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'So far on our Balkan journey...' | 0:00:02 | 0:00:04 | |
Griff is still up there. Griff is still up there. | 0:00:04 | 0:00:06 | |
'We've nearly lost Griff to hyperthermia.' | 0:00:06 | 0:00:09 | |
I'm not getting up from here! | 0:00:09 | 0:00:10 | |
'We've nearly lost Rory to a drunken stupor.' | 0:00:10 | 0:00:13 | |
You put your head in here like this. | 0:00:13 | 0:00:16 | |
'And nearly lost Dara in a sword fight.' | 0:00:16 | 0:00:19 | |
-Seven! -I can only give you five. | 0:00:19 | 0:00:22 | |
Oh! | 0:00:22 | 0:00:23 | |
'But as our journey continues, clothes are shed.' | 0:00:23 | 0:00:26 | |
-Nut? -No fear. | 0:00:26 | 0:00:29 | |
'Reputations are lost.' | 0:00:29 | 0:00:31 | |
Who are ya? Who are ya? | 0:00:31 | 0:00:34 | |
'And gondolas scatter...' | 0:00:34 | 0:00:36 | |
Apparently there's something serious happening here. | 0:00:36 | 0:00:39 | |
-'..As the three men fly... -blow...' | 0:00:39 | 0:00:42 | |
-It's looking wonderful. -I can't bear to watch. | 0:00:42 | 0:00:44 | |
'..and dive their way to Venice | 0:00:44 | 0:00:46 | |
'for a rowing race on one of the busiest waterways in the world - | 0:00:46 | 0:00:51 | |
'the Grand Canal.' | 0:00:51 | 0:00:53 | |
Come on, Rory. Come on. | 0:00:53 | 0:00:55 | |
Having left the island if Vis, we are back on board the Magellan | 0:01:02 | 0:01:07 | |
travelling north, threading our way through some of Croatia's 1,200 islands | 0:01:07 | 0:01:13 | |
and we have an escort. | 0:01:13 | 0:01:15 | |
Oh, they're just playing underneath us here. That's incredible. | 0:01:15 | 0:01:20 | |
The speed! | 0:01:20 | 0:01:22 | |
Unfortunately, the Magellan could only take us as far as the city | 0:01:24 | 0:01:28 | |
of Split and from there we need to find another boat. | 0:01:28 | 0:01:32 | |
'Lucky then that Split's annual boat show happens to be on this weekend.' | 0:01:32 | 0:01:38 | |
I'm not looking forward to it at all to be honest, | 0:01:38 | 0:01:40 | |
because boat shows tend to be lots of free champagne | 0:01:40 | 0:01:44 | |
and stunning bikini clad girls draped over boats and things, | 0:01:44 | 0:01:49 | |
but I'll force one down. | 0:01:49 | 0:01:51 | |
We have to blag a boat to Venice, so what we have to do is, genuinely, we have to see... | 0:01:54 | 0:01:58 | |
It's a bad time of year for ferries and, you know, driving across | 0:01:58 | 0:02:02 | |
takes two days and it's going to be an awkward transit | 0:02:02 | 0:02:05 | |
unless we can get some sort of yacht there | 0:02:05 | 0:02:08 | |
that would like to have us for the charm of us, and would bring us | 0:02:08 | 0:02:12 | |
across the Adriatic to Venice to finish the whole thing off. | 0:02:12 | 0:02:15 | |
So we're on blag alert. | 0:02:15 | 0:02:17 | |
Split is the largest city in Dalmatia and for the past 13 years, | 0:02:20 | 0:02:25 | |
boat enthusiasts from across Europe have flocked here to salivate over the latest luxury yachts. | 0:02:25 | 0:02:31 | |
Many of these enthusiasts are Italian. We're banking on | 0:02:32 | 0:02:36 | |
there being someone travelling back to Venice in the next few days with room for an extra three. | 0:02:36 | 0:02:43 | |
And a camera crew of course. | 0:02:43 | 0:02:45 | |
Being here out of season means there are no direct ferries or flights, | 0:02:45 | 0:02:49 | |
so it's crucial we make some contacts. | 0:02:49 | 0:02:51 | |
RORY GREETS IN CROATIAN | 0:02:51 | 0:02:53 | |
-Kako si? -Super. | 0:02:53 | 0:02:55 | |
Super? That's an English word. | 0:02:55 | 0:02:58 | |
-No, Croatian. -Is that Croatian? | 0:02:58 | 0:03:00 | |
-Do you speak English? -In English and in Croatian. | 0:03:00 | 0:03:02 | |
-That's good. You speak English. -Yes. -Yes. -Very good. | 0:03:02 | 0:03:05 | |
Do you think the first thing to do is to select the boat that we think we might... | 0:03:06 | 0:03:10 | |
We'd better not just go for the first one we see. | 0:03:10 | 0:03:13 | |
We're going to have to go to all of them and be told no by all them. | 0:03:13 | 0:03:17 | |
I don't know if I can go through with it. | 0:03:17 | 0:03:20 | |
I'm just not made to beg for a lift. | 0:03:20 | 0:03:23 | |
Are you going to Venice in the next... | 0:03:25 | 0:03:27 | |
-No. -OK. No problem at all. We'll move on. | 0:03:27 | 0:03:30 | |
There's no chance you're going to Venice in the next few days? | 0:03:30 | 0:03:33 | |
-Yeah, yeah, yeah. -When do you go to Venice? | 0:03:33 | 0:03:35 | |
I go...two years ago, I go to Venice for a carnival. | 0:03:35 | 0:03:38 | |
But you're not going to Venice in the next few days? | 0:03:38 | 0:03:41 | |
-Ah, no. -No. -No. No, no, no. | 0:03:41 | 0:03:44 | |
'Meanwhile, I have better tactics for securing a vessel. | 0:03:47 | 0:03:51 | |
'Secure a PR girl to get one for me.' | 0:03:51 | 0:03:54 | |
I'm looking for a... Ah! Excuse me, you're an organiser? | 0:03:54 | 0:03:58 | |
-Yes. -I'm Rory with the BBC. -Very nice to meet you. | 0:03:58 | 0:04:02 | |
I was wondering if someone could show me around the show. | 0:04:02 | 0:04:05 | |
Around the fair. Of course, why not. | 0:04:05 | 0:04:07 | |
So we need a boat to take us. Do you think I'll be able to find a boat here | 0:04:10 | 0:04:15 | |
that will take me to Venice? | 0:04:15 | 0:04:17 | |
-Of course. -I've got ten Kuna on me. | 0:04:17 | 0:04:20 | |
-You have ten Kuna. -Yeah. -Enough! -Are you sure? | 0:04:20 | 0:04:23 | |
-I will find something for you. -OK, you can do the haggling. | 0:04:23 | 0:04:26 | |
We should explain to Rory that ten Kuna is just over a pound. | 0:04:26 | 0:04:30 | |
Wow. We just got this for free. | 0:04:31 | 0:04:33 | |
That's the point of going to these things, isn't it? | 0:04:33 | 0:04:36 | |
Exactly. It's our first freebie. Let's see... | 0:04:36 | 0:04:39 | |
Even if we don't get a free ride to Venice, | 0:04:39 | 0:04:41 | |
let's see how many other freebies we can pick up en route. | 0:04:41 | 0:04:44 | |
This looks like some sort of key ring but that is a raincoat. | 0:04:44 | 0:04:47 | |
-That is an entire raincoat. -Is it? | 0:04:47 | 0:04:49 | |
Yeah. What, you thought it was just a small plastic ball? | 0:04:49 | 0:04:52 | |
I thought it was a floaty key ring, | 0:04:52 | 0:04:54 | |
so when you dropped your keys overboard | 0:04:54 | 0:04:57 | |
they float and they don't go to the bottom of the ocean. | 0:04:57 | 0:04:59 | |
-But it's a raincoat as well. -And a floaty key ring. | 0:04:59 | 0:05:01 | |
Wow. That's very, very good. | 0:05:01 | 0:05:04 | |
'Our search was becoming just a tad futile. | 0:05:06 | 0:05:11 | |
'But then it dawned on us that all the people who owned big boats are rich and flashy, | 0:05:11 | 0:05:15 | |
'and how do they flash the rest of the world their wealth when not lounging on their sundeck?' | 0:05:15 | 0:05:20 | |
Once you've got a cigar on, they'll show you onto any boat you like. | 0:05:20 | 0:05:26 | |
We are now ostentatiously mingling. | 0:05:28 | 0:05:30 | |
We've given up on the boat, we're ostentatiously mingling | 0:05:30 | 0:05:34 | |
with the cigar club in the hope they might offer us free cigars. | 0:05:34 | 0:05:37 | |
'To get in with the in crowd, Dara takes the bullet and the stogy | 0:05:37 | 0:05:43 | |
'and unbelievably it works.' | 0:05:43 | 0:05:45 | |
What sort of boat do you have here? | 0:05:45 | 0:05:48 | |
We saw it. It was one of the first. | 0:05:48 | 0:05:50 | |
-It's black. -Oh, yes, we saw it. Very smart. -Very, very nice. | 0:05:50 | 0:05:53 | |
The lovely Daya has a contact she thinks could help me. | 0:05:55 | 0:06:00 | |
She's saying, "Is this boat going to Venice?" | 0:06:03 | 0:06:07 | |
She might not be, she might be ordering a pizza for all I know. | 0:06:07 | 0:06:12 | |
'That's thin crust, extra pepperoni, no anchovies.' | 0:06:12 | 0:06:15 | |
'Our man from the cigar club has done us proud. | 0:06:17 | 0:06:20 | |
'The Italian built Leonard is 72-foot with twin engines, | 0:06:20 | 0:06:24 | |
'four cabins and a top speed of 45 knots. Very nice.' | 0:06:24 | 0:06:28 | |
A bit gymnastic, isn't it? | 0:06:28 | 0:06:30 | |
Now this is exceptionally beautiful. | 0:06:31 | 0:06:34 | |
-Look at this up here. -There's nothing spared here. | 0:06:34 | 0:06:38 | |
I like the three in a row. | 0:06:38 | 0:06:40 | |
Three men in a boat. | 0:06:40 | 0:06:41 | |
-It's perfect. This is perfect. -That is our programme, it's called Three Men In A Boat. | 0:06:41 | 0:06:46 | |
Three Men In A Boat. We are two of them. | 0:06:46 | 0:06:48 | |
The third man you wouldn't have taken seriously at all. | 0:06:48 | 0:06:51 | |
You're very good at this. Have you been on television? | 0:06:51 | 0:06:54 | |
You should, you'd be very good. | 0:06:54 | 0:06:57 | |
You could read the news, present a quiz show. | 0:06:57 | 0:07:00 | |
Shall we show you what we managed to get? | 0:07:05 | 0:07:07 | |
Go on. | 0:07:07 | 0:07:09 | |
We got a free... It's got a rain mac inside it and it floats. | 0:07:09 | 0:07:14 | |
Are we going to Venice on this? | 0:07:14 | 0:07:16 | |
We're going to string them together and then we can kick. | 0:07:16 | 0:07:18 | |
That's fantastic. Is this for me? | 0:07:18 | 0:07:20 | |
-And then we went and Dara bought... -I got a cigar. | 0:07:20 | 0:07:24 | |
-I blagged a cigar... -What sort of boat? | 0:07:24 | 0:07:26 | |
We got an eight berth speedy cruiser job. | 0:07:26 | 0:07:32 | |
It's really, like really... It's a £3 million boat. | 0:07:32 | 0:07:35 | |
-A cheap boat? -I don't think there is a bigger boat in this thing. | 0:07:35 | 0:07:38 | |
-Shall I show you what I've got? -OK. Yeah, please. | 0:07:38 | 0:07:41 | |
'This Italian-built Austin Parker 52-foot open has three cabins, | 0:07:41 | 0:07:46 | |
'en suite, a top speed of 34 knots | 0:07:46 | 0:07:49 | |
'and a range of 340 in nautical miles. Perfect.' | 0:07:49 | 0:07:53 | |
-Isn't it beautiful? -I'm so pleased you like it, Griff! | 0:07:53 | 0:07:58 | |
GRIFF CHUCKLES Yeah, it's nice, yeah. | 0:07:58 | 0:08:00 | |
-It took a blonde girl with a short skirt to get this. -Well done. | 0:08:00 | 0:08:04 | |
-Now this, Griff, is what they call my bedroom. -OK. | 0:08:06 | 0:08:10 | |
Is this the master bedroom? | 0:08:10 | 0:08:13 | |
This is the master bedroom and the interesting thing is we turned | 0:08:13 | 0:08:17 | |
the position of the bed that way, | 0:08:17 | 0:08:19 | |
that you don't know where the main direction of the boat is. | 0:08:19 | 0:08:23 | |
If you are laying here, try it. | 0:08:23 | 0:08:25 | |
-Go on, Griff, you try it. -This is your bedroom. | 0:08:25 | 0:08:28 | |
-Am I allowed to try it? -I'm thinking of your back. | 0:08:28 | 0:08:33 | |
-Where's the bow of the boat? -There? | 0:08:33 | 0:08:35 | |
-No. It's there. -Is it? | 0:08:35 | 0:08:37 | |
-Oh! -So it's turned. -The whole thing has turned. | 0:08:37 | 0:08:42 | |
This is what we call the blagger's bedroom. | 0:08:42 | 0:08:45 | |
All Griff needs to know is where is the toilet | 0:08:45 | 0:08:48 | |
for the middle of the night? | 0:08:48 | 0:08:50 | |
As long as that's not disguised by some optical illusion, | 0:08:50 | 0:08:52 | |
he's going to be all right in the middle of the night. | 0:08:52 | 0:08:55 | |
Well, at my age you know, yes. | 0:08:55 | 0:08:57 | |
'The boat show had another two days to go, | 0:08:58 | 0:09:01 | |
'so we have to wait for our lift. | 0:09:01 | 0:09:04 | |
'In the meantime, we're going to continue island hopping | 0:09:04 | 0:09:07 | |
'up the coast on the Kapetan MRS, | 0:09:07 | 0:09:10 | |
'a former chemical tanker that delivers drinking water.' | 0:09:10 | 0:09:14 | |
-Hello. Are you Captain Mrs? -Hello. | 0:09:14 | 0:09:17 | |
-I am not Mrs I am Mr. -Mr Captain. | 0:09:17 | 0:09:20 | |
-Mr Captain, how are you? -Griff, Dara, Rory. | 0:09:20 | 0:09:23 | |
'It's just finished filling with water and is ready to go. | 0:09:24 | 0:09:28 | |
'All that needs to be done is the storage of the filling hose.' | 0:09:28 | 0:09:31 | |
'Just how many men does it take to roll up a hose?' | 0:09:32 | 0:09:35 | |
Like this, you roll and pull. | 0:09:35 | 0:09:37 | |
-Roll and pull. -This has to be like this. | 0:09:37 | 0:09:41 | |
It's beyond us - three men and the Captain. | 0:09:41 | 0:09:43 | |
Are they thirsty on the islands, because this could take some time? | 0:09:43 | 0:09:47 | |
-More, more, more, more. -Now you're doing well. | 0:09:47 | 0:09:51 | |
We're supposed to be on a luxury yacht, remember that bit? | 0:09:51 | 0:09:54 | |
-Don't roll it up! Why are you rolling it up? -Pull, Griff, pull. | 0:09:54 | 0:09:58 | |
-Jesus! -I was looking for a Laurel and Hardy moment. | 0:09:58 | 0:10:00 | |
Like Lady And The Tramp? Where you both meet in the middle? | 0:10:00 | 0:10:04 | |
The Kapetan MRS was built during the Communist era in Croatia. | 0:10:09 | 0:10:14 | |
As a result, all the steel is just that little bit thicker. | 0:10:14 | 0:10:18 | |
There are just a few more rivets. | 0:10:18 | 0:10:21 | |
Everything is 100 per cent more sturdy than those flimsy, | 0:10:21 | 0:10:25 | |
mass produced, fibreglass gin palaces that Dara likes so much. | 0:10:25 | 0:10:30 | |
Look at this. | 0:10:35 | 0:10:38 | |
Plenty of room for deck quoits, whatever you need here. | 0:10:38 | 0:10:42 | |
Here's the galley. Everybody hard at work producing lunch. | 0:10:42 | 0:10:45 | |
Huge! Huge by comparison to those plastic boats. | 0:10:50 | 0:10:55 | |
Plenty of room to have a good old sit down. | 0:10:55 | 0:10:58 | |
Fantastic smell of diesel in the air as well. | 0:11:04 | 0:11:07 | |
For me this is the real romance of the sea, a little boat like this, | 0:11:07 | 0:11:11 | |
because you just don't see as many of them as you used to. | 0:11:11 | 0:11:15 | |
They're all disappearing and you've got the enormous container ships, | 0:11:15 | 0:11:21 | |
but coastal trade has gone, hasn't it? | 0:11:21 | 0:11:24 | |
Fabulous idea that you need boats like this then to keep the islands running around here. | 0:11:24 | 0:11:29 | |
How far away is the island we're going to? | 0:11:33 | 0:11:35 | |
About 12 miles. | 0:11:35 | 0:11:37 | |
12 miles. OK, fine. So, it won't take us that long to get out. | 0:11:37 | 0:11:40 | |
And how often do you bring water to them? | 0:11:40 | 0:11:44 | |
In the summer, every day I work. | 0:11:44 | 0:11:46 | |
-Every day? -Every day, nearly every day. | 0:11:46 | 0:11:48 | |
After a couple of diesel-scented hours, | 0:11:51 | 0:11:53 | |
we arrive at the island of Kaprije. | 0:11:53 | 0:11:56 | |
Doesn't look like one of the party islands of the Dalmatian coast. | 0:11:59 | 0:12:03 | |
Basically, if you don't like Cafe Bar Neptune you're not in luck. | 0:12:03 | 0:12:08 | |
Getting the water from the Kapetan MRS to the island | 0:12:13 | 0:12:16 | |
is normally pretty straightforward but today, of course, | 0:12:16 | 0:12:19 | |
the island's pump is on the blink and they need our help. | 0:12:19 | 0:12:23 | |
Do you have to ring a bell so the villagers know? | 0:12:28 | 0:12:30 | |
I suppose so. Well, I was hoping there would be a committee... | 0:12:30 | 0:12:34 | |
Where are all the villagers and the mayor saying, "At last the water's arrived!" | 0:12:34 | 0:12:37 | |
Why isn't there an ice cream van noise? Like a song, | 0:12:37 | 0:12:40 | |
# Ding ding ding Dah, ding ding ding ding... # | 0:12:40 | 0:12:43 | |
RORY LAUGHS | 0:12:43 | 0:12:46 | |
The Captain has invited me in to his cabin for a beer | 0:12:46 | 0:12:49 | |
-and who am I to... -We're delivering water! | 0:12:49 | 0:12:52 | |
I know, I can't drink water. | 0:12:52 | 0:12:53 | |
It's the one thing we have to do and you're bunking off! | 0:12:53 | 0:12:56 | |
All we have to do is deliver this water to these thirsty people. | 0:12:56 | 0:12:59 | |
I'm about to deliver a bottle of beer to this thirsty person. | 0:12:59 | 0:13:02 | |
I'm with the Captain if there's any trouble. | 0:13:02 | 0:13:06 | |
Oh, yeah, OK. | 0:13:06 | 0:13:08 | |
It'll be the Captain we'll be looking for, not you. | 0:13:08 | 0:13:11 | |
'The reason for all that careful hosepipe rolling is now apparent. | 0:13:14 | 0:13:17 | |
'With no pump on the island, we'll have to connect hundreds of yards | 0:13:17 | 0:13:22 | |
'of canvas hoses and push the water from the boat | 0:13:22 | 0:13:25 | |
'all the way to the storage container | 0:13:25 | 0:13:27 | |
'in the middle of the town.' | 0:13:27 | 0:13:28 | |
-How's it going there, Griff? -You know we could do with a bit of a hand here. | 0:13:28 | 0:13:32 | |
-Really? -Well, I would think so. | 0:13:32 | 0:13:35 | |
My wife said to me, "What do you want for your birthday?" And I said, | 0:13:36 | 0:13:40 | |
"I'd like a Croatian girl," which she didn't like very much. | 0:13:40 | 0:13:44 | |
Griff is now proudly claiming to have improved the way they do this, | 0:13:44 | 0:13:49 | |
because he's come to some technique where the boat gets dragged along and it helps carry the thing. | 0:13:49 | 0:13:53 | |
They've been doing this for 40 years and Griff, in this first afternoon, | 0:13:53 | 0:13:57 | |
starts declaring improvements. | 0:13:57 | 0:13:58 | |
He's like a management consultant who's been shipped in, you know? | 0:13:58 | 0:14:02 | |
OK, here we go. Griff, sending you water. | 0:14:02 | 0:14:05 | |
With the water pumps flat out, it's still going to take six hours to unload the cargo. | 0:14:15 | 0:14:20 | |
Time to check on the whereabouts of our yachts. | 0:14:20 | 0:14:23 | |
It's fabulous that you could be able to do this, | 0:14:25 | 0:14:29 | |
but it would be enormously helpful if you could be in Pula on Tuesday. | 0:14:29 | 0:14:34 | |
OK, that might well be a problem. | 0:14:36 | 0:14:39 | |
So if there is a chance of hitching a lift to Venice, | 0:14:42 | 0:14:45 | |
it'll be via Pula, 70 miles up the coast, | 0:14:45 | 0:14:48 | |
so that's where we have to head for. | 0:14:48 | 0:14:50 | |
But as the water delivery finished, | 0:14:50 | 0:14:53 | |
we couldn't let a Croatian sunset go to waste. | 0:14:53 | 0:14:56 | |
GRIFF GROANS Are you finding that very difficult? | 0:14:56 | 0:14:59 | |
We're very grateful, Griff. | 0:14:59 | 0:15:01 | |
You bash your fingers together. | 0:15:01 | 0:15:03 | |
Is there a sense you are enjoying the sunset less than we are? | 0:15:03 | 0:15:06 | |
I'm enjoying it less than you are. | 0:15:06 | 0:15:08 | |
Griff, even though you're in discomfort, I have to say | 0:15:08 | 0:15:10 | |
you are the only person on this boat that can see the sunset. | 0:15:10 | 0:15:14 | |
-Can you describe it to us? -I'll swivel you round... | 0:15:14 | 0:15:17 | |
We'll look at you and you look at the sunset. | 0:15:17 | 0:15:21 | |
-Ah! -Hang on, I'm not going to look. I'll wait. Keep going, keep going. | 0:15:21 | 0:15:27 | |
Keep going. Griff, you're in the way of the sunset. | 0:15:27 | 0:15:31 | |
I can't see the sunset because you're in the way! | 0:15:31 | 0:15:33 | |
It was perfect for a second, but now you've ruined it. | 0:15:33 | 0:15:35 | |
-That is very nice. -That's lovely. | 0:15:35 | 0:15:37 | |
We arrive in Zadar 30 miles up the coast too late to enjoy its best feature. | 0:15:44 | 0:15:50 | |
In 1964, film director Alfred Hitchcock proclaimed | 0:15:50 | 0:15:53 | |
the Zadar sunset is a magnificent scene that has outlived time. | 0:15:53 | 0:15:58 | |
We make do instead with a seafront light sculpture called Greeting To The Sun, | 0:15:58 | 0:16:03 | |
which only turns on at night, much like Rory. | 0:16:03 | 0:16:05 | |
This was Alfred Hitchcock's favourite sunset in the World. | 0:16:07 | 0:16:11 | |
What was Alfred Hitchcock doing here? | 0:16:11 | 0:16:13 | |
-Good question. -Just on holiday, or checking out a location or thinking... | 0:16:13 | 0:16:18 | |
He looked at the sunset and thought, "How beautiful, I can't use that. I can't use that beautiful sunset. | 0:16:18 | 0:16:24 | |
"I don't do beautiful sunsets, I do murders and horrible things." | 0:16:24 | 0:16:28 | |
Is that how Alfred Hitchcock talks? | 0:16:28 | 0:16:32 | |
Did you not know that Alfred Hitchcock talks? | 0:16:32 | 0:16:34 | |
He was an old cockney man, he was. | 0:16:34 | 0:16:36 | |
He's more jowly sounding. | 0:16:36 | 0:16:39 | |
THEY MUMBLE | 0:16:39 | 0:16:41 | |
That's Winston Churchill, isn't it? | 0:16:41 | 0:16:42 | |
GRIFF MUMBLES | 0:16:42 | 0:16:46 | |
We shall fight them on the beaches. THEY LAUGH | 0:16:46 | 0:16:49 | |
On tonight's programme, the story of a man... | 0:16:49 | 0:16:52 | |
"We haven't had lot of people here since the new road was built. | 0:16:52 | 0:16:56 | |
"Mother!" | 0:16:56 | 0:16:58 | |
With no ferries or other boats at this time of year, | 0:17:05 | 0:17:09 | |
we have to get from Zadar to Pula via plane. | 0:17:09 | 0:17:12 | |
'Please take particular note of the location of the emergency exists.' | 0:17:12 | 0:17:16 | |
At least we could enjoy the remaining 300 Croatian islands from the air, | 0:17:18 | 0:17:22 | |
as technically we leave the Dalmatian coast as head for the Istrian one. | 0:17:22 | 0:17:27 | |
-You're not a nervous flyer, Griff? -No. -Have you done loads of flights? | 0:17:27 | 0:17:31 | |
Not loads of flying. It never really occurs to me. It seems to me that | 0:17:31 | 0:17:34 | |
it's one of those things, if you're number's up, you go down. | 0:17:34 | 0:17:37 | |
It's safer than catching a bus, isn't it? | 0:17:37 | 0:17:40 | |
Well, you never hear of a bus crash landing in the sea. | 0:17:40 | 0:17:43 | |
Pula is the largest town on the Istrian Peninsula. | 0:17:57 | 0:18:02 | |
At its heart lies the Pula arena. | 0:18:02 | 0:18:05 | |
One of the best preserved Roman amphitheatres in the world. | 0:18:05 | 0:18:08 | |
Hey, it's better than the one in Rome. | 0:18:08 | 0:18:12 | |
-Why's it better than the one in Rome? -Because there's more of it. | 0:18:12 | 0:18:15 | |
And there are less fake centurions standing around smoking fags. | 0:18:15 | 0:18:19 | |
Yeah, there's a lot of that. | 0:18:19 | 0:18:20 | |
And it's not quite like a middle of a roundabout like the one in Rome. | 0:18:20 | 0:18:24 | |
This Arena dates back to 28 BC and was used for gladiatorial combat | 0:18:24 | 0:18:30 | |
until the Emperor Honorius banned it in the 5th Century. | 0:18:30 | 0:18:34 | |
In the 1500s, the Venetians wanted to steal it. | 0:18:34 | 0:18:38 | |
They planned to move it to Venice stone by stone, | 0:18:38 | 0:18:41 | |
but luckily they were foiled. | 0:18:41 | 0:18:43 | |
Nowadays, it's used as a concert venue, | 0:18:43 | 0:18:46 | |
with Elton John, Sting and Sinead O'Connor all having performed here. | 0:18:46 | 0:18:50 | |
Essentially it's like the O2 of its day. | 0:18:50 | 0:18:53 | |
You know, Michael McIntyre in his day would have played here | 0:18:53 | 0:18:56 | |
and then a lion would have come on and eaten him. | 0:18:56 | 0:18:59 | |
-Yey! At last! -What's he going to do tomorrow night? | 0:18:59 | 0:19:03 | |
If you needed to make a speech, you'd feel all right here. | 0:19:03 | 0:19:07 | |
Oh, yeah, yeah, you could project here. | 0:19:07 | 0:19:10 | |
-Friends! -Romans. -Pulans. Pulans. | 0:19:10 | 0:19:14 | |
I don't think the play, Julius Caesar, would have been done in Roman times | 0:19:14 | 0:19:17 | |
It's actually quite good, the echo. | 0:19:17 | 0:19:18 | |
-I could hear that. -That's pretty good acoustics after all that. | 0:19:18 | 0:19:21 | |
Ow! A lion is eating my leg! | 0:19:21 | 0:19:24 | |
Oh, yeah. Yeah. Yeah. | 0:19:24 | 0:19:27 | |
With such a magnificent acoustic on offer, | 0:19:27 | 0:19:30 | |
it was too much for the thespian amongst us to resist. | 0:19:30 | 0:19:33 | |
DARA AND RORY CHEER | 0:19:33 | 0:19:34 | |
-Thank you! -Sorry? | 0:19:34 | 0:19:36 | |
-Good evening, Pula. -Sorry? What did he say? | 0:19:36 | 0:19:40 | |
Welcome to the first show of 531 AD. | 0:19:40 | 0:19:45 | |
Yeah, can we have more lions, please? | 0:19:45 | 0:19:48 | |
Give us Pick A Pocket Or Two, Griff. | 0:19:48 | 0:19:51 | |
# A man's got a heart has a name... # | 0:19:51 | 0:19:57 | |
We kind of meant that as a joke, but he's going for it. | 0:19:57 | 0:19:59 | |
# I'm finding it hard... # | 0:19:59 | 0:20:02 | |
BOTH: Boooo! | 0:20:02 | 0:20:04 | |
Is it open mic night? | 0:20:04 | 0:20:06 | |
-Yeah, it is. -Get him off. Next! | 0:20:06 | 0:20:08 | |
We should move this whole thing to Venice. | 0:20:08 | 0:20:11 | |
-You just can't get the crowds any more. -Is this licensed, this place? | 0:20:11 | 0:20:14 | |
HE SINGS | 0:20:14 | 0:20:17 | |
DARA AND RORY: Who are you? Who are you? Who are you? | 0:20:17 | 0:20:21 | |
Bring on the poet. GRIFF GROANS | 0:20:21 | 0:20:24 | |
-It's escaping. -Comedian escaping, comedian escaping from the arena. | 0:20:24 | 0:20:29 | |
No, no, no, you can't break the fourth wall. | 0:20:29 | 0:20:32 | |
People in Pula aren't ready for this kind of modern theatre. | 0:20:32 | 0:20:36 | |
Our yachts from the boat show should be passing Pula tomorrow morning, | 0:20:38 | 0:20:42 | |
although we still weren't sure if they would stop and pick us up. | 0:20:42 | 0:20:46 | |
In the meantime, Griff and I hire a tourist boat to explore. | 0:20:46 | 0:20:50 | |
I don't know why I thought, being a middle-aged man now and very anal myself, | 0:20:53 | 0:20:59 | |
I'd like it but it's just, to me, there's something about | 0:20:59 | 0:21:01 | |
elements of Croatia that are just a little bit too tidy. | 0:21:01 | 0:21:04 | |
I was expecting it to be far more rougher at the edges. | 0:21:04 | 0:21:07 | |
Covered in piles of litter like Spain and Greece? | 0:21:07 | 0:21:10 | |
Well, maybe. I mean, the streets are incredibly clean. | 0:21:10 | 0:21:13 | |
It looks like someone's been along with a vacuum. | 0:21:13 | 0:21:16 | |
No, but I think that's wear and tear. The cobbles are very shiny. | 0:21:16 | 0:21:19 | |
I don't mean just because they're shiny, I mean, | 0:21:19 | 0:21:21 | |
every corner, every bit of paper has been picked up. | 0:21:21 | 0:21:24 | |
I think that's great, it's just somehow it gives it a sort of dream-like quality. | 0:21:24 | 0:21:29 | |
A slightly alienated quality. | 0:21:29 | 0:21:31 | |
I like it. I like it a lot. | 0:21:31 | 0:21:33 | |
And the surprising thing is, very few cigarette ends considering | 0:21:33 | 0:21:37 | |
how the population spends the entire time smoking. | 0:21:37 | 0:21:40 | |
Once they smoke them, they swallow the butt in case the cleanliness police arrive and arrest them. | 0:21:40 | 0:21:46 | |
'I've joined up with Jageda from the Pula Diving Club to check out the area's famed crystal clear waters.' | 0:21:51 | 0:21:57 | |
Oh! | 0:22:01 | 0:22:03 | |
Some people actually manage to make wet suits look cool. | 0:22:05 | 0:22:08 | |
Some people look like Ninjas when they were this shit. | 0:22:08 | 0:22:12 | |
I look like something wrapped in tarpaulin. | 0:22:12 | 0:22:15 | |
Enjoying the contours are we? | 0:22:15 | 0:22:17 | |
Is that a long lingering shot? | 0:22:17 | 0:22:19 | |
Neoprene fetishists who might be watching the show... | 0:22:19 | 0:22:24 | |
get a real sense of the curves. | 0:22:24 | 0:22:25 | |
'Jageda was going to take me down to an undersea cave, | 0:22:28 | 0:22:31 | |
'one of many along this stretch of coast. | 0:22:31 | 0:22:33 | |
'Not being obviously Croatian, | 0:22:33 | 0:22:35 | |
'I hoped the universal divers' sign language would see me though.' | 0:22:35 | 0:22:39 | |
I worship the devil, I love rock'n'roll, | 0:22:39 | 0:22:42 | |
those fish are mating. | 0:22:42 | 0:22:44 | |
Important stuff. | 0:22:44 | 0:22:46 | |
Whilst I got on with indulging my passion, | 0:22:51 | 0:22:53 | |
Rory had found a passion of his own. | 0:22:53 | 0:22:56 | |
Now tell me, Griff, where do you stand on nudism? | 0:22:56 | 0:22:59 | |
I don't. Have you ever been one? | 0:22:59 | 0:23:02 | |
-No. -Come on! Let's go! | 0:23:02 | 0:23:04 | |
-There are supposed to be dozens... -Up here is Europe's largest nudist colony called Koversada | 0:23:04 | 0:23:11 | |
and apparently there's room for 15,000 | 0:23:11 | 0:23:15 | |
fat, rich, naked Germans with big bellies and tiny willies. | 0:23:15 | 0:23:19 | |
So it says in the tourist guide. | 0:23:19 | 0:23:21 | |
We're sitting, as it happens, on the old boat, there's nobody else around, it's our boat, | 0:23:21 | 0:23:25 | |
and we're passing a tourist bit. What we could do is, what we'll do is, we'll sit here completely naked, | 0:23:25 | 0:23:32 | |
just the two of us and see what it feels like because quite honestly... | 0:23:32 | 0:23:37 | |
Join us after this break. | 0:23:37 | 0:23:39 | |
The sea floor's full of weird, wizened creatures. It's a good job | 0:23:42 | 0:23:49 | |
Rory isn't down here, he doesn't cope well with such things. | 0:23:49 | 0:23:52 | |
Oh, my God! | 0:23:53 | 0:23:57 | |
We've got some hungry seagulls looking for that chip! | 0:23:57 | 0:23:59 | |
THEY LAUGH | 0:23:59 | 0:24:01 | |
No, you see, we are mad because that's the trouble with us | 0:24:01 | 0:24:06 | |
repressed Englanders, we just associate nudity with sex | 0:24:06 | 0:24:10 | |
and if you're a normal German, or Austrian, or even a Czechoslovak, | 0:24:10 | 0:24:14 | |
or a Croatian, you sit on the beach with no kit on | 0:24:14 | 0:24:17 | |
and you think this is as nature intended me to be. | 0:24:17 | 0:24:21 | |
Pass me that fig leaf, will you? | 0:24:21 | 0:24:24 | |
You don't need a fig leaf, you want a caper. | 0:24:24 | 0:24:27 | |
-Thank you. -That should do it. That should cover it. | 0:24:27 | 0:24:30 | |
-Nut? -No fear! | 0:24:31 | 0:24:35 | |
Jags and I reach the undersea entrance to the cave, | 0:24:40 | 0:24:43 | |
which will take us out into a blow hole in the cliff. | 0:24:43 | 0:24:46 | |
Wow! That's amazing! | 0:24:53 | 0:24:55 | |
That's a genuine star ship. Hello! | 0:24:55 | 0:24:58 | |
-Hello. -How lovely is that? | 0:24:58 | 0:25:00 | |
And even without much invisibility, | 0:25:01 | 0:25:04 | |
even that sense that you're really seeing that far, | 0:25:04 | 0:25:06 | |
is an amazing experience. | 0:25:06 | 0:25:08 | |
Day trips done and clothes returned, | 0:25:14 | 0:25:17 | |
we borrowed a sailing boat for our last Croatian night and a supper | 0:25:17 | 0:25:20 | |
of pasta with something the area is famed for - truffles. | 0:25:20 | 0:25:24 | |
I always struggle with fungal growths myself, so I'm a bit sceptical about truffles. | 0:25:26 | 0:25:30 | |
Well, I'll have yours then. | 0:25:30 | 0:25:33 | |
I think we should raise our glasses, Griff, you raise your eyebrows, | 0:25:36 | 0:25:41 | |
and say dovidenya hrvatska. | 0:25:41 | 0:25:43 | |
-Dovidenya hrvatska. -What does that mean? | 0:25:43 | 0:25:47 | |
Griff, how long have you been in this country and not learned what dovidenya means, or hrvatska? | 0:25:47 | 0:25:52 | |
-You know what hrvatska means. -I know what it means. | 0:25:52 | 0:25:54 | |
I'm only worried for the average viewer at home. What does it mean? | 0:25:54 | 0:25:58 | |
That means goodbye until we see you again, Croatia. | 0:25:58 | 0:26:01 | |
Beautiful. | 0:26:01 | 0:26:03 | |
I did it in a mock Russian accent. | 0:26:03 | 0:26:08 | |
Tomorrow it was Venice, | 0:26:09 | 0:26:10 | |
but just how we were going to get there remained to be seen. | 0:26:10 | 0:26:14 | |
Venice was waiting for us through the dawn fog. | 0:26:20 | 0:26:24 | |
All we needed were our luxury yachts but which one would we get? | 0:26:24 | 0:26:29 | |
We have to go. So... you have news? | 0:26:29 | 0:26:33 | |
Are you kidding? That's great. | 0:26:33 | 0:26:36 | |
So what are we doing? Are we going? | 0:26:36 | 0:26:37 | |
Can we go? Can we not go? | 0:26:37 | 0:26:39 | |
No, that's fine. | 0:26:39 | 0:26:42 | |
We're running out of time that's the thing, isn't it? | 0:26:42 | 0:26:45 | |
'So which was it to be? | 0:26:45 | 0:26:47 | |
'My elegant 52-footer with its unusual cabin layout...' | 0:26:47 | 0:26:50 | |
'..Or my 72-foot twin engine monster?' | 0:26:52 | 0:26:55 | |
Isn't this exciting, Griff? | 0:26:57 | 0:26:58 | |
Venice at last. | 0:26:58 | 0:27:01 | |
And what a way to travel. | 0:27:01 | 0:27:04 | |
Yes, the only boat we managed to wrangle was a ferry. | 0:27:05 | 0:27:09 | |
So what happened to your boat then? | 0:27:09 | 0:27:11 | |
Er...I had problems getting the pretty blonde girl in the short mini skirt to come with me. | 0:27:11 | 0:27:18 | |
Probably the real reason is the boats are both unsold. | 0:27:18 | 0:27:22 | |
If they come back into Croatia the Croatian government slap VAT on the boats, which for my boat would be | 0:27:22 | 0:27:27 | |
like 720 grand and for his boat, it'd be like nine... | 0:27:27 | 0:27:29 | |
-Seven hundred... -and twenty thousand! | 0:27:29 | 0:27:32 | |
-Because our boat was so expensive, wasn't it?! -Either way, | 0:27:32 | 0:27:35 | |
we couldn't and they couldn't, and no-one wanted... | 0:27:35 | 0:27:39 | |
-I actually prefer this boat to your boat. -Do you? | 0:27:39 | 0:27:41 | |
-I do. I think this is much nicer. -You prefer this to your boat? | 0:27:41 | 0:27:44 | |
-I prefer this boat to my boat as well. -It's got integrity. | 0:27:44 | 0:27:47 | |
-It's got rigour. -It's a real metal. -Yeah. | 0:27:47 | 0:27:50 | |
At least it's a boat. | 0:27:52 | 0:27:54 | |
The only way to arrive for my first time in Venice. | 0:27:54 | 0:27:58 | |
Dara and Griff have apparently been here before. | 0:28:06 | 0:28:09 | |
-Impressive sight. -Ahhh! | 0:28:10 | 0:28:12 | |
The great smell of... | 0:28:13 | 0:28:14 | |
-no sewers. -I don't why he said that. | 0:28:14 | 0:28:16 | |
It doesn't smell at all. It's a typical English reaction, | 0:28:16 | 0:28:20 | |
he's worried most of all about the drainage. | 0:28:20 | 0:28:22 | |
-It may be an English preoccupation but can you flush the toilet paper down the lavatory? -I don't remember! | 0:28:22 | 0:28:28 | |
It depends on the hotel we're in. | 0:28:28 | 0:28:30 | |
It's perfectly fine to flush the lavatory here. | 0:28:30 | 0:28:32 | |
Anyway, there's more shit going down the Thames these days | 0:28:32 | 0:28:36 | |
than there is in Venice. Promise you. | 0:28:36 | 0:28:38 | |
Never mind the sewers, the city's made of 117 small islands | 0:28:38 | 0:28:43 | |
and was the greatest maritime empire the world has ever known. | 0:28:43 | 0:28:47 | |
Whist everyone else was producing farmers, Venice produced sailors. | 0:28:47 | 0:28:51 | |
But for the last 300 years, lured by descriptions such as the most | 0:28:51 | 0:28:55 | |
beautiful place ever built by man, | 0:28:55 | 0:28:57 | |
Venice is entirely dependent on tourism. | 0:28:57 | 0:29:01 | |
-This is beautiful. -It's nice, isn't it? | 0:29:04 | 0:29:06 | |
The only thing I knew about Venice before I arrived is | 0:29:06 | 0:29:08 | |
it's got canals instead of streets, but when you're here you think, | 0:29:08 | 0:29:12 | |
"It's got canals instead of streets!" It's wonderful. | 0:29:12 | 0:29:14 | |
It is astonishing just to the level to which they do have canals instead of streets. | 0:29:14 | 0:29:18 | |
It's a theme park on water, | 0:29:21 | 0:29:24 | |
and its centre is the Grand Canal, the main commuter and tourist route. | 0:29:24 | 0:29:29 | |
Venice's Oxford Street. | 0:29:29 | 0:29:31 | |
It's a constant flurry of vaporettos, | 0:29:31 | 0:29:35 | |
water taxis, pleasure cruisers, barges and, of course, gondolas. | 0:29:35 | 0:29:40 | |
There are no cars in Venice. Everything is done by boat. | 0:29:40 | 0:29:43 | |
It doesn't strike me as the best place to do a race. | 0:29:43 | 0:29:46 | |
What, three amateurs in the busiest bit of canal in the world doing a very complicated rowing stroke? | 0:29:46 | 0:29:52 | |
Not only a navigation accident but a cultural accident as well, waiting to happen. | 0:29:52 | 0:29:57 | |
So we're going to insult them and also slow up the commute. | 0:29:57 | 0:30:00 | |
-And drown. -Why do you drown? How slow are they to come and get you? | 0:30:00 | 0:30:05 | |
This is not going to be easy. | 0:30:05 | 0:30:07 | |
Dara and Rory can barely control a simple rowing boat, | 0:30:07 | 0:30:10 | |
let alone a gondola with its unique sculling called voga alla veneta. | 0:30:10 | 0:30:15 | |
The gondola may be a cliche but it's also a very interesting boat. | 0:30:18 | 0:30:22 | |
Sorry, Rory, but this is true | 0:30:22 | 0:30:24 | |
because the boat only has one bit of metal in it, | 0:30:24 | 0:30:27 | |
that's the bit at the front, | 0:30:27 | 0:30:29 | |
which is a balance for the oarsman or the gondolier. | 0:30:29 | 0:30:34 | |
What he does is a very interesting stroke, because it's designed | 0:30:34 | 0:30:37 | |
to be narrow and rowed by one person, which means he has to push | 0:30:37 | 0:30:42 | |
the boat along and then use the same oar to steer the boat | 0:30:42 | 0:30:46 | |
as he brings it forward again so that he can push it like that, | 0:30:46 | 0:30:50 | |
and so at the end of the 19th century they developed the gondola | 0:30:50 | 0:30:54 | |
to have a sort of asymmetric quality to it so that the actual boat itself | 0:30:54 | 0:31:02 | |
was balanced because of the person sitting on the stern | 0:31:02 | 0:31:05 | |
pushing it along. | 0:31:05 | 0:31:06 | |
It's clear that we are going to need some training before being released on the Grand Canal. | 0:31:06 | 0:31:12 | |
So we've come to the Rowing Circle - | 0:31:12 | 0:31:15 | |
a club that is hosting our race. | 0:31:15 | 0:31:17 | |
I'll go here. | 0:31:17 | 0:31:19 | |
Can you let me pass, please? | 0:31:19 | 0:31:21 | |
OK, lift that up. | 0:31:21 | 0:31:24 | |
-There we go, OK. -Don't lose my oar. | 0:31:24 | 0:31:27 | |
They rightly want to take us through our paces and check us out. | 0:31:27 | 0:31:30 | |
A race on the Grand Canal is a big deal to these people | 0:31:30 | 0:31:33 | |
and they don't want to be made a fool of by the English, Irish and Welsh. | 0:31:33 | 0:31:36 | |
This is how you stop and this is how you start. | 0:31:36 | 0:31:40 | |
Sybil is the only one who speaks English and so she's going to teach us. | 0:31:40 | 0:31:44 | |
-OK. -Pulling it back, the row is like that. | 0:31:48 | 0:31:52 | |
-And then up. -Yes, OK. | 0:31:52 | 0:31:54 | |
'We're on a more stable racing gondola called a Carolina, | 0:31:54 | 0:31:59 | |
'but even on this not falling in is a challenge.' | 0:31:59 | 0:32:03 | |
-Oh! -Uh-huh. OK. | 0:32:03 | 0:32:06 | |
Unlike normal rowing you stand, facing forward. | 0:32:07 | 0:32:12 | |
Well, it's not really very difficult. | 0:32:12 | 0:32:15 | |
Quite similar to rowing. | 0:32:15 | 0:32:18 | |
-You have to use the whole body to move the row. -Yeah. | 0:32:18 | 0:32:25 | |
I guessed. | 0:32:25 | 0:32:26 | |
'The technique wasn't really clicking for us.' | 0:32:30 | 0:32:34 | |
Try to move together. | 0:32:37 | 0:32:39 | |
And just as Griff thinks he's got it, he gets more confusing instructions. | 0:32:42 | 0:32:47 | |
-Si. -No. -Are you sure? | 0:32:48 | 0:32:51 | |
INSTRUCTORS SPEAK ITALIAN | 0:32:51 | 0:32:55 | |
'It seems that our instructors can't agree on the correct technique. | 0:32:57 | 0:33:02 | |
'As with so many things in Italian life, the modern and the old | 0:33:02 | 0:33:05 | |
'are clashing and our teachers argue over style, form and footwork.' | 0:33:05 | 0:33:11 | |
No, you use the left leg. | 0:33:14 | 0:33:18 | |
Left leg. | 0:33:18 | 0:33:21 | |
'Once the basic stroke was sort of agreed, | 0:33:21 | 0:33:24 | |
'the next thing was to learn to row as a team.' | 0:33:24 | 0:33:27 | |
Uno due. | 0:33:28 | 0:33:30 | |
Uno due. | 0:33:30 | 0:33:32 | |
Uno due. | 0:33:35 | 0:33:37 | |
I like that. Uno due. Uno due. | 0:33:39 | 0:33:43 | |
The Venetian entry for the European Song Contest I believe. | 0:33:43 | 0:33:47 | |
Grazie! | 0:34:08 | 0:34:10 | |
And now we have our race to bugger it up. | 0:34:10 | 0:34:13 | |
In the 1400s, Venice was the world centre for glass making. | 0:34:20 | 0:34:24 | |
But there were so many fires that it was decided to move all | 0:34:24 | 0:34:27 | |
the glass makers to Murano a mile north of the main island. | 0:34:27 | 0:34:31 | |
One of the top foundries is Fornia with ten master craftsmen and now us. | 0:34:32 | 0:34:37 | |
We need a trophy. | 0:34:40 | 0:34:42 | |
We need a trophy for a race. | 0:34:42 | 0:34:44 | |
100% Murano glass trophy. | 0:34:44 | 0:34:46 | |
It doesn't have to be a master craftsmen. | 0:34:46 | 0:34:48 | |
We were thinking we could make it. | 0:34:48 | 0:34:50 | |
We have the best one on the island. | 0:34:50 | 0:34:52 | |
It means the best one in the world. | 0:34:52 | 0:34:54 | |
His name is Diego. | 0:34:54 | 0:34:57 | |
Will Diego help us? | 0:34:57 | 0:34:59 | |
Should we help Diego to make a trophy? | 0:34:59 | 0:35:02 | |
You will help Diego to make a trophy. | 0:35:02 | 0:35:04 | |
-Shall I go first? -You go first. | 0:35:04 | 0:35:06 | |
Ciao, Diego. | 0:35:06 | 0:35:08 | |
Como esta? | 0:35:08 | 0:35:10 | |
We want Rory to help make our trophy for us, do we? | 0:35:10 | 0:35:12 | |
We have not thought this through, but if the trophy's for rowing | 0:35:12 | 0:35:18 | |
really badly, the trophy should probably reflect that. | 0:35:18 | 0:35:21 | |
We are coming to Venice to take a Venetian skill and not be very good at it. | 0:35:21 | 0:35:26 | |
What temperature is glass workable at? What heat are we talking about here? | 0:35:26 | 0:35:31 | |
It starts cooling at 1,400 degrees. | 0:35:31 | 0:35:34 | |
You can start shaping it around 800, 600 and then start cooling off. | 0:35:34 | 0:35:40 | |
Rory, can you do something of this standard? | 0:35:40 | 0:35:43 | |
Yeah, that'll do. We can do that. | 0:35:43 | 0:35:47 | |
This is what we want because nothing else would be worth making an ass of ourselves on the Grand Canal for. | 0:35:47 | 0:35:53 | |
So, er... Don't drop it. | 0:35:53 | 0:35:57 | |
Diego, shall I sit here? | 0:35:57 | 0:35:59 | |
Si. | 0:35:59 | 0:36:01 | |
And afterwards, he's going to sit on your legs. | 0:36:01 | 0:36:04 | |
OK, good. Am I blowing first? | 0:36:04 | 0:36:07 | |
Er...not first. You start rolling. | 0:36:07 | 0:36:10 | |
-Right. -Rolling, rolling, rolling. | 0:36:10 | 0:36:13 | |
-Keep it rolling. -Rolling, rolling, rolling. | 0:36:13 | 0:36:16 | |
There we are. I've just decided what it's going to be. | 0:36:16 | 0:36:20 | |
Something in honour of Casanova perhaps? | 0:36:20 | 0:36:24 | |
Concentrate, Rory. | 0:36:24 | 0:36:25 | |
I don't know what I'm going to do with this. | 0:36:25 | 0:36:27 | |
OK, you're going to shape it, Rory. | 0:36:27 | 0:36:29 | |
Here it comes! | 0:36:29 | 0:36:31 | |
-So...rolling. Yeah. -Oh! | 0:36:31 | 0:36:35 | |
I've got it. | 0:36:35 | 0:36:37 | |
I've got it. You roll, Diego. | 0:36:37 | 0:36:40 | |
-It's looking wonderful. -I can't bear to watch. | 0:36:40 | 0:36:43 | |
That's better, that's better. | 0:36:43 | 0:36:45 | |
Lovely. | 0:36:45 | 0:36:47 | |
Are we going to blow now, Luigi? | 0:36:47 | 0:36:49 | |
Are we blowing at all today? | 0:36:49 | 0:36:51 | |
Now you inflate. | 0:36:51 | 0:36:53 | |
Blow in, blow in. | 0:36:55 | 0:36:57 | |
Stop, stop. | 0:37:02 | 0:37:04 | |
-Not bad. -Good balloon work. | 0:37:04 | 0:37:08 | |
-Yeah. I'm...I'm going to leave you. -OK. | 0:37:08 | 0:37:12 | |
No, I'm not bored. I want it to be a surprise later on. | 0:37:12 | 0:37:16 | |
I don't want to be curmudgeonly, but... | 0:37:22 | 0:37:25 | |
It's just somehow... this is the problem. | 0:37:25 | 0:37:29 | |
I mean, this is a perfectly nice... | 0:37:29 | 0:37:32 | |
nice island with a longstanding tradition | 0:37:32 | 0:37:35 | |
utterly ruined by tourists. | 0:37:35 | 0:37:38 | |
The whole place has produced over the last thousand years a fantastic craft. | 0:37:38 | 0:37:43 | |
It's taken them centuries to perfect and the Doge at one point | 0:37:43 | 0:37:47 | |
used to refuse to let any craftsmen leave the island | 0:37:47 | 0:37:51 | |
lest they take the secrets of Venice glass-making away and gave it | 0:37:51 | 0:37:55 | |
to another city and all that skill has gone in to producing | 0:37:55 | 0:38:01 | |
a hideous blue fish with black and white pop eyes. | 0:38:01 | 0:38:06 | |
Whee! Ay, ay, ay! Anybody got any sun block? | 0:38:09 | 0:38:14 | |
Whoa! Keep it going, keep it going! | 0:38:16 | 0:38:19 | |
Get it in, get it out. This is the most fun I've had in years. | 0:38:20 | 0:38:25 | |
Hundreds of experts descending on me. It's great. | 0:38:25 | 0:38:29 | |
Back on the mainland, the city was filling up. | 0:38:32 | 0:38:35 | |
They've come to see the most beautiful architecture in the world. | 0:38:35 | 0:38:38 | |
If they can catch a glimpse of it through the crowds. | 0:38:38 | 0:38:42 | |
I've only been in Venice in August once, | 0:38:42 | 0:38:47 | |
that was about 25 years ago and even then it was a bit like being in... | 0:38:47 | 0:38:51 | |
in the queue in an amusement park permanently. In a good year, | 0:38:51 | 0:38:56 | |
the tourists outnumber the population by 60 to one. | 0:38:56 | 0:39:02 | |
'I tried to escape the crowds of tourists and get a behind the scenes | 0:39:05 | 0:39:09 | |
'look at how a city on water actually functions.' | 0:39:09 | 0:39:11 | |
This is the only way to travel really. | 0:39:13 | 0:39:15 | |
See the city from this level. | 0:39:15 | 0:39:18 | |
Like any city, we have emergency services here, there are the police, | 0:39:25 | 0:39:28 | |
there are ambulances and, of course, these guys the Vigili Del Fuoco who are the fire service. | 0:39:28 | 0:39:33 | |
Now it may seem paradoxical that a city built on water | 0:39:33 | 0:39:36 | |
would be in danger of fire but in 1996, the Opera House, La Fenice, | 0:39:36 | 0:39:41 | |
burnt down and the fire was fought by these guys from their boats. | 0:39:41 | 0:39:44 | |
-Where are the chairs? -No chairs. | 0:39:49 | 0:39:53 | |
No chairs. Always ready to go. | 0:39:53 | 0:39:55 | |
Well, let's go and have a bit of a drive around. | 0:39:55 | 0:39:57 | |
'Andrea is fire chief of one of Venice's three main fire stations, | 0:39:57 | 0:40:02 | |
'poised and ready for all emergencies.' | 0:40:02 | 0:40:05 | |
How often are the fires? | 0:40:05 | 0:40:06 | |
Usually, sometimes one in a month, a big important fire. | 0:40:06 | 0:40:11 | |
-A little fire, the beginning of a fire, kitchen fire... -Yeah. | 0:40:11 | 0:40:18 | |
Do the vaporettos ever hit the gondolas? | 0:40:18 | 0:40:21 | |
Gondolas, yes, yes, sometimes. | 0:40:21 | 0:40:24 | |
And then they break the engine and they go straight, they can't stop, and they take the gondola. | 0:40:24 | 0:40:30 | |
-And do you ever arrive out and there's a tourist? -Oh, yes. | 0:40:30 | 0:40:37 | |
RADIO BEEPS | 0:40:39 | 0:40:42 | |
HE SPEAKS ITALIAN | 0:40:42 | 0:40:44 | |
Si. OK. OK. | 0:40:44 | 0:40:47 | |
-Where are we going? -Danieli. -OK. | 0:40:47 | 0:40:51 | |
HORN BLARES | 0:40:54 | 0:40:56 | |
A proper Venetian emergency. | 0:41:03 | 0:41:05 | |
Horn on, everything. We're heading for the Danieli Hotel. | 0:41:05 | 0:41:08 | |
Is this the Danieli? | 0:41:09 | 0:41:12 | |
You're kidding. | 0:41:15 | 0:41:16 | |
Did you just phone in an emergency? | 0:41:16 | 0:41:19 | |
They've got no bottle openers! | 0:41:19 | 0:41:21 | |
There's a bar tenders trading conference in there and they're using all the bottle openers. | 0:41:21 | 0:41:25 | |
Did you just call out an emergency boat? | 0:41:25 | 0:41:27 | |
We were like, "Ee-aw, ee-aw, ee-aw" and everything. | 0:41:27 | 0:41:30 | |
You call that an emergency approach? | 0:41:30 | 0:41:32 | |
Thank you very, very much, Andrea. | 0:41:32 | 0:41:34 | |
A proper fireman, that's what I like. | 0:41:34 | 0:41:36 | |
Also, my face is on fire. | 0:41:36 | 0:41:38 | |
'Our big race is going to happen in the afternoon. | 0:41:48 | 0:41:52 | |
'So for the morning, we've arranged to meet up and have lunch | 0:41:52 | 0:41:55 | |
'with the last family that actually fish out of Venice - the Bomulo. | 0:41:55 | 0:42:00 | |
'And hopefully we'll learn a thing or two about real Venetian cookery. | 0:42:00 | 0:42:05 | |
'It begins with a shopping list.' | 0:42:05 | 0:42:07 | |
HE SPEAKS ITALIAN | 0:42:07 | 0:42:10 | |
OK. | 0:42:11 | 0:42:14 | |
HE SPEAKS ITALIAN | 0:42:14 | 0:42:16 | |
OK. OK. Arrivederci. | 0:42:16 | 0:42:21 | |
-OK, great. What is this, a shopping list? -I think it is, yeah. | 0:42:21 | 0:42:25 | |
-Just go through this. -What's... | 0:42:25 | 0:42:29 | |
-Olio di oliva, olive oil. -Aglio? -Aglio, that's garlic. | 0:42:29 | 0:42:33 | |
Melanzana is aubergine, your favourite. | 0:42:33 | 0:42:36 | |
Yeah, I'll let you get that. | 0:42:36 | 0:42:38 | |
-Penne number ten or pane number ten? -Penne number ten, that's the pasta. | 0:42:38 | 0:42:42 | |
-Are you sure that's not pane? -No, penne, penne. | 0:42:42 | 0:42:44 | |
Yeah, but penne has two Ns, are you sure it's not pane, bread? | 0:42:44 | 0:42:48 | |
Pane is... Penne... You think it's bread number ten? | 0:42:48 | 0:42:52 | |
You go into a shop and say, "Number ten bread, please." | 0:42:52 | 0:42:55 | |
Basilico... | 0:42:55 | 0:42:57 | |
Buongiorno. | 0:43:05 | 0:43:06 | |
How are you? Good? | 0:43:06 | 0:43:11 | |
This is typical fish here in the lagoon, | 0:43:11 | 0:43:14 | |
and this fish is going to form part of our lunch, so how fresh is that? | 0:43:14 | 0:43:18 | |
-Anguilla. -Anguilla, look at this, eels. | 0:43:18 | 0:43:21 | |
And they're like eels, traditionally extremely slippery. | 0:43:21 | 0:43:26 | |
Here it comes, here it comes. | 0:43:26 | 0:43:28 | |
Oh! An electric one! | 0:43:28 | 0:43:31 | |
While Rory had ingredients eating out of his hand, | 0:43:34 | 0:43:37 | |
we have to venture further afield. | 0:43:37 | 0:43:39 | |
On the outskirts of the island of Giudecca I've been told of a market stall popular with the locals. | 0:43:47 | 0:43:53 | |
These are apparently the only fresh vegetables grown in Venice. | 0:43:53 | 0:44:00 | |
And they come from the garden of the women's prison. | 0:44:00 | 0:44:04 | |
I'm in quite a crowd here of people seeking fresh vegetables. | 0:44:05 | 0:44:11 | |
That's the last of the cauliflowers gone. Hmm... | 0:44:12 | 0:44:18 | |
I'm going to have to... I think it's asparagus, si. Grazie. | 0:44:18 | 0:44:24 | |
-Solo mezzo chilo. -Mezzo chilo? Solo mezzo chilo, si. | 0:44:24 | 0:44:29 | |
Grazie. Solo mezzo chilo? | 0:44:29 | 0:44:33 | |
-Uno? -Uno, si. | 0:44:33 | 0:44:35 | |
I'm restricted to half a kilo of asparagus, | 0:44:37 | 0:44:40 | |
but they're still serving the same woman who was here when I arrived | 0:44:40 | 0:44:46 | |
and she is taking everything. | 0:44:46 | 0:44:49 | |
We just lost the entirety of the rocket, all the spinaci finito. | 0:44:51 | 0:44:57 | |
This woman has taken every single last beetroot. | 0:44:58 | 0:45:02 | |
That's not leaving much for the rest of us. I've seized this asparagus, | 0:45:02 | 0:45:07 | |
I've got them in my grip, | 0:45:07 | 0:45:08 | |
I just fancy it might take about an hour to get served to pay for them. | 0:45:08 | 0:45:12 | |
I, however, am somewhere much less exciting, for me at least. | 0:45:17 | 0:45:21 | |
And so inevitably, we find ourselves in a fish market. | 0:45:28 | 0:45:31 | |
All shows that come to Venice have to bring you to the fish market to show you there is still | 0:45:31 | 0:45:35 | |
real life in the city and it isn't just shops selling Venetian masks and clowns made of glass. | 0:45:35 | 0:45:40 | |
It's about 80 per cent shops selling masks and clowns made of glass. | 0:45:40 | 0:45:45 | |
Little note on the fish market thing - | 0:45:45 | 0:45:47 | |
at home I don't go to fish markets, | 0:45:47 | 0:45:49 | |
I don't hang around a lot of fish when I'm at home. I find the smell | 0:45:49 | 0:45:52 | |
a little bit fishy for me, a little bit heavy, so my shopping list says | 0:45:52 | 0:45:56 | |
things like pasta, some bread, maybe some potatoes and some tomatoes. | 0:45:56 | 0:46:01 | |
I'm going to do that in this shop in which I can actually inhale. | 0:46:01 | 0:46:05 | |
INHALES DEEPLY | 0:46:05 | 0:46:07 | |
This is Il Ponte della Tette, which means... | 0:46:09 | 0:46:14 | |
well, there's another way of putting it, the Bridge of Tits. | 0:46:14 | 0:46:17 | |
That's because in the 1500s, Venice had an incredible | 0:46:17 | 0:46:20 | |
11,000 prostitutes so, obviously, trade was very competitive | 0:46:20 | 0:46:25 | |
and so to attract passing customers the ladies of the night would | 0:46:25 | 0:46:29 | |
hang out of these windows... Well, hang out of these windows, in fact. | 0:46:29 | 0:46:33 | |
Shop! No. | 0:46:33 | 0:46:36 | |
Very different today. | 0:46:36 | 0:46:37 | |
As you can see there is only one tit on this bridge. | 0:46:37 | 0:46:40 | |
'With the stall stripped bare by the locals, I need help. | 0:46:45 | 0:46:49 | |
'Luckily, an English speaking inmate took pity on me | 0:46:49 | 0:46:52 | |
'and offers to take me inside to get some even fresher produce.' | 0:46:52 | 0:46:56 | |
How much time do you spend in the garden? | 0:46:56 | 0:46:58 | |
-Eight hours. -Hmm? -Eight hours. | 0:46:58 | 0:47:01 | |
-Eight hours a day? -Yeah. | 0:47:01 | 0:47:03 | |
Edith is one of 80 or so prisoners who can spend some of their time | 0:47:05 | 0:47:09 | |
tending to the vegetable patches in the barbed wire enclosed compound. | 0:47:09 | 0:47:13 | |
This is a former convent and it has a large garden. | 0:47:15 | 0:47:19 | |
This is a very lovely place, Edith. | 0:47:21 | 0:47:23 | |
-Yes, this is our paradise. -Your paradise? -Yeah. | 0:47:23 | 0:47:25 | |
What do you grow here? | 0:47:25 | 0:47:28 | |
A lot of tomato, green peppers... | 0:47:28 | 0:47:30 | |
Now wait a minute, I've got a list, I just want to check! | 0:47:30 | 0:47:33 | |
I need to have a look and see... | 0:47:33 | 0:47:36 | |
Do you have...melanzana? | 0:47:36 | 0:47:38 | |
No. We grow melanzana, but they're not ready. | 0:47:38 | 0:47:41 | |
-They're not ready? -No. -Oh, no! | 0:47:41 | 0:47:43 | |
Do you have...patate? | 0:47:43 | 0:47:46 | |
-They're not ready. -They're not ready! -No. -OK. | 0:47:46 | 0:47:50 | |
-Pomodori? Tomato. -They're not ready. | 0:47:50 | 0:47:54 | |
Luckily Edith was able to find me some things that were in season. | 0:47:54 | 0:47:59 | |
Let's hope that the fisherman cook can make use of them. | 0:47:59 | 0:48:03 | |
Hiding down here is a cat. | 0:48:03 | 0:48:04 | |
There is a cat hiding down here. | 0:48:04 | 0:48:07 | |
-You like that? -Yep. Is there a cauliflower I can have? -Yeah. | 0:48:07 | 0:48:10 | |
-Thank you. -You're welcome. | 0:48:13 | 0:48:15 | |
Marvellous. OK. | 0:48:15 | 0:48:18 | |
'I've got the fresh vegetables and now it's time to get hands on | 0:48:18 | 0:48:22 | |
'with the fresh seafood.' | 0:48:22 | 0:48:24 | |
-That ought to do it. -OK. Give me advice now as I come along. | 0:48:24 | 0:48:28 | |
-Wash the ink off it. -We wash as much of the ink off as possible. | 0:48:28 | 0:48:31 | |
-We slit the eyes. -At the back. Oh, gosh, there's a lot of ink. | 0:48:31 | 0:48:35 | |
-Why's there so much ink? -It's bleeding all over the place. | 0:48:35 | 0:48:37 | |
It's not alive, thank God, and any vegetarians at home, it's only a squid. | 0:48:37 | 0:48:42 | |
It's interesting though, we are working to a pretty strict deadline here. | 0:48:44 | 0:48:48 | |
There are genuine fishermen who have been fishing and who won't go, | 0:48:48 | 0:48:53 | |
"There's some guys over from the BBC messing around, we're happy to wait." They're not happy to wait. | 0:48:53 | 0:48:58 | |
-What are you doing? -I'm stirring. I'm stirring, I'm sort of... | 0:49:00 | 0:49:03 | |
-You're stirring? -Yes, why? What does it look like that? | 0:49:03 | 0:49:06 | |
It's the simplest task in the kitchen. | 0:49:06 | 0:49:08 | |
I was just going to say, I'm removing beaks and you're stirring? | 0:49:08 | 0:49:12 | |
I know and I'm not even doing this well. | 0:49:12 | 0:49:13 | |
You go home from Venice with a degree in stirring and I go home | 0:49:13 | 0:49:17 | |
from Venice with a degree in dismembering cuttlefish. | 0:49:17 | 0:49:20 | |
-Hey! -Hey! Ciao! | 0:49:26 | 0:49:30 | |
How are you? Buongiorno. My name is Rory. | 0:49:30 | 0:49:35 | |
Try it, it's lovely. Try that. I stirred that. | 0:49:36 | 0:49:39 | |
I want you to tell me if you like it. | 0:49:41 | 0:49:43 | |
It's got your signature. The texture... | 0:49:43 | 0:49:47 | |
The texture of it is incredible, isn't it? | 0:49:47 | 0:49:49 | |
And what is your contribution to this dish? | 0:49:49 | 0:49:52 | |
I admired the layout of it. I bought the bread as well. | 0:49:52 | 0:49:55 | |
You bought the bread and stirred the risotto. You must be knackered. | 0:49:55 | 0:49:59 | |
Griff, you're the one who was going on about food in Venice. | 0:49:59 | 0:50:02 | |
How is this? Has this changed your opinion? | 0:50:02 | 0:50:04 | |
No, this is terrific, isn't it? The point is 90 per cent of the tourists | 0:50:04 | 0:50:08 | |
do not care what they eat, | 0:50:08 | 0:50:10 | |
so why should the restaurants care at all what they serve? | 0:50:10 | 0:50:14 | |
If you really want to eat well in Venice, you have to go to the outlying islands and look for | 0:50:14 | 0:50:18 | |
the speciality and here we are being served delicious food, | 0:50:18 | 0:50:24 | |
made by fisherman for their own consumption. | 0:50:24 | 0:50:27 | |
And it's terrific. | 0:50:27 | 0:50:28 | |
With our bellies full of delicious Venetian grub, it was time to hit | 0:50:36 | 0:50:39 | |
the Canal for the first and last inaugural three men gondola race. | 0:50:39 | 0:50:44 | |
It was evening and the canal was getting busy. | 0:50:44 | 0:50:48 | |
We'd been split into teams. | 0:50:50 | 0:50:52 | |
Griff was with the ladies in red and me and Dara were in the blue team. | 0:50:52 | 0:50:56 | |
I'm actually extremely excited by this. | 0:50:56 | 0:50:59 | |
It is incredibly exciting, isn't it? | 0:50:59 | 0:51:01 | |
It's almost surreal that we are standing in the Grand Canal heading for the Rialto. | 0:51:01 | 0:51:07 | |
-Have you seen the police boat? It's there to stop traffic. -A police escort. It's just crazy. | 0:51:07 | 0:51:12 | |
It's essentially like having a running race on the M4. | 0:51:12 | 0:51:15 | |
We've got to make sure we don't disgrace ourselves, although Rory | 0:51:15 | 0:51:19 | |
already begins to look like a sort of... | 0:51:19 | 0:51:22 | |
Cornishman on holiday. | 0:51:22 | 0:51:23 | |
The course is simple. | 0:51:26 | 0:51:28 | |
Right down the straightest bit of the Grand Canal and under the Rialto Bridge to finish. | 0:51:28 | 0:51:33 | |
'Since we are novices, it's going to be a rolling start. | 0:51:39 | 0:51:42 | |
'When both boats are neck and neck, we're off.' | 0:51:42 | 0:51:46 | |
Uno, due, tre, go, go, go! | 0:51:47 | 0:51:51 | |
Come on, Rory! Come on! | 0:51:53 | 0:51:55 | |
While Griff's boat gets into a rhythm, | 0:51:59 | 0:52:02 | |
our boat gets into an argument. | 0:52:02 | 0:52:04 | |
-They're all over the place. -They're not fast enough. | 0:52:04 | 0:52:07 | |
They're not fast enough to keep up with us? | 0:52:07 | 0:52:09 | |
I'm not hearing any uno due here, Rory. | 0:52:09 | 0:52:11 | |
-Uno due... -You start then. | 0:52:11 | 0:52:14 | |
-Uno... -Let's get a private uno due going. | 0:52:14 | 0:52:18 | |
Although we've a police escort to try and stop traffic, | 0:52:21 | 0:52:25 | |
gondoliers have priority, so couples on honeymoon weave happily between us. | 0:52:25 | 0:52:30 | |
We are miles behind. | 0:52:31 | 0:52:32 | |
We are not within spitting distance. | 0:52:32 | 0:52:34 | |
We're second, Dara! Don't lose the inner gain. | 0:52:34 | 0:52:37 | |
You're right, we'll still qualify for next year's event. | 0:52:37 | 0:52:41 | |
Rory and Dara have now mastered the technique of air rowing, | 0:52:41 | 0:52:46 | |
which doesn't involve getting the oars wet. | 0:52:46 | 0:52:49 | |
-Uno due... -Why do you have to make that noise, Rory? | 0:52:51 | 0:52:55 | |
I'm cutting out the "ooh-ee" and just doing the "oh." | 0:52:55 | 0:52:59 | |
I spend every uno looking forward to due. | 0:52:59 | 0:53:01 | |
Griff's boat have found their rhythm. | 0:53:10 | 0:53:13 | |
There is less internal debate going on | 0:53:13 | 0:53:16 | |
and the Rialto Bridge looms overhead. | 0:53:16 | 0:53:19 | |
Rightfully and easily they win, | 0:53:19 | 0:53:22 | |
and take the acclaim from the thousands of tourists looking on. | 0:53:22 | 0:53:25 | |
CHEERING AND APPLAUSE | 0:53:25 | 0:53:26 | |
OK? | 0:53:28 | 0:53:31 | |
-OK? Better than OK I think. Bellissima! -Bellissimo. | 0:53:31 | 0:53:36 | |
Bellissimo, si. | 0:53:36 | 0:53:37 | |
-OK. -OK! -Bravo. -Brava! Grazie mille! | 0:53:42 | 0:53:48 | |
We never really got started in that one. | 0:53:48 | 0:53:50 | |
The uno, the due, I didn't hear any uno due from any of the people. | 0:53:50 | 0:53:54 | |
I have heard a lot of yab yab yab from front to back here. | 0:53:54 | 0:53:57 | |
Tactically this is a disaster. I'm washing my hands of this. | 0:53:57 | 0:54:01 | |
MAN SHOUTS IN ITALIAN We're still in this! | 0:54:01 | 0:54:04 | |
-Tony... -Tony not a happy man. | 0:54:11 | 0:54:14 | |
No, no, no. | 0:54:14 | 0:54:15 | |
We had one uno, one due and then somebody said tres. | 0:54:15 | 0:54:18 | |
We don't know what tres was. | 0:54:18 | 0:54:21 | |
Tres was a move they hadn't taught us. | 0:54:21 | 0:54:23 | |
THEY CHEER | 0:54:23 | 0:54:27 | |
He's trying to attract the woman! | 0:54:27 | 0:54:29 | |
That's all he's done! He just pulled the boat immediately over and like, | 0:54:29 | 0:54:33 | |
"Hey, how are you doing? Uno due." | 0:54:33 | 0:54:37 | |
This guy's shouting at him. | 0:54:37 | 0:54:40 | |
-Everything all right? -No! | 0:54:40 | 0:54:41 | |
What's going on here? | 0:54:41 | 0:54:43 | |
You were gone right and we didn't know it had started. | 0:54:43 | 0:54:46 | |
We didn't know it had started! We were getting the wrong signal. | 0:54:46 | 0:54:50 | |
-The wrong signal? -You were gone. | 0:54:50 | 0:54:52 | |
You didn't hang around. I'm going to talk to the girls because frankly... | 0:54:52 | 0:54:56 | |
Hey, Miguel. Hey, have you met my friend? | 0:54:56 | 0:54:59 | |
He's a very good friend of mine. Have you met him? | 0:54:59 | 0:55:02 | |
Have you met my brother? Have you met my brother? | 0:55:02 | 0:55:05 | |
Perhaps we take these boats? | 0:55:05 | 0:55:07 | |
We do a very good moonlight cruise. | 0:55:07 | 0:55:11 | |
It's killing the game this sort of behaviour. | 0:55:15 | 0:55:17 | |
Three cheers for the red boat. Hip hip hooray! | 0:55:17 | 0:55:21 | |
Race over, we gather for the prize giving on the Danieli roof terrace, | 0:55:25 | 0:55:30 | |
overlooking the Canal and The Doge's Palace | 0:55:30 | 0:55:32 | |
and a time to reflect on the last ten days. | 0:55:32 | 0:55:36 | |
This trip has been quite spectacular | 0:55:39 | 0:55:42 | |
not just because of the wonderful landscapes of Montenegro and the lovely people in Croatia, | 0:55:42 | 0:55:47 | |
but also just arriving here and knowing that as we went further and further | 0:55:47 | 0:55:51 | |
we got more and more into the very heart of boats | 0:55:51 | 0:55:54 | |
and the time when boats ran the world and Venice, | 0:55:54 | 0:55:56 | |
Venice is built on boating and not just here but internationally. You see the feel of it | 0:55:56 | 0:56:02 | |
and all these Venetian cities that we've passed into, whether it was in Split or Dubrovnik, | 0:56:02 | 0:56:06 | |
just to come to that birthplace of all that, come to one of the great naval empires, | 0:56:06 | 0:56:12 | |
I'd say it was enormously important | 0:56:12 | 0:56:14 | |
and so in many ways I think it's the best trip we've done | 0:56:14 | 0:56:17 | |
and the trip that most made sense to a certain extent. | 0:56:17 | 0:56:20 | |
I'm not really sure how we'll top this. | 0:56:20 | 0:56:23 | |
It is quite spectacularly beautiful to be here. | 0:56:23 | 0:56:27 | |
I really didn't think Croatia, the Dalmatian coast, particularly | 0:56:27 | 0:56:31 | |
Ravinia, Pula and Dubrovnik could be topped by anything, | 0:56:31 | 0:56:35 | |
but I'm afraid Venice is the winner. Perfect. | 0:56:35 | 0:56:39 | |
What does this trip mean to me? | 0:56:39 | 0:56:41 | |
Well, I think it reinforced the importance of companionship and it | 0:56:41 | 0:56:45 | |
reinforced the importance of a cultural awareness of where you go | 0:56:45 | 0:56:49 | |
and it reinforced my feeling that I'm only | 0:56:49 | 0:56:52 | |
ever going to get that if I come back through this region | 0:56:52 | 0:56:57 | |
completely on my own, which I intend to do. | 0:56:57 | 0:57:00 | |
So it gives me great honour to present my first ever glass vase | 0:57:01 | 0:57:07 | |
to, I think, worthy winners | 0:57:07 | 0:57:09 | |
Griff Rhys Jones and his wonderful team of rowers. | 0:57:09 | 0:57:12 | |
-I think they truly deserved to win, Dara, don't you think? -Yeah... | 0:57:12 | 0:57:16 | |
So well done, Griff and Sybil. Well done. Worthy, worthy winners. | 0:57:16 | 0:57:20 | |
Let's everybody have a drink. | 0:57:20 | 0:57:22 | |
There's one little thing. I mean, we think you are worthy winners | 0:57:27 | 0:57:31 | |
because you rowed better and we are prepared to overlook... | 0:57:31 | 0:57:37 | |
we're prepared to overlook the fact that you started before the starting whistle went. | 0:57:37 | 0:57:42 | |
-Tony, I think the word is forbetti, is that the word? -Bravo! | 0:57:42 | 0:57:47 | |
THEY TALK OVER EACH OTHER | 0:57:47 | 0:57:50 | |
Subtitles by Red Bee Media Ltd | 0:58:18 | 0:58:21 | |
E-mail [email protected] | 0:58:21 | 0:58:23 |