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Can Guatemala overcome its reputation as being unsafe for | :00:00. | :00:00. | |
tourists and become a world-class destination? | :00:07. | :00:32. | |
On this week's programme we travel to one of Central America's most | :00:33. | :00:37. | |
beautiful countries to discover what's stopping some tourists from | :00:38. | :00:46. | |
going there. Thought old-style photo booths were | :00:47. | :00:50. | |
a thing of the past? We meet the man bringing them back to the streets of | :00:51. | :00:56. | |
Europe. And if you've ever wanted to learn how to do this we'll show you | :00:57. | :00:58. | |
where and how. From ancient ruins to beautiful | :00:59. | :01:22. | |
natural landscapes and a living Maya culture - the Central American | :01:23. | :01:25. | |
country of Guatemala has an awful lot to offer tourists. | :01:26. | :01:35. | |
In the south-west the city of Antigua, with its cobbled streets | :01:36. | :01:39. | |
and beautiful colonial architecture, has earned the city UNESCO World | :01:40. | :01:47. | |
Heritage status. The city was the centre of Spanish colonial rule in | :01:48. | :01:51. | |
Guatemala for hundreds of years, and today it's the top destination for | :01:52. | :01:52. | |
tourists arriving in the country. A particularly popular time to visit | :01:53. | :02:05. | |
is in March or April, when the city's famous Easter processions | :02:06. | :02:12. | |
fill the streets. Guatemala is a growing destination for | :02:13. | :02:14. | |
international tourists, attracting over two million of them for the | :02:15. | :02:18. | |
first time ever in 2013, yet there is a factor holding some people | :02:19. | :02:24. | |
back. It's the country's reputation for violent crime. There are up to | :02:25. | :02:33. | |
100 homicides per week here on average, making Guatemala one of the | :02:34. | :02:39. | |
deadliest countries in the world. Drug-related and gang violence means | :02:40. | :02:42. | |
some areas, particularly in the capital of Guatemala City, are | :02:43. | :02:48. | |
simply too dangerous for visitors. And even in tourist areas like | :02:49. | :02:56. | |
Antigua, muggings are not uncommon. Travel advisories around the world | :02:57. | :02:58. | |
warn travellers to take special precautions. Yesterday, there was a | :02:59. | :03:03. | |
procession for the first Sunday in Lent and I was very busy taking | :03:04. | :03:07. | |
photographs. I got really good photographs and my bag was slashed | :03:08. | :03:14. | |
and my wallet went really quickly. You just have to use common sense. | :03:15. | :03:19. | |
Don't go out too late at night, stay close to your house, have a good | :03:20. | :03:22. | |
time during the daytime. I haven't had any problems whatsoever and I've | :03:23. | :03:26. | |
been here for a couple of months. In an effort to reduce crime against | :03:27. | :03:29. | |
visitors Antigua has formed a special tourist police force to | :03:30. | :03:30. | |
patrol busy areas. With tourist numbers on the rise, | :03:31. | :03:42. | |
new businesses are popping up to cater for them, including a new | :03:43. | :03:45. | |
Guatemalan restaurant opened by broadcaster and former war | :03:46. | :03:51. | |
correspondent Harris Whitbeck. I think tourism, if managed properly, | :03:52. | :03:55. | |
is the future for Guatemala. Yes, there are problems but if you relax | :03:56. | :03:59. | |
also and really allow the culture to speak to you, you'll find it's a | :04:00. | :04:02. | |
beautiful country full of wonderful people and, you know, I think the | :04:03. | :04:10. | |
good always outweighs the bad. Of course you have to be careful, but I | :04:11. | :04:14. | |
think that people find it's a pretty great place. | :04:15. | :04:19. | |
One group that Guatemala is really trying to attract is adrenaline | :04:20. | :04:22. | |
junkies, with zip line tours like this one just five minutes from the | :04:23. | :04:29. | |
centre of Antigua. Wish me luck! The tour takes place above an old coffee | :04:30. | :04:33. | |
plantation where nine zip lines are arranged at a height of up to 1,600 | :04:34. | :04:38. | |
feet. First up, the safety equipment. Ah, so, the zip line | :04:39. | :04:44. | |
goes... Exactly, goes double. Is this a good time to mention that I'm | :04:45. | :04:48. | |
really scared of heights? I'm not. It's fine! Whoo! Ha-ha-ha! Whoo! | :04:49. | :05:03. | |
That was fast! Yeah, it's fun. Guatemala is surrounded by | :05:04. | :05:06. | |
volcanoes, like mountains and all those things so it's perfect for us | :05:07. | :05:10. | |
because we can work with that and give you a great experience when you | :05:11. | :05:12. | |
come to our country. In the north of the country is one | :05:13. | :05:19. | |
of the world's most important archaeological sites - Tikal. A | :05:20. | :05:24. | |
series of gargantuan ruins spread over ten square miles and beyond. It | :05:25. | :05:30. | |
was once a thriving centre of the Mayan empire and today it receives | :05:31. | :05:35. | |
around 350,000 visitors per year. But when you spread that number out | :05:36. | :05:38. | |
over Tikal's huge area, it's not difficult to find a quiet spot to | :05:39. | :05:43. | |
yourself. What's truly astounding about this place is that there are | :05:44. | :05:49. | |
these ruins spread everywhere. Some of the best I've seen in the world, | :05:50. | :05:54. | |
and yet there's no-one here. John Telfer led the first | :05:55. | :05:57. | |
international group tour to the country in 1985. Today, he's back to | :05:58. | :06:02. | |
research a new tour in the region and feels that Guatemala has been | :06:03. | :06:06. | |
underrated as a destination. I think it's a gross case of people being | :06:07. | :06:09. | |
quite ignorant about the place. There's lots of other places which | :06:10. | :06:14. | |
have a lot more space in the media. It's a great shame. You have the | :06:15. | :06:19. | |
rainforest and the birdlife, the howler monkeys, the mists floating | :06:20. | :06:25. | |
over the canopy in the morning. It's one of the finest places to visit on | :06:26. | :06:31. | |
the planet. The time may soon come when | :06:32. | :06:34. | |
Guatemala's great potential for tourism is realised and the hordes | :06:35. | :06:39. | |
will descend. But, in the meantime, this place will continue to be a | :06:40. | :06:42. | |
hidden gem for travellers to explore. | :06:43. | :06:47. | |
Well, if you're thinking of heading to Guatemala here is some more | :06:48. | :06:53. | |
information you might find useful. It's worth checking your | :06:54. | :06:55. | |
government's travel advice website before you head off in order to get | :06:56. | :06:58. | |
the latest information. Despite the high crime rate, most visits here | :06:59. | :07:02. | |
are trouble-free but just to stay on the safe side it's best to avoid | :07:03. | :07:05. | |
catching the brightly-coloured public buses like these found across | :07:06. | :07:09. | |
the country. El Mirador is also a place to visit if you've got time on | :07:10. | :07:13. | |
your hands. It was a major Mayan city that flourished from the sixth | :07:14. | :07:17. | |
century BC and was abandoned at the end of the ninth century. But, be | :07:18. | :07:21. | |
warned, it takes a gruelling trek of at least five days through the | :07:22. | :07:23. | |
jungle to get there. The procession season in Antigua | :07:24. | :07:31. | |
runs from early March until Easter and it's one of the busiest times to | :07:32. | :07:33. | |
visit so be sure to book well ahead. Tango. Since its invention in the | :07:34. | :07:51. | |
1890s no other genre of music seems to sum up the passion, the beauty, | :07:52. | :07:55. | |
the sex and the attitude of Buenos Aires so perfectly. But the Tango we | :07:56. | :08:02. | |
know is not always the Tango that was. See, almost 100 years ago, one | :08:03. | :08:06. | |
baritone voice performer would, with one startling act, catapult Tango | :08:07. | :08:09. | |
from a lower class pastime to a classy international phenomenon. | :08:10. | :08:17. | |
And that man's name? Carlos Gardel. When Gardel put lyrics to a | :08:18. | :08:36. | |
previously instrumental music, it created a massive stir both in | :08:37. | :08:42. | |
Uruguay and Argentina. So big was the stir that the international | :08:43. | :08:46. | |
media got ahold of it and thus became our introduction to tango. I | :08:47. | :08:50. | |
was essentially looking for the first tango song the world had ever | :08:51. | :08:54. | |
known, and so my first stop was La Boca - a picturesque bohemia known | :08:55. | :09:02. | |
for its homage to all things tango. But this place was not the answer. | :09:03. | :09:07. | |
Every single person I approach wanting to talk about tango with | :09:08. | :09:16. | |
wanted money. Every time I tried to take a photo, somebody wanted a tip, | :09:17. | :09:20. | |
so if I'm looking for the real tango in Buenos Aires it's definitely not | :09:21. | :09:27. | |
going to be here in La Boca. Next, I headed to Abastos the | :09:28. | :09:29. | |
neighbourhood that Gardel supposedly grew up in. But that was equally | :09:30. | :09:35. | |
exasperating as, even on the street dedicated to him, no-one was around. | :09:36. | :09:43. | |
Needing to go inside and warm up for a bit, I headed to the trendy area | :09:44. | :09:47. | |
of Palermo to visit a record shop that I had seen earlier. I had | :09:48. | :09:51. | |
originally passed it off as too rock'n'roll for what I was after, | :09:52. | :09:55. | |
but I thought I'd least ask whoever was inside for some guidance. But | :09:56. | :09:59. | |
the owner, Paco, didn't seem too hopeful. It's going to be hard, man. | :10:00. | :10:06. | |
Like, nobody carries gramophones now. You could get, like, a really | :10:07. | :10:13. | |
fine vinyl copy, maybe a really good audio print. I know a place you | :10:14. | :10:20. | |
could go to. Nobody knows about that place, I don't tell my customers | :10:21. | :10:23. | |
because I buy my records and the stuff I sell here there but you | :10:24. | :10:27. | |
deserve it because you came a long way to find that song, man. And so | :10:28. | :10:36. | |
my treasure hunt had been changed from an old gramophone record to an | :10:37. | :10:40. | |
old Odeon recording. Found a tango collection, found Gardel and found | :10:41. | :10:46. | |
my treasure. A forest green background with Gardel smiling back | :10:47. | :10:50. | |
at me and on the back, side two, song two, Mi Noche Triste. | :10:51. | :11:18. | |
Germany's airports reflect to buy a strike this week. More than 1500 | :11:19. | :11:26. | |
flights were cancelled or delayed at airports across the country. I plan | :11:27. | :11:36. | |
to weekend with my girlfriend and we had to reschedule everything. We are | :11:37. | :11:41. | |
going to be delayed on our flight. We are going back to the United | :11:42. | :11:46. | |
States and flight is cancelled. At this point, we don't know when we | :11:47. | :11:50. | |
will be able to get back home. It is ridiculous. I don't know what | :11:51. | :11:55. | |
Germany has got going on, but they need to work on it. These dramatic | :11:56. | :12:03. | |
pictures show the moment when a train derailed. The train travel | :12:04. | :12:12. | |
partway up an escalator. Amazingly, there were no serious injuries. | :12:13. | :12:16. | |
The Burmese government have placed a ban on more hotels in its home to | :12:17. | :12:25. | |
thousands of temples and shrines. It claims the previous military regime | :12:26. | :12:29. | |
for a underside Lee hotels in the ancient compacts years ago. | :12:30. | :12:34. | |
If you're heading to New York this weekend, be sure to visit the city | :12:35. | :12:42. | |
's first cupcake vending machine. On the upper East side, it holds | :12:43. | :12:46. | |
cupcake of up to 16 different flavours. It is some. It is so | :12:47. | :12:55. | |
exciting. I love cupcakes. I hope they open more. There is always a | :12:56. | :12:59. | |
need for cupcake 's, right? Next up, London's East End. It is | :13:00. | :13:23. | |
home to one of the best circus schools in the world. They're now | :13:24. | :13:29. | |
offering visitors to the capital the chance to learn from the experts. | :13:30. | :13:33. | |
The Travel Show went along to take a look. | :13:34. | :13:44. | |
The kind of circus we are talking about here at the National Centre is | :13:45. | :13:49. | |
very much acrobatic and aerial-based. It has to have an | :13:50. | :13:55. | |
element... Well, I call it the wow factor, and if it doesn't make you | :13:56. | :13:58. | |
go "Wow!" It's probably not a very successful circus! But equally it | :13:59. | :14:06. | |
has to have aesthetic, as well, so you can't get away with just being a | :14:07. | :14:10. | |
daredevil. You do have to have an aesthetic and that's what makes an | :14:11. | :14:12. | |
artist. The National Centre for Circus arts | :14:13. | :14:22. | |
is not just about people wanting to train to become a professional | :14:23. | :14:25. | |
artists, although that does happen. Experience days are offered at the | :14:26. | :14:28. | |
weekends and people come in from the outside and get to try different | :14:29. | :14:31. | |
skills. So it might be flying trapeze, it might be acrobalance, it | :14:32. | :14:35. | |
might be juggling or tight wire, but they'll get to try different things | :14:36. | :14:39. | |
and have some fun doing it. I just got to the end of the tightrope. It | :14:40. | :14:43. | |
was incredibly satisfying. I went from only taking two steps in a row | :14:44. | :14:47. | |
and falling off to getting all the way to the end in one big leap, and | :14:48. | :14:51. | |
I just had to stop thinking. It was fantastic. | :14:52. | :15:02. | |
Why don't you trust me? I do trust you! I trust you! | :15:03. | :15:11. | |
So when people come in and it's the first time ever on the trapeze, | :15:12. | :15:16. | |
normally they're scared, a bit apprehensive, which is a totally | :15:17. | :15:19. | |
human reaction, totally get that, but they're excited, too, and | :15:20. | :15:21. | |
they're enthusiastic and that's quite infectious so, as a teacher, | :15:22. | :15:26. | |
that's brilliant. Keep stretching up. Right, Zach, so, now that we've | :15:27. | :15:30. | |
got your safety belt on we're going to put you up on the flying trapeze. | :15:31. | :15:34. | |
You're going to ve be standing up there with those two lovely women | :15:35. | :15:38. | |
who are going to help you, and it's all about keeping your arms straight | :15:39. | :15:42. | |
when you first get on the bar there, yeah? And keeping your head up. | :15:43. | :15:45. | |
Yeah? Head up. Nothing to it. Straight. | :15:46. | :15:51. | |
I'm actually pretty bad at heights. I'm one of those people who are the | :15:52. | :15:57. | |
last to jump in a swimming pool, but I figured, why not? I'm here in | :15:58. | :16:01. | |
London so I'll give it a go. My first thoughts were this is a lot | :16:02. | :16:04. | |
higher than I was expecting. After that it was, "I really hope I don't | :16:05. | :16:09. | |
fall before I get my hands on the bar!" | :16:10. | :16:33. | |
I was glad to find that I actually did it well. I felt like, at least - | :16:34. | :16:40. | |
I don't know how it looked! But it was really awesome, so exhilarating. | :16:41. | :16:43. | |
I actually felt very secure the entire time with keeping both hands | :16:44. | :16:46. | |
on the ropes and then the connections, and, of course, having | :16:47. | :16:49. | |
two professionals by my side might have helped a little bit! I had a | :16:50. | :16:57. | |
blast. I want to do it again. You normally get people who just | :16:58. | :17:01. | |
want to do it as a hobby, and that's fine, and most of what we do here | :17:02. | :17:05. | |
for the adults and the children, that's what we do. But occasionally | :17:06. | :17:08. | |
you get somebody who starts doing it as a hobby and actually is quite | :17:09. | :17:13. | |
good at it and then wants to do a bit more, and then, actually, why | :17:14. | :17:16. | |
don't I apply for full-time training? Why don't I become an | :17:17. | :17:19. | |
acrobat or trapeze artis? And that's great. It doesn't happen often, but | :17:20. | :17:25. | |
when it does, fantastic! The higher end stuff, the aspiring | :17:26. | :17:27. | |
professionals and the professionals themselves, are graduates. You've | :17:28. | :17:32. | |
got people who specialise ver much in one or two disciplines and whoo | :17:33. | :17:36. | |
show that off to good effect, as you saw earlier. So, they'll pick a | :17:37. | :17:40. | |
discipline and work until they're masters of it, until they're | :17:41. | :17:43. | |
experts, in fact, so it's not something you can pick up overnight. | :17:44. | :17:45. | |
It does take years of training. So, not one for the faint-hearted | :17:46. | :17:56. | |
but you can tell your mates back home that you've run away to join | :17:57. | :18:01. | |
the circus, if only for the day. A typical lesson costs around ?70, | :18:02. | :18:05. | |
or 120 US dollars but if you're not heading to the capital there are a | :18:06. | :18:08. | |
handful of other venues around the UK where you can learn to swing from | :18:09. | :18:13. | |
a trapeze. Now, many of us had our first | :18:14. | :18:17. | |
passport pictures taken in these, but they've all but disappeared in | :18:18. | :18:20. | |
many parts of the world. Old-style mechanical photo booths have given | :18:21. | :18:23. | |
way to their more up-to-date digital counterparts, but two men in Berlin | :18:24. | :18:27. | |
have a passion for bringing a touch of retro technology back to the | :18:28. | :18:28. | |
streets of Europe. So, this is Photoautomat. This | :18:29. | :19:04. | |
actually is the very first Photoautomat that we put on the | :19:05. | :19:08. | |
streets of Berlin, and still holding up pretty well ten years in. | :19:09. | :19:11. | |
Together we did a documentation about an art project and then we | :19:12. | :19:15. | |
used one of the old vintage photo booths that's still left in there at | :19:16. | :19:19. | |
this time, and the idea came up to put one of these booths in Berlin | :19:20. | :19:28. | |
because we both loved it so much. We started out of the pure fascination | :19:29. | :19:32. | |
of this old machine with its unique photographic quality. And, to our | :19:33. | :19:40. | |
own surprise, the project, or the booth, was well-received among | :19:41. | :19:41. | |
Berlin people. Now we have around 20 photo booths | :19:42. | :19:55. | |
in Berlin, and we have two in Hamburg and one in Leipzig, and then | :19:56. | :19:59. | |
we have some of our friends and relatives also run in co-operation | :20:00. | :20:02. | |
with us some photo booths in different cities in Europe, | :20:03. | :20:04. | |
actually, in London, Vienna, Florence and Cologne. | :20:05. | :20:19. | |
It wasn't a business idea but it was the fascination for these photo | :20:20. | :20:25. | |
booths, for the process of taking a photo in a photo booth and the | :20:26. | :20:31. | |
actual photo stripe. Which, we feel today, everybody has a camera but | :20:32. | :20:34. | |
nobody's actually thinking about photography. I think that's what | :20:35. | :20:39. | |
makes these photo booths popular, too, because, you know, for once, | :20:40. | :20:41. | |
people are confronted with photography and the abilities. It's | :20:42. | :20:47. | |
a physical product, you can smell it, you can see it, and it's | :20:48. | :20:49. | |
something to think about. These machines, when we started the | :20:50. | :21:06. | |
only places you could find them were museums. There were birds inside, | :21:07. | :21:16. | |
living birds inside, cats. But we were able to put this back into | :21:17. | :21:20. | |
working condition, so that's kind of the expertise we have to bring these | :21:21. | :21:22. | |
machines back to life. My best Photoautomat memory was when | :21:23. | :21:34. | |
I took a lot of pictures with my best friend and then I made a photo | :21:35. | :21:39. | |
wall in my room of all the pictures. With my best friend when I was 14 we | :21:40. | :21:44. | |
went into the photo booth and took a lot of photos. Unfortunately, we're | :21:45. | :21:48. | |
not friends any more, but I still remember her and I still have those | :21:49. | :21:50. | |
beautiful photos. Part of the appeal is we don't put | :21:51. | :22:00. | |
it in safe places, we put it out in the street where real street life | :22:01. | :22:03. | |
happens. There's no surveillance here, it's just out in the street | :22:04. | :22:05. | |
and anything could happen. It's a lovely process, it's fun | :22:06. | :22:24. | |
work. It's fun. We are here, we have holidays and it's a nice memory to | :22:25. | :22:32. | |
look at the pictures and know, "Oh! That was in Berlin and it was | :22:33. | :22:34. | |
sunny," so I think it's nice. The project bringing photo booths | :22:35. | :22:48. | |
back to the streets of Germany. Well, that's it from us for this | :22:49. | :22:52. | |
week, thank you for joining us on our travels and here's where we're | :22:53. | :22:55. | |
off to next week. Thailand might have a reputation for | :22:56. | :22:58. | |
being a sun and sea destination but Henry goes off road to explore | :22:59. | :23:02. | |
another side of the country. What these machines are really built for | :23:03. | :23:05. | |
is off-roading and that's exactly where I'm going to take it. | :23:06. | :23:12. | |
So, do join us there if you can. And in the meantime, and don't forget | :23:13. | :23:16. | |
you can keep up with us while we're on the road in real-time by signing | :23:17. | :23:19. | |
up to our social media feeds, details of which are appearing on | :23:20. | :23:23. | |
the screen right now. But for now, from me, Christa Larwood, and the | :23:24. | :23:27. | |
rest of The Travel Show team here in Guatemala, it's adios! | :23:28. | :23:30. |