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So far in Life Story, | 0:00:03 | 0:00:07 | |
we have seen animals face the challenges of childhood... | 0:00:07 | 0:00:10 | |
..grow up... | 0:00:12 | 0:00:14 | |
..find their place in the adult world... | 0:00:16 | 0:00:18 | |
..and win a mate. | 0:00:22 | 0:00:24 | |
Now, in the final chapter of Life Story, | 0:00:26 | 0:00:30 | |
animals become parents. | 0:00:30 | 0:00:32 | |
Their offspring will be their legacy to the future, | 0:00:32 | 0:00:36 | |
if they can raise them successfully. | 0:00:36 | 0:00:38 | |
There is no stronger bond in nature | 0:00:58 | 0:01:00 | |
than that between some parents and their offspring. | 0:01:00 | 0:01:04 | |
Bonobos in the Congo rainforest. | 0:01:08 | 0:01:10 | |
They are our closest relatives. | 0:01:10 | 0:01:13 | |
This mother's youngster is a lifelong commitment. | 0:01:16 | 0:01:20 | |
He will be totally dependent on her until he's five years old. | 0:01:20 | 0:01:24 | |
And she will continue to support him for the rest of her life. | 0:01:26 | 0:01:30 | |
Their relationship may last 30 years. | 0:01:38 | 0:01:42 | |
Although the length of her commitment is longer | 0:01:48 | 0:01:50 | |
than for most animals, | 0:01:50 | 0:01:52 | |
she shares with many other parents the same great challenge - | 0:01:52 | 0:01:57 | |
keeping her offspring healthy and safe. | 0:01:57 | 0:02:00 | |
The bond between parents and young will be tested in many ways, | 0:02:06 | 0:02:11 | |
some minor, and some a matter of life or death. | 0:02:11 | 0:02:14 | |
And a parent's commitment may begin long before birth. | 0:02:20 | 0:02:24 | |
The remote northern tip of the Great Barrier Reef. | 0:02:26 | 0:02:30 | |
After over three decades at sea, | 0:02:36 | 0:02:38 | |
this female green turtle is returning to the island | 0:02:38 | 0:02:41 | |
where she hatched. | 0:02:41 | 0:02:43 | |
It's time for her to lay eggs... | 0:02:45 | 0:02:48 | |
..but they will only hatch on dry land. | 0:02:49 | 0:02:52 | |
She must leave the cool sea and enter an alien world. | 0:02:55 | 0:03:00 | |
Without the support of water, | 0:03:20 | 0:03:22 | |
she feels the full force of gravity. | 0:03:22 | 0:03:25 | |
Her flippers, so effective for swimming, | 0:03:31 | 0:03:33 | |
are almost useless on land. | 0:03:33 | 0:03:35 | |
But, nonetheless, she has to haul her great weight up the beach | 0:03:39 | 0:03:43 | |
and get beyond the reach of the tide. | 0:03:43 | 0:03:46 | |
Turtles time their arrival | 0:03:52 | 0:03:54 | |
so that their laborious journey up the beach | 0:03:54 | 0:03:57 | |
is made in the cool of darkness. | 0:03:57 | 0:04:00 | |
On any one night, | 0:04:02 | 0:04:04 | |
3,000 female turtles may crowd this island to dig their nests. | 0:04:04 | 0:04:09 | |
Now, her compulsion to leave offspring may cost her her life. | 0:04:17 | 0:04:22 | |
The receding tide has exposed the reef, a wall of jagged rock. | 0:04:32 | 0:04:38 | |
It looks an almost impassable barrier | 0:04:56 | 0:04:58 | |
for an already exhausted turtle. | 0:04:58 | 0:05:00 | |
But she can't wait for the tide to return, | 0:05:04 | 0:05:07 | |
because soon the island, under the blazing tropical sun, | 0:05:07 | 0:05:10 | |
will be intolerably hot. | 0:05:10 | 0:05:13 | |
Unless she can get over this rocky wall, | 0:05:29 | 0:05:32 | |
she will be baked in her shell. | 0:05:32 | 0:05:35 | |
This lethal obstacle course claims many victims every nesting season. | 0:05:49 | 0:05:55 | |
Just one slip could bring disaster. | 0:06:13 | 0:06:16 | |
She was so close. | 0:06:29 | 0:06:30 | |
But all may not be lost. | 0:06:49 | 0:06:51 | |
The tide is turning. | 0:06:59 | 0:07:01 | |
If she is completely wedged, she will drown. | 0:07:09 | 0:07:13 | |
But there is a chance that the rising water could lift her free. | 0:07:14 | 0:07:17 | |
For this breeding season, | 0:08:15 | 0:08:16 | |
her obligations as a mother are over. | 0:08:16 | 0:08:19 | |
She will never see her babies. | 0:08:23 | 0:08:25 | |
They won't hatch for another two months and, when they do, | 0:08:25 | 0:08:29 | |
they will have to survive without any help from her. | 0:08:29 | 0:08:33 | |
Other parents have to remain close to their young at all times, | 0:08:40 | 0:08:45 | |
to protect them from danger. | 0:08:45 | 0:08:47 | |
A mother bison in Alberta, Canada. | 0:08:55 | 0:08:58 | |
Her calf is little more than a week old. | 0:09:00 | 0:09:04 | |
Wolves, sensibly, select the easiest targets. | 0:09:40 | 0:09:45 | |
The calves. | 0:09:47 | 0:09:48 | |
So, bison mothers try to keep their young in the centre of the herd, | 0:09:50 | 0:09:55 | |
where they are safest. | 0:09:55 | 0:09:56 | |
But that is not always possible, when the herd is on the run. | 0:10:03 | 0:10:06 | |
The chase may continue for 20 miles or more, | 0:10:15 | 0:10:17 | |
as the wolves try to run their targets to exhaustion. | 0:10:17 | 0:10:21 | |
The wolves make their choice. | 0:10:39 | 0:10:41 | |
She is on her own, but she's fearless in protecting her calf. | 0:10:49 | 0:10:53 | |
By keeping her calf close, | 0:10:59 | 0:11:00 | |
she manages to hold off both of her attackers. | 0:11:00 | 0:11:04 | |
But another wolf joins in - and she can't fight three. | 0:11:10 | 0:11:14 | |
Now, the wolves work together to wear her down. | 0:11:22 | 0:11:26 | |
The forest is not far off. | 0:11:45 | 0:11:47 | |
If mother and calf can reach the trees, | 0:11:47 | 0:11:49 | |
they may be able to dodge the wolves for long enough to rejoin the herd. | 0:11:49 | 0:11:53 | |
But the attack is so unrelenting, | 0:11:59 | 0:12:02 | |
they can't make a dash for cover. | 0:12:02 | 0:12:04 | |
The wolves are beginning to tire. | 0:12:15 | 0:12:17 | |
She sees an opportunity to make a break for it. | 0:12:20 | 0:12:23 | |
Once again, she blocks the wolves' path... | 0:12:44 | 0:12:47 | |
..and the wolves lose them amongst the trees. | 0:12:55 | 0:12:59 | |
But the wolves remain an ever-present threat. | 0:13:23 | 0:13:26 | |
HOWLING | 0:13:28 | 0:13:30 | |
And this is unlikely to be the last time | 0:13:32 | 0:13:35 | |
that this mother will have to fight for her calf. | 0:13:35 | 0:13:38 | |
The duties of parenthood may seem to be instinctive, | 0:13:46 | 0:13:50 | |
but there are some skills that have to be learned. | 0:13:50 | 0:13:53 | |
A troop of Hanuman langurs, 50 strong, living on a cliff in India. | 0:14:02 | 0:14:08 | |
This is one huge family, with members of all ages. | 0:14:08 | 0:14:12 | |
But there is only one adult male. | 0:14:14 | 0:14:16 | |
His scarred face is evidence of his violent past. | 0:14:20 | 0:14:24 | |
He is the father of all these youngsters. | 0:14:26 | 0:14:28 | |
Fatherhood, for Scarface, has few duties and many perks. | 0:14:33 | 0:14:38 | |
He gets plenty of attention from the females... | 0:14:44 | 0:14:47 | |
..and takes a somewhat hands-off approach to parenting. | 0:14:54 | 0:14:58 | |
But his protection gives his family | 0:15:05 | 0:15:07 | |
the safety and the space they need | 0:15:07 | 0:15:10 | |
to grow and learn. | 0:15:10 | 0:15:11 | |
The newest addition to the troop. | 0:15:16 | 0:15:18 | |
The baby is totally dependent on his mother and she dotes on him. | 0:15:24 | 0:15:29 | |
But becoming a good mother takes practice. | 0:15:45 | 0:15:49 | |
And a young female, a future parent, | 0:15:50 | 0:15:53 | |
is learning by playing mum with someone else's baby. | 0:15:53 | 0:15:57 | |
She seems affectionate enough. | 0:16:05 | 0:16:07 | |
This is valuable experience for the baby-sitter. | 0:16:12 | 0:16:15 | |
But now, she starts to play with it. | 0:16:22 | 0:16:24 | |
And things get quickly out of hand. | 0:16:36 | 0:16:38 | |
BABY SQUEALS | 0:16:40 | 0:16:42 | |
She seems to want to shake off the baby. | 0:16:50 | 0:16:53 | |
Rescue, it seems, is at hand. | 0:17:05 | 0:17:08 | |
But this isn't the baby's mother, | 0:17:21 | 0:17:23 | |
it's another learner with even less of a clue than the last. | 0:17:23 | 0:17:27 | |
Eventually, the baby's real mother | 0:17:35 | 0:17:37 | |
decides that this game has gone on long enough. | 0:17:37 | 0:17:40 | |
She rescues her baby and gives it some proper motherly care. | 0:17:57 | 0:18:01 | |
Perhaps she tolerates the behaviour of these would-be baby-sitters | 0:18:04 | 0:18:08 | |
because they're close relatives. | 0:18:08 | 0:18:10 | |
So many females gathered together on this cliff | 0:18:22 | 0:18:25 | |
inevitably attract the attention of a rival adult male. | 0:18:25 | 0:18:30 | |
His aim is to defeat Scarface and take over his females. | 0:18:30 | 0:18:35 | |
He leads a group of outcast bachelors into battle. | 0:18:43 | 0:18:47 | |
Scarface spots them. | 0:18:55 | 0:18:57 | |
He has everything to lose, because if the bachelors defeat him, | 0:18:57 | 0:19:01 | |
they won't just take his females, | 0:19:01 | 0:19:03 | |
they will kill his babies. | 0:19:03 | 0:19:05 | |
The bachelors try to reach the high ground to launch their attack. | 0:19:09 | 0:19:13 | |
Scarface warns them to keep their distance, | 0:19:22 | 0:19:25 | |
but the bachelors continue their advance. | 0:19:25 | 0:19:27 | |
HARSH BARKS | 0:19:30 | 0:19:32 | |
Scarface grinds his teeth, to show he means business. | 0:19:56 | 0:20:00 | |
But the bachelor leader reaches the cliff top | 0:20:04 | 0:20:07 | |
and grinds his teeth in response. | 0:20:07 | 0:20:10 | |
If Scarface loses this battle, he will lose his legacy. | 0:20:18 | 0:20:22 | |
Time to strike. | 0:20:43 | 0:20:45 | |
He targets the bachelor leader. | 0:21:00 | 0:21:02 | |
SCREECHING | 0:21:11 | 0:21:14 | |
Scarface has won. | 0:21:41 | 0:21:43 | |
And he returns to a hero's welcome. | 0:21:49 | 0:21:51 | |
But it's only a temporary respite. | 0:21:55 | 0:21:58 | |
For a male langur like Scarface, | 0:22:08 | 0:22:11 | |
parenthood is simple, but dangerous. | 0:22:11 | 0:22:14 | |
He has banished the bachelors and saved his offspring - | 0:22:19 | 0:22:23 | |
for now, at least. | 0:22:23 | 0:22:25 | |
Success for other parents requires total dedication. | 0:22:32 | 0:22:36 | |
An African drongo. | 0:22:39 | 0:22:41 | |
She has to shade her three eggs from the scorching heat of the sun. | 0:22:44 | 0:22:49 | |
As soon as the chicks hatch, | 0:22:53 | 0:22:55 | |
she will form an immediate bond with them that is unbreakable, | 0:22:55 | 0:22:59 | |
whatever happens. | 0:22:59 | 0:23:00 | |
After hundreds of hours of incubation... | 0:23:11 | 0:23:14 | |
..her first chick. | 0:23:16 | 0:23:18 | |
Now, the hard work really begins, | 0:23:26 | 0:23:28 | |
because the newly-hatched chick needs food. | 0:23:28 | 0:23:31 | |
It won't be long before one mouth is joined by two more | 0:23:53 | 0:23:58 | |
and this chick will then have to share what the female brings back. | 0:23:58 | 0:24:02 | |
Or will it? | 0:24:06 | 0:24:07 | |
The chick is getting rid of any competition. | 0:24:24 | 0:24:27 | |
It wants its mother's sole attention. | 0:24:29 | 0:24:31 | |
Feeding time. | 0:24:46 | 0:24:48 | |
Something has changed. But what? | 0:24:57 | 0:25:00 | |
FRANTIC CHIRRUPING | 0:25:10 | 0:25:12 | |
The sight of her chick's bright orange mouth | 0:25:12 | 0:25:15 | |
demands that she brings more food. | 0:25:15 | 0:25:17 | |
The egg weighs almost as much as the chick. | 0:25:28 | 0:25:31 | |
It's like pushing a boulder uphill. | 0:25:31 | 0:25:33 | |
The chick has a hollow in its back that helps it manoeuvre its load. | 0:25:46 | 0:25:50 | |
The mother's brood has been reduced to just this one chick | 0:26:11 | 0:26:15 | |
and it now has her total attention. | 0:26:15 | 0:26:18 | |
When she's not away gathering food, she shades the chick. | 0:26:30 | 0:26:35 | |
And she responds instantly whenever it demands to be fed. | 0:26:39 | 0:26:43 | |
Every day for over three weeks, | 0:26:54 | 0:26:56 | |
she brings it dozens of meals. | 0:26:56 | 0:26:58 | |
Her chick never seems to stop eating, or stop growing. | 0:27:07 | 0:27:11 | |
There is another drongo's nest nearby | 0:27:41 | 0:27:44 | |
and that has three chicks in it. | 0:27:44 | 0:27:47 | |
But they don't look quite the same as hers. | 0:27:47 | 0:27:50 | |
That is because she is raising an alien - | 0:27:59 | 0:28:03 | |
the chick of a cuckoo. | 0:28:03 | 0:28:05 | |
Cuckoos lay their eggs in the nests of other birds | 0:28:12 | 0:28:15 | |
and leave the hard labour of rearing the chick to someone else. | 0:28:15 | 0:28:19 | |
The cuckoo's egg matched the drongo's egg so perfectly | 0:28:21 | 0:28:24 | |
that this foster mother has been completely deceived. | 0:28:24 | 0:28:27 | |
Over at the other drongo nest, the chicks are now fledging. | 0:28:29 | 0:28:33 | |
Their parents have succeeded | 0:28:36 | 0:28:38 | |
in producing their very own next generation, | 0:28:38 | 0:28:43 | |
while she has raised a monster. | 0:28:43 | 0:28:47 | |
Her love is blind. | 0:29:06 | 0:29:08 | |
Back in the Congo, | 0:29:33 | 0:29:34 | |
the mother bonobo's long-term commitment to her baby continues. | 0:29:34 | 0:29:39 | |
Today, she's demonstrating | 0:29:49 | 0:29:51 | |
the tricky art of making a bed 30 feet above the ground, | 0:29:51 | 0:29:55 | |
in preparation for a midday siesta. | 0:29:55 | 0:29:57 | |
Lesson over, she puts her handiwork to good use. | 0:30:08 | 0:30:11 | |
For a busy mother, an extra nap is always welcome. | 0:30:20 | 0:30:24 | |
But Baby seems bored. | 0:30:36 | 0:30:39 | |
His mother is still the centre of his world | 0:30:50 | 0:30:53 | |
and his favourite playmate. | 0:30:53 | 0:30:55 | |
She tries to ignore him, but he won't be put off. | 0:31:11 | 0:31:15 | |
Eventually, she gives in. | 0:31:27 | 0:31:29 | |
The whole family is on the move. | 0:31:40 | 0:31:42 | |
In bonobo society, | 0:31:55 | 0:31:57 | |
knowledge is passed down from one generation to the next. | 0:31:57 | 0:32:00 | |
The mothers are going to show their youngsters | 0:32:02 | 0:32:04 | |
one of the most important places in the forest. | 0:32:04 | 0:32:08 | |
A special pool, where water lilies grow. | 0:32:12 | 0:32:15 | |
Water lilies contain minerals important for health, | 0:32:24 | 0:32:28 | |
and the bonobos can't get them anywhere else. | 0:32:28 | 0:32:31 | |
Baby learns what to eat by watching Mum. | 0:32:56 | 0:32:59 | |
And she shares the lily stalks with him. | 0:33:06 | 0:33:09 | |
She's shown him where to get an important supplement to his diet... | 0:33:21 | 0:33:26 | |
..and he didn't even have to get his feet wet. | 0:33:28 | 0:33:31 | |
She will continue to help him to learn about the forest | 0:33:35 | 0:33:39 | |
for another five years, | 0:33:39 | 0:33:41 | |
within the protection of his family. | 0:33:41 | 0:33:44 | |
But few youngsters are raised in such a secure environment. | 0:33:54 | 0:33:58 | |
The land where this young zebra was born is drying out. | 0:34:20 | 0:34:25 | |
Its mother must lead it across the river to reach fresh grazing. | 0:34:25 | 0:34:30 | |
She faces a critical decision. | 0:34:35 | 0:34:37 | |
Where to cross? | 0:34:40 | 0:34:42 | |
The life of her six-week-old foal hangs on her decision. | 0:34:47 | 0:34:51 | |
It's not just crocodiles that pose a threat. | 0:35:03 | 0:35:06 | |
Crossing here is too dangerous. | 0:35:41 | 0:35:43 | |
Further downstream. Perhaps this is a better place to cross? | 0:35:52 | 0:35:57 | |
There are fewer predators, but the river is fast | 0:36:12 | 0:36:15 | |
and has treacherous rapids. | 0:36:15 | 0:36:17 | |
It's a difficult decision. | 0:36:31 | 0:36:33 | |
Once a mother commits herself, she commits her foal, | 0:36:57 | 0:37:01 | |
and there will be nothing she can do to help it. | 0:37:01 | 0:37:04 | |
The current is so strong, it carries them downstream, | 0:37:42 | 0:37:46 | |
through the territory of ill-tempered hippos... | 0:37:46 | 0:37:49 | |
..and towards the rapids. | 0:37:56 | 0:37:58 | |
STACCATO BARKING | 0:39:29 | 0:39:32 | |
The decision to cross here has proved to be a good one, | 0:39:58 | 0:40:02 | |
but only just. | 0:40:02 | 0:40:04 | |
This mother has led her foal | 0:40:25 | 0:40:27 | |
through the most dangerous moment of its young life. | 0:40:27 | 0:40:30 | |
By keeping her foal safe, | 0:40:41 | 0:40:44 | |
she has passed this critical test of motherhood. | 0:40:44 | 0:40:47 | |
Dawn in Amboseli, East Africa. | 0:41:04 | 0:41:07 | |
A family of elephants. | 0:41:14 | 0:41:16 | |
The young are sleeping peacefully, | 0:41:27 | 0:41:29 | |
surrounded by a protective wall of mothers and grandmothers. | 0:41:29 | 0:41:33 | |
Each morning brings the calves a little closer to independence. | 0:42:05 | 0:42:10 | |
They may be successful parents, | 0:42:33 | 0:42:35 | |
but they still have trouble getting the youngsters up in the morning. | 0:42:35 | 0:42:39 | |
There are three generations in this herd, proof of the family's success. | 0:43:05 | 0:43:10 | |
They have found the bones of an old female. | 0:43:25 | 0:43:28 | |
Even the babies are intrigued by these relics of their ancestors. | 0:43:51 | 0:43:56 | |
We can't, of course, know what they're thinking... | 0:44:11 | 0:44:14 | |
..but there is a delicacy in the way they touch these bones, | 0:44:16 | 0:44:20 | |
which suggests that they have some special relevance. | 0:44:20 | 0:44:23 | |
Perhaps elephants have a sense of a shared history. | 0:44:27 | 0:44:32 | |
The experience seems to bring them even closer together. | 0:45:05 | 0:45:09 | |
Every animal in the herd belongs to a family line | 0:45:19 | 0:45:23 | |
that stretches back through numberless generations. | 0:45:23 | 0:45:26 | |
And each is here | 0:45:38 | 0:45:40 | |
because their ancestors were all winners in the game of life. | 0:45:40 | 0:45:45 | |
An individual animal's chance of success | 0:46:00 | 0:46:04 | |
varies according to its kind, | 0:46:04 | 0:46:08 | |
and to the care lavished upon it by its parents. | 0:46:08 | 0:46:11 | |
Most young bonobos survive childhood. | 0:46:19 | 0:46:22 | |
But, eventually, each will have to find its own way in the world. | 0:46:26 | 0:46:30 | |
It may need allies to face up to danger. | 0:46:46 | 0:46:49 | |
It will have to find its own place in society. | 0:46:54 | 0:46:58 | |
It will play the mating game... | 0:47:09 | 0:47:11 | |
..become a parent... | 0:47:16 | 0:47:18 | |
..and eventually achieve a form of immortality | 0:47:23 | 0:47:27 | |
by leaving its own offspring. | 0:47:27 | 0:47:29 | |
No two journeys through life are ever the same... | 0:47:39 | 0:47:42 | |
..each is as unique as a fingerprint. | 0:47:46 | 0:47:49 | |
This mother's life has been a success. | 0:47:59 | 0:48:02 | |
But for each new generation, the journey will begin all over again. | 0:48:04 | 0:48:09 | |
It's life's great story. | 0:48:11 | 0:48:13 | |
Bonobos live in the most impenetrable forest on Earth - | 0:48:30 | 0:48:34 | |
the Congo. | 0:48:34 | 0:48:35 | |
Cameraman, Rolf Steinmann, | 0:48:37 | 0:48:39 | |
has worked in some of the world's great open landscapes, | 0:48:39 | 0:48:42 | |
but never anywhere like this. | 0:48:42 | 0:48:44 | |
His hope is to film scenes of the bonobos' lives | 0:48:46 | 0:48:49 | |
that have never been captured before | 0:48:49 | 0:48:51 | |
and perhaps gain a glimpse into our own past. | 0:48:51 | 0:48:54 | |
Accompanied by camera assistant, Ed Anderson, | 0:48:57 | 0:49:00 | |
they journey deep into the African rainforest. | 0:49:00 | 0:49:03 | |
Despite a 16-mile walk to the research camp, | 0:49:06 | 0:49:09 | |
Rolf's spirits are high. | 0:49:09 | 0:49:11 | |
It's really exciting and I think... | 0:49:11 | 0:49:14 | |
it's definitely the most remote location I have ever walked to. | 0:49:14 | 0:49:18 | |
The LuiKotale research camp will be their home for the next seven weeks. | 0:49:21 | 0:49:26 | |
They head out into the forest | 0:49:29 | 0:49:31 | |
wearing facemasks to protect the bonobos from human diseases. | 0:49:31 | 0:49:35 | |
They hike over 12 miles, following the bonobos | 0:49:41 | 0:49:44 | |
and eventually, Rolf gets his first view. | 0:49:44 | 0:49:47 | |
It was a pretty special day, I would say. | 0:49:49 | 0:49:52 | |
That was my first bonobo day. | 0:49:52 | 0:49:54 | |
It was absolutely breathtaking, | 0:49:55 | 0:49:57 | |
looking into their faces, seeing the babies. | 0:49:57 | 0:50:00 | |
I mean, you can really feel that they're close relatives to us. | 0:50:00 | 0:50:04 | |
I mean, it feels like you are surrounded by very little humans. | 0:50:04 | 0:50:08 | |
But he quickly discovers that such a good day isn't typical. | 0:50:11 | 0:50:15 | |
HE SIGHS HEAVILY | 0:50:15 | 0:50:17 | |
There is so much vegetation, I can't get a clear view, | 0:50:17 | 0:50:21 | |
it's totally impossible. | 0:50:21 | 0:50:22 | |
And the very density of this forest creates other filming problems. | 0:50:32 | 0:50:37 | |
We're walking back to camp from the forest, | 0:50:37 | 0:50:41 | |
it's 3.30pm, this is not a camera effect, it really is this dark. | 0:50:41 | 0:50:47 | |
When the sun isn't out, | 0:50:47 | 0:50:49 | |
it feels like the middle of the night sometimes. | 0:50:49 | 0:50:51 | |
Ed and Rolf's difficulties just continue to mount. | 0:50:57 | 0:51:01 | |
The bonobos went into the deepest, densest part of the forest, | 0:51:04 | 0:51:08 | |
it's really hard to follow them. | 0:51:08 | 0:51:10 | |
The 90% humidity is causing trouble for the camera. | 0:51:13 | 0:51:17 | |
And worse, they soon encounter some of the other forest inhabitants. | 0:51:19 | 0:51:23 | |
It's all full of ants here. | 0:51:24 | 0:51:26 | |
I can't get through there with the big backpack. | 0:51:26 | 0:51:29 | |
Ants are everywhere! | 0:51:37 | 0:51:39 | |
Ah, they're biting me everywhere. | 0:51:41 | 0:51:43 | |
They always want to get to the flesh. | 0:51:49 | 0:51:52 | |
No, you don't get in there. | 0:51:52 | 0:51:54 | |
BLEEP! They are biting everywhere! | 0:51:54 | 0:51:56 | |
Ah, BLEEP! It's not really fun, it's really painful. Go away. Ah. Oh, God. | 0:51:56 | 0:52:02 | |
I just have to get out of this. | 0:52:06 | 0:52:08 | |
Wow. | 0:52:10 | 0:52:12 | |
How should we get rid of all these termites? | 0:52:17 | 0:52:20 | |
I mean, that is serious. | 0:52:20 | 0:52:21 | |
The heat and humidity, | 0:52:23 | 0:52:25 | |
the trekking and the insects are worse than Rolf had feared. | 0:52:25 | 0:52:29 | |
But causing him most distress | 0:52:29 | 0:52:31 | |
is hardly ever being able to film the bonobos. | 0:52:31 | 0:52:34 | |
90% of the things you see, you can't film. | 0:52:34 | 0:52:38 | |
It's so dark, there's so much vegetation | 0:52:38 | 0:52:43 | |
and the animals are always in the wrong spot. | 0:52:43 | 0:52:46 | |
It is pretty much as frustrating as it gets, I think. | 0:52:46 | 0:52:49 | |
You really have to learn to deal with all the frustration | 0:52:53 | 0:52:57 | |
and become some kind of Zen master and suppress your emotions. | 0:52:57 | 0:53:01 | |
Otherwise, you face a high risk here to get insane. | 0:53:02 | 0:53:05 | |
I am the lucky cameraman. I am the lucky cameraman. | 0:53:05 | 0:53:10 | |
I am the lucky cameraman. | 0:53:10 | 0:53:11 | |
Three weeks of trekking | 0:53:21 | 0:53:23 | |
and finally, the bonobo family appear, briefly, in the open. | 0:53:23 | 0:53:27 | |
(There the bonobos are, on a log, totally relaxed. | 0:53:34 | 0:53:38 | |
(I've got my best shots so far, it's amazing!) | 0:53:38 | 0:53:41 | |
But the bonobos soon disappear again | 0:53:42 | 0:53:44 | |
and it's back to the daily grind of forest life. | 0:53:44 | 0:53:47 | |
BUZZING | 0:53:54 | 0:53:56 | |
Ah, these sweat bees make me crazy. | 0:53:58 | 0:54:00 | |
The optimism with which they began this shoot is long gone. | 0:54:06 | 0:54:10 | |
Today, we've already walked 25km | 0:54:11 | 0:54:15 | |
through some of the densest, thickest jungle so far. | 0:54:15 | 0:54:19 | |
We didn't get a single shot of the bonobos. | 0:54:21 | 0:54:24 | |
Yeah, it sometimes feels like a boot camp here. | 0:54:26 | 0:54:28 | |
Some days...you just want to forget. | 0:54:29 | 0:54:32 | |
The experience is simply exhausting. | 0:54:37 | 0:54:40 | |
Finally, the perfect moment. | 0:54:44 | 0:54:47 | |
Right when we get our first nesting in the daytime, | 0:54:52 | 0:54:57 | |
really beautiful angle, perfect position, | 0:54:57 | 0:54:59 | |
the camera stopped working | 0:54:59 | 0:55:02 | |
and now we have to go back to camp, leaving the bonobos, | 0:55:02 | 0:55:05 | |
and hope that we can make the camera work again. | 0:55:05 | 0:55:08 | |
Yeah, don't know really what to say. | 0:55:08 | 0:55:11 | |
By the time they've got a new camera, | 0:55:12 | 0:55:14 | |
the bonobos have completely disappeared. | 0:55:14 | 0:55:17 | |
Paul, Paul, Paul, this is Ed. Paul, Paul, this is Ed. | 0:55:17 | 0:55:20 | |
Come in, Paul. | 0:55:20 | 0:55:22 | |
We can't hear them, | 0:55:23 | 0:55:25 | |
we can't find any tracks, | 0:55:25 | 0:55:27 | |
so it doesn't look very promising. | 0:55:27 | 0:55:29 | |
Rolf is hardened to tough conditions, | 0:55:33 | 0:55:35 | |
but not the frustration of so rarely getting a clear shot. | 0:55:35 | 0:55:39 | |
Four days later, | 0:55:45 | 0:55:46 | |
the bonobos have been located, | 0:55:46 | 0:55:48 | |
but they're on the move. | 0:55:48 | 0:55:50 | |
They're heading north, | 0:55:52 | 0:55:54 | |
so there's a good chance that they go into the swamps | 0:55:54 | 0:55:57 | |
and so, we just speculate and run towards the swamps | 0:55:57 | 0:56:01 | |
and perhaps we find them there. | 0:56:01 | 0:56:03 | |
After so much disappointment, | 0:56:07 | 0:56:08 | |
Rolf and Ed are determined to find them. | 0:56:08 | 0:56:12 | |
Quite against the odds, their determination pays off. | 0:56:21 | 0:56:25 | |
Rolf captures the first-ever images | 0:56:26 | 0:56:29 | |
of a family of bonobos harvesting lilies. | 0:56:29 | 0:56:32 | |
A scene that feels much like a glimpse into our own past. | 0:56:38 | 0:56:41 | |
It's everything Rolf had hoped for. | 0:56:48 | 0:56:51 | |
In this terrain, it's ridiculous that we made it, that is ridiculous! | 0:56:53 | 0:56:57 | |
It's impossible to film that, | 0:56:57 | 0:56:59 | |
it's simply impossible and we filmed it! | 0:56:59 | 0:57:01 | |
I can't believe it, it's so good! | 0:57:01 | 0:57:03 | |
Our lives may seem very different from those of our closest relatives, | 0:57:12 | 0:57:16 | |
but beneath the surface, we still share the same challenges | 0:57:16 | 0:57:20 | |
that every animal faces in its own Life Story. | 0:57:20 | 0:57:25 |