24/11/2015 EastEnders


24/11/2015

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Transcript


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What are you doing? Why have we stopped?

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What do you want with me?

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Can you please just tell me what this is about?

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We've got her.

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Where are you going?

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Get off me.

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Don't make this any harder on yourself.

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You can't just leave me here!

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LINDA SIGHS

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All right?

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Ah... Stocking up, I see?

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What you talking about?

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I wouldn't worry if I were you,

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I think he brings his own baby oil. So...

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Sorry?

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What, you don't know? I thought Sharon would've cleared it with you.

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-A stripper?

-Yeah - full package!

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-Right - that's it!

-Mum, I'm joking!

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I wish I'd never agreed to this stupid hen do!

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What?

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Since when did Linda Carter not want an excuse to dress up?

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I wanted something classy!

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You know, like a meal out or a trip to a show.

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But oh, no - I've got to be out there, everyone looking at me.

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What? What's wrong with that?

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I just don't want to be the centre of attention, that's all.

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I'm sorry, this is coming from the woman who sang karaoke at a wake?

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That's different.

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That was a very moving tribute to a much-loved punter.

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Yes - yes, it was.

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Oh, yeah, look, Mum -

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tomorrow's supposed to be your special night with the girls.

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They're all coming because they care about you.

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You can't worry about what anyone else thinks,

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you just got to enjoy yourself.

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Surely you've always wanted a proper hen do?

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And you definitely deserve it.

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I think you'll find my rendition of My Way had the widow in tears.

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Yeah...but maybe not for the right...reasons.

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-SHARON:

-I can't believe you did this.

-Come on, come on.

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PHONE RINGS

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First time in months I start to feel settled.

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-Turns out I'm living with a killer.

-Don't be ridiculous.

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Well, apparently she's murdered a man!

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Not without good reason, I'm sure.

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I think I'm going to shoot off, all right?

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-You're going?

-I'm assuming lunch is over.

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-Oh, you're loving this, in't ya?

-I am, as it happens.

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What the hell were you thinking?

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-I was trying to help her.

-What, by grassing on her?

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Have you got any idea what it's done to her, carrying that guilt around?

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She's a Mitchell, it comes with the territory.

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I mean, of all the evil things you could have done...

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Don't you dare pull that on me! She's my sister.

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Yeah, and you've probably got her banged up for life.

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-No! It's not going to happen.

-You know that for sure, do you?

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We're family. We stick together, don't we?

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Family! Don't make me laugh, Billy.

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Where were you when she was trying to poison my fiance?

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Pity she didn't succeed.

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-You know your problem, Roxy? You're selfish.

-I don't have to listen to this.

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No, if the police should talk to anyone, it's you.

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Meaning?

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Shacked up with a rapist.

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If Social Services had any sense,

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they'd have taken Amy off you months ago.

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SHOUTING

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-Ben, stop them!

-What am I supposed to do?

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-Billy, get this trash out of here!

-You don't tell me what to do.

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-Phil...

-I'll get him.

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Phil...

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She only did what she thought was right.

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-It's kicking off in there.

-BILLY: Don't talk to her like that.

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You know, all I wanted was a quiet lunch.

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But you couldn't even give me that, could you?

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I think you'd better go.

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Oh! Now he speaks! You should be here sorting this out,

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not sloping off to the kitchen.

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-Rox, just go, yeah?

-Are you serious?

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You ain't welcome here, Rox.

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I was trying to help her.

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-You grassed her up.

-Yeah?

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It's no better than your old man did to you, is it?

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-What's she talking about?

-All right, enough, OK? Enough!

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-Phil! I love her.

-You've got a funny way of showing it.

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I'll go to the police station, retract my statement...

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-That ain't going to do any good now, is it?

-At least let me try!

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Ronnie is not your concern any more. We'll deal with it.

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Oh, right, is that it?

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Are you just all going to turn your back on me, are you?

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-You've only got yourself to blame.

-I'm your family as well.

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Not any more, you're not.

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I don't ever want to see you in this house again.

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Hello?

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Anyone?

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Hello!

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-All right, son?

-All right.

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Listen, I'm going for a few pints later if you fancy it. I'm buying.

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Nah, I can't, man. I've gotta sort out my set for Vincent. So...

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What was that look for?

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Nothing.

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Nah, nah, nah, mate... If you've got something to say, just say it.

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Look, I don't trust the bloke, that's all.

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-He's had you running round like a skivvy recently.

-Skivvy? I ain't no-one's skivvy, man.

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Fats, tell me, how much do you really know about him?

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-He just comes strolling out of nowhere, moves into the biggest place on the Square...

-So?

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Come on. You ain't stupid, mate.

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He ain't got that much dough just from running the Albert.

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So what you saying, man?

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I just think he's trouble, that's all.

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What kind of private function?

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Oh, some company in East London. You know the type -

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skinny jeans, backpacks, beards...

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And you expect me to cover?

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-I got business elsewhere.

-What kind of business?

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Nothing for you to worry about. OK? All right...

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-Hi. How are you?

-Hey, afternoon.

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Hey, boss, boss...

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I was wondering if we could go over our set list for tonight.

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-Um... I'm busy. All right.

-Is everything OK?

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I pay you to mix a few tunes, not to ask questions.

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Sergeant Kenny Morris.

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Well, can you tell him that I called?

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Yeah, well, thanks - for nothing.

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I'll have a packet of mints and an apology, please.

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Well, you can have the mints. But um...

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yeah, fresh out of apologies, I'm afraid.

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What gives you the right to accuse my husband?

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-I never accused him.

-So what would you call it, then?

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Look, it was the police that said someone had given them my address.

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You know what your problem is, Denise?

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You got too much time on your hands.

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Right, you. Get your coat.

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I got Shrimpy to cover the stall.

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-Where we going?

-We've got stuff to sort out.

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Um, I'm trying to talk to my sister here.

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Nothing that can't wait, I'm sure.

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-Yeah, but who's going to cover this place?

-Your sister can cover, can't she?

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Oh, no, no, no, no. I'm supposed to be going into town.

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Shouldn't take any more than a couple of hours.

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I don't know what this family's coming to, I really don't.

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I mean, his father would be turning in his grave

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if he could see him now.

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You all right, Dad?

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-Yeah, fine.

-Have you called Ritchie?

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-Not yet. No.

-Well, what you waiting for?

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Sometimes I wonder who wears the trousers in this house.

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I mean, look at him.

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Are you sure it's just his ankle he broke?

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He'll be fine. Ritchie'll sort it.

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What if they come after the rest of us?

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They won't, Ben.

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Well, you knew about Roxy's boyfriend, didn't you?

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That's perverting the course of justice for one, Sharon.

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She ain't answering.

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-I haven't done anything wrong, and neither has Billy.

-Well, don't look at me.

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What do you think pays for all them trips to Portugal, then, Sal, eh?

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Well, what are we going to do about Ronnie?

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It's all right. Dad's got a plan.

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Haven't you, Dad?

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Yeah. Course I have.

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Well, come on then. Let's hear it.

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-Right, where's me coat?

-Where're you going?

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Going to sort this mess out.

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-Why did you leave me there?

-Well, what could I do?

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I should never have gone to the police.

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What're you talking about?

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-Course you should have. She needs locking up.

-She's my sister.

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-Yeah, and look at how she treats you!

-What have you done, Rox?

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Roxy's ex, Carl. Ronnie actually bumped the geezer off.

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-Dean!

-What? The whole Square is going to know soon.

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-What? And you told the police this?

-Of course she did. Ronnie's a nutter.

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I said I'd meet Buster for a bit of lunch.

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I'll close the salon early. All right?

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-And I'll make us some dinner.

-You think I want to eat after this?

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Babe, you've done nothing wrong. She's gone, OK?

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You did what you had to do. You'll never see her again.

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-Yeah, but Dean...

-But nothing.

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The Mitchells can do one.

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As far as I'm concerned, you're a Wicks now.

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I heard about Ronnie.

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Not now, Shirley, all right?

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-Have you been drinking?

-Listen.

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You just tell that boy of yours to keep away from my family, do you hear me?

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What did he say?

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Busy, apparently.

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We'll see about that.

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Excuse me. Could you tell Sergeant Morris that his mum's outside?

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-Carmel!

-And, er, don't be palming me off.

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I've come halfway across London to bring him his sandwiches.

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Ham and pickle.

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What're you doing here?

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Get in.

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They said they were police.

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-Just get in and keep your head down, yeah?

-Did you know those men?

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-We haven't got much time.

-How did you know I'd be here?

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-I'll explain everything. Now, get in now.

-Not until you tell me what you're doing here...

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I'm trying to save your life.

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He's still not answering.

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Hold on. Where are YOU going?

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I think I know where he might be.

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Don't know why he's bothering.

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Roxy's already signed her own death warrant.

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Well, it doesn't mean they're going to charge her, does it?

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Oh, hark at her. Dad's a murderer and now she's become an expert.

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-Sal!

-How long have you two been courting?

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Nearly a year now.

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Something tells me I won't be needing a new hat.

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Any word on Phil?

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Nothing.

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Well, he'll be down the station with Ritchie.

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It will be all right, won't it?

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Yeah. Yeah, of course. Phil'll sort it.

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All right. We're good.

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What are we doing back here?

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-Just get inside before somebody sees us.

-Don't talk to me like that.

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-Get off me..!

-Just do as you're told for once. Yeah?

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-Come on.

-All right!

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I need to make a phone call first, all right?

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Not until you tell me what I'm doing here.

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This is about Carl, isn't it?

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That's how you knew where to find me.

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Oh, my God. You're working for his family, aren't you?

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You...need to make a choice.

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You either get charged for murder, or you stay and you listen to me.

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Which one's it going to be?

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MUSIC PLAYS UPSTAIRS

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I hear congratulations are in order.

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Sorry?

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Joining the family business.

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Vincent's put a lot of trust in you.

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Oh, yeah, yeah. I won't let him down.

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Better not. This could be the start of something big for you.

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-All right, mate?

-'Ey.

-You haven't seen Phil, have you?

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No, not today, bruv. Sorry.

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What's happening upstairs then?

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Some private function.

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I've left Alastair to deal with it.

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PHIL: Oh, you think it's funny. Eh? You think it's funny? Huh?

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I said what you all lookin' at? Eh?

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It's all right, mate. Don't worry. He owns the gaff. You're all right.

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Come on. Get up!

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So Ronnie's in the nick, and you're here drinking.

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You're an embarrassment. You know that?

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-I need another drink.

-No, you don't. You need a good slap.

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That champagne in the kitchen. You necked that, didn't you?

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How long's all this been going on?

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30-odd years.

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Look at yourself. You're a mess, Phil.

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Why don't you shut up? Eh?

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-Give it here.

-No. You don't need it.

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I said, give it here!

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BOTTLE SMASHES

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KNOCKING AT DOOR

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Yeah. Thanks a lot.

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Who were those men before?

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Acquaintances.

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And how did they know that Roxy was going to the police?

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Because I've got connections.

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What kind of connections?

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Let's just say...I've got friends in special places.

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What's that for?

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I booked you both on a flight at 7:00 from Stansted.

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-What're you talking about?

-You can't stay here.

-Why not?

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Because the Old Bill are going to charge you with murder, that's why.

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How do you know that?

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Go home, pack your bags and I'll drive you to the airport.

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I'm not going anywhere until you give me some answers.

0:14:540:14:56

-I can only buy you a few more hours.

-A few more hours? Why?

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Just trust me, all right?

0:14:590:15:01

Trust you?!

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You bring me here, you don't tell me why,

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you expect me to get on a plane and just disappear?

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I'm doing it for your own good.

0:15:070:15:09

-Those acquaintances of yours...

-You don't need to know nothing about them.

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-I thought they were going to kill me.

-I would never let that happen.

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Just take the tickets, and go.

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And then what?

0:15:220:15:24

Make a new life for yourself. Forget Carl White ever existed.

0:15:260:15:29

-My life is here.

-Not any more, it ain't.

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That poor woman on the stall earlier...

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Did you know her?

0:15:390:15:40

Er, yeah. Yeah, she's a friend of Patrick's.

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Breaks your heart, don't it?

0:15:450:15:47

Yeah.

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See, that's why I hate to think

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that there might be someone out there that's in trouble.

0:15:520:15:56

Right - I've had enough of this. What a way to treat your mother.

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-Carmel, he's not your son.

-That's beside the point.

0:16:020:16:05

Mrs Fox?

0:16:050:16:07

And you must be my mother.

0:16:070:16:09

-Yes. I'm very sorry about that.

-No, she's not. We want some answers.

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I'm afraid I told you everything I could...

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You rock up at her house, scare the living daylights out of her,

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and yet you can't even give her a name?

0:16:170:16:20

Our custody records are confidential.

0:16:200:16:22

Oh, really? So why have they got my details?

0:16:220:16:24

It could just be their last known address.

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It could be just they plucked it out of thin air.

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-So there's nothing I can do?

-I'm sorry.

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YOU'RE sorry? I'm the one lying awake wondering if someone I know's in trouble.

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-Or worse, dead.

-Yeah, thanks for that.

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Makes you feel big, does it? Upsetting a grown woman like this.

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As I said before...

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You ought to loosen your collar. It's made you ever so uptight.

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If you'll excuse me. I'm about to go on my lunch.

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Well, don't expect any sandwiches. Or dinner, for that matter.

0:16:470:16:51

Oi, you want something? Do ya?

0:16:530:16:54

-Eh?

-Will you just leave it?

0:16:540:16:56

This place needs tidying up.

0:17:000:17:02

You've been sober for what... it's gotta be five years?

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So why now?

0:17:080:17:09

I asked you a question.

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What, you think it's easy, do you?

0:17:130:17:15

Hm? Just walking away from it?

0:17:150:17:18

Well, you've done it before.

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This time it's different.

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Oh, and why is that?

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-Answer me.

-Because I need it, that's why.

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You got any idea what it's like in here?

0:17:320:17:35

No, you ain't, have ya? Otherwise you'd need it too.

0:17:350:17:39

Is this because of what happened with Gavin?

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You can't let him get to you like this.

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Goodness only knows what we're going to find in here.

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Body under the stairs. Lead piping...

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-Lead piping?

-And I want a lock fixed on that bedroom door

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-until I can find somewhere else for us to stay.

-Eh?

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-Come on, Hon, don't talk daft.

-Well, it's easy for you to say, Billy, you grew up with all this.

0:18:170:18:21

I'm just a girl from Broadstairs who just happened to marry into the wrong family.

0:18:210:18:24

I can't keep my kids here, Billy.

0:18:240:18:26

Well, where does that leave US?

0:18:260:18:28

It's simple. You either want to be with me, Will and Janet, or you want to be a Mitchell.

0:18:280:18:31

Your choice.

0:18:310:18:33

-All right?

-Hey.

0:18:400:18:43

I've got the boys to start clearing up.

0:18:430:18:46

What would I do without you, eh?

0:18:460:18:48

No, I mean it. Us Mitchell women need to stick together.

0:18:480:18:52

-I'm not a Mitchell, though, am I?

-Well, as good as.

0:18:520:18:55

Well, I don't think Aunt Sal likes me very much.

0:18:550:18:57

I shouldn't worry, Abi. I don't think she likes anyone.

0:18:570:19:00

Ben tried calling Phil again...

0:19:010:19:03

Still nothing?

0:19:030:19:04

He is going to be all right, isn't he?

0:19:060:19:08

He's just been through the wars these past few weeks. You know.

0:19:080:19:12

Yeah. I know Ben's worried about him.

0:19:120:19:14

Well, he needn't. Take more than this to knock him off his perch.

0:19:140:19:16

So then, what do we do now?

0:19:180:19:19

Well, lock ourselves away, I suppose.

0:19:200:19:23

Wait for the gossip to die down.

0:19:230:19:25

Unless...

0:19:250:19:26

Unless what?

0:19:260:19:28

Well, shouldn't we just style it out?

0:19:280:19:31

Spoken like a true Mitchell.

0:19:310:19:33

-Your boarding passes.

-I can't.

0:19:370:19:39

We've already talked about this.

0:19:390:19:41

And what happens when they find me in Ibiza,

0:19:410:19:43

-where do I go then?

-That won't happen.

0:19:430:19:45

How do you know that?

0:19:450:19:47

-Cos I can make this go away.

-How?

0:19:470:19:50

I already told you, I got... I got friends in the right places.

0:19:500:19:53

Why are you doing this for me, Vincent?

0:19:530:19:54

Because despite everything I still care about you, don't I?

0:19:540:19:57

Look, me and you had something special.

0:19:570:19:59

I don't want to see you get banged up for this.

0:19:590:20:01

How long have we got?

0:20:030:20:05

I'll get you there in time.

0:20:050:20:07

Well, I need some money.

0:20:070:20:09

I went to the bank this morning.

0:20:090:20:10

See, once I know you are safely on the plane,

0:20:130:20:18

I shall go back and pick up the rest of your things.

0:20:180:20:21

Ronnie...!

0:20:300:20:32

Oh, boss! I got my set list for tonight, man.

0:20:320:20:34

-Yeah, not right now. Yeah?

-Oh, oh, OK.

0:20:340:20:36

-Can I leave it inside and you can sign off on it later...

-Whatever.

-OK...

0:20:360:20:41

SHE PANTS

0:20:470:20:50

MUSIC: Waiting In Vain by Bob Marley and the Wailers

0:21:120:21:15

I keep getting this terrible thought,

0:21:240:21:26

-what if it's one of my kids?

-Oh, don't say that.

0:21:260:21:28

Not my Libby, she's got her head screwed on.

0:21:280:21:30

-But Chelsea, she's...

-When did you last speak to her?

0:21:300:21:33

It was a couple of weeks ago, but she...

0:21:330:21:35

Excuse me! That's my house.

0:21:350:21:37

Dee! Dee...

0:21:370:21:38

Oh, don't worry, Helen's looking after the shop.

0:21:380:21:40

Did you know about this?

0:21:410:21:42

-Well, I did try and tell you.

-Tell me what?

0:21:420:21:45

Well - Tony, he's just over there...

0:21:450:21:47

-Tony?

-Yeah, Tony. He's just having a look at some improvements.

0:21:470:21:50

What sort of improvements?

0:21:500:21:52

-Just a few cosmetic changes, that's...that's all.

-Such as?

0:21:520:21:56

Well, you know, like a lick of paint, couple of bookshelves...

0:21:560:21:59

Oh. That's brilliant, because we're such big readers.

0:21:590:22:02

All right. I'm chopping it in half.

0:22:030:22:06

-Come again?

-Well, look at the size of it,

0:22:070:22:09

-you don't need all that space.

-I don't believe this.

0:22:090:22:11

Listen - you and Patrick can still live in your bit. I'm just selling off the rest.

0:22:110:22:15

Oh! That's all right, what am I worrying about?

0:22:150:22:17

-I think you need a drink.

-Make it a large one.

0:22:170:22:19

What about me?

0:22:190:22:21

BANGING ON DOOR

0:22:210:22:22

Ronnie. Open the door.

0:22:220:22:25

I'm not leaving here until you talk to me.

0:22:280:22:31

Ronnie. Open up!

0:22:310:22:33

Do you think he's in on it too? Like Bonnie and Clive?

0:22:340:22:37

Wouldn't put anything past him.

0:22:380:22:41

-She ain't here.

-Where is she?

0:22:430:22:46

Well, if she wanted you to know that, she would've told you, wouldn't she?

0:22:460:22:49

Now, you listen, right.

0:22:510:22:53

You, William and Janet are all the family that I need, OK?

0:22:530:22:57

-You really mean that?

-Yes. I do really mean it.

0:22:570:22:59

-PHONE RINGS

-Just get this...

0:22:590:23:01

Hello, Jay.

0:23:030:23:04

Well... Bit difficult right now...

0:23:060:23:08

-OK, give me five minutes.

-That didn't take long, did it?

0:23:100:23:13

-It's Phil.

-Oh, do you know what, just go.

0:23:130:23:15

It's quite obvious where your priorities are.

0:23:150:23:17

Are you sure we're supposed to be in here?

0:23:240:23:26

I'd rather that than give this lot something to gossip about.

0:23:260:23:30

Right, Tracey, can we have a white wine and a G&T, please?

0:23:300:23:33

I hear you're making the arrangements for Linda's hen do.

0:23:330:23:36

Yeah. Yeah, more fool me, eh?

0:23:360:23:38

I want it to be special for her.

0:23:380:23:40

Not get caught up in all this Christmas madness.

0:23:400:23:42

So what're you doing?

0:23:420:23:43

You'll find out soon enough.

0:23:430:23:44

Then I'd better give this to you now.

0:23:440:23:46

Elaine left it for you to give to Linda as a surprise.

0:23:460:23:49

Rather not, if you don't mind.

0:23:490:23:51

You seen Phil today?

0:23:530:23:55

-He's busy.

-Family business.

0:23:550:23:57

Is that what you call it?

0:23:570:23:58

What you getting at?

0:23:580:23:59

You really don't know your husband, do you?

0:23:590:24:03

MUSIC: Stir It Up by Bob Marley and the Wailers

0:24:070:24:11

-What's wrong with him?

-Well, he's been drinking, hasn't he?

0:24:580:25:01

-Since when?

-Don't know. Just help me get him out of here, yeah?

0:25:010:25:04

Right, come on, Phil. Coming back to mine.

0:25:040:25:06

Get off me, will you?

0:25:060:25:08

Look at the state of you. You're a mess.

0:25:080:25:10

That's good. Coming from you.

0:25:100:25:12

Oh, don't start all that again.

0:25:120:25:14

Oh, Billy, look at ya. Always the runt of the litter, in't ya?

0:25:140:25:17

Don't even rise to it, Bill, let's just get him out before Sharon finds out.

0:25:170:25:20

Too late.

0:25:200:25:22

Oh, come on then, Pearly.

0:25:270:25:29

Let's get you out of that stinky nappy.

0:25:290:25:32

Yeah...?

0:25:320:25:34

What you doing here?

0:25:340:25:36

Oh, I was just doing my... my set list for Vincent.

0:25:360:25:39

OK - not so fast.

0:25:400:25:42

No...

0:25:420:25:44

Is that your set list?

0:25:470:25:49

Ne-Yo, Rudimental?

0:25:490:25:53

Nah... You see, what you need is some classics.

0:25:530:25:55

Like...Luther, Whitney, Janet Kay, Bob Marley...

0:25:550:25:59

Ki...Ki...Kimmy, I would love to but I really got to go.

0:25:590:26:02

Listen - Vincent might pay your wages but half that bar is mine through marriage.

0:26:020:26:06

So let me just amend some of this, yeah?

0:26:060:26:08

Yeah, fine... But I've really got to go and find Vincent.

0:26:080:26:10

-Oh, actually - I want to talk to you about him...

-Let's do that. But let's do it later. All right?

0:26:100:26:14

So I will see you later, Kimmy. Pearly, I'll see you later. Bye!

0:26:140:26:19

-(Oh...)

-DOOR CLOSES

0:26:210:26:23

What the hell are you doing?

0:26:350:26:37

Look, I'll claim self-defence.

0:26:380:26:41

ANYTHING is better than running from the police for the rest of my life.

0:26:410:26:44

What if you slip up?

0:26:440:26:45

Mm?

0:26:450:26:47

Look, If I've learnt anything from Phil, it's how to cover my tracks.

0:26:470:26:50

-I'm not going to let you do this.

-You don't have a choice.

0:26:510:26:54

-Listen...

-If you don't get your hands off me, I swear...

0:26:540:26:56

There is nothing you can say to them that I don't know already.

0:26:560:27:00

And what are you, the police?

0:27:000:27:02

Oh, my God. You are, aren't you?

0:27:050:27:08

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