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don't know, you still see it if you hang around long enough. | 0:00:00 | 0:00:00 | |
Coming up at 6 o clock Breakfast with Charlie Stayt and Sally Nugent | 0:00:00 | 0:00:03 | |
but first on BBC News, The Travel Show. | 0:00:04 | 0:00:07 | |
Coming up this week on The Travel Show: | 0:00:07 | 0:00:10 | |
Rajan is in Jerusalem, the world's holiest city. | 0:00:10 | 0:00:14 | |
This is for Christianity the most important place in the world. | 0:00:14 | 0:00:21 | |
Quite an incredible experience to be here. | 0:00:21 | 0:00:27 | |
We touch down in St Martin for a spot of jet blasting | 0:00:27 | 0:00:30 | |
and to check out a music festival aimingto entice a younger crowd | 0:00:30 | 0:00:34 | |
to the Caribbean island. | 0:00:34 | 0:00:38 | |
And taking the perfect snap - we head to the Lake District | 0:00:38 | 0:00:41 | |
to capture one of the UK's most photographed landscapes. | 0:00:41 | 0:00:44 | |
I want people to see my pictures and think, "Wow," you know, | 0:00:44 | 0:00:48 | |
"that's inspiring." | 0:00:48 | 0:00:50 | |
But it's something they can see with their own eyes. | 0:00:50 | 0:00:55 | |
Jerusalem is one of the world capitals of religious tourism. | 0:01:29 | 0:01:32 | |
And Easter and Passover make for its busiest weeks. | 0:01:32 | 0:01:35 | |
And a particular hotspot is the Church of the Holy Sepulchre, | 0:01:35 | 0:01:39 | |
where some believe Jesus is buried. | 0:01:39 | 0:01:46 | |
We got rare access to the newly renovated tomb. | 0:01:56 | 0:01:58 | |
They called Jerusalem the world's holiest city. | 0:01:58 | 0:02:00 | |
It's also one of the most conflicted. | 0:02:00 | 0:02:02 | |
Politics aside, the fact is, Jerusalem has monuments that | 0:02:02 | 0:02:05 | |
are sacred to three of the world's biggest religions. | 0:02:05 | 0:02:09 | |
Like the Western Wall for those of the Jewish faith. | 0:02:09 | 0:02:17 | |
For Muslims, there is the distinctive dome | 0:02:17 | 0:02:19 | |
of the Rock Shrine. | 0:02:19 | 0:02:23 | |
Then deep in the heart of the old city, | 0:02:23 | 0:02:28 | |
through the Damascus gate, is Christendom's | 0:02:28 | 0:02:29 | |
most important church. | 0:02:29 | 0:02:30 | |
Tucked away on the edge of the Muslim and Christian | 0:02:30 | 0:02:33 | |
quarters, right in the marketplace, is the Church of the Holy Sepulchre. | 0:02:33 | 0:02:36 | |
Not easy to find. | 0:02:36 | 0:02:38 | |
But it's somewhere around here. | 0:02:39 | 0:02:44 | |
And look. | 0:02:44 | 0:02:45 | |
Tiny little sign. | 0:02:45 | 0:02:48 | |
Holy Sepulchre. | 0:02:48 | 0:02:52 | |
And I can hear something happening. | 0:02:52 | 0:02:57 | |
Now, what's unusual about this church is that it's actually shared | 0:03:03 | 0:03:07 | |
by six different Christian denominations. | 0:03:07 | 0:03:20 | |
To be precise, Roman Catholics, Greek Orthodox, Armenian Orthodox, | 0:03:21 | 0:03:23 | |
Syrians, Coptics and Ethiopians. | 0:03:23 | 0:03:25 | |
This ceremony is led by the Armenian church. | 0:03:25 | 0:03:30 | |
They come from all over the world. | 0:03:30 | 0:03:32 | |
Three and a half million people a year, they reckon, | 0:03:32 | 0:03:36 | |
to visit the Church of the Holy Sepulchre. | 0:03:36 | 0:03:39 | |
It's a pilgrimage that evokes a response like no other. | 0:03:39 | 0:03:44 | |
For us it's no more, no less than the holiest | 0:03:44 | 0:03:47 | |
place on earth. | 0:03:47 | 0:03:48 | |
That's where Jesus died, where he was crucified, | 0:03:48 | 0:03:50 | |
where he was risen three days afterwards. | 0:03:50 | 0:03:53 | |
So for us that is, I mean, the history of humanity, | 0:03:53 | 0:03:56 | |
that is what makes that there is before and after Christ. | 0:03:56 | 0:03:59 | |
It simply changed the history of humanity. | 0:03:59 | 0:04:04 | |
2000 years ago, this was an empty plot of land outside | 0:04:05 | 0:04:08 | |
the old city walls. | 0:04:08 | 0:04:12 | |
Now look at it. | 0:04:12 | 0:04:16 | |
They may all agree the resurrection of Christ took place here, | 0:04:18 | 0:04:22 | |
but the truth is that the six different denominations haven't | 0:04:22 | 0:04:25 | |
always been an ideal housemate in this church. | 0:04:25 | 0:04:29 | |
Sometimes we didn't agree. | 0:04:29 | 0:04:30 | |
There have been fight inside the holy sepulchre, | 0:04:30 | 0:04:34 | |
that's for sure. | 0:04:34 | 0:04:34 | |
Physical fight? | 0:04:34 | 0:04:35 | |
Even physical fights. | 0:04:35 | 0:04:40 | |
This may be Christianity's most important church, | 0:04:40 | 0:04:42 | |
but the guy who's got the key is Muslim. | 0:04:42 | 0:04:47 | |
Adeeb, hi. | 0:04:47 | 0:04:48 | |
This is the key to this church? | 0:04:48 | 0:04:51 | |
This is the holy key of the holy Church. | 0:04:51 | 0:04:54 | |
How come you have it and your family have it? | 0:04:54 | 0:04:57 | |
They gave our family to be the custodian | 0:04:57 | 0:05:00 | |
of the Holy Sepulchre Church, and it's going from father to son. | 0:05:00 | 0:05:06 | |
The church had previously been destroyed in the early part | 0:05:07 | 0:05:10 | |
of the 11th century by the then ruling caliphs. | 0:05:10 | 0:05:13 | |
And in trusting it to a Muslim family sounded like the safest bet | 0:05:14 | 0:05:17 | |
to insure it against future attacks. | 0:05:17 | 0:05:21 | |
Every morning at 4am, Adeeb opens the door, | 0:05:21 | 0:05:23 | |
then has to return to lock it in the evening. | 0:05:23 | 0:05:26 | |
He's not paid for this duty. | 0:05:26 | 0:05:29 | |
I'm proud about this job, and we are here in Jerusalem Muslims | 0:05:29 | 0:05:33 | |
and Christians, we are living together. | 0:05:33 | 0:05:37 | |
We are brothers here. | 0:05:37 | 0:05:42 | |
Disaster has struck twice over the centuries with a fire | 0:05:42 | 0:05:45 | |
and an earthquake causing extensive damage. | 0:05:45 | 0:05:48 | |
And throughout, arguments became very fierce and protracted | 0:05:48 | 0:05:52 | |
between the different denominations, as to how and who was going | 0:05:52 | 0:05:55 | |
to fix the thing. | 0:05:55 | 0:05:58 | |
They could not reach any consensus, any agreement, so in order not | 0:05:58 | 0:06:02 | |
to talk waiting for the restoration of the holy sepulchre, | 0:06:02 | 0:06:07 | |
they decided it would remain as it is and let us start | 0:06:07 | 0:06:10 | |
the restoration of the rest of the compound. | 0:06:10 | 0:06:20 | |
Because of all the infighting it took a long time for all the parties | 0:06:20 | 0:06:24 | |
to agree on a restoration plan for the ageing church. | 0:06:24 | 0:06:31 | |
And even after that, it's taken 60 years to renovate the shrine. | 0:06:31 | 0:06:37 | |
We were lucky enough to be granted a truly rare privilege, | 0:06:37 | 0:06:40 | |
to go and film inside the newly renovated burial chamber, | 0:06:41 | 0:06:45 | |
called the Edicule. | 0:06:45 | 0:06:50 | |
This is where Christians believe Jesus's body was laid to rest | 0:06:50 | 0:06:53 | |
after he died on the cross. | 0:06:53 | 0:06:56 | |
This is for Christianity the most important place in the world. | 0:06:56 | 0:07:02 | |
Just this little square of two or three metres. | 0:07:03 | 0:07:07 | |
Exactly at the heart of it all. | 0:07:07 | 0:07:09 | |
Quite an incredible experience to be here. | 0:07:09 | 0:07:14 | |
Billions of Christians think of this place as the spiritual centre | 0:07:14 | 0:07:18 | |
of their universe. | 0:07:18 | 0:07:22 | |
The extensive restoration work took nine months, | 0:07:25 | 0:07:27 | |
working on the small structure above the tomb. | 0:07:27 | 0:07:30 | |
There are two marble slabs over the sepulchre, | 0:07:30 | 0:07:33 | |
one exactly covering the bench carved from rock that Jesus is said | 0:07:33 | 0:07:37 | |
to be laid on. | 0:07:37 | 0:07:40 | |
Archaeological proofs are quite consistent to say that Jesus | 0:07:40 | 0:07:45 | |
was crucified inside this building. | 0:07:45 | 0:07:51 | |
And laid into the tomb, which is inside also. | 0:07:51 | 0:07:55 | |
Afterwards, what happened three days afterwards, | 0:07:55 | 0:07:57 | |
it belongs to the faith, as we believe he was risen. | 0:07:57 | 0:08:00 | |
Jesus of Nazareth, that he was crucified and laid | 0:08:00 | 0:08:04 | |
in the tomb, there is many, many proofs, historical proofs that | 0:08:04 | 0:08:07 | |
are showing that. | 0:08:07 | 0:08:12 | |
The one side is the conflict but the other side is the effort | 0:08:16 | 0:08:20 | |
to run this place and to be together. | 0:08:20 | 0:08:22 | |
And I think that's somehow a miracle. | 0:08:22 | 0:08:26 | |
And that's a thought echoed by the many other millions | 0:08:30 | 0:08:33 | |
of pilgrims who come here each year, delighted that restoration has | 0:08:33 | 0:08:39 | |
finally been achieved and cohabitation of all | 0:08:39 | 0:08:41 | |
churches continues. | 0:08:41 | 0:08:45 | |
Stay with us because still to come on the travel show we're | 0:08:51 | 0:08:55 | |
in the Lake District to capture one of the UK's photographed landscapes. | 0:08:55 | 0:09:01 | |
I like to soak up these landscapes, you know, I like to take | 0:09:01 | 0:09:05 | |
in the atmosphere. | 0:09:05 | 0:09:07 | |
There is a real sense of wilderness that appeals to me in these places. | 0:09:07 | 0:09:12 | |
And we head to the French Caribbean for music Festival aiming to help | 0:09:14 | 0:09:17 | |
diversify Saint Martin. | 0:09:17 | 0:09:21 | |
During the winter everybody's from, like, up North, and it's cold | 0:09:21 | 0:09:24 | |
and they need a place to go. | 0:09:24 | 0:09:26 | |
Where it's hot. | 0:09:26 | 0:09:27 | |
And you cannot beat the island life. | 0:09:27 | 0:09:31 | |
Chances are if I say Festival you'll think of Glastonbury in the UK | 0:09:37 | 0:09:40 | |
or Coachella in the US. | 0:09:41 | 0:09:42 | |
Now a sleepy Caribbean nation has decided to get in on the act | 0:09:42 | 0:09:45 | |
in a bid to attract more young people. | 0:09:46 | 0:09:48 | |
But does it have what it takes to draw a party crowd? | 0:09:48 | 0:09:51 | |
We sent Greg McKenzie to find out. | 0:09:51 | 0:10:00 | |
St Maarten, or Saint Martin, depending on which part | 0:10:00 | 0:10:03 | |
of the island you are on, is the smallest island in the world. | 0:10:03 | 0:10:07 | |
And the partition between two different nations. | 0:10:07 | 0:10:09 | |
A French side and a Dutch side. | 0:10:09 | 0:10:14 | |
Technically, it's two different countries, | 0:10:14 | 0:10:17 | |
and attracts more than 2 million visitors every year. | 0:10:17 | 0:10:22 | |
Its airport, Princess Juliana International, | 0:10:22 | 0:10:24 | |
is truly unique, because on one side you have a public beach, | 0:10:24 | 0:10:29 | |
on the other there is a huge mountain range. | 0:10:29 | 0:10:32 | |
Pilots say it's one of the scariest landings in the world, | 0:10:32 | 0:10:37 | |
and it's easy to see why. | 0:10:37 | 0:10:39 | |
Just ahead their is the A340, that has flown in from Paris. | 0:10:39 | 0:10:43 | |
The people on there have been on board for about eight hours | 0:10:43 | 0:10:46 | |
and 30 minutes. | 0:10:46 | 0:10:49 | |
The landing just behind us, the runway length | 0:10:49 | 0:10:51 | |
is about 7000 feet. | 0:10:51 | 0:10:54 | |
Traditionally, aircraft of that size need about 8000 feet to land safely. | 0:10:54 | 0:10:59 | |
There is only a tiny margin of error, if any. | 0:10:59 | 0:11:03 | |
It's the second busiest airport in the Caribbean. | 0:11:03 | 0:11:06 | |
It's the second busiest airport in the Caribbean. | 0:11:13 | 0:11:15 | |
And exciting as it is to watch landings from the beach, | 0:11:15 | 0:11:18 | |
it's even more thrilling to see aircraft take off. | 0:11:19 | 0:11:22 | |
This is what they call jet blasting. | 0:11:22 | 0:11:25 | |
In a minute we're going to all get pushed back. | 0:11:25 | 0:11:28 | |
It's already started! | 0:11:28 | 0:11:31 | |
Jet blasting is when you stand as close as you can | 0:11:38 | 0:11:41 | |
get to an aeroplane taking off, and there | 0:11:41 | 0:11:43 | |
are not many places in the | 0:11:43 | 0:11:44 | |
world where you would be able to get this close. | 0:11:44 | 0:11:47 | |
It became an attraction just on its own. | 0:11:47 | 0:11:49 | |
Rolando Brison is the director of tourism. | 0:11:49 | 0:11:52 | |
He is tasked with making sure visitors | 0:11:52 | 0:11:56 | |
have fun and don't injure themselves. | 0:11:56 | 0:12:03 | |
In 2012, this jet blasting video went viral. | 0:12:04 | 0:12:09 | |
It shows a woman being blown off her feet | 0:12:09 | 0:12:12 | |
after losing her grip by deliberately standing in the jet | 0:12:12 | 0:12:14 | |
blast of a plane taking off here. | 0:12:14 | 0:12:16 | |
Fortunately, she didn't suffer any life changing injuries. | 0:12:16 | 0:12:18 | |
But it did prompt authorities to act by | 0:12:19 | 0:12:21 | |
erecting more fences to increase the distance | 0:12:21 | 0:12:22 | |
between people and objects. | 0:12:23 | 0:12:28 | |
We had to take whatever measures we could, and fencing did create | 0:12:28 | 0:12:31 | |
at least a little more separation that was necessary, | 0:12:31 | 0:12:33 | |
another ten feet of space to prevent people getting too close. | 0:12:33 | 0:12:36 | |
There is a security aspect, patrolling during the busy times to | 0:12:36 | 0:12:39 | |
make sure there are not too many people, that we can keep it under | 0:12:39 | 0:12:43 | |
control. | 0:12:43 | 0:12:47 | |
The fencing is an important part, there is an international | 0:12:47 | 0:12:50 | |
standard for it as well. | 0:12:50 | 0:12:51 | |
How far should an aircraft be from on the road? | 0:12:51 | 0:12:54 | |
So that fence is there to make sure we abide by those international | 0:12:54 | 0:12:58 | |
standards. | 0:12:58 | 0:13:03 | |
But it's next to impossible to police this speech 24 | 0:13:03 | 0:13:06 | |
hours a day, and it's an activity that still draws hundreds of | 0:13:06 | 0:13:09 | |
visitors daily. | 0:13:09 | 0:13:10 | |
Were you worried it might be dangerous? | 0:13:10 | 0:13:12 | |
Depending how hard they rev the engines, but the | 0:13:12 | 0:13:14 | |
first one wasn't bad. | 0:13:14 | 0:13:15 | |
The third one, that was crazy. | 0:13:15 | 0:13:17 | |
Crazy, crazy. | 0:13:17 | 0:13:27 | |
And despite jet black stink being seen | 0:13:27 | 0:13:28 | |
as a young but risky sport, the island is trying to appeal to | 0:13:29 | 0:13:32 | |
younger crowd. | 0:13:32 | 0:13:32 | |
The majority of those coming are in their 50s and 60s. | 0:13:33 | 0:13:36 | |
Saint Martin is traditionally known as a musical island. | 0:13:36 | 0:13:41 | |
You'll find all sorts here from reggae music to | 0:13:41 | 0:13:44 | |
Samba to Calypso. | 0:13:44 | 0:13:44 | |
A new music Festival is aiming to bring | 0:13:44 | 0:13:47 | |
something uniquely different to the island. | 0:13:47 | 0:13:53 | |
Now in its second year, the SXM Festival aptly named after | 0:13:53 | 0:14:03 | |
the country's airport code, is hoping to bring a new type of | 0:14:03 | 0:14:06 | |
visitor. | 0:14:07 | 0:14:07 | |
Millennials for a five-day electronic music extravaganza. | 0:14:07 | 0:14:09 | |
With more than 100 top name DJs. | 0:14:09 | 0:14:13 | |
A lot of the routes of what is modern dance | 0:14:13 | 0:14:16 | |
culture started in the Caribbean, it started | 0:14:16 | 0:14:18 | |
with sound system culture in | 0:14:18 | 0:14:19 | |
Jamaica and all of these other places. | 0:14:19 | 0:14:29 | |
You know, the guys who bring the massive systems. | 0:14:29 | 0:14:31 | |
They were experimenting with sound. | 0:14:31 | 0:14:33 | |
They started experimenting with dubs. | 0:14:33 | 0:14:34 | |
This is where remixes came from. | 0:14:34 | 0:14:36 | |
So, there is a long history and tradition to kind of electronic | 0:14:36 | 0:14:39 | |
music and experimentation in the Caribbean. | 0:14:39 | 0:14:42 | |
But some locals didn't want an electronic music festival on | 0:14:42 | 0:14:45 | |
their shores. | 0:14:45 | 0:14:45 | |
They wanted this little-known island to be the best | 0:14:45 | 0:14:48 | |
kept secret and remain exclusive. | 0:14:48 | 0:14:49 | |
Not everyone was happy, of course, but I think it's because of the | 0:14:49 | 0:14:53 | |
style of music. | 0:14:53 | 0:14:53 | |
That type of music in general scares people, because | 0:14:53 | 0:14:56 | |
people look different address different. | 0:14:56 | 0:15:00 | |
So last year that's how it kind of felt. | 0:15:00 | 0:15:05 | |
But I think everyone, all the businesses, | 0:15:05 | 0:15:07 | |
realise the importance of having such an event. | 0:15:07 | 0:15:09 | |
The festival takes place every March and attracts about | 0:15:09 | 0:15:12 | |
4000 people. | 0:15:12 | 0:15:12 | |
It is the brainchild of Julian Prince, a lifelong DJ and | 0:15:12 | 0:15:15 | |
music promoter from Canada, who wanted to create something unique | 0:15:15 | 0:15:21 | |
away from the club scene in places like Ibiza. | 0:15:21 | 0:15:33 | |
Ibiza is like the motherland, it's everything. | 0:15:33 | 0:15:35 | |
They built this culture. | 0:15:35 | 0:15:37 | |
So it's not like we're trying to compete. | 0:15:37 | 0:15:41 | |
It's just, honestly, I thought that for the | 0:15:41 | 0:15:44 | |
longest time ever nothing was really happening in North America. | 0:15:44 | 0:15:47 | |
I just felt like we should have something | 0:15:47 | 0:15:49 | |
like that during the winter. | 0:15:49 | 0:15:54 | |
Everybody's from, like, up North, and it's called | 0:15:55 | 0:15:58 | |
them and they need a place to go. | 0:15:58 | 0:16:00 | |
Where it's hot and, like, you cannot beat the island | 0:16:00 | 0:16:03 | |
vibe. | 0:16:03 | 0:16:03 | |
Despite this event, still in its infancy, the future looks | 0:16:03 | 0:16:06 | |
bright, as organisers are already planning next year's event. | 0:16:06 | 0:16:08 | |
As other festivals around the globe begin to | 0:16:09 | 0:16:10 | |
tire, or become too commercial, with the Caribbean as its backdrop, | 0:16:11 | 0:16:14 | |
music is only part of the reason why SXM | 0:16:14 | 0:16:16 | |
has the advantage. | 0:16:16 | 0:16:21 | |
Greg McKenzie reporting from a very warm looking | 0:16:21 | 0:16:27 | |
Saint Martin. | 0:16:27 | 0:16:32 | |
Now to end this week's show, let's head to the North of | 0:16:36 | 0:16:40 | |
England and the Lake District. | 0:16:40 | 0:16:45 | |
Its landscapes have inspired a thousand | 0:16:45 | 0:16:48 | |
artists and painters over the centuries. | 0:16:48 | 0:16:50 | |
But now we've met a photographer who captures its rugged | 0:16:50 | 0:16:53 | |
beauty with the camera. | 0:16:53 | 0:16:54 | |
And sometimes he'll go to extraordinary | 0:16:54 | 0:16:57 | |
lengths just to get the right shot. | 0:16:57 | 0:17:02 | |
My name's Terry Abraham. | 0:17:02 | 0:17:08 | |
I'm a self-taught, independent film-maker. | 0:17:08 | 0:17:14 | |
I've always had an interesting and video. | 0:17:14 | 0:17:17 | |
I always wanted to be hands-on, outdoors, doing something | 0:17:17 | 0:17:19 | |
like that. | 0:17:19 | 0:17:20 | |
I love all the British countryside, I think Britain's | 0:17:20 | 0:17:23 | |
fantastic in the variety, the terrain, the geology. | 0:17:23 | 0:17:25 | |
The aesthetic appeal of the landscape that we have | 0:17:25 | 0:17:27 | |
in such a small group of islands. | 0:17:27 | 0:17:31 | |
I don't think there's anywhere else in | 0:17:31 | 0:17:35 | |
the UK like the Lake District. | 0:17:35 | 0:17:44 | |
Every mountain, or fell, as they are known | 0:17:45 | 0:17:47 | |
around here, has its own character. | 0:17:47 | 0:17:49 | |
It looks different. | 0:17:49 | 0:17:51 | |
They're all individual. | 0:17:51 | 0:17:55 | |
And that's the same for the valleys as well, with all the | 0:17:55 | 0:17:58 | |
lakes, the stone walls, the beautiful picturesque coastguard | 0:17:58 | 0:18:00 | |
cottages and all that kind of thing. | 0:18:01 | 0:18:09 | |
And I can see why four centuries public, artists, writers have been | 0:18:09 | 0:18:12 | |
drawn here, inspired by this landscape. | 0:18:12 | 0:18:14 | |
I'm no different. | 0:18:14 | 0:18:15 | |
I'm a self-taught film-maker. | 0:18:15 | 0:18:22 | |
I'm born of the digital age, if you like, with | 0:18:22 | 0:18:28 | |
the likes of you how it has democratised film-making. | 0:18:28 | 0:18:31 | |
Being able to edit videos on a laptop or | 0:18:31 | 0:18:37 | |
computer the technology has developed with smaller professional | 0:18:37 | 0:18:41 | |
cameras, has enabled me to go out there and chase a dream of producing | 0:18:41 | 0:18:47 | |
documentaries, these landscapes. | 0:18:47 | 0:18:57 | |
I tend to wild camp, which is basically | 0:18:57 | 0:19:06 | |
pitching up a tent on the | 0:19:06 | 0:19:07 | |
top of a mountain, totally self-reliant, you have your food, | 0:19:07 | 0:19:10 | |
you seek your water, because that enables | 0:19:10 | 0:19:12 | |
me to be there, ready and | 0:19:12 | 0:19:17 | |
prepared, nice and fresh and those special moments. | 0:19:17 | 0:19:19 | |
I like to soak up these landscapes, you know, I like | 0:19:19 | 0:19:22 | |
to take in the atmosphere. | 0:19:22 | 0:19:27 | |
There is a real sense of wilderness that | 0:19:27 | 0:19:29 | |
appeals to me in these places. | 0:19:29 | 0:19:33 | |
I would often tweet what I'd just taken, you know, | 0:19:33 | 0:19:41 | |
the scenes I had been capturing on camera. | 0:19:41 | 0:19:44 | |
Because I might be filming, but at the same | 0:19:44 | 0:19:48 | |
time I'll have a stills camera with me and I'll take a picture | 0:19:48 | 0:19:52 | |
and share it on the social media. | 0:19:52 | 0:19:54 | |
I do appreciate that people like to follow the journey | 0:19:54 | 0:19:56 | |
I'm on whilst working on the documentaries. | 0:19:57 | 0:19:58 | |
Share the sights that I see. | 0:19:58 | 0:20:00 | |
That was a good shot, that. | 0:20:00 | 0:20:05 | |
I get a bit embarrassed and blush at times with | 0:20:05 | 0:20:08 | |
some of the praise that I get for my work. | 0:20:08 | 0:20:10 | |
I mean, one of the documentaries has been described as | 0:20:11 | 0:20:13 | |
a Wordsworthian hymn to nature. | 0:20:13 | 0:20:15 | |
Though it's nice, getting the audience | 0:20:15 | 0:20:22 | |
response, being so positive and overwhelming in that respect, it's | 0:20:22 | 0:20:25 | |
about capturing a sort of portrait, a time capsule of these areas that | 0:20:25 | 0:20:28 | |
mean so much to me. | 0:20:28 | 0:20:30 | |
I don't think there's anything special about the | 0:20:30 | 0:20:34 | |
way I go about capturing the shots that I do. | 0:20:35 | 0:20:38 | |
Any photographer worth their salt will tell you the best | 0:20:38 | 0:20:42 | |
times of day for capturing a landscape is arguably, more often | 0:20:42 | 0:20:45 | |
than not, dawn or dusk. | 0:20:45 | 0:20:47 | |
I want people to see my pictures and think, | 0:20:47 | 0:20:50 | |
wow, you know, that's inspiring. | 0:20:50 | 0:20:58 | |
But it's something they can see with their own eyes. | 0:20:58 | 0:21:03 | |
I certainly wouldn't go back to the desk job, working in | 0:21:03 | 0:21:06 | |
a pub, stuff like that, that I used to do before. | 0:21:06 | 0:21:09 | |
Look at it, you know, it's fantastic. | 0:21:09 | 0:21:14 | |
And I get to enjoy this all the time. | 0:21:14 | 0:21:19 | |
It really is about being in the right place at | 0:21:19 | 0:21:22 | |
the right time. | 0:21:22 | 0:21:28 | |
And there is a large element of luck as well. | 0:21:28 | 0:21:41 | |
Terry Abraham and his beautiful photos of | 0:21:41 | 0:21:43 | |
the Lake District. | 0:21:43 | 0:21:44 | |
Well, that's it for this week, join us next week if | 0:21:44 | 0:21:47 | |
you can, when we're in Colombia to visit the hometown of one of its | 0:21:47 | 0:21:50 | |
most infamous residents, Pablo Escobar. | 0:21:50 | 0:21:56 | |
If you look in here, there is a plaque on the wall with white | 0:21:56 | 0:22:00 | |
crosses. | 0:22:00 | 0:22:01 | |
That is a memorial to, I think, the amount of people they | 0:22:01 | 0:22:08 | |
think were killed here when Pablo was here. | 0:22:08 | 0:22:14 | |
But is it right to build an industry around a former drug | 0:22:14 | 0:22:17 | |
lord? | 0:22:17 | 0:22:19 | |
Don't keep those memories any more, please. | 0:22:19 | 0:22:25 | |
Respect us. | 0:22:25 | 0:22:27 | |
That's next week but in the meantime you can catch up with us an | 0:22:27 | 0:22:31 | |
social media and online. | 0:22:31 | 0:22:32 | |
All the details on the screen now. | 0:22:32 | 0:22:36 | |
For now, from me, Christa Larwood, and the | 0:22:36 | 0:22:38 | |
rest of the Travel Show team, it's goodbye. | 0:22:38 | 0:22:45 |