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Three Men In A Boat has been, up to now, a quintessentially English affair. | 0:00:02 | 0:00:06 | |
But this year, we're heading to my home turf, which is, of course, Ireland. | 0:00:06 | 0:00:10 | |
-Gentlemen, I promised you a boat. Will this do? -It's good. I feel | 0:00:17 | 0:00:21 | |
-we're on the eve of an adventure. -It's going to be incredible. | 0:00:21 | 0:00:24 | |
-You don't actually have a steering wheel or anything like that? -Just a tiller. | 0:00:24 | 0:00:30 | |
That you've been leaning against. | 0:00:30 | 0:00:32 | |
That's why we keep going towards Belfast. | 0:00:32 | 0:00:35 | |
We are going to do something that's not normally done, go straight through | 0:00:35 | 0:00:38 | |
the middle of Ireland by canal and river into a country of noisy conviviality. | 0:00:38 | 0:00:44 | |
Top of the morning to you! | 0:00:44 | 0:00:47 | |
Fantastic characters. | 0:00:47 | 0:00:49 | |
A place of warm, welcoming hospitality, especially for the returning hero. | 0:00:49 | 0:00:55 | |
En route, of course, rowing in curraghs and sailing in hookers. | 0:00:55 | 0:01:00 | |
And it'll all be fine as long as Griff can get them all started. | 0:01:00 | 0:01:05 | |
Our aim is to end up eventually at the largest Irish Poetry Festival in Limerick. | 0:01:05 | 0:01:10 | |
And my hope is just, well, that the other two don't embarrass me. | 0:01:10 | 0:01:15 | |
Have you noticed there are no boats on the river? Have you noticed that? | 0:01:15 | 0:01:18 | |
That's because Irish people aren't stupid enough to take boating holidays in mid-October. | 0:01:18 | 0:01:24 | |
In the past, we have raced in Griff's yacht. And lost. | 0:01:30 | 0:01:34 | |
And we've motored in Rory's boat and nearly died. | 0:01:34 | 0:01:38 | |
Twice. | 0:01:38 | 0:01:40 | |
But today we are coming in to Ireland's largest port and, coincidentally, | 0:01:43 | 0:01:47 | |
my home town of Dublin. | 0:01:47 | 0:01:49 | |
I'm bringing you to Ireland. | 0:01:49 | 0:01:51 | |
It's not MY Ireland we're going to, we're doing a little boat trip. | 0:01:51 | 0:01:55 | |
But, nonetheless, I'm not putting you anywhere near anyone I value or hold dear to me | 0:01:55 | 0:01:59 | |
cos I think you're just going to make it bad. | 0:01:59 | 0:02:01 | |
A quick few instructions, then. How do you want us to behave, Dara? We don't want to let you down. | 0:02:01 | 0:02:06 | |
Just be yourselves but less so and be engaging and polite. | 0:02:06 | 0:02:11 | |
-Don't do the accent. -Yeah, Griff, don't say "top of the morning". | 0:02:11 | 0:02:14 | |
-Don't do anything like that. -Will we observe you getting more and more Irish? | 0:02:14 | 0:02:17 | |
You will notice my accent getting richer and thicker and more mellifluous the longer I'm here. | 0:02:17 | 0:02:22 | |
The Terry Wogan-type voice that I've been putting on for the last while, | 0:02:22 | 0:02:26 | |
I'm going to drop that off me like a heavy coat. | 0:02:26 | 0:02:28 | |
-# In Dublin's fair city... # -He's off. | 0:02:28 | 0:02:31 | |
He's started. We're not even in... | 0:02:31 | 0:02:34 | |
We haven't arrived. We're not technically on land. | 0:02:34 | 0:02:37 | |
# ..I first set my eyes... # | 0:02:37 | 0:02:39 | |
Oh God, this is a bad idea. | 0:02:39 | 0:02:41 | |
Dara gets to park the boat. | 0:02:43 | 0:02:45 | |
Perhaps he has a resident's parking permit. | 0:02:45 | 0:02:49 | |
Is it Dara's birthday? | 0:02:49 | 0:02:52 | |
This is like that episode of Jim'll Fix It. | 0:02:52 | 0:02:55 | |
And... | 0:02:57 | 0:02:59 | |
There we go. | 0:02:59 | 0:03:02 | |
Well done, Dara O'Briain. Thank you very much. | 0:03:02 | 0:03:07 | |
-Look at that. -I know. It's perfect, isn't it? | 0:03:07 | 0:03:09 | |
-Beautifully parked. -Thank you very much. | 0:03:09 | 0:03:13 | |
From the port, it's a short hop to the centre of Dublin | 0:03:13 | 0:03:16 | |
to get to the Grand Canal, where we'll find our next boat. | 0:03:16 | 0:03:20 | |
-Welcome to Dublin. -This is gorgeous. | 0:03:20 | 0:03:22 | |
What I have arranged is a barge with the not very romantic name 45M. | 0:03:22 | 0:03:27 | |
Built in the 1940s, it's the only original working barge left in Ireland. | 0:03:28 | 0:03:33 | |
This is the boat you've organised? | 0:03:33 | 0:03:35 | |
Yes. I thought we've had enough of pretty boats. | 0:03:35 | 0:03:38 | |
-This is very functional. -Yeah, to be honest it looked different in the brochure. | 0:03:38 | 0:03:44 | |
When I say original, that's everything, | 0:03:44 | 0:03:46 | |
including the engine and the barge man Andy, who's here to help us get started. | 0:03:46 | 0:03:50 | |
This is my wife, Griff. | 0:03:50 | 0:03:53 | |
I'm his eldest. How's yourself? | 0:03:53 | 0:03:57 | |
This is a fine boat. Come on board. | 0:03:57 | 0:03:59 | |
The first task is actually to get her started. | 0:03:59 | 0:04:02 | |
No easy task, apparently, which is why we volunteer Griff. | 0:04:02 | 0:04:06 | |
-He's the sailor. -You're the sailor. | 0:04:06 | 0:04:08 | |
I've been designated. I'm going to help you start now. | 0:04:08 | 0:04:12 | |
-Are you going to show me? -Yes. | 0:04:12 | 0:04:14 | |
All right. I'll give you the pleasure of getting down there first. | 0:04:15 | 0:04:19 | |
OK. Good. | 0:04:19 | 0:04:20 | |
What sort of engine is this? | 0:04:26 | 0:04:28 | |
That's a Bolinder 15 horsepower engine. | 0:04:28 | 0:04:32 | |
-HISSING -Now. | 0:04:32 | 0:04:35 | |
That's gone out. Jesus! | 0:04:35 | 0:04:39 | |
Yarr! | 0:04:39 | 0:04:40 | |
So when it's hot, turn the flywheel, that injects the fuel. | 0:04:44 | 0:04:52 | |
What ignites the fuel? | 0:04:52 | 0:04:54 | |
The heat. | 0:04:54 | 0:04:55 | |
The heat ignites it. | 0:04:55 | 0:04:57 | |
So when it goes in, it just goes poof, like that. | 0:04:57 | 0:04:59 | |
There's no reverse. | 0:04:59 | 0:05:01 | |
Oh, no reverse. | 0:05:01 | 0:05:03 | |
There's no braking mechanism in this engine at all. | 0:05:03 | 0:05:07 | |
Just what you see. Straightforward. | 0:05:07 | 0:05:09 | |
OK, so we're talking real, real simplicity here. OK. | 0:05:09 | 0:05:14 | |
-When we've opened up that governor, how fast is this canal boat going to go? -Two miles an hour. | 0:05:14 | 0:05:20 | |
Two miles an hour. | 0:05:20 | 0:05:22 | |
Basically, however fast we go, we can still overtake this barge by walking on the towpath? | 0:05:22 | 0:05:28 | |
Oh, Lord, yes. They'll be all able to pass you, yeah. | 0:05:28 | 0:05:32 | |
'Now that it's blazing hot, in order to kick the engine into life, | 0:05:33 | 0:05:36 | |
'I need to swing the flywheel vigorously. | 0:05:36 | 0:05:39 | |
'And if it starts... | 0:05:39 | 0:05:41 | |
'..that's IF it starts, I need to jump out of the way before it takes my arm off.' | 0:05:44 | 0:05:50 | |
I'm not strong enough! | 0:05:50 | 0:05:51 | |
What's a tree in Irish? | 0:05:51 | 0:05:52 | |
-Crann. -Crann. -Crann. -Crann. | 0:05:52 | 0:05:56 | |
-C-R-A-N-N. Crann. -Crann. | 0:05:56 | 0:05:58 | |
-It's very easy. There are phrases, but you just want to learn random words? -Well, yeah. | 0:05:58 | 0:06:02 | |
-It's like a child learning. -That's how you learn language. | 0:06:02 | 0:06:05 | |
I can't do it. | 0:06:11 | 0:06:12 | |
-Ball? -Liathroid. -Liathroid. -Liathroid. -Liathroid. -Liathroid. -Liathroid. | 0:06:12 | 0:06:18 | |
Liathroids is a disease, isn't it? A glandular thing? | 0:06:18 | 0:06:22 | |
No, not the one I'm saying. | 0:06:22 | 0:06:24 | |
'Having utterly failed to start the thing, I've called in some muscle.' | 0:06:24 | 0:06:28 | |
This is like being at a fairground now, with various people, "We'll get the passers-by." | 0:06:28 | 0:06:34 | |
'Luckily, our barge enthusiast starts it first time.' | 0:06:37 | 0:06:42 | |
ENGINE CHUGS INTO LIFE | 0:06:42 | 0:06:45 | |
'Yeah, I loosened it up for him.' | 0:06:45 | 0:06:48 | |
-Oh, my God. Gives off enough smoke. -Well, he's been doing that for what? | 0:06:48 | 0:06:52 | |
-15 minutes. -15 minutes to achieve... | 0:06:52 | 0:06:56 | |
Some sort of critical mass. | 0:06:56 | 0:06:57 | |
A health hazard. Look at those poor people over there. | 0:06:57 | 0:07:00 | |
My God, that's a place to have a food fair, isn't it? | 0:07:00 | 0:07:02 | |
-Yeah. -The poor woman at the falafel stand. | 0:07:02 | 0:07:05 | |
Smoked falafel. | 0:07:05 | 0:07:07 | |
At kerb-crawler pace, it seems appropriate to let boat basher Rory take the helm, | 0:07:09 | 0:07:14 | |
even if the barge does weigh 25 tonnes and has no reverse. | 0:07:14 | 0:07:18 | |
Lovely here. The wind blasting through my hair. | 0:07:19 | 0:07:25 | |
Hey, hey, people are overtaking us on foot. | 0:07:30 | 0:07:33 | |
The Grand Canal will take us across Ireland to the Shannon River. | 0:07:36 | 0:07:40 | |
From there we will head south down to Limerick. | 0:07:40 | 0:07:42 | |
This is a route that the barge will have done hundreds of times, | 0:07:42 | 0:07:45 | |
taking grain and turf into Dublin and Guinness back to Limerick. | 0:07:45 | 0:07:49 | |
The barges and locks were built for each other, so there are literally inches to spare. | 0:07:51 | 0:07:55 | |
So you wonder if it's wise that Rory is the one to take us into our first lock. | 0:07:55 | 0:08:00 | |
Dara! | 0:08:08 | 0:08:09 | |
You're a legend. You're an absolute legend. | 0:08:09 | 0:08:12 | |
Safely in, the sluice gates are opened | 0:08:13 | 0:08:16 | |
and the lock flooded to lift the boat to the next level of canal. | 0:08:16 | 0:08:21 | |
There's like a foot, if that, at the front, a foot at the back and six inches either side | 0:08:21 | 0:08:25 | |
and Rory - right in. Like a rat up a drain. | 0:08:25 | 0:08:28 | |
That's how well he did that. That's incredible. | 0:08:28 | 0:08:31 | |
Stopping is just a case of tying it off and then, by the miracle of rope, | 0:08:31 | 0:08:36 | |
25 tonnes of boat come grinding to a halt. | 0:08:36 | 0:08:40 | |
And we've travelled... | 0:08:40 | 0:08:42 | |
..300 metres. | 0:08:44 | 0:08:46 | |
They said that Guinness delivered by barge tasted better since it had time to mature. | 0:08:47 | 0:08:54 | |
Hopefully, it would have the same effect on us. | 0:08:54 | 0:08:57 | |
Cheers, thank you very much. | 0:08:58 | 0:09:00 | |
-Are they with us? -Thank you very much. Thank you. | 0:09:00 | 0:09:03 | |
Very stately progress, isn't it? | 0:09:03 | 0:09:06 | |
Through the many locks of Dublin we were getting plenty of help. | 0:09:15 | 0:09:18 | |
Well, Griff was. | 0:09:18 | 0:09:21 | |
We have to make sure we shut these after we finish. | 0:09:21 | 0:09:26 | |
But tomorrow we be on our own and we needed the correct equipment. | 0:09:27 | 0:09:32 | |
Dara? | 0:09:32 | 0:09:33 | |
-Go and get us a couple of chairs. -Yeah, all right. | 0:09:33 | 0:09:35 | |
Thank you. | 0:09:41 | 0:09:42 | |
Yeah... | 0:09:45 | 0:09:47 | |
Before Dara gets back, oi'll get me Oirish accent out of de way. | 0:09:48 | 0:09:52 | |
In a place loike Dublin, everyone talks in this beautiful accent, but it's infectious. | 0:09:52 | 0:09:56 | |
And you want to talk loike it all de time, y'know? | 0:09:56 | 0:09:59 | |
But we can't talk loike that when Dara is here, because he hates it. | 0:09:59 | 0:10:02 | |
He'd actually smash moy head in if he heard me talking like dis. | 0:10:02 | 0:10:06 | |
Yeah, I'll pick them up. | 0:10:06 | 0:10:08 | |
-Cheers. -Dara, you're a 'far'. | 0:10:15 | 0:10:18 | |
Maith an fear. Maith an fear means good man. | 0:10:19 | 0:10:23 | |
-Maith an fear. -Maith an fear. -Maith an fear. | 0:10:23 | 0:10:26 | |
For the simple addition of two stools and a pint, this boat is 115% better. | 0:10:28 | 0:10:33 | |
I love what you've done to it, Dara. You've made it your own. | 0:10:33 | 0:10:36 | |
Maith an fear. | 0:10:36 | 0:10:38 | |
Nice, very good. You're taking to the Irish. | 0:10:38 | 0:10:41 | |
Bargemeister Andy has served on the canals all his working life... | 0:10:50 | 0:10:55 | |
until 1961, when commercial traffic on the canal switched to the road. | 0:10:55 | 0:11:01 | |
45M would have done more trips apart from the fact that she sank during a storm in 1948 | 0:11:04 | 0:11:09 | |
and lay at the bottom of a lake until she was raised in the 1970s. | 0:11:09 | 0:11:14 | |
In a way, that's what saved her | 0:11:14 | 0:11:16 | |
because all the other Guinness barges were converted into houseboats around this time. | 0:11:16 | 0:11:22 | |
As we come to the end of our first day we've got one more lock to do, and not wanting to tempt fate - | 0:11:22 | 0:11:28 | |
and the drink-drive laws - Griff is at the helm. | 0:11:28 | 0:11:31 | |
Griff! Please, come on! | 0:11:38 | 0:11:41 | |
Oh, Griff! | 0:11:43 | 0:11:45 | |
-Thanks, Griff, well done, top work. -Magic, magic. | 0:11:47 | 0:11:50 | |
There's something about the length and dimensions into the lock | 0:11:53 | 0:11:57 | |
that you do very well, comes naturally. | 0:11:57 | 0:12:00 | |
It was more that you bounced us off one wall and then smacked into the other on the way in. | 0:12:00 | 0:12:04 | |
You took both gates out. | 0:12:04 | 0:12:06 | |
We went like that. | 0:12:06 | 0:12:08 | |
Got ourselves in. | 0:12:08 | 0:12:09 | |
It's a magnificent boat, but the engine is so dangerous. | 0:12:13 | 0:12:16 | |
We're going to go and put up for the night, and Andy's going to go, | 0:12:16 | 0:12:21 | |
and then I sort of volunteered once again to be Mr Boat Man. | 0:12:21 | 0:12:27 | |
So, quite clearly, it's going to be down to me | 0:12:27 | 0:12:30 | |
to get this thing working again in the morning. | 0:12:30 | 0:12:33 | |
I just think it's impossible. | 0:12:33 | 0:12:35 | |
It's a horribly dangerous, temperamental beast. | 0:12:35 | 0:12:39 | |
Having taken an entire day to get us out of the city centre, | 0:12:40 | 0:12:43 | |
Dara is keen to take us straight back there | 0:12:43 | 0:12:45 | |
and show us the bright lights. | 0:12:45 | 0:12:47 | |
I think that means we're going to a pub. | 0:12:47 | 0:12:50 | |
It should take us about three minutes. | 0:12:50 | 0:12:53 | |
What's this? This is Dublin's new tram system? | 0:12:54 | 0:12:58 | |
It's called Luas. It's the Irish word for speed. | 0:12:58 | 0:13:00 | |
-For speed? -Yes. | 0:13:00 | 0:13:03 | |
Very smart. Have you ever been on it? | 0:13:03 | 0:13:06 | |
So it's a bit of an experience for you! | 0:13:06 | 0:13:08 | |
Dublin's famous worldwide for its writers. | 0:13:10 | 0:13:13 | |
Shaw, Beckett, Wilde, in particular James Joyce, | 0:13:13 | 0:13:16 | |
whose masterpiece Ulysses is based in the city. | 0:13:16 | 0:13:19 | |
One place in the book is Dublin's oldest university, Trinity College. | 0:13:21 | 0:13:25 | |
I went to university in the other university up the road, | 0:13:25 | 0:13:28 | |
University College Dublin, but still, while Rory finds a pub I take Griff into Trinity | 0:13:28 | 0:13:32 | |
to show him the Dublin masterpiece that's the Long Room in the library. | 0:13:32 | 0:13:36 | |
The universities are roughly around about the same level academically. | 0:13:36 | 0:13:40 | |
Trinity is the most famous because it's, by some distance, the oldest and the most beautiful, | 0:13:40 | 0:13:45 | |
but there's not the same kudos or the same exclusivity or elitism in the Irish university system | 0:13:45 | 0:13:51 | |
that there is in the English university system. | 0:13:51 | 0:13:54 | |
So some really famous sort of Irish... | 0:13:54 | 0:13:56 | |
For example, we possibly over the course of discussion tonight, | 0:13:56 | 0:14:00 | |
and various chats we're doing and events we're going to, we'll hear Joyce mentioned. | 0:14:00 | 0:14:05 | |
Joyce went to my university, as did Flann O'Brien, he also went to UCD. | 0:14:05 | 0:14:09 | |
It's a much larger university. The National University of Ireland is much bigger, | 0:14:09 | 0:14:13 | |
but this wasn't my university. | 0:14:13 | 0:14:15 | |
I can't fault this for just the sheer beauty of the place. | 0:14:15 | 0:14:18 | |
Terry Wogan, where did he go? | 0:14:18 | 0:14:21 | |
I don't...it's not really... Terry's academic history isn't a major issue of debate. | 0:14:21 | 0:14:26 | |
-Is it not? -No, I don't... | 0:14:26 | 0:14:27 | |
'The celebration of great writers is a national passion. | 0:14:27 | 0:14:31 | |
'We arrived in a boat named Swift, we've crossed bridges named after Beckett and Shaw. | 0:14:31 | 0:14:35 | |
'We think we've got the greatest writers. | 0:14:35 | 0:14:38 | |
'Shaw? Sure. But I'd argue that the English take the literary biscuit. | 0:14:38 | 0:14:42 | |
'Luckily, another famous tradition of Trinity is that a student here may carry a sword, | 0:14:42 | 0:14:47 | |
'so we're using an old-fashioned arbitration technique. | 0:14:47 | 0:14:50 | |
'That is, a duel at the fencing society. | 0:14:50 | 0:14:52 | |
'And first up, some instruction in basic techniques.' | 0:14:52 | 0:14:56 | |
Being a foot and a half higher than Griff may be a small advantage, | 0:14:56 | 0:15:00 | |
in as much as I can hold his head | 0:15:00 | 0:15:03 | |
with my non-sword arm, a fencing term, | 0:15:03 | 0:15:07 | |
and then just jab him repeatedly. | 0:15:07 | 0:15:09 | |
Better, well done. | 0:15:10 | 0:15:11 | |
Again, less like ballet, OK? | 0:15:11 | 0:15:14 | |
You're being too bouncy. Forward. | 0:15:14 | 0:15:16 | |
More aggressive. | 0:15:16 | 0:15:18 | |
Apparently I can't hit him in the groin. | 0:15:18 | 0:15:20 | |
Etiquette. Oh, can I? | 0:15:20 | 0:15:22 | |
-If you see the metal... -Ooh, yeah. -Covers the groin. | 0:15:22 | 0:15:25 | |
'A few minutes of hastily arranged tuition, and we're not ready. | 0:15:25 | 0:15:29 | |
'But the crowds want some action, so it's England versus Ireland, round one of many.' | 0:15:29 | 0:15:35 | |
Allez! | 0:15:37 | 0:15:39 | |
Touche! | 0:15:44 | 0:15:46 | |
'Yes, first point to Dara. He needs four more to win, though.' | 0:15:46 | 0:15:51 | |
Fence! | 0:15:55 | 0:15:56 | |
-What? -Attack off target. | 0:16:03 | 0:16:05 | |
Off target? I got him in the nuts. | 0:16:05 | 0:16:08 | |
That's pretty phenomenally on target. | 0:16:08 | 0:16:10 | |
Shakespeare. | 0:16:10 | 0:16:11 | |
Joyce! | 0:16:15 | 0:16:17 | |
WB Yeats! | 0:16:25 | 0:16:26 | |
Wordsworth. | 0:16:28 | 0:16:30 | |
Virginia Woolf. | 0:16:33 | 0:16:36 | |
'That makes it four points all. The next one wins.' | 0:16:36 | 0:16:39 | |
-This is the final point, my friend. -Oh, right. | 0:16:39 | 0:16:42 | |
How are you feeling? | 0:16:42 | 0:16:43 | |
-Exhausted. -Exhausting, isn't it? | 0:16:43 | 0:16:46 | |
Dara, I'm sweating like a pig. | 0:16:46 | 0:16:49 | |
-We can buy more time here if you want. -Can we? | 0:16:49 | 0:16:52 | |
-It looks like we're trash talking. -OK! | 0:16:52 | 0:16:55 | |
-Here we go. -OK. | 0:17:00 | 0:17:02 | |
-Are you ready, gentlemen? -We're ready. | 0:17:02 | 0:17:05 | |
Fence. | 0:17:05 | 0:17:06 | |
A pleasure. | 0:17:23 | 0:17:25 | |
-Excellent. -That was very good. | 0:17:25 | 0:17:28 | |
-That was good. -It was great, yeah, it was fantastic. | 0:17:30 | 0:17:33 | |
-What? -It was satisfying. | 0:17:33 | 0:17:34 | |
There was bits where I skewered you and I felt really happy inside. | 0:17:34 | 0:17:39 | |
I was too balletic, apparently. | 0:17:39 | 0:17:40 | |
Really? That's not a complaint they made about me. | 0:17:40 | 0:17:43 | |
At no stage did they say, "You were too balletic." | 0:17:43 | 0:17:46 | |
At no stage has anybody said that. | 0:17:46 | 0:17:48 | |
I thought you were very balletic. I was impressed by how balletic you were. | 0:17:48 | 0:17:52 | |
Thank you. There was one bit that will stay with me. | 0:17:52 | 0:17:55 | |
Just where you opened some of your flank, your groin, | 0:17:55 | 0:17:59 | |
and I went, "I'm in there." | 0:17:59 | 0:18:01 | |
Having worked up a thirst, | 0:18:03 | 0:18:05 | |
we found Rory in one of Dublin's other landmarks, Kehoe's Pub. | 0:18:05 | 0:18:08 | |
-Fencing. So that went OK, did it? -It was good. Exhausting. | 0:18:08 | 0:18:12 | |
-How many whiskies have you had? -My first. | 0:18:12 | 0:18:15 | |
'With only a cold barge to return to we were clearly here for the night.' | 0:18:15 | 0:18:19 | |
'Next morning, while we slept off the night before, | 0:18:24 | 0:18:28 | |
'it was Griff versus the engine, round two. | 0:18:28 | 0:18:31 | |
'And my money is on the engine.' | 0:18:32 | 0:18:34 | |
'It takes about 10 minutes for the engine to warm up, which is handy, | 0:18:35 | 0:18:41 | |
'because it's about the same amount of time for me.' | 0:18:41 | 0:18:44 | |
Oh, dear! Sorry. | 0:18:46 | 0:18:48 | |
HE LAUGHS | 0:18:50 | 0:18:53 | |
-How's it going, Griff? Have you started the engine yet? -No. | 0:19:02 | 0:19:07 | |
It's just heating up. | 0:19:07 | 0:19:09 | |
Nothing about this trip inspires me with any confidence whatsoever. | 0:19:09 | 0:19:14 | |
A very old, rusty machine, a gas torch aimed at it, | 0:19:14 | 0:19:19 | |
I've got my hand on a fuel valve, | 0:19:19 | 0:19:21 | |
-and you're going to play with that wheel. -OK. | 0:19:21 | 0:19:25 | |
This could be the last Three Men ever. | 0:19:25 | 0:19:28 | |
A-one, a-two, | 0:19:28 | 0:19:31 | |
a-one, two, | 0:19:31 | 0:19:34 | |
three, four...! | 0:19:34 | 0:19:36 | |
Huhhh! Huhhh! Huhhh! Huhhh! | 0:19:36 | 0:19:39 | |
-I can't get it going. -I've had a great idea. | 0:19:47 | 0:19:50 | |
Let's ring the AA. | 0:19:51 | 0:19:53 | |
-All right, OK. -I'll get on the blower. -Yeah, fine. | 0:19:56 | 0:19:58 | |
Here we are, you see? | 0:20:00 | 0:20:03 | |
-How are you? -We've got a bit of an engine problem. | 0:20:03 | 0:20:06 | |
Are you any good with engines? | 0:20:06 | 0:20:08 | |
Should push down now. | 0:20:10 | 0:20:12 | |
Push down! | 0:20:12 | 0:20:13 | |
Oh, it's ridiculous, isn't it? | 0:20:31 | 0:20:33 | |
-There's something in the back of the van that'll get that going. -Brilliant. | 0:20:33 | 0:20:37 | |
-There's your man. -Are we pleased to see you, Andy! | 0:20:44 | 0:20:47 | |
'Andy's experienced hand once again got us going. | 0:20:58 | 0:21:02 | |
'But we knew we couldn't rely on him all the way to Limerick. | 0:21:02 | 0:21:06 | |
'Apart from this, however, we seemed to be getting the hang of this very big barge. | 0:21:08 | 0:21:13 | |
'Even the weather didn't seem to dampen our spirits.' | 0:21:13 | 0:21:17 | |
We're going to start sinking again. | 0:21:17 | 0:21:19 | |
Can you get through there? | 0:21:19 | 0:21:22 | |
-Over the rudder. -Very good. It's a doddle. | 0:21:22 | 0:21:25 | |
The canal is so narrow you can't steer it. It's perfect. | 0:21:25 | 0:21:29 | |
'Lock after lock, mile after mile. | 0:21:34 | 0:21:37 | |
'Now we're getting somewhere.' | 0:21:37 | 0:21:39 | |
I'll give you five euros, Griff, if you shout up to Dara, "Top o' the mornin' to ye." | 0:21:45 | 0:21:49 | |
Go on. Go on. | 0:21:49 | 0:21:51 | |
He won't be able to hear us anyway. Top o' the mornin' to ye, Dara! | 0:21:53 | 0:21:57 | |
-THEY LAUGH -Fantastic. | 0:21:57 | 0:22:00 | |
That's fantastic. Well worth... money well spent. | 0:22:00 | 0:22:06 | |
'As we come to the end of day two, in reality we're not very far out of the city at all. | 0:22:09 | 0:22:14 | |
'Close enough, in fact, to go back in and settle a score. | 0:22:14 | 0:22:17 | |
'When he was at university, Dara was a star debater at the debating society, | 0:22:17 | 0:22:22 | |
'and tonight he's revisiting his youth and his lost hair. | 0:22:22 | 0:22:26 | |
'The motion is, has Ireland made a more significant cultural contribution to the world | 0:22:26 | 0:22:30 | |
'than England? I have to speak against.' | 0:22:30 | 0:22:32 | |
I spent most of my college career doing this. | 0:22:32 | 0:22:35 | |
This is kind of where I started being a stand up comedian. | 0:22:35 | 0:22:39 | |
This is weird, like being nostalgic for sometime in the early '90s. | 0:22:39 | 0:22:44 | |
He's coming back to an area with his own home audience, a triumphant return to Dublin. | 0:22:44 | 0:22:50 | |
Me, this is the first time I've ever done this and I've got... | 0:22:50 | 0:22:56 | |
Griff is famously unable to talk in public | 0:22:56 | 0:22:59 | |
as he will explain to you in a monologue. | 0:22:59 | 0:23:02 | |
Welcome to tonight's debate on the motion, | 0:23:07 | 0:23:09 | |
Ireland has made a more significant cultural contribution to the world than England. | 0:23:09 | 0:23:13 | |
'In these debates, two teams take it in turn | 0:23:13 | 0:23:16 | |
'to clash to persuade the audience that their side is correct. | 0:23:16 | 0:23:20 | |
'As guests, we'll be speaking last. Griff for England, but first, me on behalf of Ireland.' | 0:23:20 | 0:23:26 | |
Two names have dominated this debate, one of them spoken, one of them unspoken. | 0:23:26 | 0:23:30 | |
The first is obviously Joyce. | 0:23:30 | 0:23:32 | |
Joyce got mentioned repeatedly. Yes, ha ha, nobody's ever read the book. | 0:23:32 | 0:23:36 | |
This is what the book actually looks like. | 0:23:36 | 0:23:39 | |
Just so you know, they are available in many shops. | 0:23:39 | 0:23:43 | |
I thought I will go down the list of authors and find the first English author, and compare. | 0:23:43 | 0:23:48 | |
Irritatingly for the English, it's Jordan with A Whole New World. | 0:23:48 | 0:23:53 | |
This is how no amount of Shakespeare will win for England. | 0:23:53 | 0:23:57 | |
No amount of Dryden, no amount of Auden, | 0:23:57 | 0:24:00 | |
no amount of Milton, nothing, nothing will top what I'm about... | 0:24:00 | 0:24:04 | |
Strap yourselves in, ladies and gentlemen. | 0:24:04 | 0:24:07 | |
"Unfortunately my holier than thou, I don't do one night stands halo | 0:24:07 | 0:24:12 | |
"slipped as soon as I got Pete alone in that hotel bathroom in Brisbane. | 0:24:12 | 0:24:16 | |
"Fuelled by my intense desire for him, | 0:24:16 | 0:24:18 | |
"I went much further and quite a bit lower." | 0:24:18 | 0:24:22 | |
You see where she's going with this. | 0:24:22 | 0:24:25 | |
"I slipped off his towel, fell to my knees and gave him a..." | 0:24:25 | 0:24:29 | |
LAUGHTER AND CHEERING | 0:24:29 | 0:24:32 | |
"I wanted him so much that it was the one time when I thought..." | 0:24:35 | 0:24:38 | |
And it's italicised, indicating her internal monologue, | 0:24:38 | 0:24:42 | |
"I don't care if I'm acting like a slag." | 0:24:42 | 0:24:46 | |
She bangs out hundreds of these, ladies and gentlemen. | 0:24:50 | 0:24:53 | |
They single-handedly, like a black hole, devour all literature around them. | 0:24:53 | 0:24:59 | |
You cannot claim the greatness of a nation while you have this as your number one... | 0:24:59 | 0:25:04 | |
This woman crushes me for sales! | 0:25:04 | 0:25:06 | |
This was relatively ill-informed, shoddily put together. | 0:25:06 | 0:25:09 | |
Incredibly shoddily put together! | 0:25:09 | 0:25:12 | |
It's been a pleasure to talk to you again. Thank you. | 0:25:12 | 0:25:15 | |
CHEERING | 0:25:15 | 0:25:17 | |
I'd like to thanks Dara for his fine speech | 0:25:17 | 0:25:20 | |
and call Mr Griff Rhys-Jones to close the debate. | 0:25:20 | 0:25:23 | |
As a Welshman, I'm going to interpose myself, | 0:25:27 | 0:25:30 | |
as it were, between the English and the Irish. | 0:25:30 | 0:25:33 | |
I was once in a programme called Mine All Mine | 0:25:33 | 0:25:36 | |
and I had to do it with a lot of Welsh actors. | 0:25:36 | 0:25:40 | |
One of them said to me, | 0:25:40 | 0:25:41 | |
"It must have been terrible for you, Griff, growing up like that in Essex in England. | 0:25:41 | 0:25:48 | |
"You must have experienced a lot of racial prejudice." | 0:25:48 | 0:25:52 | |
I said, "Well, to be honest, I didn't at all, | 0:25:52 | 0:25:56 | |
"I don't think anybody noticed I was Welsh at all." | 0:25:56 | 0:25:58 | |
He said, "That's exactly what I mean." | 0:25:58 | 0:26:01 | |
So I'm very much aware that I know how you feel, Dara. | 0:26:05 | 0:26:09 | |
I know how Irish people feel, but the truth is, | 0:26:10 | 0:26:15 | |
we've heard a lot spoken tonight, but it hasn't been in Irish. | 0:26:15 | 0:26:21 | |
The crucial word in this debate is significant contribution. | 0:26:21 | 0:26:27 | |
I think it's a wonderful thing to sit here and see everybody sitting in their dinner jackets. | 0:26:27 | 0:26:32 | |
Those dinner jackets were invented in the 19th century by Prince Albert | 0:26:32 | 0:26:38 | |
who went to his tailor, | 0:26:38 | 0:26:41 | |
and said, "I wonder if you could invent for me | 0:26:41 | 0:26:45 | |
"a short, dark costume that would make me look a complete twit | 0:26:45 | 0:26:50 | |
"in the high street in the middle of the afternoon." | 0:26:50 | 0:26:55 | |
That is part of English culture | 0:26:56 | 0:27:00 | |
that we now find dominant even in this room. | 0:27:00 | 0:27:03 | |
I can only, as a Welshman, | 0:27:03 | 0:27:06 | |
urge all of you Irish people on all sides of me to be realistic | 0:27:06 | 0:27:11 | |
and admit that you are not the most powerful culture in the world. | 0:27:11 | 0:27:17 | |
Thank you. | 0:27:17 | 0:27:19 | |
I'd like to thank all the speakers. I'm now going to put the motion to the House. | 0:27:26 | 0:27:30 | |
-All those in favour say "aye". -Aye. | 0:27:30 | 0:27:33 | |
-All those against say "nay". -Nay. | 0:27:33 | 0:27:35 | |
-Oh dear. -The "ayes" have it. | 0:27:35 | 0:27:38 | |
'Yes, well, what did you expect in the middle of Dublin? | 0:27:40 | 0:27:44 | |
'The next morning, no-one seemed keen to get the barge started.' | 0:27:46 | 0:27:50 | |
-Where do we go today then? -We move further west. | 0:27:50 | 0:27:53 | |
I'm saying that in an aspirational way. | 0:27:53 | 0:27:56 | |
I think serious questions have to be asked about whether this is the boat to do this on. | 0:27:56 | 0:28:00 | |
I'm determined to try and get this thing started. | 0:28:00 | 0:28:03 | |
We no longer have Andy to help us. | 0:28:03 | 0:28:05 | |
Do I have the physical strength to do it? | 0:28:05 | 0:28:07 | |
-I'm working on an exit strategy. -OK. | 0:28:07 | 0:28:09 | |
'At least the barge had good entertainment | 0:28:11 | 0:28:14 | |
'in the form of Griff losing his temper | 0:28:14 | 0:28:17 | |
'in Griff versus the engine III.' | 0:28:17 | 0:28:19 | |
ENGINE SPLUTTERS | 0:28:26 | 0:28:28 | |
GRIFF CHEERS | 0:28:28 | 0:28:30 | |
ENGINE STALLS | 0:28:31 | 0:28:33 | |
GRIFF SIGHS | 0:28:41 | 0:28:43 | |
HE PANTS | 0:28:48 | 0:28:53 | |
That... | 0:29:03 | 0:29:05 | |
is enough...of that. | 0:29:05 | 0:29:07 | |
'At last, some proper transport, | 0:29:11 | 0:29:14 | |
'and to avoid loads more locks, we head north to the Royal Canal. | 0:29:14 | 0:29:19 | |
'This will take us all the way to Mullingar. | 0:29:19 | 0:29:22 | |
'The Royal Canal was built as competition to the Grand | 0:29:24 | 0:29:27 | |
'and went bust the year it was opened due to the coming of the railway. | 0:29:27 | 0:29:31 | |
'As a consequence of this, there are no boats on it, | 0:29:31 | 0:29:34 | |
'so what I've arranged is a car with some special powers.' | 0:29:34 | 0:29:37 | |
Look, look, look... | 0:29:37 | 0:29:40 | |
ALL: Whooaaa...! | 0:29:40 | 0:29:42 | |
Hey-hey! | 0:29:42 | 0:29:44 | |
Bravo. | 0:29:45 | 0:29:46 | |
-OK. -This is magic. -LOUD REVVING | 0:29:47 | 0:29:49 | |
'After the initial excitement, it all became plain sailing. | 0:29:53 | 0:29:57 | |
'Or plain driving. | 0:29:57 | 0:29:59 | |
'Actually, what is this?' | 0:29:59 | 0:30:01 | |
When James Bond gets into one of these cars, | 0:30:03 | 0:30:06 | |
there must be something to do with the music starting. | 0:30:06 | 0:30:10 | |
The romance, the speed, the power, | 0:30:10 | 0:30:14 | |
the amazing flights the car is capable of. | 0:30:14 | 0:30:17 | |
We don't make aspirational telly here, do we? | 0:30:17 | 0:30:20 | |
'It's very, very relaxing being the only vehicle. | 0:30:22 | 0:30:26 | |
'Soon Dara's previous night out in Dublin took its toll.' | 0:30:29 | 0:30:33 | |
'Before we arrive in Mullingar, a little stop off for some sightseeing at Fore Abbey, | 0:30:43 | 0:30:49 | |
'a place famed for its miraculous wonders. | 0:30:49 | 0:30:51 | |
'It does seem like Griff's been at the guide books again.' | 0:30:51 | 0:30:55 | |
Fore Abbey, founded 630 by St Feichin. | 0:30:55 | 0:31:00 | |
An unfortunate comedy name that he probably didn't anticipate. | 0:31:00 | 0:31:04 | |
St Feichin set it up in what, 630? | 0:31:04 | 0:31:05 | |
630, yes. | 0:31:05 | 0:31:08 | |
It's great, they chose well. | 0:31:08 | 0:31:09 | |
The monks were very good at things like that. | 0:31:09 | 0:31:12 | |
There are seven wonders here. Can you name any of the wonders, Rory? | 0:31:12 | 0:31:17 | |
-Yes, the tree that won't burn. -That's one. | 0:31:17 | 0:31:19 | |
The water that won't boil. | 0:31:19 | 0:31:21 | |
-That's two. -The tree that won't stop burning? -No. | 0:31:21 | 0:31:24 | |
The river that runs uphill... | 0:31:24 | 0:31:26 | |
'It has to be admitted that today the wonders look less than wondrous, | 0:31:26 | 0:31:31 | |
'but what is remarkable is what people have done with them in the name of rampant Irish superstition. | 0:31:31 | 0:31:36 | |
'Particularly this tree.' | 0:31:36 | 0:31:38 | |
This is it! | 0:31:38 | 0:31:40 | |
We are traditionally a very superstitious people. | 0:31:40 | 0:31:44 | |
I am presuming the idea was that people would make wishes on this. | 0:31:44 | 0:31:48 | |
It's amazing. A lot of tissue. It's become like a litter tree. | 0:31:48 | 0:31:53 | |
I don't think that was really their aim. | 0:31:53 | 0:31:55 | |
This is, in fact, a very elaborate wastepaper bin. | 0:31:55 | 0:31:59 | |
Socks, potato crisp packets. | 0:31:59 | 0:32:02 | |
Somebody has left a bracelet. I can understand a nice bracelet. | 0:32:02 | 0:32:05 | |
But to come down here, and tie a bit of old tissue... | 0:32:05 | 0:32:08 | |
-The tissue's there for illness. -It's unsightly, I think. | 0:32:08 | 0:32:12 | |
Can I go on the record for one thing? | 0:32:12 | 0:32:14 | |
I want to mock this, I want to mock this | 0:32:14 | 0:32:16 | |
because I find all these superstitions really... | 0:32:16 | 0:32:20 | |
It's not my thing. | 0:32:20 | 0:32:21 | |
I am a sceptic and a rationalist, I want to mock this tree. | 0:32:21 | 0:32:25 | |
At the same time, I don't want to hear you two mocking it. | 0:32:25 | 0:32:28 | |
-I don't want you two coming over here... -I won't, because... | 0:32:28 | 0:32:31 | |
-This is the thing, am I having it both ways by saying this? -Yes, you are. | 0:32:31 | 0:32:36 | |
I want to do the Catholic church in Ireland and all that usual stuff | 0:32:36 | 0:32:39 | |
but I don't want to invite you over and have you do it. | 0:32:39 | 0:32:42 | |
-I'm jumping... -Why don't we let you mock it on your own | 0:32:42 | 0:32:47 | |
-and we'll defend it? -Still, you'd be there, you know? | 0:32:47 | 0:32:49 | |
-Hey, hey, hey... -Hey, let's go... | 0:32:49 | 0:32:52 | |
What have we got so far? | 0:32:52 | 0:32:54 | |
'Yes, Dara has found himself up to his neck | 0:32:54 | 0:32:58 | |
'in a great, deep, soggy Irish quandary.' | 0:32:58 | 0:33:02 | |
It's beautiful countryside. | 0:33:02 | 0:33:03 | |
It's beautiful countryside but it's the same countryside as most countries have. | 0:33:03 | 0:33:07 | |
It's like being in England. | 0:33:07 | 0:33:09 | |
'Maybe it's because Dara doesn't live in Ireland any more. | 0:33:09 | 0:33:12 | |
'Perhaps he feels guilty, and consequently is desperate to defend it at all costs. | 0:33:12 | 0:33:17 | |
'Fore Abbey was pillaged 12 times by the Vikings. | 0:33:17 | 0:33:21 | |
'The real miraculous wonder is that there's any of it still standing.' | 0:33:21 | 0:33:25 | |
Would you have been a monk? You are very intelligent men, both of you. | 0:33:25 | 0:33:29 | |
-And... -THEY LAUGH | 0:33:29 | 0:33:30 | |
In those days, if you were a bit intelligent and, you know, | 0:33:30 | 0:33:34 | |
and you hadn't... Although you were related to the kings, | 0:33:34 | 0:33:38 | |
we were just related to the sons of the soil and from ordinary working backgrounds. | 0:33:38 | 0:33:42 | |
-We might have passed our exams and gone into the monastery. -You'd become priests. | 0:33:42 | 0:33:47 | |
-We'd have become monks. -I'd have been a bishop. | 0:33:47 | 0:33:49 | |
You'd have been one of those dirty, roistering priests. | 0:33:49 | 0:33:52 | |
Look at the ruddy face on you, you'd be perfect. | 0:33:52 | 0:33:56 | |
Can you take your hat off in there? | 0:33:56 | 0:33:58 | |
What is the idea of taking your hat off when the monastery has no roof? | 0:33:58 | 0:34:01 | |
-True. -They didn't have a roof over this, cos this was the cloister. | 0:34:01 | 0:34:05 | |
The cloister was designed so you had, on the inside, a window to heaven. | 0:34:05 | 0:34:09 | |
Shall we go and have a look at the nave? | 0:34:09 | 0:34:13 | |
Shall we just go? Cos it's all locked up. | 0:34:13 | 0:34:15 | |
'Dara's obviously had enough of defending Ireland. | 0:34:15 | 0:34:18 | |
'Maybe he can get some respite at one of the quietest and most anonymous towns in Ireland. | 0:34:18 | 0:34:23 | |
'Mullingar, right in the centre of the country.' | 0:34:23 | 0:34:25 | |
'Our arrival caused a bit of a stir | 0:34:32 | 0:34:35 | |
-'but that was nothing compared to what was about to happen.' -Yes! | 0:34:35 | 0:34:39 | |
ENGINE ROARS | 0:34:39 | 0:34:41 | |
'Mullingar car park was full so we left our car in a multi-storey pond | 0:34:49 | 0:34:53 | |
'and walked out into the high street to see what the town had to offer. | 0:34:53 | 0:34:57 | |
'What it had to offer was a food fair in the centre of town, | 0:34:57 | 0:35:02 | |
'so that's where we headed. | 0:35:02 | 0:35:04 | |
'But the food fair seemed to be rather more elaborate than we'd been expecting.' | 0:35:04 | 0:35:09 | |
Thank you. | 0:35:09 | 0:35:10 | |
SPEAKS IRISH GAELIC A bit of Irish for you. | 0:35:10 | 0:35:13 | |
Ta failte means you're very welcome. | 0:35:13 | 0:35:15 | |
-Failte? -That means you're welcome. | 0:35:15 | 0:35:17 | |
'Dara was a much bigger star in Ireland than any of us had imagined. | 0:35:17 | 0:35:21 | |
'Even Dara, apparently.' | 0:35:21 | 0:35:22 | |
MARCHING BAND PLAYS | 0:35:22 | 0:35:25 | |
What a coincidence that this just happened to be on when we arrived in Mullingar. | 0:35:28 | 0:35:32 | |
'It took a few moments for the penny to drop but all of this was for us.' | 0:35:33 | 0:35:38 | |
It's been laid on for Dara! | 0:35:38 | 0:35:41 | |
Here he is, ladies and gentlemen. Dara O'Briain! | 0:35:41 | 0:35:45 | |
Here he is, we've brought him back to Mullingar. Here he is! Dara! | 0:35:45 | 0:35:50 | |
Very strange. | 0:35:50 | 0:35:52 | |
-Hello, how are you, how are you? -All for one and one for all. | 0:35:52 | 0:35:56 | |
How strange is that? | 0:35:56 | 0:35:57 | |
How are you? How's yourself? Hello. | 0:36:00 | 0:36:02 | |
Hello, hello. How are you? Hi. | 0:36:02 | 0:36:05 | |
How are you? Good to see you. | 0:36:05 | 0:36:07 | |
Thank you very much. Thank you. | 0:36:18 | 0:36:20 | |
Dara, Rory and Griff, on behalf of the people of Mullingar, | 0:36:24 | 0:36:30 | |
the county town of Westmead, may I welcome you to Mullingar. | 0:36:30 | 0:36:33 | |
Or as we say in Irish, cead mile failte. | 0:36:33 | 0:36:37 | |
Thank you very much, you're very kind. | 0:36:37 | 0:36:39 | |
All right, all right, I've been to Mullingar loads of times, | 0:36:48 | 0:36:52 | |
this is the first time you've bothered to do this. | 0:36:52 | 0:36:54 | |
If I came back next week, the band will be busy. | 0:36:56 | 0:36:59 | |
Don't let's pretend this is the way we always treat people arriving in Mullingar. | 0:36:59 | 0:37:03 | |
Ladies and gentlemen, o chroi, from my heart... | 0:37:03 | 0:37:07 | |
HE SPEAKS IRISH GAELIC | 0:37:07 | 0:37:10 | |
It's a pleasure and a delight to be here. | 0:37:10 | 0:37:13 | |
Thank you for coming out to welcome the lads here and to welcome me back | 0:37:13 | 0:37:17 | |
to a town where I have been many... There's a camera behind me? | 0:37:17 | 0:37:20 | |
I'm aware of where the cameras are. | 0:37:20 | 0:37:22 | |
I've done this before. | 0:37:22 | 0:37:24 | |
But thanks very much for heckling me. | 0:37:24 | 0:37:27 | |
That's more like the Mullingar I thought I'd get. | 0:37:27 | 0:37:30 | |
Randomly shouting abuse at me! CHEERING | 0:37:30 | 0:37:33 | |
'For us, this was very flattering and also acutely embarrassing | 0:37:43 | 0:37:47 | |
'but actually maybe the town was in the mood to party and today we were the excuse.' | 0:37:47 | 0:37:51 | |
Like a politician, shaking hands. Hello, how are you? | 0:37:57 | 0:38:00 | |
'Rory was impressed.' | 0:38:00 | 0:38:04 | |
I think Mullingar is my favourite place in the world now. | 0:38:04 | 0:38:07 | |
'Certainly across Ireland, Mullingar seemed to be the place to be. | 0:38:09 | 0:38:13 | |
'If you've ever wondered what people mean when they talk about the craic, | 0:38:13 | 0:38:17 | |
'this is the craic.' | 0:38:17 | 0:38:18 | |
-You should be professional! -Thank you very much for teaching me! | 0:38:18 | 0:38:23 | |
'You can't fault them for their generosity.' | 0:38:23 | 0:38:26 | |
-It's beetroot chutney. -I'm not normally a beetroot person. | 0:38:26 | 0:38:30 | |
Can we tell you... | 0:38:30 | 0:38:31 | |
-Is it? -Absolutely. | 0:38:33 | 0:38:34 | |
-ASIDE: It's a natural source of Viagra? -You're not supposed to say that! | 0:38:34 | 0:38:38 | |
Can you back that up with figures and proof? | 0:38:38 | 0:38:40 | |
It's the number one food in the world. | 0:38:40 | 0:38:42 | |
I have two already, I'm fine. | 0:38:44 | 0:38:45 | |
You're sure? You've a bad attitude. A third one'd be no problem. | 0:38:45 | 0:38:49 | |
It's enough that I have the two lads as it is making a mess without a tiny cat. | 0:38:49 | 0:38:53 | |
Go on. Ah, go on. | 0:38:53 | 0:38:55 | |
Do cats like chutney? | 0:38:57 | 0:38:59 | |
Absolutely. We're doing a mixture for Kitty Kat at the moment. | 0:38:59 | 0:39:02 | |
So, there you are. | 0:39:02 | 0:39:04 | |
I'm trying to dispel this myth that all we do in Ireland is talk. | 0:39:06 | 0:39:09 | |
This conversation we have had will do no good to us at all. | 0:39:09 | 0:39:12 | |
Thank you very much. | 0:39:12 | 0:39:14 | |
-Your chutney, the cat, the apple, the beetroot. -The cats. | 0:39:14 | 0:39:17 | |
The cats? You'll give me three? Jesus! | 0:39:17 | 0:39:22 | |
Thank you, bye. Slan, slan. | 0:39:22 | 0:39:26 | |
-CROWD: -One, two, three, toss! | 0:39:26 | 0:39:31 | |
-RORY: -I said toss! | 0:39:32 | 0:39:35 | |
Toss! | 0:39:35 | 0:39:36 | |
Oh! | 0:39:36 | 0:39:38 | |
-Hang on... -Oh! | 0:39:38 | 0:39:39 | |
It's only on television(!) | 0:39:41 | 0:39:43 | |
Next morning, we need to get to the Shannon at Athlone | 0:39:47 | 0:39:51 | |
'The canal goes too far north from here so we need to find another way.' | 0:39:51 | 0:39:55 | |
-Sunday morning in Mullingar's very different to Saturday night. -Yeah. | 0:39:55 | 0:40:00 | |
'This disused railway line was used for the film The Great Train Robbery | 0:40:01 | 0:40:05 | |
-'and here we arranged to meet someone we've actually met before.' -Hi, lads, how are you? | 0:40:05 | 0:40:10 | |
Louis, how are you doing? | 0:40:10 | 0:40:12 | |
Didn't expect to see you three here. | 0:40:12 | 0:40:15 | |
'Last time, he was making potato cakes at the food fair, | 0:40:15 | 0:40:18 | |
'but for the last 15 years, architect Louis | 0:40:18 | 0:40:20 | |
'has been developing an ingenious and unusual transportation device, | 0:40:20 | 0:40:25 | |
'called a draisine.' | 0:40:25 | 0:40:27 | |
'Draisines aren't particularly Irish. | 0:40:29 | 0:40:32 | |
'In fact, they are German in origin, | 0:40:32 | 0:40:34 | |
'and they're named after their inventor, Baron Karl Christian Ludwig Drais von Sauerbronn. | 0:40:34 | 0:40:40 | |
'Or Ronnie to his friends. | 0:40:40 | 0:40:42 | |
'The Germans used armoured ones to invade Poland.' | 0:40:42 | 0:40:45 | |
This is how we grow up in Ireland. | 0:40:48 | 0:40:50 | |
We always did this kind of stuff. | 0:40:50 | 0:40:52 | |
This is a very, very typical snapshot | 0:40:52 | 0:40:56 | |
of life in Ireland, contemporary Ireland. | 0:40:56 | 0:40:58 | |
-A typical Sunday afternoon. -This is... Often I go to a match. | 0:40:58 | 0:41:03 | |
-Let's get the draisine out! -Yes. | 0:41:04 | 0:41:06 | |
Pedal, gentlemen, pedal. | 0:41:06 | 0:41:08 | |
-Tell us about Athlone. -Right in the middle of the country. | 0:41:11 | 0:41:15 | |
It's where all the canals, like the canal we're on now, meet the Shannon. | 0:41:15 | 0:41:20 | |
-This is it, boats. Proper boats. -Lovely. | 0:41:20 | 0:41:23 | |
No more car boats, no more ancient boats, | 0:41:23 | 0:41:26 | |
no more weird bicycles on trains, proper boats. | 0:41:26 | 0:41:29 | |
'Eventually we get to Athlone, which is on the Shannon river, | 0:41:38 | 0:41:41 | |
'and where we'll be picking up the next boat. | 0:41:41 | 0:41:44 | |
'The Shannon is Ireland's longest river and, this morning, probably its prettiest.' | 0:41:47 | 0:41:52 | |
-It's a beautiful morning. -It certainly is. Look at that. If only I had my guitar here. | 0:41:56 | 0:42:00 | |
-The Amaryllis. -Is this it? | 0:42:03 | 0:42:06 | |
Is this the way to Amaryllis? | 0:42:06 | 0:42:07 | |
-Pretty boat. -It is a pretty boat, isn't it? | 0:42:07 | 0:42:10 | |
The mast is broken, though. | 0:42:10 | 0:42:12 | |
Sweet! | 0:42:12 | 0:42:13 | |
-Morning. -Morning. -Morning. | 0:42:13 | 0:42:16 | |
'Amaryllis is Reggie Goodbody's beloved boat. | 0:42:16 | 0:42:19 | |
'She's immaculately restored and looked after.' | 0:42:19 | 0:42:22 | |
-This is the boat. -We can go all the way to Limerick with this? | 0:42:22 | 0:42:26 | |
That's right, the whole way. | 0:42:26 | 0:42:27 | |
'Reggie waves goodbye to us and possibly to his boat.' | 0:42:28 | 0:42:32 | |
He's a very nervous man, that Reggie. | 0:42:32 | 0:42:35 | |
-He is now! -He has every reason to be worried if he saw the last programme. | 0:42:35 | 0:42:39 | |
Have we got a fog horn? | 0:42:40 | 0:42:42 | |
Wow, this is really, really dense. | 0:42:42 | 0:42:45 | |
Can you see the bridge? Can you see the bridge, Griff? | 0:42:45 | 0:42:49 | |
Somewhere up here... | 0:42:53 | 0:42:54 | |
..is a lock. | 0:42:56 | 0:42:58 | |
-Oh my God, it's sailing into nothing. -Yeah. | 0:42:58 | 0:43:01 | |
That's incredible. | 0:43:01 | 0:43:03 | |
We could be going anywhere. | 0:43:03 | 0:43:04 | |
There's literally nothing to see there. | 0:43:04 | 0:43:07 | |
'As we enter the lock, the visibility isn't getting any better. | 0:43:09 | 0:43:12 | |
'If anything, it's getting worse.' | 0:43:12 | 0:43:14 | |
-That's it, there we go. -Griff? | 0:43:16 | 0:43:19 | |
Is it safe to proceed in this fog? | 0:43:19 | 0:43:21 | |
Well... | 0:43:22 | 0:43:23 | |
..not really. | 0:43:25 | 0:43:26 | |
It's going to clear up but only complete idiots would go forward | 0:43:26 | 0:43:30 | |
in these conditions, so we'll give it a whirl, shall we? | 0:43:30 | 0:43:33 | |
-Did he say complete idiots? -He said ONLY complete idiots would do this. -Here we go. | 0:43:33 | 0:43:38 | |
'In the next programme, the fog lifts. | 0:43:38 | 0:43:41 | |
'And we descend into Europe's deepest lock.' | 0:43:41 | 0:43:45 | |
This is like descending into hell, as least as far as I can remember. | 0:43:45 | 0:43:50 | |
It's a bit like this. | 0:43:50 | 0:43:51 | |
'Single-handedly, Dara continues to defend the Irish nation from bad jokes...' | 0:43:51 | 0:43:56 | |
-Nothing like a large paddy. -Just stop now! | 0:43:56 | 0:43:59 | |
'Worse accents...' | 0:43:59 | 0:44:01 | |
-IRISH: -I'll do a bit of the Irish accent. -Good man! | 0:44:01 | 0:44:03 | |
What, what now? | 0:44:03 | 0:44:04 | |
'And terrible hairdos.' | 0:44:04 | 0:44:07 | |
'And by any boat we can get our hands on, | 0:44:09 | 0:44:11 | |
'we make our way to the first Limerick limerick competition...' | 0:44:11 | 0:44:15 | |
There was a young lady... | 0:44:15 | 0:44:16 | |
'Griff is desperate to win.' | 0:44:16 | 0:44:18 | |
Subtitles by Red Bee Media Ltd | 0:44:40 | 0:44:43 | |
E-mail [email protected] | 0:44:43 | 0:44:46 |