:43:35 | 0:43:39 | |
but some of it has still been wicking around inside the suit, | 0:43:39 | 0:43:42 | |
is my best guess, so it's in the visor in front of his eyes | 0:43:42 | 0:43:45 | |
and everybody responded the right way - | 0:43:45 | 0:43:47 | |
they saw this as a serious problem, leaks never get worse... | 0:43:47 | 0:43:51 | |
Never get better! Leaks only get worse and so, they...they responded, | 0:43:51 | 0:43:56 | |
but they didn't, you know, make a panic of it, they made sure things | 0:43:56 | 0:43:59 | |
were carefully done, get Tim back, get him inside, | 0:43:59 | 0:44:01 | |
get him attached to the umbilical of the ship, | 0:44:01 | 0:44:03 | |
and then pass the responsibility over to Tim Peake | 0:44:03 | 0:44:07 | |
to do all the final clean-up and close the hatch. | 0:44:07 | 0:44:10 | |
But there was a difference in this case, wasn't there? | 0:44:10 | 0:44:13 | |
Because there is this absorbent - what's the word for it? - | 0:44:13 | 0:44:15 | |
what would they call it? There's an acronym, isn't there? | 0:44:15 | 0:44:19 | |
-Head absorbency garment. -It's a nappy, isn't it? -Yeah, yeah. | 0:44:19 | 0:44:23 | |
That the astronauts wear after Luca's emergency? | 0:44:23 | 0:44:27 | |
Indeed, so that was there, so it's a similar problem, | 0:44:27 | 0:44:29 | |
we don't know whether it was caused by the same thing, | 0:44:29 | 0:44:32 | |
or a different problem that caused the liquid cooling garment to leak, | 0:44:32 | 0:44:36 | |
but by having it there, it made the problem present itself later on. | 0:44:36 | 0:44:41 | |
We were able to get through all the main tasks we needed to do | 0:44:41 | 0:44:44 | |
and, by detecting it, we then got back to the airlock safely. | 0:44:44 | 0:44:47 | |
But as Kevin said, we saw that failure of the CO2 monitor, | 0:44:47 | 0:44:51 | |
which can be caused by moisture. | 0:44:51 | 0:44:53 | |
I think we mentioned it at the time, actually, and it looks like that was | 0:44:53 | 0:44:56 | |
perhaps a signal of something going wrong, as you said earlier? | 0:44:56 | 0:44:59 | |
Yeah, that detector can be tricked by lots of things. | 0:44:59 | 0:45:02 | |
It can be tricked by water, water vapour, that's what we see | 0:45:02 | 0:45:05 | |
in our life-support machines in hospitals and anaesthetics | 0:45:05 | 0:45:07 | |
and intensive care - that's what's happened here. | 0:45:07 | 0:45:10 | |
And it just underlines for you that this is truly the smallest | 0:45:10 | 0:45:13 | |
spacecraft that you will ever travel in and doesn't have | 0:45:13 | 0:45:16 | |
the same levels of redundancy as the space station or the shuttle, | 0:45:16 | 0:45:19 | |
so you're pretty vulnerable, and that's why they got him in quickly. | 0:45:19 | 0:45:22 | |
And now there's a new level of responsibility | 0:45:22 | 0:45:24 | |
-on Tim Peake's shoulders? -Because the job... | 0:45:24 | 0:45:28 | |
He was supposed to go in first and Tim Kopra, who's already done | 0:45:28 | 0:45:31 | |
two spacewalks, was, er, was going to use his experience | 0:45:31 | 0:45:35 | |
to make sure that everything got closed up and put away quickly. | 0:45:35 | 0:45:38 | |
Now, suddenly, sort of with almost no warning, | 0:45:38 | 0:45:41 | |
Tim Peake not only has to take care of everything outside, | 0:45:41 | 0:45:45 | |
try and get it inside, with a real feeling of urgency, | 0:45:45 | 0:45:48 | |
cos his crewmate is in some sort of risk, | 0:45:48 | 0:45:51 | |
and then get himself in, which is quite a complex physical manoeuvre, | 0:45:51 | 0:45:57 | |
to be the last guy in and get everything out of the way, | 0:45:57 | 0:46:00 | |
and then up to Tim Peake to be the one to close the hatch and | 0:46:00 | 0:46:03 | |
make them safe again, so he wasn't expecting that to happen today. | 0:46:03 | 0:46:07 | |
Let's rejoin the spacewalk with Tim Peake, | 0:46:07 | 0:46:09 | |
on his first spacewalk, now in charge. | 0:46:09 | 0:46:12 | |
BRIAN COX: So that's Tim Peake entering the airlock now. | 0:46:12 | 0:46:15 | |
-TIM PEAKE: 'Bolt's good. -OK, great, we have Scott ready | 0:46:15 | 0:46:17 | |
'and Sergey to help and we've got towels ready.' | 0:46:17 | 0:46:19 | |
-CHRIS HADFIELD: -Did you hear they have towels ready? | 0:46:19 | 0:46:22 | |
They just announced, so they've now Scott and Sergey inside, | 0:46:22 | 0:46:25 | |
are ready with towels so, as soon as they get it re-pressurised, | 0:46:25 | 0:46:28 | |
pop open the hatch, get his helmet off, so that water... | 0:46:28 | 0:46:31 | |
-That's Tim now re-entering. -Yeah. -He's going into the airlock. | 0:46:31 | 0:46:34 | |
'And for Tim Peake, | 0:46:34 | 0:46:35 | |
'don't forget about the thermal cover as you come in there.' | 0:46:35 | 0:46:38 | |
-Ah, so Tim is now inside and now it's... -Here's that checklist. | 0:46:38 | 0:46:42 | |
Yeah, that's the re-pressurisation checklist, and it's got... | 0:46:42 | 0:46:45 | |
It's got a slow version and a fast version, of course. | 0:46:45 | 0:46:48 | |
Tim Peake now, it's quite complex to climb in | 0:46:48 | 0:46:51 | |
and get yourself turned around, like doing a little somersault | 0:46:51 | 0:46:54 | |
-with all those clothes on... -I believe this is his camera. | 0:46:54 | 0:46:56 | |
..to now head out the way he is, | 0:46:56 | 0:46:58 | |
and now he's going to be reaching around, grabbing that... | 0:46:58 | 0:47:01 | |
'..there's a little piece of Velcro right there by your right hand...' | 0:47:01 | 0:47:05 | |
..fabric thermal cover. Here he comes, he's pulling it closed now. | 0:47:05 | 0:47:08 | |
'There's something blocking my head. | 0:47:08 | 0:47:10 | |
'I don't know if I'm going to be able to get the hatch on here.' | 0:47:10 | 0:47:13 | |
Am I reading too much? They sound slightly out of breath, as if... | 0:47:13 | 0:47:16 | |
-this was a greater exertion now to return? -'OK, guys, nice work...' | 0:47:16 | 0:47:20 | |
Er...it's mostly just | 0:47:20 | 0:47:23 | |
-a sense of urgency. -Yeah. -You don't have time to take a break. | 0:47:23 | 0:47:26 | |
-Will Tim have trained for that? -Yeah, they've both trained for this. | 0:47:26 | 0:47:31 | |
Tim Peake is familiar with the mechanism. It wasn't his job today. | 0:47:31 | 0:47:35 | |
But it's one of the things he'll have practised. | 0:47:35 | 0:47:38 | |
But he didn't think he was doing it today. | 0:47:38 | 0:47:39 | |
-No. -So it puts a little more responsibility on his shoulders. | 0:47:39 | 0:47:42 | |
We've lost a couple of layers of what would normally be | 0:47:42 | 0:47:45 | |
protection here. Tim Kopra's pretty vulnerable right now. | 0:47:45 | 0:47:48 | |
That's the umbilical. | 0:47:48 | 0:47:49 | |
Tim Peake is now getting his umbilical attached to his suit, | 0:47:49 | 0:47:53 | |
so that he knows for sure he's on the ship's system. | 0:47:53 | 0:47:56 | |
-'Just make sure it's clear before you go all the way in. -Yeah. | 0:47:56 | 0:48:00 | |
'It's good. | 0:48:00 | 0:48:02 | |
'And latching.' | 0:48:02 | 0:48:05 | |
OK, so this is Tim Peake's helmet as he's pulling the internal hatch | 0:48:05 | 0:48:10 | |
into place and now he's starting to drive the locking mechanism. | 0:48:10 | 0:48:13 | |
'Tim, are you just talking about the little tab right at the base | 0:48:13 | 0:48:16 | |
-'of the hatch handle there? -Yeah, just the little tab, | 0:48:16 | 0:48:19 | |
'little tab at the base of the handle is still in the unlocked position. | 0:48:19 | 0:48:23 | |
'OK, you can flip that over, that's great. | 0:48:23 | 0:48:26 | |
'Cool. Handle is latched. It is locked. | 0:48:27 | 0:48:30 | |
'The hatch is latched and locked.' | 0:48:30 | 0:48:32 | |
"The hatch is latched and locked." Tim Peake brings it in, | 0:48:34 | 0:48:37 | |
closes up the hatch, brings them back into the care | 0:48:37 | 0:48:39 | |
of the International Space Station. | 0:48:39 | 0:48:41 | |
A genuine sense of relief, I'd imagine, for everyone there? | 0:48:41 | 0:48:43 | |
Absolutely, it was an unexpected problem. | 0:48:43 | 0:48:46 | |
We wanted to get Tim and Tim back in safely. | 0:48:46 | 0:48:48 | |
We knew what we were doing, we knew we had time, | 0:48:48 | 0:48:50 | |
the crew were never in danger, but we still | 0:48:50 | 0:48:52 | |
breathe a sigh of relief when we know that hatch is closed. | 0:48:52 | 0:48:55 | |
I think we saw, um, a sense of the urgency, because Yuri, | 0:48:55 | 0:49:00 | |
who flew that manual docking that we showed just before Christmas, | 0:49:00 | 0:49:05 | |
we saw a picture of him and he was just showing | 0:49:05 | 0:49:08 | |
a little bit of fiddling with his hands. | 0:49:08 | 0:49:11 | |
You noticed it as well and said, "Even Yuri..." | 0:49:11 | 0:49:13 | |
All four members of the crew gathered at the door at this point? | 0:49:13 | 0:49:17 | |
They should be off doing their own tasks - | 0:49:17 | 0:49:19 | |
they wouldn't normally be there to welcome people in? | 0:49:19 | 0:49:21 | |
It's human nature. You've got someone who's out there | 0:49:21 | 0:49:24 | |
who's got water in his helmet - we know how serious that can be - | 0:49:24 | 0:49:26 | |
and you want everybody there, to make sure that we can get | 0:49:26 | 0:49:29 | |
Tim Kopra out of his suit, out of his helmet as quickly as possible, | 0:49:29 | 0:49:32 | |
to get him back, to be able to breathe, | 0:49:32 | 0:49:34 | |
to dry him up, and everyone just wants to make sure he's OK. | 0:49:34 | 0:49:37 | |
This is Tim Kopra when he finally arrived in, actually. | 0:49:37 | 0:49:40 | |
Sorry, Tim Kopra we've already seen. Apologies. This is Tim Peake, | 0:49:40 | 0:49:44 | |
I think, as he arrived in and his helmet being removed. | 0:49:44 | 0:49:48 | |
So, we should say that that was... | 0:49:48 | 0:49:51 | |
It was a successful spacewalk, by any measure, | 0:49:51 | 0:49:54 | |
in the sense that the main job was done and, of course, | 0:49:54 | 0:49:57 | |
the astronauts returned safely, so that's tick, tick. | 0:49:57 | 0:50:01 | |
You don't expect everything to go right all the time, | 0:50:01 | 0:50:04 | |
but that's the main thing? | 0:50:04 | 0:50:05 | |
We essentially have an unlimited list of things we could do while | 0:50:05 | 0:50:09 | |
we're outside, most of them just aren't worth doing a spacewalk for. | 0:50:09 | 0:50:12 | |
Today, the one that we really went outside to do was to fix | 0:50:12 | 0:50:15 | |
the electrical system and they did that immaculately. | 0:50:15 | 0:50:18 | |
They got that done right away and then Tim Kopra got | 0:50:18 | 0:50:22 | |
the pressure valve installed - that's good - | 0:50:22 | 0:50:25 | |
Tim Peake got a lot of the cable laid and then | 0:50:25 | 0:50:27 | |
we ran into a problem and we did the right thing and came inside. | 0:50:27 | 0:50:30 | |
But it was a rollicking success overall, of things getting done, | 0:50:30 | 0:50:34 | |
and we dealt with a serious problem, which will teach us about the suits. | 0:50:34 | 0:50:38 | |
We breathed a huge sigh of relief when we knew Tim was back safely. | 0:50:38 | 0:50:41 | |
If WE were relieved, however, | 0:50:41 | 0:50:42 | |
how must it have felt for Tim's family? Let's ask them! | 0:50:42 | 0:50:45 | |
His father Nigel and his sister Fiona join us from Chichester. | 0:50:45 | 0:50:49 | |
How was that to watch this afternoon? | 0:50:49 | 0:50:51 | |
Er, pretty interesting. I wondered at some stage if I was going to need | 0:50:53 | 0:50:57 | |
-a maximum absorption garment... -LAUGHTER IN THE STUDIO | 0:50:57 | 0:51:00 | |
..but, um, I think, in Chris Hadfield's words, | 0:51:00 | 0:51:04 | |
it was "a rollicking success". | 0:51:04 | 0:51:07 | |
I think it was your wife who said, on the day of the launch, | 0:51:07 | 0:51:09 | |
that it was, "A good day at the office" - | 0:51:09 | 0:51:11 | |
does this count as an even better day in some ways? | 0:51:11 | 0:51:14 | |
Er, pretty good. I mean, it's taken us 25 years | 0:51:16 | 0:51:18 | |
to actually see what he does, you know, to catch him at work, | 0:51:18 | 0:51:21 | |
so it was wonderful to sit there with a cup of tea and see him, um, | 0:51:21 | 0:51:26 | |
tethering himself and carrying out his tasks properly | 0:51:26 | 0:51:29 | |
and professionally, um... You know, it's a pretty proud moment. | 0:51:29 | 0:51:33 | |
And did you breathe a big sigh of relief, | 0:51:33 | 0:51:35 | |
proud as you were to see him out there working, when that hatch | 0:51:35 | 0:51:38 | |
was closed and he emerged back into the space station again? | 0:51:38 | 0:51:42 | |
Yes, I think so, I think it was, um... | 0:51:44 | 0:51:46 | |
Obviously, we started to get a little bit tense, | 0:51:46 | 0:51:48 | |
although they were very reassuring and everybody was very calm, | 0:51:48 | 0:51:51 | |
but it was the sensible thing to do to get them back in, | 0:51:51 | 0:51:54 | |
and, I must admit, I was quite relieved when, um, | 0:51:54 | 0:51:56 | |
when you knew that that was it and they were almost back to safety | 0:51:56 | 0:51:59 | |
and just waiting to get the pressurisation levels back again. | 0:51:59 | 0:52:03 | |
It's quite incredible, you know, that a member of your family is one | 0:52:03 | 0:52:06 | |
of the only 215 people who have ever done a spacewalk, and the only one | 0:52:06 | 0:52:12 | |
-from Chichester, as well! -LAUGHTER | 0:52:12 | 0:52:14 | |
So, er, the hits keep coming! You must be terribly proud of this? | 0:52:14 | 0:52:17 | |
-Yeah, quite. -Yeah. -I mean, we keep using this word "surreal", | 0:52:19 | 0:52:23 | |
which it really is - you pinch yourself all the time. | 0:52:23 | 0:52:26 | |
I've watched the ISS go over this morning, at 7.28 it passed over us, | 0:52:26 | 0:52:31 | |
a beautifully clear sky, and to think that your son is up there, um, | 0:52:31 | 0:52:36 | |
conducting these experiments and getting ready for a spacewalk | 0:52:36 | 0:52:39 | |
is just completely... It's still unbelievable. | 0:52:39 | 0:52:43 | |
Do you keep track of where he is at all times? | 0:52:43 | 0:52:45 | |
Do you have a website open with where the ISS is? | 0:52:45 | 0:52:47 | |
Usually, we try to, but, um, you sort of... | 0:52:50 | 0:52:52 | |
The other night, when he called us, you know, one minute, he's over | 0:52:52 | 0:52:55 | |
the Alps and, the next minute, he's heading towards Moscow or somewhere. | 0:52:55 | 0:52:59 | |
It's pretty difficult to sort of | 0:52:59 | 0:53:01 | |
get used to this five miles a second, um, idea. | 0:53:01 | 0:53:05 | |
When do you expect to speak to him about the spacewalk? | 0:53:05 | 0:53:08 | |
Um, I don't know, really. | 0:53:11 | 0:53:12 | |
Maybe hopefully this weekend, um, if he gets the chance. | 0:53:12 | 0:53:15 | |
It'd be great to chat with him and see how he felt it all went, | 0:53:15 | 0:53:18 | |
because he was certainly very relaxed when we spoke to him. | 0:53:18 | 0:53:20 | |
Well, I spoke to him last Sunday, | 0:53:20 | 0:53:22 | |
Dad and Mum spoke to him on Tuesday, I think, | 0:53:22 | 0:53:24 | |
and he was certainly feeling really relaxed about it then. | 0:53:24 | 0:53:27 | |
How does that work? Does the phone just ring | 0:53:27 | 0:53:29 | |
and you pick it up and it's Tim? | 0:53:29 | 0:53:30 | |
-Or is it prearranged somehow? -Yeah, I know! | 0:53:30 | 0:53:33 | |
It just rings and, if he gets the right number, he, um, | 0:53:33 | 0:53:37 | |
you hear a voice saying, "Is that Planet Earth?" | 0:53:37 | 0:53:39 | |
LAUGHTER | 0:53:39 | 0:53:41 | |
And, if not, you get a voice...voice message. We've both had messages. | 0:53:41 | 0:53:45 | |
Yes, if you're out, you get a voice message, | 0:53:45 | 0:53:47 | |
which we did, but, um, it just comes up, it's not a special number, | 0:53:47 | 0:53:52 | |
it doesn't say, "ISS," | 0:53:52 | 0:53:54 | |
or "space" or whatever, it just comes up as a phone number | 0:53:54 | 0:53:56 | |
and you hope that it's not somebody trying to sell you PPI insurance. | 0:53:56 | 0:54:00 | |
LAUGHTER | 0:54:00 | 0:54:02 | |
Well, good for you for not screening out your son's calls from space! | 0:54:03 | 0:54:07 | |
Er, well done to all of you, | 0:54:07 | 0:54:09 | |
hopefully not too many nervous moments today. | 0:54:09 | 0:54:12 | |
Thank you very much to Tim's dad and sister, pleasure to talk to you. | 0:54:12 | 0:54:15 | |
The, er... Ooh! Where do we go from here? | 0:54:15 | 0:54:17 | |
I'll lead this on through a question. | 0:54:17 | 0:54:19 | |
Peter Young asked, "What's going to happen to the spacesuit? | 0:54:19 | 0:54:22 | |
"Will it be brought to Earth to be looked into?" | 0:54:22 | 0:54:24 | |
All the teams at Nasa, and around the world, will already be having | 0:54:24 | 0:54:28 | |
discussions about what possibly happened, what does it mean? | 0:54:28 | 0:54:30 | |
Was it the same as Luca's failure or another one? | 0:54:30 | 0:54:33 | |
They'll look at all the data. They've already had the crew | 0:54:33 | 0:54:35 | |
taking lots of photographs, collecting the amount of water. | 0:54:35 | 0:54:38 | |
They may bring it back, they may not, these are dec... | 0:54:38 | 0:54:40 | |
discussions and decisions that will happen in the coming days. | 0:54:40 | 0:54:43 | |
Can we reflect, though, on what a terrific achievement this is | 0:54:43 | 0:54:48 | |
and the International Space Station? | 0:54:48 | 0:54:50 | |
We saw it today, the pictures took me by surprise, actually - | 0:54:50 | 0:54:53 | |
the size and scale of what we've done, what you've actually done. | 0:54:53 | 0:54:56 | |
I think you pointed to an antenna at one point and said, | 0:54:56 | 0:54:59 | |
"I put that on," which was quite impressive. | 0:54:59 | 0:55:01 | |
But it is a remarkable engineering achievement, isn't it? | 0:55:01 | 0:55:05 | |
I think it's remarkable for a couple of different reasons, Brian. | 0:55:05 | 0:55:08 | |
One is we've run almost 2,000 different | 0:55:08 | 0:55:11 | |
experiments on the station since it was put up there. | 0:55:11 | 0:55:15 | |
We're running about 200 at a time right now. | 0:55:15 | 0:55:17 | |
And today's spacewalk was really just to keep everything healthy | 0:55:17 | 0:55:20 | |
and to run all those experiments. It's also letting us | 0:55:20 | 0:55:23 | |
see the world in a way that we've never really seen it before. | 0:55:23 | 0:55:27 | |
Not just personal, like Tim saw it through his eyes today, but just as | 0:55:27 | 0:55:30 | |
a species and actual understanding of our own perspective. | 0:55:30 | 0:55:34 | |
But it's also our first permanent step away. | 0:55:34 | 0:55:37 | |
You know, for 15 years, we've been living on the space station. | 0:55:37 | 0:55:40 | |
Some of us have been off the planet for the last 15 years. | 0:55:40 | 0:55:43 | |
It's kind of a historic moment in the life of our species | 0:55:43 | 0:55:47 | |
on this planet, and the space station, | 0:55:47 | 0:55:49 | |
when Tim's dad went out this morning and watched it go over, | 0:55:49 | 0:55:53 | |
that's what the space station really symbolises. | 0:55:53 | 0:55:55 | |
I thought it was a really powerful moment when you said, | 0:55:55 | 0:55:58 | |
-for the first part of the spacewalk, we had three schools in. -Yeah. | 0:55:58 | 0:56:01 | |
And you said, you looked at those children, and you said, | 0:56:01 | 0:56:04 | |
"You've never been alive when there were no humans beyond Earth." | 0:56:04 | 0:56:09 | |
For their whole life, humans have been off the planet | 0:56:09 | 0:56:12 | |
and hopefully will be forever now. | 0:56:12 | 0:56:14 | |
The space station is such an incredible issue. | 0:56:14 | 0:56:16 | |
At the start, before they started building it, | 0:56:16 | 0:56:18 | |
they had the wall, which was all the spacewalks | 0:56:18 | 0:56:20 | |
they would have to do to build the station | 0:56:20 | 0:56:21 | |
and, from a medical perspective, that was just terrifying, | 0:56:21 | 0:56:24 | |
cos we knew this is the most dangerous thing they do on orbit | 0:56:24 | 0:56:27 | |
and you're going to have to do dozens, hundreds actually, | 0:56:27 | 0:56:29 | |
of walks to get it together. | 0:56:29 | 0:56:31 | |
The fact that it's up there and built, the fact that | 0:56:31 | 0:56:33 | |
we are running operations like today - incredible achievements. | 0:56:33 | 0:56:36 | |
The, er... It's been spectacular. | 0:56:36 | 0:56:38 | |
We have a piece of, well, some would say mundane media that he's... | 0:56:38 | 0:56:41 | |
He's been on Twitter! He's been on Twitter since he did this. | 0:56:41 | 0:56:45 | |
-Tim's been on Twitter?! Nice! -Tim has already tweeted to say... | 0:56:45 | 0:56:48 | |
-LIBBY: -With the selfie! | 0:56:51 | 0:56:54 | |
-Hashtag spacewalk, hashtag, er... -LAUGHTER | 0:56:54 | 0:56:57 | |
..er, walk it through... hashtag I'm the daddy! | 0:56:57 | 0:56:59 | |
LAUGHTER | 0:56:59 | 0:57:01 | |
But, Libby, for you to summarise, it's been a terrific day, | 0:57:01 | 0:57:05 | |
but the whole project, the International Space Station, goes on. | 0:57:05 | 0:57:09 | |
It's a wonderful thing. | 0:57:09 | 0:57:11 | |
Yes, it is, and it will continue to go on doing fantastic science, | 0:57:11 | 0:57:14 | |
inspiring the next generation of children to get involved | 0:57:14 | 0:57:17 | |
in science and technology, engineering, maths. | 0:57:17 | 0:57:19 | |
Today was a job well done. | 0:57:19 | 0:57:21 | |
We went out, we fixed the Sequential Shunt Unit, | 0:57:21 | 0:57:23 | |
everybody's done their jobs perfectly, perhaps the spacesuit | 0:57:23 | 0:57:26 | |
didn't function quite as we hoped, but we sorted it out. | 0:57:26 | 0:57:28 | |
You know what it says to me as well? We're sat here at Jodrell Bank. | 0:57:28 | 0:57:31 | |
It's the 70th birthday of Jodrell Bank, as we've said on Stargazing, | 0:57:31 | 0:57:34 | |
so we've got a telescope out there | 0:57:34 | 0:57:36 | |
that tracked the first man-made satellite, Sputnik, across the sky | 0:57:36 | 0:57:40 | |
and then we're sat in front of the telescope, it's still working, | 0:57:40 | 0:57:43 | |
and we're watching people living and working in space. | 0:57:43 | 0:57:46 | |
I think it tells you about how powerful and wonderful... | 0:57:46 | 0:57:48 | |
-What wonderful things humans can do. -And a great story of progress. | 0:57:48 | 0:57:51 | |
That, I'm afraid, is all we have time for. | 0:57:51 | 0:57:53 | |
It has been an extraordinary day at the end of an incredible week. | 0:57:53 | 0:57:56 | |
I'd like to thank very much Commander Chris Hadfield, | 0:57:56 | 0:57:59 | |
Libby Jackson and Kevin Fong for bringing your insight and expertise. | 0:57:59 | 0:58:04 | |
Now, Tim's only been in space for a month, | 0:58:04 | 0:58:06 | |
and so much has happened, as I'm sure you've seen. | 0:58:06 | 0:58:09 | |
He's still got five months to go, so you can certainly follow | 0:58:09 | 0:58:13 | |
his mission all the way through, follow his re-entry down to Earth. | 0:58:13 | 0:58:17 | |
-There's about half a year of it still to go. -Absolutely. | 0:58:17 | 0:58:20 | |
Thank you for joining us for the last four nights, | 0:58:20 | 0:58:22 | |
for finding pulsars with us and following Tim Peake's spacewalk. | 0:58:22 | 0:58:25 | |
It's been a pleasure to have you here. We'll see you | 0:58:25 | 0:58:27 | |
-for the next Stargazing Live. -See you next time. -Goodnight. | 0:58:27 | 0:58:30 | |
APPLAUSE | 0:58:34 | 0:58:36 |