Browse content similar to 19/04/2012. Check below for episodes and series from the same categories and more!
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Today's live Blue Peter includes lambs... | 7:50:00 | 7:50:04 | |
gadgets... | 7:50:04 | 7:50:06 | |
and Conor Maynard. | 7:50:06 | 7:50:08 | |
We give the inside story on lambing season | 7:50:08 | 7:50:10 | |
in just a few minutes' time. | 7:50:10 | 7:50:11 | |
This is iodine that we have to put on the lamb's umbilical cord, | 7:50:11 | 7:50:16 | |
which is this bit here. | 7:50:16 | 7:50:18 | |
Eugh. | 7:50:20 | 7:50:21 | |
And it's never been seen on TV before, | 7:50:21 | 7:50:22 | |
an exclusive competition to name the latest high tech gadget. | 7:50:22 | 7:50:25 | |
That's coming up in less than ten minutes time. | 7:50:25 | 7:50:29 | |
And he's the UK's answer to Justin Bieber, | 7:50:29 | 7:50:31 | |
internet pop sensation Conor Maynard in 20 minutes time. | 7:50:31 | 7:50:34 | |
He joins me live to answer your questions | 7:50:34 | 7:50:37 | |
and perform his latest single. | 7:50:37 | 7:50:39 | |
APPLAUSE AND CHEERING | 7:50:55 | 7:50:59 | |
Thanks very much. Hello, how are you doing? | 7:50:59 | 7:51:01 | |
You're watching Blue Peter, we are live and interactive. | 7:51:01 | 7:51:03 | |
As you can see, Helen isn't here today. Get in! | 7:51:03 | 7:51:07 | |
"Isn't Barney so cheeky off Blue Peter?" No, it's a good thing, | 7:51:07 | 7:51:10 | |
it's not about me today, it's about you getting involved | 7:51:10 | 7:51:13 | |
and asking questions to a very famous person | 7:51:13 | 7:51:15 | |
who you're very exciting about. | 7:51:15 | 7:51:16 | |
Conor Maynard is going to be right here in the studio. | 7:51:16 | 7:51:19 | |
Would you like to ask him a question? You would, | 7:51:19 | 7:51:21 | |
I can see you nodding. | 7:51:21 | 7:51:22 | |
Here's the email address. | 7:51:22 | 7:51:25 | |
Only email if you're watching on Thursday, but ask him anything | 7:51:25 | 7:51:28 | |
you like and I'll ask as many as I can, and get them answered. | 7:51:28 | 7:51:31 | |
Now, have you ever seen a lamb being born? | 7:51:31 | 7:51:34 | |
Well, it's gross. And at this time of the year, | 7:51:34 | 7:51:37 | |
13-year-old Ella Henson just takes it as part of her daily routine. | 7:51:37 | 7:51:41 | |
ALARM CLOCK BEEPS | 7:51:45 | 7:51:48 | |
I'm Ella Henson and this is Being Me during lambing season. | 7:51:48 | 7:51:52 | |
Welcome to my family farm in Gloucestershire. | 7:51:58 | 7:52:01 | |
We have 2,000 animals. | 7:52:01 | 7:52:02 | |
But at the moment, there is one type of animal | 7:52:02 | 7:52:05 | |
demanding our focus and attention. | 7:52:05 | 7:52:06 | |
And that's these guys, the pregnant female sheep known as ewes. | 7:52:06 | 7:52:11 | |
We're in the middle of one of our most important and busiest times | 7:52:11 | 7:52:14 | |
on the farming calendar - lambing season. | 7:52:14 | 7:52:16 | |
So I help out before and after school, and at the weekend. | 7:52:16 | 7:52:19 | |
Lambing season officially started on our farm on March the 12th, | 7:52:19 | 7:52:22 | |
but it's different for other farmers in parts of the country. | 7:52:22 | 7:52:25 | |
These lambs were born a few days ago, | 7:52:25 | 7:52:28 | |
and I spend a lot of time helping to take care of them. | 7:52:28 | 7:52:30 | |
SHEEP BLEATS | 7:52:30 | 7:52:33 | |
Hi, Ella, how's it going? | 7:52:33 | 7:52:34 | |
This is my dad. | 7:52:34 | 7:52:36 | |
You might recognise him from the TV show Countryfile, but to me, | 7:52:36 | 7:52:39 | |
he's just my dad and an amazing farmer. | 7:52:39 | 7:52:42 | |
-Is there anything lambing? -No, not at the moment. | 7:52:42 | 7:52:44 | |
-Well, you can come and do this iodine while I put the hay round. -OK. | 7:52:44 | 7:52:47 | |
-It's just on the rack there, OK? -OK. | 7:52:47 | 7:52:49 | |
This is iodine that we have to put on the lamb's umbilical cord, | 7:52:51 | 7:52:56 | |
which is this bit here. | 7:52:56 | 7:52:58 | |
And when it dries up, it will fall off and form a belly button. | 7:52:58 | 7:53:02 | |
This'll stop any infection from getting through the belly button. | 7:53:02 | 7:53:05 | |
OK. | 7:53:07 | 7:53:08 | |
This is colostrum, | 7:53:11 | 7:53:13 | |
which is milk that the mother first produces. | 7:53:13 | 7:53:16 | |
It's really important for the lamb, | 7:53:16 | 7:53:17 | |
because it has lots of vitamins and minerals in. | 7:53:17 | 7:53:20 | |
It's like a special medicine. | 7:53:20 | 7:53:21 | |
The newborns should start suckling milk from the mother's teats. | 7:53:21 | 7:53:25 | |
But we need to lend a hand to point them in the right direction. | 7:53:25 | 7:53:28 | |
However, even this doesn't always work. | 7:53:28 | 7:53:32 | |
These are lambs me and Dad will bottle feed. | 7:53:32 | 7:53:33 | |
It's a beautiful day now, so we're going to take them outside. | 7:53:33 | 7:53:36 | |
There we go, there's your bottle. | 7:53:36 | 7:53:38 | |
-Do you enjoy doing this? -Best part of the job. | 7:53:40 | 7:53:42 | |
Ella and her dad can't enjoy the sunshine for too long, | 7:53:42 | 7:53:46 | |
because they must start preparing for the newborn lambs. | 7:53:46 | 7:53:48 | |
Well, ewes can give birth any time, | 7:53:48 | 7:53:51 | |
and so me and my dad have to do quite a few checks. | 7:53:51 | 7:53:53 | |
There's a few signs to show that the ewes might be giving birth. | 7:53:54 | 7:53:57 | |
They paw the ground, get restless, lie on their sides, | 7:53:57 | 7:54:00 | |
and they move around a lot. | 7:54:00 | 7:54:02 | |
These ewes were scanned halfway through the pregnancy, | 7:54:02 | 7:54:04 | |
and do you know what the dots mean? | 7:54:04 | 7:54:06 | |
The red dot means they have a single. | 7:54:06 | 7:54:07 | |
No dots mean that they have two, | 7:54:07 | 7:54:10 | |
and the green dot means they have three. | 7:54:10 | 7:54:12 | |
This can help us, because the more lambs they have, | 7:54:12 | 7:54:14 | |
the more food they need. | 7:54:14 | 7:54:15 | |
To keep these ewes healthy, we have to give them sheep nuts, | 7:54:15 | 7:54:19 | |
hay, fresh bedding and fresh water. | 7:54:19 | 7:54:22 | |
While you're doing the bedding down, I've got some questions here, | 7:54:24 | 7:54:28 | |
from the Blue Peter viewers. | 7:54:28 | 7:54:29 | |
So, Purple Spotty Impala asks, | 7:54:29 | 7:54:31 | |
"What's your favourite animal on the farm, and why?" | 7:54:31 | 7:54:34 | |
Well, um, I like all of the babies on the farm, really, | 7:54:34 | 7:54:38 | |
like all of the lambs and the calves and... Yeah. | 7:54:38 | 7:54:41 | |
All of the little ones. | 7:54:41 | 7:54:44 | |
Quartz laughing panda asks, | 7:54:44 | 7:54:46 | |
"Ella, when you were collecting the eggs from the chickens, | 7:54:46 | 7:54:49 | |
"have you ever got covered in egg?" | 7:54:49 | 7:54:52 | |
I haven't been covered in egg yet, but there's always a first time! | 7:54:52 | 7:54:55 | |
Sheep can give birth at any time of the day, | 7:54:57 | 7:54:59 | |
so there has to be someone here all the time. | 7:54:59 | 7:55:01 | |
There's myself, my dad or some other shepherds that come and help. | 7:55:01 | 7:55:04 | |
However, sometimes it can be a long wait before anything happens. | 7:55:04 | 7:55:08 | |
This ewe's got the first few signs of going into labour. | 7:55:10 | 7:55:13 | |
She's got the bubble. | 7:55:13 | 7:55:14 | |
It's important that we're here to help out with the birth, | 7:55:18 | 7:55:21 | |
because lots of things can go wrong, | 7:55:21 | 7:55:23 | |
and we don't want to lose either the precious baby or its mother. | 7:55:23 | 7:55:26 | |
And lift it up. That's it. Clear its nose. | 7:55:26 | 7:55:28 | |
That's one healthy little lamb. | 7:55:35 | 7:55:37 | |
Well, this is the miracle of lambing. | 7:55:38 | 7:55:41 | |
Aw, so cute! | 7:55:41 | 7:55:42 | |
-Not sure about the name, though. -That's me done for today, | 7:55:43 | 7:55:46 | |
but there's always work to be done on the farm. See you guys later. | 7:55:46 | 7:55:49 | |
Ah, I like it when things are cute and cuddly on this show. | 7:55:53 | 7:55:56 | |
Loads more still to come, it's very exciting. Take a look. | 7:55:56 | 7:55:59 | |
Conor Maynard is 19 years old, he's an internet pop sensation | 7:55:59 | 7:56:02 | |
and he's going to be in the studio | 7:56:02 | 7:56:04 | |
performing his latest single and answering your questions. | 7:56:04 | 7:56:07 | |
Excited! | 7:56:07 | 7:56:09 | |
Also, we're going to be giving you a tour of the latest superbus | 7:56:09 | 7:56:12 | |
to hit the streets of London. | 7:56:12 | 7:56:14 | |
Now, though, high tech gadgetry. I cannot wait for this bit. | 7:56:17 | 7:56:20 | |
This is so exclusive, the biggest newspapers aren't even allowed | 7:56:20 | 7:56:24 | |
to write about it yet, and we have got another exclusive, | 7:56:24 | 7:56:26 | |
and this is a competition for you | 7:56:26 | 7:56:28 | |
to design and name this brand new gadget. | 7:56:28 | 7:56:30 | |
And here it is. | 7:56:30 | 7:56:32 | |
Now, you may think you know what it is already, | 7:56:32 | 7:56:34 | |
but I think you're going to be surprised. Watch this. | 7:56:34 | 7:56:36 | |
i-Pads, Xboxes, Freeview and Raspberry Pis. | 7:56:40 | 7:56:44 | |
What have they all got in common? | 7:56:44 | 7:56:47 | |
Yes, they're all gadgets. But more importantly, they're memorable | 7:56:47 | 7:56:50 | |
because of their distinctive and rather cool names. | 7:56:50 | 7:56:52 | |
It seems that if you're launching the latest piece of technology, | 7:56:52 | 7:56:57 | |
finding the right name is almost as important as the kit itself. | 7:56:57 | 7:57:00 | |
So, what's this amazing piece of high tech kit called? | 7:57:04 | 7:57:07 | |
The UAV, or Unmanned Aerial Vehicle. | 7:57:10 | 7:57:12 | |
It's not that catchy, is it? | 7:57:12 | 7:57:14 | |
Well, that's all set to change, | 7:57:16 | 7:57:18 | |
because we are offering you the chance to come up with a name | 7:57:18 | 7:57:21 | |
for this type of futuristic gadget. | 7:57:21 | 7:57:23 | |
The UAV has been produced by Southampton University, for the BBC. | 7:57:25 | 7:57:30 | |
It's a super-sized, radio-controlled plane that takes aerial footage | 7:57:30 | 7:57:33 | |
using an on-board camera which can be controlled from the ground | 7:57:33 | 7:57:37 | |
using a joystick. | 7:57:37 | 7:57:38 | |
Nicholas Pink's helped plan the plane for the BBC. | 7:57:38 | 7:57:42 | |
On-board the plane itself is a really great autopilot system. | 7:57:42 | 7:57:46 | |
and though we have a pilot on the ground, we're able to send the plane | 7:57:46 | 7:57:49 | |
up in the air and it looks after itself, | 7:57:49 | 7:57:52 | |
keeping it level and flying well. | 7:57:52 | 7:57:54 | |
The UAV's on-board camera | 7:57:54 | 7:57:57 | |
can turn to track whatever it's filming on the ground. | 7:57:57 | 7:58:00 | |
Pictures from the camera are then relayed back down to the ground, | 7:58:00 | 7:58:03 | |
so they can be beamed straight into your home. | 7:58:03 | 7:58:05 | |
It's hoped the plane will be able to take aerial footage | 7:58:05 | 7:58:08 | |
for TV programmes, and things like massive music events. | 7:58:08 | 7:58:11 | |
And this extraordinary plane was made | 7:58:12 | 7:58:15 | |
in a pretty extraordinary way too. | 7:58:15 | 7:58:17 | |
We've got the fuselage itself. This has all been 3D printed. | 7:58:17 | 7:58:20 | |
3D printing is the most cutting-edge way to make a new product. | 7:58:20 | 7:58:24 | |
A solid object is painstakingly printed, layer by layer. | 7:58:24 | 7:58:27 | |
And because each is as thin as a human hair, | 7:58:27 | 7:58:30 | |
it takes a long time to print even a small piece. | 7:58:30 | 7:58:33 | |
This plane is made of nylon plastic, | 7:58:33 | 7:58:35 | |
and it's main body was printed in around 6,000 individual layers, | 7:58:35 | 7:58:39 | |
taking 24 hours. | 7:58:39 | 7:58:41 | |
While the plane might look pretty finished, | 7:58:41 | 7:58:44 | |
there's still something missing. | 7:58:44 | 7:58:45 | |
We have no name, and we have no decoration for it, | 7:58:45 | 7:58:48 | |
and it needs to look much better. | 7:58:48 | 7:58:51 | |
So, please, Blue Peter. Help us out. | 7:58:51 | 7:58:53 | |
You want one, don't you? I do too. | 7:58:55 | 7:58:57 | |
Well, before we start to talk about the competition, | 7:58:57 | 7:58:59 | |
let me show you one of the cool features of this plane. | 7:58:59 | 7:59:02 | |
It's under the nose, right here, and I love it, | 7:59:02 | 7:59:04 | |
cos you can control it with this transmitter. It's the camera. | 7:59:04 | 7:59:07 | |
It does everything you'd expect to do if you were holding on to one. | 7:59:07 | 7:59:10 | |
It goes left and right. It goes up and down. | 7:59:10 | 7:59:12 | |
But my favourite feature is this one. | 7:59:12 | 7:59:16 | |
The camera rotates left and right, | 7:59:16 | 7:59:17 | |
much like a steering wheel would move. | 7:59:17 | 7:59:20 | |
The reason it does that is because when the wind hits | 7:59:20 | 7:59:22 | |
the underside of the wing, it tilts to one side, doesn't it? | 7:59:22 | 7:59:24 | |
It either goes left or right. | 7:59:24 | 7:59:26 | |
If this was filming something at the time, | 7:59:26 | 7:59:28 | |
the picture on your TV would make you feel a little bit seasick. | 7:59:28 | 7:59:30 | |
They've thought about that. Because that camera rotates both ways, | 7:59:30 | 7:59:33 | |
it compensates and keeps the picture perfectly steady. | 7:59:33 | 7:59:36 | |
It's such a cool thing. | 7:59:36 | 7:59:37 | |
And what's even better about this is that you get to name | 7:59:37 | 7:59:40 | |
and design this brand new, high tech gadget. | 7:59:40 | 7:59:42 | |
Let's talk about the name first. | 7:59:42 | 7:59:44 | |
It can't be something like Eric or Jeff, cos that's boring and rubbish. | 7:59:44 | 7:59:47 | |
We want funky names like iPad, smartphone, Freeview, | 7:59:47 | 7:59:50 | |
because they sound cool and also tell you about what the gadget does. | 7:59:50 | 7:59:53 | |
So think about that when you're naming it. Also, the design. | 7:59:53 | 7:59:56 | |
Two sections to this, really. You've got the top of the plane, | 7:59:56 | 7:59:59 | |
which is the obvious bit, but don't forget the underside, | 7:59:59 | 8:00:01 | |
because when this flies overhead, | 8:00:01 | 8:00:03 | |
that's the bit you see from the ground. | 8:00:03 | 8:00:05 | |
What you need to do is download this from the Blue Peter website. | 8:00:05 | 8:00:08 | |
It's a template for your design, basically. | 8:00:08 | 8:00:10 | |
There's a top and bottom section, | 8:00:10 | 8:00:11 | |
and there's a little space in the middle | 8:00:11 | 8:00:13 | |
for you to put your brand new name for this brand new gadget. | 8:00:13 | 8:00:16 | |
Two ways to get involved. You can actually send it by post | 8:00:16 | 8:00:19 | |
to the Blue Peter Plane Competition... | 8:00:19 | 8:00:21 | |
Or you can scan your template design | 8:00:24 | 8:00:26 | |
and email it to... | 8:00:26 | 8:00:27 | |
Just one entry per person. | 8:00:30 | 8:00:32 | |
You've got until 9am on the 8th of May, | 8:00:32 | 8:00:34 | |
and you need to be aged between 6 and 12 years old. | 8:00:34 | 8:00:37 | |
All the terms and conditions are on the website, | 8:00:37 | 8:00:39 | |
so make sure you check them out. And the best of luck. | 8:00:39 | 8:00:41 | |
Don't forget, Conor Maynard is going to be here | 8:00:41 | 8:00:44 | |
performing his latest single and answering your questions. | 8:00:44 | 8:00:46 | |
But first, check this out. | 8:00:46 | 8:00:48 | |
A few months ago, I went to test drive the biggest thing | 8:00:48 | 8:00:51 | |
to hit the streets of London. | 8:00:51 | 8:00:53 | |
Thank you. Thanks very much. | 8:01:05 | 8:01:08 | |
Oh, hi. | 8:01:08 | 8:01:10 | |
So, as you can see, today I am visiting a place | 8:01:10 | 8:01:12 | |
that is so top secret, it was built completely out of sight, | 8:01:12 | 8:01:16 | |
so that nobody can see what goes on inside. | 8:01:16 | 8:01:19 | |
The people here do everything they can to find and eliminate weakness, | 8:01:19 | 8:01:22 | |
and security here is tighter than Jedward's trousers. | 8:01:22 | 8:01:26 | |
This is Millbrook, a 700 acre vehicle assault course, | 8:01:26 | 8:01:31 | |
with 70 km of test track, consisting of the most extreme twists, | 8:01:31 | 8:01:35 | |
bumps and corners, designed to find flaws in every type of land vehicle. | 8:01:35 | 8:01:39 | |
This is where car manufacturers test their newest vehicles | 8:01:39 | 8:01:42 | |
to their absolute limits, before they can be unveiled to the public. | 8:01:42 | 8:01:47 | |
This proving ground has had some pretty impressive guests | 8:01:47 | 8:01:49 | |
over the years. 007, James Bond rolled his Aston Martin here | 8:01:49 | 8:01:53 | |
in the film, Casino Royale. | 8:01:53 | 8:01:55 | |
It's also where Top Gear have filmed some of their most punishing stunts. | 8:01:55 | 8:01:58 | |
65, 66! | 8:01:58 | 8:02:02 | |
-Here we go. -69! Yes! | 8:02:02 | 8:02:05 | |
But compared to what I'm testing today, cars are simply small fry. | 8:02:07 | 8:02:13 | |
This is the latest addition to London's transport network, | 8:02:14 | 8:02:18 | |
the new bus for London, a 2012 reworking of the iconic Routemaster. | 8:02:18 | 8:02:23 | |
The old Routemaster was taken out of service in 2005. | 8:02:25 | 8:02:28 | |
But due to popular demand by Brits and tourists, | 8:02:28 | 8:02:31 | |
it's been redesigned and revamped, and it's back. | 8:02:31 | 8:02:34 | |
The guy sitting in the seat is Darren. | 8:02:34 | 8:02:35 | |
He's a principal engineer. | 8:02:35 | 8:02:37 | |
Darren, let's start with the most important question. | 8:02:37 | 8:02:39 | |
It's a bus for London, but it's not red. What's going on? | 8:02:39 | 8:02:43 | |
Well, it's a prototype. We're just using it for testing. | 8:02:43 | 8:02:46 | |
Once we've put it through its paces, | 8:02:46 | 8:02:48 | |
-it'll be painted red and have all its stickers on. -Oh, wow. | 8:02:48 | 8:02:51 | |
Well, you can see straight away that it's no ordinary bus, | 8:02:51 | 8:02:54 | |
I mean, it's made of wood, for starters. | 8:02:54 | 8:02:57 | |
And there's no seats for the passengers, what's all that? | 8:02:57 | 8:03:00 | |
Well, we can't use real passengers when we're testing it. | 8:03:00 | 8:03:03 | |
What we do is use the gravel bottles | 8:03:03 | 8:03:05 | |
and the water dummies to simulate the people. | 8:03:05 | 8:03:07 | |
But this bus is as heavy as it will ever be in service. | 8:03:07 | 8:03:10 | |
At the moment, we're doing durability testing on the vehicle. | 8:03:10 | 8:03:13 | |
We're trying to put as many miles on as possible, | 8:03:13 | 8:03:15 | |
so we are trying to break it, scientifically. | 8:03:15 | 8:03:18 | |
-We'd like you to help us with that. -Bring it on. | 8:03:18 | 8:03:21 | |
But before they let me loose on the bus, | 8:03:21 | 8:03:23 | |
they need to test my driving skills in a car. | 8:03:23 | 8:03:26 | |
I need to prove that I can handle their most challenging courses... | 8:03:26 | 8:03:30 | |
-Turn left, turn left. -Whoa. | 8:03:30 | 8:03:32 | |
..perform an emergency stop on command... | 8:03:32 | 8:03:34 | |
Push that peddle further forward. | 8:03:34 | 8:03:37 | |
..and master the High-Speed Bowl. | 8:03:39 | 8:03:41 | |
When you've got to 100 mph, | 8:03:41 | 8:03:43 | |
take your hands off the steering wheel | 8:03:43 | 8:03:45 | |
-and the car will drive round all on its own. -What? | 8:03:45 | 8:03:49 | |
Centrifugal force and gravity cancel each other out, | 8:03:49 | 8:03:51 | |
and it will sit in this lane at 100 mph. | 8:03:51 | 8:03:54 | |
It's called the neutral steer speed. Hands off the wheel. | 8:03:54 | 8:03:57 | |
-It'll drive round all day... -Ah! -..at that speed. | 8:03:57 | 8:04:00 | |
That's incredible. No hands on the steering wheel! | 8:04:02 | 8:04:06 | |
I thought Barney's driving was really good. | 8:04:06 | 8:04:09 | |
He showed competence behind the wheel, | 8:04:09 | 8:04:11 | |
and his emergency stop was superb. | 8:04:11 | 8:04:13 | |
I'm more than happy to let Barney loose on the bus now. | 8:04:13 | 8:04:17 | |
The new London bus will join the 8,500 buses | 8:04:17 | 8:04:20 | |
already in the UK's capital city. | 8:04:20 | 8:04:23 | |
That makes up almost half of all bus journeys in the whole of England. | 8:04:23 | 8:04:28 | |
So to make sure the new bus is completely reliable, | 8:04:28 | 8:04:30 | |
it's been going through a gruelling testing regime 24 hours a day, | 8:04:30 | 8:04:33 | |
7 days a week. | 8:04:33 | 8:04:35 | |
So, under the watchful eye of instructor Malcolm, | 8:04:35 | 8:04:38 | |
I'm about to get a taste of what this bus has been through | 8:04:38 | 8:04:41 | |
over the last few months. | 8:04:41 | 8:04:43 | |
Test track 1, the High-Speed Bowl, | 8:04:44 | 8:04:47 | |
a course designed to test the bus's performance at high speeds. | 8:04:47 | 8:04:51 | |
It's quite an amazing feeling driving a bus. | 8:04:53 | 8:04:55 | |
-You're quite high up. -Yeah. -You've got a massive windscreen. | 8:04:55 | 8:04:59 | |
We're doing 45 now. It's not the speed that feels quick, | 8:04:59 | 8:05:02 | |
it's the fact that you know that should you need to stop, | 8:05:02 | 8:05:04 | |
you've got all that weight behind you as well. | 8:05:04 | 8:05:07 | |
So it may not go as fast as a car, | 8:05:07 | 8:05:09 | |
but considering how big this thing is, it's a very smooth ride. | 8:05:09 | 8:05:12 | |
And I am loving it! | 8:05:12 | 8:05:15 | |
You really do feel like king of the road, don't you, | 8:05:15 | 8:05:17 | |
when you're in a bus? | 8:05:17 | 8:05:18 | |
Test track 2, the City Course, | 8:05:18 | 8:05:21 | |
a track which simulates the tight corners | 8:05:21 | 8:05:24 | |
and narrow roads the bus will be forced to negotiate in London. | 8:05:24 | 8:05:28 | |
These roads are so tight and so winding, | 8:05:30 | 8:05:32 | |
but when you think about driving something that's this long, | 8:05:32 | 8:05:35 | |
you can't take corners like you would in a car. | 8:05:35 | 8:05:37 | |
The back of the bus is 11 and a bit metres that way, behind me. | 8:05:37 | 8:05:43 | |
Actually driving this bus in London, I think would terrify me, | 8:05:43 | 8:05:46 | |
cos you've got such tight spaces to get it through. | 8:05:46 | 8:05:48 | |
There are other people on the road, you've got taxi drivers. | 8:05:48 | 8:05:51 | |
It must be an absolute nightmare driving a bus in London. | 8:05:51 | 8:05:54 | |
So, apart from one minor mistake from me... | 8:05:55 | 8:05:58 | |
Whoa, sorry, I'm on the gravel. | 8:05:58 | 8:06:01 | |
..the bus is handling the tight twists and turns | 8:06:01 | 8:06:04 | |
even with a novice behind the wheel. | 8:06:04 | 8:06:05 | |
I might be a bus driver. I've decided I want to be a bus driver. | 8:06:05 | 8:06:09 | |
Test track 3, the dreaded Belgian Pave, | 8:06:09 | 8:06:13 | |
a treacherous stretch of jolts and jerks | 8:06:13 | 8:06:16 | |
which will shake the bus to its very core. | 8:06:16 | 8:06:18 | |
Wo-ho-ho-ho. | 8:06:21 | 8:06:23 | |
Everything is literally shaking. | 8:06:25 | 8:06:27 | |
If you had a dashboard here, everything would just fall off it, | 8:06:27 | 8:06:30 | |
because it's so rough. | 8:06:30 | 8:06:32 | |
I could do this all day. I'm loving this. | 8:06:32 | 8:06:34 | |
I'm not sure I'd be loving it quite so much if I was a passenger though. | 8:06:36 | 8:06:40 | |
Let's hope there aren't too many roads in London like this. | 8:06:40 | 8:06:44 | |
So, I've driven the bus at high speeds, | 8:06:44 | 8:06:46 | |
round tight turns, | 8:06:46 | 8:06:48 | |
and even given it a good old shake. | 8:06:48 | 8:06:50 | |
And in my opinion, | 8:06:50 | 8:06:52 | |
it definitely deserves the Barney Seal Of Approval. | 8:06:52 | 8:06:55 | |
And as we arrive into the piazza here at Media City in Salford, | 8:06:58 | 8:07:01 | |
I'd like to introduce you to the finished, red Routemaster bus. | 8:07:01 | 8:07:05 | |
I'm on it, by the way, through the big window. Hello. | 8:07:05 | 8:07:07 | |
This really is a feat of engineering, it's incredible. | 8:07:07 | 8:07:10 | |
It uses the latest in green engine technology, it has two engines. | 8:07:10 | 8:07:13 | |
It has an electric one and a diesel one. | 8:07:13 | 8:07:15 | |
It drives on electric normally, and when the battery's run down, | 8:07:15 | 8:07:18 | |
the diesel kicks in and charges it back up. | 8:07:18 | 8:07:20 | |
It really is the most economical bus of its kind. | 8:07:20 | 8:07:23 | |
It emits half the CO2 of the current diesel bus, | 8:07:23 | 8:07:26 | |
it's the first bus in 50 years to be designed specifically | 8:07:26 | 8:07:29 | |
for the streets of London, | 8:07:29 | 8:07:30 | |
and very soon there are going to be seven more of these. | 8:07:30 | 8:07:33 | |
If we get the doors open, I can show you on-site. | 8:07:33 | 8:07:35 | |
This is Bobby, the driver. We've got a steering wheel and horn. | 8:07:35 | 8:07:38 | |
-HORN HONKS -If you hear that, get out the way. | 8:07:38 | 8:07:40 | |
It's got two staircases, one at the front and one at the back. | 8:07:40 | 8:07:43 | |
This helps with the efficiency of the hop-on, hop-off system | 8:07:43 | 8:07:46 | |
that the Routemaster is famous for. | 8:07:46 | 8:07:49 | |
Because it is reported that 6.4 million people | 8:07:49 | 8:07:52 | |
use buses in London every single day, | 8:07:52 | 8:07:54 | |
so it needs to be made of strong stuff. | 8:07:54 | 8:07:56 | |
Which it is. Follow me to the back. | 8:07:56 | 8:07:58 | |
The whole rear of this bus is made from the same composite material | 8:07:58 | 8:08:02 | |
they use in Formula 1, which I'm very excited about, | 8:08:02 | 8:08:06 | |
cos that makes it light and strong. | 8:08:06 | 8:08:08 | |
Up to 45,000 people use this bus's route every single day. | 8:08:08 | 8:08:12 | |
That's a lot of footfall. Which has been thought about as well. | 8:08:12 | 8:08:15 | |
If you look at the floor, you'll see this is a very non-slip material. | 8:08:15 | 8:08:19 | |
It isn't normally seen on a bus, you normally see this on a posh boat. | 8:08:19 | 8:08:22 | |
It really is the future of driving. And it's open at the back, | 8:08:22 | 8:08:24 | |
which means you can hop on and hop off. | 8:08:24 | 8:08:26 | |
It really is incredible. And I've been waiting to do this all day. | 8:08:26 | 8:08:29 | |
-It's all yours, Bobby. -BELL RINGS | 8:08:29 | 8:08:31 | |
Even the bell's wireless. I want one. | 8:08:31 | 8:08:35 | |
I really do say, "it really is" quite a lot, don't I? | 8:08:35 | 8:08:38 | |
But it really is quite exciting, but not as exciting as the next guest. | 8:08:38 | 8:08:41 | |
Before I introduce him, if you're visiting the capital city, | 8:08:41 | 8:08:44 | |
you can see that bus on the streets of London. | 8:08:44 | 8:08:46 | |
Now, though, you've been wanting to speak to him all week. | 8:08:46 | 8:08:50 | |
He's 19 years old, | 8:08:50 | 8:08:51 | |
he's an international popstar from the internet. | 8:08:51 | 8:08:54 | |
Everybody please welcome Conor Maynard. | 8:08:54 | 8:08:57 | |
CHEERING AND APPLAUSE | 8:08:57 | 8:09:00 | |
-How you doing? Good to see you, welcome to the show. -Thank you. | 8:09:00 | 8:09:03 | |
Take a seat. So, before we go any further, it's your first appearance, | 8:09:03 | 8:09:06 | |
and so you need to stick that on. | 8:09:06 | 8:09:08 | |
-Oh, my mum's going to be so proud. -Nice moment, isn't it? | 8:09:08 | 8:09:11 | |
I'm going to quit music tomorrow. This is it. | 8:09:11 | 8:09:13 | |
Already? You don't need to, look how well you're doing. | 8:09:13 | 8:09:16 | |
Let's talk about where it started, though. | 8:09:16 | 8:09:18 | |
It's gone so fast and quick and you're already a superstar, | 8:09:18 | 8:09:20 | |
and it's not been that long, has it? | 8:09:20 | 8:09:22 | |
No, it hasn't, I mean, obviously for me, it's been a long time coming, | 8:09:22 | 8:09:26 | |
because I've been working on it for so long. | 8:09:26 | 8:09:28 | |
But things have got very exciting recently. | 8:09:28 | 8:09:31 | |
So, you know, I'm taking it as it comes and seeing what comes next. | 8:09:31 | 8:09:34 | |
Where did it start? | 8:09:34 | 8:09:35 | |
I was kind of walking down the road after school one day. | 8:09:35 | 8:09:38 | |
I was singing with my friends, | 8:09:38 | 8:09:39 | |
and this girl a few paces ahead of me overhead, and ran up to me | 8:09:39 | 8:09:43 | |
and said, "You can sing!" | 8:09:43 | 8:09:44 | |
And then, yeah, she made me sing to some people at school, | 8:09:44 | 8:09:47 | |
so I started recording covers for YouTube, | 8:09:47 | 8:09:49 | |
so everyone else could see them. | 8:09:49 | 8:09:50 | |
And sure enough, I did a cover of Usher's OMG, | 8:09:50 | 8:09:54 | |
which blew up. It got 100,000 views. | 8:09:54 | 8:09:56 | |
Incredible, and this was just you at home | 8:09:56 | 8:09:58 | |
recording something on a video camera and sticking it online? | 8:09:58 | 8:10:01 | |
Yeah, it was all done in my room in Brighton. | 8:10:01 | 8:10:03 | |
It's unbelievable really, isn't it? But let's get to where we are now. | 8:10:03 | 8:10:07 | |
You are on the phone to the R'n'B superstar, Ne-Yo. | 8:10:07 | 8:10:10 | |
-He called you, didn't he? -That was pretty crazy. | 8:10:10 | 8:10:13 | |
Someone contacted me who knew Ne-Yo, and I was sceptical at first. | 8:10:13 | 8:10:15 | |
I was like, "Is there any proof?" I didn't want to get to America | 8:10:15 | 8:10:18 | |
and have my friends on the phone, like, "Got you!" | 8:10:18 | 8:10:21 | |
I'd be like, "Thanks, guys(!)" But no, sure enough, | 8:10:21 | 8:10:23 | |
I was sitting on Skype with Ne-Yo at 1am in the morning in my pyjamas, | 8:10:23 | 8:10:27 | |
talking to him, because I asked for proof and there he was on Skype, | 8:10:27 | 8:10:30 | |
and I was like, "Oh, it's real." | 8:10:30 | 8:10:32 | |
But he's not the first American rapper. | 8:10:32 | 8:10:34 | |
Pharrell, he sent you out to Miami. | 8:10:34 | 8:10:35 | |
Yes, I went out to Miami to work with Pharrell on my first album, | 8:10:35 | 8:10:38 | |
so it's been crazy. | 8:10:38 | 8:10:39 | |
I've worked with some amazing people, inspirational people. | 8:10:39 | 8:10:42 | |
That's already, you're at the start of your career, doing very well. | 8:10:42 | 8:10:45 | |
Of course, lots of others have made the same kind of route | 8:10:45 | 8:10:48 | |
that you're making now, via the internet. | 8:10:48 | 8:10:50 | |
Lots of famous people have done the same thing. | 8:10:50 | 8:10:52 | |
So we're going try and find out how much you know | 8:10:52 | 8:10:54 | |
about their journey and about them as people. | 8:10:54 | 8:10:57 | |
We've devised a game we'd like you to play, and it's called Face Facts. | 8:10:57 | 8:11:00 | |
Follow me over here. It's very simple. | 8:11:00 | 8:11:03 | |
You can see on those boards over there, there are four famous faces. | 8:11:03 | 8:11:06 | |
You've got yourself, on the left hand side. | 8:11:06 | 8:11:09 | |
You're famous cos you're good. | 8:11:09 | 8:11:10 | |
Then, next up we've got Jamal Edwards, he created SBTV. | 8:11:10 | 8:11:13 | |
Next to him, Justin Bieber, | 8:11:13 | 8:11:15 | |
we all know what he's famous for - the floppiness of his fringe. | 8:11:15 | 8:11:18 | |
and then Charlie McDonnell. He's a very famous blogger. | 8:11:18 | 8:11:21 | |
Now, I have four individual facts, | 8:11:21 | 8:11:24 | |
what you've got to do is match the fact with the face. | 8:11:24 | 8:11:26 | |
It's why we call it Face Facts. | 8:11:26 | 8:11:28 | |
You've got 30 seconds to do this. Are you ready? | 8:11:28 | 8:11:31 | |
-Yes, I'm ready. -Time starts now. | 8:11:31 | 8:11:32 | |
Who has a blog with 1,457,799 subscribers? | 8:11:32 | 8:11:36 | |
Um... That is... | 8:11:37 | 8:11:38 | |
-..this guy. -You think it's Charlie? -Yes. | 8:11:40 | 8:11:42 | |
Usher and Timberlake both wanted to sign this guy... | 8:11:42 | 8:11:46 | |
Oh. Oh... | 8:11:46 | 8:11:48 | |
20 seconds left. | 8:11:48 | 8:11:50 | |
OK, he is number 77 on the 2011 Times' Young Power List. | 8:11:50 | 8:11:55 | |
Oh, I want to say that's me. | 8:11:55 | 8:11:57 | |
You never know, you've done everything else already. | 8:11:57 | 8:11:59 | |
Three seconds left. | 8:11:59 | 8:12:00 | |
-Do you want to stick that on to the person who's there? -Oh. | 8:12:00 | 8:12:04 | |
That could become a Maynard, | 8:12:04 | 8:12:05 | |
if you don't know that one, you are a loser. | 8:12:05 | 8:12:08 | |
You are right about yourself, | 8:12:08 | 8:12:09 | |
your video for your debut single has 4 million online views, | 8:12:09 | 8:12:12 | |
that's incredible. | 8:12:12 | 8:12:13 | |
Jamal is number 77 on the 2011 Times' Young Power List. | 8:12:13 | 8:12:17 | |
Bieber got the offer from Usher and Timberlake, | 8:12:17 | 8:12:20 | |
they both wanted to sign him. | 8:12:20 | 8:12:21 | |
And Charlie's blog does have that many subscribers. | 8:12:21 | 8:12:25 | |
Conor Maynard really knows his stuff. | 8:12:25 | 8:12:26 | |
CHEERING AND APPLAUSE | 8:12:26 | 8:12:29 | |
A little celebratory dance goes a long way, I have to say. | 8:12:29 | 8:12:32 | |
Right, we've had so many people getting in touch, | 8:12:32 | 8:12:34 | |
we've just got to go to our callers and get them to ask questions. | 8:12:34 | 8:12:38 | |
-We're going to go to our video caller. Eloise, are you there? -Yeah. | 8:12:38 | 8:12:41 | |
Hello, you smiley person, you're on telly and Conor's here. | 8:12:41 | 8:12:45 | |
What's your question? | 8:12:45 | 8:12:46 | |
If you could be an animal for a day, what would you be and why? | 8:12:46 | 8:12:50 | |
If I could be an animal for a day? | 8:12:50 | 8:12:52 | |
I'd probably be a lion. | 8:12:52 | 8:12:54 | |
My favourite animals are lions, they always have been. | 8:12:54 | 8:12:57 | |
I actually wanted to change my name to Leo, when I was like seven, | 8:12:57 | 8:13:00 | |
and luckily I told my mum, and she laughed in my face. | 8:13:00 | 8:13:05 | |
So, lucky I didn't do it. | 8:13:05 | 8:13:07 | |
But that's how much I love lions, so I'd be a lion. | 8:13:07 | 8:13:11 | |
-Lovely, thanks for your question, Eloise, see you later. -Thank you, Eloise. -Bye! | 8:13:11 | 8:13:14 | |
Oh, she looks lovely, she got herself dressed up for telly. | 8:13:14 | 8:13:17 | |
Let's go to our next video caller. Ella, hi, Ella. | 8:13:17 | 8:13:20 | |
-Hi. -What's your question for Conor? He's right here. | 8:13:20 | 8:13:24 | |
If you like One Direction, they call you a Directioner, | 8:13:24 | 8:13:27 | |
if you like Austin Mahone, you're called a Mahoney. | 8:13:27 | 8:13:29 | |
What do you like to call your fans? | 8:13:29 | 8:13:31 | |
My fans, they're called the Mayniacs. | 8:13:31 | 8:13:35 | |
It's a play on my last name, obviously Maynard, Mayniacs | 8:13:35 | 8:13:38 | |
spelt with a Y. That's their name. | 8:13:38 | 8:13:39 | |
They chose that name and they definitely fit that name, sometimes. | 8:13:39 | 8:13:45 | |
-Ella? -Yeah? -Are you a Mayniac? | 8:13:45 | 8:13:47 | |
-Of course. -Well done. -Yes! | 8:13:47 | 8:13:49 | |
Thanks for being on telly and for your question, we'll see you later. | 8:13:49 | 8:13:52 | |
-OK, then, bye. -Bye. | 8:13:52 | 8:13:54 | |
We really have no time left, | 8:13:54 | 8:13:55 | |
it's so hard to get as many of these questions in, we've got so many. | 8:13:55 | 8:13:58 | |
But listen, you're going to perform your latest single, | 8:13:58 | 8:14:01 | |
so please go and get yourself ready. Thank you for answering questions. | 8:14:01 | 8:14:04 | |
And while Conor gets himself ready, take a look at this. | 8:14:04 | 8:14:06 | |
This is what you've got to look forward to on next week's show. | 8:14:06 | 8:14:10 | |
I brave the heights of the most famous mast in the UK. | 8:14:10 | 8:14:13 | |
And all the way from Barbados, | 8:14:15 | 8:14:16 | |
the fantastic Cover Drive will be joining Helen and I live, | 8:14:16 | 8:14:20 | |
to perform their new single and answer your questions. | 8:14:20 | 8:14:24 | |
He's 19 years old, he's an international internet sensation, | 8:14:24 | 8:14:28 | |
this is his latest single. | 8:14:28 | 8:14:29 | |
Everybody, please go mad for Conor Maynard. | 8:14:29 | 8:14:32 | |
CHEERING AND APPLAUSE | 8:14:32 | 8:14:33 | |
# Wasn't looking for trouble | 8:14:44 | 8:14:47 | |
# But it came looking for me | 8:14:47 | 8:14:48 | |
# I tried to say no But I can't fight it | 8:14:48 | 8:14:51 | |
# She was looking lovely | 8:14:51 | 8:14:53 | |
# She kind of reminds me | 8:14:53 | 8:14:57 | |
# Of a girl I know This pretty young thing that I got | 8:14:57 | 8:15:01 | |
# Waiting for me back at home | 8:15:01 | 8:15:04 | |
# She's got my engines turning | 8:15:04 | 8:15:07 | |
# This happens every time | 8:15:07 | 8:15:09 | |
# I see you a pretty girl, then | 8:15:09 | 8:15:12 | |
# I wanna make her mine | 8:15:12 | 8:15:14 | |
# They send my rocket to the sky | 8:15:14 | 8:15:17 | |
# I want them | 8:15:17 | 8:15:19 | |
# But I should I go for them? | 8:15:19 | 8:15:21 | |
# I'm like Houston, I think we got a problem. # | 8:15:21 | 8:15:24 | |
One, two, three... | 8:15:24 | 8:15:27 | |
# Girls, girls, girls I just can't say no | 8:15:27 | 8:15:29 | |
# Never see them coming I just watch them go | 8:15:29 | 8:15:32 | |
# Girls, girls, girls I just can't say no | 8:15:32 | 8:15:34 | |
# Never see them coming I just watch them go | 8:15:34 | 8:15:37 | |
# Take control Making me sweat, run that show | 8:15:37 | 8:15:42 | |
# It's them girls, girls, girls I just can't say no | 8:15:42 | 8:15:45 | |
# Houston, I think we got a problem | 8:15:45 | 8:15:47 | |
# Some girls are naughty | 8:15:47 | 8:15:50 | |
# Some girls are sweet | 8:15:50 | 8:15:53 | |
# One thing they got in common They all got a hold on me | 8:15:53 | 8:15:57 | |
# Meet them at the party, girl Meet them in the street | 8:15:58 | 8:16:03 | |
# Get me in so much trouble That's all right with me | 8:16:03 | 8:16:07 | |
# They got my engines turning | 8:16:08 | 8:16:11 | |
# This happens every time | 8:16:11 | 8:16:13 | |
# I see a pretty girl, then | 8:16:13 | 8:16:16 | |
# I wanna make her mine | 8:16:16 | 8:16:18 | |
# They send my rocket to the sky | 8:16:18 | 8:16:22 | |
# I want them | 8:16:22 | 8:16:23 | |
# But should I go for her? | 8:16:23 | 8:16:26 | |
# I'm like Houston, I think we got a problem. # | 8:16:26 | 8:16:28 | |
One, two, three. | 8:16:28 | 8:16:31 | |
# Girls, girls, girls I just can't say no | 8:16:31 | 8:16:33 | |
# Never see them coming I just watch them go | 8:16:33 | 8:16:36 | |
# Girls, girls, girls I just can't say no | 8:16:36 | 8:16:38 | |
# Never see them coming I just watch them go | 8:16:38 | 8:16:41 | |
# Take control Making me sweat, run that show | 8:16:41 | 8:16:45 | |
# It's them girls, girls, girls I just can't say no | 8:16:45 | 8:16:48 | |
# Houston... | 8:16:48 | 8:16:50 | |
# I think we got a problem | 8:16:52 | 8:16:54 | |
# Looking like a model Making me stare | 8:16:54 | 8:16:56 | |
# All the pretty girls are standing right there | 8:16:56 | 8:16:59 | |
# Doing that thing It's just not fair | 8:16:59 | 8:17:01 | |
# How come all the pretty girls are up in here? | 8:17:01 | 8:17:04 | |
# Looking like a model Making me stare | 8:17:04 | 8:17:06 | |
# All the pretty girls are standing right there | 8:17:06 | 8:17:09 | |
# Doing that thing It's just not fair | 8:17:09 | 8:17:12 | |
# How come all the pretty girls are up in here? | 8:17:12 | 8:17:14 | |
-# Girls, girls, girls -I just can't say no Never see them coming | 8:17:14 | 8:17:18 | |
# I just watch them go | 8:17:18 | 8:17:19 | |
# Girls, girls, girls I just can't say no | 8:17:19 | 8:17:22 | |
# Never see them coming I just watch them go | 8:17:22 | 8:17:25 | |
# Take control Making me sweat, run that show | 8:17:25 | 8:17:29 | |
# It's them girls, girls, girls I just can't say no | 8:17:29 | 8:17:32 | |
# Houston, I think we got a problem | 8:17:32 | 8:17:35 | |
# Problem, problem, problem, problem, | 8:17:35 | 8:17:37 | |
# Problem, problem, problem, problem. # | 8:17:37 | 8:17:42 | |
APPLAUSE AND CHEERING | 8:17:44 | 8:17:48 | |
Possibly the catchiest tune ever. | 8:17:49 | 8:17:52 |