Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Let's face it, our world is downright weird. | 0:00:10 | 0:00:13 | |
Oh! | 0:00:15 | 0:00:17 | |
Crawling with creatures you've never heard of... | 0:00:17 | 0:00:20 | |
I can't believe that's a living thing. | 0:00:20 | 0:00:23 | |
..full of the unexpected... | 0:00:23 | 0:00:25 | |
..like freak weather exploding out of the blue... | 0:00:27 | 0:00:31 | |
I thought I was going to die. | 0:00:31 | 0:00:33 | |
..and rocks that spontaneously combust... | 0:00:33 | 0:00:36 | |
I thought it was dynamite going off. | 0:00:36 | 0:00:39 | |
..and the unexplained. | 0:00:39 | 0:00:41 | |
An unborn twin, discovered inside a brain. | 0:00:41 | 0:00:46 | |
There was multiple hair follicles, bone and teeth. | 0:00:46 | 0:00:50 | |
We scoured the globe to bring you the very weirdest stories. | 0:00:54 | 0:00:58 | |
Ah! | 0:00:58 | 0:01:00 | |
I could feel this intense pain, | 0:01:01 | 0:01:03 | |
as if you were being stabbed by hundreds of syringes. | 0:01:03 | 0:01:07 | |
In this series, we're going to examine the evidence, | 0:01:12 | 0:01:15 | |
test the science and unravel the mysteries. | 0:01:15 | 0:01:19 | |
We're going to discover what in the weird world is going on? | 0:01:19 | 0:01:24 | |
In this episode, we'll uncover the secrets | 0:01:35 | 0:01:38 | |
to some of the natural world's weirdest mysteries. | 0:01:38 | 0:01:42 | |
How could the sun's rays exterminate birds in flight? | 0:01:45 | 0:01:49 | |
And why have these monkeys become trained in first aid? | 0:01:52 | 0:01:55 | |
Exactly how do you get spider silk from a goat? | 0:01:58 | 0:02:02 | |
And how far would a porcupine go, to find true love? | 0:02:03 | 0:02:08 | |
Well, it all starts here. | 0:02:14 | 0:02:17 | |
Nevada, long-time home of the weird. | 0:02:20 | 0:02:25 | |
You know, for decades, this place has been home to unexplained | 0:02:25 | 0:02:29 | |
sightings, bizarre conspiracy theories. | 0:02:29 | 0:02:34 | |
But in 2013, something every bit as weird, | 0:02:34 | 0:02:38 | |
but very real, happened in the skies here. | 0:02:38 | 0:02:41 | |
A local photographer captured these strange explosions. | 0:02:45 | 0:02:49 | |
I saw these objects going across the frame of the video. | 0:02:53 | 0:02:56 | |
Sometimes they would change direction, sometimes they'd | 0:02:56 | 0:02:59 | |
go up, sometimes they'd go down and I didn't know, at first, | 0:02:59 | 0:03:03 | |
what they were. | 0:03:03 | 0:03:04 | |
Sometimes they would dive down, | 0:03:06 | 0:03:07 | |
maybe like it was trying to escape from something. | 0:03:07 | 0:03:10 | |
Sometimes it would turn around and go in the other direction. | 0:03:10 | 0:03:14 | |
So, what were they? | 0:03:14 | 0:03:16 | |
What was going on? | 0:03:16 | 0:03:18 | |
It was clearly too early in the day for fireworks. | 0:03:18 | 0:03:21 | |
Military testing, perhaps? | 0:03:21 | 0:03:23 | |
I examined the videos closely and I was able to see a little | 0:03:23 | 0:03:28 | |
flapping motion, which was their little wings were flapping. | 0:03:28 | 0:03:32 | |
Wildlife officials found the bodies of birds, | 0:03:35 | 0:03:40 | |
birds that had fallen to their death from clear skies. | 0:03:40 | 0:03:43 | |
Now, mass bird deaths, although shocking, are not that unusual. | 0:03:47 | 0:03:51 | |
Poisoning and collisions like this plane strike | 0:03:53 | 0:03:58 | |
can bring down flocks of birds. | 0:03:58 | 0:04:01 | |
But the reports from Nevada were different. | 0:04:04 | 0:04:07 | |
They found about 83 different species of birds. | 0:04:08 | 0:04:11 | |
Everything from very small birds like hummingbirds to doves, | 0:04:14 | 0:04:18 | |
to larger birds like ravens, and raptors, like peregrine falcon. | 0:04:18 | 0:04:21 | |
A bizarre collection of different species, | 0:04:23 | 0:04:26 | |
but with one thing in common. | 0:04:26 | 0:04:29 | |
The feathers were sort of melted and they were in fragments. | 0:04:29 | 0:04:33 | |
The birds were all burned alive. | 0:04:33 | 0:04:38 | |
What a gruesome way to go. | 0:04:40 | 0:04:43 | |
What could have caused this? | 0:04:43 | 0:04:45 | |
It's a conundrum worthy of Area 51, | 0:04:46 | 0:04:49 | |
but it is one that can be explained via a quick trip over the pond. | 0:04:49 | 0:04:56 | |
September 2013, central London. | 0:04:59 | 0:05:03 | |
We've had temperatures of up to 50 degrees Celsius | 0:05:03 | 0:05:05 | |
in the last few minutes and if I just look at the current | 0:05:05 | 0:05:08 | |
temperature, well, it's still 42 degrees. | 0:05:08 | 0:05:10 | |
People have been trying to cook eggs. | 0:05:12 | 0:05:14 | |
My colleague realised there was a smoke coming out. He smelt it. | 0:05:14 | 0:05:17 | |
We looked back and the carpet was on fire. | 0:05:17 | 0:05:20 | |
Melted bicycles, burned cars... | 0:05:20 | 0:05:24 | |
We realised it was from the big building. | 0:05:24 | 0:05:26 | |
..and all fingers pointed at the building above that was | 0:05:26 | 0:05:30 | |
burning a hot spot on the pavement below it, but how? | 0:05:30 | 0:05:34 | |
Now, we all know that mirrored surfaces reflect sunlight | 0:05:41 | 0:05:45 | |
and when they're curved, they focus this into a central point | 0:05:45 | 0:05:50 | |
where it becomes a much more powerful beam. | 0:05:50 | 0:05:54 | |
That's what was happening with that London tower block. | 0:05:57 | 0:06:02 | |
It was focusing the beam down onto the pavement where it was hot | 0:06:02 | 0:06:06 | |
enough to damage stationary objects. | 0:06:06 | 0:06:09 | |
It's impressive, | 0:06:10 | 0:06:13 | |
but it's still not enough to set fire to birds in flight. | 0:06:13 | 0:06:18 | |
For that, you'd have to seriously upscale. | 0:06:18 | 0:06:21 | |
This isn't a mirage. | 0:06:26 | 0:06:28 | |
This is Ivanpah, a power plant with a difference. | 0:06:32 | 0:06:37 | |
300,000 mirrors reflect the desert sun onto a central tower. | 0:06:42 | 0:06:48 | |
Boiling water to create steam which then generates energy. | 0:06:50 | 0:06:57 | |
It's an undeniably beautiful piece of engineering, | 0:07:03 | 0:07:07 | |
but with an unexpectedly deadly side-effect. | 0:07:07 | 0:07:10 | |
Now, we can demonstrate the power of Ivanpah, right here. | 0:07:11 | 0:07:15 | |
EERIE MUSIC | 0:07:24 | 0:07:28 | |
Ivanpah in miniature. | 0:07:44 | 0:07:46 | |
These tiny mirrors reflect the light. | 0:07:48 | 0:07:51 | |
But, crucially, it's not scattered. | 0:07:53 | 0:07:55 | |
The mirrors are perfectly angled. | 0:07:55 | 0:07:58 | |
It's a parabolic curve focusing the light onto a centre point. | 0:08:00 | 0:08:04 | |
And turbo charging that light and the heat intensity. | 0:08:09 | 0:08:13 | |
Now, it's hot enough to roast wood, even melt lead. | 0:08:19 | 0:08:25 | |
And feathers, well, they simply don't stand a chance. | 0:08:29 | 0:08:32 | |
But that, on an industrial scale, | 0:08:37 | 0:08:40 | |
out here in this desert, under that sun, | 0:08:40 | 0:08:44 | |
the power generated is off the scale. | 0:08:44 | 0:08:47 | |
As the desert sun hits Ivanpah's 300,000 mirrors, | 0:08:51 | 0:08:55 | |
the light is reflected towards the towers, | 0:08:55 | 0:08:57 | |
creating temperatures of up to 1000 degrees Centigrade. | 0:08:57 | 0:09:02 | |
The experiment in green energy had created a solar death ray. | 0:09:04 | 0:09:09 | |
So, what can the plant do, to solve this very sad problem? | 0:09:11 | 0:09:16 | |
They've been willing to modify their software system. | 0:09:16 | 0:09:19 | |
They've also been working to test out deterrent systems to scare | 0:09:19 | 0:09:23 | |
birds away from the danger zone around the towers. | 0:09:23 | 0:09:27 | |
Let's hope they find a solution that works. | 0:09:27 | 0:09:30 | |
So, this tragic loss of avian life is testament to the awesome | 0:09:35 | 0:09:40 | |
power of the sun. | 0:09:40 | 0:09:42 | |
It just makes you wonder, doesn't it, | 0:09:42 | 0:09:44 | |
what else the sun is responsible for? | 0:09:44 | 0:09:47 | |
How about changing the landscape of musical history? | 0:09:51 | 0:09:55 | |
In the 1600s, Antonio Stradivari took a piece of spruce | 0:09:58 | 0:10:03 | |
and made a violin. | 0:10:03 | 0:10:05 | |
Today, his instruments are the most famous on the planet. | 0:10:07 | 0:10:12 | |
Every music collector wants to own one | 0:10:12 | 0:10:15 | |
and every dealer wants to get their hands on one. | 0:10:15 | 0:10:18 | |
When I pick up one of these instruments, | 0:10:18 | 0:10:20 | |
there's always something a bit special and magic about it. | 0:10:20 | 0:10:24 | |
An instrument from the golden period, which this instrument is from, | 0:10:26 | 0:10:30 | |
could be worth from a few million dollars to 12 million dollars | 0:10:30 | 0:10:33 | |
or 15 million dollars and if it's a great one, oh! | 0:10:33 | 0:10:39 | |
142,000, 145,000... | 0:10:39 | 0:10:41 | |
Wow. And their desirability is down to one thing - sound. | 0:10:41 | 0:10:46 | |
It's got a real magic aura to it | 0:10:53 | 0:10:56 | |
and it's partly for that reason that people have tried to figure | 0:10:56 | 0:11:00 | |
out what's the so-called secret of Stradivari. | 0:11:00 | 0:11:03 | |
Yes. For 300 years, craftsmen have tried to discover | 0:11:11 | 0:11:15 | |
the secret to Stradivari's sound. | 0:11:15 | 0:11:18 | |
They've tested every theory. | 0:11:21 | 0:11:23 | |
The wood has been soaked in seawater or the varnish has volcanic ash | 0:11:25 | 0:11:29 | |
in it, was another one I remember. | 0:11:29 | 0:11:31 | |
But they've all failed, until, that is... | 0:11:31 | 0:11:34 | |
..a scandal hit the headlines. | 0:11:37 | 0:11:39 | |
Now, Stradivari's most famous violin is known as the Messiah | 0:11:44 | 0:11:48 | |
and it's aptly named, apparently, because those in the know, | 0:11:48 | 0:11:53 | |
claim that it's the world's ultimate violin. | 0:11:53 | 0:11:56 | |
But back in 1999, someone had the temerity to | 0:11:56 | 0:12:00 | |
suggest that this priceless piece of musical history, wasn't | 0:12:00 | 0:12:05 | |
the real deal, that Stradivari hadn't made it, that it was a fake. | 0:12:05 | 0:12:09 | |
Now, let's just put that in perspective. | 0:12:11 | 0:12:14 | |
That's a bit like saying that Leonardo da Vinci didn't | 0:12:14 | 0:12:17 | |
paint the Mona Lisa, that John Lennon didn't write Imagine. | 0:12:17 | 0:12:22 | |
The classical musos were in absolute uproar. | 0:12:24 | 0:12:29 | |
To calm the clamour, | 0:12:30 | 0:12:32 | |
the Messiah was brought under the scrutiny of a specialist. | 0:12:32 | 0:12:36 | |
It was a thrilling moment, for me, when they took it out of the case. | 0:12:36 | 0:12:39 | |
I have gloves on and they put it in my hands and said, | 0:12:39 | 0:12:43 | |
"Here is a musical instrument worth millions of dollars. | 0:12:43 | 0:12:46 | |
"Do what you want with it." | 0:12:46 | 0:12:47 | |
Henri and his team studied the unique rings of the Messiah's wood. | 0:12:50 | 0:12:55 | |
We use pattern matching in the tree rings sciences, to determine | 0:12:55 | 0:12:58 | |
when these tree rings were formed. | 0:12:58 | 0:13:00 | |
The rings of the Messiah matched perfectly with samples | 0:13:02 | 0:13:06 | |
taken from the Stradivari Forest. | 0:13:06 | 0:13:09 | |
When I saw that, I knew that this was not a fake, it was not a copy. | 0:13:09 | 0:13:14 | |
This was an instrument that was contemporary with | 0:13:14 | 0:13:16 | |
Antonio Stradivarius and in all likelihood, | 0:13:16 | 0:13:19 | |
was made by Antonio Stradivarius. | 0:13:19 | 0:13:21 | |
So, it was the Messiah's wood that gave the world's most famous | 0:13:23 | 0:13:28 | |
violin its ring of authenticity. | 0:13:28 | 0:13:32 | |
But I've got to tell you, that those | 0:13:32 | 0:13:33 | |
rings revealed something far more exciting. | 0:13:33 | 0:13:37 | |
Now, remember I was talking about the sun. Well, stick with me. | 0:13:37 | 0:13:41 | |
Right, we know that every ring represents a year in a tree's life, | 0:13:42 | 0:13:47 | |
but the thickness of each ring is just as important. | 0:13:47 | 0:13:51 | |
A wide ring tells us that during that year, | 0:13:52 | 0:13:55 | |
the tree grew very quickly. | 0:13:55 | 0:13:57 | |
But a thin ring means exactly the opposite. | 0:13:59 | 0:14:02 | |
That means the tree grew slowly. | 0:14:02 | 0:14:05 | |
And the Messiah had incredibly thin rings. | 0:14:07 | 0:14:11 | |
So tightly packed, that the wood was three times more dense | 0:14:11 | 0:14:15 | |
than that of a modern instrument. | 0:14:15 | 0:14:17 | |
Dense enough to create an exceptional sound. | 0:14:17 | 0:14:21 | |
But why was that wood so extraordinarily dense? | 0:14:24 | 0:14:28 | |
And what on earth has the sun got to do with it? | 0:14:29 | 0:14:32 | |
Well, when Stradivari was making violins in the Italian Alps, | 0:14:37 | 0:14:40 | |
the sun was behaving very strangely. | 0:14:40 | 0:14:45 | |
Between 1300 and the late 1800s, its power was reduced. | 0:14:45 | 0:14:51 | |
Lakes froze... | 0:14:51 | 0:14:52 | |
..the days darkened. | 0:14:55 | 0:14:56 | |
It was a little Ice Age. | 0:14:58 | 0:15:00 | |
Now, the Little Ice Age might be news to you | 0:15:07 | 0:15:10 | |
but it actually happened. | 0:15:10 | 0:15:11 | |
In fact, it got so cold during the winter times that the Thames | 0:15:11 | 0:15:16 | |
froze over. | 0:15:16 | 0:15:18 | |
Now, imagine you are a tree growing somewhere in the Alps | 0:15:18 | 0:15:22 | |
but growing quite close to a famous violin maker's house. | 0:15:22 | 0:15:27 | |
You're using every last little bit of that sunshine, | 0:15:27 | 0:15:31 | |
but it's difficult, | 0:15:31 | 0:15:32 | |
which means you're growing very, very slowly indeed. | 0:15:32 | 0:15:36 | |
It's starting to fall into place. | 0:15:36 | 0:15:39 | |
Henry's theory is that the sun, or the lack of it, | 0:15:45 | 0:15:49 | |
created super-dense, super-musical spruce. | 0:15:49 | 0:15:54 | |
So, solar starvation could be the secret for the Stradivarius's | 0:16:00 | 0:16:05 | |
beautiful and unique sound. | 0:16:05 | 0:16:07 | |
But of course, the world's finest violin wouldn't be any good | 0:16:08 | 0:16:13 | |
without the world's finest violin strings. | 0:16:13 | 0:16:16 | |
In 2012, a Japanese researcher decided to produce the world's most | 0:16:17 | 0:16:22 | |
beautiful violin string. | 0:16:22 | 0:16:25 | |
Instead of using the traditional gut or metal, | 0:16:25 | 0:16:29 | |
Dr Osaki wove 15,000 strands of silk. | 0:16:29 | 0:16:33 | |
RADIO TUNING | 0:16:35 | 0:16:39 | |
VIOLIN MUSIC | 0:16:39 | 0:16:41 | |
I know what you're thinking. | 0:16:41 | 0:16:42 | |
You're thinking, "That still sounds like a violin," | 0:16:42 | 0:16:45 | |
but it's a little bit softer. | 0:16:45 | 0:16:46 | |
RADIO TUNING | 0:16:47 | 0:16:50 | |
And to trained ears... | 0:16:50 | 0:16:54 | |
it's more profound. | 0:16:54 | 0:16:57 | |
Which is downright weird, because Dr Osaki isn't a musician. | 0:16:57 | 0:17:03 | |
He's a medical researcher | 0:17:03 | 0:17:05 | |
and he made the strings with the help of his lab partners. | 0:17:05 | 0:17:09 | |
300 orb web spiders. | 0:17:11 | 0:17:14 | |
Their silk fibres combined together are tough enough to be played. | 0:17:21 | 0:17:25 | |
And Dr Osaki puts the string's unique sound down to the way | 0:17:27 | 0:17:31 | |
the fibres compact together leaving barely any air gaps | 0:17:31 | 0:17:35 | |
between the strands. | 0:17:35 | 0:17:37 | |
It's not really my sort of thing, but I'm growing to like it. | 0:17:43 | 0:17:47 | |
But with 15,000 strands of silk in every single string, | 0:17:47 | 0:17:52 | |
it's unlikely that they're ever going to hit the mass market. | 0:17:52 | 0:17:56 | |
It would be impossible to kit out a fully-fledged orchestra. | 0:17:56 | 0:18:01 | |
Unless, of course, you had a spider silk making factory. | 0:18:02 | 0:18:06 | |
But then, that's a ludicrous idea... | 0:18:06 | 0:18:09 | |
isn't it? | 0:18:09 | 0:18:11 | |
Well, no. | 0:18:13 | 0:18:14 | |
Not for one extraordinary scientist, who's discovered | 0:18:14 | 0:18:17 | |
the secret of spider-silk manufacturing. | 0:18:17 | 0:18:20 | |
Spider silk is the strongest fibre that's found in nature. | 0:18:22 | 0:18:25 | |
Has a tensile strength greater than Kevlar | 0:18:25 | 0:18:28 | |
and has an elasticity or elongation greater than nylon. | 0:18:28 | 0:18:31 | |
So, it means we can use it for different medical | 0:18:33 | 0:18:35 | |
products like artificial ligaments, artificial tendons, hard body parts. | 0:18:35 | 0:18:39 | |
For airplane parts, even for protective clothing. | 0:18:39 | 0:18:42 | |
A silk aeroplane, you'd need tonnes of the stuff. | 0:18:44 | 0:18:49 | |
But Randy's not running a spider sweatshop. | 0:18:49 | 0:18:52 | |
So, the problem with using spider silk from spiders themselves | 0:18:52 | 0:18:55 | |
is the spiders can't be farmed. | 0:18:55 | 0:18:57 | |
They're territorial, they're cannibalistic, so, | 0:18:57 | 0:18:59 | |
if you put a lot of them together, they kill each other until everybody | 0:18:59 | 0:19:02 | |
has enough room, so you've got to come up with | 0:19:02 | 0:19:04 | |
another manufacturing method. | 0:19:04 | 0:19:06 | |
Born and bred in Utah, Randy has farming in his blood. | 0:19:10 | 0:19:14 | |
Goats are his thing and although they might look normal, | 0:19:16 | 0:19:20 | |
these goats are anything but normal. | 0:19:20 | 0:19:24 | |
You see, inside their cells is a little something extra. | 0:19:24 | 0:19:28 | |
Something spidery. | 0:19:28 | 0:19:29 | |
The majority of these goats have a gene in them that came from a spider. | 0:19:31 | 0:19:37 | |
We took the DNA for the spider-silk gene. | 0:19:42 | 0:19:44 | |
That DNA was then injected into an embryo | 0:19:44 | 0:19:47 | |
and we take the embryos and we implant them into a... | 0:19:47 | 0:19:51 | |
into an accepter female and five months later, | 0:19:51 | 0:19:54 | |
she has a baby goat for us. | 0:19:54 | 0:19:55 | |
Real-life spider kids... | 0:19:58 | 0:19:59 | |
..that will grow up to produce spider silk in their milk. | 0:20:01 | 0:20:05 | |
Now, this isn't actually as weird as you might first think | 0:20:14 | 0:20:17 | |
because spider silk, when in the spider, is also a liquid. | 0:20:17 | 0:20:21 | |
But I have to say, this is where the similarity ends, | 0:20:23 | 0:20:27 | |
because spiders have special spinnerets that spin | 0:20:27 | 0:20:29 | |
the liquid into solid lines of silk. | 0:20:29 | 0:20:32 | |
But how do you get silk out of a goat? | 0:20:35 | 0:20:39 | |
So, we take the milk from the goats here. | 0:20:39 | 0:20:40 | |
We take it back to the lab and we purify | 0:20:40 | 0:20:43 | |
the spider-silk protein out of it. | 0:20:43 | 0:20:45 | |
And then we try to mimic what the spider does in terms of actually | 0:20:45 | 0:20:48 | |
making the fibre so we try to spin it | 0:20:48 | 0:20:51 | |
so that we pull it instead of pushing it out. | 0:20:51 | 0:20:54 | |
Then we stretch it, which is exactly the same thing that a spider does. | 0:20:54 | 0:20:57 | |
This year's crop of kids look cute now, | 0:21:00 | 0:21:02 | |
but soon they'll be spider-goat silk-making machines. | 0:21:02 | 0:21:08 | |
So, our very best goat makes about four grams of spider-silk | 0:21:08 | 0:21:12 | |
protein per litre. | 0:21:12 | 0:21:14 | |
She produces about eight litres per day, so about 32 grams per day. | 0:21:14 | 0:21:18 | |
And that's enough to spin 32,000 metres of silk. | 0:21:18 | 0:21:22 | |
And that's the length of 3,000 football pitches. | 0:21:24 | 0:21:28 | |
For now, though, they're more interested in Randy's trousers. | 0:21:30 | 0:21:34 | |
Well, I suppose they're still 99.9% goat after all. | 0:21:34 | 0:21:38 | |
Spider goats. | 0:21:42 | 0:21:43 | |
Sounds like science-fiction. | 0:21:43 | 0:21:46 | |
But if you think that's a weird hybrid, what if I were to | 0:21:46 | 0:21:49 | |
tell you that someone had actually fused spider silk | 0:21:49 | 0:21:55 | |
with human skin? | 0:21:55 | 0:21:57 | |
A lab in the Netherlands took Randy's goat silk | 0:21:59 | 0:22:03 | |
and created Super Skin. | 0:22:03 | 0:22:04 | |
Then they shot at it. | 0:22:08 | 0:22:11 | |
GUNSHOT | 0:22:14 | 0:22:16 | |
So, why bother going to all the trouble? | 0:22:16 | 0:22:19 | |
But look! | 0:22:19 | 0:22:20 | |
The sample isn't destroyed. | 0:22:20 | 0:22:22 | |
Just look at it stretch as the bullet hits. | 0:22:27 | 0:22:30 | |
Incredibly, the spider skin holds that bullet firm. | 0:22:32 | 0:22:35 | |
With the silk strengthening properties, it's | 0:22:39 | 0:22:41 | |
nearly as tough as Kevlar, the stuff used to make bulletproof vests. | 0:22:41 | 0:22:45 | |
It's got real potential for an exciting super-fabric. | 0:22:47 | 0:22:50 | |
Real-life bulletproof spider skin. | 0:22:52 | 0:22:56 | |
What a thought. | 0:22:56 | 0:22:57 | |
So, all in all, solar power has serious implications | 0:22:59 | 0:23:03 | |
for our avian friends, but sun starvation creates sweet sounds... | 0:23:03 | 0:23:10 | |
especially when teamed up with silky strings. | 0:23:10 | 0:23:13 | |
And, you know, a spider goat is, in fact, a very real and very useful | 0:23:14 | 0:23:19 | |
species, whose milk has brought us one step closer to super powers. | 0:23:19 | 0:23:26 | |
OK, what's coming up next? | 0:23:39 | 0:23:41 | |
Well, how do you get from simian CPR to spiny star-crossed lovers? | 0:23:41 | 0:23:48 | |
Let's take a trip to India. | 0:23:48 | 0:23:50 | |
Kanpur train station. | 0:23:53 | 0:23:56 | |
The platform bustling with passengers... | 0:23:57 | 0:24:00 | |
..unaware that they are about to witness a dramatic event... | 0:24:01 | 0:24:05 | |
..as a body falls onto the tracks. | 0:24:07 | 0:24:10 | |
A male macaque has been electrocuted crossing live wires overhead | 0:24:15 | 0:24:20 | |
and there's no sign of life. | 0:24:20 | 0:24:23 | |
But then, something bizarre happens. | 0:24:25 | 0:24:28 | |
Another macaque grabs the body. | 0:24:29 | 0:24:32 | |
Shakes it. | 0:24:39 | 0:24:41 | |
Pummels it. | 0:24:46 | 0:24:48 | |
Bites it. | 0:24:51 | 0:24:52 | |
Even submerges it in water. | 0:24:55 | 0:24:58 | |
For 20 minutes he keeps up this violent cycle. | 0:25:00 | 0:25:03 | |
And then... | 0:25:09 | 0:25:11 | |
to the absolute amazement of the crowd... | 0:25:11 | 0:25:14 | |
..the macaque begins to come round. | 0:25:16 | 0:25:19 | |
Now, unsurprisingly, the film went viral. | 0:25:21 | 0:25:24 | |
Over one million people wanted to watch this monkey CPR. | 0:25:24 | 0:25:28 | |
It's an incredible piece of footage and really weird, too, | 0:25:34 | 0:25:37 | |
because we've come to know that some primates can demonstrate | 0:25:37 | 0:25:42 | |
intelligence, but we don't often think of them | 0:25:42 | 0:25:44 | |
as being truly sympathetic. | 0:25:44 | 0:25:47 | |
But you know, these macaques live in strict hierarchies | 0:25:47 | 0:25:51 | |
and the males will do anything they can to climb up that hierarchy. | 0:25:51 | 0:25:54 | |
So, here's my question. | 0:25:54 | 0:25:56 | |
Is this male really administering first aid or is it taking | 0:25:56 | 0:26:00 | |
advantage of an opportunity? | 0:26:00 | 0:26:02 | |
An opportunity to kick one of its key competitors when it's down? | 0:26:02 | 0:26:06 | |
When it's really down? | 0:26:06 | 0:26:08 | |
Well, amongst the millions of viewers was a macaque specialist. | 0:26:10 | 0:26:14 | |
Here was this macaque that seemed to be performing CPR on this... | 0:26:14 | 0:26:18 | |
on his buddy. | 0:26:18 | 0:26:20 | |
I sent it to my family, I sent it to my friends, | 0:26:23 | 0:26:25 | |
I sent it to other monkey researchers and said, "Have you seen this? | 0:26:25 | 0:26:28 | |
"Have you seen what's happening with these animals in India?" | 0:26:28 | 0:26:31 | |
I knew there had to be more to this story. There had to be a back story. | 0:26:31 | 0:26:34 | |
Lisa got inside the mind of the macaque. | 0:26:37 | 0:26:40 | |
Females stay in a troop from birth to death. | 0:26:42 | 0:26:44 | |
But males, as they reach sexual maturity, actually have to | 0:26:44 | 0:26:47 | |
migrate out. | 0:26:47 | 0:26:48 | |
And they do that typically together | 0:26:48 | 0:26:50 | |
and then they formed kind of these boy bands. | 0:26:50 | 0:26:52 | |
These male bands that are kind of moving throughout the area in search of another troop to join. | 0:26:52 | 0:26:57 | |
As I looked at the bigger part of the video, | 0:26:57 | 0:26:59 | |
the longer video clip, this was clearly almost all males together. | 0:26:59 | 0:27:02 | |
They could be brothers, they could be siblings of some kind. | 0:27:02 | 0:27:06 | |
These two animals would have known each other. | 0:27:06 | 0:27:08 | |
OK. But this is hardly the gentle care of brothers-in-arms. | 0:27:11 | 0:27:15 | |
The macaque's behaviour is brutal. | 0:27:15 | 0:27:17 | |
They are not fragile flowers. | 0:27:19 | 0:27:21 | |
I mean, I like to think the macaques are fairly bombproof. | 0:27:21 | 0:27:25 | |
If he had wanted to hurt that animal, if he had wanted to kill him, | 0:27:25 | 0:27:27 | |
there is nothing that would have stopped him. | 0:27:27 | 0:27:31 | |
It's clear that this animal is committed to getting this | 0:27:31 | 0:27:34 | |
other monkey back on his feet. | 0:27:34 | 0:27:37 | |
So, this truly is tough love? | 0:27:37 | 0:27:40 | |
One friend saving another? | 0:27:42 | 0:27:45 | |
But how on earth did he know what to do? | 0:27:45 | 0:27:48 | |
The wires that actually are extended throughout these | 0:27:53 | 0:27:56 | |
urban areas are a great...they are like highways for macaques, you know? | 0:27:56 | 0:28:00 | |
They are constantly moving across them. | 0:28:00 | 0:28:03 | |
A handy shortcut, but pick the wrong wire | 0:28:03 | 0:28:06 | |
and you're in for a shock. | 0:28:06 | 0:28:08 | |
Electrocutions are very, very common for monkeys in Southeast Asia. | 0:28:09 | 0:28:14 | |
Lisa believes that this macaque is no stranger to electrical mishap. | 0:28:16 | 0:28:22 | |
She thinks he's been in this situation before. | 0:28:22 | 0:28:25 | |
They've seen animals get electrocuted, | 0:28:25 | 0:28:27 | |
they've seen them drop, and they know that they've got to go in there | 0:28:27 | 0:28:31 | |
and kind of do this very vigorous agitation. | 0:28:31 | 0:28:33 | |
This streetwise macaque has learned from previous experience that | 0:28:33 | 0:28:38 | |
brute force and perseverance can bring a friend back from the brink. | 0:28:38 | 0:28:43 | |
His buddy came in there and did what an urban macaque's going to do. | 0:28:43 | 0:28:49 | |
They're going to...they're going to assess the situation... | 0:28:49 | 0:28:52 | |
they're going to step in, they've going to change their behaviour. | 0:28:52 | 0:28:55 | |
They're going to adapt to the situation and he brought his buddy back. | 0:28:55 | 0:28:59 | |
That's a good monkey. | 0:28:59 | 0:29:00 | |
What can I say? For once, a happy ending, and we love a happy ending. | 0:29:02 | 0:29:07 | |
Really bizarre and remarkable too. | 0:29:07 | 0:29:09 | |
And there must be something about Indian train stations, | 0:29:09 | 0:29:13 | |
because this isn't the first piece of monkey madness | 0:29:13 | 0:29:15 | |
to hit the headlines. | 0:29:15 | 0:29:17 | |
Macaques may be kind to each other, but to us, they can be trouble. | 0:29:21 | 0:29:27 | |
Yeah, in parts of India, their populations have exploded. | 0:29:36 | 0:29:40 | |
Particularly in cities, | 0:29:40 | 0:29:42 | |
where they are making a real nuisance of themselves. | 0:29:42 | 0:29:45 | |
The station at Lucknow in North India was a favourite | 0:29:52 | 0:29:56 | |
monkey hang-out until the local authorities brought in a man | 0:29:56 | 0:30:00 | |
with a unique skillset to tackle these troublemakers. | 0:30:00 | 0:30:04 | |
Acchan Miyan is Lucknow's official monkey man. | 0:30:14 | 0:30:19 | |
The monkeys at the station are too used to people to be scared away | 0:30:22 | 0:30:25 | |
by them...but a man-sized monkey... | 0:30:25 | 0:30:30 | |
that's a serious threat. | 0:30:30 | 0:30:33 | |
Monkeys respect hierarchy, they respect authority. | 0:30:34 | 0:30:37 | |
Those monkeys know that somebody's here who's going to | 0:30:37 | 0:30:40 | |
kind of lay down the law. | 0:30:40 | 0:30:41 | |
And it's not the face paint, it's Acchan's acting that really counts. | 0:30:46 | 0:30:50 | |
It's the way he moves, it's the way he makes eye contact. | 0:30:50 | 0:30:54 | |
He doesn't even have to have a stick in his hand. | 0:30:54 | 0:30:57 | |
He can just kind of walk through in a way that every | 0:30:57 | 0:30:59 | |
monkey's going to be like, "Oh... | 0:30:59 | 0:31:01 | |
"Maybe we should leave." | 0:31:03 | 0:31:04 | |
Well, the dressing up might not be entirely necessary, | 0:31:18 | 0:31:21 | |
but I suppose it demonstrates a certain sense of commitment. | 0:31:21 | 0:31:24 | |
But on the whole, what a fabulous idea. | 0:31:24 | 0:31:27 | |
A dominant male on the block means we don't have to take any more | 0:31:27 | 0:31:30 | |
drastic measures to get rid of those monkeys, | 0:31:30 | 0:31:32 | |
which is good...and clever, too. | 0:31:32 | 0:31:35 | |
Although I have to say, I probably can't take recent reports | 0:31:35 | 0:31:39 | |
of dressing up in Japan quite as seriously. | 0:31:39 | 0:31:42 | |
Tama Zoo, near Tokyo. | 0:31:47 | 0:31:49 | |
And that... | 0:31:51 | 0:31:53 | |
well, that's the head keeper dressed up as a snow leopard. | 0:31:53 | 0:31:56 | |
DISTANT MEGAPHONE CHATTER | 0:31:56 | 0:31:58 | |
Why? Well, the zoo staff are taking part in break-out tests... | 0:31:58 | 0:32:04 | |
..rehearsing procedures should any of their animals | 0:32:06 | 0:32:08 | |
escaped in the event of an earthquake. | 0:32:08 | 0:32:11 | |
Oh, look... | 0:32:11 | 0:32:12 | |
bang! | 0:32:12 | 0:32:14 | |
There goes the tranquiliser. | 0:32:14 | 0:32:17 | |
And he's down. | 0:32:17 | 0:32:19 | |
Method acting at its, er...best. | 0:32:19 | 0:32:22 | |
Now, this might look like some strange new Japanese game show, | 0:32:25 | 0:32:29 | |
but actually, this role-play is quite serious. | 0:32:29 | 0:32:31 | |
In June 2015, | 0:32:40 | 0:32:42 | |
a major flood set zoo animals loose | 0:32:42 | 0:32:45 | |
on the streets of Tbilisi, in Georgia. | 0:32:45 | 0:32:47 | |
Rescue workers managed to save some, but very sadly, | 0:32:51 | 0:32:55 | |
many animals were lost in the unfortunate aftermath of this event. | 0:32:55 | 0:32:59 | |
Keeping animals and public safe | 0:33:01 | 0:33:03 | |
is at the heart of this bizarre yearly escapade. | 0:33:03 | 0:33:06 | |
And, in fact, it's become so popular with visitors | 0:33:08 | 0:33:11 | |
that other wildlife parks around the world | 0:33:11 | 0:33:13 | |
have now been inspired to follow suit. | 0:33:13 | 0:33:15 | |
OK, I suppose it's a bit of fun and perhaps one day, | 0:33:35 | 0:33:38 | |
after all of those bizarre rehearsals, | 0:33:38 | 0:33:41 | |
if there's a real emergency at the zoo, it might all end well. | 0:33:41 | 0:33:45 | |
But at Israel's Ramat Gan Zoo, | 0:33:47 | 0:33:50 | |
keeping the residents ON the premises isn't the problem. | 0:33:50 | 0:33:54 | |
This is Dorit... | 0:33:56 | 0:33:59 | |
an Indian crested porcupine, | 0:33:59 | 0:34:02 | |
native to Israel. | 0:34:02 | 0:34:03 | |
Abandoned as a baby, she's been hand-reared by the staff at the zoo. | 0:34:05 | 0:34:10 | |
We got really, really attached to her. | 0:34:10 | 0:34:13 | |
We've known her since she was just a cute little tiny baby. | 0:34:13 | 0:34:16 | |
They raised her here at the wildlife hospital, so we all got to chip in | 0:34:18 | 0:34:22 | |
and bottle-feed her and get really, really attached to her, | 0:34:22 | 0:34:25 | |
and see her grow into this beautiful, beautiful porcupine. | 0:34:25 | 0:34:29 | |
And for nearly a decade, Dorit's lived a quiet life. | 0:34:30 | 0:34:34 | |
That was until early 2015, | 0:34:34 | 0:34:37 | |
when strange sightings started to concern her keepers. | 0:34:37 | 0:34:41 | |
Like, every morning, I came to the exhibit to see Dorit, | 0:34:41 | 0:34:45 | |
to feed her, to clean the yard. | 0:34:45 | 0:34:48 | |
And one special day, I came here and I saw the poop. | 0:34:48 | 0:34:52 | |
Instead of being inside the exhibit, it was outside. | 0:34:52 | 0:34:56 | |
And I thought to myself, "One of the keepers was very lazy yesterday. | 0:34:56 | 0:35:00 | |
"Instead of putting it into the garbage, just swept away. | 0:35:00 | 0:35:04 | |
"Never mind! I'll clean it up." | 0:35:04 | 0:35:06 | |
The other keepers denied any slacking, | 0:35:07 | 0:35:10 | |
but the poo kept appearing. | 0:35:10 | 0:35:13 | |
I came another day and I saw again the poop was outside of the exhibit. | 0:35:13 | 0:35:18 | |
Then a couple of weeks later, just as the mysterious poo | 0:35:23 | 0:35:27 | |
was starting to become a bit of an issue, an alarm went up. | 0:35:27 | 0:35:31 | |
A call from the primate department came, | 0:35:34 | 0:35:36 | |
"Your porcupine's out on the loose, we see her, she's right here. | 0:35:36 | 0:35:39 | |
"She's escaped." | 0:35:39 | 0:35:41 | |
We rushed to Dorit's enclosure and there she was, | 0:35:42 | 0:35:45 | |
just being her happy old Dorit self. | 0:35:45 | 0:35:47 | |
How could Dorit have been in two places at once? | 0:35:51 | 0:35:56 | |
It was time to get to the bottom of this mystery. | 0:35:56 | 0:35:59 | |
We decided to put a camera trap, because they're nocturnal, | 0:36:00 | 0:36:03 | |
they're mostly active at night and we wanted to see what was going on. | 0:36:03 | 0:36:07 | |
At first, just a few feral cats... | 0:36:14 | 0:36:16 | |
..a frisky cock... | 0:36:19 | 0:36:21 | |
But then... | 0:36:24 | 0:36:25 | |
We realised when we looked at the footage that there is a male | 0:36:29 | 0:36:32 | |
porcupine that comes in every night for the past month to visit her. | 0:36:32 | 0:36:36 | |
Dorit wasn't breaking out... | 0:36:39 | 0:36:42 | |
a wild male was breaking in! | 0:36:42 | 0:36:45 | |
He's not just defecating next to her, | 0:36:45 | 0:36:47 | |
he's actually interacting with her through the bars. | 0:36:47 | 0:36:49 | |
They touch noses, they sniff each other. | 0:36:49 | 0:36:52 | |
Dorit had a secret lover. | 0:36:54 | 0:36:56 | |
It's most likely that he smelled her and came all the way into the zoo | 0:36:56 | 0:37:00 | |
to meet her, which is quite exciting. | 0:37:00 | 0:37:03 | |
Porcupines, you see, give off a very powerful scent | 0:37:04 | 0:37:08 | |
that their quills help to stir up and distribute over long distances. | 0:37:08 | 0:37:13 | |
It's how male and female porcupines find each other | 0:37:15 | 0:37:18 | |
and then become inseparable for life. | 0:37:18 | 0:37:21 | |
Dorit's lover was so intoxicated with her aroma that he travelled | 0:37:25 | 0:37:29 | |
through the Safari Park, past the hippos, past the rhinos | 0:37:29 | 0:37:33 | |
and the giraffe, just to be by her side. | 0:37:33 | 0:37:36 | |
The story kind of broke our hearts | 0:37:38 | 0:37:40 | |
because he found a very special lady but he can't be with her. | 0:37:40 | 0:37:43 | |
We can't quite release her because we're afraid for her, | 0:37:43 | 0:37:46 | |
she's imprinted on people. | 0:37:46 | 0:37:48 | |
We're afraid that she'll come close to people | 0:37:48 | 0:37:50 | |
and that they'll hurt her. | 0:37:50 | 0:37:52 | |
We can't bring him in to her because he's a wild porcupine | 0:37:52 | 0:37:56 | |
and it's unfair to bring him into captivity | 0:37:56 | 0:37:58 | |
when he belongs out in the wild. | 0:37:58 | 0:38:00 | |
So the zoo staff are left with only one option... | 0:38:02 | 0:38:05 | |
to hope that frustration eventually gets the better | 0:38:05 | 0:38:09 | |
of Dorit's late-night lover. | 0:38:09 | 0:38:11 | |
So we're hoping for him that he'll give up one day | 0:38:14 | 0:38:17 | |
and find, you know, another wild porcupine to be with | 0:38:17 | 0:38:20 | |
and now that we know that Dorit is interested in boys, | 0:38:20 | 0:38:24 | |
we'll definitely consider bringing her a nice boy porcupine to be with. | 0:38:24 | 0:38:29 | |
I hope for her to find a nice man also handsome like her. | 0:38:31 | 0:38:36 | |
Alas, poor Dorit. | 0:38:45 | 0:38:47 | |
No, don't worry, it's not her. | 0:38:47 | 0:38:49 | |
Porcupines are one of my favourite animals, | 0:38:49 | 0:38:51 | |
I wouldn't do that sort of thing. | 0:38:51 | 0:38:53 | |
But perhaps, you know, this tragedy could end up with a happy ending. | 0:38:53 | 0:38:55 | |
It could end up as a sort of romantic comedy | 0:38:55 | 0:38:58 | |
for our spiny star-crossed lovers. | 0:38:58 | 0:39:00 | |
From a macaque with CPR skills... | 0:39:02 | 0:39:05 | |
to a monkey man in disguise... | 0:39:05 | 0:39:07 | |
..bizarre break-out drills and late-night break-ins... | 0:39:09 | 0:39:13 | |
we've lifted the lid on a weird world of strange secret behaviours. | 0:39:13 | 0:39:19 | |
Finally, from a man-mole to a congealed colony of deep-sea clones. | 0:39:32 | 0:39:37 | |
So let's head south... | 0:39:38 | 0:39:40 | |
Deep South. | 0:39:40 | 0:39:41 | |
Early morning, deep in the Apalachicola Forest, Florida. | 0:39:47 | 0:39:53 | |
METALLIC GRUMBLING | 0:39:53 | 0:39:58 | |
A strange sound breaks the quiet. | 0:39:58 | 0:40:01 | |
METALLIC GRUMBLING | 0:40:01 | 0:40:03 | |
Not made by a forest creature, | 0:40:03 | 0:40:07 | |
but by a man already very hard at work. | 0:40:07 | 0:40:11 | |
I not only love what I do... | 0:40:11 | 0:40:14 | |
..I'm bonded to it. | 0:40:17 | 0:40:19 | |
It's in my blood to do this. | 0:40:26 | 0:40:29 | |
I don't... | 0:40:29 | 0:40:31 | |
yearn for any other type of employment. | 0:40:31 | 0:40:34 | |
METALLIC GRUMBLING | 0:40:39 | 0:40:42 | |
It's safe to say that Gary doesn't do your average day job. | 0:40:42 | 0:40:47 | |
There's a technique to it, there's an art to it. | 0:40:47 | 0:40:50 | |
It's like playing an instrument. | 0:40:50 | 0:40:52 | |
Either you can play it or you can't. | 0:40:52 | 0:40:54 | |
Gary makes a unique noise that fellow Floridians in the know | 0:41:00 | 0:41:05 | |
call a grunt. | 0:41:05 | 0:41:07 | |
-It's a strange sound... -METALLIC GRUNTING | 0:41:08 | 0:41:11 | |
..but with an even stranger purpose. | 0:41:11 | 0:41:14 | |
You see, Gary is a hunter. | 0:41:15 | 0:41:19 | |
And his grunting brings in the most unexpected catch. | 0:41:19 | 0:41:23 | |
There's no other technique that I know that can get these | 0:41:32 | 0:41:37 | |
worms like this, with this right here, | 0:41:37 | 0:41:40 | |
this simple wooden stump and this piece of iron. | 0:41:40 | 0:41:43 | |
Earthworms are irresistibly drawn to Gary's grunt. | 0:41:44 | 0:41:49 | |
He then sells them as bait to fishermen. | 0:41:49 | 0:41:52 | |
And not just the odd one or two. | 0:41:53 | 0:41:56 | |
You know, I want to say maybe 3,000 to 4,000 to 5,000 a day | 0:41:56 | 0:42:01 | |
is a good day. | 0:42:01 | 0:42:03 | |
That's a lot of worms. | 0:42:03 | 0:42:04 | |
And there's certainly no arguing that worm grunting works. | 0:42:09 | 0:42:13 | |
The proof... | 0:42:13 | 0:42:15 | |
Well, look. It's everywhere. | 0:42:15 | 0:42:18 | |
But how does it work? Why are worms so drawn to this strange sound? | 0:42:20 | 0:42:25 | |
Word about Gary's unique skill set | 0:42:30 | 0:42:32 | |
reached the laboratory of an eminent scientist, | 0:42:32 | 0:42:36 | |
who was instantly hooked by the worm grunting mystery. | 0:42:36 | 0:42:40 | |
I'd heard about this technique where you pound a stake into the ground | 0:42:40 | 0:42:44 | |
and you cause these giant vibrations and this brings up | 0:42:44 | 0:42:48 | |
thousands of earthworms to the surface. | 0:42:48 | 0:42:50 | |
That's a real mystery, | 0:42:53 | 0:42:54 | |
because if you think about it, being on the surface | 0:42:54 | 0:42:57 | |
of the soil is the last place you want to be if you're an earthworm. | 0:42:57 | 0:42:59 | |
There's birds and snakes and lizards and ants and all kinds of things | 0:42:59 | 0:43:02 | |
that can eat you, not to mention you're out in the sun. | 0:43:02 | 0:43:05 | |
So it's the last place you would ever want to be. | 0:43:05 | 0:43:07 | |
Why on earth would an earthworm come up out of the ground | 0:43:07 | 0:43:11 | |
when it senses vibrations? | 0:43:11 | 0:43:13 | |
There has to be a good reason. | 0:43:13 | 0:43:14 | |
So Ken went to see the worm grunters in action. | 0:43:16 | 0:43:20 | |
We got married in 1970 and we've been worming ever since. | 0:43:30 | 0:43:35 | |
Things are usually not as good as the stories. | 0:43:39 | 0:43:41 | |
-This was -better -than the stories. | 0:43:41 | 0:43:43 | |
I mean, up came the earthworms out of the ground. | 0:43:43 | 0:43:46 | |
Audrey could go around and collect thousands of them. | 0:43:46 | 0:43:49 | |
It was just really something to see and they're huge earthworms, | 0:43:49 | 0:43:52 | |
so it's really dramatic. | 0:43:52 | 0:43:53 | |
Now, we all know that worms prefer to live below the surface. | 0:43:56 | 0:44:00 | |
And that there is one circumstance when they tend to pop up | 0:44:00 | 0:44:03 | |
and that is when it's raining. | 0:44:03 | 0:44:05 | |
So Ken had a theory which he thought could solve | 0:44:05 | 0:44:09 | |
this worm grunting mystery once and for all... | 0:44:09 | 0:44:12 | |
that Gary's vibrations were replicating | 0:44:12 | 0:44:15 | |
the pitter-patter of rain, right? | 0:44:15 | 0:44:19 | |
Well...actually...no. | 0:44:19 | 0:44:21 | |
Earthworms come to the surface after a long rain, | 0:44:29 | 0:44:31 | |
but it usually takes a whole day of rain or at least hours of rain. | 0:44:31 | 0:44:37 | |
You don't see earthworms fleeing to the surface at the first raindrops. | 0:44:37 | 0:44:41 | |
Ken had a hunch that something much more dramatic was causing | 0:44:41 | 0:44:45 | |
this behaviour and that hunch was that so many worms | 0:44:45 | 0:44:49 | |
would only surface so quickly if they were running scared. | 0:44:49 | 0:44:53 | |
If you're chasing your dinner, you don't want to risk your life. | 0:44:55 | 0:44:59 | |
But if you're about to be dinner, | 0:44:59 | 0:45:01 | |
you need to risk your life to escape. | 0:45:01 | 0:45:04 | |
And his suspicions were confirmed | 0:45:04 | 0:45:06 | |
with the help of an old friend. | 0:45:06 | 0:45:09 | |
Darwin says that it has often been reported, | 0:45:09 | 0:45:12 | |
when the ground is beaten or made to tremble, that worms believe | 0:45:12 | 0:45:15 | |
they're pursued by a mole and will exit their burrows to the surface. | 0:45:15 | 0:45:20 | |
Yes, Ken thought the vibration of Gary's grunting | 0:45:21 | 0:45:25 | |
was mimicking the tunnelling of the worms' ultimate predator. | 0:45:25 | 0:45:29 | |
He just had to prove it. | 0:45:30 | 0:45:32 | |
Gary had a bucket of worms, | 0:45:32 | 0:45:35 | |
and I had collected a mole, and we sort of looked at each other | 0:45:35 | 0:45:39 | |
and thought, "well, let's just do this." | 0:45:39 | 0:45:42 | |
Up came the worms, streaming out to the surface, | 0:45:48 | 0:45:50 | |
and that was just great because the two of us sort of together, | 0:45:50 | 0:45:53 | |
Gary and I, looking into this bucket, | 0:45:53 | 0:45:56 | |
sort of looked at each other and thought, "it's probably moles." | 0:45:56 | 0:45:59 | |
Without knowing it, worm grunters are perfect mole impersonators. | 0:46:02 | 0:46:08 | |
The sound that the worm grunters are making is like | 0:46:08 | 0:46:11 | |
the giant mother of all moles. | 0:46:11 | 0:46:14 | |
To an earthworm, that's a terrifying sound. | 0:46:14 | 0:46:19 | |
That's what he told me. He said, "You're a giant mole." | 0:46:19 | 0:46:23 | |
I said, "That works for me." | 0:46:23 | 0:46:25 | |
What a thing! Worm grunter and biologist | 0:46:25 | 0:46:28 | |
coming together to solve the weirdest-sounding mystery out there. | 0:46:28 | 0:46:32 | |
It doesn't get more perfect. | 0:46:32 | 0:46:35 | |
Grunting sends earthworms fleeing to the surface. | 0:46:37 | 0:46:41 | |
But, you know, there was another subterranean creature | 0:46:41 | 0:46:44 | |
found in North Carolina that the residents | 0:46:44 | 0:46:47 | |
clearly wished had remained underground. | 0:46:47 | 0:46:49 | |
The city of Raleigh. | 0:46:52 | 0:46:55 | |
Leafy, | 0:46:55 | 0:46:57 | |
quiet, | 0:46:57 | 0:46:59 | |
safe. | 0:46:59 | 0:47:00 | |
Well, until the spring of 2009 | 0:47:00 | 0:47:04 | |
when all that changed. | 0:47:04 | 0:47:05 | |
We're a mid-size government town. A lot of beige architecture. | 0:47:08 | 0:47:12 | |
Don't get a lot of, uh, monsters. | 0:47:12 | 0:47:15 | |
Like every city, below the roads and pavements is a network of sewers. | 0:47:19 | 0:47:23 | |
And like in every city, they need inspecting. | 0:47:27 | 0:47:31 | |
We have to monitor the condition of the pipes on a frequent basis | 0:47:32 | 0:47:35 | |
because they can get blocked. | 0:47:35 | 0:47:37 | |
Strange things you'll see are snakes, | 0:47:42 | 0:47:44 | |
money, there's jewellery. | 0:47:44 | 0:47:47 | |
And we certainly see our fair share of rats. | 0:47:47 | 0:47:49 | |
But on April 27th, the cameras captured something, | 0:47:52 | 0:47:56 | |
the likes of which this city had never seen. | 0:47:56 | 0:47:58 | |
So, it appeared that they were going down either a six or eight inch pipe, | 0:48:01 | 0:48:04 | |
with this...with the robot, and they came across a... | 0:48:04 | 0:48:08 | |
..really unusual, somewhat animated... | 0:48:08 | 0:48:12 | |
..um, slimy...substance. | 0:48:13 | 0:48:15 | |
The feed from the cameras showed a bizarre clump | 0:48:23 | 0:48:26 | |
of a strange and unidentified substance. | 0:48:26 | 0:48:30 | |
Slimy and smooth, | 0:48:30 | 0:48:32 | |
reacting to the robot's light. | 0:48:32 | 0:48:34 | |
Pulsating and morphing. | 0:48:34 | 0:48:37 | |
I was at a loss for an explanation. | 0:48:37 | 0:48:40 | |
It was, um, really something | 0:48:42 | 0:48:44 | |
that I've seen out of a science fiction movie. | 0:48:44 | 0:48:47 | |
The discovery of something strange lurking in the sewers didn't | 0:48:49 | 0:48:53 | |
stay secret for long. | 0:48:53 | 0:48:56 | |
There was a clamour, you know. A great alarm in the streets. | 0:48:56 | 0:48:59 | |
It was as though Godzilla had shown up. We were all extremely excited | 0:48:59 | 0:49:03 | |
and, of course, dashed right out to find out about it. | 0:49:03 | 0:49:06 | |
The sewer blob became a sensation. | 0:49:07 | 0:49:11 | |
Everyone had their own theory. | 0:49:11 | 0:49:14 | |
SCREAMING | 0:49:19 | 0:49:21 | |
There was a movie called The Blob, | 0:49:24 | 0:49:26 | |
and so everyone was making a lot of Blob references. | 0:49:26 | 0:49:28 | |
There were... | 0:49:28 | 0:49:30 | |
People thought that it was pudding come to life. | 0:49:30 | 0:49:33 | |
People thought that it was radioactive. | 0:49:33 | 0:49:35 | |
We were getting a lot of questions | 0:49:35 | 0:49:37 | |
and, unfortunately, we didn't have any good answers. | 0:49:37 | 0:49:39 | |
Maybe it was an experiment gone wrong. | 0:49:39 | 0:49:41 | |
Maybe something slithered out of a test-tube and into the sewer system. | 0:49:41 | 0:49:46 | |
If only. But what was the truth behind the headline? | 0:49:46 | 0:49:50 | |
Fingers pointed towards these. | 0:49:54 | 0:49:57 | |
Bryozoa. | 0:49:57 | 0:49:59 | |
Thousands of tiny aquatic animals that live together, | 0:49:59 | 0:50:02 | |
clustered along the bottom of ships and docks. | 0:50:02 | 0:50:05 | |
But this theory didn't quite add up. | 0:50:06 | 0:50:09 | |
Most Bryozoans live in the ocean and actually have these hard little | 0:50:09 | 0:50:13 | |
coffin-like boxes that each Bryozoan body is in. | 0:50:13 | 0:50:16 | |
When there's a lot of them in one place, they can look like a big fleshy blob. | 0:50:19 | 0:50:22 | |
However, this blob was a bit too big | 0:50:22 | 0:50:26 | |
and not quite the right colour to be freshwater Bryozoans. | 0:50:26 | 0:50:30 | |
So, what was this pulsating mass? | 0:50:32 | 0:50:34 | |
Could there really be a sensible scientific explanation? | 0:50:36 | 0:50:39 | |
These are worms, annelid worms - | 0:50:42 | 0:50:44 | |
actually, close relatives of earthworms. | 0:50:44 | 0:50:47 | |
It's actually not quite known how many species, | 0:50:47 | 0:50:51 | |
but they're loosely called tubifex. | 0:50:51 | 0:50:54 | |
Tubifex worms live in the water, | 0:50:56 | 0:50:59 | |
anchoring themselves against the current | 0:50:59 | 0:51:01 | |
and grabbing food as it passes. | 0:51:01 | 0:51:03 | |
Tubifex, in the wild, typically lives in stagnant water. | 0:51:08 | 0:51:12 | |
They can handle quite low oxygen. | 0:51:12 | 0:51:15 | |
They have this deep red blood that gives them their colour. | 0:51:15 | 0:51:18 | |
It allows them to absorb the oxygen through their thin skin. | 0:51:18 | 0:51:22 | |
The prime real estate for something like a tubifex is somewhere | 0:51:24 | 0:51:27 | |
where you can attach to the bottom firmly, and there's food going by. | 0:51:27 | 0:51:31 | |
Obviously, a sewer wouldn't be our first choice for a home, | 0:51:31 | 0:51:34 | |
but for a tubifex, it's absolutely perfect. | 0:51:34 | 0:51:36 | |
That many resources in one place, you can get really dense clumps of them. | 0:51:38 | 0:51:41 | |
So, not a single monster at all, but a colony that moves like one. | 0:51:44 | 0:51:49 | |
Each worm can sense movement around it and it can also contract, | 0:51:51 | 0:51:55 | |
so that's almost like a chain of dominoes. | 0:51:55 | 0:51:58 | |
-This town is in danger. -'How can it be stopped?' | 0:51:58 | 0:52:02 | |
I think people are generally weirded out by whatever | 0:52:02 | 0:52:05 | |
lives in the sewer, and if it's a giant, shiny, slimy, | 0:52:05 | 0:52:09 | |
pulsing ball of worms, then I can understand why they'd be grossed out. | 0:52:09 | 0:52:14 | |
There could be tubifex in a sewer right under your feet right now. | 0:52:15 | 0:52:20 | |
That might be a horrifying thought - unless, of course, you're Josh. | 0:52:20 | 0:52:24 | |
I think that the sewer monster would make an excellent mascot. | 0:52:24 | 0:52:28 | |
I don't know why anyone didn't print T-shirts. | 0:52:28 | 0:52:31 | |
OK, I know a ball of tubifex doesn't exactly constitute a monster, | 0:52:38 | 0:52:42 | |
but it is pretty revolting. | 0:52:42 | 0:52:44 | |
But then, I suppose, if you're a worm living down a sewer, | 0:52:44 | 0:52:47 | |
you don't really have to care too much about your looks. | 0:52:47 | 0:52:50 | |
But that's not to say that all colonial animals are horrid. | 0:52:50 | 0:52:54 | |
Some of them are exquisitely beautiful. | 0:52:54 | 0:52:57 | |
Deep below the surface, | 0:53:03 | 0:53:05 | |
a group of scientists are surveying the ocean floor... | 0:53:05 | 0:53:10 | |
when they spot something unusual. | 0:53:10 | 0:53:14 | |
What the...? | 0:53:14 | 0:53:15 | |
-Oh, it's... -Oh. | 0:53:16 | 0:53:18 | |
Garbage? | 0:53:20 | 0:53:22 | |
My goodness. | 0:53:23 | 0:53:24 | |
Their remote camera picks up a bizarre object | 0:53:26 | 0:53:29 | |
moving in the current. | 0:53:29 | 0:53:31 | |
-Oh, my gosh! -I can't believe that's a living thing. | 0:53:33 | 0:53:36 | |
That's amazing. Oh, how cool. | 0:53:36 | 0:53:39 | |
What? | 0:53:39 | 0:53:40 | |
Spotting this strange sea creature has made these | 0:53:42 | 0:53:45 | |
seasoned scientists a little bit giddy. | 0:53:45 | 0:53:48 | |
What is this? | 0:53:48 | 0:53:49 | |
I guess siphonophore? | 0:53:49 | 0:53:51 | |
Yup. Wow. | 0:53:53 | 0:53:55 | |
You've probably never heard of a siphonophore. | 0:53:59 | 0:54:03 | |
But Dr Dunn understands their excitement. | 0:54:03 | 0:54:06 | |
I remember the first time I saw a siphonophore | 0:54:06 | 0:54:09 | |
live in the water. | 0:54:09 | 0:54:11 | |
They look like swimming glass chandeliers. | 0:54:11 | 0:54:14 | |
They look like nothing else. | 0:54:14 | 0:54:17 | |
It's as if, all of a sudden, there's this whole new life form | 0:54:17 | 0:54:21 | |
that you've never heard of, right in front of you. | 0:54:21 | 0:54:24 | |
But what is this beautifully bizarre animal? | 0:54:25 | 0:54:28 | |
A siphonophore is a cnidarian, so it's a relative of corals | 0:54:30 | 0:54:34 | |
and many of the jellyfish that people are familiar with. | 0:54:34 | 0:54:38 | |
Siphonophores live in the open ocean, | 0:54:40 | 0:54:43 | |
forming the most intricate shapes in astonishing colours. | 0:54:43 | 0:54:47 | |
They look like glass sculptures. They're absolutely beautiful. | 0:54:51 | 0:54:54 | |
They really look like something from another world. | 0:54:54 | 0:54:57 | |
And what might really surprise you is that these | 0:54:59 | 0:55:02 | |
spectacular sea creatures aren't rare. | 0:55:02 | 0:55:05 | |
Siphonophores are the largest, | 0:55:07 | 0:55:10 | |
most abundant organisms that most people have never heard of. | 0:55:10 | 0:55:14 | |
Most people haven't seen a siphonophore, | 0:55:18 | 0:55:20 | |
because they're so fragile that they're destroyed before they get | 0:55:20 | 0:55:23 | |
close to the coast. They're just turned over in the waves. | 0:55:23 | 0:55:26 | |
They can't handle the sediment in the water. | 0:55:26 | 0:55:29 | |
Siphonophores are undeniably exquisitely beautiful creatures, | 0:55:30 | 0:55:35 | |
but that's not why Casey has given up so much time to study them. | 0:55:35 | 0:55:39 | |
No, it's because they are one of the weirdest animals | 0:55:39 | 0:55:43 | |
living in our ocean. | 0:55:43 | 0:55:45 | |
You see, the thing is, strictly speaking, they're not one animal. | 0:55:45 | 0:55:51 | |
When we're born, we have one cute little baby body, | 0:55:51 | 0:55:54 | |
and then that baby body has all the parts of the adult | 0:55:54 | 0:55:57 | |
but they just get bigger as we enlarge. | 0:55:57 | 0:56:01 | |
A siphonophore grows in a completely different way. | 0:56:01 | 0:56:04 | |
What they do is they're born as one little baby body, | 0:56:07 | 0:56:10 | |
and then instead of that baby body growing, | 0:56:10 | 0:56:13 | |
that baby body just makes more baby bodies. | 0:56:13 | 0:56:17 | |
Each of them are specialised for particular tasks. | 0:56:17 | 0:56:19 | |
Some bodies are specialised for tasks like feeding. | 0:56:19 | 0:56:22 | |
Others are specialised for tasks like swimming. | 0:56:22 | 0:56:25 | |
And this growth continues in a conveyor-like fashion | 0:56:25 | 0:56:28 | |
through the life of the siphonophore. | 0:56:28 | 0:56:31 | |
So, if we grew like a siphonophore, | 0:56:31 | 0:56:34 | |
we'd start life as a baby, | 0:56:34 | 0:56:37 | |
but rather than growing bigger, | 0:56:37 | 0:56:39 | |
this baby would grow more babies out of its side. | 0:56:39 | 0:56:43 | |
Some of these babies would only be able to eat | 0:56:43 | 0:56:46 | |
because they'd only have a mouth. | 0:56:46 | 0:56:49 | |
Other babies would only be able to walk because they just had legs. | 0:56:49 | 0:56:53 | |
But together, these connected babies could satisfy all the tasks | 0:56:53 | 0:56:59 | |
needed for a human to survive. | 0:56:59 | 0:57:02 | |
OK, so what's the biggest thing swimming in the ocean? | 0:57:04 | 0:57:08 | |
It's the blue whale, of course. | 0:57:08 | 0:57:10 | |
But you know the bizarre growth form of those siphonophores | 0:57:10 | 0:57:14 | |
means that the longest of them | 0:57:14 | 0:57:16 | |
can stretch out to more than 40 metres, | 0:57:16 | 0:57:19 | |
which is ten metres longer than the biggest blue whale. | 0:57:19 | 0:57:22 | |
So, worms are terrified of moles... | 0:57:27 | 0:57:31 | |
and Gary. | 0:57:31 | 0:57:33 | |
And if you want to scare the residents of Raleigh, | 0:57:33 | 0:57:36 | |
group together in sewers. | 0:57:36 | 0:57:38 | |
It was a little frightening. | 0:57:38 | 0:57:41 | |
But in the deep ocean, a colony can create a creature unique enough | 0:57:41 | 0:57:45 | |
to excite the most serious of scientific brains. | 0:57:45 | 0:57:49 | |
-Oh, gosh! -Awesome! | 0:57:49 | 0:57:51 | |
It's a weird, weird world. | 0:57:53 | 0:57:56 | |
And it's only going to get weirder. | 0:57:57 | 0:58:01 | |
Next time, what's caused this shadow in the sea? | 0:58:01 | 0:58:04 | |
Immediately, we thought it was an oil slick. | 0:58:04 | 0:58:07 | |
What else could it have been? | 0:58:07 | 0:58:08 | |
And why is this lemming so angry? | 0:58:08 | 0:58:11 | |
Why do dogs spin? | 0:58:13 | 0:58:14 | |
And can you really use your ears to see? | 0:58:15 | 0:58:18 | |
I am a man who uses the techniques of a bat to navigate. | 0:58:18 | 0:58:24 | |
How do you explain these bizarre circles? | 0:58:24 | 0:58:27 | |
And how do you get gold from poo? | 0:58:27 | 0:58:30 |