15/07/2014 EastEnders


15/07/2014

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Transcript


LineFromTo

'Of course I'm listening to you, darling.

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'I haven't missed a word that's come out that lovely

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'little mouth of yours since 1992.'

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-Are you nervous?

-Nah.

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'Don't get trappy with me. Mick Carter, and don't walk away when I'm talking to you!'

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This is what living in a broken home feels like.

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Any of you seen my car keys?

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And you're 100% sure this won't make him a suspect?

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Just go to your photo shoot, get your hair done,

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have a giggle with the girls...

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-I'm gonna do that while our son's being questioned(!)

-Dad, shall we just go?

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Yeah, please Lee. Please.

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We ain't decided yet!

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Mum, I'm going, all right? Everything'll be OK.

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KNOCKING

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Who's that?

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KNOCKING CONTINUES

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All right! All right, all right!

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You'll have the glass in!

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Has he done it yet?

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No.

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Well, don't.

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If this don't come from Billy, it ain't going to look good, is it?

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Should have owned up himself, then, shouldn't he?

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-Hear him out.

-He'll do it now.

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All right? I'll go round there and we'll call 'em.

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Is this cos Billy got caught in the flat? Cos that don't look good, does it?

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No, it don't look good. And he's an idiot. But he's innocent.

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I'm trying to find a way that works for everyone.

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And how does this work for us?

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Well, we'll keep Lee's name out of it.

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I mean, changing a statement - that don't look good, either, does it?

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If it means you don't have to go in...

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This is on you, son.

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An hour. This has got to come from Billy.

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I should not have stayed the night.

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That's all right - Abi ain't back till later.

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-It's the people out there I'm worried about.

-It's all right.

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We'll just put a jacket over your head, you know, people leaving court, they have a...

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Have your breakfast, at least.

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I don't have time... Oh.

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Bill, I've had a word with the Carters...

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All right, Phil!

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Who else would have a knock like that, eh?

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Cuppa tea, Phil?

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Shouldn't you be on the stall?

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Did Dad send you?

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Erm, Bill, can you tell Lo I've gone to work?

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I'm sure she'd prefer it if you told her your...

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The Carters have agreed to letting us make the call.

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I'm not sure about this, Phil.

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So what do you want to do - wait here, wait for the old bill to come and nick you?

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-Sirens blazing an' all that?

-No, but...

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You want Janet to see that, do you?

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No... Ritchie will protect me, right?

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As long as you say what needs to be said.

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Yeah, hello. Yeah, my name's Billy Mitchell.

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I think I might have some information

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about the murder of Lucy Beale.

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It's been an hour.

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As if he was going to go through with it anyway!

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Well, he seemed confident, so...

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I can't see Billy Mitchell standing up to him, somehow.

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I don't see why it matters either way.

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-I thought you was going to do the right thing?

-Hold up.

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Text from Phil.

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It's done! The police are coming over later to interview him.

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I don't have to go through with it?

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Don't just walk off.

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How do you know Billy's going to tell the truth? He's probably just going to lie again.

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Well, I for one am going to keep the faith!

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So, L - go and be a super model.

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Nance - go and whack on a pair of manky shorts.

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Lee - you're with me, bar duty. Come on!

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He better not give us any weird hairdos.

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I don't want any rank photos of us hanging round Walford.

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Can you imagine?

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Lauren? Back in the room?

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Sorry. It's just, the car lot's still not open.

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He's probably got someone round there, knowing him.

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Oi! It's not even like that.

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He was actually saying yesterday that he missed me.

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You just want to forgive and forget

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so that you don't have to spend another night with Cora snoring.

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No. No, I don't forgive him! Not at all.

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I dunno, he just seemed... he just seemed lonely.

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There it is, look. Parsley.

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You're right. It is a bit soon.

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Yeah. Bit embarrassing, really.

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You know you like someone when you start using garnish.

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Oi!

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You, um, you said Abi's back later.

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Er, yeah.

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She'll probably come in, dump her bag, then go straight to Jay's.

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I'll be lucky if I get a peck on the cheek, to be honest.

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Lauren'll come back too, you know?

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I was just like that at her age.

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Once she's made her point...

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PHONE RINGS

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Oh, sorry...

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It's work.

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Summerhayes?

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No, no, I was just...

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No. No, I don't have a problem, I just...

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Irving's been replaced, and, er...

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My God, my new guvnor has hated me since we got our shoulder numbers.

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Why have they got rid of him?

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I can't say...but, um...

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I've got to go.

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All right. See you later.

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Bye.

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41 minutes late on his first day.

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And it's only three from his flat to our door, Birdie.

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I'm sure there's an explanation, Les.

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Yeah(!)

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RINGING

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I wanna hear it. You heard Ritchie, you've got no choice.

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-Lola's in.

-If you can't convince me, you've got no chance of convincing the old bill, have you?

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-Phil, I know what I've got to say, all right?

-Well, then say it!

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Lola is in the bedroom, all right!

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-Well, then, maybe Lola ought to hear it.

-What?!

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-Lola! Get out here!

-What you doing!?

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If the old bill are going to question her, she needs to know what to tell 'em, don't she?

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-Lola!

-All right! What's all the shouting about!?

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I'm trying to get Lexi to sleep in here, you know.

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Billy's got something to tell you.

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What?

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-Is it about yesterday?

-Yeah.

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The old bill are going to come and interview me about Lucy.

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But they know it was just a row, right?

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Yeah. But I've got to tell 'em about the key.

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It seems only fair to point out that...

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Peter had access to the flat as well.

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You want to...you want to drag Peter into this?

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Only to muddy the water.

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Yeah, but I don't get it. What's it got to do with him?

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The key was in this flat. I mean, he does live here.

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Yeah, I know that, but he's never been up...

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-Are you setting him up?!

-No! No, we're not, Lo.

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You said it would be fine, you said everything would be fine!

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He's been in there, broken! You know that!

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You've got to back Billy up on this.

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He lies in there crying, night after night, and you want to go and make it ten times worse?

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No-one wants this, Lo. He's a good kid!

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But you're innocent, so why do you need to lie for?!

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There's being innocent, and there's looking innocent, ain't there?

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I don't know why I'm listening to this! We're supposed to be a family.

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She'll come round.

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I'm going to be late for work.

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Make sure you're round mine by one o'clock, yeah?

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-What's the problem?

-It's just been a tough morning.

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Listen. She ain't going to do it.

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Right.

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Can't you just find someone else?

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Yeah. I'll have to... I'll have to make it work.

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You're really tugging on my heart strings here.

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It can't be that bad?

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Well, you know, I've gone to town on this - photographer, stylist. I'm in for about two grand, Mick.

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All right, all right. I'll have one more go, all right?

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Beautiful.

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I've said, conversation over.

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Look, listen, baby...

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It's just, the kid, he's got a lot riding on this.

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Money, hopes and dreams, and you know...

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-You remember them, don't you?

-That's emotional blackmail.

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-Is it working?

-No!

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I know who goes in that salon and it ain't mothers with three kids.

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It's trendies with tattoos everywhere

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-and their whole lives ahead of them. I'll look stupid!

-Get in there, please!

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Dean ain't going to let that happen. He's going to make you look beautiful.

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Yeah, Mum. He's going to turn you into a proper hipster!

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He'll get you a big pair of clompy shoes and a fixed gear bike.

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You can shut your mouth an' all. You're going, for moral support.

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Well, that's emotional blackmail again, isn't it?

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He's a good kid. And he just wants his Auntie Linda's help.

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OK.

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-Yes?

-Yeah, she's going to do it. She's going do it.

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Thank you. And thank you. I promise...

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-it'll be a day you remember.

-It better be.

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All right. Just go and enjoy yourself. Go on.

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I must be mad.

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You heard of knocking?

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Been stood in your kitchen ages.

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Yeah, well, I stayed in here for a reason.

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How can you stitch Peter up, Phil,

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when he took Lexi in as if she was his own?

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When the old bill find out Billy had an argument with Lucy...

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He was scared, weren't he?

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..had access to her flat and still didn't say anything...

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Yeah, well, we all had access! Are they going to start pointing the finger at me an' all?

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..and with his criminal record, they'll take him to the cleaners.

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On top of that, you know what people are like round here.

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I don't care. Let 'em talk.

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What, you think he'll still have a job with Ian Beale?

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Eh? Or even at the undertakers, come to that?

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No-one's going to want their Auntie Doris buried by

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some suspected murderer, are they?

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Peter's my boyfriend, Phil.

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Well, you'd better work out what the most important thing is.

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Your latest fella, or the man who took you in...

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..like you was his own.

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Hiya! You made it out, then.

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You two look nice.

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Yeah. Oh, he's a genius! Wait till he does you.

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(Don't worry, they're going to look proper butters next to you.)

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We're never going to get it looking this good at home, are we?

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No, he's going to have to come round mine every morning.

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No point in that, he might as well just stay round every night.

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Can't believe a woman edits this! That's like gender cannibalism.

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One day I'll get you in a lovely A-line dress.

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Nah, you're all right.

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Oi, Mum, if you're really not feeling this,

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shall we go for a pint instead?

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You just dragged me here, told me it would cheer me up!

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No, you're right. Sorry, sorry.

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You reckon this is going to be proper, then, or just Fats with a disposable?

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Imagine!

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They're here! Ladies, this is Ali, make-up,

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her assistant, Gerard, and our wonderful photographer, Philip.

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Let's have a look at you.

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Oh! Very nice. Let's tuck it in at the sides a bit more, yeah?

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Will someone get these girls a drink?

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This is supposed to be a party!

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Right, now, I want you to take your lead off Linda.

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She used to be a professional model,

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and I'm sure there's a lot you can learn off her.

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Right, trouble, let's get you styled.

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Thought it was your first day?

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Oh, I weren't in the mood.

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That's normal. It's work, isn't it?

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That's why they have to pay you to do it.

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What's up?

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Nothing. Listen, I'm...

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No, no. Tell me.

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How comes I don't see you talking to Lola any more?

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I mean, you don't even say goodbye in the mornings.

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She walks past the stall like six times a day.

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Yeah, but you used to give her a little kiss, didn't you?

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Make a point of it.

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What, and this is why you're sat up in here?

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Well, it just seems like you don't want to be around any more.

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Yeah, well, I can move out if you like,

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if I'm bringing you down.

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Don't be stupid. You know that would break Lola's heart.

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Look, I help out round the flat.

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I've been hassling Dean, trying to get her a job.

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I'm always helping out with Lexi.

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I'm sorry I don't always do it with a smile on my face,

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but at least I'm there.

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Yeah, you are. Look, I'm sorry.

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I'm sorry that I came over.

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You know that Jake's trial's just around the corner?

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Peter...Pete...

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Ever since you've come back, you've had something on your nut.

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You've had the Army thing, you've had the Lucy thing.

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All right? It's over now.

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It don't feel like it.

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Listen, you're a free man now, OK?

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You've got your plumbing course coming up.

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Excuse me while I wet myself in excitement.

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Hold up. I thought you wanted to do the plumbing thing?

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You don't want to stay on here.

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Well, you've got Nancy to do that, haven't you?

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Johnny's going to become Rumpole,

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I'm going to sit there cultivating a massive Derby.

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All right? I thought I know where we was all going.

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You know? I thought I knew where you were going.

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I don't know, I never have.

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That's why I joined the Army - something to do.

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All right, so plumbing's just something to do.

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What you need is some fun.

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Yes.

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Yes, yes! So why don't we go to the salon?

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We'll go and see your mother and Whitney.

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No, no, no, no. She hates me.

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She's got the hump. I don't blame her.

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You chose her pal over her.

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Treacles don't take too fondly to that.

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I'm not going to push it, I'm just going to say to you now,

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sometimes you've got to pick something and stick to it.

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OK? Whether or not it's the right thing or not. Stop drifting.

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It's a form of habit.

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Now get that down you, liver.

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It is such a shame to sit inside with Carol all night

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-when your hair's done like this.

-Yeah, I know.

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We should at least go to the Vic.

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Well, you'd better prepare to get monstrously chirpsed by my brother.

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Yeah, he can try.

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Oh, shut up, don't act like you don't fall for the chat!

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You can talk! Your dad says, "Oh, I'm really lonely," and you go,

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-"That's all right, I forgive you."

-Oi! No. I said I ain't forgiven him yet.

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Yeah, yet!

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You get this close to the girls?

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Yeah, course. It's my job.

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Amazed you didn't get set upon.

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Think they've got a bit of a crush.

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Shut up.

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Are you seeing anyone at the minute?

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No-one special.

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-I'll let 'em know.

-You'll do no such thing.

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You look beautiful, Linda.

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Oh, come on, you're a lot worse than me.

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You wait. She's going to be all over your brother like a rash.

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No! He's not interested in me. He was interested in Lucy.

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I know it sounds harsh, but he'd have got bored of her weeks ago.

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And, I'm sorry, but he'll get bored of you an' all.

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Just be warned.

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Ladies and gentlemen, I give you... Linda C.

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Pops!

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There's our man.

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And that's his granddaughter, Lola.

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-Look, I know what you're going to say.

-I think you should do it.

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It's like Phil said,

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you're just giving them more to think about, right?

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It don't mean Peter's guilty any more than it means you are.

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But he's your boyfriend, Lo.

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Boyfriend? Pops, he hasn't spoken to me properly in ages.

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He could just get up and leave me for all I know.

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But you...

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I can't lose you, Pops. I can't.

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Come here.

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Oi, you ain't going to lose me.

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-I'm scared they're going to take you away.

-They won't. All right?

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Promise. then? Promise me you'll do it, please?

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Guess we should go in.

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Give him a chance to take his jacket off...get nervous.

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I've met him a few times. He's well-known within the community.

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He's liked as far as I can tell.

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I don't want anything from the old investigation to cloud my thinking,

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including any opinions you might have.

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Ritchie.

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Billy. How you doing?

0:18:240:18:26

You clear on what to say?

0:18:260:18:28

Yeah. Peter had access. I saw him with the keys.

0:18:280:18:33

And I saw him leaving the flat a couple of times.

0:18:340:18:36

KNOCKING

0:18:360:18:37

Try and look relaxed, will you?

0:18:390:18:41

Don't offer up unnecessary detail. Keep it simple, you'll be fine.

0:18:420:18:47

He's through there.

0:18:470:18:48

Miss Scott.

0:18:520:18:54

We were expecting DS Bryant.

0:18:540:18:57

What a nice surprise, then.

0:18:570:18:59

OK, well...DI Keeble,

0:18:590:19:01

this is my client, Billy Mitchell.

0:19:010:19:04

You've met DC Summerhayes.

0:19:040:19:06

Yeah.

0:19:060:19:07

Thank you for seeing us away from the station.

0:19:080:19:11

We hear you might have something to tell us about Lucy Beale?

0:19:110:19:16

Yeah, um... See, I...

0:19:160:19:19

I might have...

0:19:200:19:22

..I did have an argument with her the night she died.

0:19:240:19:28

Why are they wearing all that make-up?

0:19:350:19:38

Hang on, Ugly Betty speaks. What's the matter, cuz?

0:19:380:19:40

Nah, I'm just saying that if what you're selling is haircuts,

0:19:400:19:43

well, I don't understand why they have to be covered in slap with all that skin on show.

0:19:430:19:47

What if I got involved as well, huh? Make you feel better?

0:19:470:19:50

Here, budge over!

0:19:500:19:51

Honestly, Nance, you've got to lose the chip.

0:19:510:19:54

It's just good, clean family fun.

0:19:540:19:58

Lucy said that she was going tell her dad about me taking the fish

0:20:020:20:06

and that I'd get the sack probably.

0:20:060:20:09

Then she left and...

0:20:100:20:13

and I never saw her again.

0:20:130:20:15

Why didn't you tell us sooner?

0:20:170:20:20

That's not all.

0:20:200:20:21

I, er...I also had a spare key to the flat upstairs.

0:20:230:20:29

Had a spare key?

0:20:300:20:32

Yeah...

0:20:320:20:33

When I realised I was going to be talking to you, I thought,

0:20:350:20:38

what with the argument over the fish and the spare key,

0:20:380:20:43

that you might stitch me up.

0:20:430:20:46

We're not in the business of stitching people up.

0:20:460:20:49

Yeah, but you don't think like that, do you? I panicked.

0:20:490:20:53

I put it back in the flat.

0:20:540:20:56

Did anyone else have access to this key? Your family, maybe?

0:20:580:21:04

No.

0:21:130:21:14

No, I, erm, I kept it on my key ring.

0:21:150:21:18

Nobody else knew about it.

0:21:200:21:21

-These are amazing.

-Yeah, I know. Profile pictures, all of them.

0:21:300:21:33

-Come and have a look, Lind!

-Might wait for the prints.

0:21:330:21:35

Fair enough. Right, what we having, girls? My treat.

0:21:350:21:38

-No! This one's on us, innit?

-Hm.

0:21:380:21:39

To say thanks. It's been such a nice day!

0:21:390:21:41

Besides, I think the landlady can throw in a free bottle for his troubles.

0:21:410:21:45

And that, Lee, is how you get the keg in the cellar, you know what I mean?

0:21:450:21:48

Shut up! We've not even had a delivery!

0:21:480:21:50

-Busted!

-Er, excuse me! Have you not noticed something different?

0:21:500:21:54

Oh, the hair! Look at it!

0:21:540:21:59

Oi, Maestro, that is the business!

0:21:590:22:01

No. I've got to give it to you, cuz. She does look amazing.

0:22:010:22:03

The rubber stamp from Germaine Greer! I can die a happy man.

0:22:030:22:06

Shut up!

0:22:060:22:07

You look gorgeous!

0:22:070:22:09

No time like the present, son. What's the matter with you? Get involved.

0:22:090:22:14

You look bang tidy today.

0:22:140:22:15

I always look bang tidy. Don't I?

0:22:150:22:17

Today. Every day, the next day.

0:22:170:22:19

Easy, easy - this is turning into a relationship!

0:22:190:22:22

Oh, Lee, do you know what - you'd be so lucky.

0:22:220:22:24

Grab a glass, everyone!

0:22:240:22:27

To Dean!

0:22:270:22:28

To the best hairdresser in the world!

0:22:290:22:32

Yeah, to the strongest canister on the Square!

0:22:320:22:36

Cheers!

0:22:360:22:37

Well, thank you, Mr Mitchell. You've been helpful.

0:22:400:22:43

We'll have to call you in to make a formal statement,

0:22:430:22:46

so don't go running off.

0:22:460:22:49

Well, I think it's safe to say you've put yourself front

0:22:570:23:00

and centre of their enquiry.

0:23:000:23:03

Do you, er...do you want to tell me what happened there?

0:23:030:23:06

I couldn't drop him in it, Phil. Not to save myself.

0:23:060:23:10

I ain't like you.

0:23:110:23:13

You what?

0:23:130:23:14

If I'd said his name...him and Lola, they've already got problems.

0:23:150:23:21

He'd leave.

0:23:210:23:23

That might not mean that much to you, but that's my family in that flat.

0:23:240:23:28

While Peter's living there, well, he's as good as mine.

0:23:280:23:31

And it should be the same to you.

0:23:310:23:33

Got one thing to say to you, Billy - you're a total mug.

0:23:340:23:39

No, I ain't. Cos I just done the right thing.

0:23:390:23:42

And you know what, I can walk out of here with my head held high.

0:23:420:23:46

And that's exactly what I'm going to do.

0:23:490:23:51

Yes, the key's back in the flat, according to Mr Mitchell.

0:23:580:24:01

OK. Meet me there in ten.

0:24:010:24:04

Albert Square doesn't change. It's still full of liars.

0:24:080:24:13

What do you mean?

0:24:130:24:15

You didn't get an inkling one of Mr Beale's own employees

0:24:150:24:18

was holding all that back?

0:24:180:24:19

-Well, he didn't do anything to...

-Oh, come on, Emma! You're supposed to be our eyes here.

0:24:190:24:24

You give this lot a chance, they'll run rings around you.

0:24:240:24:28

Do better.

0:24:280:24:30

Peter. How you doing?

0:24:370:24:40

You going to pay for that?

0:24:410:24:43

Hm-mm. Look...

0:24:430:24:45

I spoke to Lola, and I'm going to cook dinner tonight.

0:24:460:24:48

Great. Yeah. I appreciate that. Sure she will an' all.

0:24:480:24:51

-Billy?

-Mrs Coker!

0:24:510:24:54

I'm so sorry about today. Is Mr Coker mad at me?

0:24:540:24:58

-He was ever so upset with you, Billy.

-Yeah, yeah.

0:24:580:25:00

So am I. I found this in your kitchen.

0:25:000:25:04

I was going to show it to Les, but maybe you've got an explanation?

0:25:040:25:08

-Yeah, yeah, of course I have. Do you fancy having a cup of tea?

-Yes.

0:25:080:25:12

Two teas, please, Marie. Here you are, look.

0:25:160:25:20

I've dressed more than I can count, Billy. Most you forget.

0:25:280:25:33

Faces in a crowd. But the ones that go before their time...

0:25:330:25:37

I shall never forget Lucy.

0:25:380:25:41

Such a pretty girl.

0:25:410:25:43

Have you shown these to anyone?

0:25:450:25:47

Not yet.

0:25:470:25:48

Good.

0:25:480:25:50

Cos the thing is...

0:25:510:25:54

they're Peter's.

0:25:540:25:57

Peter's?

0:25:570:25:59

I hid them cos all he does is look at them, Pam.

0:25:590:26:03

We'll be watching telly and he'll be flicking through...

0:26:030:26:07

Of course they're Peter's. What was I thinking?

0:26:070:26:10

I could see what it was doing to Lola, so I hid 'em.

0:26:100:26:14

Anyway, Peter went mental. Tore the flat apart.

0:26:140:26:18

Did more harm than good.

0:26:180:26:20

Give them back to him, Billy. Let him grieve, however he needs to.

0:26:220:26:28

Yeah, yeah, I will.

0:26:280:26:31

And listen, tell Les I'll be in as soon as I've sorted all this out.

0:26:310:26:34

I will.

0:26:340:26:35

And Pat...I won't tell Peter that you took them.

0:26:350:26:40

Keep it our secret.

0:26:400:26:41

Oh...right.

0:26:410:26:44

I'll have to get you your own drawer at this rate.

0:26:540:26:57

I'm not staying.

0:26:570:26:59

It's all right. Abi ain't back for another couple of hours.

0:26:590:27:01

-I'm not worried about Abi.

-Well, Lauren's hardly gonna show, is she?

0:27:010:27:05

I don't want to meet your kids, Max!

0:27:050:27:07

My new boss has just laid into me. She reckons I've been negligent.

0:27:080:27:11

All right. Well, you'll win her round.

0:27:110:27:13

Yeah, but she's right, though, isn't she?! All this sneaking around!

0:27:130:27:16

You can see Ian Beale's house from your front door!

0:27:160:27:18

-You're just getting worked up.

-Yeah, with good reason!

0:27:180:27:22

Look, I'm sorry, Max,

0:27:220:27:23

but I've come to tell you that I can't see you any more.

0:27:230:27:27

I'm sorry.

0:27:280:27:30

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