
Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
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Childhood holidays. The anticipation seemed endless! | 0:00:02 | 0:00:05 | |
The holiday itself? Well, it was over too quickly. | 0:00:05 | 0:00:09 | |
So, in this series, I'm going to be reliving those wonderful times | 0:00:09 | 0:00:13 | |
with some much-loved famous faces. | 0:00:13 | 0:00:15 | |
This is a memory I will treasure! | 0:00:15 | 0:00:18 | |
Every day I will be arranging a few surprises | 0:00:18 | 0:00:21 | |
to transport them back in time. | 0:00:21 | 0:00:23 | |
Please! No? | 0:00:23 | 0:00:25 | |
-Come on, Len! -Yeah! | 0:00:25 | 0:00:27 | |
We'll relive the fun,... | 0:00:27 | 0:00:29 | |
-A-ha! -Whoa! | 0:00:29 | 0:00:30 | |
Oh no! No! | 0:00:30 | 0:00:31 | |
..the games... | 0:00:31 | 0:00:33 | |
..and the food of years gone by... | 0:00:34 | 0:00:36 | |
That's my boyhood in a bowl. | 0:00:36 | 0:00:38 | |
-Oh! -My boyhood in a bowl! | 0:00:40 | 0:00:41 | |
..to find out how those holidays around the UK | 0:00:42 | 0:00:45 | |
helped shape the people we know so well today. | 0:00:45 | 0:00:49 | |
Tap dancing. | 0:00:49 | 0:00:50 | |
Aaarggh! | 0:00:52 | 0:00:54 | |
So, buckle up for Holiday Of My Lifetime. | 0:00:54 | 0:00:56 | |
-Close your eyes. -Yeah. | 0:00:56 | 0:00:58 | |
And here we go. | 0:00:58 | 0:01:00 | |
I'm on my way to meet a young lady who's been a household name | 0:01:04 | 0:01:08 | |
since the mid-90s. | 0:01:08 | 0:01:09 | |
She was born in Bury in Lancashire in 1976. | 0:01:10 | 0:01:15 | |
Here she is as a wee one. Oh! Cute as a button. | 0:01:15 | 0:01:18 | |
She was a natural performer from an early age, | 0:01:19 | 0:01:22 | |
training at the Oldham Theatre workshop from the age of nine. | 0:01:22 | 0:01:26 | |
In 1995, she joined a certain Yorkshire soap, | 0:01:27 | 0:01:32 | |
winning Best Newcomer a year later. | 0:01:32 | 0:01:35 | |
Shall I Dingle-dangle more clues? | 0:01:35 | 0:01:38 | |
Get it? | 0:01:38 | 0:01:40 | |
A few years later, she was in the frame | 0:01:40 | 0:01:44 | |
to take over from Jeremy Beadle in a certain bloopers show. | 0:01:44 | 0:01:48 | |
Do you know what? She got it! | 0:01:48 | 0:01:50 | |
But it was when she put on her dancing shoes | 0:01:51 | 0:01:53 | |
that she won everybody's hearts, | 0:01:53 | 0:01:55 | |
earning her the title | 0:01:55 | 0:01:57 | |
the people's champion. | 0:01:57 | 0:02:00 | |
Well, if you haven't got it by now, you never will. | 0:02:00 | 0:02:03 | |
Here's my gorgeous friend, Lisa Riley. | 0:02:03 | 0:02:06 | |
I'm on my way to pick her up in this crazy Citroen BX, | 0:02:06 | 0:02:11 | |
just like the one her mum drove | 0:02:11 | 0:02:13 | |
all those years ago. | 0:02:13 | 0:02:15 | |
Aw! Smiley Riley! Here comes your old mate Lenny Boy! | 0:02:16 | 0:02:20 | |
Lisa was born in 1976 in Bury, Lancashire, | 0:02:22 | 0:02:27 | |
to Cath and Terry Riley. | 0:02:27 | 0:02:29 | |
Dad ran a printing business, while Mum was head of complaints | 0:02:29 | 0:02:32 | |
at a travel company. | 0:02:32 | 0:02:33 | |
Aged just 12, | 0:02:33 | 0:02:35 | |
Lisa was spotted by a theatre agent | 0:02:35 | 0:02:37 | |
who put her forward for acting roles. | 0:02:37 | 0:02:39 | |
Her big TV break came in 1995, | 0:02:39 | 0:02:42 | |
aged just 19, when she was cast as brash barmaid | 0:02:42 | 0:02:46 | |
Mandy Dingle in Emmerdale. | 0:02:46 | 0:02:49 | |
She then appeared | 0:02:49 | 0:02:50 | |
on the crime comedy drama Hetty Wainthropp Investigates | 0:02:50 | 0:02:53 | |
before turning her hand to TV presenting, | 0:02:53 | 0:02:56 | |
taking You've Been Framed to audiences of 13 million. | 0:02:56 | 0:03:01 | |
It wasn't long before she was gracing the Strictly dancefloor, | 0:03:01 | 0:03:04 | |
where she danced her way to the semifinal. | 0:03:04 | 0:03:07 | |
Since then she's become a familiar face on our TV screens, | 0:03:07 | 0:03:11 | |
in dramas such as Waterloo Road and Moving On. | 0:03:11 | 0:03:14 | |
Today I'm taking her back | 0:03:15 | 0:03:17 | |
to a special holiday of her lifetime, | 0:03:17 | 0:03:19 | |
and I can't wait till she sees the car we're going in. | 0:03:19 | 0:03:22 | |
Look at the car! | 0:03:25 | 0:03:27 | |
Ah! No way! | 0:03:27 | 0:03:29 | |
Ah! It's the same one. | 0:03:30 | 0:03:32 | |
-Oh! -Lisa! -Hello, Leonard. -Give us a cuddle. -Ah! | 0:03:32 | 0:03:37 | |
-You been waiting for that?! -Lovely... -Lovely to see you. | 0:03:37 | 0:03:41 | |
-What do you reckon? -I can't get over it. It's like a flashback in time. | 0:03:41 | 0:03:45 | |
How do they get hold of these things? It's incredible. | 0:03:45 | 0:03:47 | |
I didn't think it existed. | 0:03:47 | 0:03:49 | |
-To be honest, we don't let everyone know this, they're all mine. -Oh. OK. | 0:03:49 | 0:03:53 | |
They're all my cars. | 0:03:53 | 0:03:55 | |
-I've got, you know, garages galore. -A little stash? -Yeah. | 0:03:55 | 0:03:58 | |
So, where are we going? | 0:03:58 | 0:04:00 | |
We are going to Bronte village, which is in Haworth. | 0:04:00 | 0:04:05 | |
It's absolutely breathtaking. I think you're going to love it. Yes. | 0:04:05 | 0:04:08 | |
-Haworth? -Haworth, yes. -You've got to say it like... -'Owarth! | 0:04:08 | 0:04:12 | |
-Drop the aitch. 'Owarth. -'Owarth? | 0:04:12 | 0:04:14 | |
-"Or, nor, daunt gore." Go on. -Oh, no, don't go? | 0:04:14 | 0:04:17 | |
You sound a bit gangsta! | 0:04:17 | 0:04:20 | |
-"Or, nor, daunt gore!" -Oh, no, don't go! | 0:04:20 | 0:04:23 | |
-Well, it's a progression. Yeah. -We'll go over it as we go along. | 0:04:24 | 0:04:28 | |
-Now, what's the year? -It's going to be 1992. | 0:04:28 | 0:04:31 | |
Now, I can tell you that that was the year... | 0:04:31 | 0:04:34 | |
-Prince Charles and Diana split up. -Yes. | 0:04:34 | 0:04:37 | |
-But, we... We are not splitting up, my darling. -No. | 0:04:37 | 0:04:42 | |
We are joined at the hip. | 0:04:44 | 0:04:45 | |
That's the way I like it. | 0:04:45 | 0:04:47 | |
To the west of Bradford and just south of Keighley | 0:04:54 | 0:04:57 | |
sits the village of Haworth, | 0:04:57 | 0:04:59 | |
or 'Owarth, as our Lisa would want me to say. | 0:04:59 | 0:05:02 | |
It's also known as Bronte Village, | 0:05:02 | 0:05:04 | |
as it was made famous by the poets and novelists | 0:05:04 | 0:05:08 | |
Charlotte, Emily, and Anne, | 0:05:08 | 0:05:10 | |
collectively known as the Bronte Sisters. | 0:05:10 | 0:05:13 | |
They were authors of some real literary classics, | 0:05:13 | 0:05:16 | |
like Charlotte's Jane Eyre | 0:05:16 | 0:05:18 | |
and Emily's Wuthering Heights, back in the 1840s. | 0:05:18 | 0:05:21 | |
Before any holiday begins, you must start on a journey. | 0:05:27 | 0:05:30 | |
For 16-year-old Lisa Riley, | 0:05:30 | 0:05:33 | |
it was a driving adventure she was already very familiar with. | 0:05:33 | 0:05:36 | |
So this, actually, wasn't a holiday as such. It was a day trip? | 0:05:38 | 0:05:42 | |
Yeah. It was a day trip that happened quite a lot | 0:05:42 | 0:05:45 | |
throughout the year. | 0:05:45 | 0:05:46 | |
It was, like, my little safe haven. | 0:05:46 | 0:05:48 | |
So, what was the attraction about going to Haworth? | 0:05:48 | 0:05:51 | |
-The fact that I'm such a drama queen. -Right. -As you well know, Len. | 0:05:51 | 0:05:56 | |
And I've got this fairytale mind. | 0:05:56 | 0:05:58 | |
And, of course, the Brontes. | 0:05:58 | 0:06:00 | |
-Right. -And I love the Brontes. | 0:06:00 | 0:06:02 | |
-I think, literally, in my former life, I was Emily Bronte. -Really? | 0:06:02 | 0:06:07 | |
-Yes. -So, there was Emily, there was Charlotte, and who was the other? | 0:06:07 | 0:06:12 | |
-And Anne. -Anne was the other one. -Yes. | 0:06:12 | 0:06:15 | |
It was just, the knowledge, what they did, these three sisters. | 0:06:15 | 0:06:19 | |
They had this very mysterious life and it always interests me. | 0:06:19 | 0:06:23 | |
The more I read, the more I wanted to learn about them and, obviously, | 0:06:23 | 0:06:26 | |
when we get there, you can see that it's there for the taking. | 0:06:26 | 0:06:28 | |
-There's so much you can learn about the girls. You know? -Yeah. | 0:06:28 | 0:06:32 | |
So, who would have been in the car with you? | 0:06:32 | 0:06:35 | |
The normal outing in the car would be Mum driving | 0:06:35 | 0:06:38 | |
and me in the passenger seat. I'm still in the passenger seat. | 0:06:38 | 0:06:41 | |
-Now, at 39, I still can't drive. -Right. | 0:06:41 | 0:06:43 | |
My brother and my dad were dragged along a lot of the time. | 0:06:43 | 0:06:46 | |
You know, you can tell with blokes, | 0:06:46 | 0:06:48 | |
they want to be at home watching the cricket. | 0:06:48 | 0:06:50 | |
-Do you know what I mean? -Yeah. | 0:06:50 | 0:06:51 | |
They don't want to be walking up cobbled streets, looking at culture, | 0:06:51 | 0:06:54 | |
-like me and Mum do. -No. | 0:06:54 | 0:06:56 | |
-So, it always became a me-and-Mum thing. -Right. -I liked it that way. | 0:06:56 | 0:06:59 | |
She liked the same things that I did and I like same things she did. | 0:06:59 | 0:07:02 | |
-So we had great days out. -Oh, how lovely. -Yeah. | 0:07:02 | 0:07:05 | |
It's an especially precious journey for Lisa, | 0:07:06 | 0:07:09 | |
as in 2012 she sadly lost her mum. | 0:07:09 | 0:07:13 | |
My mum was a firecracker. | 0:07:13 | 0:07:16 | |
She was called Catherine. You know Catherine wheel at bonfire night? | 0:07:16 | 0:07:20 | |
That's my mum. Spinning away. Big personality. Wonderful laugh. | 0:07:20 | 0:07:24 | |
Lit up a room. | 0:07:24 | 0:07:26 | |
Yeah, it literally is monkey see, monkey do with me and my mum | 0:07:26 | 0:07:29 | |
and I'm proud of that. | 0:07:29 | 0:07:31 | |
Within my career, it was a bit like she became my PA. | 0:07:31 | 0:07:34 | |
So she'd come everywhere with me when I was on tour, | 0:07:34 | 0:07:37 | |
when I was filming. | 0:07:37 | 0:07:38 | |
-She was my backbone. You know? -Yeah. -She was brilliant. | 0:07:38 | 0:07:40 | |
So, she was always there by my side and helping me | 0:07:40 | 0:07:43 | |
all the time, which was great. | 0:07:43 | 0:07:45 | |
For Lisa and her mum, 1992 was all about getting to Haworth, | 0:07:47 | 0:07:51 | |
but there was a lot of other things going on that year, too. | 0:07:51 | 0:07:55 | |
Nigel Mansell became the most successful | 0:07:59 | 0:08:01 | |
British Grand Prix driver of the time. | 0:08:01 | 0:08:04 | |
After being crowned World Champion, he announced his retirement. | 0:08:04 | 0:08:08 | |
I've been driving for 30 years, | 0:08:08 | 0:08:10 | |
I represented England at the age of nine in karts. | 0:08:10 | 0:08:13 | |
Here I am, 30 years later, and, you know, | 0:08:13 | 0:08:16 | |
perhaps I can say it, I think I am World Champion now. | 0:08:16 | 0:08:19 | |
It was the end of an era | 0:08:20 | 0:08:22 | |
for Prince Charles and Princess Diana, | 0:08:22 | 0:08:24 | |
who formally announced their separation. | 0:08:24 | 0:08:27 | |
Today, the couple had separate engagements, | 0:08:27 | 0:08:29 | |
a pattern for the future as we now know. | 0:08:29 | 0:08:32 | |
The Princess of Wales showed no sign that she knew about this | 0:08:32 | 0:08:34 | |
afternoon's announcement. | 0:08:34 | 0:08:36 | |
Reporters tried to ask questions, | 0:08:36 | 0:08:38 | |
but the Princess ignored them. | 0:08:38 | 0:08:40 | |
It wasn't a great year for the Queen, either, | 0:08:42 | 0:08:45 | |
as she watched fire tear through her beloved Windsor Castle, | 0:08:45 | 0:08:49 | |
causing around £37 million worth of damage. | 0:08:49 | 0:08:53 | |
And making it all the way to number one in the UK charts | 0:08:53 | 0:08:56 | |
were American pretty boys Charles and Eddie | 0:08:56 | 0:08:59 | |
with their soulful hit... | 0:08:59 | 0:09:01 | |
# Look into my eyes Can't you see they're open wide? | 0:09:01 | 0:09:04 | |
-# Would I lie to you, baby? Would I lie to you? -Oh, yeah! | 0:09:04 | 0:09:10 | |
# Don't you know it's true Girl, I'm in love with you | 0:09:10 | 0:09:13 | |
# Would I lie to you?... # | 0:09:13 | 0:09:15 | |
I think that's enough of that. | 0:09:15 | 0:09:17 | |
In fact we need a bit of bit of peace and quiet, | 0:09:17 | 0:09:19 | |
and where better to take five than by these wonderful moors? | 0:09:19 | 0:09:23 | |
-Eh? -See? -Oh! -This is proper beauty. The views and everything. | 0:09:25 | 0:09:30 | |
It's the way it's, like, so completely untouched | 0:09:30 | 0:09:33 | |
and they keep it that way. | 0:09:33 | 0:09:35 | |
I guess this is how you would have known it | 0:09:35 | 0:09:37 | |
-as a young girl coming here. -Absolutely. | 0:09:37 | 0:09:40 | |
Me and Mum, rather than take the motorway route, | 0:09:40 | 0:09:42 | |
we'd take the scenic route, we'd pull in here, literally, | 0:09:42 | 0:09:45 | |
and just sort of embrace that. | 0:09:45 | 0:09:46 | |
-Yeah. -Don't you find it really romantic? | 0:09:46 | 0:09:49 | |
-Of course it is. -I do. | 0:09:49 | 0:09:51 | |
You know, you look at this and you can understand the Brontes | 0:09:51 | 0:09:54 | |
-getting that romantic feeling in their stories. -Absolutely. | 0:09:54 | 0:09:58 | |
And the mystery of the moors. | 0:09:58 | 0:10:00 | |
You can imagine it, a cold winter's night | 0:10:00 | 0:10:03 | |
and that's what portrayed all the time. It's amazing. | 0:10:03 | 0:10:07 | |
-And the lovely little farmers' cottages. -Yeah. | 0:10:07 | 0:10:10 | |
And all the heather. | 0:10:10 | 0:10:12 | |
That's what I was saying, like, I always envisaged | 0:10:12 | 0:10:14 | |
having this basket on my arm and, like, | 0:10:14 | 0:10:16 | |
running through the heather and everything. | 0:10:16 | 0:10:18 | |
-It'd be fantastic. -Yeah. | 0:10:18 | 0:10:20 | |
And you pray that it's, obviously, going to stay like this forever. | 0:10:20 | 0:10:23 | |
Well, why wouldn't it? Who would want to come along and spoil it? | 0:10:23 | 0:10:27 | |
Because it's just perfect. | 0:10:27 | 0:10:29 | |
Patrick and Mariah Bronte moved to Haworth | 0:10:36 | 0:10:39 | |
with their daughters in the early 19th century. | 0:10:39 | 0:10:42 | |
At that time, it was unthinkable | 0:10:42 | 0:10:44 | |
that the sisters could become published authors. | 0:10:44 | 0:10:47 | |
But they had other ideas. | 0:10:47 | 0:10:49 | |
Johnnie Briggs knows all things Bronte. | 0:10:49 | 0:10:52 | |
They're middle-class clergyman's daughters. | 0:10:52 | 0:10:55 | |
They have to earn a living | 0:10:55 | 0:10:57 | |
and the living that's open to them is to be a governess. | 0:10:57 | 0:11:00 | |
So it's when they come together in 1845 | 0:11:00 | 0:11:03 | |
and make the decision that they are going to take their own place | 0:11:03 | 0:11:07 | |
in the world, through their own creativity | 0:11:07 | 0:11:09 | |
and writing stories and selling them for profit. | 0:11:09 | 0:11:12 | |
In order for them to take their place in the commercial world - | 0:11:12 | 0:11:16 | |
the world belonging to men - they had to use pseudonyms. | 0:11:16 | 0:11:19 | |
They had names of Currer, Acton, and Ellis Bell. | 0:11:19 | 0:11:24 | |
They never said they were men, | 0:11:24 | 0:11:26 | |
but that world will always assume that they are men. | 0:11:26 | 0:11:29 | |
It is the moors, this wonderful landscape, | 0:11:30 | 0:11:32 | |
that is the wild workshop of their imagination. | 0:11:32 | 0:11:35 | |
It's the elemental forces of nature that rage around | 0:11:35 | 0:11:39 | |
this wonderful landscape | 0:11:39 | 0:11:41 | |
that become the backdrop to the characters and stories. | 0:11:41 | 0:11:44 | |
When the Brontes first moved to Haworth in the 1820s, | 0:11:50 | 0:11:53 | |
they lived here in a building called The Parsonage. | 0:11:53 | 0:11:56 | |
It's now a museum dedicated to all things Bronte, | 0:11:56 | 0:12:01 | |
and is the first place to go for any Bronte fan. | 0:12:01 | 0:12:04 | |
It was top of Lisa's list when she came here, back in '92. | 0:12:04 | 0:12:08 | |
Oh-ho! Lisa! | 0:12:08 | 0:12:11 | |
Oh, look! See, it's how I remember it. | 0:12:11 | 0:12:14 | |
Oh, it's just amazing. | 0:12:14 | 0:12:16 | |
-It's hard to imagine that they would have been in this garden. -I know. | 0:12:16 | 0:12:19 | |
-You know? It's just... -Oh, look! -Incredible. | 0:12:19 | 0:12:24 | |
-Sir, could I align you in, please? -Never! -Come on, sir. | 0:12:24 | 0:12:26 | |
-Please, enter the house. -Catherine, please. | 0:12:26 | 0:12:29 | |
Oh, thank you, sir. | 0:12:29 | 0:12:30 | |
Love it! | 0:12:30 | 0:12:32 | |
The Parsonage has been lovingly restored | 0:12:32 | 0:12:34 | |
to how it would have been when the Brontes lived here. | 0:12:34 | 0:12:37 | |
They've even got the original furniture the family used. | 0:12:37 | 0:12:41 | |
The dining room is usually cordoned off, | 0:12:41 | 0:12:43 | |
but I've managed to pull a few strings to get us special access. | 0:12:43 | 0:12:48 | |
So, this is the dining room. | 0:12:48 | 0:12:49 | |
The Bronte sisters must have sat here. | 0:12:49 | 0:12:52 | |
-Well, in that chair. -I know. I can't believe I'm here. | 0:12:52 | 0:12:54 | |
As a kid, I stood behind the barriers, | 0:12:54 | 0:12:56 | |
like, never being allowed to even go near. | 0:12:56 | 0:12:58 | |
Now I'm sat at the table where the girls would have written everything. | 0:12:58 | 0:13:02 | |
-It's amazing. -Well, contain yourself. | 0:13:02 | 0:13:05 | |
There something else just going to come in. | 0:13:05 | 0:13:07 | |
-Oh-ho! -Oh, Len! | 0:13:09 | 0:13:11 | |
The first edition Wuthering Heights. | 0:13:11 | 0:13:13 | |
This is normally in a cabinet and they're here. | 0:13:13 | 0:13:15 | |
I really want to touch them. | 0:13:15 | 0:13:17 | |
Well, you can't. You can look at them. | 0:13:17 | 0:13:20 | |
-So, look, we've got Wuthering Heights. -Yeah. | 0:13:20 | 0:13:23 | |
All the first editions. | 0:13:23 | 0:13:24 | |
-I can't believe it. -You nearly touched them, then. Go on. No! | 0:13:24 | 0:13:28 | |
-You know me. -Naughty-naughty-noo-noo. | 0:13:28 | 0:13:30 | |
I can't come here and not do that. This is, like, my idea of heaven. | 0:13:30 | 0:13:34 | |
My ultimate favourite is, obviously, Wuthering Heights. | 0:13:34 | 0:13:37 | |
You know, and my fantasy brain, me skipping through the moors. | 0:13:37 | 0:13:40 | |
You know, wind in my hair. Just as Cathy would be there. | 0:13:40 | 0:13:43 | |
Waiting, waiting for Heathcliff to just rescue me. | 0:13:43 | 0:13:46 | |
Do you think it was your love of the Brontes | 0:13:46 | 0:13:49 | |
and the books that got you wanting to act? | 0:13:49 | 0:13:52 | |
I really feel that the Brontes really put it in my head | 0:13:52 | 0:13:56 | |
to the literacy side and the performance side | 0:13:56 | 0:13:59 | |
and me wanting to be them and to react and be the actress, | 0:13:59 | 0:14:02 | |
you know, that they created in these brilliant books. Yeah. | 0:14:02 | 0:14:06 | |
I think it really put me on the map. | 0:14:06 | 0:14:08 | |
-As a child, were you always in sort of an acting fantasy world? -Yes. | 0:14:08 | 0:14:12 | |
Dressing up? | 0:14:12 | 0:14:13 | |
When I was a kid, everything was fantasy and, literally, | 0:14:13 | 0:14:16 | |
I'd put my grandma's heels on. | 0:14:16 | 0:14:18 | |
I loved the clanking of the heels, being like a dolly, and everything. | 0:14:18 | 0:14:21 | |
Everything was fairytale and a performance. | 0:14:21 | 0:14:23 | |
That's what I loved. All the time. | 0:14:23 | 0:14:24 | |
Again, that's what drove me then to join drama school. | 0:14:24 | 0:14:27 | |
It was inevitable. | 0:14:27 | 0:14:29 | |
I want to recreate that early childhood Bronte passion. | 0:14:29 | 0:14:31 | |
and I've got the perfect way to do it. | 0:14:31 | 0:14:35 | |
I thought, maybe, we could re-enact a scene from Wuthering Heights. | 0:14:35 | 0:14:40 | |
-Oh! Amazing. Yes. -So... | 0:14:40 | 0:14:43 | |
Oh, I love it! I love it! It's like dressing up! | 0:14:44 | 0:14:47 | |
Look at you. See? | 0:14:49 | 0:14:50 | |
This is a wee bit small for my size. | 0:14:50 | 0:14:53 | |
-Oh no! -Do you love it? -I love doing it. Honestly! | 0:14:54 | 0:14:59 | |
-Could I be one of the sisters? Literally. -Yes! | 0:14:59 | 0:15:01 | |
I've got some script here. | 0:15:01 | 0:15:04 | |
I have not broken your heart. You have broken it. | 0:15:04 | 0:15:07 | |
Do I want to live? What kind of living would it be? When you... | 0:15:07 | 0:15:11 | |
Oh, God! | 0:15:11 | 0:15:13 | |
Would you have to... Shut up! This is serious. I'm not having it. | 0:15:13 | 0:15:17 | |
-Loving it. -No. You've ruined it. -Yeah. Sorry. -So... | 0:15:17 | 0:15:20 | |
And the Bafta for best interpretation goes to Len. | 0:15:20 | 0:15:23 | |
-So, we now go to the pink bit, which is you. -OK. | 0:15:23 | 0:15:25 | |
"Oh, let me alone, let me alone," sobbed Catherine. | 0:15:27 | 0:15:30 | |
That's the narrator, "But I've done wrong, | 0:15:30 | 0:15:32 | |
"I'm dying for it. Is it love? | 0:15:32 | 0:15:35 | |
"You left me too, but I won't upbraid you. I forgive you. | 0:15:35 | 0:15:40 | |
"Forgive me." | 0:15:40 | 0:15:43 | |
SHE GASPS | 0:15:43 | 0:15:44 | |
-It's like real! That was like, really proper. -Yeah. | 0:15:44 | 0:15:47 | |
"It is hard to forgive. | 0:15:48 | 0:15:50 | |
"And to look at those eyes and feel those wasted hands. | 0:15:50 | 0:15:55 | |
"My answer, kiss me again and don't let me see your eyes." | 0:15:57 | 0:16:01 | |
Oh! | 0:16:01 | 0:16:03 | |
-I was going to give you a full-on... -Ah, snog! -No, I'm not. | 0:16:03 | 0:16:09 | |
'It was like we were back in the 1800s, but, do you know what? | 0:16:09 | 0:16:12 | |
'I think I'll stick to my dancing.' | 0:16:12 | 0:16:14 | |
Now, no holiday is complete without sampling the local food. | 0:16:14 | 0:16:18 | |
When Lisa and her family came to Howarth in 1992, there was | 0:16:18 | 0:16:22 | |
one place they'd always visit. | 0:16:22 | 0:16:25 | |
-So, was this the tearooms you came to? -Absolutely. | 0:16:25 | 0:16:29 | |
You can't come to Howarth and not have a lovely pot of tea | 0:16:29 | 0:16:31 | |
and a little treat, as well. | 0:16:31 | 0:16:33 | |
-We'd always come somewhere like this every time we came, yeah. -Yeah? | 0:16:33 | 0:16:36 | |
When did you get your first big break? | 0:16:36 | 0:16:39 | |
My first big break was, obviously, Emmerdale, playing Mandy Dingle. | 0:16:39 | 0:16:43 | |
-Oh! -Yeah, when I got Mandy, literally, I was put on the map. | 0:16:43 | 0:16:47 | |
You know, brilliant storylines, | 0:16:47 | 0:16:49 | |
met brilliant actors that I got to work with. | 0:16:49 | 0:16:51 | |
And Mandy was only for one episode, you know, originally. | 0:16:51 | 0:16:55 | |
Only one ever for one, yeah. | 0:16:55 | 0:16:56 | |
-You were there for one episode and you did seven and a half years? -Yes. | 0:16:56 | 0:16:59 | |
So, they brought me back and brought me back again. | 0:16:59 | 0:17:02 | |
And they said, "Do you want a year's contract?" | 0:17:02 | 0:17:04 | |
Of course, I said yeah, | 0:17:04 | 0:17:06 | |
-and there I was, seven and a half years later... -Ah! | 0:17:06 | 0:17:08 | |
..with, as I'm told, one of the most popular soap | 0:17:08 | 0:17:10 | |
-characters in history, which I'm very proud of. -Yeah. | 0:17:10 | 0:17:13 | |
Yeah. It was crazy, Len, honestly. | 0:17:13 | 0:17:15 | |
I remember, at the time, going into my local supermarket, | 0:17:15 | 0:17:17 | |
and, literally, cos it was my storyline, | 0:17:17 | 0:17:19 | |
my face was on the front cover of every single TV magazine. | 0:17:19 | 0:17:23 | |
-Yeah. -And, of course, my life flipped from that very day. -Yeah. | 0:17:23 | 0:17:26 | |
-Do you fancy a cake? -It'd be rude not to. -It would, wouldn't it? | 0:17:26 | 0:17:30 | |
SHE LAUGHS | 0:17:30 | 0:17:31 | |
-I'll just call for the cake, I think. -Oh. | 0:17:31 | 0:17:34 | |
Cake? Cake! Cake time, please! | 0:17:34 | 0:17:38 | |
Bring on the cake! | 0:17:38 | 0:17:39 | |
-You have such power, Len. -I know. | 0:17:39 | 0:17:42 | |
'Ho-ho-ho, yum, yum, pig's bum, you can't have none!' | 0:17:42 | 0:17:46 | |
-Oh, look at that! -Oh! | 0:17:46 | 0:17:48 | |
Heaven, heaven on an actual tray. | 0:17:48 | 0:17:51 | |
What was your favourite moment on Emmerdale? | 0:17:51 | 0:17:54 | |
Oh, favourite moment on Emmerdale... | 0:17:54 | 0:17:55 | |
There's so many, after all those years. But, I have to say, | 0:17:55 | 0:17:58 | |
because it's, of course, what the public wanted as well, | 0:17:58 | 0:18:01 | |
was when they married Mandy and Paddy off. | 0:18:01 | 0:18:04 | |
The writers tormented it and tormented it, over and over again. | 0:18:04 | 0:18:07 | |
You know, we broke up, got back together and then, finally, | 0:18:07 | 0:18:10 | |
they married us off. | 0:18:10 | 0:18:12 | |
And true Mandy style, where did I spend my wedding night? | 0:18:12 | 0:18:15 | |
-In prison, of course I did. -Yeah, of course. -Of course I did. | 0:18:15 | 0:18:17 | |
Yeah, so, that's definitely my favourite moment. | 0:18:17 | 0:18:20 | |
But, after Emmerdale, Lisa went on to even greater things, | 0:18:20 | 0:18:23 | |
hosting one of ITV's biggest entertainment shows. | 0:18:23 | 0:18:27 | |
Of course, You've Been Framed, you thought Jeremy Beadle. | 0:18:28 | 0:18:33 | |
-Yeah. -And suddenly, he's gone, so it must have been a bit of anxiety. | 0:18:33 | 0:18:36 | |
Of course, the pressure was on. | 0:18:36 | 0:18:38 | |
You know, it's prime time, Saturday night. | 0:18:38 | 0:18:40 | |
Taking over from Jeremy Beadle, | 0:18:40 | 0:18:42 | |
who'd done brilliant on the show and it was very successful. | 0:18:42 | 0:18:45 | |
So, yeah, I went out there, was myself, had a ball, loved every | 0:18:45 | 0:18:49 | |
minute of it and the next thing, the figures of the show soared. | 0:18:49 | 0:18:53 | |
-Ooh, come on! -And everybody accepted me. Yeah, it was brilliant. | 0:18:53 | 0:18:58 | |
The pressure was off then, so it was like, everyone's accepted me | 0:18:58 | 0:19:01 | |
doing the show, so keep going as I can. It was ace. | 0:19:01 | 0:19:05 | |
Almost as ace as this lovely spread. | 0:19:05 | 0:19:09 | |
Well, this area is steeped in literary history, isn't it? | 0:19:09 | 0:19:13 | |
And our Lisa was obviously inspired. | 0:19:13 | 0:19:16 | |
'And, now, we've seen her in dozens of challenging | 0:19:16 | 0:19:19 | |
'and intriguing roles.' | 0:19:19 | 0:19:21 | |
So, you know, there you are on Emmerdale, right. | 0:19:21 | 0:19:24 | |
-You're there for seven years, or so. -Yeah. -Yeah. | 0:19:24 | 0:19:27 | |
-It was pretty secure. -Yeah. | 0:19:27 | 0:19:29 | |
And yet, you said, "No, I'm going to move on." | 0:19:29 | 0:19:32 | |
-Yeah. -That's a really brave thing to do. What made you want to do that? | 0:19:32 | 0:19:37 | |
Curiosity, from what I was taught at drama school, that there | 0:19:37 | 0:19:41 | |
are hundreds of thousands of scripts out there to be read, | 0:19:41 | 0:19:44 | |
you know, hundreds of thousands of parts to be played. | 0:19:44 | 0:19:47 | |
There's so many elements - hosting, radio, film - | 0:19:47 | 0:19:50 | |
within in our industry, you know, dancing... | 0:19:50 | 0:19:52 | |
-Yes. -..that we can do. | 0:19:52 | 0:19:54 | |
Yeah, but you didn't take the easy option, you've done some | 0:19:54 | 0:19:57 | |
pretty hair-raising and dangerous parts, really, haven't you? | 0:19:57 | 0:20:02 | |
Yeah, yeah, yeah. | 0:20:02 | 0:20:04 | |
They're real people. I like playing real characters. | 0:20:04 | 0:20:07 | |
My proudest moment was, certainly, when I did Fat Friends. | 0:20:07 | 0:20:10 | |
When I got this call that they had this part in mind, of Rebecca, | 0:20:10 | 0:20:13 | |
very tragic soul, self-harmer and all that. | 0:20:13 | 0:20:16 | |
And it was that deglamorization and I wanted to get in there, with | 0:20:16 | 0:20:20 | |
-the glasses, looking horrendous, but that's the person she was. -Yeah. | 0:20:20 | 0:20:23 | |
That was the character. | 0:20:23 | 0:20:25 | |
And when your peers ring you up and go, "Do you know what, Lis? | 0:20:25 | 0:20:28 | |
"You did good there." | 0:20:28 | 0:20:30 | |
-That's... -Yeah. -That's... Money can't buy that. -No. | 0:20:30 | 0:20:33 | |
-That's a really special, special thing. -Yeah. | 0:20:33 | 0:20:36 | |
I'm in Yorkshire with Lisa Riley, | 0:20:36 | 0:20:38 | |
retracing her childhood holiday of 1992. Inside the St Michael | 0:20:38 | 0:20:43 | |
and All Angels' Church is the Bronte Memorial Chapel. | 0:20:43 | 0:20:47 | |
It was here that Patrick Bronte, the father of the sisters, | 0:20:47 | 0:20:50 | |
worked for over 40 years. He was a campaigner and secured clean water | 0:20:50 | 0:20:55 | |
for residents and also built a Sunday school. | 0:20:55 | 0:20:57 | |
Well, of course, this is the church where the Brontes used to pray | 0:20:57 | 0:21:02 | |
-and their father was the minister. -Yeah. | 0:21:02 | 0:21:07 | |
This place, more than anywhere in Bronte village, means | 0:21:07 | 0:21:10 | |
the most to me, cos it's the one I'm so connected to with my mum here. | 0:21:10 | 0:21:12 | |
-Yeah. -Like, more than anywhere. | 0:21:12 | 0:21:15 | |
-And, also, obviously, the Bronte girls are buried here. -Yeah. | 0:21:15 | 0:21:18 | |
I think whenever you speak to people, friends and family | 0:21:18 | 0:21:21 | |
of mine that have been to Bronte village, the first thing they say is, | 0:21:21 | 0:21:24 | |
-"Did you go to the church?" -Yeah. | 0:21:24 | 0:21:26 | |
The first thing, because of the history here and the fact that the girls are laid here. | 0:21:26 | 0:21:29 | |
-Yeah. -And, as a family, the leader of the pack, you know, was the dad. | 0:21:29 | 0:21:33 | |
-This was his workplace. -Yeah. -You know, day in, day out. | 0:21:33 | 0:21:37 | |
-And there is a little plaque down the bottom there. -Yeah. | 0:21:37 | 0:21:42 | |
-Shall we go and have a look? -Yeah, come on. | 0:21:42 | 0:21:44 | |
So, here we are, Len. This is the plaque. | 0:21:46 | 0:21:49 | |
Obviously, Emily and Charlotte. | 0:21:49 | 0:21:51 | |
-Yeah, and they were so young, weren't they? -Yeah. | 0:21:51 | 0:21:53 | |
-Emily's 30. -Yeah. | 0:21:53 | 0:21:56 | |
And Charlotte is nearly 39. | 0:21:56 | 0:21:59 | |
-Yeah, it's very cold in the north, Len. -Yeah. | 0:21:59 | 0:22:01 | |
They got cold very, very quickly. | 0:22:01 | 0:22:03 | |
I think this chapel is a very special place for you. | 0:22:03 | 0:22:07 | |
Yeah, I think the girls lost their mum from a very young age | 0:22:09 | 0:22:14 | |
-and they were successful and I lost my mum. -Yeah. | 0:22:14 | 0:22:17 | |
Coming here with Mum, it's very close to my heart, | 0:22:17 | 0:22:19 | |
-so I have a real sense of belonging here. It's lovely. -Yeah. | 0:22:19 | 0:22:23 | |
You know, I used to go with my mum to the seaside, to Broadstairs. | 0:22:23 | 0:22:28 | |
And whenever I go there now, I always feel a bit closer to my mum. | 0:22:28 | 0:22:33 | |
I do, I know. There's a real feeling I've got today | 0:22:33 | 0:22:35 | |
and that's what I love about it. Because the memories that | 0:22:35 | 0:22:38 | |
you've given me, by not only coming to Haworth and Bronte village, | 0:22:38 | 0:22:41 | |
but here, especially, the chapel, means the world to me. | 0:22:41 | 0:22:44 | |
It was mine and my mum's little safe haven. | 0:22:44 | 0:22:47 | |
-Yeah, it's lovely. -Thank you. | 0:22:47 | 0:22:50 | |
Haworth really does have emotional memories for Lisa, | 0:22:50 | 0:22:53 | |
but there's something she didn't get to do when she came here in '92. | 0:22:53 | 0:22:57 | |
The Keighley and Worth Valley Railway runs through | 0:22:59 | 0:23:02 | |
the heart of Bronte country and was opened in 1867. | 0:23:02 | 0:23:06 | |
It's now preserved as a heritage railway line. | 0:23:06 | 0:23:09 | |
Teenage Lisa didn't get to appreciate it back in '92, | 0:23:09 | 0:23:13 | |
but I think we can make up for that today. | 0:23:13 | 0:23:15 | |
Ho-ho-ho! Oh, I've got a treat in store for you. | 0:23:17 | 0:23:21 | |
-Right, what's this? -Oh, no! | 0:23:21 | 0:23:23 | |
-Well, you know, I've loved it, we've done the Brontes. -Yeah. | 0:23:23 | 0:23:26 | |
Right, and I thought, "Let's do something maybe a little bit | 0:23:26 | 0:23:30 | |
-"different." -OK. | 0:23:30 | 0:23:31 | |
The train. Now, Oh, no, not just any old train, the steam train. | 0:23:31 | 0:23:37 | |
-Oh, lovely. -Chugging along, through the Yorkshire Moors. -Sounds perfect! | 0:23:37 | 0:23:42 | |
-Come on. -Shall we? -Yeah! -Fab, come on. | 0:23:42 | 0:23:45 | |
'This steam-blowing beauty entered service in 1920 | 0:23:47 | 0:23:50 | |
'and spent 45 years thundering across the country.' | 0:23:50 | 0:23:54 | |
Now, it's fully restored to its former glory. | 0:23:54 | 0:23:58 | |
Look, "Built 1920." | 0:23:58 | 0:23:59 | |
-There you are, in Derby. -Yes. | 0:23:59 | 0:24:02 | |
-Isn't that fabulous? -Yeah, you can smell it, can't you? -Yeah. | 0:24:02 | 0:24:05 | |
-Aw, I love it. -Look at that. | 0:24:05 | 0:24:07 | |
Making it move still involved shovelling | 0:24:07 | 0:24:10 | |
shed-loads of coal into the furnace. | 0:24:10 | 0:24:12 | |
'But can Lisa and I do it as good as steam fireman Ralph?' | 0:24:12 | 0:24:16 | |
-Now, wait a minute, Lisa. -Yes. | 0:24:16 | 0:24:18 | |
-20 seconds, who can shovel the most coal in? -Oh, OK. -Ladies first. -Yes. | 0:24:18 | 0:24:23 | |
-You ready, Ralph? Ready, Lisa? -Yeah, I'm ready! | 0:24:23 | 0:24:25 | |
And...go. | 0:24:25 | 0:24:27 | |
Oh, it's heavy, it's heavy. | 0:24:27 | 0:24:31 | |
Oh, see. | 0:24:31 | 0:24:32 | |
Oh, it's well heavy! | 0:24:34 | 0:24:37 | |
-Go on, Lis! -Go on, see! | 0:24:37 | 0:24:39 | |
-Go on, girl, get your back behind it. -See. | 0:24:39 | 0:24:42 | |
-Five... -Oh, oh! -..four... -OK, OK! | 0:24:42 | 0:24:44 | |
..three, two, | 0:24:44 | 0:24:45 | |
-that's it! -And how many was that? | 0:24:45 | 0:24:49 | |
That was about 85 shovels. | 0:24:49 | 0:24:51 | |
-A likely story. -Yeah, yeah. | 0:24:51 | 0:24:53 | |
-Come on, Len, how many was it? -Move over. -I got my hands dirty. | 0:24:53 | 0:24:56 | |
Here I go. | 0:24:56 | 0:24:58 | |
Oh, Len, that was just... I had five bits on mine, | 0:24:58 | 0:25:03 | |
he's doing one by one. | 0:25:03 | 0:25:04 | |
-I think we know who's won this already, don't we? -Yeah, yeah. | 0:25:04 | 0:25:08 | |
-Don't be vulgar. -Not only have I won... | 0:25:08 | 0:25:12 | |
-That's a proper amount of coal. -Put your back into it, Leonard. | 0:25:12 | 0:25:16 | |
LISA LAUGHS | 0:25:16 | 0:25:18 | |
One thing, we may hoot the hooter? | 0:25:18 | 0:25:21 | |
Yes! | 0:25:21 | 0:25:23 | |
-Yeah, go on. -OK. -Don't burn yourself on that. | 0:25:23 | 0:25:25 | |
TRAIN WHISTLE | 0:25:25 | 0:25:27 | |
Oh! That was ace! | 0:25:27 | 0:25:29 | |
It was supposed to be a little hoot! | 0:25:29 | 0:25:31 | |
With the train fired up, no thanks to me, we're ready to go, | 0:25:31 | 0:25:35 | |
so we'd better take our seats. | 0:25:35 | 0:25:36 | |
And, while the gorgeous scenery goes by, | 0:25:36 | 0:25:39 | |
we'll have one final chat about my mate Lisa's fascinating career. | 0:25:39 | 0:25:43 | |
-Now, you've done TV... -Yeah. | 0:25:43 | 0:25:45 | |
..you've done stage, you've been on the television, | 0:25:45 | 0:25:48 | |
which do you prefer, is there one that you love the most? | 0:25:48 | 0:25:53 | |
What I love this most is the P word, and it's performing. | 0:25:53 | 0:25:56 | |
Whether that be film, television, radio, telly, you know, | 0:25:56 | 0:25:59 | |
I'm just so blessed to do what I love. | 0:25:59 | 0:26:02 | |
People say, "What are you? Are you an actress?" | 0:26:02 | 0:26:04 | |
Are you this, that and the other? And I'm just a performer. | 0:26:04 | 0:26:07 | |
-Yeah. -I love doing everything that the industry involves, really. | 0:26:07 | 0:26:10 | |
-Yeah. -And I'm blessed that I get to do it. -Right. | 0:26:10 | 0:26:13 | |
You've been in some massive programmes - | 0:26:13 | 0:26:16 | |
is there anything you think, "If I could, I'd love to do..." | 0:26:16 | 0:26:22 | |
-Something, or... -Yeah. -Yeah? -My ultimate dream would be | 0:26:22 | 0:26:27 | |
a period drama, it really would. | 0:26:27 | 0:26:29 | |
You know, down in the kitchen, with the hair, with the mop cap, | 0:26:29 | 0:26:32 | |
-the corset, no teeth. -Yeah, yeah. -I'd love to do something like that. | 0:26:32 | 0:26:37 | |
-That would be great, it really, really would. -Yeah. | 0:26:37 | 0:26:39 | |
Well, we've touched on it before, do you think your day | 0:26:39 | 0:26:42 | |
with your mum in Haworth helped to shape who you became? | 0:26:42 | 0:26:48 | |
Oh, completely, because mum always let me be who I wanted to be. | 0:26:48 | 0:26:52 | |
If I wanted to skip round the church and do little role-plays and stuff, she let me. | 0:26:52 | 0:26:57 | |
Or stand outside the apothecary on the high street in Haworth, you know. | 0:26:57 | 0:27:01 | |
-Yeah. -She'd let me be silly and do these characters. | 0:27:01 | 0:27:03 | |
-That set me up for the person I am today. -Yeah. | 0:27:03 | 0:27:07 | |
-Let me get out. Take my hand, madam. -Aw! -How was that? | 0:27:07 | 0:27:13 | |
-Wonderful. -Wasn't that great? -A train journey with a true gentleman. | 0:27:13 | 0:27:17 | |
-Oh, you and I. -It's been amazing. -Oh, it was like Brief Encounter. | 0:27:17 | 0:27:20 | |
You were brief and I was an encounter. | 0:27:20 | 0:27:23 | |
Exactly! | 0:27:23 | 0:27:26 | |
Listen, I know you used to share this day with your mum | 0:27:26 | 0:27:30 | |
and I hope, in a little way, I've taken over from your mum. | 0:27:30 | 0:27:34 | |
It's been so, so fabulous. | 0:27:34 | 0:27:36 | |
-It has and she'd be so proud, honestly, Len. -Oh, great. | 0:27:36 | 0:27:39 | |
-Yeah, thank you. -Great. | 0:27:39 | 0:27:41 | |
Now, talking of memory, this is a scrapbook of all our day together. | 0:27:41 | 0:27:47 | |
Oh, wonderful. | 0:27:47 | 0:27:49 | |
-So it's a book of memories. -A lovely book of memories. | 0:27:49 | 0:27:52 | |
For Lisa, a photographic memento of our trip to Haworth, | 0:27:54 | 0:27:58 | |
which will help her remember our Bronte-inspired adventure. | 0:27:58 | 0:28:02 | |
-Thanks a million. -Thank you, darling. Aw, you're a gem. | 0:28:03 | 0:28:07 | |
'It's goodbye from Haworth and the summer of 1992.' | 0:28:07 | 0:28:11 | |
A truly special place that Lisa shared with her mum, that will | 0:28:11 | 0:28:15 | |
remain forever in her heart. | 0:28:15 | 0:28:17 |