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| Line | From | To | |
|---|---|---|---|
Childhood holidays - we all love them, don't we? | 0:00:02 | 0:00:04 | |
Fun in the sun, sandcastles, swimming in the sea... | 0:00:04 | 0:00:07 | |
Can't beat them. | 0:00:07 | 0:00:10 | |
So in this series, I'm going to be reliving those wonderful times | 0:00:10 | 0:00:13 | |
with some much-loved famous faces. | 0:00:13 | 0:00:16 | |
Everyone a winner! Come on! Hook a duck! | 0:00:16 | 0:00:20 | |
And some of the most surprising guests had the most fascinating holidays. | 0:00:20 | 0:00:24 | |
THEY LAUGH | 0:00:26 | 0:00:27 | |
-Hey! -It's a tug-of-war! | 0:00:27 | 0:00:30 | |
We'll relive the fun... TRAIN WHISTLES | 0:00:32 | 0:00:35 | |
Oh, no, no! | 0:00:35 | 0:00:36 | |
'..the games...' | 0:00:36 | 0:00:38 | |
..and the food of years gone by... | 0:00:38 | 0:00:41 | |
That is a little taste of childhood, right there. | 0:00:41 | 0:00:43 | |
..to find out how those holidays around the UK helped shape | 0:00:43 | 0:00:48 | |
the people we know so well today. | 0:00:48 | 0:00:51 | |
I'm giving you a standing ovation. | 0:00:51 | 0:00:53 | |
So buckle up for Holiday Of My Lifetime. | 0:00:53 | 0:00:56 | |
Can you come on all my holidays? | 0:00:56 | 0:00:58 | |
Hey, here we go! | 0:01:04 | 0:01:05 | |
I'm off to meet a lady who's brought all kinds of drama | 0:01:05 | 0:01:09 | |
into our living rooms. | 0:01:09 | 0:01:11 | |
She was born in Harrow on the Hill in north-west London in 1942. | 0:01:11 | 0:01:17 | |
Oh, look at that face! | 0:01:17 | 0:01:20 | |
She started her working life as a drama teacher | 0:01:20 | 0:01:23 | |
before getting the call of the stage. | 0:01:23 | 0:01:25 | |
And in the '80s she was gracing our screens on Emmerdale Farm | 0:01:26 | 0:01:32 | |
and Minder. | 0:01:32 | 0:01:33 | |
And it was in the '80s she took on her most famous role - | 0:01:33 | 0:01:38 | |
a Butcher. | 0:01:38 | 0:01:39 | |
Oh, I do love a bit of unsmoked back. | 0:01:39 | 0:01:41 | |
For 26 years, we followed the tears | 0:01:42 | 0:01:45 | |
and the laughter that she brought to a certain square | 0:01:45 | 0:01:49 | |
in east London. | 0:01:49 | 0:01:51 | |
There was marriages, murders | 0:01:51 | 0:01:54 | |
and how can we forget those earrings? | 0:01:54 | 0:01:57 | |
You must have got it by now. | 0:01:57 | 0:01:59 | |
Of course you have! | 0:01:59 | 0:02:00 | |
It's the one and only Pam St Clement! | 0:02:00 | 0:02:03 | |
Oh, ho, ho! | 0:02:03 | 0:02:04 | |
So, I'm on my way to pick her up in this vintage Morris, | 0:02:04 | 0:02:08 | |
almost the same as the one she would have been in all those years ago. | 0:02:08 | 0:02:13 | |
Pamela! Hoo, hoo, hoo! | 0:02:13 | 0:02:15 | |
Lenny Boy's on his way! | 0:02:15 | 0:02:16 | |
Pam St Clement was born in 1942 to Irene-Ann and Reginald Clement, | 0:02:18 | 0:02:24 | |
but sadly her mum passed away while she was still a very young girl. | 0:02:24 | 0:02:28 | |
Her screen acting career began with a minor role in the TV drama | 0:02:28 | 0:02:33 | |
Onedin Line. | 0:02:33 | 0:02:34 | |
But her first big break came when she was cast in prison drama | 0:02:34 | 0:02:38 | |
Within These Walls. | 0:02:38 | 0:02:40 | |
She then appeared in Play For Today | 0:02:40 | 0:02:42 | |
as a nude model! | 0:02:42 | 0:02:44 | |
Oh, naughty! | 0:02:44 | 0:02:46 | |
But it was when she joined EastEnders in 1986 | 0:02:46 | 0:02:50 | |
that she became a true household name | 0:02:50 | 0:02:53 | |
as the tough-talking troublemaker Pat. | 0:02:53 | 0:02:55 | |
Her on-screen marriage to wheeler-dealer Frank Butcher | 0:02:55 | 0:02:58 | |
made them one of the most iconic soap couples of all time. | 0:02:58 | 0:03:02 | |
Over the years, her character has survived a heart attack, | 0:03:02 | 0:03:06 | |
faced time in prison and become the landlady of The Queen Vic. | 0:03:06 | 0:03:10 | |
In 2012, she left the square for the last time | 0:03:10 | 0:03:13 | |
'and after all that drama, I'm not surprised! | 0:03:13 | 0:03:16 | |
'Our Pam definitely deserves a break,' | 0:03:16 | 0:03:19 | |
'so I'm taking her back to a special holiday of her lifetime' | 0:03:19 | 0:03:22 | |
HORN TOOTS '..in a very special car.' | 0:03:22 | 0:03:24 | |
Pam! | 0:03:27 | 0:03:29 | |
THEY LAUGH | 0:03:29 | 0:03:31 | |
Oh, my favourite hoofer! | 0:03:31 | 0:03:33 | |
-How lovely to meet you. -Oh, it's lovely to see you. | 0:03:33 | 0:03:36 | |
Hello, my dear. | 0:03:36 | 0:03:38 | |
Oh! | 0:03:38 | 0:03:39 | |
Where have you been? Did you do a dance on the way? | 0:03:39 | 0:03:41 | |
Well, it's just... You know, it's not the fastest of vehicles. | 0:03:41 | 0:03:44 | |
-No, this is very true. -So, do you recognise the car? | 0:03:44 | 0:03:47 | |
-Absolutely, yep. -Yep. | 0:03:47 | 0:03:49 | |
-That's the one. -That's the one, eh? | 0:03:49 | 0:03:50 | |
-Mm-hm. -Morris Eight. | 0:03:50 | 0:03:52 | |
-Beauty. -Lovely, isn't it? | 0:03:52 | 0:03:53 | |
Where we off to? | 0:03:53 | 0:03:54 | |
We're off to the beautiful moors. | 0:03:56 | 0:03:58 | |
-Dartmoor? -Dartmoor! | 0:03:58 | 0:04:00 | |
-Not the prison, though. No, no, no. -No, no, I don't think... | 0:04:00 | 0:04:02 | |
Not today. | 0:04:02 | 0:04:04 | |
And what's the year? | 0:04:04 | 0:04:05 | |
1953. | 0:04:05 | 0:04:07 | |
Queen's coronation. | 0:04:07 | 0:04:09 | |
-Yeah. -Was it the coronation? -Yeah, I remember watching it on the telly. | 0:04:09 | 0:04:12 | |
Course it was, yes, yes. | 0:04:12 | 0:04:14 | |
And I tell you what the number one was. | 0:04:14 | 0:04:16 | |
-Frankie Laine... -Yeah? | 0:04:16 | 0:04:18 | |
..I Believe. | 0:04:18 | 0:04:20 | |
-BOTH: -# I believe for every drop of rain that falls | 0:04:20 | 0:04:25 | |
# A flower grows. # | 0:04:25 | 0:04:27 | |
This is going to be a great holiday! | 0:04:28 | 0:04:30 | |
-Now, let me warn you. -What? | 0:04:30 | 0:04:32 | |
No seatbelts. | 0:04:32 | 0:04:33 | |
-Oh, are we allowed? -Yeah, this vehicle is exempt... -OK. | 0:04:33 | 0:04:37 | |
-..cos it's over, whatever, 70 years old. -Fine, fine. | 0:04:37 | 0:04:40 | |
So, do you trust me? | 0:04:40 | 0:04:42 | |
Oh, implicitly, with my life. | 0:04:42 | 0:04:45 | |
-But will I get into it? -Yes, it's a bit of a struggle, | 0:04:45 | 0:04:48 | |
but we'll get in. | 0:04:48 | 0:04:49 | |
So, here we go! Off we go! | 0:04:49 | 0:04:51 | |
-All right, my dear. -Dartmoor awaits! -Yep! | 0:04:51 | 0:04:53 | |
LEN LAUGHS | 0:04:57 | 0:04:59 | |
Situated in the south-west of England | 0:05:00 | 0:05:03 | |
between Exeter and Plymouth, | 0:05:03 | 0:05:05 | |
Dartmoor National Park is | 0:05:05 | 0:05:07 | |
right at the very heart of Devon. | 0:05:07 | 0:05:09 | |
With 368 square miles of dramatic landscapes | 0:05:09 | 0:05:13 | |
and breathtaking views set against high open moorland, | 0:05:13 | 0:05:17 | |
it's easy to see why 2.4 million visitors flock here each year. | 0:05:17 | 0:05:23 | |
But it's not all moorland, it's also home to around 34,000 people. | 0:05:23 | 0:05:28 | |
As I always say, before any holiday begins, | 0:05:31 | 0:05:34 | |
you must start with a journey | 0:05:34 | 0:05:36 | |
and for Pam, it was one she'd be taking all on her own. | 0:05:36 | 0:05:41 | |
After losing her mum so soon in life, her dad sent her | 0:05:41 | 0:05:44 | |
to boarding school during termtime | 0:05:44 | 0:05:46 | |
and out to the country during the holidays. | 0:05:46 | 0:05:49 | |
'And for an 11-year-old Pam, this was the holiday that would | 0:05:49 | 0:05:52 | |
'change her life for ever.' | 0:05:52 | 0:05:55 | |
It was a point at which my life changed, Len. | 0:05:55 | 0:05:59 | |
It had been... | 0:05:59 | 0:06:01 | |
I had been... | 0:06:01 | 0:06:03 | |
knocked from pillar to post for absolutely years | 0:06:03 | 0:06:08 | |
staying with all sorts of people. | 0:06:08 | 0:06:10 | |
-Oh, really? -Oh, yes. Father married many times. | 0:06:11 | 0:06:14 | |
Wasn't really the sort of man who should have been a parent. | 0:06:15 | 0:06:19 | |
Right. | 0:06:19 | 0:06:21 | |
He couldn't take that sort of responsibility | 0:06:21 | 0:06:24 | |
and, so, I didn't really have any stability at all. | 0:06:24 | 0:06:29 | |
Right, so, you came down on your own? | 0:06:29 | 0:06:31 | |
I came down on my own. I was put onto the train | 0:06:31 | 0:06:34 | |
at Paddington station in the care of the guard in those days! | 0:06:34 | 0:06:38 | |
That's right! SHE LAUGHS | 0:06:38 | 0:06:39 | |
And then you got picked up? | 0:06:39 | 0:06:41 | |
-Then I got picked up. -In a car like this. | 0:06:41 | 0:06:43 | |
-In a car exactly like this. -And who did the picking up? | 0:06:43 | 0:06:47 | |
Oh, it was what I thought was an elderly lady, | 0:06:47 | 0:06:49 | |
-but she wouldn't have been an elderly lady... -Yeah. | 0:06:49 | 0:06:52 | |
-..but to me she was... -Yeah. | 0:06:52 | 0:06:54 | |
..as I'd just gone 11. | 0:06:54 | 0:06:56 | |
And she was one of the women | 0:06:56 | 0:07:01 | |
who eventually became | 0:07:01 | 0:07:03 | |
an adopted aunt. | 0:07:03 | 0:07:05 | |
-Aunt Sylvia. -Oh, how lovely. | 0:07:05 | 0:07:08 | |
Sylvia took Pam to her home - | 0:07:08 | 0:07:10 | |
a place that would live with her for ever. | 0:07:10 | 0:07:13 | |
It was a farm, wasn't it? | 0:07:13 | 0:07:14 | |
A farm, yes. | 0:07:14 | 0:07:16 | |
It was two women - one who ran the farm | 0:07:16 | 0:07:19 | |
and one who ran the household, | 0:07:19 | 0:07:22 | |
-in other words... -Right. -..for PGs, for paying guests. -Yeah. | 0:07:22 | 0:07:26 | |
Of which I was, obviously... Started out as one of them. | 0:07:26 | 0:07:29 | |
So, these two lovely ladies really became | 0:07:29 | 0:07:34 | |
almost like surrogate mothers. | 0:07:34 | 0:07:36 | |
-They were, they were my parents to all intents and purposes. -Yeah. | 0:07:36 | 0:07:39 | |
-And I owe them so much for that... -Yeah. | 0:07:39 | 0:07:42 | |
..because they invested so much affection and trust | 0:07:42 | 0:07:47 | |
-and faith in me as a person. -Yeah. | 0:07:47 | 0:07:48 | |
-This was the first taste I had... -Of a proper family. | 0:07:50 | 0:07:53 | |
-..of anything like a family, yes. -Yeah. | 0:07:53 | 0:07:55 | |
'It sounds like today will be extra-special for Pam.' | 0:07:55 | 0:07:59 | |
1953 was an eventful year | 0:08:03 | 0:08:06 | |
and there was big news for children across the land. | 0:08:06 | 0:08:10 | |
Kids like the then 11-year-old Pam | 0:08:10 | 0:08:12 | |
rejoiced as Second World War rationing on sweets | 0:08:12 | 0:08:16 | |
finally came to an end. Ho, ho! | 0:08:16 | 0:08:19 | |
Also in that year, I'm sure all those sweet-filled kids | 0:08:19 | 0:08:23 | |
were looking towards the skies | 0:08:23 | 0:08:25 | |
as RAF pilots spotted a white ball-shaped UFO | 0:08:25 | 0:08:29 | |
hovering over Kent. Whoa! | 0:08:29 | 0:08:31 | |
What did it look like and what were your final conclusions? | 0:08:31 | 0:08:34 | |
Well, it actually looked a completely circular | 0:08:34 | 0:08:37 | |
white object, very similar to a ping pong ball. | 0:08:37 | 0:08:40 | |
It was moving, bobbing about, was it? | 0:08:40 | 0:08:42 | |
No, it was absolutely motionless for the first 15 minutes, | 0:08:42 | 0:08:45 | |
but it moved off very, very slowly afterwards. | 0:08:45 | 0:08:47 | |
Left no trail? | 0:08:47 | 0:08:48 | |
No trail. No, no, no trail at all. | 0:08:48 | 0:08:50 | |
And the world of country music | 0:08:52 | 0:08:54 | |
marked the passing of the legendary Hank Williams | 0:08:54 | 0:08:58 | |
with the posthumous release of his classic hit, | 0:08:58 | 0:09:00 | |
Your Cheatin' Heart. | 0:09:00 | 0:09:02 | |
# The time will come | 0:09:02 | 0:09:04 | |
# When you'll be blue | 0:09:06 | 0:09:09 | |
# Your cheating heart | 0:09:09 | 0:09:13 | |
# Will tell on you. # | 0:09:13 | 0:09:15 | |
'But for Pam, that summer was all about her solo trip to Dartmoor | 0:09:16 | 0:09:22 | |
'and we're about to rekindle those memories as she hasn't been back | 0:09:22 | 0:09:26 | |
'to Southcott Farm in decades. | 0:09:26 | 0:09:29 | |
'But how much has it changed over the years?' | 0:09:29 | 0:09:32 | |
Hey, hey! | 0:09:32 | 0:09:33 | |
Wow. | 0:09:33 | 0:09:35 | |
Wow, wow, wow! | 0:09:35 | 0:09:37 | |
That's it. | 0:09:40 | 0:09:42 | |
-Gosh. -Pam, does this bring back a few memories? -Oh, yes. | 0:09:42 | 0:09:45 | |
-Oh, yes. -Yeah? | 0:09:45 | 0:09:47 | |
-That hasn't changed much. -Really? | 0:09:47 | 0:09:49 | |
Nothing about the yard. Nope, nothing's changed. | 0:09:49 | 0:09:52 | |
It's exactly the same. | 0:09:52 | 0:09:54 | |
So, how long is it since you've been here? | 0:09:54 | 0:09:56 | |
Well, we moved from here | 0:09:56 | 0:09:59 | |
in about '54, | 0:09:59 | 0:10:01 | |
-so I only had a couple of years in this house... -Right. | 0:10:01 | 0:10:05 | |
-..and then we moved to another farm, a larger farm... -Oh, right. | 0:10:05 | 0:10:07 | |
..further towards Widecombe. | 0:10:07 | 0:10:09 | |
But this was the first impression. | 0:10:09 | 0:10:11 | |
Yeah. | 0:10:11 | 0:10:12 | |
Well, shall we have a little look in? | 0:10:12 | 0:10:15 | |
Are we allowed to? | 0:10:15 | 0:10:16 | |
-Don't know. Take my arm. -Go on. You'll protect me, won't you, Len? | 0:10:16 | 0:10:19 | |
We'll make out we're lost. | 0:10:19 | 0:10:21 | |
This is going to take Pam right back to 1953. | 0:10:21 | 0:10:24 | |
Gosh. | 0:10:26 | 0:10:27 | |
Well. | 0:10:29 | 0:10:30 | |
Oh, this is... | 0:10:31 | 0:10:33 | |
-Do you remember this? -I'm remembering this very differently. | 0:10:33 | 0:10:36 | |
-Oh, yeah? -I don't remember these doors off the hall. | 0:10:36 | 0:10:40 | |
Oh, here we are. | 0:10:42 | 0:10:43 | |
-Can you smell burning? -No, no. -Good. | 0:10:44 | 0:10:49 | |
-Look at the old fireplace. -Mmm. | 0:10:49 | 0:10:51 | |
Was the fire like that, Pam? Was that the sort of thing? | 0:10:52 | 0:10:55 | |
No, there wasn't a wood burner. | 0:10:55 | 0:10:57 | |
That was an open fire. | 0:10:57 | 0:11:00 | |
They were big in those days because you used to | 0:11:00 | 0:11:03 | |
not just have the wood there, but you'd have a seat there. | 0:11:03 | 0:11:06 | |
-Yeah. -People would sit round and also you could have | 0:11:06 | 0:11:09 | |
-a hot water facility as well. -Yeah. | 0:11:09 | 0:11:10 | |
Tell me, you know, the two ladies that you... | 0:11:10 | 0:11:13 | |
-Mmm. It was Molly... -Yeah. | 0:11:13 | 0:11:15 | |
-..who I knew as Cortie. -Right. | 0:11:15 | 0:11:18 | |
-And Sylvia who became Aunt Sylvia. -Yeah. | 0:11:18 | 0:11:21 | |
-Sylvia did all the farming. She was a good livestock woman. -Yeah. | 0:11:21 | 0:11:24 | |
And Molly, she did everything inside. | 0:11:24 | 0:11:27 | |
-She looked after all the guests, paying guests... -Yeah. | 0:11:27 | 0:11:30 | |
-..and the house in general. -Right. | 0:11:30 | 0:11:32 | |
-They sound like a really, you know, smashing couple. -Oh, they were. | 0:11:32 | 0:11:36 | |
As we've said, they were like parents. | 0:11:36 | 0:11:38 | |
Do you have any recollections of your mum? | 0:11:38 | 0:11:41 | |
I know she died when you were really young. | 0:11:41 | 0:11:43 | |
Do you have any memories of her, really? | 0:11:43 | 0:11:46 | |
No, no, I don't, Len. I don't. | 0:11:46 | 0:11:48 | |
I had... | 0:11:48 | 0:11:50 | |
a photograph of her | 0:11:50 | 0:11:52 | |
which unfortunately got lost in a flood | 0:11:52 | 0:11:55 | |
and that was the only part of her that I had. | 0:11:55 | 0:11:58 | |
-That was a pity. -Yeah. | 0:11:58 | 0:12:00 | |
-But I could see the similarity though, between us. -Yeah, yeah. | 0:12:00 | 0:12:04 | |
-And she had Irish green eyes and... -Yeah. -..brunette. | 0:12:04 | 0:12:07 | |
-Which I was when I was younger! -Yeah, yeah. | 0:12:07 | 0:12:10 | |
And, yeah, but no memories. Nothing in the heart. | 0:12:10 | 0:12:14 | |
No. | 0:12:14 | 0:12:15 | |
-That's a shame, isn't it? -Yes. | 0:12:15 | 0:12:17 | |
'I want to explore more of Pam's holiday farmhouse | 0:12:17 | 0:12:21 | |
'and find the room she stayed in all those years ago.' | 0:12:21 | 0:12:24 | |
Yeah, come in. | 0:12:24 | 0:12:26 | |
-Oh, well. -This is my wee cubbyhole. | 0:12:27 | 0:12:29 | |
-So, this is where you slept? -Yeah, yeah, | 0:12:29 | 0:12:31 | |
and that window looked out over the meadow and that's where | 0:12:31 | 0:12:36 | |
-I had my first glimpse of the cows the next morning... -Right. | 0:12:36 | 0:12:41 | |
..with the mist rising and their warm breath on the... | 0:12:41 | 0:12:44 | |
-Aww. -Oh, it was absolutely beautiful. -Yeah. | 0:12:44 | 0:12:47 | |
-You can see the cows. -Yes, yes. -Yeah. | 0:12:47 | 0:12:51 | |
There they are, the Red Devons. | 0:12:51 | 0:12:53 | |
-Yeah. -Beautiful Red Devon cows. Hmm. | 0:12:53 | 0:12:55 | |
What have we got over here on this old dresser? | 0:12:55 | 0:12:58 | |
Oh, well, of course, | 0:12:58 | 0:12:59 | |
we didn't have electricity. | 0:12:59 | 0:13:01 | |
-Oh, so it was... -Oh, yeah, it was... | 0:13:01 | 0:13:04 | |
-Oh, it was the... -Candle and matches. | 0:13:04 | 0:13:06 | |
-Really? -Didn't even have oil lamps | 0:13:06 | 0:13:08 | |
-at this juncture. -It was a candle? | 0:13:08 | 0:13:10 | |
It was a candle, yeah. | 0:13:10 | 0:13:11 | |
Can you imagine coming up those stairs with a candle? | 0:13:11 | 0:13:14 | |
No! Little girl... | 0:13:14 | 0:13:15 | |
-There. -There we are. | 0:13:20 | 0:13:22 | |
So, we've got a... | 0:13:22 | 0:13:23 | |
Do you know anything? | 0:13:25 | 0:13:26 | |
Yes, that's a Widecombe Fair jug. | 0:13:26 | 0:13:31 | |
-I had no history of the area... -Yeah. -..so I didn't know | 0:13:31 | 0:13:34 | |
-what this jug meant when I... -Yeah. | 0:13:34 | 0:13:35 | |
..saw it sitting on | 0:13:35 | 0:13:37 | |
-my dressing table. -Yeah. | 0:13:37 | 0:13:38 | |
But that's what it is. | 0:13:38 | 0:13:40 | |
HE CHUCKLES | 0:13:41 | 0:13:43 | |
So, what's it like being back in your old bedroom? | 0:13:43 | 0:13:45 | |
-Strange. -Yeah? | 0:13:45 | 0:13:46 | |
-Yes, it is. -Yeah. -It's very strange. | 0:13:46 | 0:13:49 | |
It's funny, I get the same feeling that I had | 0:13:50 | 0:13:52 | |
of the warmth and the welcome and everything else. | 0:13:52 | 0:13:56 | |
-Happy memories, really. -Oh, gosh, yes. -Just happy? | 0:13:56 | 0:13:59 | |
-Oh, I should say. -Yeah. -Absolutely happy. | 0:13:59 | 0:14:01 | |
No holiday is complete without sampling the local food | 0:14:03 | 0:14:06 | |
and when a young Pam St Clement came here back in 1953, | 0:14:06 | 0:14:10 | |
Cortie always had something good for her to eat. | 0:14:10 | 0:14:13 | |
Can you remember the first meal you had when you came here? | 0:14:15 | 0:14:19 | |
Oh, yes. | 0:14:19 | 0:14:21 | |
-Yes, I got here at tea-time. -Right. | 0:14:21 | 0:14:25 | |
And so it was a typical Devon tea | 0:14:25 | 0:14:29 | |
with scones and jam and cream and flapjacks. | 0:14:29 | 0:14:33 | |
That was Cortie's big thing - flapjacks. | 0:14:33 | 0:14:37 | |
Cortie was a... Was she a good cook? | 0:14:37 | 0:14:39 | |
A fantastic cook. | 0:14:39 | 0:14:40 | |
So, what we're going to do, I'm going to try and | 0:14:40 | 0:14:43 | |
knock up some flapjacks. | 0:14:43 | 0:14:44 | |
SHE GASPS | 0:14:44 | 0:14:45 | |
Right, let's have a... | 0:14:45 | 0:14:47 | |
120... Oh, I'm no good on grams. | 0:14:47 | 0:14:48 | |
-Oh, no, I don't do grams. -No. | 0:14:48 | 0:14:50 | |
-See, we're the same generation, really! -Yeah. | 0:14:50 | 0:14:54 | |
125g of butter. | 0:14:54 | 0:14:56 | |
'Jamie Oliver's got nothing on me! | 0:14:56 | 0:14:59 | |
'Now the ingredients just need a mix. Oh, pukka!' | 0:14:59 | 0:15:03 | |
So, you know, as a little girl, 11 years old and so on, | 0:15:03 | 0:15:06 | |
were you naughty or were you a very well-behaved and demure...? | 0:15:06 | 0:15:11 | |
Funnily enough, I was quite demure at this juncture. | 0:15:11 | 0:15:15 | |
Not at school. | 0:15:15 | 0:15:16 | |
Oh, it was at school that I was a... | 0:15:16 | 0:15:17 | |
Oh, I was wicked. | 0:15:17 | 0:15:19 | |
-Was you? -I was really naughty, yes. | 0:15:19 | 0:15:21 | |
-Cos I used to get encouraged by other kids. -Others, yeah. | 0:15:21 | 0:15:24 | |
Was it a mixed boarding school, or just...? | 0:15:24 | 0:15:27 | |
-No, no, no. -All girls? -It was girls. -Right. | 0:15:27 | 0:15:30 | |
The only contact we had with boys is when we broke bounds to meet them. | 0:15:30 | 0:15:33 | |
-Oh, yeah. -Which we did. -Course. | 0:15:33 | 0:15:35 | |
And also when we went dancing. | 0:15:35 | 0:15:37 | |
Was it ballroomy sort of dancing or was it country dancing? | 0:15:37 | 0:15:41 | |
No, darling, it was ballroom. | 0:15:41 | 0:15:42 | |
-It was... -Oh! -Oh, yes, absolutely. | 0:15:42 | 0:15:45 | |
-Oh! -Yep. | 0:15:45 | 0:15:46 | |
So I was having all sorts of different dance influences | 0:15:46 | 0:15:49 | |
in those days because rock and roll was the big thing. | 0:15:49 | 0:15:53 | |
-Course it was! -Oh, I loved it! | 0:15:53 | 0:15:55 | |
-Absolutely loved it. -Yeah, and me. | 0:15:55 | 0:15:58 | |
Did you have any favourites? | 0:15:58 | 0:16:00 | |
-Well, Tommy Steele, Elvis... -Yeah. | 0:16:00 | 0:16:03 | |
..Little Richard. But that was the sort of music I liked at school. | 0:16:03 | 0:16:08 | |
-Yeah. -Loved it. | 0:16:08 | 0:16:09 | |
It's a shame Cortie didn't have a food mixer. | 0:16:09 | 0:16:12 | |
'This looks lovely and it will be even better | 0:16:15 | 0:16:18 | |
'when it comes out the oven.' | 0:16:18 | 0:16:20 | |
Now, you're allowed to lick the spoon if you want to, young man. | 0:16:20 | 0:16:23 | |
OK. | 0:16:23 | 0:16:24 | |
What do you think? | 0:16:29 | 0:16:30 | |
THEY LAUGH | 0:16:30 | 0:16:32 | |
Yes, I think it's cracking. | 0:16:32 | 0:16:35 | |
'If it tastes half as good as the spoon, we'll be quids in. | 0:16:35 | 0:16:39 | |
'I can't wait until this is ready, come on! | 0:16:39 | 0:16:42 | |
'It's too sunny to be cooped up indoors, | 0:16:42 | 0:16:45 | |
'so I've set a little spread alfresco, oh, yes! | 0:16:45 | 0:16:48 | |
'And it's the perfect place to find out more about Pam's eating habits | 0:16:48 | 0:16:53 | |
'all those years ago.' | 0:16:53 | 0:16:55 | |
What was mealtime like? | 0:16:55 | 0:16:56 | |
You know, were there other people staying and so on? Did you all sit together? | 0:16:56 | 0:17:01 | |
No, actually, because most of the people that stayed here | 0:17:01 | 0:17:04 | |
were bird-watchers, | 0:17:04 | 0:17:06 | |
moorland enthusiasts who were walking the moors for the day | 0:17:06 | 0:17:11 | |
-and they would tend to take their lunches with them. -Yeah. | 0:17:11 | 0:17:15 | |
At... They'd probably come back at about suppertime, | 0:17:15 | 0:17:19 | |
so they'd have an early supper. | 0:17:19 | 0:17:20 | |
We would have supper when it suited the work schedule, really. | 0:17:20 | 0:17:25 | |
Now... | 0:17:25 | 0:17:26 | |
I've left this for a bit, because I don't want you getting over-excited | 0:17:27 | 0:17:30 | |
and running off to the toilet. | 0:17:30 | 0:17:31 | |
-I'm already overexcited being with you, so... -Just wait a second. | 0:17:31 | 0:17:34 | |
-You know, the heart rate is...pumping. -I've left this on the lower level. | 0:17:34 | 0:17:37 | |
PAM LAUGHS | 0:17:37 | 0:17:39 | |
-It worked. -Didn't we do well? | 0:17:40 | 0:17:42 | |
-Thank you, my dear. -You're welcome. | 0:17:43 | 0:17:45 | |
-Do I have to be a lady and eat it with my pastry fork? -No, just... | 0:17:45 | 0:17:49 | |
-I'm going to pick mine up and have a go at it. -Oh, good, I'm glad about that. | 0:17:49 | 0:17:53 | |
Here's to the cook. | 0:17:57 | 0:17:58 | |
-Yes. -The current cook, Len. -Yes. | 0:17:58 | 0:18:00 | |
-Here's to the past cook, Molly. -Yeah, Molly. | 0:18:00 | 0:18:03 | |
Oh, that's outrageous. | 0:18:07 | 0:18:09 | |
-That's brilliant. -That is so sweet. | 0:18:09 | 0:18:12 | |
'With our bellies full, it's time to get out and explore. | 0:18:12 | 0:18:15 | |
'Towards the north-east of Dartmoor, you'll find the exquisite Bovey Castle. | 0:18:15 | 0:18:21 | |
'We're here to try something that Pam will remember from her | 0:18:21 | 0:18:25 | |
'days on the farm - target practice. | 0:18:25 | 0:18:27 | |
'Though today it's clay pigeons we're after.' | 0:18:27 | 0:18:30 | |
GUNSHOT | 0:18:30 | 0:18:32 | |
-Hi. -Pam, this is Ian. -Hi, Ian, nice to meet you. -How are you? | 0:18:32 | 0:18:35 | |
-Are you all right? -Yeah. -Len, all right? -Good, yeah. -Good. | 0:18:35 | 0:18:39 | |
I've got two guns with us. I've got a 12-gauge for you, Len, | 0:18:39 | 0:18:41 | |
-and I got a 20-gauge for you, a bit of a smaller... -Right. | 0:18:41 | 0:18:44 | |
I've got a trap set up, all the electronics, | 0:18:44 | 0:18:46 | |
so I'll press the button and we'll go through the motions and I'll show you how to shoot. | 0:18:46 | 0:18:50 | |
-Shall we give it a go, then? -Yeah. | 0:18:50 | 0:18:51 | |
'As soon as Ian gives us a quick lesson, we'll be good to go. | 0:18:51 | 0:18:55 | |
'I'm excited about this.' | 0:18:55 | 0:18:56 | |
-OK. Say "pull." -Pull! -There's the clay, point at it. | 0:18:57 | 0:19:00 | |
Three, two, one - squeeze the trigger. | 0:19:00 | 0:19:03 | |
-Pull. -There's the clay. | 0:19:03 | 0:19:04 | |
Point directly at it, lock on, three, two, one, squeeze. | 0:19:04 | 0:19:07 | |
'Pam has more experience of this kind of thing than me, | 0:19:07 | 0:19:10 | |
'but I'm feeling competitive. | 0:19:10 | 0:19:13 | |
'Focus, Len.' | 0:19:13 | 0:19:14 | |
-Gun's loaded. -Right. | 0:19:14 | 0:19:15 | |
Safety's off, ready to fire. | 0:19:17 | 0:19:18 | |
-Happy? -Yeah. -Say "pull" when you're ready. | 0:19:18 | 0:19:20 | |
-Pull! -And three, two, one. | 0:19:20 | 0:19:23 | |
GUNSHOT | 0:19:23 | 0:19:25 | |
-Nice shot. -I got it! You did get it! | 0:19:25 | 0:19:26 | |
-Wow. -I got it! I got it! LAUGHTER | 0:19:26 | 0:19:31 | |
-I'm not doing it any more, I got it! -Brilliant! -It's the best of one. | 0:19:31 | 0:19:35 | |
THEY LAUGH I got it! | 0:19:35 | 0:19:38 | |
-Brilliant. -You can't win with him. | 0:19:38 | 0:19:39 | |
Oh! Oh, slap my bum and call me Donald. | 0:19:39 | 0:19:42 | |
THEY LAUGH | 0:19:42 | 0:19:44 | |
-That was it. -Brilliant. | 0:19:45 | 0:19:47 | |
-Well, Pam, you ready? -Yeah. -My work is done. | 0:19:47 | 0:19:49 | |
-Beat that. -Beat that, indeed. | 0:19:49 | 0:19:51 | |
LEN LAUGHS | 0:19:51 | 0:19:52 | |
Just lift it away. | 0:19:55 | 0:19:56 | |
Now, don't forget, it's your dominant eye and pull slowly. | 0:19:56 | 0:20:00 | |
Just pull slowly and don't get panic... | 0:20:01 | 0:20:03 | |
I know you've only got one chance, but don't panic. | 0:20:03 | 0:20:06 | |
-He's master of the sport already. -Very impressed, I am. | 0:20:06 | 0:20:10 | |
So, say "pull" when you're ready. | 0:20:10 | 0:20:12 | |
Pull! | 0:20:12 | 0:20:13 | |
-In three, two, one, fire. -GUNSHOT | 0:20:13 | 0:20:15 | |
-That was close. -Miles away. | 0:20:17 | 0:20:18 | |
-No, it wasn't miles away, it was just down the left. -Oh, that was a pity. -It was unfortunate. | 0:20:18 | 0:20:22 | |
-Does that mean I'm the winner? -Yes. -Yes, it does. Congratulations. | 0:20:22 | 0:20:26 | |
'Well, I'm thoroughly chuffed with myself after that, | 0:20:26 | 0:20:29 | |
'but Pam shouldn't feel too downhearted. | 0:20:29 | 0:20:31 | |
'After all, she's been involved with some explosive scenes of her own in EastEnders, | 0:20:31 | 0:20:36 | |
'but I want to find out what she did before moving into Albert Square.' | 0:20:36 | 0:20:41 | |
Did you start off in sort of repertory companies and stuff? | 0:20:41 | 0:20:45 | |
Yeah, I started off in children's theatre, rep, a lot of theatre, | 0:20:45 | 0:20:49 | |
because that's where most of the work was in those days. | 0:20:49 | 0:20:52 | |
And then I started to get little bits in television | 0:20:52 | 0:20:56 | |
and it went from there. | 0:20:56 | 0:20:59 | |
-And how did EastEnders come along? -Yeah, well, I was... | 0:20:59 | 0:21:04 | |
I was sitting at home one day and the phone went | 0:21:04 | 0:21:07 | |
and a friend of mine was on the other end who was the director. | 0:21:07 | 0:21:10 | |
And he said, "Do you ever watch EastEnders? | 0:21:10 | 0:21:13 | |
And I said, "Yeah, I think it's great, you know, it's good, I like it, it's gritty." | 0:21:13 | 0:21:17 | |
And this was in the early days, when it very first started and he said, "Oh, thank goodness for that, | 0:21:17 | 0:21:21 | |
"because I've been directing quite a bit and I just want to send | 0:21:21 | 0:21:24 | |
"you a script to have a look at for a particular part." | 0:21:24 | 0:21:27 | |
And I said, "Great." | 0:21:27 | 0:21:29 | |
And that was just three weeks try-out | 0:21:29 | 0:21:32 | |
and then thereafter they wanted me to go back as a regular. | 0:21:32 | 0:21:35 | |
Now, look, 26 years EastEnders, what was your favourite moment? | 0:21:36 | 0:21:40 | |
Well... It'd be hard to beat the bowtie, wouldn't it, really? | 0:21:43 | 0:21:47 | |
KNOCKS AT DOOR | 0:21:47 | 0:21:49 | |
HE LAUGHS | 0:22:07 | 0:22:09 | |
SHE LAUGHS | 0:22:10 | 0:22:12 | |
Most of the stories around Mike, our marriage, | 0:22:12 | 0:22:17 | |
our affair when he was married to Peggy and later on, | 0:22:17 | 0:22:21 | |
the stuff I had with Barbara when Pat and Peggy | 0:22:21 | 0:22:25 | |
sort of put Frank aside once he'd gone | 0:22:25 | 0:22:29 | |
and started to become mates, then, you know, all that stuff... | 0:22:29 | 0:22:33 | |
-Yeah, it was all good. -Terrific. | 0:22:33 | 0:22:36 | |
'Pam is a true soap legend and there are still more memories | 0:22:36 | 0:22:39 | |
'and surprises to come. | 0:22:39 | 0:22:40 | |
'We've popped along to the Widecombe Village Hall, | 0:22:44 | 0:22:47 | |
'which was a very special place when she first came here back in 1953.' | 0:22:47 | 0:22:52 | |
Eh? PAM LAUGHS | 0:22:52 | 0:22:54 | |
Does this bring back a few memories? | 0:22:54 | 0:22:57 | |
Well, do you know, it brings back two very different memories. | 0:22:57 | 0:23:01 | |
The first is my Aunt Sylvia's 80th birthday party, which was full of | 0:23:01 | 0:23:07 | |
people in here and lots of food and eats and lots of people downstairs. | 0:23:07 | 0:23:12 | |
But as far as my youth's concerned, | 0:23:12 | 0:23:14 | |
-this is where we used to have the dances. -Oh, my. | 0:23:14 | 0:23:17 | |
-The village dance, the hop. -Yes. With the farmer boys. | 0:23:17 | 0:23:22 | |
Yes, I'm afraid so, yeah. | 0:23:22 | 0:23:23 | |
Come over here. | 0:23:23 | 0:23:25 | |
The village record player in working order. | 0:23:27 | 0:23:30 | |
Got a fabulous record here. | 0:23:31 | 0:23:33 | |
One of my favourites. | 0:23:33 | 0:23:35 | |
Now, so, Pam, I was wondering if you could just pin my bowtie in. | 0:23:35 | 0:23:42 | |
-Surely, sure. -Can you do that? -Yeah. | 0:23:42 | 0:23:45 | |
It's quite tricky. TIE MOTOR RUNS | 0:23:45 | 0:23:48 | |
PAM LAUGHS | 0:23:48 | 0:23:49 | |
-Do you recall anything? -You naughty man! | 0:23:49 | 0:23:52 | |
Except you've got your clothes on. | 0:23:52 | 0:23:54 | |
Well, I was going to take my shirt off, but I couldn't be bothered. | 0:23:54 | 0:23:58 | |
'But if I'm to be Frank Butcher, we must bring Pat back | 0:23:58 | 0:24:01 | |
'and that means some special earrings.' | 0:24:01 | 0:24:04 | |
NEEDLE DROPS | 0:24:06 | 0:24:08 | |
MUSIC: She Wears Red Feathers by Guy Mitchell | 0:24:09 | 0:24:13 | |
# She wears red feathers and a hooly-hooly skirt... # | 0:24:13 | 0:24:17 | |
PAM LAUGHS | 0:24:19 | 0:24:20 | |
Me dickie going. | 0:24:20 | 0:24:22 | |
# She lives on just coconuts and fish from the sea... # | 0:24:22 | 0:24:26 | |
# A rose in her hair A gleam in her eyes And love in her heart for me... # | 0:24:26 | 0:24:31 | |
-Wasn't this silly music? -Weren't it great? | 0:24:36 | 0:24:38 | |
Well, do you know what? I think it's time for pastures green. | 0:24:38 | 0:24:43 | |
-Oh, and there's more to do. -Oh, is there? -Oh, yes! | 0:24:43 | 0:24:46 | |
I'm not going out with you dressed like that. | 0:24:46 | 0:24:48 | |
-I'm going to keep my dickie on as long as I can. -All right, all right. | 0:24:48 | 0:24:52 | |
'I'm having a sit-down with Pam to find out what it | 0:24:54 | 0:24:57 | |
'was like playing one of EastEnders' most formidable characters.' | 0:24:57 | 0:25:01 | |
You must feel sorry for old... | 0:25:02 | 0:25:04 | |
..Pat, really. She went through a few ups and downs and... | 0:25:05 | 0:25:08 | |
-She did, didn't she? -..traumas during her... -She was... | 0:25:08 | 0:25:11 | |
A useful tool in terms of being able to take the story out | 0:25:11 | 0:25:15 | |
and wheel it round, even if she wasn't carrying the story herself. | 0:25:15 | 0:25:19 | |
And the fun days of course with Mike and then when | 0:25:19 | 0:25:24 | |
Mike and Barbara, you know, had the Peggy and Frank marriage | 0:25:24 | 0:25:29 | |
-and then the affair with Pat and all those days, I loved all that. -Yeah. | 0:25:29 | 0:25:34 | |
So, did you know what was coming up or did you, you know, | 0:25:34 | 0:25:37 | |
did you suddenly find, "This is what's going to happen?" | 0:25:37 | 0:25:41 | |
Well, to be honest, Len, you could've known. | 0:25:41 | 0:25:43 | |
I could've gone up to the office at any time and said to them, | 0:25:43 | 0:25:45 | |
"What's going to happen to my character?" | 0:25:45 | 0:25:47 | |
Just occasionally I wanted to have an idea of a direction. | 0:25:47 | 0:25:50 | |
But by and large I found it easier... | 0:25:50 | 0:25:53 | |
To do what you do in life, which is you don't | 0:25:53 | 0:25:56 | |
-know what's around the next corner. -Yeah. | 0:25:56 | 0:25:58 | |
-PEGGY: -So, don't you think my Frank knows he's better off out of it? | 0:25:58 | 0:26:01 | |
-No, I don't. -Well, he is. -I know my Frank. | 0:26:01 | 0:26:04 | |
He's not your Frank, he's mine! | 0:26:04 | 0:26:06 | |
Only cos I don't want him. | 0:26:06 | 0:26:07 | |
Oh, yeah? | 0:26:07 | 0:26:09 | |
Is there anything that you really wish you'd done | 0:26:09 | 0:26:12 | |
and you didn't get round to it? | 0:26:12 | 0:26:14 | |
-What, in the acting field, what parts? -Yes. | 0:26:14 | 0:26:17 | |
No, I don't have a hankering to, you know, I don't think, | 0:26:17 | 0:26:20 | |
"Oh, my! I should have played Lady Macbeth!" | 0:26:20 | 0:26:22 | |
LEN LAUGHS | 0:26:22 | 0:26:24 | |
-But I'd like to come back in my next life as a vet. -Yeah? -Yeah. | 0:26:24 | 0:26:29 | |
Do you feel that coming down here was a holiday of your lifetime? | 0:26:29 | 0:26:33 | |
Well, I think it's quite important to actually point out | 0:26:35 | 0:26:39 | |
the fact that this wasn't just a holiday of a lifetime, | 0:26:39 | 0:26:43 | |
but it's a holiday which became my lifetime. | 0:26:43 | 0:26:47 | |
Yeah. Yeah. | 0:26:47 | 0:26:49 | |
This has been a wonderful, wonderful day for me. I've enjoyed it so much. | 0:26:49 | 0:26:55 | |
We've laughed and it's a little tinged with a little sadness, | 0:26:55 | 0:26:59 | |
but it has been fantastic. | 0:26:59 | 0:27:00 | |
It's been great, Len. | 0:27:00 | 0:27:02 | |
-I really, really am so thrilled to meet you. -Well... | 0:27:02 | 0:27:07 | |
And, you know, it's been wonderful. | 0:27:07 | 0:27:08 | |
-Thank you so much. -Well, likewise, thank you. | 0:27:08 | 0:27:10 | |
I have with me a complete record of our day together. | 0:27:11 | 0:27:17 | |
-Really? -Yes, in the form... of this little scrapbook, | 0:27:17 | 0:27:19 | |
Holiday Of My Lifetime. | 0:27:19 | 0:27:23 | |
Look! You on the front. | 0:27:23 | 0:27:26 | |
-Isn't that beautiful? -Look at that. | 0:27:27 | 0:27:29 | |
'A scrapbook of memories of our time in the delightful Dartmoor | 0:27:30 | 0:27:35 | |
'that will help Pam remember our rural adventure, | 0:27:35 | 0:27:38 | |
'but still, I've got one final surprise that will surely | 0:27:38 | 0:27:42 | |
'bring back those memories.' | 0:27:42 | 0:27:44 | |
So, here it is, a little Widecombe Fair jug. | 0:27:44 | 0:27:48 | |
-No, of course, because that's the whole memory, isn't it? -Course it is. There it is. | 0:27:48 | 0:27:52 | |
-Oh, lovely. Thank you. -It's been great. | 0:27:52 | 0:27:56 | |
-Thank you very much, Len. -No... -It's been super. -It's been my joy. | 0:27:56 | 0:28:00 | |
'It's goodbye from Dartmoor and the summer of 1953, | 0:28:02 | 0:28:06 | |
'when two generous ladies took Pam under their wing | 0:28:06 | 0:28:09 | |
'and helped shape a true acting legend.' | 0:28:09 | 0:28:12 |