Browse content similar to 14/07/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Is there a problem? -Can we come in, Billy? | 0:00:27 | 0:00:30 | |
We're just about to eat. | 0:00:30 | 0:00:32 | |
It's about Lucy Beale. I saw you with her on Good Friday. | 0:00:32 | 0:00:36 | |
-What? -The night she died. | 0:00:37 | 0:00:39 | |
We need to do this inside. | 0:00:41 | 0:00:43 | |
DOOR BUZZER | 0:00:47 | 0:00:48 | |
Lauren, please open the door. | 0:00:56 | 0:00:58 | |
-Why? -Well, cos I want to sort things out, that's why. | 0:00:58 | 0:01:01 | |
Look, I'm sorry about just now, it's just, I've got a lot on my plate, | 0:01:01 | 0:01:04 | |
ain't I? Lauren, I ain't going anywhere, all right? | 0:01:04 | 0:01:06 | |
Not till we've talked. | 0:01:06 | 0:01:07 | |
All right, well, you can stay out there all night for all I care. | 0:01:07 | 0:01:10 | |
Lo, do me a favour, take Lexi and Janet for a walk, eh? | 0:01:24 | 0:01:26 | |
But we just ordered pizza. | 0:01:26 | 0:01:27 | |
Pops, what's wrong with you? | 0:01:28 | 0:01:30 | |
-Maybe we should come back later. -Why are you guys even here, anyway? | 0:01:30 | 0:01:33 | |
-We just need to speak with Billy. -What, about the electric? | 0:01:33 | 0:01:38 | |
-How about Lola takes you down the park, eh? For ice cream? -Pops, I'm skint. | 0:01:38 | 0:01:42 | |
-That's all I've got, for the pizza. -Right, no, I ain't going... | 0:01:42 | 0:01:46 | |
-For once, will you not argue with me? -Pops! -Please, just go! | 0:01:46 | 0:01:50 | |
-Right, come on, then. Let's go. -Go on. Go down the park. | 0:01:50 | 0:01:55 | |
Come on then. | 0:01:55 | 0:01:57 | |
-Sorry, mate, we're closing. -Actually, I'm here about Lola. | 0:02:06 | 0:02:09 | |
-Why don't you give her a trial, see how it goes? -Cos I honestly don't think she'd fit in. | 0:02:09 | 0:02:14 | |
It's just she's been struggling a bit at the moment. You'd really help if you just gave her a break. | 0:02:14 | 0:02:18 | |
Mate, I get it. Things are tough. But Lola's not my problem. | 0:02:18 | 0:02:20 | |
-I'm surprised she's yours, to be honest. -What's that mean? | 0:02:20 | 0:02:24 | |
It's a lot to take on, an 18-year-old with a toddler. | 0:02:24 | 0:02:26 | |
Rather you than me. I mean, why tie yourself down? | 0:02:26 | 0:02:30 | |
You're a good looking lad. Get out there. | 0:02:30 | 0:02:32 | |
Live a little. That's all I'm saying. | 0:02:32 | 0:02:34 | |
Yeah, Lola's right. You are an idiot. | 0:02:34 | 0:02:36 | |
Come on. You can't expect me to believe you can't remember anything. | 0:02:39 | 0:02:43 | |
-It was months ago! -I know what I saw. Lucy had the hump | 0:02:43 | 0:02:45 | |
and you two were definitely having a barney over something. | 0:02:45 | 0:02:48 | |
Stop lying. Tell us what it was about. We're wasting our time. | 0:02:48 | 0:02:52 | |
-Let's just let the police sort it out. -All right, all right, wait. | 0:02:52 | 0:02:55 | |
Just give me a minute to think, will ya? | 0:02:55 | 0:02:58 | |
Hang on, I do remember her coming in for chips that night. | 0:03:01 | 0:03:06 | |
And if I remember rightly, she couldn't be bothered to wait. | 0:03:06 | 0:03:09 | |
-What? -I was frying a fresh batch. | 0:03:09 | 0:03:12 | |
She got the hump because she had to hang about. | 0:03:12 | 0:03:15 | |
I was up to my neck in it so I told her where to go. | 0:03:15 | 0:03:17 | |
-And that's it? -Yeah. That's all it was. | 0:03:17 | 0:03:20 | |
So did you tell the police that you saw Lucy the night she died? | 0:03:20 | 0:03:23 | |
-No. Course you didn't. -Who the hell do you think you are? | 0:03:23 | 0:03:26 | |
Coming in here, accusing me of all sorts, eh? | 0:03:26 | 0:03:28 | |
Lee, he's full of it. Come on, let's just go to the police. | 0:03:28 | 0:03:31 | |
And say what? I've just told you what happened. | 0:03:31 | 0:03:33 | |
We'll tell them about the key as well. | 0:03:33 | 0:03:35 | |
And about you sneaking around the flat where Lucy's blood was found. | 0:03:35 | 0:03:38 | |
How do we know you weren't in there the night she died? | 0:03:38 | 0:03:40 | |
Well, what are you trying to say? I told you, we had a stupid row. | 0:03:40 | 0:03:44 | |
She kicked off, I never see her again, I swear! | 0:03:44 | 0:03:47 | |
You. I thought you were supposed to be my mate. | 0:03:47 | 0:03:51 | |
Jake is already banged up for killing Lucy. | 0:03:51 | 0:03:53 | |
-He swears he's innocent. -Do you really think that I'm capable of murder? Do ya? | 0:03:53 | 0:03:57 | |
No. No. We ain't saying that. | 0:03:57 | 0:03:59 | |
-Maybe it was an accident. -Nah, nah, nah. | 0:04:00 | 0:04:03 | |
You ain't pinning this on me just because your alky mate says that he's innocent. | 0:04:03 | 0:04:06 | |
-Come on, Billy. Just tell us what you're hiding. -Get out! | 0:04:06 | 0:04:10 | |
What, did she have something on you? Or maybe she turned you down. | 0:04:10 | 0:04:13 | |
Get out! | 0:04:13 | 0:04:14 | |
The key, Billy. You never gave us it back. | 0:04:17 | 0:04:20 | |
Sling your hook. | 0:04:22 | 0:04:23 | |
Emma? Yeah, it's only me. | 0:04:47 | 0:04:49 | |
Er, yeah, it's going really well with Lauren. | 0:04:50 | 0:04:53 | |
Listen, I don't know if you're back at work already | 0:04:53 | 0:04:55 | |
but why don't you come over later? | 0:04:55 | 0:04:58 | |
Abi's going to be staying with her mum, so... | 0:04:58 | 0:05:00 | |
Er, yeah, so maybe I'll see you later. | 0:05:02 | 0:05:05 | |
All right, Lauren. Where are you going? | 0:05:08 | 0:05:10 | |
Lauren, don't be like this. This is stupid. Just give me five minutes. | 0:05:11 | 0:05:14 | |
That's all I'm asking, all right? Five minutes, and if you don't | 0:05:14 | 0:05:17 | |
like what I've got to say, that's it, I'll leave you alone. | 0:05:17 | 0:05:20 | |
-DOOR CLOSES -Pops? Pops. | 0:05:27 | 0:05:29 | |
-We've got a visitor. -Hey. | 0:05:29 | 0:05:31 | |
Hey. Hello, Mrs Coker. | 0:05:34 | 0:05:37 | |
Ain't got that tenner, have you, for the pizza bloke? | 0:05:37 | 0:05:40 | |
You could have this tomorrow. I made a casserole to celebrate you passing your trial. | 0:05:41 | 0:05:45 | |
Oh, thank you, that's very kind of you. | 0:05:45 | 0:05:48 | |
Tending the dead isn't for the faint-hearted, Billy. | 0:05:48 | 0:05:51 | |
I think your grandad may have found his calling. | 0:05:51 | 0:05:54 | |
And how are my two favourite girlies? Oh, look at you! | 0:05:54 | 0:06:00 | |
-You sorted it out? -Yes, yes. Sorted. -Was it about the electric? -Lo! | 0:06:01 | 0:06:05 | |
I'm really sorry, I don't mean to be rude but I've got to nip out. | 0:06:05 | 0:06:08 | |
I've got to go and check the rota at the chippy. | 0:06:08 | 0:06:11 | |
But Lola's here. I mean, stay and have a cup of tea if you want. | 0:06:11 | 0:06:14 | |
-I won't be long. -Oh, yes, I think I will! | 0:06:14 | 0:06:17 | |
Les is out with his cronies to a dinner do, | 0:06:17 | 0:06:19 | |
and I don't want to be stuck in on my own, do I? | 0:06:19 | 0:06:21 | |
There you go, then. Stick the kettle on, Lo. Won't be long. | 0:06:21 | 0:06:25 | |
Bye. | 0:06:25 | 0:06:26 | |
All right? | 0:06:33 | 0:06:35 | |
Yeah. You? | 0:06:35 | 0:06:37 | |
Yeah. | 0:06:38 | 0:06:39 | |
I...I got my job. | 0:06:40 | 0:06:43 | |
Trial at Mr Coker's. | 0:06:45 | 0:06:46 | |
-Oh, congrats, man. -Thanks. | 0:06:46 | 0:06:48 | |
Look, they're all having pizza in there. | 0:06:48 | 0:06:51 | |
Hawaiian Special. | 0:06:51 | 0:06:54 | |
Anyway, see ya. | 0:06:54 | 0:06:56 | |
Mick told me what happened. So did you get a written confession? | 0:07:07 | 0:07:10 | |
-Ain't funny, Shirl! -Look, Billy Mitchell is many things but he's not a killer. | 0:07:10 | 0:07:14 | |
Well, he was lying about something. It was obvious. | 0:07:14 | 0:07:16 | |
Yeah. It did feel like he was holding something back. | 0:07:16 | 0:07:18 | |
That don't make him a murderer. You put yourselves on the line, for what? | 0:07:18 | 0:07:21 | |
Yeah, for once I agree with Shirley. | 0:07:21 | 0:07:23 | |
We can't keep going round in circles. | 0:07:23 | 0:07:25 | |
You went and had it out with him. So, now what? | 0:07:25 | 0:07:27 | |
There is only one thing to do. Go to the police. | 0:07:27 | 0:07:30 | |
-Yeah, and I still say let it go. -This is doing my nut in. | 0:07:30 | 0:07:33 | |
Where're you going? | 0:07:33 | 0:07:34 | |
Shop. I need a sugar fix. | 0:07:34 | 0:07:36 | |
I dunno. What do you reckon, Dad? | 0:07:36 | 0:07:37 | |
You know we're behind you. It's just... | 0:07:39 | 0:07:41 | |
The old bill are going to want to know why you've changed your story. | 0:07:41 | 0:07:45 | |
Billy could say you've been putting the screws on him. | 0:07:45 | 0:07:47 | |
I just want you to be sure. | 0:07:47 | 0:07:49 | |
Billy. | 0:08:00 | 0:08:02 | |
I just wanted to say, this... | 0:08:05 | 0:08:06 | |
this is nothing personal. | 0:08:06 | 0:08:08 | |
Nothing personal?! Are you having a laugh? | 0:08:08 | 0:08:11 | |
Just be straight with me, all right? Is there anything you ain't telling us? | 0:08:11 | 0:08:14 | |
No! | 0:08:14 | 0:08:16 | |
How do you know your poxy nephew | 0:08:16 | 0:08:17 | |
-ain't got nothing to do with this, eh? -Lee? -Yeah, Lee! | 0:08:17 | 0:08:21 | |
He was the one who was following Lucy that night. | 0:08:21 | 0:08:24 | |
You want to think about that, eh? | 0:08:24 | 0:08:26 | |
-Come on, the house ain't going to clean itself. -I just finished work! | 0:08:49 | 0:08:52 | |
Just get off your lazy backside. | 0:08:52 | 0:08:56 | |
Phil! I'm in trouble. | 0:08:56 | 0:08:58 | |
-Everything all right? -Yeah. Yeah, everything's fine. | 0:09:04 | 0:09:08 | |
-Billy's taking his time. -Er, yeah, you wouldn't mind watching Janet? | 0:09:08 | 0:09:11 | |
I'm just going to put Lexi's pyjamas on, if you don't mind. | 0:09:11 | 0:09:14 | |
Hello? | 0:09:14 | 0:09:16 | |
Pops, it's me. Will you just call me back, all right? | 0:09:16 | 0:09:21 | |
One minute, my day's going great, | 0:09:21 | 0:09:23 | |
next minute I've got the Carters mob-handed at the door! | 0:09:23 | 0:09:25 | |
Just calm down and tell me why. | 0:09:25 | 0:09:26 | |
-They said I had something to do with Lucy's murder! -What?! | 0:09:26 | 0:09:29 | |
DOOR CLOSES | 0:09:29 | 0:09:30 | |
The front door was wide open. | 0:09:30 | 0:09:32 | |
Anyone could have walked in. | 0:09:32 | 0:09:34 | |
How are you feeling? | 0:09:34 | 0:09:36 | |
Erm, yeah, yeah, I'm fine. Denny wants another DVD. | 0:09:36 | 0:09:39 | |
-Do you want another painkiller? -Stop fussing. | 0:09:39 | 0:09:42 | |
Jay, Jay, put the kettle on, will you? Billy, go with him. | 0:09:43 | 0:09:46 | |
You look tired. | 0:09:50 | 0:09:52 | |
Well, I don't know how. I've hardly lifted a finger for weeks. | 0:09:52 | 0:09:55 | |
Look, Phil, just keep the doors locked, eh? It's better to be careful. | 0:09:56 | 0:09:59 | |
Sharon, you're safe, all right? I promise you. | 0:09:59 | 0:10:02 | |
Like I said, I'm fine. It's just common sense. | 0:10:02 | 0:10:05 | |
Just call me if you need anything, yeah? | 0:10:05 | 0:10:08 | |
Yeah. | 0:10:08 | 0:10:09 | |
Why the hell would they accuse you of murdering Lucy? | 0:10:17 | 0:10:21 | |
-Well, answer the question. -All right, all right! | 0:10:22 | 0:10:25 | |
The night she died... | 0:10:27 | 0:10:29 | |
..she caught me nicking fish from the chippy. | 0:10:30 | 0:10:34 | |
She threatened to tell Ian so we had this blazing row and... | 0:10:34 | 0:10:38 | |
well, I thought no-one else knew, but then... | 0:10:38 | 0:10:40 | |
Lee Carter says that he seen us arguing. | 0:10:40 | 0:10:43 | |
Did he hear what the row was about? | 0:10:43 | 0:10:45 | |
-You sure? -Yeah, I'm...positive. | 0:10:46 | 0:10:48 | |
What did you tell him? | 0:10:49 | 0:10:50 | |
I just made up some story about her giving me grief | 0:10:50 | 0:10:53 | |
about having to wait for her chips. | 0:10:53 | 0:10:55 | |
Did he believe you? | 0:10:55 | 0:10:57 | |
-Ain't much of a story. -I didn't have time to think, you know? | 0:10:57 | 0:11:00 | |
Well, it's just your word against Lee's, ain't it? | 0:11:01 | 0:11:03 | |
Keep your mouth shut about the stolen fish, | 0:11:03 | 0:11:05 | |
you've got nothing to worry about. | 0:11:05 | 0:11:07 | |
Well, is there something else? | 0:11:09 | 0:11:10 | |
Spit it out, will ya? | 0:11:10 | 0:11:12 | |
I had a key... | 0:11:16 | 0:11:18 | |
to Tina's flat. | 0:11:18 | 0:11:19 | |
A spare key, I had it from Butcher's Joints. | 0:11:19 | 0:11:22 | |
Don't tell us you was in there, please. | 0:11:22 | 0:11:25 | |
Well, were you? | 0:11:25 | 0:11:27 | |
Billy, tell us the facts, come on! | 0:11:28 | 0:11:31 | |
I was rigging the switchboard. | 0:11:31 | 0:11:33 | |
I was running our leccy off of their meter. | 0:11:33 | 0:11:37 | |
Tina caught me in there the other day red-handed. Now they all think I was in the flat the night Lucy died. | 0:11:37 | 0:11:41 | |
Jay... | 0:11:41 | 0:11:43 | |
..get lost for a minute, will you? | 0:11:44 | 0:11:46 | |
Just do it. | 0:11:48 | 0:11:49 | |
So what happened after the row? | 0:11:59 | 0:12:00 | |
Nothing. She took off. | 0:12:01 | 0:12:03 | |
Billy, if you're hiding something, I need to know. | 0:12:03 | 0:12:05 | |
Are you seriously asking me if I killed her?! | 0:12:05 | 0:12:08 | |
-You said she threatened to go to Ian. -Yes, but, Phil... | 0:12:08 | 0:12:12 | |
I know, I know how much you need that job. | 0:12:12 | 0:12:15 | |
You seriously think I'd kill a young girl for a poxy job at a chippy?! | 0:12:15 | 0:12:18 | |
Come on, Phil! | 0:12:20 | 0:12:22 | |
I know I've done a lot of bad things in my time, but I'm not a killer! | 0:12:22 | 0:12:25 | |
What about Lee? Did he say...? Did he say anything else before he left? | 0:12:28 | 0:12:31 | |
Do you think he would have gone straight to the old bill? | 0:12:31 | 0:12:34 | |
Not sure. I've only just chucked 'em out, ain't I? | 0:12:34 | 0:12:36 | |
Where you going? | 0:12:40 | 0:12:41 | |
To the Vic. | 0:12:41 | 0:12:43 | |
See if I can't sort out your mess. | 0:12:43 | 0:12:45 | |
Well, this was worth it(!) | 0:13:02 | 0:13:04 | |
Well, there's only so many times I can say "sorry", Lauren. | 0:13:04 | 0:13:08 | |
-I know. I just want you to mean it. -Yeah, and I do mean it. | 0:13:08 | 0:13:10 | |
I came to see you earlier to talk about it, and you just... | 0:13:10 | 0:13:13 | |
You weren't bothered at all. | 0:13:13 | 0:13:14 | |
Yeah, well, I'm here now, all right? | 0:13:14 | 0:13:16 | |
That's all that matters. So, let's talk. | 0:13:16 | 0:13:18 | |
All right, fine. Er, why did you sleep with my best mate? | 0:13:18 | 0:13:20 | |
Cos I have not stopped thinking about it. | 0:13:21 | 0:13:24 | |
I keep thinking, you know, all the times she must've been lying to me. | 0:13:24 | 0:13:28 | |
Or sneaking around behind my back with you. | 0:13:28 | 0:13:31 | |
And I am still so angry with her! | 0:13:31 | 0:13:34 | |
Hi. Tea to go, please. | 0:13:34 | 0:13:37 | |
What do you want me to say, Lauren? | 0:13:39 | 0:13:41 | |
All right, it was wrong | 0:13:42 | 0:13:43 | |
-and it shouldn't have happened. -Well, why did it? | 0:13:43 | 0:13:46 | |
Because she was vulnerable. And I was weak. | 0:13:48 | 0:13:51 | |
She was messed up. And you were taking advantage. | 0:13:52 | 0:13:56 | |
Yeah, I couldn't help myself. | 0:13:56 | 0:13:58 | |
Do you know how disgusting that is? | 0:13:58 | 0:13:59 | |
Yes. All right, Lauren? I do. And... it ain't easy talking about it. | 0:13:59 | 0:14:03 | |
I just never thought about all the people it could hurt. | 0:14:05 | 0:14:08 | |
All you do is hurt people, though, Dad. | 0:14:08 | 0:14:11 | |
Mum. Bradley. | 0:14:11 | 0:14:14 | |
I mean, what kind of person sleeps with their son's girlfriend? | 0:14:14 | 0:14:16 | |
You ain't never going to change. | 0:14:22 | 0:14:24 | |
All you care about is yourself, Dad. | 0:14:24 | 0:14:27 | |
You're the most selfish person I've ever met. | 0:14:28 | 0:14:30 | |
Oh, cavalry's arrived. | 0:14:35 | 0:14:37 | |
-You been to the old bill? -Not yet. | 0:14:37 | 0:14:40 | |
I do hope you ain't come here to cause agg, Phil. | 0:14:40 | 0:14:43 | |
I ain't come here for any aggro here, mate. I ain't Billy's baby sitter either. | 0:14:43 | 0:14:46 | |
-Why are you here, then? -Billy told me what happened the night, | 0:14:46 | 0:14:49 | |
what REALLY happened the night that Lucy died. | 0:14:49 | 0:14:51 | |
He said that you lot came on a bit heavy. | 0:14:51 | 0:14:53 | |
And, well, he panicked. Didn't know what to say. | 0:14:53 | 0:14:56 | |
But what really happened is, the night that Lucy died, | 0:14:56 | 0:15:01 | |
she gave it the big I am. | 0:15:01 | 0:15:03 | |
Went in the chippy. Tried to take some money out the till. | 0:15:03 | 0:15:05 | |
-Why would she do that? -Got no idea. | 0:15:05 | 0:15:08 | |
Billy don't know either. | 0:15:08 | 0:15:09 | |
Maybe she wanted some coke or something like that. | 0:15:09 | 0:15:12 | |
Anyway, Billy was worried that he was going to get the blame | 0:15:12 | 0:15:15 | |
for the money going out the till. So he stopped her. | 0:15:15 | 0:15:17 | |
She flipped, and he slung her out. | 0:15:17 | 0:15:19 | |
-So why didn't he tell us that in the first place? -Cos he's stupid. | 0:15:19 | 0:15:23 | |
Yeah. You're not wrong. | 0:15:23 | 0:15:24 | |
Anyway, if you do go to the old bill, | 0:15:24 | 0:15:26 | |
that's what he's going to tell 'em. | 0:15:26 | 0:15:28 | |
You got to ask yourself, is it worth it? | 0:15:28 | 0:15:31 | |
They found her blood in the kitchen, didn't they? | 0:15:42 | 0:15:45 | |
That's what I read. | 0:15:45 | 0:15:47 | |
So if you were messing about with wires... | 0:15:51 | 0:15:53 | |
..then that's where your prints will be. | 0:15:55 | 0:15:58 | |
By the electric box. | 0:15:58 | 0:15:59 | |
So just tell them you went nowhere near the kitchen. | 0:16:00 | 0:16:03 | |
Where you going? Oi, Bill! | 0:16:08 | 0:16:10 | |
-I knew he was holding something back. -What if Phil's lying? | 0:16:16 | 0:16:19 | |
It fits, though. What Phil said about Lucy. It could easily explain what happened that night. | 0:16:19 | 0:16:23 | |
In that case, think about Ian. | 0:16:23 | 0:16:25 | |
You go to the police, word's bound to get out. | 0:16:25 | 0:16:27 | |
Does he really need to know his daughter was trying to steal from him the night she died? | 0:16:27 | 0:16:31 | |
Are you just going to stand there like a lemon? | 0:16:31 | 0:16:34 | |
Well, I don't know any more. | 0:16:34 | 0:16:36 | |
-Are you really that gullible? -Look, I've made my decision. | 0:16:36 | 0:16:38 | |
-Look, it's not worth it. -Lee! -Nance, just let it go. Please. | 0:16:40 | 0:16:43 | |
-I'll go to the police myself. -Listen to me, don't go dragging my boy | 0:16:43 | 0:16:46 | |
into this. He's made his decision. You're going to respect it. | 0:16:46 | 0:16:49 | |
Maybe Mick's right. What's it going to achieve? | 0:16:49 | 0:16:51 | |
As much as we believe Jake's innocent, I just think we're clutching at straws blaming Billy. | 0:16:51 | 0:16:56 | |
Can everyone just drop it, please? | 0:16:56 | 0:16:58 | |
Just let her cool off. | 0:17:02 | 0:17:04 | |
You OK? | 0:17:04 | 0:17:05 | |
-Usual? -Yeah, I want to ask you a favour first. | 0:17:11 | 0:17:14 | |
I'm having a photo shoot set up at Blades tomorrow. | 0:17:14 | 0:17:17 | |
-I wondered if you'd be a model. -Me?! | 0:17:17 | 0:17:18 | |
Yeah. Don't look so surprised. You'd be perfect. | 0:17:18 | 0:17:21 | |
Now's not really a good time, Dean. | 0:17:21 | 0:17:23 | |
What if I can't ever trust you again? | 0:17:51 | 0:17:53 | |
Look, I know it ain't going to happen overnight, Lauren. | 0:17:53 | 0:17:56 | |
Look, I miss you. And Abi misses you. Tramp, he misses you. | 0:17:57 | 0:18:02 | |
Look, just one last chance, that's all I'm asking. OK? | 0:18:04 | 0:18:07 | |
-And you can move home any time you like. -Don't push it. | 0:18:09 | 0:18:13 | |
All right. I'll leave you to it, shall I? OK? | 0:18:16 | 0:18:19 | |
-Peter, listen, I'm really sorry, I just wanted to... -It's fine. It's fine, I understand. | 0:18:33 | 0:18:38 | |
-Really? -Yeah. I mean, he's your dad. What're you going to do? | 0:18:38 | 0:18:42 | |
You fancy the pub? My shout. | 0:18:44 | 0:18:46 | |
-Yeah, all right. -PHONE RINGS | 0:18:46 | 0:18:48 | |
-Everything all right? -Yeah. | 0:18:51 | 0:18:53 | |
DOOR CLOSES | 0:19:13 | 0:19:15 | |
What the hell are you doing? I swear to God, you come near me... | 0:19:21 | 0:19:24 | |
I was just bringing them back, OK? | 0:19:26 | 0:19:28 | |
Get out. | 0:19:30 | 0:19:31 | |
Lexi went out like a light. | 0:19:38 | 0:19:40 | |
Oh, wow! Who did this? | 0:19:40 | 0:19:43 | |
Oh, wow, who's that meant to be then? | 0:19:43 | 0:19:46 | |
-Oh! It's Billy and Les, isn't it? In their best bib and tucker. -Is it? | 0:19:46 | 0:19:51 | |
It's very good! | 0:19:51 | 0:19:52 | |
Erm, Pam, you couldn't do me a big favour, could you? | 0:19:53 | 0:19:57 | |
-I don't believe this! -What was I meant to do? Tie him to the chair? | 0:19:57 | 0:20:00 | |
Where've you been? | 0:20:02 | 0:20:04 | |
Well, anyway, I think I managed to get through to Lee, so... | 0:20:04 | 0:20:07 | |
all you've got to do is get a grip and sit tight, yeah? | 0:20:07 | 0:20:10 | |
-Well, don't say "thanks" or anything, will you(?) -I've blown it, Phil. | 0:20:13 | 0:20:16 | |
I'm, er, sorry if I was a bit off before. | 0:20:24 | 0:20:26 | |
I've been meaning to say... | 0:20:26 | 0:20:29 | |
all that stuff you heard last week, after my party, | 0:20:29 | 0:20:33 | |
do me a favour and keep it to yourself? | 0:20:33 | 0:20:35 | |
The kids don't know we ain't married... | 0:20:37 | 0:20:39 | |
No, course. | 0:20:39 | 0:20:40 | |
But that being said, one good turn does deserve another. | 0:20:41 | 0:20:45 | |
-How about that photo shoot? -My modelling days are long gone. | 0:20:46 | 0:20:49 | |
You actually modelled? You've definitely still got it. | 0:20:49 | 0:20:53 | |
And what would you know? | 0:20:53 | 0:20:54 | |
I know that some women get more stunning with age. Elle Macpherson, | 0:20:54 | 0:20:58 | |
-Cindy Crawford, Linda Carter... -SHE LAUGHS | 0:20:58 | 0:21:01 | |
I mean, what is it that grandad says? | 0:21:01 | 0:21:03 | |
"The older the berry, the sweeter the juice." | 0:21:03 | 0:21:05 | |
-Now I know what he meant! -If Mick hears you talking like that. | 0:21:07 | 0:21:09 | |
Oh, I've asked Lauren and Whitney as well. | 0:21:09 | 0:21:11 | |
You want me to pose with a couple of girls half my age? | 0:21:11 | 0:21:14 | |
-You've got to be joking. -Come on. | 0:21:14 | 0:21:16 | |
They've got nothing on you. You show 'em how it's done. | 0:21:16 | 0:21:18 | |
You would be doing me a massive, massive favour as well. | 0:21:18 | 0:21:21 | |
I've blown the budget on the photographer. | 0:21:21 | 0:21:23 | |
He's good. He's really good. | 0:21:23 | 0:21:25 | |
-Go on, then. -Yeah? | 0:21:26 | 0:21:29 | |
That's great! | 0:21:29 | 0:21:30 | |
I've just caught Billy in our kitchen. | 0:21:33 | 0:21:35 | |
-Doing what? -He said he was returning these... | 0:21:35 | 0:21:38 | |
Now, we go to the police. | 0:21:40 | 0:21:42 | |
-I back you up, don't I? I back you up and you make me look like a total mug. -It ain't like that! | 0:21:46 | 0:21:51 | |
If Sharon weren't upstairs I'd kick you round this kitchen. | 0:21:51 | 0:21:53 | |
-Please, listen to me, -Nah, nah, nah! You listen to me, yeah? | 0:21:53 | 0:21:56 | |
I want to know everything that happened the night Lucy died. | 0:21:56 | 0:21:58 | |
-I told you I didn't do it. -One! | 0:21:58 | 0:22:01 | |
One more lie out of you, and you - listen to me - you're on your own! | 0:22:01 | 0:22:04 | |
I swear to ya! I swear, I never touched her! | 0:22:04 | 0:22:08 | |
If my own family start doubting me, what's that lot out there going to think, eh? | 0:22:08 | 0:22:11 | |
-So what was you doing over there then? -Wiping prints. | 0:22:11 | 0:22:14 | |
Why? | 0:22:14 | 0:22:15 | |
Because I was in the kitchen as well. More than once. | 0:22:15 | 0:22:19 | |
I nicked the odd tin of beans, some eggs... | 0:22:20 | 0:22:22 | |
You are unbelievable. | 0:22:22 | 0:22:24 | |
My prints could be anywhere, couldn't they? | 0:22:24 | 0:22:26 | |
So what? | 0:22:26 | 0:22:27 | |
Billy, you are a world-class idiot, you know that? | 0:22:28 | 0:22:31 | |
The old bill would've dusted that place from top to bottom months ago. | 0:22:31 | 0:22:34 | |
They ain't going to go back now, are they? What was you thinking? | 0:22:34 | 0:22:37 | |
-I don't know. -Well, you might as well go and hand yourself in. -What? | 0:22:37 | 0:22:40 | |
Well, the Carters are bound to go to the old bill now, ain't they? | 0:22:40 | 0:22:44 | |
-What are you doing? -Calling Ritchie, that's what I'm doing. Calling Ritchie. | 0:22:44 | 0:22:48 | |
Calling her about what? | 0:22:48 | 0:22:51 | |
I'm a bit surprised to see you back here... | 0:23:06 | 0:23:08 | |
after what you might've heard in the cafe. | 0:23:08 | 0:23:10 | |
Who am I to judge? | 0:23:11 | 0:23:13 | |
I, erm, I don't want to come between you and your family, though. | 0:23:15 | 0:23:18 | |
Course you won't. | 0:23:18 | 0:23:20 | |
PHONE RINGS | 0:23:34 | 0:23:37 | |
I've just got to see who it is. | 0:23:37 | 0:23:40 | |
I've just got to see who it is. Just hold on. | 0:23:40 | 0:23:42 | |
What, is it work? | 0:23:47 | 0:23:49 | |
-You ever feel like life's just passing you by? -All right, grandad! | 0:24:03 | 0:24:07 | |
Just I had plans. Inca trail. Great Barrier reef. Not... | 0:24:07 | 0:24:12 | |
shacked up in some dingy flat up to my eyes in nappies. | 0:24:12 | 0:24:15 | |
Well, at least you don't live with your nan. | 0:24:15 | 0:24:18 | |
-What is up? -Nothing. I just thought I'd have more to look forward to. | 0:24:20 | 0:24:25 | |
That's more like it. | 0:24:27 | 0:24:29 | |
-I'd better go. -Wait! | 0:24:31 | 0:24:34 | |
I can't let this one go. | 0:24:34 | 0:24:37 | |
It's a bit late in the day, though, now, eh? Go tomorrow instead. | 0:24:37 | 0:24:39 | |
Why, so you can talk him out of it? | 0:24:39 | 0:24:41 | |
Tosh. I'll go to the police first thing in the morning. I promise. | 0:24:41 | 0:24:44 | |
He'll be OK. | 0:24:46 | 0:24:47 | |
I was struggling. | 0:24:49 | 0:24:51 | |
Having an extra mouth to feed. | 0:24:52 | 0:24:54 | |
No, I believe you, Pops. It'll be all right anyway, won't it, Phil? | 0:24:54 | 0:24:58 | |
The police will see that he didn't kill her, right? | 0:24:58 | 0:25:00 | |
KNOCK AT DOOR | 0:25:00 | 0:25:02 | |
I'm sorry, Lo. | 0:25:09 | 0:25:11 | |
I've let you down. | 0:25:12 | 0:25:13 | |
You, Janet, Lexi. | 0:25:14 | 0:25:19 | |
No, you wouldn't have got yourself into this mess if... | 0:25:19 | 0:25:23 | |
if I'd have been bringing money in. | 0:25:23 | 0:25:25 | |
Hey, no, no, no. Don't be silly. | 0:25:25 | 0:25:29 | |
All right? Don't you ever think like that. | 0:25:30 | 0:25:34 | |
Jay, go stick the telly on. Lola, go with him. | 0:25:37 | 0:25:40 | |
Go on. It's all right. | 0:25:42 | 0:25:44 | |
This is bread and butter stuff for Ritchie. | 0:25:45 | 0:25:47 | |
I haven't a clue. | 0:25:59 | 0:26:01 | |
She asked me to mind the girls and off she went. | 0:26:01 | 0:26:04 | |
-Eh? -SHE CHUCKLES | 0:26:06 | 0:26:08 | |
He's not here either! | 0:26:08 | 0:26:10 | |
Oh, yes. | 0:26:11 | 0:26:14 | |
Oh, Janet's been as good as gold. | 0:26:14 | 0:26:18 | |
Well, she's fast asleep now. | 0:26:18 | 0:26:20 | |
-CUP SMASHES -Oh, fiddlesticks!... | 0:26:20 | 0:26:23 | |
No, I'm fine. I just broke a cup. | 0:26:23 | 0:26:25 | |
I'll call you back, Les. | 0:26:27 | 0:26:29 | |
Oh, Pamela! | 0:26:29 | 0:26:31 | |
Cards on the table, it doesn't look good. | 0:27:06 | 0:27:09 | |
OK, so I was in the flat, right. | 0:27:09 | 0:27:10 | |
There's no denying that. But why would they think I'd be in there with Lucy? I mean, it don't make sense. | 0:27:10 | 0:27:16 | |
What if she was never in the flat? | 0:27:16 | 0:27:18 | |
But they found her blood and her earring. | 0:27:18 | 0:27:20 | |
You had a key. They could accuse you of putting them there to frame Jake. | 0:27:20 | 0:27:25 | |
HE SCOFFS That's ridiculous! | 0:27:25 | 0:27:28 | |
What, you don't think they'd stitch you up? | 0:27:28 | 0:27:30 | |
-But, Jake... -Jake was so off his head the night Lucy died | 0:27:30 | 0:27:33 | |
he could hardly stand up. They stitched him up. | 0:27:33 | 0:27:36 | |
You don't think they'd do it to you? | 0:27:36 | 0:27:38 | |
They can't pin this one on me. | 0:27:38 | 0:27:41 | |
For once in my life I got too much to lose. | 0:27:41 | 0:27:44 | |
I've got a family to look after. | 0:27:44 | 0:27:46 | |
And what about Janet, eh? | 0:27:46 | 0:27:48 | |
I've only just got her back. What happens to her if I go down? | 0:27:48 | 0:27:50 | |
-What about the key? Could anyone else have got hold of it? -No. | 0:27:50 | 0:27:54 | |
No-one else knew about it. Was only me. | 0:27:54 | 0:27:56 | |
You're not the only one who lives in the flat, though, are you? | 0:27:59 | 0:28:02 | |
There's Peter. | 0:28:04 | 0:28:06 | |
I think I'll leave you just for a minute. | 0:28:09 | 0:28:12 | |
I don't get it. | 0:28:22 | 0:28:24 | |
What about Peter? | 0:28:27 | 0:28:30 | |
You could say... | 0:28:30 | 0:28:32 | |
that he knew about the key. | 0:28:32 | 0:28:36 | |
I mean, he could've got his hands on it the night that... | 0:28:36 | 0:28:39 | |
that Lucy was killed. Couldn't he? | 0:28:39 | 0:28:42 | |
That's sick. | 0:28:42 | 0:28:44 | |
Don't you think that poor kid's been through enough already? | 0:28:44 | 0:28:47 | |
Well, the way I see it is that Peter... | 0:28:47 | 0:28:50 | |
Peter... | 0:28:50 | 0:28:52 | |
he's your only way out. | 0:28:52 | 0:28:54 | |
It's either him...or you. | 0:28:54 | 0:28:58 |