Browse content similar to 23/09/2014. Check below for episodes and series from the same categories and more!
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It was me who went to the press. | 0:00:21 | 0:00:23 | |
I really wish you hadn't done that. | 0:00:23 | 0:00:26 | |
What have you done?! | 0:00:26 | 0:00:27 | |
Is this the body of Raymond Henderson? | 0:00:32 | 0:00:35 | |
Who were you with that you shouldn't have been? | 0:00:35 | 0:00:37 | |
-My wife. -Why is this a big secret? | 0:00:37 | 0:00:39 | |
How do you think they're going to feel when they find out she's | 0:00:39 | 0:00:41 | |
-been back in Glasgow, and she hasn't bothered to see them? -Daddy had an accident. | 0:00:41 | 0:00:45 | |
It's just going to be you and me from now on. | 0:00:45 | 0:00:47 | |
Right. Do you think that you could look after Granny and Grandad | 0:01:06 | 0:01:10 | |
while I pop out for a minute? | 0:01:10 | 0:01:12 | |
Good boy, come on. | 0:01:12 | 0:01:14 | |
Dad! | 0:02:53 | 0:02:55 | |
Are you OK? | 0:02:59 | 0:03:00 | |
Fine. What are you doing here? | 0:03:00 | 0:03:02 | |
-We had to know what was going on. -It's not a big deal. | 0:03:02 | 0:03:05 | |
Kirsty was worried. | 0:03:05 | 0:03:07 | |
Well, can we go now, please? | 0:03:07 | 0:03:09 | |
-You're free to go? -Of course I am. Come on. | 0:03:09 | 0:03:12 | |
So why did they keep you in last night? | 0:03:19 | 0:03:22 | |
It was just a stupid fight, a misunderstanding. | 0:03:22 | 0:03:24 | |
Look, can we just get in the car, please? | 0:03:24 | 0:03:26 | |
Yeah, but... | 0:03:26 | 0:03:27 | |
In the car! | 0:03:27 | 0:03:28 | |
-Aye, all right, calm down. -Sorry. I just spent the night in here. | 0:03:28 | 0:03:31 | |
Forgive me if I don't want to hang around. | 0:03:31 | 0:03:33 | |
At least now you can sleep easy. | 0:03:33 | 0:03:35 | |
Can I, though? | 0:03:38 | 0:03:41 | |
What do you mean? | 0:03:41 | 0:03:42 | |
What if I'm responsible for what he did? | 0:03:42 | 0:03:44 | |
What if our fight is what pushed him over the edge? | 0:03:44 | 0:03:46 | |
That's just daft. | 0:03:46 | 0:03:47 | |
You know, you should make a complaint. | 0:03:56 | 0:03:58 | |
They're not allowed to keep you in overnight for no reason. | 0:03:58 | 0:04:00 | |
Can we just drop this, please? | 0:04:00 | 0:04:02 | |
Is that Mum? | 0:04:07 | 0:04:09 | |
Don't be silly. | 0:04:09 | 0:04:11 | |
It is, it's her. Dad, stop the car! | 0:04:11 | 0:04:13 | |
Kirsty, stop it. | 0:04:13 | 0:04:14 | |
-Stop the car, Dad, it's Mum. -Kirsty, you're being ridiculous! | 0:04:14 | 0:04:17 | |
-I'm not. -Enough! | 0:04:17 | 0:04:19 | |
'I'm telling you,' | 0:04:19 | 0:04:22 | |
it was mum. | 0:04:22 | 0:04:23 | |
Look, I see her all the time - at least I think I do - | 0:04:23 | 0:04:26 | |
but it's never her, it's just some woman walking down the street. | 0:04:26 | 0:04:29 | |
-It's wishful thinking. -She's here. | 0:04:29 | 0:04:31 | |
Why are you lying to us? | 0:04:34 | 0:04:37 | |
I'm not. | 0:04:37 | 0:04:38 | |
Fine. | 0:04:39 | 0:04:40 | |
Where are you going? | 0:04:40 | 0:04:41 | |
Back to the police station. | 0:04:41 | 0:04:42 | |
I'm sure they'll be able to tell me if it was her. | 0:04:42 | 0:04:44 | |
This is crazy. | 0:04:44 | 0:04:45 | |
Come or don't. It's up to you. | 0:04:45 | 0:04:48 | |
Fine, I'll go myself. | 0:04:50 | 0:04:51 | |
It was her. | 0:04:55 | 0:04:56 | |
I knew it. | 0:04:57 | 0:04:59 | |
What?! | 0:05:00 | 0:05:01 | |
You drove away! | 0:05:01 | 0:05:03 | |
You didn't let her see us! | 0:05:03 | 0:05:05 | |
It's no' that simple. | 0:05:05 | 0:05:06 | |
Why do you keep pushing her away? | 0:05:06 | 0:05:08 | |
It's no' me doing the pushing. It's her! | 0:05:08 | 0:05:11 | |
Wait, hold on a minute. | 0:05:11 | 0:05:13 | |
So she is back in Glasgow? | 0:05:13 | 0:05:15 | |
Aye. | 0:05:15 | 0:05:17 | |
-When did she get back? -A few days ago. | 0:05:17 | 0:05:20 | |
No. | 0:05:21 | 0:05:22 | |
Maybe more. I don't know. | 0:05:22 | 0:05:24 | |
I only found out myself, the day before yesterday. | 0:05:24 | 0:05:27 | |
You're lying. | 0:05:27 | 0:05:29 | |
She would have come to see us, wouldn't she? | 0:05:29 | 0:05:32 | |
It's not that she doesn't love you, of course she does, | 0:05:37 | 0:05:41 | |
but she says she just needs time. | 0:05:41 | 0:05:43 | |
HE SCOFFS | 0:05:43 | 0:05:44 | |
What does that even mean? | 0:05:44 | 0:05:45 | |
I don't know! | 0:05:45 | 0:05:47 | |
I don't know what's going on in her head! | 0:05:47 | 0:05:50 | |
How was she? | 0:05:50 | 0:05:53 | |
Different. | 0:05:53 | 0:05:54 | |
No' the same person. | 0:05:56 | 0:05:58 | |
-In what way? -Detached. | 0:05:58 | 0:06:01 | |
I don't think she looked me in the eye once. | 0:06:01 | 0:06:04 | |
You think she's hiding something? | 0:06:04 | 0:06:06 | |
-Like what? -Maybe she's seeing someone else? | 0:06:06 | 0:06:08 | |
Maybe. | 0:06:08 | 0:06:10 | |
But I don't think that's it, I think it's something worse. | 0:06:10 | 0:06:13 | |
-Stop it! -This is why I didn't want to talk about it. | 0:06:13 | 0:06:17 | |
Do you think she's not well? | 0:06:19 | 0:06:21 | |
It's the only thing that would explain why she would do this. | 0:06:23 | 0:06:26 | |
No' so much to me but to you guys. | 0:06:26 | 0:06:28 | |
I have to believe that she's going through some sort of breakdown. | 0:06:30 | 0:06:33 | |
What if she does something stupid? | 0:06:33 | 0:06:36 | |
-She won't. -You don't know that! | 0:06:36 | 0:06:38 | |
She'll go back to Dubai, she'll be thousands of miles away, | 0:06:38 | 0:06:42 | |
all on her own. | 0:06:42 | 0:06:43 | |
She's got her friend out there. | 0:06:43 | 0:06:44 | |
She's not got us! | 0:06:44 | 0:06:46 | |
She'll be fine. She just needs a break. | 0:06:46 | 0:06:49 | |
It's not just a break, though, is it? | 0:06:50 | 0:06:53 | |
Dad? | 0:06:58 | 0:07:00 | |
I don't know. | 0:07:00 | 0:07:02 | |
-We must have really pissed her off. -No! | 0:07:08 | 0:07:10 | |
You have done nothing wrong. Either of you. | 0:07:10 | 0:07:13 | |
If anybody's to blame here, it's me. | 0:07:15 | 0:07:18 | |
I should have seen that she was unhappy but I was too busy with... | 0:07:18 | 0:07:22 | |
other things. | 0:07:22 | 0:07:24 | |
Look, I hate that this has happened to us, | 0:07:25 | 0:07:27 | |
I hate that she's no' here... | 0:07:27 | 0:07:29 | |
..but it is what it is. | 0:07:30 | 0:07:32 | |
Look, I'm going nowhere. | 0:07:36 | 0:07:38 | |
So you're stuck with me. | 0:07:40 | 0:07:42 | |
Whether you like it or no'. | 0:07:42 | 0:07:44 | |
OK? | 0:07:45 | 0:07:46 | |
OK. | 0:07:48 | 0:07:49 | |
Kirsty? | 0:07:52 | 0:07:53 | |
Come here. | 0:07:56 | 0:07:57 | |
KIRSTY SOBS | 0:07:57 | 0:07:59 | |
It'll be OK. | 0:08:01 | 0:08:03 | |
We'll be OK. | 0:08:06 | 0:08:08 | |
DOORBELL RINGS | 0:10:12 | 0:10:14 | |
You liar! | 0:10:14 | 0:10:16 | |
You and your pals made me out to be an idiot! | 0:10:16 | 0:10:18 | |
You ruined my professional reputation! | 0:10:18 | 0:10:20 | |
And all the time you knew that that land was bad! | 0:10:20 | 0:10:22 | |
Where did you get that? | 0:10:24 | 0:10:25 | |
You can't even act surprised, can you? | 0:10:25 | 0:10:27 | |
Because you've seen this before! | 0:10:27 | 0:10:29 | |
Please, can we take this away from my door? | 0:10:29 | 0:10:31 | |
It wasn't my idea to cover anything up. | 0:10:36 | 0:10:38 | |
I don't work for the development any more. I am out of it. | 0:10:39 | 0:10:42 | |
You're still up to your neck in it. | 0:10:42 | 0:10:44 | |
I know that. | 0:10:44 | 0:10:46 | |
But please believe me, if I'd known what I was getting into | 0:10:46 | 0:10:49 | |
with that business, I would never have signed up for the job. | 0:10:49 | 0:10:51 | |
-We OK here? -Yep, could you two just give us a minute, please? | 0:10:51 | 0:10:55 | |
Is that a good idea? | 0:10:55 | 0:10:56 | |
Thanks, Angus, I can handle this. Inside, please. | 0:10:56 | 0:10:59 | |
Dad didn't have anything to do with Raymond's death. | 0:11:01 | 0:11:04 | |
-If you don't believe him, you can ask the police. -Angus! | 0:11:04 | 0:11:07 | |
DOOR CLOSES What's he talking about? | 0:11:10 | 0:11:13 | |
The police questioned me about Raymond's death. | 0:11:14 | 0:11:17 | |
They thought I might have been involved. | 0:11:17 | 0:11:20 | |
Is that why they took you away yesterday? | 0:11:20 | 0:11:23 | |
Me and Raymond had a disagreement before he died. | 0:11:24 | 0:11:26 | |
I guess that made me a suspect. | 0:11:26 | 0:11:28 | |
So they DON'T think it's suicide? | 0:11:31 | 0:11:33 | |
Are they investigating it as something else? | 0:11:34 | 0:11:37 | |
Honestly, Eileen, I don't know. | 0:11:37 | 0:11:40 | |
I suppose they have to look into every possibility. | 0:11:40 | 0:11:43 | |
I was the last person to see Raymond alive, | 0:11:43 | 0:11:45 | |
they were always going to talk to me. | 0:11:45 | 0:11:47 | |
And how was he? When you saw him? | 0:11:48 | 0:11:51 | |
Not good. | 0:11:54 | 0:11:56 | |
Mentally? Did he look like a man that was going to kill himself? | 0:11:56 | 0:12:00 | |
I don't know. | 0:12:00 | 0:12:01 | |
Think! This is important! You owe me! | 0:12:01 | 0:12:04 | |
He wasn't in a good state. | 0:12:07 | 0:12:09 | |
I need to go. | 0:12:12 | 0:12:14 | |
I'm sorry...for your loss. | 0:12:14 | 0:12:15 | |
-If there's ever anything I can do... -Spare me. | 0:12:15 | 0:12:18 | |
If you had any concern for my family, | 0:12:20 | 0:12:22 | |
you wouldn't have stood by and let this happen. | 0:12:22 | 0:12:24 | |
Was it you that set Lenny Murdoch on me? | 0:12:31 | 0:12:34 | |
What? | 0:12:34 | 0:12:35 | |
When I first opposed the development, Lenny Murdoch turned up | 0:12:36 | 0:12:39 | |
on my doorstep and blackmailed me into stepping out of the fight. | 0:12:39 | 0:12:43 | |
Why would Murdoch be involved? | 0:12:43 | 0:12:45 | |
You tell me. | 0:12:45 | 0:12:46 | |
But now I can see how low you people will stoop, | 0:12:46 | 0:12:48 | |
I'm more certain than ever that it was somebody from your company | 0:12:48 | 0:12:51 | |
that sent him. | 0:12:51 | 0:12:52 | |
It wasn't me. I promise you. | 0:12:52 | 0:12:54 | |
This isn't over. | 0:12:59 | 0:13:00 | |
You all right? I heard the police picked you up. | 0:13:10 | 0:13:12 | |
They wanted to know where I was the night Raymond died. | 0:13:12 | 0:13:14 | |
I thought it was suicide. | 0:13:14 | 0:13:15 | |
You think they'd have kept me in overnight for a suicide? | 0:13:15 | 0:13:19 | |
It gets better. Eileen has a copy of the report. | 0:13:19 | 0:13:22 | |
HE SIGHS | 0:13:24 | 0:13:25 | |
How the hell did I get involved in this?! | 0:13:28 | 0:13:30 | |
I've been asking myself that from the start. | 0:13:30 | 0:13:33 | |
Is she going to go to the police? | 0:13:34 | 0:13:36 | |
I wouldnae be surprised. | 0:13:36 | 0:13:37 | |
OK, cheers for the heads-up. | 0:13:37 | 0:13:39 | |
I'm no' finished. | 0:13:39 | 0:13:40 | |
Eileen thinks one of us had Lenny Murdoch blackmail her. | 0:13:42 | 0:13:45 | |
-What? -She's claiming that we used him to strong-arm her | 0:13:45 | 0:13:49 | |
into dropping her opposition to the flats. | 0:13:49 | 0:13:51 | |
But we didnae do that, did we? | 0:13:53 | 0:13:55 | |
Cos Murdoch has nothing to do with Lowtherhill. | 0:13:55 | 0:13:58 | |
Frank brought him in. | 0:14:01 | 0:14:02 | |
HE SIGHS | 0:14:02 | 0:14:04 | |
I didn't want him on board, but I didn't seem to have a choice. | 0:14:04 | 0:14:07 | |
As far as I knew, his role was only financial. | 0:14:07 | 0:14:10 | |
Apparently not. | 0:14:10 | 0:14:12 | |
Murdoch is a gangster. | 0:14:12 | 0:14:13 | |
Violence is second nature to people like him. | 0:14:13 | 0:14:15 | |
You know that better than me. | 0:14:15 | 0:14:17 | |
And if Murdoch's involved, | 0:14:17 | 0:14:19 | |
who's to say what really happened to Eric Turnbull? | 0:14:19 | 0:14:21 | |
Turnbull will turn up. | 0:14:21 | 0:14:23 | |
Well, let's hope it's not in another car filled with exhaust fumes, eh? | 0:14:23 | 0:14:27 | |
DOOR OPENS | 0:14:31 | 0:14:33 | |
KNOCK AT DOOR | 0:14:41 | 0:14:42 | |
-Hi. -Come in. | 0:14:50 | 0:14:51 | |
Thanks. | 0:14:51 | 0:14:52 | |
HE CLEARS HIS THROAT | 0:14:57 | 0:14:58 | |
How you doing? | 0:15:01 | 0:15:03 | |
How do you think? | 0:15:03 | 0:15:05 | |
Sorry. | 0:15:05 | 0:15:07 | |
-No. -I -am. I'm just... | 0:15:07 | 0:15:09 | |
I've just not slept much. | 0:15:09 | 0:15:12 | |
Well, this might mean you can start to move on. | 0:15:12 | 0:15:15 | |
It's the results of the postmortem. | 0:15:15 | 0:15:18 | |
The pathologist's issued a death certificate. | 0:15:18 | 0:15:21 | |
"Asphyxiation"? | 0:15:26 | 0:15:28 | |
I mean, we... | 0:15:28 | 0:15:30 | |
We know all this. | 0:15:30 | 0:15:31 | |
It tells us there were no suspicious circumstances. | 0:15:33 | 0:15:36 | |
You can't tell that just from a postmortem. | 0:15:36 | 0:15:40 | |
We scoured the place, Eileen. | 0:15:41 | 0:15:43 | |
There was just no evidence of any foul play. | 0:15:43 | 0:15:47 | |
And how hard did you look, exactly? | 0:15:49 | 0:15:52 | |
Sorry? | 0:15:52 | 0:15:53 | |
Well, it's obvious you all think it was suicide, | 0:15:53 | 0:15:56 | |
so I can't see you throwing resources at proving otherwise. | 0:15:56 | 0:15:59 | |
You think there's something to be proved? | 0:16:00 | 0:16:03 | |
I just want you to give me a proper explanation | 0:16:05 | 0:16:08 | |
as to why Raymond died, because right now | 0:16:08 | 0:16:11 | |
it just doesn't make any sense. | 0:16:11 | 0:16:14 | |
He did have high levels of alcohol in his blood. | 0:16:14 | 0:16:16 | |
So he passed out because he was drunk? | 0:16:18 | 0:16:20 | |
It's not impossible. | 0:16:22 | 0:16:23 | |
But you don't think that's what happened. | 0:16:24 | 0:16:26 | |
Eileen, I've been doing this job a long time. | 0:16:26 | 0:16:28 | |
When a death looks like a...suicide, | 0:16:28 | 0:16:31 | |
that's generally what it is. | 0:16:31 | 0:16:33 | |
I'm really sorry. | 0:16:35 | 0:16:37 | |
Anyway, the body has been released, | 0:16:42 | 0:16:44 | |
so you and the family can start to make plans. | 0:16:44 | 0:16:46 | |
Raymond...he wasn't depressed when he died. | 0:16:46 | 0:16:48 | |
And he wasn't having some sort of a breakdown. | 0:16:48 | 0:16:51 | |
I saw the state of him, the state of his house. | 0:16:51 | 0:16:54 | |
Everything pointed to him being unwell, paranoid... | 0:16:54 | 0:16:56 | |
What if he was right to be? | 0:16:56 | 0:16:59 | |
What if his conspiracy theories weren't just pie in the sky? | 0:16:59 | 0:17:03 | |
What if he was right about Alan Lindsay and Alex McAllister | 0:17:03 | 0:17:06 | |
and Frank Paton? | 0:17:06 | 0:17:07 | |
Eileen, it's a housing development. The stakes really aren't that high. | 0:17:07 | 0:17:10 | |
There's money to be made from that development, and reputations too. | 0:17:10 | 0:17:13 | |
And not just in Shieldinch. | 0:17:13 | 0:17:15 | |
Frank Paton is promoting developments | 0:17:15 | 0:17:18 | |
just like this one all over Glasgow. | 0:17:18 | 0:17:20 | |
There's nothing illegal about that. | 0:17:20 | 0:17:23 | |
There is if they're relying on blackmail to do it. | 0:17:23 | 0:17:26 | |
I beg your pardon? | 0:17:27 | 0:17:29 | |
When I opposed the development, somebody set Lenny Murdoch on me. | 0:17:33 | 0:17:37 | |
He told me that if I didn't stop causing trouble, | 0:17:42 | 0:17:45 | |
he would expose Raymond over the death of Sean Kennedy. | 0:17:45 | 0:17:49 | |
-Why didn't you come to the police?! -Because I was scared! | 0:17:49 | 0:17:52 | |
I still am. | 0:17:52 | 0:17:54 | |
But what happened to me isn't important. | 0:17:54 | 0:17:57 | |
I'm just telling you so you know the kind of people | 0:17:57 | 0:17:59 | |
that you're dealing with. You need to work harder | 0:17:59 | 0:18:01 | |
and find out what happened to Raymond. | 0:18:01 | 0:18:04 | |
And to Eric Turnbull. | 0:18:05 | 0:18:08 | |
Eric Turnbull wrote the report for the land that was to be developed. | 0:18:08 | 0:18:12 | |
Then he wrote another report completely contradicting | 0:18:12 | 0:18:14 | |
everything that's in this one. | 0:18:14 | 0:18:15 | |
And then he disappeared. And Raymond winds up dead. | 0:18:15 | 0:18:20 | |
Don't you think that's suspicious? | 0:18:21 | 0:18:23 | |
I made a copy. You take it, and you read it. | 0:18:25 | 0:18:29 | |
OK. | 0:18:31 | 0:18:32 | |
Stevie, this might be way out of line, | 0:19:09 | 0:19:11 | |
but I really don't know if you should be here. | 0:19:11 | 0:19:14 | |
It's only been a day. Don't you need to give it some time? | 0:19:15 | 0:19:19 | |
I know what I need, thanks. | 0:19:19 | 0:19:21 | |
And that's for you to get the tables cleared. | 0:19:21 | 0:19:24 | |
What can I get you? | 0:19:25 | 0:19:27 | |
Just a word with the landlord, thanks. | 0:19:27 | 0:19:29 | |
He's through there. | 0:19:29 | 0:19:31 | |
Ta. | 0:19:31 | 0:19:32 | |
Morning, Lenny. Mind if I have a word? | 0:19:40 | 0:19:43 | |
I take it that's a rhetorical question. | 0:19:43 | 0:19:46 | |
We could go somewhere more private. | 0:19:46 | 0:19:48 | |
Unless you want to take me down the station, I'm quite comfy. | 0:19:48 | 0:19:53 | |
We hear you've been paying a bit of attention to Eileen Donachie. | 0:19:53 | 0:19:57 | |
I thought she'd be more your type than mine. | 0:19:57 | 0:19:59 | |
-She claims you blackmailed her. -Really? That's not my style. | 0:20:00 | 0:20:04 | |
You didn't lean on her to drop her opposition | 0:20:04 | 0:20:06 | |
-to the housing development? -Course not. Although I did ask her, | 0:20:06 | 0:20:09 | |
as my representative on the City Council, to reconsider her position. | 0:20:09 | 0:20:13 | |
Because you've got cash tied up in it? | 0:20:13 | 0:20:15 | |
Well, I'm the local landlord. Student flats mean student cash | 0:20:15 | 0:20:18 | |
going over that counter and into my pocket. | 0:20:18 | 0:20:20 | |
-So you haven't invested in the project? -I don't do property. | 0:20:20 | 0:20:24 | |
No money to be made in it these days. | 0:20:24 | 0:20:27 | |
-Frank Paton seems to think there is. -Who he? | 0:20:27 | 0:20:30 | |
What about a guy called Eric Turnbull? Ever heard of him? | 0:20:33 | 0:20:36 | |
Sorry. | 0:20:36 | 0:20:38 | |
Now, if you don't mind, I'm out of time. | 0:20:38 | 0:20:41 | |
Look, you don't need me to tell you blackmail is a serious offence. | 0:20:41 | 0:20:45 | |
You'd get a much shorter sentence | 0:20:45 | 0:20:47 | |
-if you admitted to acting on someone else's behalf. -I'm sure I would. | 0:20:47 | 0:20:50 | |
If I had something to admit. | 0:20:50 | 0:20:52 | |
We can take this down the station if you like. | 0:20:52 | 0:20:54 | |
Let's think here for a wee minute. | 0:20:54 | 0:20:56 | |
What possible leverage could I have over Eileen Donachie | 0:20:56 | 0:20:59 | |
or any of her family? | 0:20:59 | 0:21:01 | |
Only thing I can think about is Raymond Henderson, | 0:21:01 | 0:21:04 | |
God rest his soul, well, he got away with murder | 0:21:04 | 0:21:06 | |
-while you boys all looked the other way. -Don't try and be clever. | 0:21:06 | 0:21:09 | |
You tell Counsellor Donachie that I apologise | 0:21:09 | 0:21:12 | |
if she misinterpreted my polite request. | 0:21:12 | 0:21:14 | |
I was only exercising my rights as one of her constituent. | 0:21:14 | 0:21:17 | |
Oh, this is where you're hiding. | 0:21:30 | 0:21:33 | |
Liz has been looking for you. | 0:21:33 | 0:21:35 | |
She wants to discuss the funeral arrangements. | 0:21:37 | 0:21:40 | |
-I went round to his house this morning. -Yeah? | 0:21:42 | 0:21:46 | |
And I found his will. | 0:21:46 | 0:21:48 | |
He's left everything to me. | 0:21:50 | 0:21:52 | |
Course he did. What else would he do? | 0:21:52 | 0:21:55 | |
We weren't married any more, Dad. | 0:21:55 | 0:21:57 | |
He could have left it in trust for Brian and Stuart, but this... | 0:21:57 | 0:22:01 | |
It's almost like he thought we'd have some kind of future together... | 0:22:03 | 0:22:07 | |
Maybe we would have done. There was always a connection. | 0:22:09 | 0:22:12 | |
Maybe he thought that once we'd got through all this mess, | 0:22:16 | 0:22:20 | |
we could be a family again. Me, him and Stuart. | 0:22:20 | 0:22:24 | |
Oh, there you are. | 0:22:25 | 0:22:27 | |
Listen... | 0:22:28 | 0:22:31 | |
I thought we should get on the phone to the minister. | 0:22:31 | 0:22:34 | |
Now that the... | 0:22:34 | 0:22:37 | |
that Raymond has been released. | 0:22:37 | 0:22:40 | |
If we get our skates on, | 0:22:41 | 0:22:43 | |
we should be able to organise everything for the end of the week. | 0:22:43 | 0:22:48 | |
So, would you like to phone the minister or shall I? | 0:22:51 | 0:22:56 | |
Right, I'll do it. | 0:22:58 | 0:23:01 | |
We're not going to bury him. | 0:23:01 | 0:23:03 | |
The crematorium, then, if that's what he would have wanted. | 0:23:06 | 0:23:10 | |
There's not going to be any funeral until I know how he died. | 0:23:10 | 0:23:15 | |
But we DO know. | 0:23:16 | 0:23:18 | |
-It says on the death certificate... -It says nothing. | 0:23:20 | 0:23:24 | |
Raymond didn't kill himself. | 0:23:26 | 0:23:29 | |
Lowther Developments. That's your outfit, is it? | 0:23:39 | 0:23:41 | |
It's the company formed to oversee the new flats. | 0:23:41 | 0:23:44 | |
-But you're the boss? -On paper. | 0:23:44 | 0:23:47 | |
-Either are or you aren't. -Sorry, is this going somewhere? | 0:23:48 | 0:23:53 | |
-Business good, is it? -I've got a few different companies on the go. | 0:23:56 | 0:24:00 | |
An entrepreneur, eh? Just like Uncle Billy. | 0:24:00 | 0:24:04 | |
I'm not proud of where I come from. | 0:24:06 | 0:24:07 | |
But I've made my own success. | 0:24:07 | 0:24:10 | |
My way. Legally. | 0:24:10 | 0:24:13 | |
So, how do you explain the fact that Eileen Donachie claims | 0:24:15 | 0:24:17 | |
to have been blackmailed on your account? | 0:24:17 | 0:24:19 | |
-That's nothing to do with me. -But you don't deny it happened? | 0:24:19 | 0:24:22 | |
No. I've only just heard about it. | 0:24:22 | 0:24:24 | |
But it was to do with your development? | 0:24:24 | 0:24:26 | |
With furthering your business interests? | 0:24:26 | 0:24:29 | |
This project isn't a one-man show. | 0:24:29 | 0:24:32 | |
Though I'm beginning to wish it was. | 0:24:32 | 0:24:34 | |
So who put Murdoch on Councillor Donachie? | 0:24:35 | 0:24:37 | |
I don't know. Maybe you should speak to the man that brought | 0:24:39 | 0:24:42 | |
Murdoch into the development. | 0:24:42 | 0:24:43 | |
You'll find him at the Council Chambers. | 0:24:45 | 0:24:47 | |
KNOCK ON DOOR | 0:24:55 | 0:24:57 | |
Sorry to disturb. I did knock. | 0:24:59 | 0:25:02 | |
I am Detective Inspector Donald, Shieldinch and Mossgreen Police. | 0:25:02 | 0:25:05 | |
I know the name. What's this about? | 0:25:05 | 0:25:08 | |
Lenny Murdoch. Friend of yours? | 0:25:08 | 0:25:11 | |
Murdoch? Let's see... | 0:25:11 | 0:25:13 | |
He owns the Tall Ship pub in Shieldinch. | 0:25:13 | 0:25:15 | |
-Big fan of your development. -It's not my development. | 0:25:15 | 0:25:17 | |
I just support it because it's good for the city, | 0:25:17 | 0:25:19 | |
that's where my interest ends. | 0:25:19 | 0:25:21 | |
But, I think I might have met this Mr Murdoch in passing. | 0:25:21 | 0:25:25 | |
It's funny. He's no idea who you are. | 0:25:25 | 0:25:28 | |
Well, I must be mistaken, then. | 0:25:28 | 0:25:29 | |
There's an accusation doing the rounds that you used | 0:25:31 | 0:25:33 | |
Mr Murdoch to "persuade" | 0:25:33 | 0:25:36 | |
Eileen Donachie to drop her campaign against the new building work. | 0:25:36 | 0:25:39 | |
That's ridiculous. Who said that? Eileen? | 0:25:39 | 0:25:41 | |
-Just a straight answer, thanks. Yes or no. -Of course not! | 0:25:41 | 0:25:44 | |
That's a ridiculous idea. | 0:25:44 | 0:25:46 | |
You're getting quite a name for yourself | 0:25:48 | 0:25:50 | |
with your regeneration initiatives, aren't you? | 0:25:50 | 0:25:53 | |
And not just in Shieldinch. | 0:25:53 | 0:25:55 | |
It's quite a legacy you're creating. | 0:25:55 | 0:25:58 | |
Every project provides jobs for workers, | 0:25:58 | 0:26:01 | |
homes for ordinary families. | 0:26:01 | 0:26:03 | |
And another notch on your political bedpost? | 0:26:03 | 0:26:05 | |
You can't speak to me like that. | 0:26:05 | 0:26:08 | |
I apologise. | 0:26:08 | 0:26:10 | |
But it's fair to say, though, that you wouldn't be best pleased | 0:26:11 | 0:26:13 | |
if someone threatened to derail things. | 0:26:13 | 0:26:16 | |
Who are you referring to here? Eileen Donachie? | 0:26:16 | 0:26:19 | |
She couldn't derail a toy train. | 0:26:19 | 0:26:21 | |
This project is bigger than someone like her. | 0:26:21 | 0:26:24 | |
What about Eric Turnbull? Is it bigger than him? | 0:26:26 | 0:26:29 | |
Or Raymond Henderson? | 0:26:29 | 0:26:31 | |
-I don't follow. -Mr Henderson was the local man kicking up | 0:26:31 | 0:26:34 | |
a stink about your development. | 0:26:34 | 0:26:36 | |
He was found dead yesterday morning. | 0:26:36 | 0:26:39 | |
See, there's one thing you should know about Councillor Donachie. | 0:26:39 | 0:26:42 | |
She hates me. Not just because of the development. | 0:26:42 | 0:26:44 | |
We've come to blows a few times. Professionally. | 0:26:44 | 0:26:47 | |
You're saying she's got reason to make false accusations against you? | 0:26:47 | 0:26:51 | |
No disrespect, but that woman wasn't the most rational of people | 0:26:51 | 0:26:55 | |
-even before her ex-husband pegged it. -So you deny the allegations? | 0:26:55 | 0:26:58 | |
There's nothing to deny. It's just the case of a sad, bereaved woman | 0:26:58 | 0:27:02 | |
looking for a scapegoat. | 0:27:02 | 0:27:05 | |
So, if you'll excuse me? | 0:27:05 | 0:27:07 | |
Thank you for your time. | 0:27:09 | 0:27:11 | |
But you're not happy to drop it? | 0:27:21 | 0:27:24 | |
There's absolutely no evidence to suggest that Raymond's death | 0:27:24 | 0:27:27 | |
was anything other than suicide. | 0:27:27 | 0:27:30 | |
But something's not sitting right. | 0:27:30 | 0:27:33 | |
And I do not like that Frank Paton. | 0:27:34 | 0:27:37 | |
Word to the wise, you might want to steer clear of rattling the cages | 0:27:37 | 0:27:40 | |
of the great and the good. | 0:27:40 | 0:27:42 | |
-You've already lost a stripe on account of that. -I know, I know. | 0:27:42 | 0:27:45 | |
Never mind that Lenny has blackmail on us, too. | 0:27:45 | 0:27:48 | |
ENGINE STARTS | 0:27:50 | 0:27:51 | |
-Eileen Donachie's been talking to the police! -Aye, well, that's generally | 0:28:10 | 0:28:13 | |
-what folk do when they're being blackmailed. -You know the score. | 0:28:13 | 0:28:16 | |
-All's fair in love and property deals. -This is not how I operate. | 0:28:16 | 0:28:20 | |
And it's not how the people I deal with operate. | 0:28:20 | 0:28:22 | |
So what are you going to do? Cut me out of the project? | 0:28:22 | 0:28:26 | |
Nobody's indispensable, Frank. | 0:28:26 | 0:28:28 | |
Oh, and by the way, Eileen's got a copy of the original report. | 0:28:30 | 0:28:34 | |
-So, you're saying you don't believe me about the blackmail? -No. | 0:28:42 | 0:28:46 | |
I'm saying there's no hard evidence of it. | 0:28:46 | 0:28:48 | |
Or of any wider corruption | 0:28:48 | 0:28:50 | |
that might be connected to Raymond's death. | 0:28:50 | 0:28:53 | |
I just want to do the right thing for Raymond. | 0:28:54 | 0:28:57 | |
Then, you have to bury him. | 0:28:57 | 0:29:00 | |
Not until I know how he's died. | 0:29:00 | 0:29:02 | |
Eileen, his body is not going to give up any more clues. | 0:29:02 | 0:29:06 | |
The man deserves a funeral. | 0:29:06 | 0:29:10 | |
And what then? I just give up? | 0:29:10 | 0:29:12 | |
Accept that this has all just been a senseless tragedy? | 0:29:12 | 0:29:16 | |
I cannot begin to imagine how awful this must be for you. | 0:29:16 | 0:29:22 | |
Death's never easy to accept at the best of times, | 0:29:22 | 0:29:25 | |
-never mind one that's as shocking and sudden one like this. -Please. | 0:29:25 | 0:29:30 | |
Please look into the development company. | 0:29:30 | 0:29:33 | |
Just check out how they operate, because this isn't right. | 0:29:33 | 0:29:38 | |
I've already had my knuckles rapped for going off-piste once lately. | 0:29:38 | 0:29:41 | |
And you're too scared to step out of line? | 0:29:41 | 0:29:44 | |
I wish Raymond had been as big a coward as you are, | 0:29:45 | 0:29:47 | |
because he might still be alive. | 0:29:47 | 0:29:49 | |
-OK, leave it with me. I'll see what I can do. -You promise? | 0:29:53 | 0:29:58 | |
Give that man a funeral, and we've got a deal. | 0:30:02 | 0:30:05 | |
DOOR CLOSES | 0:30:18 | 0:30:20 | |
Stevie, I need you to help me arrange Raymond's funeral. | 0:30:21 | 0:30:24 | |
# The rabbit hopped over the log | 0:31:09 | 0:31:11 | |
# And the rabbit crawled under the log... | 0:31:11 | 0:31:13 | |
# And the rabbit... # Er... | 0:31:14 | 0:31:17 | |
What's the rhyme? I forgot... | 0:31:17 | 0:31:19 | |
You should have let me do that. | 0:31:19 | 0:31:22 | |
I know how to tie his tie, I just forgot the rhyme. | 0:31:22 | 0:31:26 | |
You know, I've been waiting for you to have a bad day. | 0:31:26 | 0:31:29 | |
All this stress has not been good for you. | 0:31:29 | 0:31:32 | |
I'm fine! I'm just worried about Eileen. | 0:31:32 | 0:31:35 | |
And I'm disappointed that Gina didn't come back to support | 0:31:35 | 0:31:37 | |
her sister. | 0:31:37 | 0:31:39 | |
She offered, | 0:31:39 | 0:31:41 | |
and Eileen told her not to bother. | 0:31:41 | 0:31:43 | |
I think Eileen would be happy if no-one at all turned up today. | 0:31:43 | 0:31:47 | |
-If you ask me, she's feeling the shame of it. -Och, that's not right. | 0:31:49 | 0:31:53 | |
You don't need to tell ME that! | 0:31:53 | 0:31:55 | |
-Oh. -Oh, very nice. | 0:31:56 | 0:32:00 | |
-Mm-hm. -And very dignified. | 0:32:00 | 0:32:03 | |
Because not everyone wears black these days. | 0:32:04 | 0:32:07 | |
Especially not for a younger person. | 0:32:08 | 0:32:11 | |
What is it they say again? They're celebrating a life. | 0:32:12 | 0:32:16 | |
Well, I don't feel like celebrating, so there we are. | 0:32:16 | 0:32:20 | |
-Has Stuart had his breakfast? -I'll take him. Come on, son. | 0:32:20 | 0:32:25 | |
Come on, I'll take you for your breakfast. | 0:32:25 | 0:32:27 | |
Eileen... | 0:32:30 | 0:32:32 | |
..I know that you are dreading this funeral. | 0:32:33 | 0:32:36 | |
But...people these days are much more understanding of the issues | 0:32:37 | 0:32:42 | |
when somebody has died... the way Raymond did. | 0:32:42 | 0:32:47 | |
It's not like the old days | 0:32:47 | 0:32:49 | |
when there might have been some kind of stigma. | 0:32:49 | 0:32:51 | |
Can we just get through this? | 0:32:51 | 0:32:53 | |
Whatever the circumstances, | 0:32:54 | 0:32:56 | |
he was Stuart's father, | 0:32:56 | 0:32:58 | |
and if my son's to remember this day at all, I'd like him | 0:32:58 | 0:33:02 | |
to remember it with some kind of pride, if that's even possible. | 0:33:02 | 0:33:06 | |
Well... | 0:33:06 | 0:33:08 | |
that's what we all want. | 0:33:08 | 0:33:10 | |
Good. | 0:33:10 | 0:33:11 | |
Hey ho. | 0:33:16 | 0:33:18 | |
That's the hearse arrived. | 0:33:48 | 0:33:50 | |
Oh, right. | 0:33:50 | 0:33:52 | |
Let's get this thing done. | 0:33:52 | 0:33:54 | |
Right, I'll get Stuart. | 0:33:54 | 0:33:56 | |
I don't think I can do this. | 0:34:01 | 0:34:03 | |
Come on, hey. | 0:34:03 | 0:34:04 | |
Take my hand. | 0:34:04 | 0:34:06 | |
We'll get through this thing together. Come on. | 0:34:07 | 0:34:09 | |
I knew his friends wouldn't let him down. | 0:35:03 | 0:35:05 | |
See what an important man your daddy was? | 0:35:06 | 0:35:09 | |
All right, dear? | 0:39:17 | 0:39:18 | |
Where's my dad got to? | 0:39:18 | 0:39:20 | |
He spotted an old pal of George's and went to say hello. | 0:39:20 | 0:39:25 | |
Can't remember what he had for breakfast, | 0:39:25 | 0:39:27 | |
but he remembered this old chap that he hadn't seen for 20 years... | 0:39:27 | 0:39:30 | |
I'll...I'll go on ahead, I think. See how things are going. | 0:39:33 | 0:39:37 | |
How are you doing? | 0:39:42 | 0:39:43 | |
I think I'm in a dream. | 0:39:44 | 0:39:47 | |
I thought I'd be in bits, but I'm just numb. | 0:39:47 | 0:39:49 | |
What's HE doing here? | 0:39:51 | 0:39:53 | |
You want me to deal with him? | 0:39:56 | 0:39:58 | |
No, ignore him. | 0:39:58 | 0:40:01 | |
It's not about him today. | 0:40:01 | 0:40:03 | |
Everybody's away to the pub. Do you want to start making a move? | 0:40:03 | 0:40:06 | |
Two minutes. | 0:40:08 | 0:40:09 | |
Aye, of course. | 0:40:09 | 0:40:11 | |
I'm sorry. | 0:40:34 | 0:40:35 | |
I am so, so sorry. | 0:40:37 | 0:40:40 | |
SHE SOBS | 0:40:49 | 0:40:51 | |
-Great seeing you again, Gerry. You take care. -Take care. | 0:40:57 | 0:41:00 | |
Ah... | 0:41:01 | 0:41:03 | |
You all right, there? | 0:41:07 | 0:41:09 | |
Aye, oh, just seeing an old pal of mine there. | 0:41:09 | 0:41:11 | |
-Used to play cards with him. -Happy days, eh? -Aye, they were. | 0:41:11 | 0:41:15 | |
Och, maybe we just remember them well from a distance. | 0:41:15 | 0:41:19 | |
-You must be Eileen's dad, Malcolm, isn't it? -Aye... Have we met before? | 0:41:19 | 0:41:24 | |
-My memory's not... -No, no, no, I'm Frank. | 0:41:24 | 0:41:27 | |
-I'm a colleague of Eileen's from the council. -Oh, nice to meet you. | 0:41:27 | 0:41:30 | |
I'm very sorry for your loss. | 0:41:30 | 0:41:32 | |
-Oh, thanks. So, you knew Raymond too? -Just in passing. | 0:41:32 | 0:41:36 | |
-It's really Eileen that I'm here to support. -Oh, that's good of you. | 0:41:36 | 0:41:40 | |
It's getting on a wee bit, why don't I give you a run to the Tall Ship? | 0:41:40 | 0:41:43 | |
Oh... That's kind of you, but I can't go without my wife. | 0:41:43 | 0:41:47 | |
Oh, don't you worry about that. | 0:41:47 | 0:41:49 | |
There was some confusion with the cars, it's all hands to the pump. | 0:41:49 | 0:41:51 | |
-Oh, really? -Aye. In you get. | 0:41:51 | 0:41:54 | |
I'll get you to the Tall Ship in no time. | 0:41:54 | 0:41:56 | |
You'll get the drinks in for the ladies, eh? | 0:41:56 | 0:41:58 | |
Aye, that's a good idea, that. | 0:41:58 | 0:42:00 | |
Have you seen Malcolm? | 0:42:09 | 0:42:11 | |
I thought he was with you. | 0:42:13 | 0:42:15 | |
No, I had to go and settle up the account, you know, | 0:42:15 | 0:42:17 | |
in the church, and now I can't see him anywhere. | 0:42:17 | 0:42:21 | |
You all right back there, Malcolm? | 0:42:25 | 0:42:26 | |
Aye... Aye, I'm fine. Thanks, son. | 0:42:26 | 0:42:30 | |
It's a terrible business, this, eh? | 0:42:31 | 0:42:33 | |
Aye, oh, aye. | 0:42:33 | 0:42:35 | |
Raymond... Huh! | 0:42:35 | 0:42:37 | |
Tragic. | 0:42:37 | 0:42:39 | |
Him and Eileen were divorced, weren't they? | 0:42:39 | 0:42:41 | |
Aye, but when you've a kid together... | 0:42:41 | 0:42:44 | |
nothing's ever cut and dried. | 0:42:44 | 0:42:47 | |
Well, listen, I'll tell you, | 0:42:47 | 0:42:50 | |
that lassie hasn't slept a wink since the day he died. | 0:42:50 | 0:42:53 | |
-So, they were still close, then? -Oh, that's another word. Huh! | 0:42:55 | 0:42:58 | |
He's left her every penny he had. | 0:42:59 | 0:43:01 | |
That's a bit unusual, in't it? | 0:43:01 | 0:43:03 | |
For a couple that split up. | 0:43:03 | 0:43:05 | |
Ah, but Raymond and Eileen were different. | 0:43:05 | 0:43:09 | |
They knew each other from when they were teenagers. | 0:43:09 | 0:43:11 | |
Aye, they were on, then they were off again. | 0:43:11 | 0:43:15 | |
Ah, but when the chips were down... | 0:43:15 | 0:43:18 | |
Eileen always turned to Raymond. And him to her. | 0:43:18 | 0:43:22 | |
So, would you say that Raymond might confide in Eileen? | 0:43:23 | 0:43:26 | |
Aye! | 0:43:28 | 0:43:29 | |
Hey, what kind of question is that? | 0:43:29 | 0:43:33 | |
Sorry. I'm just interested. I'm divorced myself | 0:43:33 | 0:43:35 | |
so I'm always keen to know how other folks make it work. | 0:43:35 | 0:43:39 | |
Aye, aye, aye. | 0:43:39 | 0:43:41 | |
Whatever. | 0:43:41 | 0:43:42 | |
I'm so sorry. | 0:43:46 | 0:43:47 | |
He has a habit of wandering off. | 0:43:47 | 0:43:50 | |
He's definitely not in the churchyard. | 0:43:50 | 0:43:52 | |
Oh, no, this is all we need! | 0:43:52 | 0:43:54 | |
Liz, don't worry, he'll be all right, we'll find him. | 0:43:54 | 0:43:56 | |
Look, I'll take the car, I'll drive around for a bit. | 0:43:56 | 0:43:59 | |
-He can't have got far. -I'll come with you. -Think about it. | 0:43:59 | 0:44:01 | |
When did you actually last see him? | 0:44:01 | 0:44:03 | |
He was talking to that friend of George's. | 0:44:03 | 0:44:06 | |
Maybe they've wandered off together. They could be in the Tall Ship now. | 0:44:06 | 0:44:09 | |
She's right, we should get back there. | 0:44:09 | 0:44:11 | |
Oh, no, I don't want to leave without him. | 0:44:11 | 0:44:13 | |
Well, he's not here, is he? | 0:44:13 | 0:44:15 | |
Thank you. | 0:44:18 | 0:44:19 | |
What's going to happen to his flats? That's what I want to know. | 0:44:24 | 0:44:27 | |
-Now is not the time. -When is the right time, Jimmy? | 0:44:27 | 0:44:30 | |
When they're all sold and we're flung out on our ears. | 0:44:30 | 0:44:33 | |
-Is my dad here? -I've not seen him. | 0:44:33 | 0:44:34 | |
Oh, no, you see, I knew we shouldn't have left the churchyard! | 0:44:34 | 0:44:39 | |
-What's wrong, Liz? -Oh, he's gone AWOL. | 0:44:39 | 0:44:42 | |
-Well, when did you last see him? -At the church. | 0:44:42 | 0:44:45 | |
-We need to track down that friend of his. Is it Gerry? -Aye, but how? | 0:44:45 | 0:44:49 | |
Well, he's a friend of Raymond's family. Somebody here must know him. | 0:44:49 | 0:44:52 | |
-Is everything all right? -Oh! -It's my dad, he's gone missing. | 0:44:52 | 0:44:56 | |
-I'll make a call. -Last seen at the church. | 0:44:56 | 0:44:59 | |
-Anything? -No. | 0:45:01 | 0:45:03 | |
We've covered the area between here and the church. | 0:45:03 | 0:45:06 | |
Is there anywhere else he might have gone? | 0:45:06 | 0:45:08 | |
Any number of places! | 0:45:08 | 0:45:10 | |
The dookets down by the water. One time we found him | 0:45:10 | 0:45:15 | |
he was going round and round on the Underground. He could be anywhere! | 0:45:15 | 0:45:19 | |
-Dad! -Oh, Malcolm, thank heavens! | 0:45:21 | 0:45:26 | |
What's the problem? | 0:45:26 | 0:45:27 | |
Oh, Dad! Where have you been? | 0:45:27 | 0:45:30 | |
There was that many folk there and not enough cars. | 0:45:30 | 0:45:33 | |
So I hitched a lift from this fella here. | 0:45:33 | 0:45:36 | |
He works with Eileen. | 0:45:36 | 0:45:37 | |
Took his time getting here. I nodded off. | 0:45:39 | 0:45:42 | |
Well, just as long as you're all right. | 0:45:42 | 0:45:45 | |
Why wouldn't I be? Come on. | 0:45:45 | 0:45:48 | |
I found him wandering away from the cemetery. | 0:45:52 | 0:45:54 | |
I would have brought him back sooner but you'd left the church and | 0:45:54 | 0:45:57 | |
he started getting confused about where the reception was. | 0:45:57 | 0:46:00 | |
Thanks a lot. We're really glad you found him. | 0:46:00 | 0:46:02 | |
-Kelly-Marie, can you give us a minute? -Sure. | 0:46:02 | 0:46:05 | |
I don't know what you've just done but you need to go now. | 0:46:07 | 0:46:10 | |
Eileen, I thought I'd done a good thing. | 0:46:10 | 0:46:12 | |
I found an elderly confused man wandering the streets... | 0:46:12 | 0:46:15 | |
I said, get out. | 0:46:15 | 0:46:17 | |
All right? | 0:46:17 | 0:46:18 | |
On behalf of everyone from the council, | 0:46:20 | 0:46:22 | |
we're very sorry for your loss. | 0:46:22 | 0:46:25 | |
You don't represent anyone on the council. | 0:46:25 | 0:46:28 | |
What, have I got to show you the door? | 0:46:28 | 0:46:30 | |
Sorry. I didn't mean to cause any distress. | 0:46:32 | 0:46:35 | |
Eileen. | 0:46:37 | 0:46:38 | |
Hi, Alison? It's Craig Donald here. | 0:47:07 | 0:47:09 | |
Listen, I've got a document you guys might want to have a gander at. | 0:47:09 | 0:47:12 | |
It's about a potential cover-up regarding some land in Shieldinch. | 0:47:12 | 0:47:17 | |
I'll send it over to you. Probably something and nothing. | 0:47:17 | 0:47:20 | |
Hope you're well, speak to you soon. | 0:47:20 | 0:47:22 | |
I must have missed the bit where I asked you into my house. | 0:47:42 | 0:47:45 | |
-I needed to get out of the bar. -Let me recommend the beer garden. | 0:47:45 | 0:47:48 | |
I'm going. But just for the record... | 0:47:50 | 0:47:53 | |
..this won't ever be your house. Or your pub. | 0:47:55 | 0:47:59 | |
Tell that to the Licensing Authorities. | 0:47:59 | 0:48:03 | |
This place is Raymond's. And mine. | 0:48:04 | 0:48:09 | |
It's our home. And it always will be. | 0:48:09 | 0:48:11 | |
Enjoy your spoils, Lenny. | 0:48:16 | 0:48:19 | |
If you can. | 0:48:20 | 0:48:22 | |
Hi. | 0:50:03 | 0:50:04 | |
-Get out of here! -I did knock. You mustn't have heard. | 0:50:04 | 0:50:07 | |
I'm going to call the police! | 0:50:07 | 0:50:08 | |
Say what? That I've come to pay my respects to Raymond? | 0:50:08 | 0:50:13 | |
You're sick! | 0:50:13 | 0:50:15 | |
I'm a good man. | 0:50:15 | 0:50:17 | |
It's you. It's you that's behind all this. | 0:50:19 | 0:50:23 | |
-Eileen... -You set Lenny Murdoch on me! | 0:50:23 | 0:50:24 | |
No. I didn't. Lenny Murdoch is his own man. | 0:50:24 | 0:50:29 | |
Do you really think that he would do my bidding? | 0:50:29 | 0:50:31 | |
You can't deny that you wanted me out of the way. | 0:50:31 | 0:50:34 | |
No. I can't. | 0:50:34 | 0:50:36 | |
There's a future out there, Eileen, | 0:50:37 | 0:50:40 | |
and I want everyone in this city to be a part of it. | 0:50:40 | 0:50:44 | |
And if that means tearing down old high rises | 0:50:44 | 0:50:46 | |
and crumbling community centres, then that's what I'll do. | 0:50:46 | 0:50:49 | |
This Lenny Murdoch thing - it's just not true. | 0:50:51 | 0:50:54 | |
I get it that you're looking for someone to blame. | 0:50:58 | 0:51:03 | |
When someone close does that... the guilt is like nothing else. | 0:51:03 | 0:51:12 | |
Everywhere you go... | 0:51:14 | 0:51:16 | |
you feel people looking at you with that one question in their eyes. | 0:51:16 | 0:51:21 | |
"What did you do to push that person over the edge?" | 0:51:23 | 0:51:26 | |
Cos you were the one closest to that person, right? | 0:51:30 | 0:51:33 | |
You were the one that they should have wanted to stay alive for. | 0:51:35 | 0:51:39 | |
The one they could come to with any problems. | 0:51:40 | 0:51:42 | |
Everyone is looking at you and thinking, | 0:51:44 | 0:51:47 | |
"You...let...that...person...die." | 0:51:47 | 0:51:50 | |
How do you know this? | 0:51:50 | 0:51:52 | |
How do you know this? | 0:51:54 | 0:51:55 | |
My wife. She did it. Six years ago. | 0:51:57 | 0:52:04 | |
She hung herself. | 0:52:05 | 0:52:07 | |
I'm surprised you don't remember. It was all over the papers. | 0:52:10 | 0:52:15 | |
Nobody said as much, | 0:52:17 | 0:52:18 | |
but I read between the lines and every article blamed me. | 0:52:18 | 0:52:27 | |
And maybe they were right. | 0:52:29 | 0:52:32 | |
I can still remember the daft row we had the night before she died. | 0:52:34 | 0:52:39 | |
Every stupid hurtful word. | 0:52:41 | 0:52:45 | |
I would give anything... | 0:52:48 | 0:52:50 | |
if I could take those words back. | 0:52:50 | 0:52:53 | |
Everything. | 0:52:53 | 0:52:55 | |
-SHE WAILS -Eileen? | 0:52:56 | 0:52:59 | |
It IS my fault. | 0:52:59 | 0:53:02 | |
I told him to go away. | 0:53:02 | 0:53:03 | |
I told I didn't want him! | 0:53:03 | 0:53:06 | |
It's OK, it's OK... | 0:53:06 | 0:53:09 | |
What am I going to do, what am I going to do without him? | 0:53:09 | 0:53:14 | |
SHE WAILS | 0:53:17 | 0:53:19 | |
RAUCOUS LAUGHTER | 0:53:19 | 0:53:22 | |
He came home that night covered in sludge from the riverbank. | 0:53:26 | 0:53:29 | |
George took one look at him | 0:53:29 | 0:53:31 | |
and knew right away he'd been out looking for that old German sub. | 0:53:31 | 0:53:35 | |
So he smacked him till he was black and blue for his troubles. | 0:53:35 | 0:53:38 | |
He told me about that sub. | 0:53:38 | 0:53:40 | |
Me and Deek went out looking for it too. | 0:53:40 | 0:53:43 | |
You're as daft as he was. | 0:53:43 | 0:53:45 | |
He wasn't the sharpest tool in the box, was he? | 0:53:45 | 0:53:48 | |
Mind that Sharon McLaren fae Arran? She played him like a banjo. | 0:53:48 | 0:53:52 | |
Aye, he was good at dishing out the advice | 0:53:55 | 0:53:57 | |
but not so good at taking it. | 0:53:57 | 0:53:58 | |
It'll not be the same without him. | 0:54:06 | 0:54:08 | |
To Raymond. | 0:54:14 | 0:54:15 | |
ALL: Raymond. | 0:54:15 | 0:54:17 | |
Can I get you some more water? | 0:54:23 | 0:54:26 | |
No, thanks. | 0:54:26 | 0:54:28 | |
I'm sorry. | 0:54:30 | 0:54:32 | |
It's better to let it all out. I get it. I really do. | 0:54:32 | 0:54:37 | |
Thank you. | 0:54:40 | 0:54:41 | |
-I can stay if you like. -No. | 0:54:44 | 0:54:46 | |
So we're good, then? All this silly police stuff. | 0:54:50 | 0:54:54 | |
Please, Frank... I just want to sleep. | 0:54:54 | 0:54:58 | |
You give me a call, yeah? We can get through this...together. | 0:55:02 | 0:55:07 | |
MUSIC: Laura by Bat For Lashes | 0:55:13 | 0:55:14 | |
# You say that they've all left you behind | 0:55:14 | 0:55:19 | |
# Your heart broke when the party died... # | 0:55:23 | 0:55:27 | |
WEEPING | 0:55:34 | 0:55:37 | |
# Can we dance upon the tables again? | 0:55:41 | 0:55:48 | |
# When your smile is so wide and your heels are so high | 0:55:51 | 0:55:56 | |
# You can't cry | 0:55:57 | 0:56:00 | |
# Get your glad rags on and let's sing along | 0:56:00 | 0:56:05 | |
# To that lonely song | 0:56:07 | 0:56:10 | |
# You're the train that crashed my heart | 0:56:11 | 0:56:15 | |
# You're the glitter in the dark | 0:56:15 | 0:56:19 | |
# Ooh, Laura, you're more than a superstar | 0:56:19 | 0:56:25 | |
# And in this horror show | 0:56:29 | 0:56:32 | |
# I've got to let you know | 0:56:32 | 0:56:37 | |
# Ooh, Laura, you're more than a superstar... # | 0:56:37 | 0:56:43 | |
SHE CALLS OUT | 0:56:49 | 0:56:51 | |
So, first day back. | 0:56:57 | 0:56:59 | |
I just need to get back to some kind of normality. | 0:56:59 | 0:57:02 | |
PHONE RINGS | 0:57:04 | 0:57:07 | |
Mum. | 0:57:07 | 0:57:08 | |
Alan, I'm...I'm begging you here. I've got nowhere else to turn. | 0:57:08 | 0:57:13 |