23/09/2014 River City


23/09/2014

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Transcript


LineFromTo

It was me who went to the press.

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I really wish you hadn't done that.

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What have you done?!

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Is this the body of Raymond Henderson?

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Who were you with that you shouldn't have been?

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-My wife.

-Why is this a big secret?

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How do you think they're going to feel when they find out she's

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-been back in Glasgow, and she hasn't bothered to see them?

-Daddy had an accident.

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It's just going to be you and me from now on.

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Right. Do you think that you could look after Granny and Grandad

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while I pop out for a minute?

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Good boy, come on.

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Dad!

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Are you OK?

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Fine. What are you doing here?

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-We had to know what was going on.

-It's not a big deal.

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Kirsty was worried.

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Well, can we go now, please?

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-You're free to go?

-Of course I am. Come on.

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So why did they keep you in last night?

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It was just a stupid fight, a misunderstanding.

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Look, can we just get in the car, please?

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Yeah, but...

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In the car!

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-Aye, all right, calm down.

-Sorry. I just spent the night in here.

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Forgive me if I don't want to hang around.

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At least now you can sleep easy.

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Can I, though?

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What do you mean?

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What if I'm responsible for what he did?

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What if our fight is what pushed him over the edge?

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That's just daft.

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You know, you should make a complaint.

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They're not allowed to keep you in overnight for no reason.

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Can we just drop this, please?

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Is that Mum?

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Don't be silly.

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It is, it's her. Dad, stop the car!

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Kirsty, stop it.

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-Stop the car, Dad, it's Mum.

-Kirsty, you're being ridiculous!

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-I'm not.

-Enough!

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'I'm telling you,'

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it was mum.

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Look, I see her all the time - at least I think I do -

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but it's never her, it's just some woman walking down the street.

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-It's wishful thinking.

-She's here.

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Why are you lying to us?

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I'm not.

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Fine.

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Where are you going?

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Back to the police station.

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I'm sure they'll be able to tell me if it was her.

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This is crazy.

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Come or don't. It's up to you.

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Fine, I'll go myself.

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It was her.

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I knew it.

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What?!

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You drove away!

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You didn't let her see us!

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It's no' that simple.

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Why do you keep pushing her away?

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It's no' me doing the pushing. It's her!

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Wait, hold on a minute.

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So she is back in Glasgow?

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Aye.

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-When did she get back?

-A few days ago.

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No.

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Maybe more. I don't know.

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I only found out myself, the day before yesterday.

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You're lying.

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She would have come to see us, wouldn't she?

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It's not that she doesn't love you, of course she does,

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but she says she just needs time.

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HE SCOFFS

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What does that even mean?

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I don't know!

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I don't know what's going on in her head!

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How was she?

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Different.

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No' the same person.

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-In what way?

-Detached.

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I don't think she looked me in the eye once.

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You think she's hiding something?

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-Like what?

-Maybe she's seeing someone else?

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Maybe.

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But I don't think that's it, I think it's something worse.

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-Stop it!

-This is why I didn't want to talk about it.

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Do you think she's not well?

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It's the only thing that would explain why she would do this.

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No' so much to me but to you guys.

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I have to believe that she's going through some sort of breakdown.

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What if she does something stupid?

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-She won't.

-You don't know that!

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She'll go back to Dubai, she'll be thousands of miles away,

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all on her own.

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She's got her friend out there.

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She's not got us!

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She'll be fine. She just needs a break.

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It's not just a break, though, is it?

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Dad?

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I don't know.

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-We must have really pissed her off.

-No!

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You have done nothing wrong. Either of you.

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If anybody's to blame here, it's me.

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I should have seen that she was unhappy but I was too busy with...

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other things.

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Look, I hate that this has happened to us,

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I hate that she's no' here...

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..but it is what it is.

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Look, I'm going nowhere.

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So you're stuck with me.

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Whether you like it or no'.

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OK?

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OK.

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Kirsty?

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Come here.

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KIRSTY SOBS

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It'll be OK.

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We'll be OK.

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DOORBELL RINGS

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You liar!

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You and your pals made me out to be an idiot!

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You ruined my professional reputation!

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And all the time you knew that that land was bad!

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Where did you get that?

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You can't even act surprised, can you?

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Because you've seen this before!

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Please, can we take this away from my door?

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It wasn't my idea to cover anything up.

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I don't work for the development any more. I am out of it.

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You're still up to your neck in it.

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I know that.

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But please believe me, if I'd known what I was getting into

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with that business, I would never have signed up for the job.

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-We OK here?

-Yep, could you two just give us a minute, please?

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Is that a good idea?

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Thanks, Angus, I can handle this. Inside, please.

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Dad didn't have anything to do with Raymond's death.

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-If you don't believe him, you can ask the police.

-Angus!

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DOOR CLOSES What's he talking about?

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The police questioned me about Raymond's death.

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They thought I might have been involved.

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Is that why they took you away yesterday?

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Me and Raymond had a disagreement before he died.

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I guess that made me a suspect.

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So they DON'T think it's suicide?

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Are they investigating it as something else?

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Honestly, Eileen, I don't know.

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I suppose they have to look into every possibility.

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I was the last person to see Raymond alive,

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they were always going to talk to me.

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And how was he? When you saw him?

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Not good.

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Mentally? Did he look like a man that was going to kill himself?

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I don't know.

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Think! This is important! You owe me!

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He wasn't in a good state.

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I need to go.

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I'm sorry...for your loss.

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-If there's ever anything I can do...

-Spare me.

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If you had any concern for my family,

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you wouldn't have stood by and let this happen.

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Was it you that set Lenny Murdoch on me?

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What?

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When I first opposed the development, Lenny Murdoch turned up

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on my doorstep and blackmailed me into stepping out of the fight.

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Why would Murdoch be involved?

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You tell me.

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But now I can see how low you people will stoop,

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I'm more certain than ever that it was somebody from your company

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that sent him.

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It wasn't me. I promise you.

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This isn't over.

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You all right? I heard the police picked you up.

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They wanted to know where I was the night Raymond died.

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I thought it was suicide.

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You think they'd have kept me in overnight for a suicide?

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It gets better. Eileen has a copy of the report.

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HE SIGHS

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How the hell did I get involved in this?!

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I've been asking myself that from the start.

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Is she going to go to the police?

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I wouldnae be surprised.

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OK, cheers for the heads-up.

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I'm no' finished.

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Eileen thinks one of us had Lenny Murdoch blackmail her.

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-What?

-She's claiming that we used him to strong-arm her

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into dropping her opposition to the flats.

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But we didnae do that, did we?

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Cos Murdoch has nothing to do with Lowtherhill.

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Frank brought him in.

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HE SIGHS

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I didn't want him on board, but I didn't seem to have a choice.

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As far as I knew, his role was only financial.

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Apparently not.

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Murdoch is a gangster.

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Violence is second nature to people like him.

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You know that better than me.

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And if Murdoch's involved,

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who's to say what really happened to Eric Turnbull?

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Turnbull will turn up.

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Well, let's hope it's not in another car filled with exhaust fumes, eh?

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DOOR OPENS

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KNOCK AT DOOR

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-Hi.

-Come in.

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Thanks.

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HE CLEARS HIS THROAT

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How you doing?

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How do you think?

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Sorry.

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-No.

-I

-am. I'm just...

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I've just not slept much.

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Well, this might mean you can start to move on.

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It's the results of the postmortem.

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The pathologist's issued a death certificate.

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"Asphyxiation"?

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I mean, we...

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We know all this.

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It tells us there were no suspicious circumstances.

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You can't tell that just from a postmortem.

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We scoured the place, Eileen.

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There was just no evidence of any foul play.

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And how hard did you look, exactly?

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Sorry?

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Well, it's obvious you all think it was suicide,

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so I can't see you throwing resources at proving otherwise.

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You think there's something to be proved?

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I just want you to give me a proper explanation

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as to why Raymond died, because right now

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it just doesn't make any sense.

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He did have high levels of alcohol in his blood.

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So he passed out because he was drunk?

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It's not impossible.

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But you don't think that's what happened.

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Eileen, I've been doing this job a long time.

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When a death looks like a...suicide,

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that's generally what it is.

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I'm really sorry.

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Anyway, the body has been released,

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so you and the family can start to make plans.

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Raymond...he wasn't depressed when he died.

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And he wasn't having some sort of a breakdown.

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I saw the state of him, the state of his house.

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Everything pointed to him being unwell, paranoid...

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What if he was right to be?

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What if his conspiracy theories weren't just pie in the sky?

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What if he was right about Alan Lindsay and Alex McAllister

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and Frank Paton?

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Eileen, it's a housing development. The stakes really aren't that high.

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There's money to be made from that development, and reputations too.

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And not just in Shieldinch.

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Frank Paton is promoting developments

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just like this one all over Glasgow.

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There's nothing illegal about that.

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There is if they're relying on blackmail to do it.

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I beg your pardon?

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When I opposed the development, somebody set Lenny Murdoch on me.

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He told me that if I didn't stop causing trouble,

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he would expose Raymond over the death of Sean Kennedy.

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-Why didn't you come to the police?!

-Because I was scared!

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I still am.

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But what happened to me isn't important.

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I'm just telling you so you know the kind of people

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that you're dealing with. You need to work harder

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and find out what happened to Raymond.

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And to Eric Turnbull.

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Eric Turnbull wrote the report for the land that was to be developed.

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Then he wrote another report completely contradicting

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everything that's in this one.

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And then he disappeared. And Raymond winds up dead.

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Don't you think that's suspicious?

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I made a copy. You take it, and you read it.

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OK.

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Stevie, this might be way out of line,

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but I really don't know if you should be here.

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It's only been a day. Don't you need to give it some time?

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I know what I need, thanks.

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And that's for you to get the tables cleared.

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What can I get you?

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Just a word with the landlord, thanks.

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He's through there.

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Ta.

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Morning, Lenny. Mind if I have a word?

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I take it that's a rhetorical question.

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We could go somewhere more private.

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Unless you want to take me down the station, I'm quite comfy.

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We hear you've been paying a bit of attention to Eileen Donachie.

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I thought she'd be more your type than mine.

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-She claims you blackmailed her.

-Really? That's not my style.

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You didn't lean on her to drop her opposition

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-to the housing development?

-Course not. Although I did ask her,

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as my representative on the City Council, to reconsider her position.

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Because you've got cash tied up in it?

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Well, I'm the local landlord. Student flats mean student cash

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going over that counter and into my pocket.

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-So you haven't invested in the project?

-I don't do property.

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No money to be made in it these days.

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-Frank Paton seems to think there is.

-Who he?

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What about a guy called Eric Turnbull? Ever heard of him?

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Sorry.

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Now, if you don't mind, I'm out of time.

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Look, you don't need me to tell you blackmail is a serious offence.

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You'd get a much shorter sentence

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-if you admitted to acting on someone else's behalf.

-I'm sure I would.

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If I had something to admit.

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We can take this down the station if you like.

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Let's think here for a wee minute.

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What possible leverage could I have over Eileen Donachie

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or any of her family?

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Only thing I can think about is Raymond Henderson,

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God rest his soul, well, he got away with murder

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-while you boys all looked the other way.

-Don't try and be clever.

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You tell Counsellor Donachie that I apologise

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if she misinterpreted my polite request.

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I was only exercising my rights as one of her constituent.

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Oh, this is where you're hiding.

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Liz has been looking for you.

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She wants to discuss the funeral arrangements.

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-I went round to his house this morning.

-Yeah?

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And I found his will.

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He's left everything to me.

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Course he did. What else would he do?

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We weren't married any more, Dad.

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He could have left it in trust for Brian and Stuart, but this...

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It's almost like he thought we'd have some kind of future together...

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Maybe we would have done. There was always a connection.

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Maybe he thought that once we'd got through all this mess,

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we could be a family again. Me, him and Stuart.

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Oh, there you are.

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Listen...

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I thought we should get on the phone to the minister.

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Now that the...

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that Raymond has been released.

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If we get our skates on,

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we should be able to organise everything for the end of the week.

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So, would you like to phone the minister or shall I?

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Right, I'll do it.

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We're not going to bury him.

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The crematorium, then, if that's what he would have wanted.

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There's not going to be any funeral until I know how he died.

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But we DO know.

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-It says on the death certificate...

-It says nothing.

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Raymond didn't kill himself.

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Lowther Developments. That's your outfit, is it?

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It's the company formed to oversee the new flats.

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-But you're the boss?

-On paper.

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-Either are or you aren't.

-Sorry, is this going somewhere?

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-Business good, is it?

-I've got a few different companies on the go.

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An entrepreneur, eh? Just like Uncle Billy.

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I'm not proud of where I come from.

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But I've made my own success.

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My way. Legally.

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So, how do you explain the fact that Eileen Donachie claims

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to have been blackmailed on your account?

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-That's nothing to do with me.

-But you don't deny it happened?

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No. I've only just heard about it.

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But it was to do with your development?

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With furthering your business interests?

0:24:260:24:29

This project isn't a one-man show.

0:24:290:24:32

Though I'm beginning to wish it was.

0:24:320:24:34

So who put Murdoch on Councillor Donachie?

0:24:350:24:37

I don't know. Maybe you should speak to the man that brought

0:24:390:24:42

Murdoch into the development.

0:24:420:24:43

You'll find him at the Council Chambers.

0:24:450:24:47

KNOCK ON DOOR

0:24:550:24:57

Sorry to disturb. I did knock.

0:24:590:25:02

I am Detective Inspector Donald, Shieldinch and Mossgreen Police.

0:25:020:25:05

I know the name. What's this about?

0:25:050:25:08

Lenny Murdoch. Friend of yours?

0:25:080:25:11

Murdoch? Let's see...

0:25:110:25:13

He owns the Tall Ship pub in Shieldinch.

0:25:130:25:15

-Big fan of your development.

-It's not my development.

0:25:150:25:17

I just support it because it's good for the city,

0:25:170:25:19

that's where my interest ends.

0:25:190:25:21

But, I think I might have met this Mr Murdoch in passing.

0:25:210:25:25

It's funny. He's no idea who you are.

0:25:250:25:28

Well, I must be mistaken, then.

0:25:280:25:29

There's an accusation doing the rounds that you used

0:25:310:25:33

Mr Murdoch to "persuade"

0:25:330:25:36

Eileen Donachie to drop her campaign against the new building work.

0:25:360:25:39

That's ridiculous. Who said that? Eileen?

0:25:390:25:41

-Just a straight answer, thanks. Yes or no.

-Of course not!

0:25:410:25:44

That's a ridiculous idea.

0:25:440:25:46

You're getting quite a name for yourself

0:25:480:25:50

with your regeneration initiatives, aren't you?

0:25:500:25:53

And not just in Shieldinch.

0:25:530:25:55

It's quite a legacy you're creating.

0:25:550:25:58

Every project provides jobs for workers,

0:25:580:26:01

homes for ordinary families.

0:26:010:26:03

And another notch on your political bedpost?

0:26:030:26:05

You can't speak to me like that.

0:26:050:26:08

I apologise.

0:26:080:26:10

But it's fair to say, though, that you wouldn't be best pleased

0:26:110:26:13

if someone threatened to derail things.

0:26:130:26:16

Who are you referring to here? Eileen Donachie?

0:26:160:26:19

She couldn't derail a toy train.

0:26:190:26:21

This project is bigger than someone like her.

0:26:210:26:24

What about Eric Turnbull? Is it bigger than him?

0:26:260:26:29

Or Raymond Henderson?

0:26:290:26:31

-I don't follow.

-Mr Henderson was the local man kicking up

0:26:310:26:34

a stink about your development.

0:26:340:26:36

He was found dead yesterday morning.

0:26:360:26:39

See, there's one thing you should know about Councillor Donachie.

0:26:390:26:42

She hates me. Not just because of the development.

0:26:420:26:44

We've come to blows a few times. Professionally.

0:26:440:26:47

You're saying she's got reason to make false accusations against you?

0:26:470:26:51

No disrespect, but that woman wasn't the most rational of people

0:26:510:26:55

-even before her ex-husband pegged it.

-So you deny the allegations?

0:26:550:26:58

There's nothing to deny. It's just the case of a sad, bereaved woman

0:26:580:27:02

looking for a scapegoat.

0:27:020:27:05

So, if you'll excuse me?

0:27:050:27:07

Thank you for your time.

0:27:090:27:11

But you're not happy to drop it?

0:27:210:27:24

There's absolutely no evidence to suggest that Raymond's death

0:27:240:27:27

was anything other than suicide.

0:27:270:27:30

But something's not sitting right.

0:27:300:27:33

And I do not like that Frank Paton.

0:27:340:27:37

Word to the wise, you might want to steer clear of rattling the cages

0:27:370:27:40

of the great and the good.

0:27:400:27:42

-You've already lost a stripe on account of that.

-I know, I know.

0:27:420:27:45

Never mind that Lenny has blackmail on us, too.

0:27:450:27:48

ENGINE STARTS

0:27:500:27:51

-Eileen Donachie's been talking to the police!

-Aye, well, that's generally

0:28:100:28:13

-what folk do when they're being blackmailed.

-You know the score.

0:28:130:28:16

-All's fair in love and property deals.

-This is not how I operate.

0:28:160:28:20

And it's not how the people I deal with operate.

0:28:200:28:22

So what are you going to do? Cut me out of the project?

0:28:220:28:26

Nobody's indispensable, Frank.

0:28:260:28:28

Oh, and by the way, Eileen's got a copy of the original report.

0:28:300:28:34

-So, you're saying you don't believe me about the blackmail?

-No.

0:28:420:28:46

I'm saying there's no hard evidence of it.

0:28:460:28:48

Or of any wider corruption

0:28:480:28:50

that might be connected to Raymond's death.

0:28:500:28:53

I just want to do the right thing for Raymond.

0:28:540:28:57

Then, you have to bury him.

0:28:570:29:00

Not until I know how he's died.

0:29:000:29:02

Eileen, his body is not going to give up any more clues.

0:29:020:29:06

The man deserves a funeral.

0:29:060:29:10

And what then? I just give up?

0:29:100:29:12

Accept that this has all just been a senseless tragedy?

0:29:120:29:16

I cannot begin to imagine how awful this must be for you.

0:29:160:29:22

Death's never easy to accept at the best of times,

0:29:220:29:25

-never mind one that's as shocking and sudden one like this.

-Please.

0:29:250:29:30

Please look into the development company.

0:29:300:29:33

Just check out how they operate, because this isn't right.

0:29:330:29:38

I've already had my knuckles rapped for going off-piste once lately.

0:29:380:29:41

And you're too scared to step out of line?

0:29:410:29:44

I wish Raymond had been as big a coward as you are,

0:29:450:29:47

because he might still be alive.

0:29:470:29:49

-OK, leave it with me. I'll see what I can do.

-You promise?

0:29:530:29:58

Give that man a funeral, and we've got a deal.

0:30:020:30:05

DOOR CLOSES

0:30:180:30:20

Stevie, I need you to help me arrange Raymond's funeral.

0:30:210:30:24

# The rabbit hopped over the log

0:31:090:31:11

# And the rabbit crawled under the log...

0:31:110:31:13

# And the rabbit... # Er...

0:31:140:31:17

What's the rhyme? I forgot...

0:31:170:31:19

You should have let me do that.

0:31:190:31:22

I know how to tie his tie, I just forgot the rhyme.

0:31:220:31:26

You know, I've been waiting for you to have a bad day.

0:31:260:31:29

All this stress has not been good for you.

0:31:290:31:32

I'm fine! I'm just worried about Eileen.

0:31:320:31:35

And I'm disappointed that Gina didn't come back to support

0:31:350:31:37

her sister.

0:31:370:31:39

She offered,

0:31:390:31:41

and Eileen told her not to bother.

0:31:410:31:43

I think Eileen would be happy if no-one at all turned up today.

0:31:430:31:47

-If you ask me, she's feeling the shame of it.

-Och, that's not right.

0:31:490:31:53

You don't need to tell ME that!

0:31:530:31:55

-Oh.

-Oh, very nice.

0:31:560:32:00

-Mm-hm.

-And very dignified.

0:32:000:32:03

Because not everyone wears black these days.

0:32:040:32:07

Especially not for a younger person.

0:32:080:32:11

What is it they say again? They're celebrating a life.

0:32:120:32:16

Well, I don't feel like celebrating, so there we are.

0:32:160:32:20

-Has Stuart had his breakfast?

-I'll take him. Come on, son.

0:32:200:32:25

Come on, I'll take you for your breakfast.

0:32:250:32:27

Eileen...

0:32:300:32:32

..I know that you are dreading this funeral.

0:32:330:32:36

But...people these days are much more understanding of the issues

0:32:370:32:42

when somebody has died... the way Raymond did.

0:32:420:32:47

It's not like the old days

0:32:470:32:49

when there might have been some kind of stigma.

0:32:490:32:51

Can we just get through this?

0:32:510:32:53

Whatever the circumstances,

0:32:540:32:56

he was Stuart's father,

0:32:560:32:58

and if my son's to remember this day at all, I'd like him

0:32:580:33:02

to remember it with some kind of pride, if that's even possible.

0:33:020:33:06

Well...

0:33:060:33:08

that's what we all want.

0:33:080:33:10

Good.

0:33:100:33:11

Hey ho.

0:33:160:33:18

That's the hearse arrived.

0:33:480:33:50

Oh, right.

0:33:500:33:52

Let's get this thing done.

0:33:520:33:54

Right, I'll get Stuart.

0:33:540:33:56

I don't think I can do this.

0:34:010:34:03

Come on, hey.

0:34:030:34:04

Take my hand.

0:34:040:34:06

We'll get through this thing together. Come on.

0:34:070:34:09

I knew his friends wouldn't let him down.

0:35:030:35:05

See what an important man your daddy was?

0:35:060:35:09

All right, dear?

0:39:170:39:18

Where's my dad got to?

0:39:180:39:20

He spotted an old pal of George's and went to say hello.

0:39:200:39:25

Can't remember what he had for breakfast,

0:39:250:39:27

but he remembered this old chap that he hadn't seen for 20 years...

0:39:270:39:30

I'll...I'll go on ahead, I think. See how things are going.

0:39:330:39:37

How are you doing?

0:39:420:39:43

I think I'm in a dream.

0:39:440:39:47

I thought I'd be in bits, but I'm just numb.

0:39:470:39:49

What's HE doing here?

0:39:510:39:53

You want me to deal with him?

0:39:560:39:58

No, ignore him.

0:39:580:40:01

It's not about him today.

0:40:010:40:03

Everybody's away to the pub. Do you want to start making a move?

0:40:030:40:06

Two minutes.

0:40:080:40:09

Aye, of course.

0:40:090:40:11

I'm sorry.

0:40:340:40:35

I am so, so sorry.

0:40:370:40:40

SHE SOBS

0:40:490:40:51

-Great seeing you again, Gerry. You take care.

-Take care.

0:40:570:41:00

Ah...

0:41:010:41:03

You all right, there?

0:41:070:41:09

Aye, oh, just seeing an old pal of mine there.

0:41:090:41:11

-Used to play cards with him.

-Happy days, eh?

-Aye, they were.

0:41:110:41:15

Och, maybe we just remember them well from a distance.

0:41:150:41:19

-You must be Eileen's dad, Malcolm, isn't it?

-Aye... Have we met before?

0:41:190:41:24

-My memory's not...

-No, no, no, I'm Frank.

0:41:240:41:27

-I'm a colleague of Eileen's from the council.

-Oh, nice to meet you.

0:41:270:41:30

I'm very sorry for your loss.

0:41:300:41:32

-Oh, thanks. So, you knew Raymond too?

-Just in passing.

0:41:320:41:36

-It's really Eileen that I'm here to support.

-Oh, that's good of you.

0:41:360:41:40

It's getting on a wee bit, why don't I give you a run to the Tall Ship?

0:41:400:41:43

Oh... That's kind of you, but I can't go without my wife.

0:41:430:41:47

Oh, don't you worry about that.

0:41:470:41:49

There was some confusion with the cars, it's all hands to the pump.

0:41:490:41:51

-Oh, really?

-Aye. In you get.

0:41:510:41:54

I'll get you to the Tall Ship in no time.

0:41:540:41:56

You'll get the drinks in for the ladies, eh?

0:41:560:41:58

Aye, that's a good idea, that.

0:41:580:42:00

Have you seen Malcolm?

0:42:090:42:11

I thought he was with you.

0:42:130:42:15

No, I had to go and settle up the account, you know,

0:42:150:42:17

in the church, and now I can't see him anywhere.

0:42:170:42:21

You all right back there, Malcolm?

0:42:250:42:26

Aye... Aye, I'm fine. Thanks, son.

0:42:260:42:30

It's a terrible business, this, eh?

0:42:310:42:33

Aye, oh, aye.

0:42:330:42:35

Raymond... Huh!

0:42:350:42:37

Tragic.

0:42:370:42:39

Him and Eileen were divorced, weren't they?

0:42:390:42:41

Aye, but when you've a kid together...

0:42:410:42:44

nothing's ever cut and dried.

0:42:440:42:47

Well, listen, I'll tell you,

0:42:470:42:50

that lassie hasn't slept a wink since the day he died.

0:42:500:42:53

-So, they were still close, then?

-Oh, that's another word. Huh!

0:42:550:42:58

He's left her every penny he had.

0:42:590:43:01

That's a bit unusual, in't it?

0:43:010:43:03

For a couple that split up.

0:43:030:43:05

Ah, but Raymond and Eileen were different.

0:43:050:43:09

They knew each other from when they were teenagers.

0:43:090:43:11

Aye, they were on, then they were off again.

0:43:110:43:15

Ah, but when the chips were down...

0:43:150:43:18

Eileen always turned to Raymond. And him to her.

0:43:180:43:22

So, would you say that Raymond might confide in Eileen?

0:43:230:43:26

Aye!

0:43:280:43:29

Hey, what kind of question is that?

0:43:290:43:33

Sorry. I'm just interested. I'm divorced myself

0:43:330:43:35

so I'm always keen to know how other folks make it work.

0:43:350:43:39

Aye, aye, aye.

0:43:390:43:41

Whatever.

0:43:410:43:42

I'm so sorry.

0:43:460:43:47

He has a habit of wandering off.

0:43:470:43:50

He's definitely not in the churchyard.

0:43:500:43:52

Oh, no, this is all we need!

0:43:520:43:54

Liz, don't worry, he'll be all right, we'll find him.

0:43:540:43:56

Look, I'll take the car, I'll drive around for a bit.

0:43:560:43:59

-He can't have got far.

-I'll come with you.

-Think about it.

0:43:590:44:01

When did you actually last see him?

0:44:010:44:03

He was talking to that friend of George's.

0:44:030:44:06

Maybe they've wandered off together. They could be in the Tall Ship now.

0:44:060:44:09

She's right, we should get back there.

0:44:090:44:11

Oh, no, I don't want to leave without him.

0:44:110:44:13

Well, he's not here, is he?

0:44:130:44:15

Thank you.

0:44:180:44:19

What's going to happen to his flats? That's what I want to know.

0:44:240:44:27

-Now is not the time.

-When is the right time, Jimmy?

0:44:270:44:30

When they're all sold and we're flung out on our ears.

0:44:300:44:33

-Is my dad here?

-I've not seen him.

0:44:330:44:34

Oh, no, you see, I knew we shouldn't have left the churchyard!

0:44:340:44:39

-What's wrong, Liz?

-Oh, he's gone AWOL.

0:44:390:44:42

-Well, when did you last see him?

-At the church.

0:44:420:44:45

-We need to track down that friend of his. Is it Gerry?

-Aye, but how?

0:44:450:44:49

Well, he's a friend of Raymond's family. Somebody here must know him.

0:44:490:44:52

-Is everything all right?

-Oh!

-It's my dad, he's gone missing.

0:44:520:44:56

-I'll make a call.

-Last seen at the church.

0:44:560:44:59

-Anything?

-No.

0:45:010:45:03

We've covered the area between here and the church.

0:45:030:45:06

Is there anywhere else he might have gone?

0:45:060:45:08

Any number of places!

0:45:080:45:10

The dookets down by the water. One time we found him

0:45:100:45:15

he was going round and round on the Underground. He could be anywhere!

0:45:150:45:19

-Dad!

-Oh, Malcolm, thank heavens!

0:45:210:45:26

What's the problem?

0:45:260:45:27

Oh, Dad! Where have you been?

0:45:270:45:30

There was that many folk there and not enough cars.

0:45:300:45:33

So I hitched a lift from this fella here.

0:45:330:45:36

He works with Eileen.

0:45:360:45:37

Took his time getting here. I nodded off.

0:45:390:45:42

Well, just as long as you're all right.

0:45:420:45:45

Why wouldn't I be? Come on.

0:45:450:45:48

I found him wandering away from the cemetery.

0:45:520:45:54

I would have brought him back sooner but you'd left the church and

0:45:540:45:57

he started getting confused about where the reception was.

0:45:570:46:00

Thanks a lot. We're really glad you found him.

0:46:000:46:02

-Kelly-Marie, can you give us a minute?

-Sure.

0:46:020:46:05

I don't know what you've just done but you need to go now.

0:46:070:46:10

Eileen, I thought I'd done a good thing.

0:46:100:46:12

I found an elderly confused man wandering the streets...

0:46:120:46:15

I said, get out.

0:46:150:46:17

All right?

0:46:170:46:18

On behalf of everyone from the council,

0:46:200:46:22

we're very sorry for your loss.

0:46:220:46:25

You don't represent anyone on the council.

0:46:250:46:28

What, have I got to show you the door?

0:46:280:46:30

Sorry. I didn't mean to cause any distress.

0:46:320:46:35

Eileen.

0:46:370:46:38

Hi, Alison? It's Craig Donald here.

0:47:070:47:09

Listen, I've got a document you guys might want to have a gander at.

0:47:090:47:12

It's about a potential cover-up regarding some land in Shieldinch.

0:47:120:47:17

I'll send it over to you. Probably something and nothing.

0:47:170:47:20

Hope you're well, speak to you soon.

0:47:200:47:22

I must have missed the bit where I asked you into my house.

0:47:420:47:45

-I needed to get out of the bar.

-Let me recommend the beer garden.

0:47:450:47:48

I'm going. But just for the record...

0:47:500:47:53

..this won't ever be your house. Or your pub.

0:47:550:47:59

Tell that to the Licensing Authorities.

0:47:590:48:03

This place is Raymond's. And mine.

0:48:040:48:09

It's our home. And it always will be.

0:48:090:48:11

Enjoy your spoils, Lenny.

0:48:160:48:19

If you can.

0:48:200:48:22

Hi.

0:50:030:50:04

-Get out of here!

-I did knock. You mustn't have heard.

0:50:040:50:07

I'm going to call the police!

0:50:070:50:08

Say what? That I've come to pay my respects to Raymond?

0:50:080:50:13

You're sick!

0:50:130:50:15

I'm a good man.

0:50:150:50:17

It's you. It's you that's behind all this.

0:50:190:50:23

-Eileen...

-You set Lenny Murdoch on me!

0:50:230:50:24

No. I didn't. Lenny Murdoch is his own man.

0:50:240:50:29

Do you really think that he would do my bidding?

0:50:290:50:31

You can't deny that you wanted me out of the way.

0:50:310:50:34

No. I can't.

0:50:340:50:36

There's a future out there, Eileen,

0:50:370:50:40

and I want everyone in this city to be a part of it.

0:50:400:50:44

And if that means tearing down old high rises

0:50:440:50:46

and crumbling community centres, then that's what I'll do.

0:50:460:50:49

This Lenny Murdoch thing - it's just not true.

0:50:510:50:54

I get it that you're looking for someone to blame.

0:50:580:51:03

When someone close does that... the guilt is like nothing else.

0:51:030:51:12

Everywhere you go...

0:51:140:51:16

you feel people looking at you with that one question in their eyes.

0:51:160:51:21

"What did you do to push that person over the edge?"

0:51:230:51:26

Cos you were the one closest to that person, right?

0:51:300:51:33

You were the one that they should have wanted to stay alive for.

0:51:350:51:39

The one they could come to with any problems.

0:51:400:51:42

Everyone is looking at you and thinking,

0:51:440:51:47

"You...let...that...person...die."

0:51:470:51:50

How do you know this?

0:51:500:51:52

How do you know this?

0:51:540:51:55

My wife. She did it. Six years ago.

0:51:570:52:04

She hung herself.

0:52:050:52:07

I'm surprised you don't remember. It was all over the papers.

0:52:100:52:15

Nobody said as much,

0:52:170:52:18

but I read between the lines and every article blamed me.

0:52:180:52:27

And maybe they were right.

0:52:290:52:32

I can still remember the daft row we had the night before she died.

0:52:340:52:39

Every stupid hurtful word.

0:52:410:52:45

I would give anything...

0:52:480:52:50

if I could take those words back.

0:52:500:52:53

Everything.

0:52:530:52:55

-SHE WAILS

-Eileen?

0:52:560:52:59

It IS my fault.

0:52:590:53:02

I told him to go away.

0:53:020:53:03

I told I didn't want him!

0:53:030:53:06

It's OK, it's OK...

0:53:060:53:09

What am I going to do, what am I going to do without him?

0:53:090:53:14

SHE WAILS

0:53:170:53:19

RAUCOUS LAUGHTER

0:53:190:53:22

He came home that night covered in sludge from the riverbank.

0:53:260:53:29

George took one look at him

0:53:290:53:31

and knew right away he'd been out looking for that old German sub.

0:53:310:53:35

So he smacked him till he was black and blue for his troubles.

0:53:350:53:38

He told me about that sub.

0:53:380:53:40

Me and Deek went out looking for it too.

0:53:400:53:43

You're as daft as he was.

0:53:430:53:45

He wasn't the sharpest tool in the box, was he?

0:53:450:53:48

Mind that Sharon McLaren fae Arran? She played him like a banjo.

0:53:480:53:52

Aye, he was good at dishing out the advice

0:53:550:53:57

but not so good at taking it.

0:53:570:53:58

It'll not be the same without him.

0:54:060:54:08

To Raymond.

0:54:140:54:15

ALL: Raymond.

0:54:150:54:17

Can I get you some more water?

0:54:230:54:26

No, thanks.

0:54:260:54:28

I'm sorry.

0:54:300:54:32

It's better to let it all out. I get it. I really do.

0:54:320:54:37

Thank you.

0:54:400:54:41

-I can stay if you like.

-No.

0:54:440:54:46

So we're good, then? All this silly police stuff.

0:54:500:54:54

Please, Frank... I just want to sleep.

0:54:540:54:58

You give me a call, yeah? We can get through this...together.

0:55:020:55:07

MUSIC: Laura by Bat For Lashes

0:55:130:55:14

# You say that they've all left you behind

0:55:140:55:19

# Your heart broke when the party died... #

0:55:230:55:27

WEEPING

0:55:340:55:37

# Can we dance upon the tables again?

0:55:410:55:48

# When your smile is so wide and your heels are so high

0:55:510:55:56

# You can't cry

0:55:570:56:00

# Get your glad rags on and let's sing along

0:56:000:56:05

# To that lonely song

0:56:070:56:10

# You're the train that crashed my heart

0:56:110:56:15

# You're the glitter in the dark

0:56:150:56:19

# Ooh, Laura, you're more than a superstar

0:56:190:56:25

# And in this horror show

0:56:290:56:32

# I've got to let you know

0:56:320:56:37

# Ooh, Laura, you're more than a superstar... #

0:56:370:56:43

SHE CALLS OUT

0:56:490:56:51

So, first day back.

0:56:570:56:59

I just need to get back to some kind of normality.

0:56:590:57:02

PHONE RINGS

0:57:040:57:07

Mum.

0:57:070:57:08

Alan, I'm...I'm begging you here. I've got nowhere else to turn.

0:57:080:57:13

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