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This series is about the stuff we just can't live without. | 0:00:02 | 0:00:05 | |
The cleaners, the cosmetics, | 0:00:05 | 0:00:07 | |
the convenience items that we use every single day. | 0:00:07 | 0:00:10 | |
How do these things actually work? | 0:00:10 | 0:00:13 | |
'I'm Jane Moore and I've set out to discover the hidden science | 0:00:15 | 0:00:19 | |
'in all those household essentials we simply take for granted. | 0:00:19 | 0:00:23 | |
'My journey will put me to the test in the most unusual places...' | 0:00:24 | 0:00:28 | |
Ta-da! | 0:00:28 | 0:00:29 | |
We have made toothpaste! | 0:00:29 | 0:00:31 | |
'..change the way I think about science...' | 0:00:31 | 0:00:34 | |
That is utterly astonishing. | 0:00:34 | 0:00:37 | |
'..and let me see myself in a whole new light.' | 0:00:37 | 0:00:40 | |
Yes, take a product, any product, and chuck away the packaging. | 0:00:41 | 0:00:45 | |
We're not interested in that because this series is about what's inside. | 0:00:45 | 0:00:49 | |
My task is to find out which ingredients do the clever work | 0:00:49 | 0:00:53 | |
and where those ingredients come from. | 0:00:53 | 0:00:55 | |
'Welcome to the extraordinary hidden world of Wonderstuff.' | 0:00:55 | 0:00:59 | |
'So far, I've been on an eye-opening trip | 0:01:17 | 0:01:20 | |
'around some of Britain's most cutting-edge institutions | 0:01:20 | 0:01:23 | |
'that dream up some of those lotions and potions | 0:01:23 | 0:01:26 | |
'that help make our daily domestic lives so much easier.' | 0:01:26 | 0:01:30 | |
But my Wonderstuff tour doesn't end there. | 0:01:30 | 0:01:33 | |
No, the next stop - to stick or not to stick. | 0:01:33 | 0:01:37 | |
That's the new question that's keeping me awake at night. | 0:01:37 | 0:01:40 | |
'So, to help me sleep better, I want to get to the bottom of glue, | 0:01:40 | 0:01:44 | |
'non-stick pans and paint. | 0:01:44 | 0:01:47 | |
'Later in the show, my master of materials, | 0:01:47 | 0:01:50 | |
'Dr Mark Miodownik, will be luring me deep into the unknown.' | 0:01:50 | 0:01:54 | |
It's like Raiders Of The Lost Ark down here. | 0:01:54 | 0:01:56 | |
'Before then, I'm off to get the low-down | 0:01:56 | 0:01:58 | |
'on something that really does hold our lives together.' | 0:01:58 | 0:02:01 | |
I'm on the trail of what makes things stick | 0:02:01 | 0:02:04 | |
and, call me predictable, but to my mind, | 0:02:04 | 0:02:07 | |
there's only one place to start - glue. | 0:02:07 | 0:02:09 | |
Breakages in the home are a real pain, | 0:02:16 | 0:02:19 | |
not helped by the fact that choosing the right glue | 0:02:19 | 0:02:22 | |
is no simple matter. | 0:02:22 | 0:02:24 | |
The choices available seem endless, | 0:02:24 | 0:02:26 | |
but are all these glues really that different | 0:02:26 | 0:02:29 | |
and is there a Wonderstuff that makes one particular type of glue | 0:02:29 | 0:02:33 | |
the daddy of them all? | 0:02:33 | 0:02:34 | |
To find out how glue works, | 0:02:36 | 0:02:38 | |
I'm off to Cambridge to meet Dr Ewen Kellar, | 0:02:38 | 0:02:41 | |
principle project leader at TWI, | 0:02:41 | 0:02:43 | |
who advise everyone from the Ministry of Defence | 0:02:43 | 0:02:46 | |
to Formula One about the right ways to stick stuff together. | 0:02:46 | 0:02:49 | |
But despite all these high-tech applications, | 0:02:49 | 0:02:53 | |
Ewen reckons the simplest way to understand glue | 0:02:53 | 0:02:56 | |
is to start where the ancient Egyptians did - | 0:02:56 | 0:02:58 | |
using milk, with a sticking power we've all seen in action. | 0:02:58 | 0:03:03 | |
Glue made from milk has been around for many thousands of years. | 0:03:03 | 0:03:06 | |
It's called casein. The name comes from the protein - | 0:03:06 | 0:03:09 | |
the actual whiteness in the milk is casein. | 0:03:09 | 0:03:11 | |
'If you fancy trying this at home, use skimmed milk | 0:03:11 | 0:03:15 | |
'and curdle it by adding vinegar.' | 0:03:15 | 0:03:17 | |
I don't know if you can see that, but it's become all rather lumpy. | 0:03:17 | 0:03:21 | |
-It looks like the milk you find in a student's fridge. -Yeah. | 0:03:21 | 0:03:25 | |
'Ewen then filters the mixture to get just the protein.' | 0:03:25 | 0:03:28 | |
So, what we now want to do is we want to basically | 0:03:28 | 0:03:31 | |
put this back into some sort of solution. | 0:03:31 | 0:03:34 | |
So, this is bicarbonate of soda, baking soda. | 0:03:34 | 0:03:37 | |
'Adding bicarb apparently neutralises the vinegar | 0:03:37 | 0:03:40 | |
'and forces the milk proteins to stick together.' | 0:03:40 | 0:03:43 | |
Little molecules join together, one after the other, | 0:03:43 | 0:03:46 | |
and form very long chains. | 0:03:46 | 0:03:48 | |
'Then, just add water and voila!' | 0:03:48 | 0:03:51 | |
If we leave this now, for a few minutes, | 0:03:51 | 0:03:53 | |
it will settle down into an almost clear liquid | 0:03:53 | 0:03:56 | |
which can then be used as a glue. | 0:03:56 | 0:03:58 | |
This has been used to bond wood. | 0:03:58 | 0:04:00 | |
It was used to bond furniture in Egyptian times. | 0:04:00 | 0:04:04 | |
'You can also get natural glues from wheat, honey and cheese.' | 0:04:04 | 0:04:08 | |
I'm impressed by that. | 0:04:10 | 0:04:11 | |
I never knew you could actually just make glue from the stuff | 0:04:11 | 0:04:14 | |
that you find in your kitchen. | 0:04:14 | 0:04:16 | |
'Apparently, all modern glues use the same principle we've seen here | 0:04:17 | 0:04:21 | |
'called polymerization, | 0:04:21 | 0:04:23 | |
'where molecules form long chains that bind things together. | 0:04:23 | 0:04:27 | |
'So, why are there so many different types of glue? | 0:04:27 | 0:04:30 | |
'Ewen wants to show me how modern glues work best | 0:04:30 | 0:04:34 | |
'when they're tailored to work on specific surfaces | 0:04:34 | 0:04:36 | |
'and he's starting with a wood glue.' | 0:04:36 | 0:04:38 | |
-So, that's the joint of the two bits of wood, yeah? -Yes. | 0:04:39 | 0:04:43 | |
What we do is we basically put this in the machine | 0:04:43 | 0:04:46 | |
which we see in front of us and we pull it apart. | 0:04:46 | 0:04:48 | |
'A simple wood glue joint can hold together under enormous strain.' | 0:04:48 | 0:04:53 | |
So, we're now at 270 kilos. | 0:04:53 | 0:04:55 | |
That's several of me dangling off the end of this little bit of wood. | 0:04:55 | 0:04:59 | |
Poor thing! | 0:04:59 | 0:05:00 | |
'But try the same wood glue on metal and it's a different matter.' | 0:05:00 | 0:05:05 | |
Here, we've got ten kilograms. The joint is virtually failed. | 0:05:05 | 0:05:08 | |
I'm going to look really strong. | 0:05:08 | 0:05:11 | |
Yay! Look at that! | 0:05:11 | 0:05:12 | |
So, it genuinely is that there are glues that work better | 0:05:12 | 0:05:16 | |
-on a specific surface? -Definitely. | 0:05:16 | 0:05:18 | |
'OK, but is there a gluey Wonderstuff? | 0:05:19 | 0:05:22 | |
'Something that could bond absolutely anything? | 0:05:22 | 0:05:25 | |
'I'm wondering about what's in those little tubes | 0:05:25 | 0:05:28 | |
'of instant super-strength glue like I use at home.' | 0:05:28 | 0:05:31 | |
And what is this? It's cyanoacrylate. | 0:05:31 | 0:05:34 | |
Yes, cyanoacrylate. It's basically the chemical name of these materials. | 0:05:34 | 0:05:38 | |
So, basically, here, you've got very small molecules | 0:05:38 | 0:05:41 | |
which combine together when you put them in contact with moisture. | 0:05:41 | 0:05:45 | |
They go from being very, very runny | 0:05:45 | 0:05:47 | |
to very, very viscous very, very quickly | 0:05:47 | 0:05:49 | |
and ultimately go hard cos they entangle and lock together. | 0:05:49 | 0:05:52 | |
But it happens incredibly fast - only a few seconds. | 0:05:52 | 0:05:55 | |
Which is what makes it user-friendly because you want it to act fast. | 0:05:55 | 0:06:00 | |
'Cyanoacrylate got its super reputation as a fast-acting adhesive | 0:06:00 | 0:06:05 | |
'on the battlefields of Vietnam. | 0:06:05 | 0:06:07 | |
'To show me how, Ewen's demonstrating with some pork.' | 0:06:07 | 0:06:11 | |
Here's a cut. So, basically, what the doctor would do | 0:06:11 | 0:06:14 | |
would be just literally lightly apply the adhesive | 0:06:14 | 0:06:18 | |
on the outside of the cut. | 0:06:18 | 0:06:20 | |
Imagine in a real situation, this wound may well be bleeding, | 0:06:20 | 0:06:23 | |
so the adhesive's got a bit of a tough job to do. | 0:06:23 | 0:06:27 | |
The cyanoacrylate is good at coagulating the blood | 0:06:27 | 0:06:29 | |
and stopping bleeding. | 0:06:29 | 0:06:30 | |
Then, all you would do - you would hold it together, like this. | 0:06:30 | 0:06:35 | |
So, no stitches, just a straightforward bond. | 0:06:35 | 0:06:39 | |
Much, much quicker, much, much less painful than otherwise. | 0:06:39 | 0:06:43 | |
-That has really worked, hasn't it? -Yeah. | 0:06:43 | 0:06:45 | |
'And now, medics do this with a sterile version | 0:06:45 | 0:06:48 | |
'on our day-to-day wounds. | 0:06:48 | 0:06:50 | |
'Fast-setting, super-strength cyanoacrylate | 0:06:50 | 0:06:53 | |
'certainly sounds worthy of being a Wonderstuff. | 0:06:53 | 0:06:57 | |
'But Ewen's got something he reckons is even better - | 0:06:57 | 0:07:00 | |
'epoxy resin.' | 0:07:00 | 0:07:02 | |
Cos it's so versatile, you know, you can use it virtually anywhere. | 0:07:03 | 0:07:07 | |
The main thing to note, really, is there are two parts. | 0:07:07 | 0:07:10 | |
You'll want to mix these two parts together. | 0:07:10 | 0:07:12 | |
So, chemically, what is in each tube that causes that reaction? | 0:07:12 | 0:07:16 | |
Right, well, on one side, we've got a hardener. | 0:07:16 | 0:07:20 | |
On the other side, we've got what's called a resin. | 0:07:20 | 0:07:22 | |
So, the resin is like the long polymeric part - | 0:07:22 | 0:07:25 | |
that's like long chains of spaghetti, | 0:07:25 | 0:07:27 | |
which is very, very sticky molecules. | 0:07:27 | 0:07:30 | |
The hardener on the other side has essentially... | 0:07:30 | 0:07:33 | |
Has the ability to join one chain of spaghetti to the other, | 0:07:33 | 0:07:37 | |
like rungs on a ladder to form like a cross-link network. | 0:07:37 | 0:07:41 | |
So it solidifies it in that way. | 0:07:41 | 0:07:44 | |
'Sounds impressive, | 0:07:45 | 0:07:46 | |
'but I'm still siding with my cyanoacrylate superglue. | 0:07:46 | 0:07:49 | |
'So, the only way to decide which one's going to be my Wonderstuff | 0:07:52 | 0:07:56 | |
'is a head-to-head.' | 0:07:56 | 0:07:57 | |
Wow! Now, this is what I call a weight! | 0:08:02 | 0:08:04 | |
'We're putting them to the ultimate strength test- | 0:08:04 | 0:08:07 | |
'to lift a bag of sand weighing nearly a tonne.' | 0:08:07 | 0:08:10 | |
OK. Well, let's give the old super-strength glue a test, then. | 0:08:10 | 0:08:14 | |
'This is the equivalent of sticking a small car to the ceiling | 0:08:15 | 0:08:18 | |
'with a square inch of glue | 0:08:18 | 0:08:21 | |
'and the power of my cyanoacrylate has actually got Ewen worried.' | 0:08:21 | 0:08:25 | |
So, it's taking a load, now. | 0:08:25 | 0:08:28 | |
I don't believe it! | 0:08:29 | 0:08:31 | |
Cor, blimey! Did it come off the ground? | 0:08:33 | 0:08:37 | |
-It did come off the ground... -Yeah, a little bit. | 0:08:37 | 0:08:40 | |
..for a nano-second. | 0:08:40 | 0:08:42 | |
It's a good job I've got a strong heart, isn't it? | 0:08:44 | 0:08:47 | |
'But can Ewen's poxy little epoxy resin beat that?' | 0:08:47 | 0:08:52 | |
Maestro, lift! | 0:08:52 | 0:08:53 | |
-Judging by the big bang last time, I'm standing well back. -You're not going to get up close? | 0:08:55 | 0:09:00 | |
No. Too right I'm not. | 0:09:00 | 0:09:02 | |
OK. | 0:09:02 | 0:09:03 | |
It's starting to lift off the floor. | 0:09:05 | 0:09:07 | |
Look at that! | 0:09:11 | 0:09:13 | |
Well lifted off the floor, that is. | 0:09:15 | 0:09:17 | |
So, if you really wanted, we could lift this really high | 0:09:20 | 0:09:23 | |
-and you could stand underneath it, if you wanted. -Yeah. | 0:09:23 | 0:09:25 | |
Thank you very much. My days in the circus are long over. Thank you. | 0:09:25 | 0:09:30 | |
It's absolutely holding steadfast, though, isn't it? | 0:09:30 | 0:09:33 | |
'I'm not always so gracious in defeat, | 0:09:33 | 0:09:35 | |
'but it's a clear victory for epoxy resin. | 0:09:35 | 0:09:38 | |
'No wonder this glue turns up in high places.' | 0:09:38 | 0:09:41 | |
-Is that an aeroplane wing? -Yeah. | 0:09:41 | 0:09:43 | |
-You can't glue an aeroplane wing on, can you? -Yes, you can. | 0:09:43 | 0:09:47 | |
In fact, it's actually starting to happen, now. | 0:09:47 | 0:09:50 | |
Glue's coming back, now, to being used more and more, | 0:09:50 | 0:09:53 | |
especially with more modern materials which... | 0:09:53 | 0:09:55 | |
It's difficult to know how else to join them together. | 0:09:55 | 0:09:58 | |
I mean, even down to the fact that your brake pads are all glued on. | 0:09:58 | 0:10:01 | |
So, you're trusting your life every day, every time you brake, to glue. | 0:10:01 | 0:10:05 | |
Ewen, I'm getting the train home, or are they glued as well? | 0:10:05 | 0:10:09 | |
Quite a lot of them are, yeah. | 0:10:09 | 0:10:11 | |
'In fact, epoxy resin is so reliable, | 0:10:13 | 0:10:16 | |
'we use it in the construction of aircraft, cars, | 0:10:16 | 0:10:18 | |
'boats, golf clubs, skis and snowboards. | 0:10:18 | 0:10:21 | |
'In fact, anywhere where super high-strength bonds are required, | 0:10:21 | 0:10:25 | |
'and epoxy glues can stick wood, metal, glass, stone and plastic. | 0:10:25 | 0:10:29 | |
'A Wonderstuff indeed. | 0:10:29 | 0:10:31 | |
'Ewen said that glue's brilliance lies in it being a polymer, | 0:10:34 | 0:10:38 | |
'but what exactly is a polymer? | 0:10:38 | 0:10:40 | |
'Materials scientist Mark's been raiding his stationery cupboard | 0:10:42 | 0:10:45 | |
'in order to explain what he reckons | 0:10:45 | 0:10:48 | |
'are some of our most marvellous molecules.' | 0:10:48 | 0:10:51 | |
Hello, strange little man on park bench. | 0:10:53 | 0:10:56 | |
-Fancy seeing you here. -Just having a sit down and a think. | 0:10:56 | 0:10:59 | |
What's all this about? | 0:10:59 | 0:11:00 | |
You've been talking about glue. | 0:11:00 | 0:11:02 | |
There are examples of things called polymers, | 0:11:02 | 0:11:05 | |
which is sort of man's attempt to kind of | 0:11:05 | 0:11:07 | |
recreate the wonderful range of materials that nature can create. | 0:11:07 | 0:11:11 | |
These soft, flexible materials that repel water | 0:11:11 | 0:11:15 | |
and can stick to things or not stick to them. | 0:11:15 | 0:11:17 | |
All of that kind of thing that we see in nature all around us. | 0:11:17 | 0:11:20 | |
'Silk, starch, cotton, asbestos and DNA are natural polymers, | 0:11:20 | 0:11:25 | |
'all built from chains of carbon-containing molecules, | 0:11:25 | 0:11:29 | |
'known as monomers.' | 0:11:29 | 0:11:31 | |
Add the monomers together to make these different length molecules. | 0:11:31 | 0:11:35 | |
'Joining together and repeating these same molecules | 0:11:35 | 0:11:38 | |
'is what creates a polymer.' | 0:11:38 | 0:11:40 | |
So, a polymer isn't a chemical, as such. | 0:11:40 | 0:11:44 | |
-It's a sort of... A molecular structure. -Yes. | 0:11:44 | 0:11:47 | |
Polymer is a category of material in the same way that metals are. | 0:11:47 | 0:11:51 | |
'But why is making chains of molecules so useful?' | 0:11:51 | 0:11:54 | |
By varying the length of the chain, how many units you put together, | 0:11:54 | 0:11:58 | |
you can make something become harder and harder. That's cool. | 0:11:58 | 0:12:01 | |
'Just like I saw in glue. | 0:12:01 | 0:12:03 | |
'Mark tells me that the behaviour of polymers | 0:12:03 | 0:12:06 | |
'is crucial in explaining the science | 0:12:06 | 0:12:08 | |
'of something that does the exact opposite of sticking - | 0:12:08 | 0:12:11 | |
'non-stick. | 0:12:11 | 0:12:12 | |
'In the kitchen, I'd be hard pushed to think of an invention | 0:12:17 | 0:12:20 | |
'that's more useful than non-stick. | 0:12:20 | 0:12:22 | |
'I have no idea what's on my pans, | 0:12:24 | 0:12:26 | |
'so it means my sausages stay unstuck. | 0:12:26 | 0:12:28 | |
'So I'm off to try and find out what sort of wonder material | 0:12:28 | 0:12:32 | |
'could have such a spotless reputation. | 0:12:32 | 0:12:35 | |
'To show me, know-it-all Mark has dragged me down the hill | 0:12:36 | 0:12:39 | |
'to the Millennium Dome?!' | 0:12:39 | 0:12:41 | |
-What are we doing here? -We're at one of the most amazing buildings in London. | 0:12:41 | 0:12:45 | |
Look at this. Magnificent, isn't it? | 0:12:45 | 0:12:48 | |
Well, yes, it's a magnificent structure, | 0:12:48 | 0:12:50 | |
-but what's that got to do with why we're here? -PTFE in that roof. | 0:12:50 | 0:12:54 | |
Look, this is the stuff. Again. | 0:12:54 | 0:12:55 | |
Blimey! I thought that would be like a ping-pong ball | 0:12:55 | 0:12:58 | |
-and it's really heavy. -Heavier than you think. | 0:12:58 | 0:13:01 | |
Yeah, it's really tough, isn't it? | 0:13:01 | 0:13:03 | |
'It turns out that PTFE is a fancy kind of plastic. | 0:13:04 | 0:13:08 | |
'Another one of those clever polymers, by the way, | 0:13:08 | 0:13:10 | |
'and because it has an extraordinary trick up its sleeve, | 0:13:10 | 0:13:14 | |
'it can be found on both the roof of the Millennium Dome | 0:13:14 | 0:13:16 | |
'and inside my frying pan.' | 0:13:16 | 0:13:19 | |
It's the slipperiest material in the world. | 0:13:19 | 0:13:21 | |
Nothing sticks to this stuff. | 0:13:21 | 0:13:23 | |
Even geckos, which can climb up anything at all, | 0:13:23 | 0:13:26 | |
cannot climb up PTFE. | 0:13:26 | 0:13:27 | |
It's so slippery that all the dust slides off it. | 0:13:27 | 0:13:31 | |
-And the bird poo? -And the bird poo, yes. -Handily. | 0:13:31 | 0:13:35 | |
-So, it's 600,000 square feet of PTFE. -Wow! | 0:13:35 | 0:13:38 | |
That's a lot of frying pans. | 0:13:38 | 0:13:40 | |
-It is. How many frying pans is that? Let's calculate it. -Let's not. -OK. | 0:13:40 | 0:13:45 | |
'We rely on PTFE's super slipperiness | 0:13:46 | 0:13:49 | |
'for all sorts of other essential jobs, too.' | 0:13:49 | 0:13:52 | |
Famously, the astronauts who walked on the moon | 0:13:52 | 0:13:55 | |
had PTFE coated inside their space suits | 0:13:55 | 0:13:58 | |
because when they're moving about in space, | 0:13:58 | 0:14:00 | |
they can't have friction on the inside | 0:14:00 | 0:14:02 | |
which might cause a little hole to form cos then, they would die. | 0:14:02 | 0:14:06 | |
It's starting to be used inside the body. | 0:14:06 | 0:14:08 | |
So, like an artificial hip. | 0:14:08 | 0:14:10 | |
Cos it's going inside, | 0:14:10 | 0:14:12 | |
you've got the friction constantly of the socket and the joint. | 0:14:12 | 0:14:15 | |
Coated with PTFE. | 0:14:15 | 0:14:17 | |
It's inert. That's the other great thing - | 0:14:17 | 0:14:19 | |
it doesn't react with anything. | 0:14:19 | 0:14:21 | |
So you can put it in the body and it's going to be fine. | 0:14:21 | 0:14:23 | |
'I'm chuffed to have discovered that the coating on my frying pan | 0:14:25 | 0:14:28 | |
'is the world's most slippery plastic, | 0:14:28 | 0:14:31 | |
'Mark isn't satisfied. | 0:14:31 | 0:14:33 | |
'He reckons the true Wonderstuff in this story | 0:14:33 | 0:14:36 | |
'and the key to why it works, | 0:14:36 | 0:14:37 | |
'is not the non-stick polymer itself, | 0:14:37 | 0:14:40 | |
'but a remarkable natural ingredient in PTFE. | 0:14:40 | 0:14:43 | |
'He wants to get to the bottom of it, literally, | 0:14:45 | 0:14:47 | |
'in this mine in Derbyshire. | 0:14:47 | 0:14:50 | |
'Here we go.' | 0:14:51 | 0:14:52 | |
Have I mentioned that I'm claustrophobic? | 0:14:52 | 0:14:54 | |
It does involve a bit of down. I have to admit that. | 0:14:54 | 0:14:57 | |
'The Blue John crystal mine goes down 245 steps.' | 0:14:57 | 0:15:04 | |
We're going right underneath the Pennines, Jane. | 0:15:06 | 0:15:09 | |
Down, down, down. | 0:15:09 | 0:15:11 | |
This had so better be worth it. | 0:15:11 | 0:15:13 | |
It's like Raiders Of The Lost Ark down here. | 0:15:16 | 0:15:18 | |
Or Raiders Of The Lost Mark, hopefully, in a minute! | 0:15:18 | 0:15:22 | |
'But what on earth is all the way down here | 0:15:24 | 0:15:26 | |
'that could be my Wonderstuff?' | 0:15:26 | 0:15:29 | |
I've brought you here to see a very special piece of rock. | 0:15:29 | 0:15:33 | |
It's all around us. This is a mineral fluorspar. | 0:15:33 | 0:15:35 | |
It has in it this element fluorine | 0:15:35 | 0:15:38 | |
and we react fluorine with the ingredients of polyethene | 0:15:38 | 0:15:41 | |
and we get this amazing other plastic, | 0:15:41 | 0:15:44 | |
which revolutionises your life. | 0:15:44 | 0:15:46 | |
'I still don't get how the fluorine you extract from these rocks | 0:15:46 | 0:15:50 | |
'makes PTFE such a super slippery plastic.' | 0:15:50 | 0:15:54 | |
-I've got some here, actually. -Oh, it's a gas. | 0:15:54 | 0:15:57 | |
It's a green gas and it's incredibly reactive. | 0:15:57 | 0:16:00 | |
It's so reactive we had to put it into two containers, | 0:16:00 | 0:16:02 | |
and even then, it's trying to get out. | 0:16:02 | 0:16:04 | |
This stuff will react with almost anything. | 0:16:04 | 0:16:07 | |
So, you never find it on its own | 0:16:07 | 0:16:09 | |
because anything it comes across, it just forms a compound with. | 0:16:09 | 0:16:12 | |
'I'm sure I want something that reactive | 0:16:12 | 0:16:15 | |
'coming into contact with my food. | 0:16:15 | 0:16:17 | |
'But Mark tells me that it's this super reactivity | 0:16:17 | 0:16:20 | |
'and the strength of the attraction between the fluorine | 0:16:20 | 0:16:23 | |
'and other elements in PTFE | 0:16:23 | 0:16:24 | |
'that are the secret to its slippery success.' | 0:16:24 | 0:16:27 | |
The fluorine bonds in the PTFE - | 0:16:27 | 0:16:30 | |
they are so uninterested in bonding to anything else | 0:16:30 | 0:16:34 | |
that they make it non-stick. | 0:16:34 | 0:16:36 | |
All they're doing is handing over the energy, the heat, | 0:16:36 | 0:16:39 | |
and they're not laying claim to anything else. | 0:16:39 | 0:16:42 | |
'So it was worth sticking with Mark all along. | 0:16:42 | 0:16:45 | |
'Scratching the surface of non-stick frying pans | 0:16:45 | 0:16:48 | |
'revealed the true Wonderstuff to be fluorine gas. | 0:16:48 | 0:16:52 | |
'Fluorine is a dangerously powerful oxidiser | 0:16:54 | 0:16:58 | |
'and so reactive it only exists in its pure form out in space. | 0:16:58 | 0:17:02 | |
'Here on Earth, | 0:17:02 | 0:17:03 | |
'its ability to react with a wide range of other substances | 0:17:03 | 0:17:06 | |
'make it extremely useful. | 0:17:06 | 0:17:08 | |
'Plus, it's gentle enough to be added to toothpaste | 0:17:08 | 0:17:11 | |
'to keep our tooth enamel strong. | 0:17:11 | 0:17:13 | |
'So, I've discovered some of the stickiest | 0:17:15 | 0:17:17 | |
'and the slipperiest substances on the planet, | 0:17:17 | 0:17:20 | |
'but I'm still stuck on one other question.' | 0:17:20 | 0:17:23 | |
What's the stuff that every home is literally covered in? | 0:17:23 | 0:17:26 | |
In fact, it's probably staring you in the face right now. | 0:17:26 | 0:17:29 | |
'I'm talking about household paint. | 0:17:29 | 0:17:32 | |
'How can it be runny enough for us to roll on, | 0:17:32 | 0:17:35 | |
'yet still sticky enough to stay on the wall? | 0:17:35 | 0:17:38 | |
'So if I'm searching for the Wonderstuff in paint, | 0:17:44 | 0:17:47 | |
'surely that means a nice trip to the Sistine Chapel?' | 0:17:47 | 0:17:50 | |
Some reporters get to cover the Oscars, | 0:17:50 | 0:17:53 | |
others get to go down the Amazon. | 0:17:53 | 0:17:55 | |
I get to come to a paint factory in Slough. | 0:17:55 | 0:17:59 | |
'And that's because Slough is home to AkzoNobel, | 0:18:01 | 0:18:05 | |
'who discovered that famous polymer so crucial in PTFE - | 0:18:05 | 0:18:09 | |
'polyethene. | 0:18:09 | 0:18:10 | |
'They also make a lot of paint. | 0:18:10 | 0:18:12 | |
'Richard Barcock is their UK Paint Technical Manager | 0:18:13 | 0:18:17 | |
'For Decorative Coatings, no less.' | 0:18:17 | 0:18:19 | |
So, Richard, in general terms, what is paint exactly? | 0:18:19 | 0:18:23 | |
Paint is a coloured powder in a liquid glue-like medium, | 0:18:23 | 0:18:28 | |
which you can easily apply to surfaces in your home. | 0:18:28 | 0:18:31 | |
'Richard breaks down exactly what's in a basic paint for me. | 0:18:34 | 0:18:39 | |
'There's water, | 0:18:39 | 0:18:41 | |
-'something to make it opaque...' -Which gives you this good covering. | 0:18:41 | 0:18:45 | |
-'..thickener...' -To increase viscosity of the paint. | 0:18:45 | 0:18:49 | |
'..a surfactant and an anti-foaming agent...' | 0:18:49 | 0:18:52 | |
To keep that level of bubbles down. | 0:18:52 | 0:18:53 | |
'..and then, there's a binder, which I'm told is basically, | 0:18:53 | 0:18:57 | |
'yes, you've guessed it - glue. | 0:18:57 | 0:19:00 | |
'The boffins here test different gluey binders to destruction. | 0:19:02 | 0:19:06 | |
'They're stretched, scuffed and exposed to the elements | 0:19:06 | 0:19:09 | |
'to find the binder best suited for any surface | 0:19:09 | 0:19:13 | |
'you might choose to paint. | 0:19:13 | 0:19:14 | |
'And they've perfected another clever property in their paint as - | 0:19:16 | 0:19:19 | |
'watch out, here comes another fancy title - | 0:19:19 | 0:19:22 | |
'Physical Characterisation Team Leader, | 0:19:22 | 0:19:24 | |
'Dr Tom Kerwin explains.' | 0:19:24 | 0:19:27 | |
One of the tests that we do here | 0:19:27 | 0:19:29 | |
to get a feel for the consistency of the paint | 0:19:29 | 0:19:31 | |
is actually just try and cut a cube from it. | 0:19:31 | 0:19:34 | |
You'll see that, | 0:19:35 | 0:19:37 | |
-we can cut this cube out. -Look at that! | 0:19:37 | 0:19:40 | |
A slice of paint. | 0:19:40 | 0:19:41 | |
'So, in the tub, it's solid, | 0:19:41 | 0:19:44 | |
'but stir it up and it goes all liquidy.' | 0:19:44 | 0:19:47 | |
Can I have a go? I like a bit of mixing. | 0:19:47 | 0:19:50 | |
Yeah, have a go. | 0:19:50 | 0:19:51 | |
Give it a mix and then have a go at cutting another cube. | 0:19:51 | 0:19:54 | |
Look at that. Trying to cut a cube out of the paint. | 0:19:54 | 0:19:58 | |
That is fantastic. | 0:20:01 | 0:20:02 | |
That, now, would go on a wall very nicely indeed. | 0:20:02 | 0:20:06 | |
'It's now miraculously lost its stickiness | 0:20:06 | 0:20:08 | |
'and is much easier to apply to the walls.' | 0:20:08 | 0:20:12 | |
It has this key property known as shear-thinning. | 0:20:12 | 0:20:14 | |
That means that the viscosity, | 0:20:14 | 0:20:16 | |
the resistance of the paint to flowing, | 0:20:16 | 0:20:19 | |
decreases the harder you try and push it. | 0:20:19 | 0:20:21 | |
And when you stop sort of, applying a force to it, | 0:20:21 | 0:20:25 | |
does it then solidify again? | 0:20:25 | 0:20:27 | |
Exactly. That structure we built with the thickeners | 0:20:27 | 0:20:30 | |
comes back and stops it slipping back off the wall. | 0:20:30 | 0:20:33 | |
'So the clever paint polymer goes sticky again | 0:20:33 | 0:20:37 | |
'and dries hard and fast to the wall.' | 0:20:37 | 0:20:39 | |
-Clever! -Indeed. -Yeah, fantastic. | 0:20:39 | 0:20:42 | |
'Seeing how much science goes into a pot of household paint | 0:20:42 | 0:20:47 | |
'has made me come over a bit EMULSION-al! | 0:20:47 | 0:20:50 | |
'But hold on. Even though I now understand how it sticks to my wall, | 0:20:51 | 0:20:55 | |
'aren't we forgetting the most obvious thing about paint - | 0:20:55 | 0:20:58 | |
'its colour?' | 0:20:58 | 0:20:59 | |
For example, Bongo Jazz, anyone? | 0:21:01 | 0:21:04 | |
It's orange, apparently. | 0:21:04 | 0:21:05 | |
We buy 300 million litres a year of this stuff. | 0:21:05 | 0:21:11 | |
'We can now get hold of just about any shade under the sun. | 0:21:11 | 0:21:15 | |
'So is there any hidden genius I need to know | 0:21:17 | 0:21:20 | |
'about what gives paint its colour? | 0:21:20 | 0:21:23 | |
'I've agreed to a rendezvous in a secret location outside Oxford | 0:21:23 | 0:21:26 | |
'with architectural colour consultant Patrick Baty...' | 0:21:26 | 0:21:30 | |
A yellow ochre pigment in this country. | 0:21:30 | 0:21:33 | |
'..and avid pigment expert Keith Edwards. | 0:21:33 | 0:21:36 | |
'His speciality - digging colours right out of the ground.' | 0:21:36 | 0:21:40 | |
Hi, Keith. | 0:21:40 | 0:21:41 | |
To my untrained eye, I'd think that was sand. | 0:21:41 | 0:21:45 | |
Well, it is partly sand, | 0:21:45 | 0:21:47 | |
but mostly, it's very pure ochre pigment. | 0:21:47 | 0:21:50 | |
It was used by famous artists such as Constable, Turner, | 0:21:50 | 0:21:54 | |
from probably the 17th century up until the early 20th century. | 0:21:54 | 0:21:59 | |
So special stuff? | 0:21:59 | 0:22:00 | |
Very special stuff. | 0:22:00 | 0:22:02 | |
It feels like cumin or something like that. | 0:22:02 | 0:22:05 | |
It is very like it, yes. | 0:22:05 | 0:22:07 | |
'Apparently, natural paint pigments like this | 0:22:09 | 0:22:12 | |
'have been used for over 30,000 years. | 0:22:12 | 0:22:16 | |
'Keith's spent most of his lifetime in pursuit of perfection.' | 0:22:16 | 0:22:20 | |
We've got some lovely colours. What's this purple one? | 0:22:20 | 0:22:23 | |
It's murex purple - it's the most expensive pigment ever produced. | 0:22:23 | 0:22:28 | |
-Its present value is about £50,000 a single ounce. -Goodness me! | 0:22:28 | 0:22:34 | |
-So where does it come from? -It comes from the murex shellfish - | 0:22:34 | 0:22:37 | |
a sea snail from the Mediterranean. | 0:22:37 | 0:22:40 | |
'Keith's commitment to colours is astonishing.' | 0:22:40 | 0:22:42 | |
Keith, can I just ask you, what colour is your living room? | 0:22:42 | 0:22:46 | |
That's a hard one. | 0:22:46 | 0:22:48 | |
-Don't say magnolia! -Yes, actually, it is. | 0:22:48 | 0:22:52 | |
'But in my hunt for what gives paint its colour, | 0:22:52 | 0:22:55 | |
'he's got a bit of a shocking revelation.' | 0:22:55 | 0:22:57 | |
These, really, are only stains. | 0:22:57 | 0:23:00 | |
That's the basis of modern paint. | 0:23:00 | 0:23:03 | |
We can't do without titanium dioxide. | 0:23:03 | 0:23:05 | |
It's the purest white we have, really. | 0:23:05 | 0:23:07 | |
Yes. It is the purest, most opaque white we have. | 0:23:07 | 0:23:10 | |
Paint without titanium dioxide | 0:23:10 | 0:23:12 | |
would be like making a sandwich without bread. | 0:23:12 | 0:23:15 | |
'But why is this white pigment so special? | 0:23:15 | 0:23:18 | |
'Apparently, it's because titanium dioxide | 0:23:18 | 0:23:21 | |
'makes such a dense and bright colour. | 0:23:21 | 0:23:23 | |
'Back in London at Patrick's shop, I learn that titanium dioxide | 0:23:24 | 0:23:28 | |
'is now in pretty much every pot of paint we buy, | 0:23:28 | 0:23:30 | |
'whatever the colour. | 0:23:30 | 0:23:32 | |
'And Patrick owns a unique piece of history - | 0:23:36 | 0:23:39 | |
'a tiny chip of paint that shows why titanium white became so invaluable.' | 0:23:39 | 0:23:44 | |
What we've got here are 71 individual schemes of paint. | 0:23:44 | 0:23:49 | |
These were applied to the outside of a building | 0:23:49 | 0:23:52 | |
that we know was built in 1705. | 0:23:52 | 0:23:54 | |
What we've got there is the full history of the house, | 0:23:54 | 0:23:57 | |
which takes us right the way through | 0:23:57 | 0:23:59 | |
things like the discovery of Australia. | 0:23:59 | 0:24:01 | |
History encapsulated in a little chip of paint. | 0:24:01 | 0:24:05 | |
A little chip of paint. | 0:24:05 | 0:24:07 | |
'Patrick's had a photograph made so we can see what's happening up close. | 0:24:07 | 0:24:10 | |
'It turns out the old base for paint was downright dangerous.' | 0:24:10 | 0:24:15 | |
From 1705 to about 1939, here, | 0:24:15 | 0:24:20 | |
all of these are based on lead carbonate. | 0:24:20 | 0:24:23 | |
-That is the main constituent of these paints. -Poison? -Indeed. | 0:24:23 | 0:24:26 | |
-Highly toxic. -Good grief! | 0:24:26 | 0:24:28 | |
So, we've got lead carbonate through to the Second World War. | 0:24:28 | 0:24:31 | |
We then have a couple of schemes based on zinc oxide. | 0:24:31 | 0:24:34 | |
We've got the introduction of brilliant white. | 0:24:34 | 0:24:37 | |
You can see this much brighter sequence of coats, | 0:24:37 | 0:24:40 | |
which is about 1960, 1962. | 0:24:40 | 0:24:43 | |
-So, that's when they started to use the words brilliant white... -Absolutely. | 0:24:43 | 0:24:47 | |
It was quite impossible to achieve a colour like that, | 0:24:47 | 0:24:50 | |
a bright white, in these earlier days. | 0:24:50 | 0:24:52 | |
'And all that's down to good old titanium dioxide.' | 0:24:52 | 0:24:56 | |
It's non-toxic. It's readily available. It's not too expensive. | 0:24:56 | 0:25:01 | |
Most importantly for a paint, it covers very well indeed. | 0:25:01 | 0:25:03 | |
A couple of coats, that's all you need. | 0:25:03 | 0:25:06 | |
-So, it revolutionised the paint industry? -Completely. | 0:25:06 | 0:25:09 | |
'With cheap, safe titanium dioxide in your paint, | 0:25:09 | 0:25:13 | |
'all you need is a couple of coats to get good coverage | 0:25:13 | 0:25:16 | |
'and rich colour. | 0:25:16 | 0:25:18 | |
'But exactly how is this extraordinary ingredient | 0:25:18 | 0:25:21 | |
'achieving this? Back to Mark.' | 0:25:21 | 0:25:23 | |
I've got a sample of wallpaper, | 0:25:23 | 0:25:25 | |
which you may or may not want to get rid of. | 0:25:25 | 0:25:28 | |
It's all the rage now again, you know, florals. | 0:25:28 | 0:25:30 | |
-We'll have an argument about this. -I don't think I'd have it on my wall. | 0:25:30 | 0:25:33 | |
We want to get rid of it with some white paint. | 0:25:33 | 0:25:36 | |
'Time for the ultimate paint challenge. | 0:25:37 | 0:25:40 | |
'Mark has mixed up some titanium dioxide and plain water | 0:25:40 | 0:25:44 | |
'to see how well it covers up the horrors of his floral wallpaper. | 0:25:44 | 0:25:49 | |
'After just one coat, the results are striking.' | 0:25:49 | 0:25:53 | |
These titanium particles are little crystals. | 0:25:53 | 0:25:55 | |
The light's coming in, | 0:25:55 | 0:25:57 | |
and it's only getting through a small part of the crystal | 0:25:57 | 0:26:00 | |
before it gets pinged out again | 0:26:00 | 0:26:02 | |
because it's got a very high refractive index. | 0:26:02 | 0:26:05 | |
'That means it's like thousands of tiny mirrors | 0:26:05 | 0:26:08 | |
'bouncing the light back out, and that's not all.' | 0:26:08 | 0:26:11 | |
It does some other weird things, too. It makes surfaces self-clean. | 0:26:11 | 0:26:15 | |
It's photocatalytic. So, when light hits it, | 0:26:15 | 0:26:17 | |
if there's any organic matter near it, | 0:26:17 | 0:26:20 | |
it makes it disintegrate. | 0:26:20 | 0:26:22 | |
That sound astonishingly clever. | 0:26:22 | 0:26:24 | |
'When sunlight hits a titanium dioxide coating, | 0:26:24 | 0:26:28 | |
'any dirt rapidly oxidises and can then be washed off by the rain.' | 0:26:28 | 0:26:32 | |
-TD, let's hear it for TD. -I totally agree with you. | 0:26:32 | 0:26:36 | |
We use four million tonnes | 0:26:37 | 0:26:40 | |
of this naturally occurring mineral every year | 0:26:40 | 0:26:43 | |
as a base for paint of any colour. | 0:26:43 | 0:26:45 | |
Its ability to give excellent coverage | 0:26:45 | 0:26:47 | |
means it also turns up in cosmetics and sun creams. | 0:26:47 | 0:26:51 | |
Pretty much everything that's white in your house | 0:26:51 | 0:26:54 | |
contains titanium dioxide. | 0:26:54 | 0:26:56 | |
Your white goods, your writing paper. | 0:26:56 | 0:26:59 | |
It's even in your food as E number 171. | 0:26:59 | 0:27:03 | |
Cottage cheese with added microscopic mirrors, anyone? | 0:27:03 | 0:27:06 | |
For me, the search for the Wonderstuff | 0:27:09 | 0:27:11 | |
behind why things stick or don't stick | 0:27:11 | 0:27:13 | |
has really brought it home how we rely on clever chemistry | 0:27:13 | 0:27:16 | |
every single day without even realising it. | 0:27:16 | 0:27:19 | |
The chance discovery of the world's most reactive element, fluorine, | 0:27:19 | 0:27:23 | |
led to the chance discovery | 0:27:23 | 0:27:25 | |
of one of the world's most slippery substances, PTFE | 0:27:25 | 0:27:29 | |
which in turn, led to the culinary revolution, | 0:27:29 | 0:27:32 | |
enabled by the non-stick pan. | 0:27:32 | 0:27:35 | |
So who would've thought there was such a fascinating history | 0:27:35 | 0:27:39 | |
behind an everyday object we all take for granted? | 0:27:39 | 0:27:42 | |
'Next time, I get under the skin of preening products...' | 0:27:42 | 0:27:46 | |
Ow! | 0:27:46 | 0:27:47 | |
'..in my search for the magical mist-grabber in moisturiser.' | 0:27:47 | 0:27:52 | |
I'm absolutely amazed that just a clear liquid | 0:27:52 | 0:27:55 | |
can do this amazing thing. | 0:27:55 | 0:27:57 | |
'Mark tries to explain how anti-perspirant | 0:27:57 | 0:28:00 | |
'prevents pungent pongs.' | 0:28:00 | 0:28:02 | |
What if too much comes out? Then you feel uncomfortable. | 0:28:02 | 0:28:05 | |
I wouldn't like to meet a man who sweated quite that much. | 0:28:05 | 0:28:08 | |
'And on the hunt for the Wonderstuff in sunscreen, | 0:28:08 | 0:28:11 | |
'I stoically endure utter humiliation, | 0:28:11 | 0:28:14 | |
'all in the name of science.' | 0:28:14 | 0:28:15 | |
Oh! Oh! Oh, God! | 0:28:15 | 0:28:19 | |
Subtitles by Red Bee Media Ltd | 0:28:35 | 0:28:38 | |
E-mail [email protected] | 0:28:38 | 0:28:41 |