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Coming up: We put your questions to X Factor star and singer of the | :01:20. | :01:26. | |
single You Bring Me Joy, Amelia lily. # You bring joy | :01:26. | :01:33. | |
# You bring sadness... # I surprise a brave viewer with the | :01:33. | :01:37. | |
highest honour of a gold Blue Peter badge. | :01:37. | :01:41. | |
And star magician Fergus Flanagan shows us how to impress with an | :01:41. | :01:51. | |
:01:51. | :02:03. | ||
amazing magic trick you can try at Hello and twock Blue Peter. We've | :02:03. | :02:09. | |
got a jam-packed show for you. Let's introduce you to our first | :02:09. | :02:14. | |
magical guest, he's one of Britain's top magicians and star of | :02:14. | :02:24. | |
:02:24. | :02:26. | ||
the CBBC show, Help! My Supply Teacher is Still Magic. Welcome. | :02:26. | :02:32. | |
It gives us great pleasure to award you with a Blue Peter sticky badge. | :02:32. | :02:37. | |
Thank you. Tell us about the show? You surprise children, they don't | :02:37. | :02:41. | |
know you are a magician, they think you are a supply teacher. It must | :02:41. | :02:44. | |
be so much fun to film? We had so much fun in the first series anyway | :02:44. | :02:49. | |
but the second one is just bigger, better and the illusions are | :02:49. | :02:53. | |
grander. So I think if it was possible, we enjoyed this even more | :02:53. | :02:57. | |
than the first series. Did you have to think about the way you filmed | :02:57. | :03:03. | |
it more carefully though because once you have done a prank-based | :03:03. | :03:10. | |
series, people could get to know what you are doing? We had | :03:10. | :03:15. | |
disguises, I had a stick-on moustache, a come-over, some | :03:15. | :03:20. | |
glasses. One of the magicians, James, who's bald, had a nice | :03:20. | :03:28. | |
ginger wig, so we really went to town on the disguises which aided | :03:28. | :03:37. | |
massively. We want to see a trick. Can you show us one? | :03:38. | :03:42. | |
Make someone disappear. We have a card stuck behind this piece of | :03:42. | :03:46. | |
glass. Behind it, I have stuck a playing card and I believe that | :03:47. | :03:51. | |
will match the playing card you are about to take. OK. I love stuff | :03:51. | :03:55. | |
like this. Sounds impossible, right. That's a prediction, if you like. | :03:55. | :04:01. | |
OK. As I run through the cards, I would like you to touch one. | :04:01. | :04:06. | |
That one. That one there? Yes. you let go and have a look at it | :04:06. | :04:11. | |
and remember it. Yes. In fact, if you take it out and show it to the | :04:11. | :04:16. | |
camera without me seeing. Lovely. When you are happy I'll turn back | :04:16. | :04:23. | |
around. Got it. Seen it, dog? Yes, happy. If everything has gone to | :04:23. | :04:27. | |
plan, my prediction will match the card you chose and you had a | :04:27. | :04:30. | |
totally free choice so that would be incredible, right, impossible? | :04:30. | :04:36. | |
Yes. Helen, the three of hearts, what was your card? Queen of clubs. | :04:36. | :04:43. | |
Oh. Has it gone wrong? That is actually the Queen of clubs, it | :04:43. | :04:48. | |
just looks different because the glass is a bit dirty. Just rub it | :04:48. | :04:53. | |
and make sure it's on the other side of the glass. Yes. If I take | :04:53. | :04:59. | |
this cloth and give the glass a bit of a clean like this, watch. You | :04:59. | :05:05. | |
can see that now it does remarkably resemble the Queen of clubs. It's | :05:05. | :05:12. | |
inside the glass! That is amazing! Thank you. | :05:12. | :05:15. | |
Incredible. Have you got another trick? | :05:15. | :05:20. | |
I do, yes. I'm greedy! Have a look at that piece of rope. Make sure | :05:20. | :05:25. | |
there's nothing in the rope, no magnets so it doesn't come apart. | :05:25. | :05:30. | |
When you are happy, you can pass it back to me. There you go. Lovely. | :05:30. | :05:34. | |
If you could say stop when you think I'm half way down the rope. | :05:35. | :05:42. | |
Stop. Stop. Very good. I'll take the rope and cut it just there. | :05:42. | :05:51. | |
That will give me two equal pieces of... Oh, dear, sorry. It didn't | :05:51. | :05:56. | |
stretch when you had it, did it? No. If I take the shorter piece and | :05:56. | :06:02. | |
the longer piece, I should be able to, if you keep your eyes on the | :06:02. | :06:07. | |
middle bit... What? Now I have in fact got two pieces of rope the | :06:07. | :06:11. | |
same length. If you weren't watching that closely, I'll start | :06:11. | :06:15. | |
again with just one piece. It's back to one piece of rope. Let me | :06:15. | :06:18. | |
see! Keep your eyes on the ends. Watch | :06:18. | :06:22. | |
the ends carefully. If you are not, you will miss the moment they come | :06:22. | :06:28. | |
off. Amazing. I am mesmerized by this, absolutely amazing, thank you | :06:28. | :06:30. | |
so much. Thank you very much. Fergus will | :06:30. | :06:35. | |
stick around to teach you a trick, so get some coins ready later on in | :06:35. | :06:39. | |
the show. Magic plays a huge part in the filming of Blue Peter. Every | :06:39. | :06:45. | |
single week, as if by magic, your letters and e-mails appear by magic. | :06:45. | :06:49. | |
So clever. Thank you very much. Every single one of your letters | :06:49. | :06:53. | |
get read. If you do something cool and creative, you can get yourself | :06:53. | :06:57. | |
a Blue Peter badge. Every now and again, we hear about somebody who's | :06:57. | :07:00. | |
done something extraordinary. That was the case when we heard about | :07:00. | :07:04. | |
Stuart. He did something so brave and courageous, we thought he | :07:04. | :07:11. | |
deserved one of this, a gold Blue Peter badge. | :07:11. | :07:14. | |
I'm here on the south coast to surprise a boy called Stuart Crang | :07:14. | :07:20. | |
with our top award, a gold Blue Peter badge. Back in July, he was | :07:20. | :07:26. | |
out in the harbour in his dinghy when he saw a couple in danger. | :07:26. | :07:30. | |
Their lives were on the line. Their boat capsize and they were both in | :07:30. | :07:35. | |
the water. Battling the tide and the winds, Stuart rode to their | :07:35. | :07:40. | |
safety and towed them to shore. Once he'd safely returned, the only | :07:40. | :07:44. | |
thing he was worried ability was getting in trouble for his dad for | :07:44. | :07:48. | |
being too far off sore. But in fact he's actually become a | :07:48. | :07:52. | |
bit of a local celebrity. A ten- year-old boy from Devon's been | :07:52. | :07:57. | |
hailed a hero after coming to the rescue of a couple whose boat | :07:57. | :08:03. | |
capsized. I just said, give me your rope and I just towed them in. | :08:03. | :08:06. | |
life-saving hero is in this classroom. Stuart is in the middle | :08:06. | :08:12. | |
of a science lesson, he has no idea that we are here. Let's go and | :08:12. | :08:17. | |
surprise him. Hello. Sorry to interrupt, everybody. I know you | :08:17. | :08:24. | |
are in the middle of a lesson. I came here to look for Stuart. Don't | :08:24. | :08:28. | |
look scared. Hello, you all right? Yes. We wanted to say thank you and | :08:28. | :08:35. | |
celebrate your achievements by giving you one of these. It is Blue | :08:35. | :08:40. | |
Peter's highest accolade. Now, David Beckham's got one of these, | :08:40. | :08:46. | |
the Queen has, and now Stuart Crang has one. Congratulations, Stuart. | :08:46. | :08:49. | |
Thank you. Am I right in thinking that you | :08:49. | :08:54. | |
like being out on the water? Yes. There's a brand-new breed of | :08:54. | :08:58. | |
lifeboat, very fast and impressive, very responsive. We want you to | :08:58. | :09:08. | |
:09:08. | :09:14. | ||
test one. Are you in? Yes. Let's do The RNLI is the organisation which | :09:14. | :09:21. | |
saves lives at sea. Since they were founded in 1824, they've saved an | :09:21. | :09:27. | |
estimated 140,000 lives. This is the latest tool in their armoury, | :09:27. | :09:33. | |
the Shannon Class Lifeboat. Each o boat costs �15.5 million and | :09:33. | :09:39. | |
they're 50% faster than the boats they are replacing. In their | :09:39. | :09:44. | |
lifetime, the Shannon Class Fleet could save 1500 lives at sea and, | :09:44. | :09:49. | |
amazingly, they have agreed to let Stuart drive one. Welcome to the | :09:49. | :09:52. | |
Shannofpblt we are going to have a look around in a minute, but how | :09:52. | :09:56. | |
does it feel to be a gold badge winner? Really good. Take me back | :09:56. | :10:01. | |
to the day you rescued the couple? On that day when I went out, there | :10:01. | :10:07. | |
was two people in the water in Devon. How did they seem? Scared? | :10:08. | :10:12. | |
Yes. They seemed scared and petrified. What about you? How | :10:12. | :10:17. | |
scared were you? Quite scared because when I got them on tow, | :10:17. | :10:22. | |
their boat kept filling up with water because there was a little | :10:22. | :10:32. | |
hole about that big, it dragged me boat under with it a bit. Do you | :10:32. | :10:35. | |
want to try this brand-new piece of kit? How do you feel about that? | :10:35. | :10:38. | |
Good. With a little help from Martin, | :10:38. | :10:47. | |
Stuart is going to take charge of the pride of the RNLI's fleet. | :10:47. | :10:51. | |
This will make you go ahead. The more you go that way, the faster | :10:51. | :10:57. | |
you will go. This one over here is your steering. That makes us go | :10:57. | :11:03. | |
forward, that makes us reverse? Press that button and you will take | :11:03. | :11:13. | |
:11:13. | :11:22. | ||
control from the top. We're off. Stuart's not bothered at all, he's | :11:22. | :11:28. | |
just grabbed the lever and he's off. I can't believe he's actually | :11:28. | :11:33. | |
driving. Not only is he driving a lifeboat, he's driving a brand-new | :11:33. | :11:38. | |
lifeboat with all the latest technology. Never mind James Bond, | :11:38. | :11:43. | |
it's all about Stuart Crang. Stuart's at the helm, but I am | :11:43. | :11:46. | |
staying in my seat because everything on this brand-new boat | :11:46. | :11:49. | |
can be controlled from here. Communication systems are on there. | :11:49. | :11:53. | |
If I scroll down, I can access the chart to see where we are. There | :11:53. | :11:57. | |
are cameras all over the boat so you can look into the engine room | :11:57. | :12:03. | |
and see that's all working properly. You can buckle yourself into the | :12:03. | :12:07. | |
boat and keep an eye on the computer if it's all kicking off | :12:07. | :12:10. | |
outside. This is the chart so you can see where we are. At the moment, | :12:11. | :12:16. | |
we are heading out to sea. We are heading out to sea because the crew | :12:16. | :12:21. | |
want Stuart to help test the boat with a man overboard rescue, | :12:21. | :12:26. | |
pulling one of their crew members, Natalie, out of the water. There's | :12:26. | :12:32. | |
our casualty, so Natalie's playing the victim, we have to pull her out. | :12:32. | :12:42. | |
:12:42. | :12:43. | ||
Wow, we're going fast! She looks freezing. Rescuing people from the | :12:43. | :12:48. | |
water is one of the most common things the RNLI have to do. We are | :12:48. | :12:53. | |
practising by hoisting Natalie into the safety of the boat. How does | :12:53. | :12:59. | |
this compare then to when you were doing it? Different. Not at all? | :12:59. | :13:07. | |
It's all down to you. In she comes. With Stuart clocking up yet another | :13:07. | :13:11. | |
successful rescue, there's just one more bit of navigating for him to | :13:11. | :13:21. | |
:13:21. | :13:22. | ||
do. Go forward on those. Towards the tractor. That's to drive the | :13:22. | :13:27. | |
boat back to the beach and on to the tractor where it's kept, ready | :13:27. | :13:35. | |
to be deployed at a moment's notice. Right, Stuart, you are now one of | :13:35. | :13:39. | |
the only people in the country, small select group of people, | :13:39. | :13:42. | |
who've driven one of these. How did that feel? Awesome. Is this | :13:42. | :13:46. | |
something you will be doing in ten years' time? Probably. Certainly | :13:46. | :13:51. | |
makes me feel more confident if I know you are going to be out there | :13:51. | :13:55. | |
helping people. So thank you for letting me be on board when you | :13:55. | :13:58. | |
were driving. Thank you. What Stuart did was amazing, but | :13:58. | :14:03. | |
he's a very good rower and the RNLI have asked me to remind you that he | :14:03. | :14:06. | |
could have been in a dangerous situation had he not known what he | :14:06. | :14:09. | |
was doing. If you see something similar, it's always good to | :14:09. | :14:13. | |
contact the coastguard and police first, otherwise you might need | :14:13. | :14:16. | |
rescuing yourself. Always ask an adult to help too. We are excited | :14:16. | :14:21. | |
about our next guest, he loves ladys with pink hair, don't you | :14:21. | :14:26. | |
Barney? That's a yes! She's had a manic six months and released her | :14:26. | :14:33. | |
debut single which went straight in at number two. She's coming in in a | :14:33. | :14:39. | |
second! She sang in Shrek The Musical and it all came about after | :14:39. | :14:43. | |
being an X Factor finalist at the age of 17. It's Amelia lily! | :14:43. | :14:53. | |
:14:53. | :14:56. | ||
If you could duet with anyone in the world, past or present, who it | :14:56. | :14:59. | |
be and why? That's from PurpleMetallicHyena. I think it has | :14:59. | :15:06. | |
got to be Pink. What's been the best part of the last year? That's | :15:06. | :15:10. | |
from CrystalSprinklesVampire. Watching my single climbing the | :15:10. | :15:16. | |
charts. But must give you such a buzz. I remember when I was | :15:16. | :15:20. | |
watching the iTunes chart, I thought I was going to throw up. | :15:20. | :15:25. | |
The adrenalin was quite crazy. must be crazy to be having a single | :15:25. | :15:34. | |
in the charts. Who or what inspired you to sing? That's from | :15:34. | :15:44. | |
:15:44. | :15:47. | ||
AmaranthPuffyCat. My brother. He sings as well. Water would you do | :15:47. | :15:51. | |
if you're not a singer? I think I would have gone into hairdressing. | :15:51. | :16:01. | |
:16:01. | :16:01. | ||
I like fiddling with her. I'm very good at dyeing hair, as well. Or I | :16:01. | :16:06. | |
would have liked to have been a tornado chaser. Thanking answering | :16:06. | :16:10. | |
those questions. Stick around because you're going to sing your | :16:10. | :16:15. | |
new single later Ron and Fergus will teach her how to do a magic | :16:15. | :16:23. | |
trick. Get your coins and you can join in as well. It's that time of | :16:23. | :16:26. | |
year again when some people are thinking about booking a summer | :16:26. | :16:29. | |
holiday. Lucky them. I used to work on a cruise ship as an entertainer. | :16:29. | :16:33. | |
I've always wanted to know what it would be like as a guest. Well, it | :16:33. | :16:37. | |
would be far too kind for the producers at Blue Peter to send me | :16:37. | :16:40. | |
on a holiday. Here's what happened. Ladies and gentlemen, thank you for | :16:40. | :16:43. | |
joining us on our 14 day trip around the Mediterranean are | :16:43. | :16:47. | |
calling at Rome, Monte Carlo and Barcelona. We are pleased to | :16:47. | :16:52. | |
announce all passengers have full use of the many facilities on board | :16:52. | :16:56. | |
including 12 restaurants, four swimming pools and tennis courts. | :16:56. | :17:00. | |
Yes, whenever we hear the word cruise liner that's the image which | :17:00. | :17:04. | |
has conjured up, isn't it? Holidaymakers having fun too cheesy | :17:04. | :17:07. | |
soundtrack but if you work behind the scenes on a massive ship like | :17:07. | :17:11. | |
this one, are preparing for a two- week voyages half from a holiday. | :17:11. | :17:17. | |
This cruise liner measures to and and 88 metres long, the same length | :17:17. | :17:20. | |
as five-and-a-half Olympic-sized swimming pools. It's due to set | :17:20. | :17:25. | |
sail at 4pm the sub-dean for a two- week jaunt in Europe and I'm here | :17:25. | :17:28. | |
to find out exactly how the 8,000 members of staff prepare. And, of | :17:28. | :17:34. | |
course, give them a helping hand along the way. First things first. | :17:34. | :17:38. | |
3,500 passengers it has got on board the ship and they are going | :17:38. | :17:41. | |
to be hungry so it's up to the chefs behind his revolving door to | :17:41. | :17:45. | |
get the food prepared for that I made a roast dinner once and it | :17:45. | :17:51. | |
took me 1 hour. They have got to do 3,500 meals in just six. My first | :17:51. | :17:58. | |
task is to help them. I wish this was smelly a vision. It smells | :17:58. | :18:05. | |
amazing. Hello, I am a bunny. I know you haven't got a lot of time | :18:05. | :18:10. | |
before the ship sails but I'm here to help pupils up I want you to | :18:10. | :18:15. | |
finish of this with some cream and chocolate. Then you can finish it | :18:16. | :18:25. | |
off. A lot of cream like that. And a bit of chocolate on top. | :18:25. | :18:32. | |
little squirt, chocolate on top, yes, I can do that. Catch you later. | :18:32. | :18:37. | |
A squirt and then a line and a bit of chocolate. I have washed my | :18:37. | :18:44. | |
hands, by the way. This kitchen can serve up to 12,000 takes a day | :18:44. | :18:48. | |
which means each member of the catering team has to bake and ice | :18:48. | :18:52. | |
around 75 cakes each and every day for two whole weeks. That's a whole | :18:52. | :18:58. | |
lot of piping. Only 4,000 to go. I couldn't be a chef. I would eat so | :18:58. | :19:05. | |
much. As well as feeding its passengers, the staff also have to | :19:05. | :19:10. | |
make sure the guests accommodation is shipshape at all times. It's | :19:10. | :19:15. | |
quite mad to think each one of these rooms needs to be cleaned. | :19:15. | :19:18. | |
Cathy's job is to make sure the guests get the best service | :19:18. | :19:25. | |
possible and that includes making sure all bedrooms are up to scratch. | :19:25. | :19:30. | |
He here we are. It looks amazing. What a beautiful Swede. What am I | :19:30. | :19:34. | |
going to do? It's all about the finishing touches, the flowers, | :19:34. | :19:43. | |
champagne, chocolates. Proper finishing touches. You really look | :19:43. | :19:50. | |
off your guests. We do. -- you really look after your chefs. To | :19:50. | :19:58. | |
get up each bedroom to this high standard, takes a team to make sure | :19:58. | :20:03. | |
there's towels, 4,000 sheets and 13,000 toilet rolls on board. Just | :20:03. | :20:07. | |
so the guests can have clean rooms every single day. It's quite | :20:07. | :20:12. | |
daunting to think. Look at the length of that corridor there. We | :20:12. | :20:19. | |
had easily the same again to go. had 1540 passenger cabins on here | :20:19. | :20:24. | |
so it's a lot of work to do. All of these cabins have to be done every | :20:24. | :20:30. | |
day. With my finishing touches, it's now time for the ship to sail | :20:30. | :20:35. | |
but this one very important person I need to meet. Let's meet the | :20:35. | :20:40. | |
captain. You are the man in charge, I guess. Yes, I'm the captain of. | :20:40. | :20:45. | |
How are you doing? Already we can see so many gadgets for I feel | :20:45. | :20:49. | |
right at home. Before they leave, the captain needs to make it safe, | :20:49. | :20:54. | |
check the weather and make sure the passengers on board. For some | :20:54. | :20:58. | |
reason, he's not trusting me to do any of these cheques but there is a | :20:58. | :21:03. | |
job and navigator is allow me to do. We speak to the engineers using | :21:03. | :21:11. | |
this talk back, for example. This is Barney from Blue Peter. 50 | :21:11. | :21:18. | |
minutes to departure. If you could fire up all the engines. Starting | :21:18. | :21:23. | |
at all engines. It's dead easy, all of this stuff, bring it on. As they | :21:24. | :21:27. | |
finish the final checks, the last of the passengers start to take | :21:27. | :21:30. | |
their places on board are ready to get settled into their home for the | :21:30. | :21:34. | |
next two weeks. There you have it for so I cooked and cleaned and | :21:34. | :21:39. | |
captained, and the passengers annually on board and they are set | :21:39. | :21:43. | |
to go on their crews. I hope all the passengers appreciate the hard | :21:44. | :21:48. | |
work which has gone into making -- it ready. I need a holiday! Wait | :21:48. | :21:54. | |
for me. This is the showbiz them away you go away but I was there | :21:54. | :21:58. | |
all day and worked really hard. That's my excuse for taking the | :21:58. | :22:03. | |
chocolates from cabin six. Earlier on, Fergus show do some amazing | :22:03. | :22:07. | |
tricks. Now he's going to teach you how to do one at home so hopefully | :22:07. | :22:15. | |
we have some coins so you can join in. Amelia, you are the guinea pig. | :22:15. | :22:20. | |
As well as the prediction, we have five coins and I would like you to | :22:20. | :22:28. | |
name any shape. Square. If we put a square on the back of the coin. | :22:28. | :22:38. | |
:22:38. | :22:39. | ||
Triangle. Good. Circle. Fantastic. Diamond. Excellent, quite elaborate. | :22:39. | :22:43. | |
And a cross. Brilliant. I would like to put those coins into your | :22:44. | :22:51. | |
I would like you to cover them. Excellent. In a moment, I'm going | :22:51. | :22:56. | |
to get you to drop them on the table. Any coiner which lands with | :22:56. | :23:00. | |
the shape not showing, we will put to one side but before you do that, | :23:00. | :23:10. | |
:23:10. | :23:11. | ||
give them a shake. Drop them on to the square. Gather up those two, | :23:11. | :23:21. | |
:23:21. | :23:22. | ||
excellent. Drop. Try again. One more. Big shake. It is like toast. | :23:22. | :23:32. | |
Why does it always land face down? This trick could last for two days. | :23:32. | :23:38. | |
The air we go. cross. You could shake get as many | :23:39. | :23:44. | |
times as you wanted. You a left with one coin, the circle. | :23:44. | :23:48. | |
prediction in this and will open is that she would be left with a | :23:48. | :23:56. | |
How did you do that? It's very simple. All you need to do is get | :23:56. | :24:01. | |
five coins, a permanent marker and a prediction piece of paper. Draw a | :24:01. | :24:05. | |
circle on the card and you leave that at the front. Then you need to | :24:06. | :24:09. | |
choose one point ahead of time, before you start the trick and you | :24:09. | :24:15. | |
draw a circle on that, so I chose tempi. Then you put that, so the | :24:15. | :24:19. | |
symbol is not showing someone ask you to name the five shades, I wait | :24:19. | :24:23. | |
until you say circle and I remember which one I put a circle on it and | :24:24. | :24:31. | |
draw it on. That's clever. There is a circle on both sides. Sneaky, | :24:31. | :24:36. | |
absolutely brilliant. If you would like a reminder, go to the Blue | :24:36. | :24:41. | |
Peter website. Also there is a brand new trick exclusive to the | :24:42. | :24:45. | |
bad side as Fergus at an especially for you involving a pack of cards. | :24:45. | :24:50. | |
Fergus, thank you very much. You're going to perform for us shortly, | :24:50. | :24:58. | |
Amelia. Before she does her song, I really like this, let's tell you | :24:58. | :25:04. | |
what's happening on next week's show. I join Chris Evans on his | :25:04. | :25:07. | |
Radio 2 Breakfast Show to help launch this year's 500 Words short | :25:07. | :25:10. | |
story writing competition. It really is an amazing competition. | :25:10. | :25:16. | |
Loads of people are involved. There is, Maynard. We meet one of the | :25:16. | :25:19. | |
team behind the BBC's amazing new wildlife show, Africa. And they | :25:19. | :25:22. | |
tell you all about the amazing new cameras they've used to get the | :25:22. | :25:25. | |
best shots. Plus, they've got some unseen clips from the series for | :25:25. | :25:33. | |
you too. It really is an amazing series. It's almost as amazing as | :25:33. | :25:43. | |
:25:43. | :25:45. | ||
Amelia Lily's New Age single. I join Chris Evans on his Radio 2 | :25:45. | :25:55. | |
:25:55. | :26:03. | ||
Launch this year's 500 Words short # Oh, yes. My mind is playing | :26:03. | :26:07. | |
tricks on me. # It's the same as it's always been. | :26:07. | :26:14. | |
# Seeing things out the corner of my eye. | :26:14. | :26:19. | |
# Ooh, are you gonna be my guy? # Ooh, ooh. | :26:19. | :26:23. | |
# Waiting for a session and now we feel the pressure. | :26:23. | :26:28. | |
# Ooh, ooh. # Get some for the rest cos you | :26:28. | :26:32. | |
never learnt your lesson. # You like it a lot. | :26:32. | :26:35. | |
# Shut up and give me whatever you got. | :26:35. | :26:38. | |
# I'm tired of waiting. # Baby, can't you take it? | :26:38. | :26:41. | |
# Oh baby, you're falling apart. # Falling in love while I'm | :26:41. | :26:44. | |
breaking your heart. # Why can't you take this crazy | :26:44. | :26:54. | |
love? # Oh yes. | :26:54. | :27:02. | |
# My heart is blowing hot and cold. # Sending lightning into my soul. | :27:02. | :27:07. | |
# Seeing things out the corner of my eye. | :27:07. | :27:14. | |
# So are you gonna be my guy? # Ooh, doo. | :27:14. | :27:18. | |
# Waiting for a session and now we feel the pressure. | :27:18. | :27:23. | |
# Ooh, doo. # Get some for the rest cos you | :27:23. | :27:27. | |
never learnt your lesson. # You like it a lot. | :27:27. | :27:30. | |
# Shut up and give me whatever you got. | :27:30. | :27:34. | |
# I'm tired of waiting. # Baby, can't you take it? | :27:34. | :27:37. | |
# Oh baby, you're falling apart. # Falling in love while I'm | :27:37. | :27:39. | |
breaking your heart. # Why can't you take this crazy | :27:39. | :27:49. | |
:27:49. | :27:53. | ||
# Turn it up, turn it up. # Uh oh. | :27:53. | :28:00. | |
# Show the girls what you got. # Uh oh. | :28:00. | :28:03. | |
# To the right, to the left. # Uh oh. | :28:03. | :28:05. | |
# Is that the best that I'm gonna get? | :28:05. | :28:14. | |
# Shut up and give me whatever you got. | :28:14. | :28:17. | |
# You like it a lot. # Shut up and give me whatever you | :28:17. | :28:19. | |
got. # I'm tired of waiting. | :28:19. | :28:22. | |
# Baby, can't you take it? # Oh baby, you're falling apart. | :28:22. | :28:25. | |
# Falling in love while I'm breaking your heart. | :28:25. | :28:27. | |
# Why can't you take this crazy love? | :28:27. | :28:35. |