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Line | From | To | |
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We've set off from Dublin to cross Ireland with the aim | 0:00:02 | 0:00:04 | |
of getting to Limerick for the country's largest poetry festival. | 0:00:04 | 0:00:08 | |
There was a young man called Wyat, Whose voice was incredibly quiet. | 0:00:08 | 0:00:12 | |
Rory and I have been ordered not to embarrass Dara on his home turf, | 0:00:13 | 0:00:17 | |
but we just can't help ourselves. Top of the morning to you! | 0:00:17 | 0:00:21 | |
'So far, we've been on the slowest barge in Ireland | 0:00:23 | 0:00:26 | |
'that we've had to abandon because Griff couldn't start it.' | 0:00:26 | 0:00:30 | |
We've gone high-tech with a car that was a boat. | 0:00:32 | 0:00:34 | |
We don't make aspirational telly here, do we? | 0:00:34 | 0:00:37 | |
Had to resort to antique, self-propelled, railway transportation. | 0:00:37 | 0:00:41 | |
This is how we grew up in Ireland, doing all this kind of stuff. | 0:00:41 | 0:00:45 | |
'Now we've borrowed brave Reggie's boat, Amaryllis, which is his pride and joy.' | 0:00:45 | 0:00:49 | |
He's a very nervous man, isn't he? | 0:00:49 | 0:00:52 | |
He might have every reason to be worried if he saw the last programme. | 0:00:52 | 0:00:55 | |
Ahead, we have to descend into Europe's deepest lock. | 0:00:55 | 0:00:59 | |
This is like descending into hell. As far as I can remember it. | 0:00:59 | 0:01:03 | |
It was a bit like this. | 0:01:03 | 0:01:04 | |
'And continue our journey on as many traditional boats | 0:01:04 | 0:01:07 | |
-'as people are stupid enough to lend us.' -Mind the pole! | 0:01:07 | 0:01:11 | |
And Dara's desperate bid to defend the honour of the Irish nation | 0:01:13 | 0:01:17 | |
wilts under a barrage of bad accents. | 0:01:17 | 0:01:20 | |
-Do a little bit of the Irish accent. -Good man. 'Terrible jokes.' | 0:01:20 | 0:01:24 | |
-Nothing like a large Paddy. -Oh! Just stop now. | 0:01:24 | 0:01:27 | |
'Worse hairdos.' | 0:01:27 | 0:01:29 | |
'And Griff stops at nothing to try | 0:01:31 | 0:01:33 | |
'and win the first Limerick limerick competition.' | 0:01:33 | 0:01:37 | |
The Shannon. Or so we're told. | 0:01:47 | 0:01:51 | |
Leaving Athlone in the yacht Amaryllis, | 0:01:51 | 0:01:54 | |
thick fog stops us just 100 metres down the river. | 0:01:54 | 0:01:58 | |
I can't tell whether it's getting better or not. | 0:02:04 | 0:02:07 | |
As is the way with fog, I suppose. Gets better for a few seconds, | 0:02:07 | 0:02:11 | |
then what you can see suddenly disappears again | 0:02:11 | 0:02:13 | |
and comes back again. | 0:02:13 | 0:02:14 | |
There's the Marie Celeste coming towards you. | 0:02:14 | 0:02:18 | |
Then it disappears again. | 0:02:18 | 0:02:21 | |
I've been told it's great down there. Further down is absolutely stunning. | 0:02:21 | 0:02:25 | |
I've been hearing about it all my life, to be honest with you. | 0:02:25 | 0:02:28 | |
How beautiful the Shannon is. | 0:02:28 | 0:02:30 | |
Then we go on to it and we have to stop 30 seconds into the trip. | 0:02:30 | 0:02:33 | |
Whilst we wait, time for loading more supplies and making coffee. | 0:02:33 | 0:02:38 | |
-Did you ask for Ribena? -No. | 0:02:38 | 0:02:40 | |
Well, it'll keep the scurvy away. | 0:02:44 | 0:02:46 | |
Ribena? Who drinks Ribena? | 0:02:53 | 0:02:55 | |
At this sort of age? Ribena is what deprived chav children | 0:02:55 | 0:03:01 | |
of about, sort of, four, drink. | 0:03:01 | 0:03:04 | |
Just because I don't drink tea, | 0:03:05 | 0:03:07 | |
I'm treated like a bloody child on this shoot. | 0:03:07 | 0:03:09 | |
It's not long, though, before the sun comes out and the fog burns off. | 0:03:12 | 0:03:17 | |
Now we disappear really from towns and on to the river. | 0:03:22 | 0:03:24 | |
This is where it gets exciting. | 0:03:24 | 0:03:27 | |
And Three Men In A Boat-y. | 0:03:27 | 0:03:29 | |
We were approaching one of the main stops on the Shannon. | 0:03:34 | 0:03:37 | |
Shannon Bridge. | 0:03:37 | 0:03:39 | |
"Do not kill pike". It says underneath the bridge. Big sign. | 0:03:40 | 0:03:44 | |
Don't kill Pike? | 0:03:44 | 0:03:46 | |
He was my favourite character in Dad's Army. | 0:03:46 | 0:03:49 | |
CHUCKLING | 0:03:49 | 0:03:52 | |
The boat's owner, Reggie, had recommended that we stop | 0:03:52 | 0:03:55 | |
in a Killeens, a typical Irish rural shop/pub that sells, well, | 0:03:55 | 0:03:59 | |
practically everything. | 0:03:59 | 0:04:01 | |
Griff and I will look after the provisions. You look after the... | 0:04:01 | 0:04:05 | |
I'll go to the bar. | 0:04:05 | 0:04:07 | |
Do you want anything? | 0:04:07 | 0:04:09 | |
The usual. Biccies. Drink. Ketchup. | 0:04:09 | 0:04:11 | |
-Ribena? -No, I'm up to here with that. | 0:04:11 | 0:04:15 | |
-Good afternoon. -How are you? | 0:04:15 | 0:04:18 | |
Fine. You brought the nice weather with you. | 0:04:18 | 0:04:21 | |
I'm Rory. This is my husband. | 0:04:21 | 0:04:24 | |
Pay no attention to him. | 0:04:26 | 0:04:28 | |
This is a fantastic shop. | 0:04:30 | 0:04:33 | |
I was about to say, "What shop are you?" But you're every shop. | 0:04:33 | 0:04:36 | |
Well, there's some bits of everything, all right. | 0:04:36 | 0:04:39 | |
It goes back to the time when there was little transport. | 0:04:39 | 0:04:42 | |
People needed to be able to get everything in their own village. | 0:04:42 | 0:04:46 | |
We kept it on from that. | 0:04:46 | 0:04:48 | |
You've got a pub joined to it, | 0:04:48 | 0:04:50 | |
which I think is an excellent use of shop space, having a pub in it. | 0:04:50 | 0:04:53 | |
Is there anything you don't sell here? | 0:04:53 | 0:04:56 | |
-Em... Coffins. -Coffins? | 0:04:57 | 0:04:59 | |
Damn. Cos we need three coffins. | 0:04:59 | 0:05:03 | |
Well, definitely two. | 0:05:03 | 0:05:05 | |
Do you need any beer and stuff like that, Rory? | 0:05:09 | 0:05:12 | |
There's none on board. | 0:05:12 | 0:05:13 | |
Could we have a half bottle of Paddy and I'll make a present to Dara? | 0:05:13 | 0:05:17 | |
-Right. -That'll go down well. | 0:05:17 | 0:05:20 | |
As you can see from the disappearing light, we're almost at the end | 0:05:24 | 0:05:27 | |
of the first day in which the Three Men finally stop messing about | 0:05:27 | 0:05:31 | |
with railway things, cars and boats and it became what we should do, | 0:05:31 | 0:05:34 | |
which is get onto a beautiful stretch of water in a beautiful boat | 0:05:34 | 0:05:38 | |
and see the gorgeous countryside. | 0:05:38 | 0:05:40 | |
Beautiful day. One thing you're probably not seeing | 0:05:40 | 0:05:43 | |
is just how COLD IT IS here on the lake. | 0:05:43 | 0:05:46 | |
In October. | 0:05:46 | 0:05:48 | |
Dara's up on the bow, mooning on about his homeland, but... | 0:05:49 | 0:05:54 | |
Griff! Griff! | 0:05:54 | 0:05:56 | |
..back in the stern, we just got to get something out of our system | 0:05:56 | 0:06:00 | |
that's been building up inside us. | 0:06:00 | 0:06:02 | |
IN IRISH ACCENTS | 0:06:02 | 0:06:03 | |
"What do you think of the River Shannon, mate?" | 0:06:03 | 0:06:06 | |
"To be sure, it's a wonderful river. | 0:06:06 | 0:06:08 | |
"You're a grand lad for all that and everything you are indeed. | 0:06:08 | 0:06:13 | |
"Just a broth of a boy, you are." | 0:06:13 | 0:06:16 | |
"I think it adds to the fillum. I think it adds to the fillum." | 0:06:16 | 0:06:21 | |
Have you noticed there's no boats on the river? | 0:06:21 | 0:06:23 | |
Have you noticed that? That's cos Irish people aren't | 0:06:23 | 0:06:26 | |
stupid enough to take boating holidays in mid-October. | 0:06:26 | 0:06:29 | |
It's only the BBC, only the English, | 0:06:29 | 0:06:31 | |
who would be stupid enough to do that. | 0:06:31 | 0:06:33 | |
IN IRISH ACCENT | 0:06:33 | 0:06:35 | |
"You got your man up there. The big fella. | 0:06:35 | 0:06:37 | |
"Up there on the top of the cabin. | 0:06:37 | 0:06:40 | |
"He's turned now and looking at us, | 0:06:40 | 0:06:42 | |
"for to be sure that he is, to be sure." | 0:06:42 | 0:06:45 | |
What's he doing? Just yap, yap, yap? | 0:06:45 | 0:06:47 | |
"He's getting all upset with us." | 0:06:47 | 0:06:49 | |
What? What now? | 0:06:49 | 0:06:51 | |
I'll give you 20 euros, Griff, if you shout top of the morning to him. | 0:06:51 | 0:06:55 | |
I'm not going to do it. He didn't like it the last time I did it. | 0:06:55 | 0:06:58 | |
It's going to be the loneliest boat trip. | 0:06:58 | 0:07:01 | |
All right. OK? | 0:07:06 | 0:07:08 | |
'Just the other side of the bridge is our overnight mooring.' | 0:07:08 | 0:07:12 | |
Wonderfully done, gentlemen. Thank you very much. | 0:07:12 | 0:07:16 | |
Griff, would you say that Rory and Dara are getting better at crewing? | 0:07:16 | 0:07:20 | |
They certainly are. They know their ropes now. | 0:07:20 | 0:07:24 | |
Only if you call them ropes. | 0:07:24 | 0:07:26 | |
I still can't remember which one is a sheath. | 0:07:26 | 0:07:28 | |
A sheath is attached to a sail and a warp is not attached to a sail. | 0:07:28 | 0:07:31 | |
Oh, God. A line? | 0:07:31 | 0:07:34 | |
A line is what we could do with now. | 0:07:34 | 0:07:37 | |
I mean, in the comedy. | 0:07:39 | 0:07:40 | |
Yeah, exactly. In the dialogue. We've forgotten our script. | 0:07:40 | 0:07:44 | |
Tonight, we were visiting an old friend of mine, | 0:07:48 | 0:07:51 | |
who lives, believe it or not, here. | 0:07:51 | 0:07:55 | |
Leap Castle is famed as the most haunted place in Ireland | 0:07:58 | 0:08:01 | |
and its owner, Sean Ryan, is equally famed | 0:08:01 | 0:08:04 | |
as one of the best tin whistle players in the country. | 0:08:04 | 0:08:07 | |
KNOCKING | 0:08:07 | 0:08:11 | |
-Hello. -How are you, Sean? | 0:08:11 | 0:08:13 | |
Very well indeed. My goodness. | 0:08:13 | 0:08:16 | |
THEY SPEAK IN GAELIC | 0:08:16 | 0:08:19 | |
Sean, I'm Rory. | 0:08:19 | 0:08:22 | |
Sean, I'm Griff. I'm going to speak some English to you. | 0:08:22 | 0:08:25 | |
And just say hello and thank you for having us. | 0:08:25 | 0:08:28 | |
What a fantastic place. | 0:08:28 | 0:08:31 | |
And this is Sean's house. This is not a set or a contrivance or something. | 0:08:31 | 0:08:35 | |
This is the house you've been renovating? | 0:08:35 | 0:08:37 | |
The house we've been restoring, yes. | 0:08:37 | 0:08:40 | |
-How long have you been renovating the castle? -Since 1994. Early in 1994. | 0:08:40 | 0:08:45 | |
It's supposed to be famously haunted, this castle, | 0:08:45 | 0:08:48 | |
-Sean, is that true? -Well, I suppose we don't see it as haunted. | 0:08:48 | 0:08:53 | |
Lots of spirits in the house. | 0:08:53 | 0:08:55 | |
Have you seen them? | 0:08:55 | 0:08:57 | |
We do. We do all the time. We see quite a lot of them. | 0:08:57 | 0:09:01 | |
We hear them. We even have a lady in the solar that touches people | 0:09:01 | 0:09:06 | |
-and brushes off people. -Really? I could get lucky at last. | 0:09:06 | 0:09:10 | |
It's been a quiet week in Ireland for you, has it? | 0:09:10 | 0:09:13 | |
It's like somebody just passing you by and brushing off you. | 0:09:13 | 0:09:16 | |
Yeah, that's normally what happens! | 0:09:16 | 0:09:18 | |
Any chance of a uisce? | 0:09:18 | 0:09:19 | |
-A little drink? -Yeah. A little drink would be nice. | 0:09:19 | 0:09:23 | |
What would you like? | 0:09:23 | 0:09:25 | |
-Whatever you've got. -Let's find something. | 0:09:25 | 0:09:28 | |
OK, let's go for it. | 0:09:28 | 0:09:30 | |
Boo! | 0:09:33 | 0:09:34 | |
During the renovations, Sean found several skeletons in a chamber | 0:09:37 | 0:09:41 | |
called an oubliette or forget me, where they had been left to die. | 0:09:41 | 0:09:44 | |
The castle was also the scene of a clan massacre. | 0:09:44 | 0:09:47 | |
But the mood will be happier tonight | 0:09:47 | 0:09:49 | |
because Sean has invited some of his friends to play for us. | 0:09:49 | 0:09:52 | |
Sean's daughter is an Irish dance champion. | 0:10:17 | 0:10:21 | |
She's very good, isn't she? | 0:10:23 | 0:10:25 | |
Magic. Absolutely magical. | 0:10:27 | 0:10:31 | |
Back at the boat, Rory finds himself touched by another spirit. | 0:10:34 | 0:10:38 | |
Well, you know what, there's nothing like a large Paddy. | 0:10:38 | 0:10:42 | |
Oh, just stop now. | 0:10:42 | 0:10:43 | |
That joke is getting tired. | 0:10:43 | 0:10:45 | |
It hasn't been on yet. | 0:10:45 | 0:10:47 | |
MOBILE PHONE RINGS | 0:10:47 | 0:10:50 | |
-That's my phone. Sorry about that. -Well, answer it. | 0:10:50 | 0:10:52 | |
No, it's my agent from London. | 0:10:52 | 0:10:54 | |
"I can get you off that river, Dara". | 0:10:54 | 0:10:57 | |
IN COCKNEY ACCENT | 0:10:57 | 0:10:59 | |
"All right, yeah? Lovely. How are things going in Ireland? Lovely." | 0:10:59 | 0:11:02 | |
See, that's as bad as your Irish accent is. | 0:11:02 | 0:11:06 | |
No, I don't believe that. | 0:11:06 | 0:11:08 | |
Next morning, Loch Derg beckons, | 0:11:14 | 0:11:18 | |
giving us a chance to get some sail up. | 0:11:18 | 0:11:21 | |
The boat has a folding mast to get under bridges. | 0:11:21 | 0:11:24 | |
The wind picks up and we rattle on to Loch Derg Yacht Club, | 0:11:29 | 0:11:33 | |
where we were entered in a race. | 0:11:33 | 0:11:35 | |
It's a proper old school yacht club. | 0:11:35 | 0:11:38 | |
In fact, one of the oldest in the world. | 0:11:38 | 0:11:40 | |
So I'm not sure how they'll take to us. | 0:11:40 | 0:11:43 | |
I can see a load of people on the bridge of the Yacht Club. | 0:11:45 | 0:11:49 | |
-Oh, no. -I can see a lot of people. -Is there a banner? | 0:11:49 | 0:11:53 | |
No, but there's a marquee area and lots of people standing outside. | 0:11:53 | 0:11:58 | |
-Oh, no. -They're just out looking at us and making sure | 0:11:58 | 0:12:02 | |
we're not making an arse of it, really. | 0:12:02 | 0:12:06 | |
They race a unique sailing dinghy here, called the Shannon One Design. | 0:12:06 | 0:12:11 | |
Or SOD. | 0:12:11 | 0:12:13 | |
And in the right conditions, they can go like the clappers. | 0:12:13 | 0:12:16 | |
Without wind, of course, they revert to type. | 0:12:16 | 0:12:19 | |
They're complete sods. | 0:12:19 | 0:12:21 | |
I must point out that the race hasn't started. | 0:12:21 | 0:12:24 | |
Technically, in a sailing race, this wouldn't be within the laws. | 0:12:24 | 0:12:28 | |
Outside the five-minute gun, anything is in the rules. | 0:12:28 | 0:12:30 | |
Outside the five-minute gun, anything is in the rules, so...! | 0:12:30 | 0:12:34 | |
Have you got an outboard motor on-board? | 0:12:34 | 0:12:36 | |
In a good blow, these are very fast. | 0:12:40 | 0:12:43 | |
They're good, long, quite simple boats. | 0:12:43 | 0:12:46 | |
The opposition are looking very nervous. | 0:12:50 | 0:12:53 | |
Shall I sit in a position that indicates velocity? | 0:12:53 | 0:12:55 | |
How's this? I'm clinging furiously onto it with the wind in my hair. | 0:12:55 | 0:13:00 | |
'Eventually, we make it to the starting positions.' | 0:13:00 | 0:13:03 | |
Three, two, one. | 0:13:03 | 0:13:06 | |
What does that mean? | 0:13:06 | 0:13:07 | |
There we go. The race is on! | 0:13:07 | 0:13:10 | |
Are you on the edge of your seat? | 0:13:15 | 0:13:20 | |
I'm not even on the edge of my seat and it's a very slippery seat. | 0:13:20 | 0:13:23 | |
Literally, we are static. | 0:13:23 | 0:13:25 | |
It's so exciting! | 0:13:26 | 0:13:29 | |
We are locked in a battle with them at one mile an hour. | 0:13:31 | 0:13:35 | |
They've stolen our wind. What little wind there is, they have stolen it. | 0:13:35 | 0:13:39 | |
Don't be looking smug at me. There's nothing that rowing | 0:13:39 | 0:13:43 | |
can't make up the difference quickly enough. | 0:13:43 | 0:13:46 | |
'Dara resorts to cheating. | 0:13:48 | 0:13:50 | |
'It's a tactic that, although entertaining, | 0:13:50 | 0:13:53 | |
'isn't gaining him any ground.' | 0:13:53 | 0:13:55 | |
OK, we can get this in the bag a little bit. | 0:13:55 | 0:13:58 | |
-Shall we do that? -Griff is in second at the moment. | 0:13:58 | 0:14:00 | |
I will warn you, Mr Director and boat people, | 0:14:00 | 0:14:05 | |
do not make us hit you and don't take our wind. Go away. | 0:14:05 | 0:14:10 | |
-Dara is definitely last. -At the moment, Dara is definitely last. | 0:14:12 | 0:14:16 | |
What a gratifying sight that is. | 0:14:16 | 0:14:18 | |
Way back there, the tall, bald Irish figure of Dara O'Brien. | 0:14:18 | 0:14:22 | |
"Would you stop that? Would you stop that?" | 0:14:23 | 0:14:27 | |
'Despite the lack of speed, the boats are actually moving | 0:14:27 | 0:14:30 | |
'and, if anything, more skill is required to win this race. | 0:14:30 | 0:14:33 | |
'I'm in second place, but at the buoy I'm too polite and I go wide. | 0:14:33 | 0:14:39 | |
'Two boats take me on the inside. They're polite enough in the | 0:14:39 | 0:14:43 | |
'clubhouse, but on the water, they chew you up and spit you out.' | 0:14:43 | 0:14:46 | |
'Griff can't make up the ground and comes in fourth.' | 0:14:48 | 0:14:51 | |
HORN BLOWS | 0:14:51 | 0:14:53 | |
'At the last minute, we lost everything.' | 0:14:53 | 0:14:56 | |
'And Rory's just a few behind.' | 0:14:56 | 0:14:58 | |
Just going to cross the line now and wait for that horn. | 0:14:58 | 0:15:01 | |
HORN BLOWS | 0:15:01 | 0:15:03 | |
-How appalling. -Griff, can I just ask, what position did you come? | 0:15:03 | 0:15:06 | |
-Fourth. -And at one point you were second | 0:15:06 | 0:15:09 | |
until you went round the maker. What went wrong? It was the worst | 0:15:09 | 0:15:14 | |
going round a marker, apparently, anyone's ever seen. | 0:15:14 | 0:15:17 | |
-No, I don't think so. -I think it was. -Well, we'll ask a few people. | 0:15:17 | 0:15:21 | |
'After we've had a cup of tea and a biscuit, we remember something.' | 0:15:21 | 0:15:25 | |
Dara! | 0:15:25 | 0:15:27 | |
Rory, shut up. Just shut up! | 0:15:27 | 0:15:29 | |
I haven't said anything yet. | 0:15:29 | 0:15:31 | |
You're all, "I did this" and, "I deserved it because I did that". | 0:15:31 | 0:15:36 | |
No, you were great, Dara. | 0:15:36 | 0:15:38 | |
He didn't even at any point take the helm of his boat. | 0:15:38 | 0:15:41 | |
I took the helm all the time. | 0:15:41 | 0:15:42 | |
No you didn't, Rory. We know. We saw. Well done, mate. | 0:15:42 | 0:15:46 | |
Rory, you were a ballast. | 0:15:46 | 0:15:49 | |
We're forced to abandon the scheduled three-minute gloat | 0:15:55 | 0:15:59 | |
because we need to push on through Lock Derg. | 0:15:59 | 0:16:01 | |
Still no wind, but plenty of sun. | 0:16:01 | 0:16:04 | |
At the bottom of the lake is Killaloe, which was the seat of power | 0:16:08 | 0:16:11 | |
of the last High King of Ireland, Brian Boru, who famously chased | 0:16:11 | 0:16:15 | |
the Vikings out of Ireland and from whom I get the name O'Briain. | 0:16:15 | 0:16:18 | |
At Parteen Weir the river splits, with the majority of the water | 0:16:19 | 0:16:23 | |
diverted into a canal called the Headrace. | 0:16:23 | 0:16:26 | |
Dramatic, isn't it? | 0:16:26 | 0:16:28 | |
-Fantastic. -Well navigated, Rory. -Thank you, Griff. | 0:16:28 | 0:16:33 | |
This man-made section is designed to feed water | 0:16:35 | 0:16:39 | |
into Ireland's largest hydro-electric power station, Ardnacrusha. | 0:16:39 | 0:16:44 | |
If we'd been in a rented boat, | 0:16:44 | 0:16:46 | |
we'd have had to turn round at this point. | 0:16:46 | 0:16:48 | |
The power station lock is considered too dangerous | 0:16:48 | 0:16:51 | |
for most people to tackle. | 0:16:51 | 0:16:54 | |
Quite why we're being allowed through, though, is a mystery. | 0:16:54 | 0:16:56 | |
Kind of surreal to be bringing Rory and Griff along | 0:16:56 | 0:17:00 | |
to Ardnacrusha Hydro-Electric Power Station because I haven't written | 0:17:00 | 0:17:04 | |
or said those words since I was in school because it's the kind | 0:17:04 | 0:17:09 | |
of the thing you do an essay on. | 0:17:09 | 0:17:11 | |
You know, "Ireland's power infrastructure" | 0:17:11 | 0:17:14 | |
by Dara O'Brien, aged 12. | 0:17:14 | 0:17:16 | |
And just to show my education wasn't wasted, | 0:17:19 | 0:17:22 | |
here's some facts and figures. | 0:17:22 | 0:17:24 | |
When Ardnacrusha was finished in 1929 by the German company Siemens, | 0:17:24 | 0:17:28 | |
it was regarded as one of the world's greatest technical achievements | 0:17:28 | 0:17:32 | |
and formed the template for all large-scale hydro-electric schemes. | 0:17:32 | 0:17:36 | |
It was the new state of Ireland's first big project | 0:17:39 | 0:17:42 | |
and was controversial. | 0:17:42 | 0:17:43 | |
They may press the magic button. | 0:17:46 | 0:17:48 | |
5,000 worked on the construction and it cost a fifth | 0:17:48 | 0:17:51 | |
of Ireland's entire budget. | 0:17:51 | 0:17:53 | |
I'm disappointed, actually, with the architecture. | 0:17:56 | 0:18:00 | |
Did you want more horns and lights and "wah, wah, wah"? | 0:18:00 | 0:18:03 | |
No, I wanted more sort of rococo decoration on it, maybe. | 0:18:03 | 0:18:07 | |
Rococo decoration on the Ardnacrusha...? | 0:18:07 | 0:18:09 | |
KLAXON | 0:18:09 | 0:18:11 | |
-There we go. -There's your horns and lights. | 0:18:11 | 0:18:13 | |
It supplied the electricity for 95% of the entire country, | 0:18:13 | 0:18:16 | |
although today that figure is more like 5%. | 0:18:16 | 0:18:19 | |
And at 100 foot, it is Europe's deepest lock. | 0:18:19 | 0:18:22 | |
This is like descending into hell. At least, as far as I can remember | 0:18:22 | 0:18:27 | |
it was a bit like this. It's going back a few years. | 0:18:27 | 0:18:31 | |
Are we all getting the stench? | 0:18:31 | 0:18:33 | |
Are we all getting the all-enveloping smell of stagnant water? | 0:18:33 | 0:18:38 | |
I think what is alarming is what is behind you now, Dara. | 0:18:38 | 0:18:42 | |
I'm glad we didn't sit on that. | 0:18:42 | 0:18:44 | |
No, I was talking about your career. | 0:18:44 | 0:18:46 | |
This is quite spooky, isn't it? | 0:18:46 | 0:18:49 | |
-It is spooky, isn't it? -Very unnatural. | 0:18:49 | 0:18:52 | |
It's like being in a concrete grave, isn't it? | 0:18:52 | 0:18:54 | |
A concrete grave? Gees, what a horrendous notion. | 0:18:54 | 0:18:57 | |
Apparently, they do have a tradition of asking women to get off the boat | 0:19:00 | 0:19:03 | |
because they get so freaked out by it. | 0:19:03 | 0:19:05 | |
Is that sexist in this day and age? | 0:19:05 | 0:19:08 | |
A little bit, but you know. | 0:19:08 | 0:19:09 | |
'The lock has two chambers. | 0:19:11 | 0:19:13 | |
'The first is 60 foot.' | 0:19:13 | 0:19:15 | |
It'll be nice to be back in sunlight for a couple of minutes at least. | 0:19:15 | 0:19:19 | |
'And then that's followed by another of 40 foot. | 0:19:19 | 0:19:21 | |
'Essentially, it's like a big watery, mossy lift.' | 0:19:21 | 0:19:26 | |
Interesting plant life. | 0:19:26 | 0:19:28 | |
-HE MIMICS DAVID ATTENBOROUGH -"Even here, 40 feet down, | 0:19:28 | 0:19:32 | |
"in what is essentially a cave, | 0:19:32 | 0:19:35 | |
"forms of fern find a way of living". | 0:19:35 | 0:19:38 | |
'After nearly an hour in the dank, dripping gloom, we finally rejoin the original River Shannon.' | 0:19:39 | 0:19:45 | |
That's it. There it goes. Look at that. Fantastic. | 0:19:45 | 0:19:49 | |
On this side of Ardnacrusha, the river has a stunning natural beauty. | 0:19:54 | 0:19:58 | |
It's like being up the Amazon. | 0:19:58 | 0:20:01 | |
Kingfishers, herons. What is this? | 0:20:05 | 0:20:07 | |
Because we came on that long approach which is, let's face it, quite dull. | 0:20:07 | 0:20:12 | |
And then we come down 100 feet and this is astonishing. | 0:20:12 | 0:20:15 | |
That looks like an eagle. | 0:20:15 | 0:20:16 | |
Is that an eagle? | 0:20:16 | 0:20:18 | |
It's a heron. | 0:20:18 | 0:20:21 | |
They are virtually indistinguishable to the untrained ornithologist. | 0:20:21 | 0:20:26 | |
Another heron. Look. Two herons. Three herons! | 0:20:26 | 0:20:31 | |
Are you getting the herons? | 0:20:31 | 0:20:32 | |
This is amazing. | 0:20:32 | 0:20:35 | |
'This is my first trip down the Shannon, and while it's been beautiful, | 0:20:35 | 0:20:40 | |
'it hasn't been an easy journey at times | 0:20:40 | 0:20:43 | |
'because I've felt like I'm representing the entire country.' | 0:20:43 | 0:20:47 | |
Every time Rory and Griff ask me a question about Ireland, | 0:20:47 | 0:20:51 | |
I feel hot breath of four million people on the back of by neck saying, | 0:20:51 | 0:20:54 | |
"Get this right. We educated you. Get this right". | 0:20:54 | 0:20:58 | |
Our arrival into Limerick is marked by the famous Thomond Park, home of the Munster rugby team. | 0:21:01 | 0:21:05 | |
'Limerick also marks the end of the Shannon River. | 0:21:09 | 0:21:12 | |
'From here to the Atlantic, it's the Shannon Estuary.' | 0:21:12 | 0:21:16 | |
'Here we say goodbye to the Amaryllis, since its owner Reggie | 0:21:16 | 0:21:19 | |
'doesn't want us to take it onto open water. Inland water has been risky enough.' | 0:21:19 | 0:21:24 | |
'When we arrived, Limerick was looking very pretty in the October sunshine. | 0:21:26 | 0:21:30 | |
'The city is divided, paradoxically I suppose, into three quarters. | 0:21:30 | 0:21:35 | |
'There's the ancient quarter dating back to Viking times with a castle. | 0:21:35 | 0:21:39 | |
'There's a modern Irish quarter... | 0:21:39 | 0:21:41 | |
'and there's a Victorian English quarter.' | 0:21:41 | 0:21:44 | |
'This evening, we've all been invited to the Limerick International Poetry Festival.' | 0:21:44 | 0:21:51 | |
'But I discovered that the limerick wouldn't feature in the festival. | 0:21:51 | 0:21:56 | |
'A Limerick poetry festival without limericks? Ridiculous. | 0:21:56 | 0:21:59 | |
'Something needed to be done. | 0:21:59 | 0:22:01 | |
'And so I have a plan, and it starts with a trip to a village just outside the city.' | 0:22:01 | 0:22:07 | |
This is Bunratty, County Clare, and what an amazing place it is. | 0:22:07 | 0:22:13 | |
It's a sort of folk theme park. | 0:22:13 | 0:22:16 | |
It's a living, working museum, if you like. | 0:22:16 | 0:22:19 | |
And it shows what Ireland was like about half an hour ago. | 0:22:19 | 0:22:23 | |
'The reason that I'm here is that I've been told of a great printer | 0:22:23 | 0:22:27 | |
'who could help me with a bit of publicity for what I had in mind.' | 0:22:27 | 0:22:30 | |
# Oh, Danny Boy, I love you so But come... # | 0:22:30 | 0:22:35 | |
Angus, how are you? Good to see you. Rory. | 0:22:35 | 0:22:38 | |
This is beautiful. This is printing like she was meant to be. | 0:22:38 | 0:22:43 | |
Now, how long are we going back, now, in years? | 0:22:43 | 0:22:46 | |
-We're going back to 1850, 1860. -Hey. You look well on it. You look younger. -Thank you(!) | 0:22:46 | 0:22:53 | |
Is it Oil of Olay you've been doing, yeah? Now, erm, the reason I'm here | 0:22:53 | 0:22:57 | |
is, I've come all the way from a place in the east of Ireland called Dublin. | 0:22:57 | 0:23:02 | |
-I know it well. -Yeah. Are you a Dubliner yourself? | 0:23:02 | 0:23:04 | |
-I was born there. -Baile Atha Cliath? -Baile Atha Cliath, yeah. Very good. | 0:23:04 | 0:23:09 | |
the reason I'm coming to Limerick... As an Englishman, there's a poetry festival on in Limerick, | 0:23:09 | 0:23:14 | |
and, to me, Limerick can only mean one thing... | 0:23:14 | 0:23:17 | |
# Da, diddly-diddly, di, di Da, dee-dee, da, dee-dee, da, dee. # | 0:23:17 | 0:23:20 | |
-The limerick. -The limerick. So, I want to promote a, sort of, independent poetry festival | 0:23:20 | 0:23:26 | |
in which we get members of the public to bring their limericks, | 0:23:26 | 0:23:29 | |
and I thought, "What a great place." We can print flyers. I can hand them round in pubs and in the street. | 0:23:29 | 0:23:34 | |
-Printed authentically by you. -With an Irish twist to it? | 0:23:34 | 0:23:38 | |
-With an Irish twist. -Very good. -I want to see this. -I'm just thinking of | 0:23:38 | 0:23:41 | |
something very simple, but very... | 0:23:41 | 0:23:46 | |
absolutely Irish in its being. | 0:23:46 | 0:23:49 | |
Not over the top, but I'll do a variation of a border surround... | 0:23:49 | 0:23:54 | |
This is what you see in an Irish opticians, isn't it? | 0:23:54 | 0:23:57 | |
-ANGUS LAUGHS -It could be. That's why so many people wear glasses. You're right. | 0:23:57 | 0:24:02 | |
-How many copies, basically, do you want? -Well, we'll need... | 0:24:02 | 0:24:05 | |
-I want to flood Limerick with it. -Right. | 0:24:05 | 0:24:08 | |
-I want people to get along to this do, so about three? -Very good. | 0:24:08 | 0:24:12 | |
Meanwhile, back in Limerick, the poetry festival wasn't until the evening. | 0:24:18 | 0:24:22 | |
We were boatless now and although there's plenty in Limerick with several rowing clubs and what not, | 0:24:22 | 0:24:27 | |
it all looked a little tame. | 0:24:27 | 0:24:29 | |
With time to kill, we thought we'd try something nice and dangerous. | 0:24:29 | 0:24:32 | |
With every power boat, all you do is think, | 0:24:32 | 0:24:35 | |
"I wonder which is going to give way first. | 0:24:35 | 0:24:37 | |
-"The boat or my shoulders?" -Or my joints. | 0:24:37 | 0:24:40 | |
While somebody throws salty water in your eyes every 10 seconds. | 0:24:40 | 0:24:47 | |
The swans weren't impressed. | 0:24:47 | 0:24:49 | |
They'd seen it all before. | 0:24:49 | 0:24:52 | |
But we hadn't and we needed a bit of instruction. | 0:24:52 | 0:24:54 | |
It's all quite nice and easy until we go round a turn. | 0:24:54 | 0:24:57 | |
Then I'll go, "One, two, three, left" and you will go, | 0:24:57 | 0:25:01 | |
"Waaah!" Like this. And come back in again. | 0:25:01 | 0:25:05 | |
-Only left? -Left. Yes. Just left. | 0:25:05 | 0:25:07 | |
What happens if we don't stretch out on the left? | 0:25:07 | 0:25:10 | |
The boat can kind of slide across and maybe flip over | 0:25:10 | 0:25:13 | |
and we'll be in the drink. | 0:25:13 | 0:25:15 | |
Maybe flip over. How casual is that? | 0:25:15 | 0:25:17 | |
-Dara, look at this, what we've got. -Oh! | 0:25:17 | 0:25:21 | |
It's the Swat team! | 0:25:21 | 0:25:23 | |
What we were racing were zapcats. | 0:25:23 | 0:25:26 | |
Basically, an ultra-lightweight inflatable | 0:25:26 | 0:25:28 | |
with a massively over-powered engine. | 0:25:28 | 0:25:31 | |
Three, two, one, go! | 0:25:31 | 0:25:34 | |
Dara's blue and I'm yellow. | 0:25:36 | 0:25:39 | |
Though, I try to overcome that. | 0:25:39 | 0:25:42 | |
Griff takes an early lead, but not for the first time in this trip, | 0:25:45 | 0:25:49 | |
his turn around the buoy is less than perfect. | 0:25:49 | 0:25:53 | |
I take the outside line and we surge ahead. | 0:25:53 | 0:25:55 | |
Even above the roar of the engines, I hear my driver saying something | 0:25:59 | 0:26:03 | |
about how all this extra ballast is helping the turns. | 0:26:03 | 0:26:06 | |
It's a simple enough circuit. | 0:26:08 | 0:26:10 | |
From the bridge, round the buoy three times. | 0:26:10 | 0:26:14 | |
Griff gains ground and I have to turn well to keep up. | 0:26:14 | 0:26:18 | |
There's the buoy. It's neck and neck. | 0:26:21 | 0:26:24 | |
But I'm getting better at the turns and so take the tight inside line at the bridge, | 0:26:26 | 0:26:31 | |
sending Griff wide, and this gives me a winning lead. | 0:26:31 | 0:26:34 | |
I finally win a race on Three Men In A Boat. That's it! | 0:26:41 | 0:26:44 | |
PANTS HEAVILY | 0:26:54 | 0:26:57 | |
I've not seen Griff's face in defeat in five series. | 0:26:57 | 0:27:00 | |
So this is a time to enjoy this. | 0:27:00 | 0:27:03 | |
Take him again. Take him again! | 0:27:03 | 0:27:05 | |
Not only in a state of defeat, but in a state of nervous collapse. | 0:27:05 | 0:27:09 | |
Yes, it is petrifying. | 0:27:09 | 0:27:10 | |
Meanwhile, my leaflets are printed | 0:27:15 | 0:27:18 | |
and I'm mustering support for the Limerick limerick competition. | 0:27:18 | 0:27:22 | |
Hello there. How are you? Bye-bye. | 0:27:30 | 0:27:33 | |
Hello! Don't go. Girls! | 0:27:33 | 0:27:37 | |
'But the good people of Limerick | 0:27:37 | 0:27:41 | |
'clearly didn't think my festival was as good an idea as I did.' | 0:27:41 | 0:27:44 | |
-Will you come to our limerick competition tonight? -No. | 0:27:44 | 0:27:47 | |
They don't want some grinning, red-faced, smarmy Englishman | 0:27:47 | 0:27:51 | |
coming up saying, "Hello! Are you coming to my limerick competition?" | 0:27:51 | 0:27:55 | |
On the other hand, I think it's a splendid idea | 0:27:55 | 0:27:58 | |
and I'd like to air a few of my own compositions. | 0:27:58 | 0:28:01 | |
But with Rory in the chair, there's no way I'd get a fair hearing, | 0:28:01 | 0:28:05 | |
so it'll have to be foul means. | 0:28:05 | 0:28:08 | |
We've got to get ourselves to a state where he won't notice | 0:28:08 | 0:28:11 | |
when somebody turns up looking a bit odd. | 0:28:11 | 0:28:14 | |
Luckily, Limerick boasts several theatres | 0:28:14 | 0:28:17 | |
and a proper make-up artist to go with them - Miriam. | 0:28:17 | 0:28:21 | |
-IRISH ACCENT: -"Hello there, Rory!" | 0:28:23 | 0:28:25 | |
Do you think he'd smell a rat? | 0:28:25 | 0:28:29 | |
'Miriam even arrives with her own fat suit.' | 0:28:29 | 0:28:34 | |
I think we might need to just stitch this up or pin it up. | 0:28:34 | 0:28:39 | |
What's Limerick famous for? | 0:28:39 | 0:28:41 | |
-Rugby. -Rugby. OK. What else is Limerick famous for? | 0:28:41 | 0:28:44 | |
-Having good nights out and having fun. -OK, I'll give you one more try. | 0:28:44 | 0:28:49 | |
As a third attempt, what is Limerick famous for? | 0:28:49 | 0:28:53 | |
For limericks. Oh! Very good. | 0:28:53 | 0:28:55 | |
Do you know any limericks? | 0:28:55 | 0:28:56 | |
No, I don't actually, no. Not a poet at all. | 0:28:56 | 0:28:59 | |
-I bet you are. -Not at all. Got to go. -Tonight, 6:30pm. | 0:28:59 | 0:29:04 | |
-I'll see you there. -Thank you! | 0:29:04 | 0:29:06 | |
Come as you are. | 0:29:06 | 0:29:08 | |
-IRISH ACCENT: -There once was a fellow called McGrath | 0:29:08 | 0:29:11 | |
Who wanted a pint and a laugh | 0:29:11 | 0:29:14 | |
In a fit of the giggles | 0:29:14 | 0:29:15 | |
He split down the middles | 0:29:15 | 0:29:17 | |
And had to make do with a half. | 0:29:17 | 0:29:19 | |
Boom-boom! | 0:29:19 | 0:29:20 | |
I can hear that in another room. You doing your cod Irish accent. | 0:29:20 | 0:29:24 | |
-The beard! What? -Yes. I like that. | 0:29:24 | 0:29:29 | |
-It's just so obviously you. -But wait a minute. -Look at you. | 0:29:29 | 0:29:33 | |
It looks nothing like not you. It looks like you in a tache. | 0:29:33 | 0:29:37 | |
I leave Griff to his ridiculous disguise and head for a taste | 0:29:37 | 0:29:41 | |
of the official poetry festival at the White House. | 0:29:41 | 0:29:43 | |
I'm Martin Mullingat from Mullingar. | 0:29:43 | 0:29:46 | |
From Mullingar in the middle of Ireland. | 0:29:46 | 0:29:48 | |
Desireland. Inspireland. | 0:29:48 | 0:29:51 | |
I can confirm there was nothing as tawdry as a limerick. | 0:29:51 | 0:29:54 | |
The little dog laughed to see such fun | 0:29:54 | 0:29:56 | |
as the dish ran away with the hot spoon... | 0:29:56 | 0:29:58 | |
Still, I'm treated to a proper evening of literary talent. | 0:29:58 | 0:30:01 | |
Ignore me at your peril. | 0:30:01 | 0:30:04 | |
Entertain me at the risk of losing your life. | 0:30:04 | 0:30:07 | |
Ooooh...the harlequin was dancing | 0:30:09 | 0:30:12 | |
when they picked the Ace of Spades against the King of Hearts... | 0:30:12 | 0:30:16 | |
But you don't want to see this, do you? No. You want to see this. | 0:30:16 | 0:30:19 | |
Around the corner at the Tom Collins pub, | 0:30:22 | 0:30:25 | |
Rory's renegade Limerick limerick competition | 0:30:25 | 0:30:28 | |
had also pulled a huge crowd. | 0:30:28 | 0:30:30 | |
Welcome to the Tom Collins pub - the best pub in Ireland! | 0:30:32 | 0:30:35 | |
CHEERING AND APPLAUSE | 0:30:35 | 0:30:38 | |
My Guinness is assured now. Thank you. | 0:30:38 | 0:30:41 | |
Is that it? Lovely. Thank you very much indeed. | 0:30:41 | 0:30:43 | |
This is the special event. It's the first ever | 0:30:43 | 0:30:48 | |
Three Men In A Boat independent Limerick limerick competition. | 0:30:48 | 0:30:52 | |
It's also the last ever Three Men In A Boat independent Limerick limerick competition. | 0:30:52 | 0:30:58 | |
Yes, I've got a false beard and a dirty limerick | 0:30:58 | 0:31:01 | |
and I arrive just as the competition starts. | 0:31:01 | 0:31:04 | |
Will I fool Rory? | 0:31:04 | 0:31:06 | |
So, good luck everybody and can we have limerick number one? | 0:31:06 | 0:31:09 | |
CHEERING AND APPLAUSE | 0:31:09 | 0:31:12 | |
In Limerick where once they did stay | 0:31:14 | 0:31:16 | |
Three men shared a boat for the day | 0:31:16 | 0:31:18 | |
This sun it did shine | 0:31:18 | 0:31:20 | |
The River Shannon sublime | 0:31:20 | 0:31:21 | |
Irish sunburn's the price they did pay. | 0:31:21 | 0:31:23 | |
There you go. Yes! | 0:31:23 | 0:31:25 | |
CHEERING AND APPLAUSE | 0:31:25 | 0:31:27 | |
There was an old man from Dingle | 0:31:29 | 0:31:31 | |
Who spent many a long year single | 0:31:31 | 0:31:33 | |
He looked near and far in many a bar | 0:31:33 | 0:31:34 | |
And now...he's an alcoholic. | 0:31:34 | 0:31:37 | |
Good. That's great. | 0:31:37 | 0:31:39 | |
CHEERING AND APPLAUSE | 0:31:39 | 0:31:42 | |
One of my favourite limericks which deliberately deviates from the form, | 0:31:43 | 0:31:47 | |
which is quite a nice one, is: | 0:31:47 | 0:31:49 | |
There was a young bard from Japan | 0:31:49 | 0:31:51 | |
Whose limericks just wouldn't scan | 0:31:51 | 0:31:53 | |
I can manage the lines and the number of rhymes | 0:31:53 | 0:31:56 | |
It's just I try and cram as many words in the last line as I possibly can. | 0:31:56 | 0:31:59 | |
LAUGHTER AND APPLAUSE | 0:31:59 | 0:32:02 | |
There was a young man called Wyat | 0:32:02 | 0:32:04 | |
Whose voice was incredibly quiet | 0:32:04 | 0:32:06 | |
And then one day it faded away | 0:32:06 | 0:32:07 | |
And that was... | 0:32:07 | 0:32:08 | |
LAUGHTER AND APPLAUSE | 0:32:08 | 0:32:13 | |
Come on. Number 11. Where are you? | 0:32:13 | 0:32:16 | |
There was a lass a few miles from Kilkeel | 0:32:16 | 0:32:19 | |
Who chatted up every man she could see | 0:32:19 | 0:32:21 | |
But when it came to a test she was reckoned the best | 0:32:21 | 0:32:24 | |
Cos practice makes perfect, you'll see. | 0:32:24 | 0:32:26 | |
CHEERING AND APPLAUSE | 0:32:26 | 0:32:28 | |
That's wonderful. Nice to have an autobiographical limerick! | 0:32:31 | 0:32:35 | |
LAUGHTER | 0:32:35 | 0:32:37 | |
Number 14! | 0:32:37 | 0:32:39 | |
Even in a pub full of fat hairy men, I look utterly improbable. | 0:32:39 | 0:32:43 | |
But luckily, not as improbable as Rory. | 0:32:43 | 0:32:46 | |
A TV producer of note | 0:32:46 | 0:32:49 | |
Was convinced he could get crap to float | 0:32:49 | 0:32:53 | |
Jones, McGrath and O'Briain polluted the stream | 0:32:54 | 0:32:59 | |
And they called it Three Men In A Boat. | 0:32:59 | 0:33:01 | |
LAUGHTER AND APPLAUSE | 0:33:01 | 0:33:05 | |
We have a winner! | 0:33:05 | 0:33:09 | |
Oh, he's in! | 0:33:09 | 0:33:10 | |
I'd like to know who that was with that strange Jamaican accent. | 0:33:10 | 0:33:15 | |
'The accent gave Griff away | 0:33:16 | 0:33:18 | |
'and he was immediately disqualified.' | 0:33:18 | 0:33:21 | |
-IRISH ACCENT: -'Well, I certainly fooled some of the people, | 0:33:21 | 0:33:26 | |
'if not all of the time.' | 0:33:26 | 0:33:28 | |
I said to Billy, "Is that that guy that drives the bus around Limerick? | 0:33:31 | 0:33:34 | |
"With the grey hair and the sideburns?" | 0:33:34 | 0:33:37 | |
And he said, "I don't know, I think it might be!" | 0:33:37 | 0:33:39 | |
I thought he drove a boat, | 0:33:39 | 0:33:41 | |
but instead he drives a bus. | 0:33:41 | 0:33:43 | |
So I definitely thought it was him. | 0:33:43 | 0:33:46 | |
He looks remarkably convincing as an Irishman with his beard. | 0:33:46 | 0:33:51 | |
I knew Griff when he actually was that shape, but I thought he looked very good. | 0:33:51 | 0:33:55 | |
Very Irish indeed. | 0:33:55 | 0:33:56 | |
He looked like the Lord Mayor of Limerick. | 0:33:56 | 0:33:58 | |
Hopeless. It was hopeless. Even as I stood there. | 0:33:58 | 0:34:03 | |
Ha-ha! It's brilliant. | 0:34:03 | 0:34:04 | |
The guy said, "I recognise you from somewhere. Are you the, eh... | 0:34:06 | 0:34:11 | |
"Oh! Last Of the Summer Wine!" | 0:34:11 | 0:34:13 | |
The following morning, | 0:34:19 | 0:34:21 | |
it was time to face the final leg of our journey. | 0:34:21 | 0:34:23 | |
It would be wrong to come this far west and not to take that final leap | 0:34:23 | 0:34:28 | |
out into the Atlantic to the Aran Islands. | 0:34:28 | 0:34:31 | |
The islands have preserved their culture partly due to their remoteness | 0:34:31 | 0:34:36 | |
and the only problem we have is how to get there. | 0:34:36 | 0:34:39 | |
For generations, the journey was made rowing in a Currach. | 0:34:39 | 0:34:43 | |
'Currachs are traditional fishing boats | 0:34:44 | 0:34:47 | |
'made from canvas stretched over a frame. | 0:34:47 | 0:34:49 | |
'This makes them really lightweight | 0:34:49 | 0:34:52 | |
'so you can carry them to and from the beach. | 0:34:52 | 0:34:54 | |
'But puncture the skin by stepping in the wrong place | 0:34:54 | 0:34:56 | |
'and you'll sink like a stone.' | 0:34:56 | 0:34:59 | |
Any tips on getting in? | 0:34:59 | 0:35:00 | |
Yes. Don't stand at the side. | 0:35:00 | 0:35:03 | |
Stand in the middle. | 0:35:03 | 0:35:05 | |
And be light-footed. | 0:35:05 | 0:35:06 | |
And stay low. | 0:35:08 | 0:35:10 | |
Pretend you're a feather. | 0:35:10 | 0:35:12 | |
And what's my impression of a feather? | 0:35:12 | 0:35:14 | |
'To get some instruction, | 0:35:14 | 0:35:15 | |
'we've arranged to meet up with local rowers Anne, Elise and Leah, | 0:35:15 | 0:35:19 | |
'who are actually the women's champions of Ireland.' | 0:35:19 | 0:35:22 | |
Basic growing skills would be | 0:35:22 | 0:35:25 | |
when the oars are out of the water, you lean forwards... | 0:35:25 | 0:35:30 | |
'We are, by now, used to people thinking we're clueless | 0:35:30 | 0:35:32 | |
'and teaching us the absolute basics.' | 0:35:32 | 0:35:35 | |
..bringing the oars into the water, pull back, | 0:35:35 | 0:35:39 | |
pushing off the foot-step and then forward again, | 0:35:39 | 0:35:44 | |
oars out of the water, and then pull back. | 0:35:44 | 0:35:47 | |
Doesn't she realise that these Three Men have rowed the Thames together? | 0:35:47 | 0:35:52 | |
1, 2, 3, go! Look, look! Pull! | 0:35:57 | 0:36:01 | |
-Dip in and pull. -Yeah. | 0:36:03 | 0:36:05 | |
Lean forward. Lean forward! And pull. | 0:36:10 | 0:36:14 | |
You'd think you were born in Connemara or something! | 0:36:14 | 0:36:17 | |
-That's it! -Your total Currach racing experience is as much as ours. | 0:36:17 | 0:36:23 | |
I've rowed more than you two | 0:36:23 | 0:36:25 | |
and it shows every time we get on the water. | 0:36:25 | 0:36:28 | |
Now, pick up the pace. Right a bit. Right! | 0:36:28 | 0:36:31 | |
The other problem with this design is there's no keel or rudder. | 0:36:31 | 0:36:36 | |
Meaning the steering is all down to skilful oarsmanship. | 0:36:36 | 0:36:39 | |
Perhaps we should have listened to Anne in the first place. | 0:36:39 | 0:36:43 | |
When you say left, do you mean turn left | 0:36:43 | 0:36:45 | |
or use more with your left rudder? | 0:36:45 | 0:36:46 | |
-Use your left oar more. -OK. | 0:36:46 | 0:36:49 | |
Can we just fly by them? | 0:36:50 | 0:36:52 | |
Can we just crash into them and take them out? | 0:36:52 | 0:36:56 | |
Left. Use your left oar. Come on! | 0:36:56 | 0:37:01 | |
Can we work out some system here? | 0:37:01 | 0:37:04 | |
Cos you're screaming left, you're screaming right! | 0:37:04 | 0:37:08 | |
Want to swap around? Will we mix up? | 0:37:08 | 0:37:11 | |
No. This works better like this! | 0:37:11 | 0:37:13 | |
In the calm water of the inlet, | 0:37:16 | 0:37:18 | |
we managed to do lots of going round in circles. | 0:37:18 | 0:37:21 | |
Bullseye! | 0:37:22 | 0:37:24 | |
You didn't do that, did you, you see! | 0:37:26 | 0:37:28 | |
You can't teach that! | 0:37:28 | 0:37:30 | |
I suggest we should go back to the quay and we get out. | 0:37:31 | 0:37:35 | |
Don't start organising a coup d'etat | 0:37:35 | 0:37:37 | |
just when we're beginning to get some rhythm going. | 0:37:37 | 0:37:40 | |
Mind the pole! | 0:37:40 | 0:37:42 | |
'We soon realise that our only skill in Currachs | 0:37:42 | 0:37:45 | |
'is hitting the channel markers. | 0:37:45 | 0:37:47 | |
-Two out of two! -Wow! | 0:37:47 | 0:37:50 | |
We're the best slalom rowers in the country! | 0:37:50 | 0:37:53 | |
This is great. This is like crazy golf. | 0:37:53 | 0:37:56 | |
Can I just say that this is probably the happiest I've ever been, | 0:37:58 | 0:38:03 | |
to have the two of you here, bitching at each other, | 0:38:03 | 0:38:06 | |
snapping, giving it about the technical aspects of rowing. | 0:38:06 | 0:38:11 | |
I just...I feel at home. | 0:38:11 | 0:38:14 | |
More than I've ever felt at home. | 0:38:14 | 0:38:15 | |
Think we should row to the Aran Islands or take another form of transport? | 0:38:15 | 0:38:19 | |
I think we'll find some other way to get the islands. | 0:38:19 | 0:38:22 | |
It's become apparent that we will not be rowing to the Aran Islands. | 0:38:29 | 0:38:34 | |
And we will need another boat. | 0:38:34 | 0:38:36 | |
Preferably without oars. | 0:38:36 | 0:38:38 | |
The gloriously named Galway Hooker | 0:38:38 | 0:38:41 | |
is the sailing boat of choice in these parts. | 0:38:41 | 0:38:43 | |
Traditionally it was used to transport turf as fuel to the islands | 0:38:43 | 0:38:47 | |
because there were no trees, because there's no soil, because the islands are basically rock. | 0:38:47 | 0:38:52 | |
You couldn't live here without becoming resilient and self-sufficient, | 0:38:52 | 0:38:57 | |
and this, combined with their remoteness | 0:38:57 | 0:38:59 | |
means that the islands have preserved a traditional Irish culture. | 0:38:59 | 0:39:03 | |
For example, for most islanders, their first language is Irish. | 0:39:03 | 0:39:07 | |
We've not had a drop of wind in a week and a half. | 0:39:07 | 0:39:10 | |
We've had a drifting sailing race | 0:39:10 | 0:39:12 | |
and now are drifting across to the Aran Islands. | 0:39:12 | 0:39:17 | |
I'd like to join in, boys, but at this speed at the helm | 0:39:17 | 0:39:20 | |
I've just got to concentrate fully on the heading. | 0:39:20 | 0:39:23 | |
Despite the lack of wind, | 0:39:34 | 0:39:35 | |
we eventually get to the largest island, Inishmore. | 0:39:35 | 0:39:38 | |
For me, this place is culturally very significant, | 0:39:38 | 0:39:42 | |
but much of that old way of life has gone and they rely now, | 0:39:42 | 0:39:45 | |
to a large extent, on tourists, for their income. | 0:39:45 | 0:39:48 | |
With Aran sweaters, for example, being a big seller. | 0:39:48 | 0:39:51 | |
I'm going to have a chat in the cafe. What are you doing? | 0:39:51 | 0:39:54 | |
I'm going to do a bit of shopping. | 0:39:54 | 0:39:56 | |
Good for you. That's what we want you to do. We want you to shop. | 0:39:56 | 0:40:00 | |
-Is it safe to leave them unlocked here? -Yes. It's pretty safe. | 0:40:00 | 0:40:04 | |
Why don't you tourists go off and buy stuff? That's your job here. | 0:40:04 | 0:40:07 | |
Buy things. | 0:40:07 | 0:40:09 | |
Buy things. Go on. | 0:40:09 | 0:40:11 | |
While they go and shop, I meet up with Cathy, one of the islanders. | 0:40:13 | 0:40:17 | |
IN IRISH: | 0:40:17 | 0:40:20 | |
Oh, this is lovely. | 0:40:35 | 0:40:36 | |
Don't tell Dara we're in here. | 0:40:37 | 0:40:40 | |
-We're just in here... -I've just seen the very thing, Griff. | 0:40:40 | 0:40:44 | |
Oh! | 0:40:44 | 0:40:45 | |
Actually, I have strict instructions | 0:40:48 | 0:40:51 | |
to return with an Aran Island sweater. | 0:40:51 | 0:40:56 | |
Because that's what you get here. | 0:40:56 | 0:41:00 | |
The problem is, the truth is, | 0:41:00 | 0:41:02 | |
you can get a better Aran sweater on Bond Street, I'm sure. | 0:41:02 | 0:41:05 | |
Oh dear! | 0:41:05 | 0:41:06 | |
It is strange to bring the two lads | 0:41:06 | 0:41:09 | |
because they're no respecters, in some ways, of cultural values. | 0:41:09 | 0:41:13 | |
-We'll change that! -Yeah! | 0:41:13 | 0:41:14 | |
-We'll work on them! -I've been showing them things | 0:41:14 | 0:41:17 | |
that normally I take the mickey out of, and my guard is up here. | 0:41:17 | 0:41:21 | |
I don't care about setting them loose in the Lough Derg Yacht Club | 0:41:21 | 0:41:25 | |
because that lot can handle it. | 0:41:25 | 0:41:28 | |
But this is a bit more precious. | 0:41:28 | 0:41:30 | |
This is a bit more Irish. | 0:41:30 | 0:41:32 | |
Has an element of, you know... | 0:41:32 | 0:41:35 | |
-Now, every one is different, apparently. -Yeah. | 0:41:35 | 0:41:37 | |
There are no two Aran sweaters which are the same. | 0:41:37 | 0:41:40 | |
The individual signature of the way they were knitted and the patterns | 0:41:40 | 0:41:44 | |
would have told the Aran islanders which fisherman it was | 0:41:44 | 0:41:50 | |
who unfortunately had fallen off his Currach and been drowned | 0:41:50 | 0:41:55 | |
and had his eyes pecked out by the old seagulls. | 0:41:55 | 0:41:58 | |
That's rather bleak, isn't it? | 0:41:58 | 0:42:00 | |
It would worry me if I were a fisherman on the Aran Islands. | 0:42:00 | 0:42:03 | |
I wouldn't ever have an Aran sweater. "Put this on." | 0:42:03 | 0:42:06 | |
-"No! I'm going to drown." -I think it suits you, actually. | 0:42:06 | 0:42:10 | |
It's a bit of a cardie. | 0:42:10 | 0:42:11 | |
It is. What about this? Does that look suitably Irish? | 0:42:11 | 0:42:15 | |
Griff, you look like... | 0:42:15 | 0:42:17 | |
LAUGHS | 0:42:17 | 0:42:19 | |
When you see Rory and Griff walk out of a shop dressed head to toe | 0:42:19 | 0:42:24 | |
in thick knitted wool, will a part of you and the inside go, | 0:42:24 | 0:42:28 | |
this is not the image we want to create? | 0:42:28 | 0:42:33 | |
-Eh, no, I mean... -Because let's face it, neither of us are wearing Aran. | 0:42:33 | 0:42:37 | |
See, we don't have to wear it. We have it. It flows out of us. | 0:42:37 | 0:42:42 | |
We don't need to wear a bonnie sweater or a cap. | 0:42:42 | 0:42:45 | |
We've got it, Dara, so we don't need to wear it. | 0:42:45 | 0:42:48 | |
That's the Irish culture superiority in a nutshell. Sure, we have it. | 0:42:48 | 0:42:52 | |
-Let the English struggle with it. -We've got it! -Just naturally! | 0:42:52 | 0:42:56 | |
The Aran Islands are about much more than just sweaters, though. | 0:43:03 | 0:43:06 | |
Here on Inishmore, | 0:43:06 | 0:43:08 | |
on a cliff side facing out into the Atlantic, is Dun Aengus. | 0:43:08 | 0:43:12 | |
A magnificent megalithic fort. | 0:43:12 | 0:43:14 | |
No-one's quite sure why it's here or what it was ever guarding. | 0:43:14 | 0:43:18 | |
But, with the boys away, | 0:43:18 | 0:43:20 | |
it offers me a moment of communion with my culture, | 0:43:20 | 0:43:23 | |
here, on the islands that are its heartland. | 0:43:23 | 0:43:25 | |
DARA READS IN GAELIC | 0:43:25 | 0:43:28 | |
I really can't bring you two anywhere. | 0:43:57 | 0:43:59 | |
-Moving. That was, I thought. -I think we upset the Paddy. | 0:44:02 | 0:44:06 | |
Yeah, you've ruined that now. Did you have to get flags as well? | 0:44:07 | 0:44:13 | |
You know, next time let's go to Wales and take the mickey out of your culture, Griff. How's that? | 0:44:29 | 0:44:34 | |
Go to Wales, put on taff hats and silly voices. Do you want that? | 0:44:34 | 0:44:37 | |
WELSH ACCENT: Oh look at you now, boy, from the valleys. | 0:44:37 | 0:44:40 | |
No. Not Wales. That would be embarrassing. | 0:44:40 | 0:44:43 | |
-We've got to go somewhere no-one knows us. -What? You mean London? | 0:44:43 | 0:44:46 | |
Subtitles by Red Bee Media Ltd | 0:44:46 | 0:44:50 | |
E-mail [email protected] | 0:44:50 | 0:44:53 |