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I set out to understand some of the great landscapes of Britain, | 0:00:04 | 0:00:09 | |
to piece together the history that shaped them. | 0:00:09 | 0:00:13 | |
This seems amongst the most modern - the Vale of Evesham. | 0:00:13 | 0:00:18 | |
It's rich land, from hill-top grazing to valley fields of crops, | 0:00:18 | 0:00:22 | |
a landscape of gorgeous villages and farms. | 0:00:22 | 0:00:26 | |
It should echo with history. | 0:00:26 | 0:00:29 | |
But these are some of the hardest worked fields in Britain. | 0:00:29 | 0:00:34 | |
I'm afraid that modern farming has scoured them of their past. | 0:00:34 | 0:00:38 | |
Is it possible that this landscape still has roots that reach back into its history? | 0:00:38 | 0:00:45 | |
I've come to the Vale of Evesham. | 0:01:07 | 0:01:09 | |
It's part of that great swathe of lowlands that goes right up across the country. | 0:01:09 | 0:01:16 | |
For me, this is the absolute heart of England. | 0:01:16 | 0:01:20 | |
It's a landscape of beautiful villages, | 0:01:20 | 0:01:23 | |
still rich in hedgerows, ancient farms. | 0:01:23 | 0:01:27 | |
It looks timeless, | 0:01:27 | 0:01:29 | |
but we know it's been intensively cultivated for centuries. | 0:01:29 | 0:01:33 | |
My question is whether farming has smoothed out the traces of its past, | 0:01:33 | 0:01:38 | |
or whether in this landscape we can still discover clues to the history that shaped it. | 0:01:38 | 0:01:45 | |
For 250 years, agricultural revolutions have cut through these fields. | 0:01:45 | 0:01:52 | |
What could possibly remain of their history? | 0:01:52 | 0:01:56 | |
On my first morning, I called on archaeologist Julian Parsons. | 0:01:56 | 0:02:00 | |
He told me to meet him at the Cheltenham Art Gallery, | 0:02:00 | 0:02:05 | |
where there is a landscape painting completed just before the great agricultural revolution. | 0:02:05 | 0:02:10 | |
It's known as the Dixton Harvesters. | 0:02:10 | 0:02:14 | |
It's a remarkable picture. | 0:02:14 | 0:02:17 | |
It's actually a lovely image of the landscape you're interested in, | 0:02:17 | 0:02:23 | |
that little area of landscape, painted in the early 18th century, | 0:02:23 | 0:02:28 | |
between 1700-1730. | 0:02:28 | 0:02:30 | |
It's a wonderful snapshot of how this landscape would have looked then. | 0:02:30 | 0:02:36 | |
The first thing that strikes you is how many people there are here. | 0:02:36 | 0:02:41 | |
-They're all working away. -Yeah. | 0:02:41 | 0:02:44 | |
It really is the countryside alive with people working in this large field. | 0:02:44 | 0:02:51 | |
It's the hay harvest. | 0:02:51 | 0:02:53 | |
-This is a countryside full of people. -It's a lonely occupation now. Where have all the people gone? | 0:02:53 | 0:03:00 | |
The mechanisation of the agricultural revolution meant there wasn't the need for so many people. | 0:03:00 | 0:03:07 | |
There was a depopulation of these areas. | 0:03:07 | 0:03:10 | |
So the landscape, like the communities, was transformed by the agricultural revolution? | 0:03:10 | 0:03:17 | |
You would think so, but if you see this view today, it has many similarities with this painting. | 0:03:17 | 0:03:24 | |
That afternoon, I persuaded Julian to take me there. | 0:03:26 | 0:03:31 | |
The old way of life was gone, the fields turned over by machinery, | 0:03:31 | 0:03:36 | |
but Julian insisted we find the exact spot where the painter stood nearly 300 years before. | 0:03:36 | 0:03:43 | |
Would anything still be the same? | 0:03:43 | 0:03:46 | |
Can you orientate where we are? | 0:03:50 | 0:03:53 | |
-Where would the painter have been? -He would have been just up the hill, | 0:03:53 | 0:03:58 | |
-looking out in that direction. -It's becoming a bit recognisable. | 0:03:58 | 0:04:03 | |
-It's familiar even though you haven't been here. -That's right. | 0:04:03 | 0:04:08 | |
-I'll get out the map. -This should be about it. | 0:04:08 | 0:04:12 | |
Now... | 0:04:12 | 0:04:14 | |
We need to try and line up with that row here. | 0:04:14 | 0:04:18 | |
-Here it is. -You can still see it. | 0:04:18 | 0:04:21 | |
Yeah, that newer house sits in the corner there. | 0:04:23 | 0:04:28 | |
On the road there. | 0:04:28 | 0:04:30 | |
And the line-up of the hedges is pretty accurate. | 0:04:30 | 0:04:34 | |
The one in the foreground there, just behind the pylon, is there. | 0:04:34 | 0:04:38 | |
That's the old hedge. | 0:04:38 | 0:04:42 | |
So just where those sheep are, they cut the hay. | 0:04:42 | 0:04:46 | |
The grain of the land, | 0:04:46 | 0:04:49 | |
the line of the hedges, is exactly the same. | 0:04:49 | 0:04:52 | |
Even the new hedges fit into the older pattern. | 0:04:52 | 0:04:56 | |
That's quite extraordinary. | 0:04:56 | 0:05:00 | |
All that revolution, the depopulation, | 0:05:00 | 0:05:04 | |
but the land has held its pattern. | 0:05:04 | 0:05:07 | |
New hedges had appeared in between, | 0:05:07 | 0:05:10 | |
but the outlines of this landscape, | 0:05:10 | 0:05:14 | |
its fields and tracks, had hardly changed since the painter stood here in 1715. | 0:05:14 | 0:05:20 | |
But if this landscape wasn't created around modern agricultural machinery, | 0:05:20 | 0:05:27 | |
what was it created for? | 0:05:27 | 0:05:30 | |
Down in the fields themselves was a clue - | 0:05:30 | 0:05:34 | |
a pattern of long, curving humps and hollows. | 0:05:34 | 0:05:38 | |
Julian said it was ridge and furrow. | 0:05:38 | 0:05:42 | |
Before recent powerful ploughs, there had been much more. | 0:05:42 | 0:05:47 | |
This, he said, is the secret of this landscape. | 0:05:47 | 0:05:50 | |
That evening, we went to Gloucester to see a collection of aerial photos taken 50 years ago, | 0:05:50 | 0:05:57 | |
before the heavy modern ploughing had begun. | 0:05:57 | 0:06:00 | |
We asked archaeologist John Hoyell whether the photos showed any more of the old ridge and furrow, | 0:06:00 | 0:06:07 | |
and if they would reveal the landscape's origins. | 0:06:07 | 0:06:11 | |
This was taken in 1947, just after the Second World War. | 0:06:11 | 0:06:15 | |
That's Dixton Hill over there. They join on. | 0:06:15 | 0:06:19 | |
If you look behind the boundaries, you'll see these very faint lines, | 0:06:19 | 0:06:24 | |
which is the ridge and furrow of the medieval field system. | 0:06:24 | 0:06:29 | |
-These strange curved boundaries follow the lines that were there. -It seems absolutely everywhere. | 0:06:29 | 0:06:36 | |
It is. In this area, this was the way the land was farmed from the early medieval period. | 0:06:36 | 0:06:43 | |
And here appears to be a modern road, | 0:06:43 | 0:06:47 | |
which is also curving around the edge of a field, parallel to the lines. | 0:06:47 | 0:06:53 | |
This illustrates the sequence quite neatly. | 0:06:53 | 0:06:56 | |
This modern road is following the course of the farm track, | 0:06:56 | 0:07:01 | |
which followed the course of the ridge and furrow. | 0:07:01 | 0:07:04 | |
The amazing thing is how extensive this is. It's everywhere. | 0:07:04 | 0:07:10 | |
Everywhere is ridge and furrow. | 0:07:10 | 0:07:13 | |
What the old aerial photographs tell us | 0:07:13 | 0:07:16 | |
is that the fields in these valleys weren't shaped by modern farming. | 0:07:16 | 0:07:21 | |
They are laid out on a pattern of gently curving ridge and furrow, | 0:07:21 | 0:07:26 | |
a medieval farming system dating back long before the agricultural revolution. | 0:07:26 | 0:07:32 | |
What is this ridge and furrow and how was it made? | 0:07:32 | 0:07:37 | |
I want to try an experiment | 0:07:41 | 0:07:44 | |
to discover how this medieval ridge and furrow pattern, with its lovely sweeping curves, was made. | 0:07:44 | 0:07:51 | |
Charles Martell is a farmer here who has an interest in medieval agriculture, | 0:07:51 | 0:07:57 | |
and he has a Gloucester long plough, which is the sort they used. | 0:07:57 | 0:08:01 | |
I've asked him to plough a strip the way they would have done it. | 0:08:01 | 0:08:06 | |
We've got something that looks like ridge and furrow up here. | 0:08:14 | 0:08:19 | |
How are we going to work this? | 0:08:19 | 0:08:22 | |
We go up this side and it'll throw the soil that way. | 0:08:22 | 0:08:26 | |
If you notice, this plough has got a very abrupt mouldboard and it tends to push the soil sideways. | 0:08:26 | 0:08:32 | |
It has a major impact on the landscape, ultimately, | 0:08:32 | 0:08:36 | |
by tipping the soil this way and that. | 0:08:36 | 0:08:40 | |
It pushes it to the middle, so you're going to get a build-up. | 0:08:40 | 0:08:45 | |
-The aim was to bunch up the soil in the middle and have drainage down the side. -Yes. | 0:08:45 | 0:08:50 | |
-Rather different from the modern concept. -Which is a big flat field. | 0:08:50 | 0:08:55 | |
But it's interesting, the idea of piling the soil up. | 0:08:55 | 0:08:59 | |
It's like nicking your neighbour's soil and keeping it in the middle. | 0:08:59 | 0:09:04 | |
You get the advantage of the drainage as well. That's how you get the waves in the landscape. | 0:09:04 | 0:09:11 | |
Each wave is someone's piece of ground. | 0:09:11 | 0:09:14 | |
Come on. | 0:09:14 | 0:09:17 | |
< We're all novices - horses, ploughgirl and the plough. | 0:09:17 | 0:09:23 | |
It looks as though the ridge and furrow began because medieval fields were divided into strips, | 0:09:32 | 0:09:38 | |
each farmed by an individual farmer. | 0:09:38 | 0:09:42 | |
And as each one worked with his medieval plough, | 0:09:42 | 0:09:46 | |
it piled the soil up into a ridge. | 0:09:46 | 0:09:49 | |
But could our experiment show why the ridges and furrows were never straight? | 0:09:49 | 0:09:55 | |
I noticed most had an S shape. | 0:09:55 | 0:09:58 | |
Watching them turn gave me an idea. | 0:09:58 | 0:10:00 | |
We're beginning to get this S-shape form, which must originally have related to the turning circle. | 0:10:00 | 0:10:08 | |
It seems to be that was the case. | 0:10:08 | 0:10:11 | |
You have the distance between the horses, the horses themselves, this plough's 15 feet long, | 0:10:11 | 0:10:18 | |
so if you come up straight to a hedge, there's a big area unploughed. | 0:10:18 | 0:10:22 | |
-So you veer off at an angle so that you're left with an S-shaped furrow. -Right. | 0:10:22 | 0:10:28 | |
I felt I was getting close to the hidden blueprint of this landscape. | 0:10:30 | 0:10:35 | |
All we needed now was a dozen generations to finish the job. | 0:10:35 | 0:10:40 | |
-It seems to me you've got your hand in. -I'm puffing like a steam train. | 0:10:42 | 0:10:47 | |
That's terrific. | 0:10:47 | 0:10:49 | |
That one furrow - there's really a mass of soil pushed into the centre. It's terrific. | 0:10:49 | 0:10:56 | |
-We have the beginnings of a ridge there with just a few turns. -Yes. | 0:10:56 | 0:11:01 | |
And they'd be doing it year over year over year, | 0:11:01 | 0:11:05 | |
going over the same lines. | 0:11:05 | 0:11:08 | |
But medieval ploughmen worked with oxen, not horses. | 0:11:10 | 0:11:15 | |
Charles was putting together his own team. | 0:11:15 | 0:11:18 | |
He reckoned there were more clues here to the way this landscape was laid out. | 0:11:18 | 0:11:24 | |
Oh, these are wonderful creatures! | 0:11:26 | 0:11:29 | |
Now, oxen came before the great working horses, did they? | 0:11:29 | 0:11:35 | |
They've been with us about 3,000 years. | 0:11:35 | 0:11:39 | |
They're just marvellous! | 0:11:39 | 0:11:42 | |
-Right, old boy. -You've got a yoke pair here now. | 0:11:42 | 0:11:46 | |
But in practice, you can have up to eight oxen. | 0:11:46 | 0:11:50 | |
The plough was handled by the ox man, or ploughman, | 0:11:50 | 0:11:54 | |
and his boy would drive the oxen with a very long stick. | 0:11:54 | 0:11:58 | |
I have one here. | 0:11:58 | 0:12:01 | |
-A rod pole or perch. You learnt at school... -I remember that. | 0:12:01 | 0:12:05 | |
-I bet you don't remember the length. -No. -It's 5½ yards. | 0:12:05 | 0:12:10 | |
And it's just the right length for tapping them to keep them going. | 0:12:10 | 0:12:15 | |
You lay this on the ground four times and you get 22 yards. | 0:12:15 | 0:12:20 | |
-That's a cricket pitch. -That's right. One chain. | 0:12:20 | 0:12:24 | |
That's that way. If you lay it 40 times that way, you get a furlong, | 0:12:24 | 0:12:29 | |
or furrow long, which is where the word furlong comes from. | 0:12:29 | 0:12:33 | |
So that 22 by 220 yards is one acre, which is the amount an eight-ox team would plough in a day. | 0:12:33 | 0:12:41 | |
It all goes back to this 5½ yards. | 0:12:41 | 0:12:44 | |
So this fundamental unit of area depends on the length of an ox? | 0:12:44 | 0:12:49 | |
That's a natural unit in the English landscape. | 0:12:49 | 0:12:52 | |
Modern machines may have ploughed out most of the ridge and furrow, | 0:12:52 | 0:12:58 | |
but the length and breadth of the fields and their curving shapes | 0:12:58 | 0:13:03 | |
still belong to the world of the medieval ploughmen, his oxen and his stick. | 0:13:03 | 0:13:09 | |
The secret of this landscape | 0:13:09 | 0:13:13 | |
is that it's been moulded and measured by the work of medieval farmers over centuries. | 0:13:13 | 0:13:20 | |
One can't help wondering when it all started. | 0:13:20 | 0:13:23 | |
As you stand here on Bredon Hill, | 0:13:23 | 0:13:26 | |
it's striking how the hedgerow patterns that mark out the fields run down the slopes | 0:13:26 | 0:13:32 | |
down towards the river, and then at right angles this way. | 0:13:32 | 0:13:37 | |
And then there are the villages. | 0:13:37 | 0:13:40 | |
There's Bredon and Kemerton and Overbury, very regularly arranged at the foot of the slopes. | 0:13:40 | 0:13:46 | |
Did all this happen just by chance? | 0:13:46 | 0:13:49 | |
Or was there some very old plan to it? | 0:13:49 | 0:13:54 | |
Amazingly, there's a document which describes these fields at Bredon | 0:13:54 | 0:13:59 | |
in the year 984. | 0:13:59 | 0:14:02 | |
Was it possible the present layout could date back that far? | 0:14:02 | 0:14:07 | |
I asked historian Michael Wood, who's a specialist on Anglo-Saxon England. | 0:14:07 | 0:14:13 | |
And we set out to see if we could still find any of the features recorded by the surveyors | 0:14:13 | 0:14:20 | |
as they marked out their land over 1,000 years ago. | 0:14:20 | 0:14:25 | |
The surveyors must have... | 0:14:28 | 0:14:31 | |
They're drawing a line from the Cheltenham Way to that hill. | 0:14:31 | 0:14:35 | |
That "Way" that's referred to, that must be the Cheltenham Road. | 0:14:35 | 0:14:40 | |
Yes, it's an Anglo-Saxon road! | 0:14:40 | 0:14:43 | |
So we can mark that down here. | 0:14:43 | 0:14:45 | |
And it's coming into Lower Farm here. | 0:14:45 | 0:14:50 | |
"And long Hlydan..." Hlydan's the name of a little stream that comes down this way. | 0:14:50 | 0:14:58 | |
-There could be a ditch here. -Let's have a look. | 0:14:58 | 0:15:01 | |
This document, in basic terms, is a mortgage. | 0:15:01 | 0:15:06 | |
It's a land document from 984. | 0:15:06 | 0:15:08 | |
And the surveyors who drew up the boundary clause, saying, "These are the bounds of your property," | 0:15:08 | 0:15:15 | |
would have walked along this muddy track. | 0:15:15 | 0:15:18 | |
It's an Anglo-Saxon track, difficult as that is to believe! | 0:15:18 | 0:15:23 | |
That's the track. | 0:15:23 | 0:15:25 | |
There's a ditch here. | 0:15:25 | 0:15:28 | |
-There you go. -Well, that's a decent stream. -That's a decent stream. | 0:15:31 | 0:15:37 | |
It's not stagnant water. This is the Hlydan. This must be the track the surveyors walked on 1,000 years ago. | 0:15:37 | 0:15:45 | |
-This was an important boundary... -..Between two estates. | 0:15:45 | 0:15:50 | |
Big fields on either side. This is the divide. | 0:15:50 | 0:15:53 | |
And it runs on - "..Of faern hylle on fa dic at crawan forne of faerne dic on caerent....' | 0:15:53 | 0:16:01 | |
So somewhere down here we should reach the River Carrant. | 0:16:01 | 0:16:07 | |
Just look at this. That wiggly line must be the line of the river. | 0:16:08 | 0:16:13 | |
On the map, this wiggling hedge is the ancient boundary. | 0:16:13 | 0:16:18 | |
What's really great about it is that you can say that this boundary was created in the 10th century. | 0:16:18 | 0:16:25 | |
Anglo-Saxon kings reorganised the Midlands landscape. | 0:16:25 | 0:16:30 | |
-They're setting out definite boundaries. -Creating shires - | 0:16:30 | 0:16:35 | |
Worcestershire, Gloucestershire are being laid out at this time. | 0:16:35 | 0:16:39 | |
What was the date of this reorganisation? | 0:16:39 | 0:16:43 | |
The end of the 800s, the early 900s. | 0:16:43 | 0:16:45 | |
They're fighting the Viking wars, reorganising the towns and the country to provide food for the army. | 0:16:45 | 0:16:53 | |
They're laying out main boundaries and the field boundaries within it? | 0:16:53 | 0:16:59 | |
You have this perfect pattern, Overbury, Kemerton, Bredon, the estates run to Bredon Hill. | 0:16:59 | 0:17:05 | |
You get a share of the different kinds of land. You have this wonderful land here for the ploughs. | 0:17:05 | 0:17:11 | |
-You have meadow land, woods. Each community... -Has a bit of each. -Has a bit of each. | 0:17:11 | 0:17:18 | |
A complete reorganisation of this landscape. | 0:17:18 | 0:17:21 | |
They created our world. We speak their language. We use their terms for the trees, flowers and fields. | 0:17:21 | 0:17:29 | |
It's really their creation. | 0:17:29 | 0:17:32 | |
The pattern of villages and fields dates back to a reorganisation of the landscape | 0:17:32 | 0:17:37 | |
by Anglo-Saxon kings as they fought back the Vikings. | 0:17:37 | 0:17:42 | |
They reordered the countryside into viable estates and gathered the farmers into villages | 0:17:42 | 0:17:48 | |
so they could work their fields collectively. It was an Anglo-Saxon agricultural revolution. | 0:17:48 | 0:17:55 | |
It is astonishing to think that the basic layout of the fields and most of the villages | 0:18:08 | 0:18:14 | |
dates back to those enormous changes brought about by the Anglo-Saxons. | 0:18:14 | 0:18:18 | |
This landscape is 1,000 years old. | 0:18:18 | 0:18:21 | |
But is that the end of the story? | 0:18:21 | 0:18:24 | |
Has nothing that went before left any traces? | 0:18:24 | 0:18:28 | |
I feel as if I want to look below the landscape, to look beneath the surface, X-ray it. | 0:18:28 | 0:18:35 | |
And the best way to see beneath the surface is to get above it. | 0:18:35 | 0:18:40 | |
From 1,000 feet, you can detect faint patterns left by vanished trackways, ditches or walls. | 0:18:42 | 0:18:50 | |
I took off with Jim Pickering. He was once a Spitfire pilot. | 0:18:50 | 0:18:55 | |
But for 50 years, he's been flying these valleys, hunting lost landscapes. | 0:18:55 | 0:19:02 | |
I think we're coming up to Bredon Hill now. Two ranges of ditches. | 0:19:02 | 0:19:07 | |
-That's right. -An inner and outer. What age is that? -It's Iron Age. | 0:19:07 | 0:19:12 | |
The inside one was probably used in Roman times. | 0:19:12 | 0:19:15 | |
I see. | 0:19:15 | 0:19:17 | |
The whole of the Avon Valley, which you can see here, | 0:19:17 | 0:19:22 | |
there's archaeological sites in virtually every field. | 0:19:22 | 0:19:26 | |
Although the... | 0:19:26 | 0:19:29 | |
last phase that is recognisable is the Roman one, | 0:19:29 | 0:19:34 | |
there is Iron Age and Bronze Age evidence underneath it. | 0:19:34 | 0:19:39 | |
Have you been able to pick out ancient field boundaries? | 0:19:39 | 0:19:45 | |
Here's one here. You can see it's a land division. | 0:19:45 | 0:19:49 | |
-I see it. -It runs down there. | 0:19:49 | 0:19:52 | |
How do you tell a modern boundary from an old boundary? | 0:19:52 | 0:19:56 | |
They're usually out of phase with the hedges and fields of today. | 0:19:56 | 0:20:01 | |
It means the landscape has changed. It's evidence of an earlier landscape organised on different lines. | 0:20:01 | 0:20:08 | |
There's a possible Roman fort underneath. | 0:20:08 | 0:20:12 | |
It's a soil mark. | 0:20:12 | 0:20:14 | |
-There it is - on the right, in that field. -I see it. | 0:20:14 | 0:20:19 | |
And that will just be patterns of wet and dry on the soil? | 0:20:19 | 0:20:24 | |
That's right. There's even some internal features as well. | 0:20:24 | 0:20:30 | |
Yes, I can see. That's right. | 0:20:30 | 0:20:33 | |
At least one dividing wall. | 0:20:33 | 0:20:36 | |
-That could be a find. -You haven't seen that before? -No. -Splendid. | 0:20:37 | 0:20:43 | |
Even I could see that the Roman fort sat at diagonals to the fields. | 0:20:43 | 0:20:48 | |
Now I knew what Jim meant by older patterns "out of phase" with the modern landscapes. | 0:20:48 | 0:20:54 | |
But did anything of these ancient patterns survive ABOVE ground? | 0:20:54 | 0:20:59 | |
What about roads like that Cheltenham Road mentioned in the Anglo-Saxon charter? | 0:20:59 | 0:21:05 | |
I could see that it cut a diagonal clean at odds with the Anglo-Saxon fields in Bredon. | 0:21:05 | 0:21:11 | |
I decided to investigate. | 0:21:11 | 0:21:14 | |
Could the Cheltenham Road be a survivor from an earlier landscape? | 0:21:14 | 0:21:19 | |
There's a way to find out, because Jim Pickering and his aviators | 0:21:19 | 0:21:24 | |
discovered masses of archaeological sites alongside this road. | 0:21:24 | 0:21:29 | |
And at Kemerton, archaeologists have been investigating them for a generation. | 0:21:29 | 0:21:34 | |
So maybe they can tell us whether they've discovered traces of an earlier landscape showing through, | 0:21:34 | 0:21:41 | |
and perhaps they include this road. | 0:21:41 | 0:21:45 | |
At Kemerton, on Bredon Hill, I found archaeologist Robin Jackson starting work on a new site. | 0:21:47 | 0:21:54 | |
We were right in those Anglo-Saxon fields that Cheltenham Road cuts so sharply through. | 0:21:54 | 0:22:01 | |
Up here we have Bredon Hill and this is the bottom half of the parish. | 0:22:01 | 0:22:06 | |
The boundaries are here and the Carrant is running at the bottom. | 0:22:06 | 0:22:11 | |
-So Kemerton parish runs from top to bottom? -That's right. | 0:22:11 | 0:22:15 | |
My interest is in the prehistoric landscape. | 0:22:15 | 0:22:19 | |
-Is that right? -That's right. | 0:22:19 | 0:22:22 | |
And if you look at these streams, they're following roughly the Saxon boundaries. | 0:22:22 | 0:22:28 | |
But these are the marks of prehistoric field systems. | 0:22:28 | 0:22:33 | |
Where we have pairs of them, they're probably droveways. | 0:22:33 | 0:22:37 | |
-The ancient landscape is running counter in its grain to the Anglo-Saxon... -Yeah. | 0:22:37 | 0:22:43 | |
It's an incredibly ancient pattern hiding behind our modern fields. | 0:22:43 | 0:22:48 | |
-Is there anything left of this ancient landscape? -At first you think there won't be, | 0:22:48 | 0:22:55 | |
but when you start to overlay these maps, there are intriguing lines. | 0:22:55 | 0:23:00 | |
We're in the corner of this field. The path runs diagonally across the field. | 0:23:00 | 0:23:07 | |
-It's in totally the wrong direction. -So there are traces still. | 0:23:07 | 0:23:12 | |
And perhaps most interestingly of all is the Cheltenham Road. | 0:23:12 | 0:23:17 | |
It's actually on that alignment. | 0:23:17 | 0:23:21 | |
This, we know, is a saltway. They moved it from Droitwich, where they produced salt in prehistoric times. | 0:23:21 | 0:23:28 | |
From one of our excavations we've had Droitwich salt containers to show that they're moving it down the road. | 0:23:28 | 0:23:35 | |
So it's an ancient pattern hiding behind our modern system. | 0:23:35 | 0:23:39 | |
But Cheltenham Road is a survivor, | 0:23:39 | 0:23:43 | |
one of a sturdy band observing an ancient, perhaps Iron Age alignment, | 0:23:43 | 0:23:48 | |
obliterated by the Anglo-Saxons. | 0:23:48 | 0:23:51 | |
So how far back do the roots of this landscape go? | 0:23:51 | 0:23:55 | |
Results were coming in from field walkers on Robin's new site. | 0:23:55 | 0:24:00 | |
They were systematically scouring the field for ancient objects brought to the surface. | 0:24:00 | 0:24:07 | |
The field walkers are bringing in their stuff in the form of flint. | 0:24:07 | 0:24:12 | |
We have one piece which may have been used, which is this fine blade. | 0:24:12 | 0:24:17 | |
If I was to put a date on it, I'd say it was Neolithic. | 0:24:17 | 0:24:21 | |
That has a sharp cutting edge. | 0:24:21 | 0:24:25 | |
How long ago is Neolithic? | 0:24:25 | 0:24:27 | |
We're talking about 3,500-4,000 BC. | 0:24:27 | 0:24:33 | |
So 5-6,000 years. | 0:24:33 | 0:24:36 | |
On my last afternoon, | 0:24:37 | 0:24:40 | |
I was faced with the thought that people had been living here for 6,000 years or more. | 0:24:40 | 0:24:46 | |
But when did they first leave any lasting mark on the landscape? | 0:24:46 | 0:24:51 | |
Liz Pearson is a soil specialist. | 0:24:51 | 0:24:54 | |
She was working down at the Carrant Brook we'd found in the Anglo-Saxon charter, | 0:24:54 | 0:25:01 | |
looking for organic remains and alluvium - old river silt - now buried deep underground. | 0:25:01 | 0:25:09 | |
They date back thousands of years BC. But did they reveal anything changing in the landscape then? | 0:25:09 | 0:25:16 | |
It's nice and stiff. | 0:25:18 | 0:25:20 | |
So even if we don't get any organics, you have a nice alluvia sequence. | 0:25:20 | 0:25:25 | |
What can you tell from the alluvia sequence? | 0:25:25 | 0:25:29 | |
Well, you can get a lot of information on what's been going on in the environment around - | 0:25:29 | 0:25:36 | |
the ploughing, the woodland clearances. It's exposing the soil to the rain. | 0:25:36 | 0:25:43 | |
It's bringing all this silt down into the valleys. | 0:25:43 | 0:25:48 | |
Then you get boggy areas appearing. | 0:25:48 | 0:25:51 | |
What date would you think the forest clearance began? | 0:25:51 | 0:25:55 | |
The main big clearance in this area is the early Bronze Age. | 0:25:55 | 0:26:00 | |
We know that it was already cleared by 2,500 BC. | 0:26:00 | 0:26:05 | |
So what do you think this landscape would have looked like then? | 0:26:05 | 0:26:10 | |
What would we have seen? | 0:26:10 | 0:26:13 | |
It would have been as open as it is here today. | 0:26:13 | 0:26:17 | |
By that time, they had cleared most of the original wild wood. | 0:26:17 | 0:26:21 | |
So you have evidence that from 4,500 years ago, human beings have been changing this landscape? | 0:26:21 | 0:26:29 | |
-Yes. -In a big way. -In a very big way. | 0:26:29 | 0:26:32 | |
4,500 years ago, during the Bronze Age, | 0:26:34 | 0:26:37 | |
the felling of trees and the start of ploughing sent soil streaming down the slopes. | 0:26:37 | 0:26:44 | |
It eroded the hills and raised the level of the valley floor. | 0:26:44 | 0:26:48 | |
It was a landscape revolution as profound as that of the Anglo-Saxons' | 0:26:48 | 0:26:54 | |
or our agricultural revolution thousands of years later. | 0:26:54 | 0:26:58 | |
Before I left, I climbed up Bredon Hill to the Iron Age hill fort I'd seen from the plane. | 0:27:04 | 0:27:11 | |
I remembered wondering if modern farming had ploughed away every trace of history in the fields. | 0:27:11 | 0:27:19 | |
It was amazing to discover that this landscape is still shaped by agricultural revolutions | 0:27:19 | 0:27:25 | |
that stretch over 50 centuries, | 0:27:25 | 0:27:28 | |
and that the fields and villages were first set out perhaps to supply the men who fought the Vikings | 0:27:28 | 0:27:35 | |
1,000 years ago. | 0:27:35 | 0:27:38 | |
A week ago, I was standing on the steep slope of the Cotswolds there, | 0:27:38 | 0:27:43 | |
looking out across this wonderful 20th-century landscape, which I now see through different eyes, | 0:27:43 | 0:27:50 | |
because I realise this is in fact an Anglo-Saxon landscape. | 0:27:50 | 0:27:54 | |
The pattern of the land was set 1,000 years ago, when the villages were formed. | 0:27:54 | 0:28:00 | |
There are hedgerows running down this hill which are 1,000 years old. | 0:28:00 | 0:28:05 | |
There are tracks and roadways of Roman and pre-Roman times. | 0:28:05 | 0:28:11 | |
And even before that, people began clearing the trees, altering the land. | 0:28:11 | 0:28:17 | |
The making of this landscape began 5,000 years ago. | 0:28:17 | 0:28:21 | |
Subtitles by Graeme Dibble BBC Scotland - 2001 | 0:28:36 | 0:28:41 | |
E-mail us at [email protected] | 0:28:41 | 0:28:45 |