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Line | From | To | |
---|---|---|---|
On this voyage into the unknown, | 0:00:12 | 0:00:15 | |
Rory has decided to be useful. | 0:00:15 | 0:00:17 | |
He's been learning the language. | 0:00:17 | 0:00:20 | |
RORY STRUGGLES TO PRONOUNCE WORDS | 0:00:20 | 0:00:23 | |
DARA PROMPTS HIM | 0:00:23 | 0:00:24 | |
RORY REPEATS WORDS | 0:00:25 | 0:00:31 | |
-Da. -Da! Da. -Da, yeah, da. | 0:00:31 | 0:00:34 | |
Hello? | 0:00:34 | 0:00:35 | |
Bok. Bok... | 0:00:35 | 0:00:37 | |
BOTH: Bok! Bok! Bok! | 0:00:37 | 0:00:40 | |
What is this one we're doing now? | 0:00:40 | 0:00:43 | |
We're at the lower end of the Adriatic and we go through Croatia, | 0:00:43 | 0:00:48 | |
along the coast of Croatia, which is the finest sailing ground in the whole of the Mediterranean. | 0:00:48 | 0:00:53 | |
What the Romans called Dal-mat-ia. | 0:00:53 | 0:00:56 | |
-Dalmatia. -Dalmatia. | 0:00:56 | 0:00:58 | |
So you're bringing us basically along the Balkans? | 0:00:58 | 0:01:01 | |
Balkans, yeah. Three Men... | 0:01:01 | 0:01:04 | |
-Good title, isn't it? -It is a good title. -Three Men In The Balkans, you see. | 0:01:04 | 0:01:08 | |
Three Men Go To The Balkans. I like it. | 0:01:08 | 0:01:10 | |
Yes, we're going to Venice. | 0:01:11 | 0:01:12 | |
Apparently, the Balkans didn't sound appealing enough. | 0:01:12 | 0:01:15 | |
In about a week's time, we intend to take part in a gondola race in front | 0:01:15 | 0:01:19 | |
of thousands of tourists on Venice's busiest waterway, the Grand Canal. | 0:01:19 | 0:01:24 | |
-This doesn't strike me as the best place to do a race. -What, on the busiest bit of canal in the world? | 0:01:24 | 0:01:29 | |
'In our quest to get there, we'll be travelling up the stunning Dalmatian coast, | 0:01:29 | 0:01:34 | |
'through storms...rain...' | 0:01:34 | 0:01:37 | |
Frozen to the rigging! | 0:01:37 | 0:01:39 | |
-'..more rain...' -Enjoying it? -Faster! | 0:01:39 | 0:01:41 | |
'..and more rain.' | 0:01:41 | 0:01:43 | |
(ALL) Oh! | 0:01:44 | 0:01:46 | |
'We'll be blending in with the locals... | 0:01:46 | 0:01:48 | |
'..diving...flying...' | 0:01:49 | 0:01:51 | |
Why don't we just stay on a plane and go all the way to Venice? | 0:01:51 | 0:01:54 | |
'..and blagging our way.' | 0:01:54 | 0:01:56 | |
-Are you going to Venice in that? -No... -No. OK. | 0:01:56 | 0:01:59 | |
'..onto any boat that will take us...' | 0:01:59 | 0:02:01 | |
Here we go! | 0:02:01 | 0:02:03 | |
'..across borders and seas to one of the greatest cities on Earth.' | 0:02:03 | 0:02:07 | |
It may be an English preoccupation, but can you flush toilet paper down the lavatory? | 0:02:07 | 0:02:12 | |
-I don't remember! -It's perfectly fine to flush the lavatory here. | 0:02:12 | 0:02:15 | |
We start on one of the few train routes in this area. | 0:02:24 | 0:02:28 | |
Travelling across land is very difficult here. It's the Balkans. | 0:02:28 | 0:02:31 | |
When you say Balkans, what you're referring to are the huge mountain ranges that dominate the area. | 0:02:31 | 0:02:36 | |
Montenegro actually means Black Mountains, and it's these that | 0:02:36 | 0:02:40 | |
mean that historically, the only real way to get around was by boat. | 0:02:40 | 0:02:44 | |
Perfect for us. | 0:02:44 | 0:02:46 | |
This takes us to Bar. | 0:02:46 | 0:02:48 | |
-Bar... -Bar... | 0:02:48 | 0:02:50 | |
Bar. | 0:02:50 | 0:02:52 | |
Bar in Montenegro. | 0:02:52 | 0:02:54 | |
Is it a licensed Bar that we're going to? | 0:02:54 | 0:02:57 | |
'Yes. The first leg of our journey to Venice | 0:02:58 | 0:03:01 | |
'will take us through Montenegro and on up the coast to Dubrovnik. | 0:03:01 | 0:03:05 | |
'From there, we need a lift to one of the many islands | 0:03:05 | 0:03:08 | |
'along the coast of Croatia and across to Venice, | 0:03:08 | 0:03:10 | |
'hopefully before the gondola race begins...or finishes'. | 0:03:10 | 0:03:14 | |
Sitting in a junction between East and West, the Balkans has a long history of conflict. | 0:03:18 | 0:03:23 | |
There was a period of unification after the Second World War, | 0:03:23 | 0:03:27 | |
when it became the Communist State of Yugoslavia, | 0:03:27 | 0:03:30 | |
its separate nations held together by its charismatic leader, Marshall Tito. | 0:03:30 | 0:03:35 | |
Don't tread on the live rail. | 0:03:35 | 0:03:38 | |
When Tito died, Yugoslavia started to break up in a series of bloody conflicts. | 0:03:38 | 0:03:43 | |
Montenegro didn't actually become independent until 2006. | 0:03:43 | 0:03:47 | |
The harbour at Bar is crammed with mothballed military boats from that era. | 0:03:50 | 0:03:56 | |
But we're heading for a boat that's been saved from the knackers' yard because of its prestigious history. | 0:03:56 | 0:04:02 | |
-Griff, where are you bringing us to? -We're looking for a boat called Jadranka. | 0:04:02 | 0:04:06 | |
What does that mean? | 0:04:06 | 0:04:08 | |
I don't know. You're the linguist. | 0:04:08 | 0:04:10 | |
-What does it mean? -I think it sounds like Cockney rhyming slang to me. | 0:04:10 | 0:04:12 | |
What is Jadranka? | 0:04:12 | 0:04:14 | |
Jadranka is Tito's own personal yacht. | 0:04:14 | 0:04:17 | |
Tito was President of Yugoslavia, the land of the southern Slavs. | 0:04:17 | 0:04:23 | |
"Yug" is south in Serbian, | 0:04:23 | 0:04:27 | |
in case you're interested and wondering why they called it Yugoslavia. | 0:04:27 | 0:04:31 | |
'And Jadranka means Little Adriatic'. | 0:04:31 | 0:04:35 | |
Look at this. There are people with serious uniforms on this boat. | 0:04:35 | 0:04:39 | |
RORY SPEAKS SERBIAN | 0:04:39 | 0:04:41 | |
Rory, go ahead, because you speak the language, and do the introductions, please. | 0:04:41 | 0:04:45 | |
-Commandant. -Welcome aboard. My name is Goran. -Goran? -Goran. | 0:04:45 | 0:04:50 | |
'Comrade Tito had the yacht built 40 years ago for the entertainment of | 0:04:52 | 0:04:56 | |
'foreign dignitaries and celebrities, to show off his socialist utopia. | 0:04:56 | 0:05:00 | |
'Nowadays, they use it to show off the new Montenegro.' | 0:05:00 | 0:05:03 | |
'Say what you like about the strict socialist, ex-partisan womaniser and leader | 0:05:03 | 0:05:08 | |
'of the non-aligned nations of the world - | 0:05:08 | 0:05:11 | |
'Tito certainly knew how to spend it.' | 0:05:11 | 0:05:13 | |
We're heading north up the coast to Tivat in the Bay of Kotor | 0:05:14 | 0:05:18 | |
to meet our next boat. | 0:05:18 | 0:05:19 | |
We're going to have a look around to see if we can find | 0:05:22 | 0:05:25 | |
any hints of Tito still on the boat. | 0:05:25 | 0:05:27 | |
Like Sophia Loren. | 0:05:27 | 0:05:28 | |
-Hello, Captain, how are you? -Fine, you? | 0:05:40 | 0:05:42 | |
Very well. This is our first boat. | 0:05:42 | 0:05:44 | |
-How are you feeling? -Oh, yeah, I haven't got this back yet. | 0:05:44 | 0:05:47 | |
-You don't have a problem? -No. So who's been here from our part of the world? Who's been here from Britain? | 0:05:47 | 0:05:54 | |
From Britain? | 0:05:54 | 0:05:55 | |
Prince Andrew was here. | 0:05:55 | 0:05:56 | |
-And who else? -Gaddafi. | 0:05:56 | 0:05:59 | |
Gaddafi? Very topical at the moment. | 0:05:59 | 0:06:01 | |
-Very hot right now, Gaddafi. Who else? -Haile Selassie. -Really? | 0:06:01 | 0:06:07 | |
Yeah. Elizabeth Taylor. | 0:06:07 | 0:06:09 | |
OK, what is Elizabeth Taylor's military or governmental role? | 0:06:09 | 0:06:14 | |
I believe that Tito loves... | 0:06:14 | 0:06:16 | |
-The beautiful ladies. -Yes. -He did love the beautiful ladies, didn't he? | 0:06:16 | 0:06:19 | |
And where would President Tito make love to all those famous actresses like Sophia Loren? | 0:06:20 | 0:06:26 | |
It would be in here in the lounge. | 0:06:26 | 0:06:29 | |
If you're a communist leader, what you want most of is, | 0:06:29 | 0:06:31 | |
let's face it...fridges. Look at this. | 0:06:31 | 0:06:36 | |
These peculiar...they're shot glasses. | 0:06:36 | 0:06:40 | |
Everywhere you go on this boat, there are shot glasses. | 0:06:40 | 0:06:43 | |
Shot glasses. Imagine how much raki you'd get in one of those. | 0:06:43 | 0:06:48 | |
Shot glasses everywhere you look on this boat! | 0:06:50 | 0:06:53 | |
This drawer is actually a shot glass. | 0:06:56 | 0:06:58 | |
You actually just pour the brandy into that | 0:06:58 | 0:07:01 | |
and you put your head in here. | 0:07:01 | 0:07:02 | |
There is a lot of popular TV shows from Britain. | 0:07:04 | 0:07:07 | |
-Really? Like? -Only Fools And Horses. | 0:07:07 | 0:07:09 | |
-Really? -This is a classic hit. | 0:07:09 | 0:07:12 | |
-Really? -Yeah, and Allo, Allo. | 0:07:12 | 0:07:14 | |
So if David Jason came to Montenegro, | 0:07:14 | 0:07:18 | |
-he'd be a big star here? -Yeah, he's very famous. | 0:07:18 | 0:07:22 | |
As yachts go...as a modern yacht goes, it's quite basic. | 0:07:24 | 0:07:29 | |
-You know... -Is it? -..room here, room up there. -To me... | 0:07:29 | 0:07:33 | |
I mean, they spend a fortune these days, the real Titos, | 0:07:33 | 0:07:38 | |
getting their yachts with... | 0:07:38 | 0:07:40 | |
It all started with Onassis, Aristotle, who in his bar | 0:07:40 | 0:07:46 | |
had bar stools covered with the foreskins of sperm whales. | 0:07:46 | 0:07:52 | |
I had no idea what you were going to say then, Griff, you know. | 0:07:53 | 0:07:56 | |
That's what got Jackie Kennedy going. | 0:07:56 | 0:07:59 | |
-He said, "Hey, you sit down on the foreskin..." -What, she straddled...? | 0:07:59 | 0:08:03 | |
No, Tito missed a trick there. | 0:08:03 | 0:08:05 | |
There are no foreskins of sperm whales being used as upholstery on this boat. | 0:08:05 | 0:08:10 | |
Since Montenegro became independent in 2006, | 0:08:21 | 0:08:24 | |
Porto Montenegro in Tivat has become the place for the super-rich | 0:08:24 | 0:08:28 | |
to buy their super-rich houses and park their super-rich yachts. | 0:08:28 | 0:08:33 | |
Owning one of those would feel like owning a ferry. | 0:08:33 | 0:08:37 | |
-It's a floating large, privately-owned hotel. -Yeah. | 0:08:37 | 0:08:40 | |
My reverie would be that sailing boat over there. | 0:08:40 | 0:08:45 | |
Ah, really? | 0:08:45 | 0:08:46 | |
-That's our next boat. -Is it? -Yeah. | 0:08:46 | 0:08:48 | |
Jadran, meaning Big Adriatic, | 0:08:49 | 0:08:52 | |
is just about the only other boat in the Montenegrin Navy. | 0:08:52 | 0:08:55 | |
It's a sail training ship, | 0:08:55 | 0:08:58 | |
and we're hoping she'll take us across the Croatian border to Dubrovnik tomorrow, | 0:08:58 | 0:09:02 | |
and perhaps teach us how to sail, whilst she's at it. | 0:09:02 | 0:09:05 | |
Just to the north of Porto Montenegro lies | 0:09:14 | 0:09:17 | |
one of the oldest and most important harbour towns along the coastline. | 0:09:17 | 0:09:20 | |
-That's Perast ahead. -Perast? | 0:09:28 | 0:09:32 | |
-Perast. -Perast. -Oh really? -Very nice. | 0:09:32 | 0:09:37 | |
In its peak 300 years ago, Perast was one of the main naval shipyards in Europe, | 0:09:40 | 0:09:45 | |
and was reputedly where the world's best sea captains came from. | 0:09:45 | 0:09:49 | |
Nowadays, all that remains of that heyday are some of the traditions. | 0:09:49 | 0:09:54 | |
SINGING | 0:09:54 | 0:09:56 | |
Our musical escort are going to one of the islands just off Perast. | 0:09:58 | 0:10:03 | |
They're practising for what is known as the Fascinada, | 0:10:03 | 0:10:05 | |
a 500-year-old celebration of a vision, sung from the back of a rowing boat. | 0:10:05 | 0:10:10 | |
THEY SING | 0:10:10 | 0:10:13 | |
SHIP'S HORN BLARES | 0:10:13 | 0:10:16 | |
Legend has it that a sailor saw a vision on the water and threw a stone to mark it. | 0:10:30 | 0:10:36 | |
Every passing ship did the same until an island was formed, and then local sailors built | 0:10:36 | 0:10:41 | |
a church to give praise for all the times they'd been saved at sea. | 0:10:41 | 0:10:44 | |
THEY SING | 0:10:44 | 0:10:48 | |
-It's beautiful, Griff. -Wow. | 0:10:52 | 0:10:55 | |
This is very lovely. | 0:10:55 | 0:10:56 | |
Look at the plaques. | 0:10:59 | 0:11:01 | |
-They're ex-votos. -They're called? | 0:11:01 | 0:11:05 | |
-Votive offerings. -Oh, yeah. | 0:11:05 | 0:11:07 | |
So if something happens to you from which you survive and continue, | 0:11:07 | 0:11:12 | |
then you make an offering in a little piece of beaten silver. | 0:11:12 | 0:11:16 | |
And obviously, I have never seen so many. | 0:11:16 | 0:11:20 | |
Some are clearly for saving from ships, and legs... | 0:11:20 | 0:11:25 | |
-Some are from storms. -And quite a lot are for hearts. | 0:11:25 | 0:11:28 | |
-Mainly boats, though. -There are a lot of shipwrecks and storms. | 0:11:28 | 0:11:33 | |
People who build a church on an island made of stones in the middle | 0:11:33 | 0:11:37 | |
-of an inlet are probably boaty types... -It might be a passenger. -..or at least have access... | 0:11:37 | 0:11:42 | |
Day two. Well, over the last seven years, we've been all over Britain. | 0:11:51 | 0:12:00 | |
Everywhere, we've been. The far north and the west, | 0:12:00 | 0:12:03 | |
and we've experienced nothing but the most brilliant weather. | 0:12:03 | 0:12:06 | |
So we came to the Adriatic in spring, and of course it's blowing like gangbusters. | 0:12:06 | 0:12:12 | |
Still, it's quite a big boat, isn't it? | 0:12:15 | 0:12:17 | |
No doubt it'll be... it'll be very safe. | 0:12:17 | 0:12:23 | |
And it'll need to be, as it has to take us over the border to Croatia | 0:12:24 | 0:12:28 | |
and into the port of Dubrovnik. | 0:12:28 | 0:12:30 | |
I've come on ahead of the others and been awarded special duties, thanks. | 0:12:30 | 0:12:35 | |
One of the most fundamental parts of cadet training is climbing the one hundred-foot mast. | 0:12:35 | 0:12:39 | |
No, really, thanks. | 0:12:39 | 0:12:41 | |
If I was a cadet and I was going for the first time, would I just be sent? | 0:12:41 | 0:12:47 | |
-Would a deck officer help me up there, or would I just have to go on my own? -For the first time? | 0:12:47 | 0:12:51 | |
-Yeah. -Someone will go with you. | 0:12:51 | 0:12:53 | |
OK. It's my first time. | 0:12:53 | 0:12:55 | |
-You'll be gentle with me? -Yeah. -Thank you. Off we go. | 0:12:55 | 0:12:59 | |
'This training ship was commissioned in the 1930s | 0:13:02 | 0:13:05 | |
'to prepare the next generation of naval commanders from this coast | 0:13:05 | 0:13:08 | |
'to be the best in the world. | 0:13:08 | 0:13:10 | |
'She was the pride of the Yugoslav Navy, | 0:13:11 | 0:13:13 | |
'and when the countries split post-war, | 0:13:13 | 0:13:15 | |
'Montenegro managed to hold on to her.' | 0:13:15 | 0:13:17 | |
-Hello. No disrespect to you. -Welcome aboard. -A pleasure. A pleasure, Captain. -Captain... | 0:13:20 | 0:13:25 | |
-Is it Captain, or...? -Commander. | 0:13:25 | 0:13:28 | |
Commander, sorry. You already have met one of our...a little guy. | 0:13:28 | 0:13:32 | |
-Skinny guy. -Yes, he's upstairs. | 0:13:32 | 0:13:34 | |
Oh, he loves that. He loves that. | 0:13:34 | 0:13:38 | |
The...others don't want to do this, | 0:13:39 | 0:13:45 | |
because they don't like heights. | 0:13:45 | 0:13:47 | |
How is the technique? Is that right? | 0:13:48 | 0:13:50 | |
No. His technique not right. | 0:13:50 | 0:13:53 | |
Your technique's not good, Griff. | 0:13:53 | 0:13:55 | |
RORY SHOUTS IN SERBIAN | 0:13:56 | 0:13:59 | |
You understand us. | 0:14:02 | 0:14:04 | |
You got that, Griff? | 0:14:04 | 0:14:06 | |
No, don't reach for the phrasebook. | 0:14:06 | 0:14:09 | |
And you're wearing the wrong shoes, but apart from that, very good. | 0:14:09 | 0:14:13 | |
Yeah. | 0:14:15 | 0:14:16 | |
I...wonder if you can hear | 0:14:18 | 0:14:23 | |
the slight tremor | 0:14:23 | 0:14:27 | |
in...my...voice | 0:14:27 | 0:14:31 | |
-because... -INDISTINCT SHOUTING FROM BELOW | 0:14:31 | 0:14:36 | |
Oh, OK, understood. | 0:14:36 | 0:14:38 | |
This is called a lover's hole, | 0:14:40 | 0:14:43 | |
because on other boats, | 0:14:43 | 0:14:45 | |
they used to go outside | 0:14:45 | 0:14:48 | |
and there was a little stretch of rattlings | 0:14:48 | 0:14:50 | |
which goes outside, and then you used to sort of hang upside down. | 0:14:50 | 0:14:54 | |
This is quite easy by comparison with some boats. | 0:14:54 | 0:14:59 | |
It's interesting. | 0:15:04 | 0:15:06 | |
We're now only in the first crow's nest. | 0:15:06 | 0:15:11 | |
The second one is up there. | 0:15:11 | 0:15:14 | |
Do you need me to go up to the next one? | 0:15:14 | 0:15:16 | |
Well...you don't need to. | 0:15:16 | 0:15:19 | |
No... OK, thank you. | 0:15:19 | 0:15:22 | |
-It's no problem. -Good. | 0:15:22 | 0:15:24 | |
I don't think this is a three-man job, somehow. | 0:15:25 | 0:15:28 | |
The danger is not falling in the sea and drowning, | 0:15:28 | 0:15:32 | |
the danger is falling on the deck. | 0:15:32 | 0:15:35 | |
I just hope I fall on Rory, if I fall off. | 0:15:35 | 0:15:39 | |
OK, that's enough. | 0:15:41 | 0:15:42 | |
It's now blowing 40 knots up here. | 0:15:44 | 0:15:48 | |
I haven't enough hair to blow in the wind | 0:15:48 | 0:15:51 | |
to show you how blowy it is. We're setting off into the teeth of a howling gale. | 0:15:51 | 0:15:57 | |
'And as we head out of port, | 0:16:03 | 0:16:06 | |
'the weather doesn't get any better. In fact, it gets a lot worse.' | 0:16:06 | 0:16:11 | |
'And if it's this bad on deck, heaven knows how bad it is halfway up the mast.' | 0:16:13 | 0:16:19 | |
I've got to go down now. It's wet and I'm cold, | 0:16:29 | 0:16:32 | |
-and I'm not even wearing waterproof trousers, which is... -MAN SPEAKS SERBIAN | 0:16:32 | 0:16:36 | |
OK. Yeah, everybody's saying I've got to go down, so I'm going down now. | 0:16:36 | 0:16:40 | |
Not before time. | 0:16:40 | 0:16:42 | |
Griff is still up there, and has actually appealed for waterproof trousers. | 0:16:42 | 0:16:48 | |
He's frozen to the rigging. | 0:16:48 | 0:16:50 | |
Ah! | 0:17:17 | 0:17:18 | |
Sorry. Forgive me, I'm just going as low as I can possibly go. | 0:17:21 | 0:17:26 | |
Ah, that feels secure. That feels safe now. That's good. | 0:17:26 | 0:17:30 | |
This is where I want to be from now on. | 0:17:30 | 0:17:32 | |
I'm not getting up from here, all right? | 0:17:32 | 0:17:35 | |
Just sail on, and I'll just stay here. | 0:17:35 | 0:17:38 | |
The rain now stops, and it's all hands on deck. | 0:17:41 | 0:17:46 | |
We have to get some sails up to get us out to sea and leave the bay. | 0:17:46 | 0:17:50 | |
The sails going nowhere. | 0:17:53 | 0:17:56 | |
What are we pulling? | 0:17:56 | 0:17:58 | |
-We're pulling...the land is getting closer. -I see! | 0:17:59 | 0:18:02 | |
There's a bat! | 0:18:02 | 0:18:03 | |
There's a bat! | 0:18:06 | 0:18:07 | |
-Hello! -Aw... | 0:18:09 | 0:18:11 | |
Look at his little teeth... | 0:18:11 | 0:18:12 | |
Am I the only one who's alarmed by the idea | 0:18:12 | 0:18:14 | |
that it's so long since these sails were opened up | 0:18:14 | 0:18:18 | |
-that bats have roosted? -There's a whole bat colony up there. | 0:18:18 | 0:18:20 | |
Of course, being such a tall ship, | 0:18:24 | 0:18:26 | |
the sails are, well, quite big and heavy, and take an age to get up. | 0:18:26 | 0:18:31 | |
But disappointment, given that the wind now drops completely. | 0:18:36 | 0:18:41 | |
It's not a great day for sailing. It's gone from being too windy to no wind at all. | 0:18:45 | 0:18:49 | |
-No wind at all. -Yes, quite random, this. How far can you take us? | 0:18:49 | 0:18:53 | |
Can you take us to Dubrovnik? | 0:18:53 | 0:18:55 | |
Yes, I can. | 0:18:55 | 0:18:57 | |
-Can you? -I can take you to Dubrovnik... -Really? | 0:18:57 | 0:19:00 | |
..but our two governments must take the... | 0:19:00 | 0:19:04 | |
-agreement about that, because we are a Navy ship. -Oh, really? | 0:19:04 | 0:19:08 | |
'So it turns out we have bigger problems than the weather.' | 0:19:09 | 0:19:14 | |
Two things I've learnt this morning. One is the Montenegrin for "bat", a sismis, | 0:19:14 | 0:19:19 | |
which is something I wasn't expecting to be learning today or ever in my life. | 0:19:19 | 0:19:23 | |
The other thing is that we are not actually officially allowed to go to Dubrovnik in this boat. | 0:19:23 | 0:19:29 | |
The captain's been quite diplomatic about it. The point is that Dubrovnik is in Croatia. | 0:19:29 | 0:19:34 | |
This boat is Montenegrin. | 0:19:34 | 0:19:37 | |
HE SPEAKS FOREIGN LANGUAGE | 0:19:37 | 0:19:39 | |
'So for the avoidance of a diplomatic incident, | 0:19:39 | 0:19:41 | |
'this boat is not going to Dubrovnik.' | 0:19:41 | 0:19:44 | |
Bye, thank you! | 0:19:44 | 0:19:45 | |
And with the weather being so strange, the captain is happy to get us off as quickly as possible. | 0:19:45 | 0:19:50 | |
We're sped away to the nearest harbour, Herceg Novi. | 0:19:50 | 0:19:54 | |
This is great, isn't it? It's like being on holiday in England in the summer. | 0:19:56 | 0:20:02 | |
Amazing that this is a banana boat. I don't know why we're using a banana boat. | 0:20:06 | 0:20:10 | |
It's out of season, I suppose. | 0:20:10 | 0:20:12 | |
People would pay good money in the holiday resorts for this kind of fun. | 0:20:12 | 0:20:16 | |
Wheee! | 0:20:19 | 0:20:21 | |
-Enjoying it? -Faster! | 0:20:21 | 0:20:24 | |
With our unexpected change of fortune, we are facing the real possibility | 0:20:24 | 0:20:28 | |
we won't be able to get across the border at all in a boat and will have to find another route. | 0:20:28 | 0:20:34 | |
'But as we approach the sea wall, there are three boats flying Croatian flags tied up alongside. | 0:20:37 | 0:20:44 | |
'I wonder if they're there to help in some way?' | 0:20:44 | 0:20:47 | |
Is this the closest we get to the border? | 0:20:47 | 0:20:51 | |
This is the last bit of Montenegro. | 0:20:51 | 0:20:53 | |
-You see, that boat couldn't take us to Croatia for diplomatic reasons. -No. | 0:20:53 | 0:20:57 | |
The truth is, what he told us off the record is that | 0:20:57 | 0:21:03 | |
there has been a campaign in Croatia to have the boat repatriated, | 0:21:03 | 0:21:08 | |
that boat, repatriated to Croatia, so they're a bit wary of going there | 0:21:08 | 0:21:15 | |
in case there's an incident of some kind, so we have to make our own way without the boat. | 0:21:15 | 0:21:21 | |
This is what he told us off the record, is it? | 0:21:21 | 0:21:23 | |
He told us off the record. | 0:21:23 | 0:21:24 | |
-He specifically used the words "off the record"? -Yeah, he knew that. | 0:21:24 | 0:21:28 | |
-Isn't there an international convention... -They're never going to see it. | 0:21:28 | 0:21:32 | |
And then he asks, "Can I have a copy of this on DVD?" | 0:21:32 | 0:21:35 | |
I know, but we can take that bit out of the DVD. | 0:21:35 | 0:21:38 | |
So it might be less glamorous than the tall ship, | 0:21:38 | 0:21:40 | |
but at least these yachts could actually get us to Dubrovnik. | 0:21:40 | 0:21:44 | |
-Bok, bok. -Bok. -Bok. | 0:21:44 | 0:21:46 | |
-How are you? -Oh, you're English? -Scottish, actually. | 0:21:49 | 0:21:52 | |
Scottish! Are you going to Dubrovnik? | 0:21:52 | 0:21:54 | |
We're off to Dubrovnik now, yeah. | 0:21:54 | 0:21:56 | |
-Is there any chance we could get a lift off you? -Absolutely. | 0:21:56 | 0:21:58 | |
-Can you smuggle us past customs? -No problem. | 0:21:58 | 0:22:02 | |
There we go... | 0:22:02 | 0:22:03 | |
'It's not in my nature to be cautious, but I've been made promises like that already today'. | 0:22:04 | 0:22:09 | |
We're coming from Montenegro into Croatia. | 0:22:11 | 0:22:16 | |
Will we need to be showing passports at some stage? | 0:22:16 | 0:22:19 | |
-You have got your passports with you? -They're somewhere on us. | 0:22:19 | 0:22:21 | |
You are going to need your passports. | 0:22:21 | 0:22:24 | |
OK, Griff, I'm going to take control of the throttle for this one. | 0:22:25 | 0:22:29 | |
I haven't got my glasses on. | 0:22:29 | 0:22:31 | |
Well, it's mainly mountains that you have to avoid at this point. | 0:22:31 | 0:22:34 | |
-Do you want to take her? -Not particularly, no. | 0:22:36 | 0:22:39 | |
OK. Well, that's two of us. | 0:22:39 | 0:22:41 | |
'It turns out this flotilla of Sunsail yachts are being relocated | 0:22:44 | 0:22:48 | |
'to Croatia, and being tourist boats, | 0:22:48 | 0:22:50 | |
'it's apparently slightly easier for them to get across the border... | 0:22:50 | 0:22:54 | |
'weather permitting.' | 0:22:54 | 0:22:56 | |
-Lumpy. -Lumpy. | 0:22:56 | 0:22:57 | |
Jesus. This could be quite a challenge if you were just part of a flotilla, if you're a newcomer. | 0:22:58 | 0:23:04 | |
-But you wouldn't go out? -We normally wouldn't... -Oh! Lovely! | 0:23:04 | 0:23:09 | |
THEY LAUGH | 0:23:09 | 0:23:11 | |
Do carry on! | 0:23:11 | 0:23:12 | |
Oh well, that's a bit lumpy. | 0:23:12 | 0:23:14 | |
I'm glad we got rid of that enormous, huge, seagoing boat | 0:23:14 | 0:23:19 | |
-and transferred into a really tiny boat. -Yes. | 0:23:19 | 0:23:23 | |
Dubrovnik is a six-hour sail up the coast. | 0:23:29 | 0:23:33 | |
Arriving by boat into this old harbour | 0:23:33 | 0:23:36 | |
is an unforgettable approach to this unforgettable city. | 0:23:36 | 0:23:40 | |
Day three, and everything is peaceful, because Rory isn't on the boat. | 0:23:46 | 0:23:50 | |
Well, here we are in Dubrovnik, or as they say in Croatia, "Here vee are in Dubrovnik", | 0:23:54 | 0:24:00 | |
without doubt one of the most beautiful medieval cities I've ever | 0:24:00 | 0:24:03 | |
laid awake in listening to church bells ringing all night. | 0:24:03 | 0:24:05 | |
So rather than just toss and turn in the bed, I thought I'd come out and buy breakfast for Griff and Dara. | 0:24:05 | 0:24:13 | |
Talking of Griff and Dara, vegetables here! | 0:24:13 | 0:24:17 | |
HE SPEAKS FOREIGN LANGUAGE | 0:24:17 | 0:24:19 | |
Founded in the seventh century, Dubrovnik is the only city state | 0:24:22 | 0:24:26 | |
on the Adriatic to have ever rivalled Venice. | 0:24:26 | 0:24:29 | |
In fact, it looks so much like Venice that it's been its stunt double in numerous films. | 0:24:32 | 0:24:37 | |
And like Venice, it is also overrun with tourists. | 0:24:40 | 0:24:43 | |
Up to 85,000 a week come here during the summer, and people buying | 0:24:43 | 0:24:48 | |
holiday homes here have driven the prices so high, most of the locals now live outside the city walls. | 0:24:48 | 0:24:53 | |
Hiya! | 0:24:55 | 0:24:57 | |
I'm back, boys. Breakfast. | 0:24:59 | 0:25:02 | |
Croatian speciality. | 0:25:07 | 0:25:09 | |
Pig's head. | 0:25:09 | 0:25:11 | |
Pig's ear. I thought "Pig's ear, that sounds appropriate". | 0:25:11 | 0:25:15 | |
Very nice, that. Griff, Dara! | 0:25:15 | 0:25:18 | |
Boys? | 0:25:24 | 0:25:26 | |
Gone for breakfast. That's charming. That's great. That's great. | 0:25:29 | 0:25:34 | |
It's not the expense, it's just that I took the trouble to learn the Croatian for smoked pig's head. | 0:25:34 | 0:25:40 | |
Oh, well... | 0:25:40 | 0:25:42 | |
Mmm...better go and find them. | 0:25:43 | 0:25:46 | |
So we are walking down the main street, which we call Stradun. | 0:25:46 | 0:25:52 | |
'After a leisurely continental breakfast with the flotilla crowd, | 0:25:52 | 0:25:56 | |
'I've joined them for the guided tour.' | 0:25:56 | 0:25:58 | |
I'm afraid that we will stop now and start climbing the steps. | 0:25:58 | 0:26:03 | |
-Ready to go? -Yes. | 0:26:03 | 0:26:05 | |
This is the part of Dubrovnik which was constructed in 1272... | 0:26:05 | 0:26:11 | |
'Meanwhile, I've been stuck waiting for Rory.' | 0:26:11 | 0:26:14 | |
-Hello. -You missed a great breakfast. | 0:26:16 | 0:26:19 | |
I had breakfast an hour ago. We hung out with the flotilla people, | 0:26:19 | 0:26:22 | |
and they're on a tour, which would have been lovely. | 0:26:22 | 0:26:25 | |
-Why didn't you go on it? -I was waiting for you. | 0:26:25 | 0:26:27 | |
-So we've missed the tour? -We've have. | 0:26:27 | 0:26:29 | |
We can go to one of the...do you know how many Irish pubs there are within the walls of Dubrovnik? | 0:26:29 | 0:26:33 | |
-One? -No. Four. | 0:26:33 | 0:26:35 | |
-Shall we go and have a bit of an explore? -Let's have a look at the Irish pubs. | 0:26:35 | 0:26:39 | |
'In its long history, Dubrovnik has been both a free state and part of the Venetian republic. | 0:26:44 | 0:26:49 | |
'It's been invaded by Napoleon, shaken by earthquakes, ruled by the Austrians, the Nazis, the fascists | 0:26:49 | 0:26:54 | |
'and of course the communists when it was part of Yugoslavia.' | 0:26:54 | 0:26:58 | |
'Now it seems to be mainly overrun by the Irish.' | 0:26:58 | 0:27:01 | |
'But in Dubrovnik, it's only a matter of time before you're confronted with | 0:27:01 | 0:27:05 | |
'what happened here 20 years ago, when Serbian and Montenegrin forces attacked this Croatian masterpiece.' | 0:27:05 | 0:27:12 | |
So first when they started on 1st October 1991, they arrived | 0:27:12 | 0:27:17 | |
with their ships, so first position for shelling was behind the island. | 0:27:17 | 0:27:22 | |
So first ten days, they were constantly targeting hill peaks. | 0:27:22 | 0:27:28 | |
During that period, most of the locals went in the fortresses, | 0:27:28 | 0:27:32 | |
so Dubrovnik fortresses down there definitely had the best role at the end of 20th century. | 0:27:32 | 0:27:39 | |
In each tower, approximately 2000 people moved in. | 0:27:39 | 0:27:42 | |
My worst personal experience was that we were cut off from water and electricity for nearly five months. | 0:27:42 | 0:27:50 | |
The town's ancient rainwater storage reservoirs then became the city's only water supply. | 0:27:50 | 0:27:57 | |
Very interesting, the way all the maps in the city do this. | 0:28:00 | 0:28:05 | |
"Sites of damage caused by the aggression on Dubrovnik by the | 0:28:05 | 0:28:09 | |
"Yugoslav army, the Serbs and the Montenegrins in 1991-1992." | 0:28:09 | 0:28:14 | |
They're not sitting on the fence. | 0:28:14 | 0:28:15 | |
They make it obvious who did it. | 0:28:15 | 0:28:17 | |
Yes, but interestingly, what we refer to as the Balkan conflict is | 0:28:17 | 0:28:20 | |
-referred to here as the Croatian War of Independence. -Really? | 0:28:20 | 0:28:23 | |
Yeah. For the Croatians, it was a chance to break out of Yugoslavia. | 0:28:23 | 0:28:27 | |
And the Serbs tried to stop that, and that's the way they view it. | 0:28:27 | 0:28:32 | |
It's a moving piece of work, isn't it? | 0:28:32 | 0:28:34 | |
There's all the points there where bombs fell. | 0:28:34 | 0:28:37 | |
About 68% of the buildings in Dubrovnik, which is a World Heritage Site, were damaged. | 0:28:37 | 0:28:42 | |
At this bay, Croatia is only 850 metres from the border to the sealine. | 0:28:45 | 0:28:51 | |
-From the border with Bosnia? -Yes. | 0:28:51 | 0:28:55 | |
'Borjan was part of the force defending the city. | 0:28:55 | 0:28:58 | |
'He was stationed up here in this hilltop fort, | 0:28:58 | 0:29:01 | |
'which became the last line of defence against the advancing Serbs.' | 0:29:01 | 0:29:05 | |
There were only 600 soldiers. | 0:29:05 | 0:29:08 | |
-It was impossible to defend against 18,000 against us. -18,000? | 0:29:08 | 0:29:14 | |
18. 18,000, yes. | 0:29:14 | 0:29:16 | |
'The hill's strategic importance meant it was the scene of the fiercest hand-to-hand fighting. | 0:29:18 | 0:29:22 | |
'Many of Borjan's comrades were killed.' | 0:29:22 | 0:29:27 | |
So you and how many others came to this fort? | 0:29:27 | 0:29:30 | |
Probably there were always 30 to 40 people. | 0:29:30 | 0:29:34 | |
And it's crucial to you to defend this hilltop position? | 0:29:34 | 0:29:39 | |
Absolutely. We had shift changes. | 0:29:39 | 0:29:41 | |
We didn't stay all the time here, but 40 people were always here. | 0:29:41 | 0:29:45 | |
Because if they had this fort, they had complete control of Dubrovnik. | 0:29:45 | 0:29:49 | |
-Absolutely. -Serbia and Montenegro thought that this would be a pushover | 0:29:49 | 0:29:54 | |
and they'd get it, but in the end it proved to be a resistance which held them... | 0:29:54 | 0:29:59 | |
They thought it would be ended in five days. | 0:29:59 | 0:30:01 | |
This all happened very recently. | 0:30:01 | 0:30:05 | |
What's the feeling now between Croatia, Montenegro and Serbia and Bosnia? | 0:30:05 | 0:30:13 | |
I will never forget what has happened, but we must continue living, understand? | 0:30:13 | 0:30:18 | |
I couldn't hate anybody, | 0:30:18 | 0:30:19 | |
I am not a person like that, but I can't forget what has happened to me. | 0:30:19 | 0:30:25 | |
I will be talking about it for ever. | 0:30:25 | 0:30:29 | |
It's complicated, because the history here is the history of generations | 0:30:29 | 0:30:34 | |
going back who remember these things, and then out it comes again in a new war... | 0:30:34 | 0:30:39 | |
No, I hope something like that never happens again here. | 0:30:39 | 0:30:43 | |
-So as far as you're concerned, it's important to keep the memory alive, but not the hatred? -No. | 0:30:43 | 0:30:51 | |
No. I can't forget what has happened to us, but we must continue living. | 0:30:51 | 0:30:59 | |
'Down in the town, there's a conflict of another kind. | 0:31:02 | 0:31:05 | |
'Although Dubrovnik is slowly being taken over by tourism, | 0:31:08 | 0:31:11 | |
'people do still live, work and play within the walls.' | 0:31:11 | 0:31:14 | |
Yes! | 0:31:28 | 0:31:30 | |
-That was good. We don't often have fun on these... -Hey! Amigos! | 0:31:30 | 0:31:36 | |
-And then the fun grinds to a halt. Have you been learning things? -I'm exhausted. -Are you? | 0:31:36 | 0:31:43 | |
The history of this place starts with ancient Greece... | 0:31:43 | 0:31:46 | |
-We don't need to hear it all. -I wasn't going to start. | 0:31:46 | 0:31:48 | |
-I was just going to say, if you want to hear about wars, wars and more wars... -We had a war here. | 0:31:48 | 0:31:53 | |
If you want to hear about conflict between neighbouring countries... | 0:31:53 | 0:31:55 | |
-Casualty - his toe. -My toe. | 0:31:55 | 0:31:57 | |
-Oh, no. -In years to come it'll be on a poster outside the city. | 0:31:57 | 0:32:00 | |
Griff may have learnt all about the history of Dubrovnik, | 0:32:02 | 0:32:05 | |
but we had tried the Irish pubs and met Andrea, skipper of this boat, The Magellan. | 0:32:05 | 0:32:11 | |
-Is this the boat? -Yes. -The Magellan. | 0:32:13 | 0:32:15 | |
-Very smart. -They're doing a cruise anyway. | 0:32:15 | 0:32:18 | |
At least as far as Split. | 0:32:18 | 0:32:20 | |
-Yes, so we can stay on it till then. -How far is Split? | 0:32:20 | 0:32:23 | |
Hey, Andrea! | 0:32:23 | 0:32:26 | |
-Hello. Come inside. -Yeah? | 0:32:26 | 0:32:28 | |
'The Magellan has to relocate to its home of Split to get ready | 0:32:31 | 0:32:35 | |
'for the start of the tourist season, so we'll have her all to ourselves.' | 0:32:35 | 0:32:39 | |
'We're hoping we'll be able to find a boat to take us to Venice on one of | 0:32:44 | 0:32:47 | |
'the islands somewhere between Dubrovnik and Split. | 0:32:47 | 0:32:50 | |
'It's a vague plan, I know, but this coastline is | 0:32:50 | 0:32:53 | |
'the boating capital of the Med, so we stand a fighting chance.' | 0:32:53 | 0:32:57 | |
It's a huge boat for three of us. | 0:33:02 | 0:33:04 | |
-We never have to see each other for three days. -That'd be great. Oh, my God. | 0:33:04 | 0:33:07 | |
HE SPEAKS FOREIGN LANGUAGE | 0:33:07 | 0:33:09 | |
Yes. Local beer. You want small or large? | 0:33:09 | 0:33:12 | |
You are a large man, so... | 0:33:12 | 0:33:14 | |
Oh, thank you. | 0:33:14 | 0:33:17 | |
Do you watch Only Fools And Horses? | 0:33:17 | 0:33:19 | |
Yes, on TV? Yeah, yeah. | 0:33:19 | 0:33:21 | |
It's very good. It was my favourite. | 0:33:21 | 0:33:23 | |
That is fantastic, thank you very much. What do we say? | 0:33:23 | 0:33:27 | |
-Zivjeli! -Cheers, cheers, cheers! | 0:33:27 | 0:33:28 | |
-Zivjeli is the same. -Cheers. | 0:33:28 | 0:33:31 | |
For a good couple of days. | 0:33:33 | 0:33:35 | |
We've motored through the night to arrive at Korcula. | 0:33:46 | 0:33:50 | |
Like many of the islands along the Dalmatian coast, | 0:33:50 | 0:33:53 | |
this innocent place has been controlled, | 0:33:53 | 0:33:56 | |
invaded, given away and conquered by dozens of empires. | 0:33:56 | 0:34:01 | |
Greeks and Romans, Genoese, Venetians, Austrians, fascist Italians | 0:34:01 | 0:34:06 | |
and revolutionary French have all invaded it. | 0:34:06 | 0:34:09 | |
And now, it's our turn. | 0:34:09 | 0:34:12 | |
It's famous today as the birthplace of Marco Polo, although that's | 0:34:12 | 0:34:17 | |
contested by the Venetians, and for its sword dance, the Moreska. | 0:34:17 | 0:34:21 | |
Today they're practising under the watchful eye of master dancer Tony. | 0:34:24 | 0:34:28 | |
The solid steel swords are designed to spark when struck hard and produce the distinctive sound | 0:34:31 | 0:34:37 | |
and rhythm of the dance. | 0:34:37 | 0:34:39 | |
This, by the way, is an antecedent of morris dancing. | 0:34:39 | 0:34:43 | |
Bravo! Well done, well done. Hi, how are you? | 0:34:54 | 0:34:58 | |
-Hello, how are you? -Good. -Hello, how are you? | 0:34:58 | 0:35:03 | |
Explain to us what's going on. How many different dances are there that people do? | 0:35:03 | 0:35:09 | |
Basically, seven. | 0:35:09 | 0:35:11 | |
It's kind of a dance which used to be danced all over the Mediterranean in the past | 0:35:11 | 0:35:18 | |
to celebrate the victory over the Moors. | 0:35:18 | 0:35:21 | |
So that's where the name comes from, Moreska. | 0:35:21 | 0:35:23 | |
The period when the dance originated was the 16th century. | 0:35:23 | 0:35:28 | |
Basically, this one, this version, spread from Spain in the 11th century | 0:35:28 | 0:35:33 | |
and spread all over the Mediterranean. | 0:35:33 | 0:35:35 | |
-It looks very dangerous. -It is dangerous. -Oh, thank you. It is dangerous! | 0:35:35 | 0:35:40 | |
Have you seen the English morris dancing? | 0:35:40 | 0:35:44 | |
-Yes. -What do you think? -I don't. | 0:35:44 | 0:35:47 | |
I mean, in comparison with this, I wouldn't dare to call them sissies, but... | 0:35:50 | 0:35:57 | |
-Go on! -Go on! | 0:35:57 | 0:35:59 | |
-No, with all due respect, of course. -Of course! | 0:36:02 | 0:36:05 | |
-These are real swords. I mean, you see this scar? -Yeah. | 0:36:05 | 0:36:10 | |
It's like this. | 0:36:10 | 0:36:12 | |
That's from one of those swords. | 0:36:12 | 0:36:14 | |
-Tony, do any women take part in the dance? -No, only this one maiden, and basically, she's doing nothing. | 0:36:14 | 0:36:19 | |
I mean, she's having a role in this dialogue, and it ends with a kiss. | 0:36:19 | 0:36:25 | |
If we did it, could I play the maiden, please? | 0:36:25 | 0:36:29 | |
I'm not kissing you! | 0:36:29 | 0:36:32 | |
-Forget the kiss. -We never really had such an ugly one. | 0:36:32 | 0:36:36 | |
It happens regularly that somebody gets hit on the finger, | 0:36:36 | 0:36:39 | |
-and the finger breaks in about five pieces, and then they screw it together. -Excellent. | 0:36:39 | 0:36:45 | |
'With those words of reassurance, we can start to learn with confidence.' | 0:36:45 | 0:36:50 | |
At the same time, the same time. | 0:36:50 | 0:36:53 | |
'It's a rare thing that I actually get told to thrust a sword in Dara's face'. | 0:36:53 | 0:36:56 | |
-Now? -Yeah, that's what you do. | 0:36:56 | 0:37:00 | |
Great, OK. | 0:37:00 | 0:37:01 | |
'As ever, it look like the prospect of severe maiming or laceration is drawing a crowd'. | 0:37:01 | 0:37:07 | |
You do this, this and you go like this. | 0:37:07 | 0:37:10 | |
I go that side? Yes. | 0:37:10 | 0:37:13 | |
Other shows may, for one reason or another, sort of film the tourist | 0:37:13 | 0:37:17 | |
attractions, but we have come here to the Dalmatian coast and become | 0:37:17 | 0:37:23 | |
a tourist attraction ourselves, which is a first for British television, I think. | 0:37:23 | 0:37:27 | |
I notice once again that I am utterly redundant. | 0:37:31 | 0:37:33 | |
I suppose I could fall on my fake swords | 0:37:33 | 0:37:37 | |
while these two learn to bash each other over the head, which is something I'd quite like to see. | 0:37:37 | 0:37:42 | |
'Sadly, Griff, I don't think that's going to happen, as Dara appears to be stealing the show'. | 0:37:44 | 0:37:50 | |
That's good. | 0:37:52 | 0:37:53 | |
I'm loving this. | 0:37:53 | 0:37:56 | |
Rather pathetically, | 0:37:58 | 0:38:00 | |
I'm playing the left-handed card. | 0:38:00 | 0:38:03 | |
I did say to him, "Is it a problem if you're left-handed?" | 0:38:03 | 0:38:05 | |
He said "No, no... yes, it is, you out." | 0:38:05 | 0:38:08 | |
So once again, pretending to be left-handed has worked nicely for me. | 0:38:08 | 0:38:13 | |
I think it's time to teach him some morris dancing, isn't it? | 0:38:13 | 0:38:16 | |
-Yeah. -The sissy way. Let's get some sticks and beat him up. | 0:38:16 | 0:38:18 | |
Let's get some bells. | 0:38:18 | 0:38:19 | |
-He's good. He's good. -Ha, improvised there. | 0:38:21 | 0:38:24 | |
He's good. | 0:38:24 | 0:38:26 | |
The only thing, don't you agree, that's lacking... | 0:38:26 | 0:38:30 | |
-Costume. -Yeah. | 0:38:30 | 0:38:32 | |
I think you've got to put on the skirt and the bonnet. | 0:38:32 | 0:38:35 | |
-LAUGHTER AND APPLAUSE -Bravo! | 0:38:41 | 0:38:45 | |
It's the real thing. | 0:38:45 | 0:38:46 | |
Thank you. | 0:38:46 | 0:38:47 | |
Who will fight me? | 0:38:49 | 0:38:50 | |
Oh, them, probably. | 0:38:50 | 0:38:53 | |
Are you marking this? | 0:38:53 | 0:38:55 | |
I like the Arsenal strip. OK, orchestra! | 0:38:55 | 0:38:59 | |
Ah! | 0:39:09 | 0:39:10 | |
Trying to find a way out of this now. | 0:39:17 | 0:39:19 | |
Just die! > | 0:39:20 | 0:39:22 | |
-Hooray! -APPLAUSE | 0:39:23 | 0:39:25 | |
Come to the judges. | 0:39:28 | 0:39:29 | |
To be honest, I was kind of toying with them a bit there. | 0:39:33 | 0:39:37 | |
-AS LEN GOODMAN: -Dara, first of all, well done, son. | 0:39:38 | 0:39:41 | |
When you come on that floor, I thought, "He's not going to be a Moreska dancer", but when you got | 0:39:41 | 0:39:46 | |
into the dance, to be fair, you done a passable impression of a Moreska dancer and I thought "fair play". | 0:39:46 | 0:39:51 | |
You did a few stumbles, you weren't pointing your toes, | 0:39:51 | 0:39:54 | |
but you did a cracking good performance, so well done, son. ..Bruno. | 0:39:54 | 0:39:59 | |
-ITALIAN ACCENT: -Well, I liked it, but... | 0:39:59 | 0:40:02 | |
he was all over the place. | 0:40:02 | 0:40:04 | |
There was no passion from the Moreska. | 0:40:04 | 0:40:06 | |
You have to dance the Moreska with passion and precision, | 0:40:06 | 0:40:11 | |
and everything there was just a mess. | 0:40:11 | 0:40:13 | |
-He's a beginner, Bruno. -No, no! | 0:40:13 | 0:40:15 | |
I think he done all right. Give the boy a break. Anyway, let's score him. | 0:40:15 | 0:40:18 | |
7! | 0:40:18 | 0:40:20 | |
I can only give you 5. | 0:40:20 | 0:40:22 | |
Oh, boo. Boo. Boo. | 0:40:22 | 0:40:26 | |
Boo! BOOING | 0:40:26 | 0:40:28 | |
Yeah. | 0:40:28 | 0:40:29 | |
That's what I think of you and your marks. | 0:40:32 | 0:40:35 | |
We didn't get marks back when we were fighting the Moors-slash-the Turks, can't remember which. | 0:40:35 | 0:40:39 | |
Didn't get marked back then, did we? | 0:40:39 | 0:40:41 | |
I could wear this for the rest of the shoot, but these are the best. | 0:40:45 | 0:40:50 | |
Oh, that was a spark. | 0:40:51 | 0:40:54 | |
I'd take these home, | 0:40:54 | 0:40:55 | |
but surely there'd be a hand luggage issue with this. | 0:40:55 | 0:40:59 | |
Presumably they'd stop you with this. | 0:40:59 | 0:41:02 | |
Dara may have fallen in love with a pair of swords and a silly hat | 0:41:04 | 0:41:07 | |
but we can't sail to Italy on them, | 0:41:07 | 0:41:09 | |
so we must leave them and Korcula behind in search of a boat that can get us to Venice. | 0:41:09 | 0:41:14 | |
The skipper has been told to head for Vis. | 0:41:14 | 0:41:20 | |
Vis is the closest Croatian island to Italy. | 0:41:20 | 0:41:23 | |
It has a big harbour, lots of boats and tourists. | 0:41:23 | 0:41:28 | |
Perhaps this is where we will hop on to Venice. | 0:41:28 | 0:41:31 | |
In the meantime on this boat, we're sort of passengers. | 0:41:33 | 0:41:36 | |
Usually, we let off a rope or we pull on a rope | 0:41:36 | 0:41:40 | |
or we start the engine or something or go and look at the engine, | 0:41:40 | 0:41:44 | |
but we're just passengers, | 0:41:44 | 0:41:45 | |
so I'm just calculating the distance we've come. | 0:41:45 | 0:41:50 | |
20, 40, 60, 80... | 0:41:50 | 0:41:54 | |
120. | 0:41:54 | 0:41:55 | |
We've come about 130 miles. | 0:41:55 | 0:41:58 | |
We are still... | 0:41:58 | 0:42:01 | |
We're still about 100, 200 miles from Venice. | 0:42:01 | 0:42:05 | |
That's where we are. That's us. | 0:42:07 | 0:42:10 | |
Here is Croatia, | 0:42:10 | 0:42:14 | |
and here... | 0:42:14 | 0:42:16 | |
is the island of Vis. | 0:42:16 | 0:42:21 | |
And we are... | 0:42:21 | 0:42:22 | |
# Doodle-oddle-ooo! # | 0:42:22 | 0:42:25 | |
..5.4 nautical miles from the entrance to Vis. | 0:42:26 | 0:42:31 | |
Good, isn't it? | 0:42:36 | 0:42:38 | |
Lying just 60 miles from Italy, Vis has always been of huge strategic importance, | 0:42:44 | 0:42:49 | |
and has throughout its long history been fought over in countless naval battles. | 0:42:49 | 0:42:54 | |
During the Second World War | 0:42:54 | 0:42:55 | |
it was both where the British fleet was stationed and home to Tito's Partisans. | 0:42:55 | 0:43:00 | |
What we're getting here is an inter-connectiveness, | 0:43:02 | 0:43:05 | |
because this is also Tito country. | 0:43:05 | 0:43:08 | |
-We left Tito country before. -Yeah. | 0:43:08 | 0:43:10 | |
Evelyn Waugh was here as well, and he was working for the commandos. | 0:43:10 | 0:43:14 | |
Oh, yeah. What did he say about Tito? | 0:43:14 | 0:43:18 | |
He decided that Tito, who was quite difficult to meet | 0:43:18 | 0:43:22 | |
and was living in the cave next door, was a lesbian. | 0:43:22 | 0:43:25 | |
And so in order to amuse himself and the rest of the British contingent, | 0:43:25 | 0:43:29 | |
he put it about that Tito was a lesbian, which annoyed Tito so much | 0:43:29 | 0:43:32 | |
that he came down when they went on a swimming expedition, | 0:43:32 | 0:43:35 | |
-Tito wore a particularly skimpy pair of swimming trunks... -He put it about as well, Tito. | 0:43:35 | 0:43:40 | |
-..in order to reveal that he was, in fact, all man. -Yes. | 0:43:40 | 0:43:43 | |
THEY CHUCKLE | 0:43:43 | 0:43:45 | |
Yes. | 0:43:45 | 0:43:46 | |
As we enter the harbour, one thing is striking - the lack of boats. | 0:43:49 | 0:43:55 | |
Usually, this harbour would be teaming with them, | 0:43:55 | 0:43:59 | |
but that's in the summer, not in April. | 0:43:59 | 0:44:02 | |
Still, there are lots of things to recommend Vis, despite the absence of boats. | 0:44:04 | 0:44:10 | |
One is the absence of cars. | 0:44:10 | 0:44:12 | |
So Rory and I get on our bikes and create the absence of Dara. | 0:44:12 | 0:44:16 | |
You're on the wrong side of the road, by the way. | 0:44:16 | 0:44:19 | |
'Because Vis was a military base, it was closed to tourists until 1998, | 0:44:19 | 0:44:24 | |
'and so it is an unspoilt gem of an island | 0:44:24 | 0:44:26 | |
'where the locals carry on their traditional way of life, farming and fishing.' | 0:44:26 | 0:44:31 | |
Most importantly for me, however, it's reputed to produce the best wine in the Balkans. | 0:44:35 | 0:44:40 | |
And since we're moored for the night, I'm stocking up for the evening | 0:44:42 | 0:44:47 | |
at the cellars of a local vineyard housed in an old World War II bunker. | 0:44:47 | 0:44:51 | |
-This is 2006. This is very good wine. -It's drinking well. | 0:44:52 | 0:44:59 | |
-A little dry. -Yeah. -A little bit of tannin on it. Little bit of acid in the taste. | 0:44:59 | 0:45:04 | |
-Yeah, there is a lot of tannin, you know. -Yeah. | 0:45:04 | 0:45:08 | |
I'm trying to do the language thing. | 0:45:08 | 0:45:10 | |
I'm just enjoying the drink, to be honest, I really don't know... | 0:45:10 | 0:45:13 | |
how to communicate this to your television, | 0:45:13 | 0:45:15 | |
other than you can see the speed at which I'm drinking it... | 0:45:15 | 0:45:19 | |
-This is really good. This is very nice, it's 2006? -2006. | 0:45:19 | 0:45:23 | |
The 2006s are drinking very well. They are drinking excellently. | 0:45:23 | 0:45:27 | |
On the edge of town, we discover that wherever foreign empires have gone | 0:45:31 | 0:45:36 | |
the British have inevitably got stuck in too. | 0:45:36 | 0:45:39 | |
"After more than 100 years, British soldiers and sailors who fought and died for their country's honour | 0:45:42 | 0:45:48 | |
"on the seas and islands of Dalmatia have been laid to rest in this island cemetery, 1944." | 0:45:48 | 0:45:55 | |
After more than 100 years? | 0:45:55 | 0:45:58 | |
That must have been 1844. | 0:45:59 | 0:46:01 | |
"Here dead lie we, because we did not choose to live | 0:46:01 | 0:46:06 | |
"and shame the land from which we sprung. | 0:46:06 | 0:46:09 | |
"Life, to be sure, is nothing much to lose, | 0:46:09 | 0:46:13 | |
"but young men think it is and we were young." | 0:46:13 | 0:46:17 | |
It's a very serene place. | 0:46:20 | 0:46:22 | |
Look where we're standing. | 0:46:22 | 0:46:24 | |
We're standing on hallowed ground. | 0:46:24 | 0:46:27 | |
Vis was not just an important British base in the Second World War | 0:46:27 | 0:46:32 | |
but also during the Napoleonic Wars a century earlier. | 0:46:32 | 0:46:37 | |
It's wine of the island, is it? | 0:46:38 | 0:46:41 | |
It is wine of the island, and it's stored in Marshal Tito's caves. | 0:46:41 | 0:46:44 | |
Better than that - the wine's good, but better than that, he runs a cricket team. | 0:46:44 | 0:46:50 | |
-Marshal Tito played cricket? -Marshal Tito played... | 0:46:50 | 0:46:53 | |
No, you've mixed up the different things here. | 0:46:53 | 0:46:56 | |
Tito didn't play cricket. The wine-maker, Tony, plays cricket. | 0:46:56 | 0:46:58 | |
They have a cricket team, and they'd like us to compete on their behalf against a German cricket team. | 0:46:58 | 0:47:03 | |
Is Tony English? | 0:47:03 | 0:47:05 | |
No, he's local. It's a Croatian-based cricket team. | 0:47:05 | 0:47:09 | |
Presumably when there was a British Army...resting here, they played cricket, | 0:47:09 | 0:47:15 | |
and whoever was the general there was missing home terribly. | 0:47:15 | 0:47:18 | |
-We saw the plaque. -Ah. | 0:47:18 | 0:47:20 | |
We went to the cemetery and we saw the plaque about the Napoleonic wars. | 0:47:20 | 0:47:24 | |
As the only English person between the Welshman and the Irishman, can I just say that I never real... | 0:47:24 | 0:47:31 | |
MEN SING | 0:47:31 | 0:47:33 | |
-..really liked cricket very much. -That was unexpected. | 0:47:33 | 0:47:36 | |
I think you're going to have to grow to like it. | 0:47:36 | 0:47:39 | |
THEY SING IN THEIR NATIVE TONGUE | 0:47:39 | 0:47:41 | |
'Magellan is, after all, a sort of mini-cruise ship, | 0:47:41 | 0:47:46 | |
'and in-keeping with that, entertainment has been laid on, | 0:47:46 | 0:47:49 | |
'although this group's day job is in the local docks.' | 0:47:49 | 0:47:52 | |
Bravo! | 0:48:26 | 0:48:27 | |
Can we offer you a glass of wine? | 0:48:29 | 0:48:32 | |
-You sing another song and I'll get some glasses. -You get the glasses. | 0:48:32 | 0:48:35 | |
I'll get some glasses. | 0:48:35 | 0:48:38 | |
THEY RESUME SINGING | 0:48:38 | 0:48:40 | |
# We all live in a yellow submarine | 0:48:56 | 0:48:59 | |
# A yellow submarine | 0:48:59 | 0:49:00 | |
# A yellow submarine | 0:49:00 | 0:49:02 | |
# And the band begins to play... | 0:49:02 | 0:49:06 | |
# Ba-ba-ba-bam | 0:49:06 | 0:49:08 | |
# Bam-bam bam-bam-bam Ba-ba-ba-bam bam-bam-bam | 0:49:08 | 0:49:11 | |
# We all live in a yellow submarine... # | 0:49:11 | 0:49:16 | |
I like the Magellan, but I haven't seen a sail since we left Dubrovnik. | 0:49:20 | 0:49:25 | |
Fortunately for me, circumstances and a crate of island wine | 0:49:25 | 0:49:29 | |
have conspired to give me a little bit of time to indulge myself at the other end of the island, | 0:49:29 | 0:49:34 | |
in Komiza. | 0:49:34 | 0:49:36 | |
It's great to be here so early, not just early in the morning, but early in the season. | 0:49:36 | 0:49:43 | |
It just feels...pure, | 0:49:43 | 0:49:48 | |
and not many Mediterranean places feel pure. | 0:49:48 | 0:49:51 | |
I'm looking for Pino. | 0:49:51 | 0:49:53 | |
'Pino owns a traditional fishing boat, and he's agreed to take me out in it.' | 0:49:53 | 0:49:59 | |
-Morning, Pino. -Morning. | 0:49:59 | 0:50:02 | |
-How are you today? -I'm good. | 0:50:02 | 0:50:04 | |
Where are your friends? | 0:50:04 | 0:50:06 | |
They're asleep. The trouble is, they're only moderately interested in a lovely boat like this. | 0:50:06 | 0:50:12 | |
And I like the boat a lot. | 0:50:12 | 0:50:15 | |
-Can I give you a hand? -Yes, please. | 0:50:15 | 0:50:18 | |
OK, I'll jump aboard. | 0:50:18 | 0:50:20 | |
The falkusa boat is not only sleek and beautiful, it's efficient and beautiful. | 0:50:27 | 0:50:31 | |
The 500-year-old design is unique to Komiza. | 0:50:31 | 0:50:36 | |
The fleet race out to the fishing grounds in order to get the best fishing spot, | 0:50:36 | 0:50:40 | |
and race back to be first in the market. | 0:50:40 | 0:50:44 | |
It was a fast boat, capable of carrying eight tonnes of fish | 0:50:44 | 0:50:47 | |
on a 25-day trip, and now they've all gone. | 0:50:47 | 0:50:52 | |
OK, now we're sailing. | 0:50:52 | 0:50:55 | |
-Very good. -We can go to Italy. | 0:50:55 | 0:50:58 | |
Yes! 'This is a replica, but it sails like the original.' | 0:50:58 | 0:51:01 | |
-She's sailing herself? -Yeah. | 0:51:01 | 0:51:04 | |
That's the point of every sailing boat. | 0:51:04 | 0:51:09 | |
Yeah, very nicely balanced. | 0:51:09 | 0:51:10 | |
'With the lateen sail set correctly she can hit a speed of 12 knots, | 0:51:10 | 0:51:15 | |
'and they say the rudder starts to quiver like a contented cat.' | 0:51:15 | 0:51:18 | |
Look at that! | 0:51:18 | 0:51:20 | |
The bowsprit is sort of bending completely over. | 0:51:20 | 0:51:25 | |
Yeah, now it's purring. | 0:51:27 | 0:51:29 | |
It's purring! | 0:51:29 | 0:51:30 | |
It's purring now, I can feel it in my hand. | 0:51:30 | 0:51:33 | |
'I suppose heading to Venice on my own is not allowed.' | 0:51:41 | 0:51:44 | |
-You ready? You want a soft one? -Yeah, go on. Nice and gentle. | 0:51:54 | 0:51:59 | |
Oh, nice. | 0:51:59 | 0:52:01 | |
-That's the best it's going to be today. -Rory... -Oh, hello. -Hi. | 0:52:01 | 0:52:05 | |
-How was the fishing? -It was good. | 0:52:05 | 0:52:07 | |
I've got some fish, but we didn't fish for it. | 0:52:07 | 0:52:09 | |
Did they come from the fishmongers? | 0:52:09 | 0:52:11 | |
Yes, I got them from the stall in the market. | 0:52:11 | 0:52:14 | |
-Very good. What are they? -I don't know. | 0:52:14 | 0:52:16 | |
A couple of red ones and a big, fat, grey one. | 0:52:16 | 0:52:18 | |
That sounds like us! | 0:52:18 | 0:52:20 | |
It's a perfect description. | 0:52:20 | 0:52:22 | |
Is this the cricket pitch? | 0:52:22 | 0:52:25 | |
-Yeah. -Yes. | 0:52:25 | 0:52:26 | |
-What are we doing? -We're playing cricket against the MCC. | 0:52:26 | 0:52:30 | |
The Munich Cricket Club. | 0:52:30 | 0:52:32 | |
There are two dogs running around, and every time the ball is thrown, | 0:52:32 | 0:52:36 | |
one of the dogs picks the ball up and runs off into the bushes with it. | 0:52:36 | 0:52:40 | |
-That's our only hope. -Aim for the dogs. -OK. | 0:52:40 | 0:52:43 | |
See you in a minute. | 0:52:43 | 0:52:44 | |
I don't know what to do with my fish now. | 0:52:44 | 0:52:46 | |
-It'll go off, won't it? -Why did he bring fish to a cricket match? | 0:52:46 | 0:52:52 | |
Well, this is a very tough looking team from Munich. | 0:53:00 | 0:53:04 | |
But unlike most German cricketers I know, they look like they know what they're doing, | 0:53:04 | 0:53:09 | |
mainly because they're British expat bankers. | 0:53:09 | 0:53:12 | |
Then there's us, completely clueless. | 0:53:12 | 0:53:16 | |
And believing our ignorance to be modesty, captain Craig is putting us in to bat first. | 0:53:16 | 0:53:22 | |
-You guys need to wear a box. -Now you tell us. | 0:53:22 | 0:53:25 | |
-It's best to put them on before you put your pads on. -OK. | 0:53:25 | 0:53:29 | |
-Has that been washed? -It's been drunk out of, but never washed. | 0:53:29 | 0:53:34 | |
-It's a bit supermar... -I haven't got that much to protect. | 0:53:34 | 0:53:38 | |
If you just need a junior... | 0:53:38 | 0:53:40 | |
We don't share the pads, but we do share the boxes. | 0:53:40 | 0:53:44 | |
Especially in this heat... Oh, I'm not wearing that one. | 0:53:44 | 0:53:47 | |
-Where has that come from? -It's had a lot of runs, has this. | 0:53:47 | 0:53:50 | |
-YORKSHIRE ACCENT: -It's had a lot of runs, that one. Aye. | 0:53:50 | 0:53:55 | |
-That box has seen some trouble, that box! -Forward to new victories. | 0:53:55 | 0:53:59 | |
-Are you ready to go? -Let's do it. -This is the tradition round here. -Oh! It's come out the back. | 0:53:59 | 0:54:04 | |
Here we go. | 0:54:04 | 0:54:06 | |
Thank you. | 0:54:07 | 0:54:09 | |
So here, off the coast of Dalmatia, where the ancient Greeks | 0:54:09 | 0:54:12 | |
and Romans first left traces of their civilisation, | 0:54:12 | 0:54:15 | |
where the galleys of Venice plied their trade, | 0:54:15 | 0:54:18 | |
where the Ottoman empire came knocking at the door, | 0:54:18 | 0:54:22 | |
where the Serbs, Montenegrins, Bosnians and Croatians struggled for their identity, | 0:54:22 | 0:54:26 | |
the British have left behind a perfect way of wasting a sunny afternoon. | 0:54:26 | 0:54:33 | |
And Dara's first to bat. | 0:54:33 | 0:54:34 | |
Let's see what he can do against the German attack. | 0:54:34 | 0:54:38 | |
Oh, that's a good first ball. | 0:54:40 | 0:54:42 | |
He just needs to find his line and length. | 0:54:42 | 0:54:44 | |
Just toying with him. | 0:54:44 | 0:54:46 | |
And Dara just needs to find where the wicket is. | 0:54:46 | 0:54:50 | |
-It's not there. -Don't let them suck you in, Dara. | 0:54:52 | 0:54:55 | |
Yeah, I can see what he's doing. | 0:54:55 | 0:54:57 | |
Oh, bugger me! And a little cheeky hook goes for a four. | 0:55:00 | 0:55:05 | |
Well, he's got his eye, and this one goes sky high, over the boundary for a six. | 0:55:05 | 0:55:12 | |
Who'd have thought it? | 0:55:12 | 0:55:15 | |
We're going nowhere, Dara, today. | 0:55:17 | 0:55:19 | |
Get some sandwiches, folks. We're bedding in. | 0:55:19 | 0:55:22 | |
Bowler changes ends and McGrath faces his first ball, | 0:55:22 | 0:55:26 | |
and his second, his third and his fourth. | 0:55:26 | 0:55:30 | |
Lunch? | 0:55:30 | 0:55:32 | |
Well, no score there, but the first ball... Oh, that does the damage! | 0:55:34 | 0:55:39 | |
Out for ten. | 0:55:39 | 0:55:41 | |
Lovely! | 0:55:41 | 0:55:43 | |
-Watch out for Igor, that's all I'm saying. -Igor? | 0:55:45 | 0:55:48 | |
Igor is the man who got me out. | 0:55:48 | 0:55:50 | |
OK, is your box in the right place? | 0:55:50 | 0:55:52 | |
-I don't know. -Is it protecting everything you need to protect? | 0:55:52 | 0:55:54 | |
You've already got kids, so it's nothing major. | 0:55:54 | 0:55:57 | |
The fear has overcome me. Whatever was down there... | 0:55:57 | 0:55:59 | |
You're past breeding age, it's all right. | 0:55:59 | 0:56:02 | |
'So Rhys Jones at the crease to face his first ball. | 0:56:02 | 0:56:06 | |
'Look at the authority, show them who's boss. | 0:56:06 | 0:56:10 | |
'Down to McGrath. He makes contact. | 0:56:10 | 0:56:13 | |
'Oh, the Germans have caught him! Wunderbar. | 0:56:13 | 0:56:16 | |
'Das war wunderbar. McGrath is kaput. | 0:56:16 | 0:56:19 | |
'But Rhys Jones is making a stand. He's putting runs on the board. | 0:56:22 | 0:56:26 | |
'How long can he last in the midday sun? | 0:56:26 | 0:56:30 | |
'That's how long he lasts. He's out, he's out. | 0:56:30 | 0:56:33 | |
-'He's gone. One of the great innings is over.' -Thank you. | 0:56:33 | 0:56:37 | |
'He walks away with a four. | 0:56:37 | 0:56:38 | |
'O'Briain got ten. | 0:56:38 | 0:56:41 | |
'McGrath got nothing. | 0:56:41 | 0:56:42 | |
'Time for tea.' | 0:56:42 | 0:56:44 | |
It's interesting the way cricket is a great game for revealing the true nature of a man. | 0:56:44 | 0:56:49 | |
Griff was edgy and nervous, Rory was avuncular and predominantly static | 0:56:49 | 0:56:54 | |
and I was swashbuckling and ultimately doomed to tragic failure, but heroically. | 0:56:54 | 0:57:01 | |
And now we just sit in a field in the sun for the rest of the day. | 0:57:01 | 0:57:05 | |
You can see why the Irish have really taken to cricket. | 0:57:05 | 0:57:08 | |
-'Next time...' -We're on blag alert. | 0:57:10 | 0:57:14 | |
-Are you going to Venice? -No, no, no. | 0:57:14 | 0:57:16 | |
-OK. -'The race to find a boat to Venice gets desperate.' | 0:57:16 | 0:57:19 | |
I don't know if I can go through with this. | 0:57:19 | 0:57:22 | |
I'm just not made to beg for a lift. | 0:57:22 | 0:57:25 | |
'And so does Rory.' | 0:57:25 | 0:57:27 | |
-Do you speak English? -Of course. | 0:57:27 | 0:57:30 | |
'Griff finds his idea of boating perfection.' | 0:57:30 | 0:57:35 | |
'And gets in the way of mine.' I can't see the sunset, because you're in the way! | 0:57:35 | 0:57:39 | |
'But whether on the water, under it, or even over it...' | 0:57:39 | 0:57:43 | |
You could be in Pula on Tuesday? | 0:57:43 | 0:57:46 | |
'..our chances of getting to Venice start to evaporate.' | 0:57:46 | 0:57:49 | |
OK, that might well be a problem. | 0:57:49 | 0:57:51 | |
'And alarmingly, so too do Griff's clothes.' | 0:57:51 | 0:57:53 | |
-Nut? -No fear! | 0:57:53 | 0:57:56 | |
Subtitles by Red Bee Media | 0:58:17 | 0:58:20 | |
E-mail [email protected] | 0:58:20 | 0:58:23 |