Browse content similar to 15/07/2014. Check below for episodes and series from the same categories and more!
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'Of course I'm listening to you, darling. | 0:00:39 | 0:00:41 | |
'I haven't missed a word that's come out that lovely | 0:00:41 | 0:00:43 | |
'little mouth of yours since 1992.' | 0:00:43 | 0:00:47 | |
-Are you nervous? -Nah. | 0:00:47 | 0:00:49 | |
'Don't get trappy with me. Mick Carter, and don't walk away when I'm talking to you!' | 0:00:49 | 0:00:53 | |
This is what living in a broken home feels like. | 0:00:53 | 0:00:56 | |
Any of you seen my car keys? | 0:00:56 | 0:00:58 | |
And you're 100% sure this won't make him a suspect? | 0:00:58 | 0:01:00 | |
Just go to your photo shoot, get your hair done, | 0:01:00 | 0:01:02 | |
have a giggle with the girls... | 0:01:02 | 0:01:04 | |
-I'm gonna do that while our son's being questioned(!) -Dad, shall we just go? | 0:01:04 | 0:01:07 | |
Yeah, please Lee. Please. | 0:01:07 | 0:01:08 | |
We ain't decided yet! | 0:01:08 | 0:01:09 | |
Mum, I'm going, all right? Everything'll be OK. | 0:01:09 | 0:01:12 | |
KNOCKING | 0:01:12 | 0:01:13 | |
Who's that? | 0:01:13 | 0:01:16 | |
KNOCKING CONTINUES | 0:01:16 | 0:01:18 | |
All right! All right, all right! | 0:01:20 | 0:01:23 | |
You'll have the glass in! | 0:01:23 | 0:01:24 | |
Has he done it yet? | 0:01:28 | 0:01:30 | |
No. | 0:01:30 | 0:01:31 | |
Well, don't. | 0:01:31 | 0:01:33 | |
If this don't come from Billy, it ain't going to look good, is it? | 0:01:33 | 0:01:35 | |
Should have owned up himself, then, shouldn't he? | 0:01:35 | 0:01:37 | |
-Hear him out. -He'll do it now. | 0:01:37 | 0:01:39 | |
All right? I'll go round there and we'll call 'em. | 0:01:39 | 0:01:41 | |
Is this cos Billy got caught in the flat? Cos that don't look good, does it? | 0:01:41 | 0:01:45 | |
No, it don't look good. And he's an idiot. But he's innocent. | 0:01:45 | 0:01:47 | |
I'm trying to find a way that works for everyone. | 0:01:47 | 0:01:49 | |
And how does this work for us? | 0:01:49 | 0:01:51 | |
Well, we'll keep Lee's name out of it. | 0:01:51 | 0:01:53 | |
I mean, changing a statement - that don't look good, either, does it? | 0:01:53 | 0:01:57 | |
If it means you don't have to go in... | 0:01:57 | 0:01:59 | |
This is on you, son. | 0:02:01 | 0:02:03 | |
An hour. This has got to come from Billy. | 0:02:03 | 0:02:06 | |
I should not have stayed the night. | 0:02:15 | 0:02:17 | |
That's all right - Abi ain't back till later. | 0:02:17 | 0:02:19 | |
-It's the people out there I'm worried about. -It's all right. | 0:02:19 | 0:02:21 | |
We'll just put a jacket over your head, you know, people leaving court, they have a... | 0:02:21 | 0:02:26 | |
Have your breakfast, at least. | 0:02:28 | 0:02:29 | |
I don't have time... Oh. | 0:02:29 | 0:02:32 | |
Bill, I've had a word with the Carters... | 0:02:45 | 0:02:47 | |
All right, Phil! | 0:02:47 | 0:02:49 | |
Who else would have a knock like that, eh? | 0:02:52 | 0:02:54 | |
Cuppa tea, Phil? | 0:02:54 | 0:02:56 | |
Shouldn't you be on the stall? | 0:02:59 | 0:03:01 | |
Did Dad send you? | 0:03:01 | 0:03:02 | |
Erm, Bill, can you tell Lo I've gone to work? | 0:03:02 | 0:03:05 | |
I'm sure she'd prefer it if you told her your... | 0:03:05 | 0:03:08 | |
The Carters have agreed to letting us make the call. | 0:03:11 | 0:03:14 | |
I'm not sure about this, Phil. | 0:03:15 | 0:03:17 | |
So what do you want to do - wait here, wait for the old bill to come and nick you? | 0:03:17 | 0:03:20 | |
-Sirens blazing an' all that? -No, but... | 0:03:20 | 0:03:22 | |
You want Janet to see that, do you? | 0:03:22 | 0:03:23 | |
No... Ritchie will protect me, right? | 0:03:23 | 0:03:28 | |
As long as you say what needs to be said. | 0:03:28 | 0:03:31 | |
Yeah, hello. Yeah, my name's Billy Mitchell. | 0:03:35 | 0:03:40 | |
I think I might have some information | 0:03:41 | 0:03:43 | |
about the murder of Lucy Beale. | 0:03:43 | 0:03:46 | |
It's been an hour. | 0:03:50 | 0:03:52 | |
As if he was going to go through with it anyway! | 0:03:52 | 0:03:56 | |
Well, he seemed confident, so... | 0:03:56 | 0:03:57 | |
I can't see Billy Mitchell standing up to him, somehow. | 0:03:57 | 0:04:00 | |
I don't see why it matters either way. | 0:04:00 | 0:04:02 | |
-I thought you was going to do the right thing? -Hold up. | 0:04:02 | 0:04:05 | |
Text from Phil. | 0:04:07 | 0:04:08 | |
It's done! The police are coming over later to interview him. | 0:04:10 | 0:04:14 | |
I don't have to go through with it? | 0:04:14 | 0:04:16 | |
Don't just walk off. | 0:04:16 | 0:04:17 | |
How do you know Billy's going to tell the truth? He's probably just going to lie again. | 0:04:17 | 0:04:21 | |
Well, I for one am going to keep the faith! | 0:04:21 | 0:04:23 | |
So, L - go and be a super model. | 0:04:23 | 0:04:25 | |
Nance - go and whack on a pair of manky shorts. | 0:04:25 | 0:04:28 | |
Lee - you're with me, bar duty. Come on! | 0:04:28 | 0:04:31 | |
He better not give us any weird hairdos. | 0:04:34 | 0:04:37 | |
I don't want any rank photos of us hanging round Walford. | 0:04:37 | 0:04:40 | |
Can you imagine? | 0:04:40 | 0:04:41 | |
Lauren? Back in the room? | 0:04:42 | 0:04:45 | |
Sorry. It's just, the car lot's still not open. | 0:04:45 | 0:04:50 | |
He's probably got someone round there, knowing him. | 0:04:50 | 0:04:52 | |
Oi! It's not even like that. | 0:04:52 | 0:04:54 | |
He was actually saying yesterday that he missed me. | 0:04:54 | 0:04:57 | |
You just want to forgive and forget | 0:04:57 | 0:04:59 | |
so that you don't have to spend another night with Cora snoring. | 0:04:59 | 0:05:01 | |
No. No, I don't forgive him! Not at all. | 0:05:01 | 0:05:04 | |
I dunno, he just seemed... he just seemed lonely. | 0:05:06 | 0:05:12 | |
There it is, look. Parsley. | 0:05:12 | 0:05:16 | |
You're right. It is a bit soon. | 0:05:16 | 0:05:18 | |
Yeah. Bit embarrassing, really. | 0:05:18 | 0:05:22 | |
You know you like someone when you start using garnish. | 0:05:22 | 0:05:24 | |
Oi! | 0:05:24 | 0:05:26 | |
You, um, you said Abi's back later. | 0:05:26 | 0:05:30 | |
Er, yeah. | 0:05:30 | 0:05:32 | |
She'll probably come in, dump her bag, then go straight to Jay's. | 0:05:32 | 0:05:38 | |
I'll be lucky if I get a peck on the cheek, to be honest. | 0:05:38 | 0:05:41 | |
Lauren'll come back too, you know? | 0:05:43 | 0:05:46 | |
I was just like that at her age. | 0:05:46 | 0:05:48 | |
Once she's made her point... | 0:05:48 | 0:05:50 | |
PHONE RINGS | 0:05:50 | 0:05:51 | |
Oh, sorry... | 0:05:51 | 0:05:53 | |
It's work. | 0:05:57 | 0:05:59 | |
Summerhayes? | 0:05:59 | 0:06:01 | |
No, no, I was just... | 0:06:05 | 0:06:07 | |
No. No, I don't have a problem, I just... | 0:06:10 | 0:06:14 | |
Irving's been replaced, and, er... | 0:06:21 | 0:06:25 | |
My God, my new guvnor has hated me since we got our shoulder numbers. | 0:06:25 | 0:06:30 | |
Why have they got rid of him? | 0:06:30 | 0:06:32 | |
I can't say...but, um... | 0:06:32 | 0:06:34 | |
I've got to go. | 0:06:34 | 0:06:36 | |
All right. See you later. | 0:06:36 | 0:06:38 | |
Bye. | 0:06:38 | 0:06:39 | |
41 minutes late on his first day. | 0:06:53 | 0:06:56 | |
And it's only three from his flat to our door, Birdie. | 0:06:56 | 0:06:58 | |
I'm sure there's an explanation, Les. | 0:06:58 | 0:07:01 | |
Yeah(!) | 0:07:01 | 0:07:02 | |
RINGING | 0:07:07 | 0:07:09 | |
I wanna hear it. You heard Ritchie, you've got no choice. | 0:07:09 | 0:07:12 | |
-Lola's in. -If you can't convince me, you've got no chance of convincing the old bill, have you? | 0:07:12 | 0:07:16 | |
-Phil, I know what I've got to say, all right? -Well, then say it! | 0:07:16 | 0:07:19 | |
Lola is in the bedroom, all right! | 0:07:19 | 0:07:20 | |
-Well, then, maybe Lola ought to hear it. -What?! | 0:07:20 | 0:07:23 | |
-Lola! Get out here! -What you doing!? | 0:07:23 | 0:07:25 | |
If the old bill are going to question her, she needs to know what to tell 'em, don't she? | 0:07:25 | 0:07:29 | |
-Lola! -All right! What's all the shouting about!? | 0:07:29 | 0:07:31 | |
I'm trying to get Lexi to sleep in here, you know. | 0:07:31 | 0:07:34 | |
Billy's got something to tell you. | 0:07:34 | 0:07:36 | |
What? | 0:07:36 | 0:07:37 | |
-Is it about yesterday? -Yeah. | 0:07:37 | 0:07:40 | |
The old bill are going to come and interview me about Lucy. | 0:07:40 | 0:07:44 | |
But they know it was just a row, right? | 0:07:44 | 0:07:46 | |
Yeah. But I've got to tell 'em about the key. | 0:07:46 | 0:07:50 | |
It seems only fair to point out that... | 0:07:52 | 0:07:56 | |
Peter had access to the flat as well. | 0:07:56 | 0:07:58 | |
You want to...you want to drag Peter into this? | 0:07:58 | 0:08:00 | |
Only to muddy the water. | 0:08:00 | 0:08:01 | |
Yeah, but I don't get it. What's it got to do with him? | 0:08:01 | 0:08:04 | |
The key was in this flat. I mean, he does live here. | 0:08:04 | 0:08:07 | |
Yeah, I know that, but he's never been up... | 0:08:07 | 0:08:10 | |
-Are you setting him up?! -No! No, we're not, Lo. | 0:08:10 | 0:08:13 | |
You said it would be fine, you said everything would be fine! | 0:08:13 | 0:08:15 | |
He's been in there, broken! You know that! | 0:08:15 | 0:08:18 | |
You've got to back Billy up on this. | 0:08:18 | 0:08:20 | |
He lies in there crying, night after night, and you want to go and make it ten times worse? | 0:08:20 | 0:08:23 | |
No-one wants this, Lo. He's a good kid! | 0:08:23 | 0:08:25 | |
But you're innocent, so why do you need to lie for?! | 0:08:25 | 0:08:27 | |
There's being innocent, and there's looking innocent, ain't there? | 0:08:27 | 0:08:30 | |
I don't know why I'm listening to this! We're supposed to be a family. | 0:08:30 | 0:08:34 | |
She'll come round. | 0:08:36 | 0:08:38 | |
I'm going to be late for work. | 0:08:40 | 0:08:42 | |
Make sure you're round mine by one o'clock, yeah? | 0:08:42 | 0:08:45 | |
-What's the problem? -It's just been a tough morning. | 0:08:54 | 0:08:57 | |
Listen. She ain't going to do it. | 0:08:57 | 0:09:00 | |
Right. | 0:09:00 | 0:09:01 | |
Can't you just find someone else? | 0:09:01 | 0:09:04 | |
Yeah. I'll have to... I'll have to make it work. | 0:09:04 | 0:09:06 | |
You're really tugging on my heart strings here. | 0:09:06 | 0:09:09 | |
It can't be that bad? | 0:09:09 | 0:09:10 | |
Well, you know, I've gone to town on this - photographer, stylist. I'm in for about two grand, Mick. | 0:09:10 | 0:09:15 | |
All right, all right. I'll have one more go, all right? | 0:09:15 | 0:09:18 | |
Beautiful. | 0:09:18 | 0:09:19 | |
I've said, conversation over. | 0:09:22 | 0:09:24 | |
Look, listen, baby... | 0:09:24 | 0:09:26 | |
It's just, the kid, he's got a lot riding on this. | 0:09:26 | 0:09:31 | |
Money, hopes and dreams, and you know... | 0:09:31 | 0:09:33 | |
-You remember them, don't you? -That's emotional blackmail. | 0:09:33 | 0:09:36 | |
-Is it working? -No! | 0:09:36 | 0:09:37 | |
I know who goes in that salon and it ain't mothers with three kids. | 0:09:37 | 0:09:40 | |
It's trendies with tattoos everywhere | 0:09:40 | 0:09:42 | |
-and their whole lives ahead of them. I'll look stupid! -Get in there, please! | 0:09:42 | 0:09:45 | |
Dean ain't going to let that happen. He's going to make you look beautiful. | 0:09:45 | 0:09:48 | |
Yeah, Mum. He's going to turn you into a proper hipster! | 0:09:48 | 0:09:51 | |
He'll get you a big pair of clompy shoes and a fixed gear bike. | 0:09:51 | 0:09:54 | |
You can shut your mouth an' all. You're going, for moral support. | 0:09:54 | 0:09:57 | |
Well, that's emotional blackmail again, isn't it? | 0:09:57 | 0:09:59 | |
He's a good kid. And he just wants his Auntie Linda's help. | 0:09:59 | 0:10:03 | |
OK. | 0:10:05 | 0:10:06 | |
-Yes? -Yeah, she's going to do it. She's going do it. | 0:10:07 | 0:10:10 | |
Thank you. And thank you. I promise... | 0:10:10 | 0:10:11 | |
-it'll be a day you remember. -It better be. | 0:10:11 | 0:10:14 | |
All right. Just go and enjoy yourself. Go on. | 0:10:14 | 0:10:19 | |
I must be mad. | 0:10:19 | 0:10:21 | |
You heard of knocking? | 0:10:25 | 0:10:27 | |
Been stood in your kitchen ages. | 0:10:29 | 0:10:31 | |
Yeah, well, I stayed in here for a reason. | 0:10:31 | 0:10:34 | |
How can you stitch Peter up, Phil, | 0:10:34 | 0:10:36 | |
when he took Lexi in as if she was his own? | 0:10:36 | 0:10:39 | |
When the old bill find out Billy had an argument with Lucy... | 0:10:39 | 0:10:43 | |
He was scared, weren't he? | 0:10:43 | 0:10:45 | |
..had access to her flat and still didn't say anything... | 0:10:45 | 0:10:48 | |
Yeah, well, we all had access! Are they going to start pointing the finger at me an' all? | 0:10:48 | 0:10:51 | |
..and with his criminal record, they'll take him to the cleaners. | 0:10:51 | 0:10:54 | |
On top of that, you know what people are like round here. | 0:10:54 | 0:10:57 | |
I don't care. Let 'em talk. | 0:10:57 | 0:10:59 | |
What, you think he'll still have a job with Ian Beale? | 0:10:59 | 0:11:02 | |
Eh? Or even at the undertakers, come to that? | 0:11:02 | 0:11:06 | |
No-one's going to want their Auntie Doris buried by | 0:11:06 | 0:11:08 | |
some suspected murderer, are they? | 0:11:08 | 0:11:10 | |
Peter's my boyfriend, Phil. | 0:11:10 | 0:11:12 | |
Well, you'd better work out what the most important thing is. | 0:11:14 | 0:11:18 | |
Your latest fella, or the man who took you in... | 0:11:18 | 0:11:22 | |
..like you was his own. | 0:11:23 | 0:11:25 | |
Hiya! You made it out, then. | 0:11:32 | 0:11:34 | |
You two look nice. | 0:11:36 | 0:11:38 | |
Yeah. Oh, he's a genius! Wait till he does you. | 0:11:38 | 0:11:41 | |
(Don't worry, they're going to look proper butters next to you.) | 0:11:41 | 0:11:45 | |
We're never going to get it looking this good at home, are we? | 0:11:45 | 0:11:47 | |
No, he's going to have to come round mine every morning. | 0:11:47 | 0:11:50 | |
No point in that, he might as well just stay round every night. | 0:11:50 | 0:11:54 | |
Can't believe a woman edits this! That's like gender cannibalism. | 0:11:54 | 0:11:58 | |
One day I'll get you in a lovely A-line dress. | 0:11:58 | 0:12:01 | |
Nah, you're all right. | 0:12:01 | 0:12:03 | |
Oi, Mum, if you're really not feeling this, | 0:12:03 | 0:12:05 | |
shall we go for a pint instead? | 0:12:05 | 0:12:06 | |
You just dragged me here, told me it would cheer me up! | 0:12:06 | 0:12:08 | |
No, you're right. Sorry, sorry. | 0:12:08 | 0:12:10 | |
You reckon this is going to be proper, then, or just Fats with a disposable? | 0:12:10 | 0:12:14 | |
Imagine! | 0:12:14 | 0:12:16 | |
They're here! Ladies, this is Ali, make-up, | 0:12:16 | 0:12:19 | |
her assistant, Gerard, and our wonderful photographer, Philip. | 0:12:19 | 0:12:23 | |
Let's have a look at you. | 0:12:23 | 0:12:24 | |
Oh! Very nice. Let's tuck it in at the sides a bit more, yeah? | 0:12:24 | 0:12:28 | |
Will someone get these girls a drink? | 0:12:28 | 0:12:29 | |
This is supposed to be a party! | 0:12:29 | 0:12:31 | |
Right, now, I want you to take your lead off Linda. | 0:12:31 | 0:12:33 | |
She used to be a professional model, | 0:12:33 | 0:12:35 | |
and I'm sure there's a lot you can learn off her. | 0:12:35 | 0:12:37 | |
Right, trouble, let's get you styled. | 0:12:37 | 0:12:39 | |
Thought it was your first day? | 0:12:51 | 0:12:53 | |
Oh, I weren't in the mood. | 0:12:53 | 0:12:57 | |
That's normal. It's work, isn't it? | 0:12:57 | 0:12:59 | |
That's why they have to pay you to do it. | 0:12:59 | 0:13:04 | |
What's up? | 0:13:04 | 0:13:05 | |
Nothing. Listen, I'm... | 0:13:05 | 0:13:06 | |
No, no. Tell me. | 0:13:06 | 0:13:07 | |
How comes I don't see you talking to Lola any more? | 0:13:10 | 0:13:14 | |
I mean, you don't even say goodbye in the mornings. | 0:13:14 | 0:13:17 | |
She walks past the stall like six times a day. | 0:13:17 | 0:13:20 | |
Yeah, but you used to give her a little kiss, didn't you? | 0:13:20 | 0:13:23 | |
Make a point of it. | 0:13:23 | 0:13:24 | |
What, and this is why you're sat up in here? | 0:13:24 | 0:13:27 | |
Well, it just seems like you don't want to be around any more. | 0:13:27 | 0:13:31 | |
Yeah, well, I can move out if you like, | 0:13:31 | 0:13:33 | |
if I'm bringing you down. | 0:13:33 | 0:13:35 | |
Don't be stupid. You know that would break Lola's heart. | 0:13:35 | 0:13:40 | |
Look, I help out round the flat. | 0:13:40 | 0:13:42 | |
I've been hassling Dean, trying to get her a job. | 0:13:42 | 0:13:46 | |
I'm always helping out with Lexi. | 0:13:46 | 0:13:48 | |
I'm sorry I don't always do it with a smile on my face, | 0:13:48 | 0:13:51 | |
but at least I'm there. | 0:13:51 | 0:13:52 | |
Yeah, you are. Look, I'm sorry. | 0:13:53 | 0:13:56 | |
I'm sorry that I came over. | 0:13:56 | 0:13:58 | |
You know that Jake's trial's just around the corner? | 0:13:58 | 0:14:04 | |
Peter...Pete... | 0:14:04 | 0:14:06 | |
Ever since you've come back, you've had something on your nut. | 0:14:11 | 0:14:14 | |
You've had the Army thing, you've had the Lucy thing. | 0:14:14 | 0:14:18 | |
All right? It's over now. | 0:14:18 | 0:14:20 | |
It don't feel like it. | 0:14:20 | 0:14:22 | |
Listen, you're a free man now, OK? | 0:14:24 | 0:14:27 | |
You've got your plumbing course coming up. | 0:14:27 | 0:14:29 | |
Excuse me while I wet myself in excitement. | 0:14:29 | 0:14:31 | |
Hold up. I thought you wanted to do the plumbing thing? | 0:14:31 | 0:14:34 | |
You don't want to stay on here. | 0:14:34 | 0:14:35 | |
Well, you've got Nancy to do that, haven't you? | 0:14:35 | 0:14:37 | |
Johnny's going to become Rumpole, | 0:14:37 | 0:14:39 | |
I'm going to sit there cultivating a massive Derby. | 0:14:39 | 0:14:42 | |
All right? I thought I know where we was all going. | 0:14:43 | 0:14:46 | |
You know? I thought I knew where you were going. | 0:14:46 | 0:14:48 | |
I don't know, I never have. | 0:14:48 | 0:14:50 | |
That's why I joined the Army - something to do. | 0:14:50 | 0:14:53 | |
All right, so plumbing's just something to do. | 0:14:53 | 0:14:56 | |
What you need is some fun. | 0:14:56 | 0:14:57 | |
Yes. | 0:14:58 | 0:15:00 | |
Yes, yes! So why don't we go to the salon? | 0:15:00 | 0:15:05 | |
We'll go and see your mother and Whitney. | 0:15:05 | 0:15:09 | |
No, no, no, no. She hates me. | 0:15:09 | 0:15:11 | |
She's got the hump. I don't blame her. | 0:15:11 | 0:15:14 | |
You chose her pal over her. | 0:15:14 | 0:15:15 | |
Treacles don't take too fondly to that. | 0:15:15 | 0:15:19 | |
I'm not going to push it, I'm just going to say to you now, | 0:15:19 | 0:15:21 | |
sometimes you've got to pick something and stick to it. | 0:15:21 | 0:15:25 | |
OK? Whether or not it's the right thing or not. Stop drifting. | 0:15:25 | 0:15:30 | |
It's a form of habit. | 0:15:31 | 0:15:33 | |
Now get that down you, liver. | 0:15:34 | 0:15:36 | |
It is such a shame to sit inside with Carol all night | 0:15:39 | 0:15:42 | |
-when your hair's done like this. -Yeah, I know. | 0:15:42 | 0:15:45 | |
We should at least go to the Vic. | 0:15:45 | 0:15:46 | |
Well, you'd better prepare to get monstrously chirpsed by my brother. | 0:15:46 | 0:15:49 | |
Yeah, he can try. | 0:15:49 | 0:15:50 | |
Oh, shut up, don't act like you don't fall for the chat! | 0:15:50 | 0:15:53 | |
You can talk! Your dad says, "Oh, I'm really lonely," and you go, | 0:15:53 | 0:15:56 | |
-"That's all right, I forgive you." -Oi! No. I said I ain't forgiven him yet. | 0:15:56 | 0:16:00 | |
Yeah, yet! | 0:16:00 | 0:16:01 | |
You get this close to the girls? | 0:16:01 | 0:16:03 | |
Yeah, course. It's my job. | 0:16:03 | 0:16:05 | |
Amazed you didn't get set upon. | 0:16:05 | 0:16:07 | |
Think they've got a bit of a crush. | 0:16:07 | 0:16:09 | |
Shut up. | 0:16:09 | 0:16:10 | |
Are you seeing anyone at the minute? | 0:16:10 | 0:16:12 | |
No-one special. | 0:16:12 | 0:16:13 | |
-I'll let 'em know. -You'll do no such thing. | 0:16:13 | 0:16:15 | |
You look beautiful, Linda. | 0:16:17 | 0:16:19 | |
Oh, come on, you're a lot worse than me. | 0:16:21 | 0:16:23 | |
You wait. She's going to be all over your brother like a rash. | 0:16:23 | 0:16:27 | |
No! He's not interested in me. He was interested in Lucy. | 0:16:27 | 0:16:30 | |
I know it sounds harsh, but he'd have got bored of her weeks ago. | 0:16:30 | 0:16:34 | |
And, I'm sorry, but he'll get bored of you an' all. | 0:16:34 | 0:16:37 | |
Just be warned. | 0:16:37 | 0:16:38 | |
Ladies and gentlemen, I give you... Linda C. | 0:16:39 | 0:16:43 | |
Pops! | 0:16:51 | 0:16:53 | |
There's our man. | 0:16:59 | 0:17:00 | |
And that's his granddaughter, Lola. | 0:17:01 | 0:17:05 | |
-Look, I know what you're going to say. -I think you should do it. | 0:17:05 | 0:17:08 | |
It's like Phil said, | 0:17:08 | 0:17:09 | |
you're just giving them more to think about, right? | 0:17:09 | 0:17:11 | |
It don't mean Peter's guilty any more than it means you are. | 0:17:11 | 0:17:15 | |
But he's your boyfriend, Lo. | 0:17:15 | 0:17:17 | |
Boyfriend? Pops, he hasn't spoken to me properly in ages. | 0:17:17 | 0:17:20 | |
He could just get up and leave me for all I know. | 0:17:20 | 0:17:22 | |
But you... | 0:17:22 | 0:17:24 | |
I can't lose you, Pops. I can't. | 0:17:24 | 0:17:26 | |
Come here. | 0:17:26 | 0:17:28 | |
Oi, you ain't going to lose me. | 0:17:28 | 0:17:31 | |
-I'm scared they're going to take you away. -They won't. All right? | 0:17:31 | 0:17:34 | |
Promise. then? Promise me you'll do it, please? | 0:17:34 | 0:17:38 | |
Guess we should go in. | 0:17:47 | 0:17:49 | |
Give him a chance to take his jacket off...get nervous. | 0:17:49 | 0:17:53 | |
I've met him a few times. He's well-known within the community. | 0:17:57 | 0:18:02 | |
He's liked as far as I can tell. | 0:18:02 | 0:18:04 | |
I don't want anything from the old investigation to cloud my thinking, | 0:18:05 | 0:18:10 | |
including any opinions you might have. | 0:18:10 | 0:18:12 | |
Ritchie. | 0:18:23 | 0:18:24 | |
Billy. How you doing? | 0:18:24 | 0:18:26 | |
You clear on what to say? | 0:18:26 | 0:18:28 | |
Yeah. Peter had access. I saw him with the keys. | 0:18:28 | 0:18:33 | |
And I saw him leaving the flat a couple of times. | 0:18:34 | 0:18:36 | |
KNOCKING | 0:18:36 | 0:18:37 | |
Try and look relaxed, will you? | 0:18:39 | 0:18:41 | |
Don't offer up unnecessary detail. Keep it simple, you'll be fine. | 0:18:42 | 0:18:47 | |
He's through there. | 0:18:47 | 0:18:48 | |
Miss Scott. | 0:18:52 | 0:18:54 | |
We were expecting DS Bryant. | 0:18:54 | 0:18:57 | |
What a nice surprise, then. | 0:18:57 | 0:18:59 | |
OK, well...DI Keeble, | 0:18:59 | 0:19:01 | |
this is my client, Billy Mitchell. | 0:19:01 | 0:19:04 | |
You've met DC Summerhayes. | 0:19:04 | 0:19:06 | |
Yeah. | 0:19:06 | 0:19:07 | |
Thank you for seeing us away from the station. | 0:19:08 | 0:19:11 | |
We hear you might have something to tell us about Lucy Beale? | 0:19:11 | 0:19:16 | |
Yeah, um... See, I... | 0:19:16 | 0:19:19 | |
I might have... | 0:19:20 | 0:19:22 | |
..I did have an argument with her the night she died. | 0:19:24 | 0:19:28 | |
Why are they wearing all that make-up? | 0:19:35 | 0:19:38 | |
Hang on, Ugly Betty speaks. What's the matter, cuz? | 0:19:38 | 0:19:40 | |
Nah, I'm just saying that if what you're selling is haircuts, | 0:19:40 | 0:19:43 | |
well, I don't understand why they have to be covered in slap with all that skin on show. | 0:19:43 | 0:19:47 | |
What if I got involved as well, huh? Make you feel better? | 0:19:47 | 0:19:50 | |
Here, budge over! | 0:19:50 | 0:19:51 | |
Honestly, Nance, you've got to lose the chip. | 0:19:51 | 0:19:54 | |
It's just good, clean family fun. | 0:19:54 | 0:19:58 | |
Lucy said that she was going tell her dad about me taking the fish | 0:20:02 | 0:20:06 | |
and that I'd get the sack probably. | 0:20:06 | 0:20:09 | |
Then she left and... | 0:20:10 | 0:20:13 | |
and I never saw her again. | 0:20:13 | 0:20:15 | |
Why didn't you tell us sooner? | 0:20:17 | 0:20:20 | |
That's not all. | 0:20:20 | 0:20:21 | |
I, er...I also had a spare key to the flat upstairs. | 0:20:23 | 0:20:29 | |
Had a spare key? | 0:20:30 | 0:20:32 | |
Yeah... | 0:20:32 | 0:20:33 | |
When I realised I was going to be talking to you, I thought, | 0:20:35 | 0:20:38 | |
what with the argument over the fish and the spare key, | 0:20:38 | 0:20:43 | |
that you might stitch me up. | 0:20:43 | 0:20:46 | |
We're not in the business of stitching people up. | 0:20:46 | 0:20:49 | |
Yeah, but you don't think like that, do you? I panicked. | 0:20:49 | 0:20:53 | |
I put it back in the flat. | 0:20:54 | 0:20:56 | |
Did anyone else have access to this key? Your family, maybe? | 0:20:58 | 0:21:04 | |
No. | 0:21:13 | 0:21:14 | |
No, I, erm, I kept it on my key ring. | 0:21:15 | 0:21:18 | |
Nobody else knew about it. | 0:21:20 | 0:21:21 | |
-These are amazing. -Yeah, I know. Profile pictures, all of them. | 0:21:30 | 0:21:33 | |
-Come and have a look, Lind! -Might wait for the prints. | 0:21:33 | 0:21:35 | |
Fair enough. Right, what we having, girls? My treat. | 0:21:35 | 0:21:38 | |
-No! This one's on us, innit? -Hm. | 0:21:38 | 0:21:39 | |
To say thanks. It's been such a nice day! | 0:21:39 | 0:21:41 | |
Besides, I think the landlady can throw in a free bottle for his troubles. | 0:21:41 | 0:21:45 | |
And that, Lee, is how you get the keg in the cellar, you know what I mean? | 0:21:45 | 0:21:48 | |
Shut up! We've not even had a delivery! | 0:21:48 | 0:21:50 | |
-Busted! -Er, excuse me! Have you not noticed something different? | 0:21:50 | 0:21:54 | |
Oh, the hair! Look at it! | 0:21:54 | 0:21:59 | |
Oi, Maestro, that is the business! | 0:21:59 | 0:22:01 | |
No. I've got to give it to you, cuz. She does look amazing. | 0:22:01 | 0:22:03 | |
The rubber stamp from Germaine Greer! I can die a happy man. | 0:22:03 | 0:22:06 | |
Shut up! | 0:22:06 | 0:22:07 | |
You look gorgeous! | 0:22:07 | 0:22:09 | |
No time like the present, son. What's the matter with you? Get involved. | 0:22:09 | 0:22:14 | |
You look bang tidy today. | 0:22:14 | 0:22:15 | |
I always look bang tidy. Don't I? | 0:22:15 | 0:22:17 | |
Today. Every day, the next day. | 0:22:17 | 0:22:19 | |
Easy, easy - this is turning into a relationship! | 0:22:19 | 0:22:22 | |
Oh, Lee, do you know what - you'd be so lucky. | 0:22:22 | 0:22:24 | |
Grab a glass, everyone! | 0:22:24 | 0:22:27 | |
To Dean! | 0:22:27 | 0:22:28 | |
To the best hairdresser in the world! | 0:22:29 | 0:22:32 | |
Yeah, to the strongest canister on the Square! | 0:22:32 | 0:22:36 | |
Cheers! | 0:22:36 | 0:22:37 | |
Well, thank you, Mr Mitchell. You've been helpful. | 0:22:40 | 0:22:43 | |
We'll have to call you in to make a formal statement, | 0:22:43 | 0:22:46 | |
so don't go running off. | 0:22:46 | 0:22:49 | |
Well, I think it's safe to say you've put yourself front | 0:22:57 | 0:23:00 | |
and centre of their enquiry. | 0:23:00 | 0:23:03 | |
Do you, er...do you want to tell me what happened there? | 0:23:03 | 0:23:06 | |
I couldn't drop him in it, Phil. Not to save myself. | 0:23:06 | 0:23:10 | |
I ain't like you. | 0:23:11 | 0:23:13 | |
You what? | 0:23:13 | 0:23:14 | |
If I'd said his name...him and Lola, they've already got problems. | 0:23:15 | 0:23:21 | |
He'd leave. | 0:23:21 | 0:23:23 | |
That might not mean that much to you, but that's my family in that flat. | 0:23:24 | 0:23:28 | |
While Peter's living there, well, he's as good as mine. | 0:23:28 | 0:23:31 | |
And it should be the same to you. | 0:23:31 | 0:23:33 | |
Got one thing to say to you, Billy - you're a total mug. | 0:23:34 | 0:23:39 | |
No, I ain't. Cos I just done the right thing. | 0:23:39 | 0:23:42 | |
And you know what, I can walk out of here with my head held high. | 0:23:42 | 0:23:46 | |
And that's exactly what I'm going to do. | 0:23:49 | 0:23:51 | |
Yes, the key's back in the flat, according to Mr Mitchell. | 0:23:58 | 0:24:01 | |
OK. Meet me there in ten. | 0:24:01 | 0:24:04 | |
Albert Square doesn't change. It's still full of liars. | 0:24:08 | 0:24:13 | |
What do you mean? | 0:24:13 | 0:24:15 | |
You didn't get an inkling one of Mr Beale's own employees | 0:24:15 | 0:24:18 | |
was holding all that back? | 0:24:18 | 0:24:19 | |
-Well, he didn't do anything to... -Oh, come on, Emma! You're supposed to be our eyes here. | 0:24:19 | 0:24:24 | |
You give this lot a chance, they'll run rings around you. | 0:24:24 | 0:24:28 | |
Do better. | 0:24:28 | 0:24:30 | |
Peter. How you doing? | 0:24:37 | 0:24:40 | |
You going to pay for that? | 0:24:41 | 0:24:43 | |
Hm-mm. Look... | 0:24:43 | 0:24:45 | |
I spoke to Lola, and I'm going to cook dinner tonight. | 0:24:46 | 0:24:48 | |
Great. Yeah. I appreciate that. Sure she will an' all. | 0:24:48 | 0:24:51 | |
-Billy? -Mrs Coker! | 0:24:51 | 0:24:54 | |
I'm so sorry about today. Is Mr Coker mad at me? | 0:24:54 | 0:24:58 | |
-He was ever so upset with you, Billy. -Yeah, yeah. | 0:24:58 | 0:25:00 | |
So am I. I found this in your kitchen. | 0:25:00 | 0:25:04 | |
I was going to show it to Les, but maybe you've got an explanation? | 0:25:04 | 0:25:08 | |
-Yeah, yeah, of course I have. Do you fancy having a cup of tea? -Yes. | 0:25:08 | 0:25:12 | |
Two teas, please, Marie. Here you are, look. | 0:25:16 | 0:25:20 | |
I've dressed more than I can count, Billy. Most you forget. | 0:25:28 | 0:25:33 | |
Faces in a crowd. But the ones that go before their time... | 0:25:33 | 0:25:37 | |
I shall never forget Lucy. | 0:25:38 | 0:25:41 | |
Such a pretty girl. | 0:25:41 | 0:25:43 | |
Have you shown these to anyone? | 0:25:45 | 0:25:47 | |
Not yet. | 0:25:47 | 0:25:48 | |
Good. | 0:25:48 | 0:25:50 | |
Cos the thing is... | 0:25:51 | 0:25:54 | |
they're Peter's. | 0:25:54 | 0:25:57 | |
Peter's? | 0:25:57 | 0:25:59 | |
I hid them cos all he does is look at them, Pam. | 0:25:59 | 0:26:03 | |
We'll be watching telly and he'll be flicking through... | 0:26:03 | 0:26:07 | |
Of course they're Peter's. What was I thinking? | 0:26:07 | 0:26:10 | |
I could see what it was doing to Lola, so I hid 'em. | 0:26:10 | 0:26:14 | |
Anyway, Peter went mental. Tore the flat apart. | 0:26:14 | 0:26:18 | |
Did more harm than good. | 0:26:18 | 0:26:20 | |
Give them back to him, Billy. Let him grieve, however he needs to. | 0:26:22 | 0:26:28 | |
Yeah, yeah, I will. | 0:26:28 | 0:26:31 | |
And listen, tell Les I'll be in as soon as I've sorted all this out. | 0:26:31 | 0:26:34 | |
I will. | 0:26:34 | 0:26:35 | |
And Pat...I won't tell Peter that you took them. | 0:26:35 | 0:26:40 | |
Keep it our secret. | 0:26:40 | 0:26:41 | |
Oh...right. | 0:26:41 | 0:26:44 | |
I'll have to get you your own drawer at this rate. | 0:26:54 | 0:26:57 | |
I'm not staying. | 0:26:57 | 0:26:59 | |
It's all right. Abi ain't back for another couple of hours. | 0:26:59 | 0:27:01 | |
-I'm not worried about Abi. -Well, Lauren's hardly gonna show, is she? | 0:27:01 | 0:27:05 | |
I don't want to meet your kids, Max! | 0:27:05 | 0:27:07 | |
My new boss has just laid into me. She reckons I've been negligent. | 0:27:08 | 0:27:11 | |
All right. Well, you'll win her round. | 0:27:11 | 0:27:13 | |
Yeah, but she's right, though, isn't she?! All this sneaking around! | 0:27:13 | 0:27:16 | |
You can see Ian Beale's house from your front door! | 0:27:16 | 0:27:18 | |
-You're just getting worked up. -Yeah, with good reason! | 0:27:18 | 0:27:22 | |
Look, I'm sorry, Max, | 0:27:22 | 0:27:23 | |
but I've come to tell you that I can't see you any more. | 0:27:23 | 0:27:27 | |
I'm sorry. | 0:27:28 | 0:27:30 |