Browse content similar to Gumball. Check below for episodes and series from the same categories and more!
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But it's educational. | 0:00:31 | 0:00:33 | |
Please! How can a remote-control helicopter be educational? | 0:00:33 | 0:00:36 | |
You're such an idiot. | 0:00:36 | 0:00:37 | |
It's not an ordinary one, it's got a spy cam on the front. | 0:00:37 | 0:00:40 | |
-Brilliant for... -Spying on people? | 0:00:40 | 0:00:42 | |
It could save lives as well. If I saw someone drowning... | 0:00:42 | 0:00:45 | |
Charlie, you are not having a remote-control helicopter, | 0:00:45 | 0:00:48 | |
A, because it costs £90 and, B, because when we bought you | 0:00:48 | 0:00:51 | |
a remote-control boat, you put Ben's hamster in it. | 0:00:51 | 0:00:54 | |
That was science. We were testing to see if hamsters are intelligent. | 0:00:54 | 0:00:58 | |
They're not. | 0:00:58 | 0:01:00 | |
That depends who you compare 'em to. | 0:01:00 | 0:01:02 | |
I think this one's a bit better. Is it? | 0:01:02 | 0:01:04 | |
Well, it's unusual. | 0:01:04 | 0:01:05 | |
By which she means pathetic. But really, you knew that, didn't you? | 0:01:05 | 0:01:09 | |
Making a scarecrow, I thought the stand would be the hard bit, | 0:01:09 | 0:01:13 | |
but the head's a nightmare. | 0:01:13 | 0:01:17 | |
I could make you a brilliant one. | 0:01:17 | 0:01:20 | |
For 90 quid. | 0:01:20 | 0:01:21 | |
I think I need to get another pumpkin. | 0:01:21 | 0:01:24 | |
Not now. Fergal's coming. Remember? Pat's husband? | 0:01:24 | 0:01:27 | |
Yeah. Yeah. Spending the entire day with a bloke I've never met before. | 0:01:27 | 0:01:30 | |
-Can't wait. -Oh, he's nice. | 0:01:30 | 0:01:32 | |
Really into hill-walking. Bet you'd like hill-walking. | 0:01:32 | 0:01:35 | |
-Translation - she wants you out the house. -No. | 0:01:35 | 0:01:38 | |
-Well, you are in a lot. -No, no, that's not true! | 0:01:38 | 0:01:40 | |
I went out for a drink with the book group guys last month. | 0:01:40 | 0:01:44 | |
Or was it February? | 0:01:44 | 0:01:46 | |
Look! My old dance group have made it through to the Scarborough | 0:01:46 | 0:01:49 | |
heats of Yorkshire's Top Talent! | 0:01:49 | 0:01:51 | |
And they've changed their name to Random Cru! | 0:01:51 | 0:01:54 | |
What were they called before? | 0:01:54 | 0:01:55 | |
Hannah Cru, obviously. I'll drop by rehearsals, give them some tips. | 0:01:55 | 0:02:00 | |
On what? Losing(?) | 0:02:00 | 0:02:01 | |
You won't be laughing when we win 100 quid, you povvo. | 0:02:01 | 0:02:05 | |
What? 100...? | 0:02:05 | 0:02:07 | |
She's right! The winner of the heat gets 100 quid! | 0:02:08 | 0:02:11 | |
DOORBELL RINGS Oh! That'll be Fergal. | 0:02:14 | 0:02:17 | |
Oh. This should be a laugh(!) | 0:02:17 | 0:02:19 | |
Fergal! Come in. | 0:02:23 | 0:02:25 | |
Greetings. I come bearing gifts. | 0:02:27 | 0:02:29 | |
Oh, we've already got those. But thank you, lovely thought. | 0:02:29 | 0:02:32 | |
-So, this must be the famous Kev. -Kev-IN! | 0:02:32 | 0:02:34 | |
-Hello, mate. -Hi. | 0:02:34 | 0:02:37 | |
Right, I'll put the kettle on. | 0:02:37 | 0:02:40 | |
-Do you want to... -Yeah. | 0:02:43 | 0:02:44 | |
So, how have things been, Fergal, since the, um... | 0:02:45 | 0:02:49 | |
It's all right, you can say it. Since I got the boot. Fine. | 0:02:49 | 0:02:53 | |
-Obviously, I miss the factory. -Yeah... | 0:02:53 | 0:02:55 | |
-Fergal was a manager at the ventilator plant. -Oh. | 0:02:55 | 0:02:59 | |
Sounds fascinating. | 0:03:00 | 0:03:01 | |
Kevin used to work in a bank. Didn't you, Kevin? | 0:03:01 | 0:03:05 | |
Yes. Yes. But I've always been creative. Lots of outside interests. | 0:03:05 | 0:03:09 | |
Inside interests, more like. He's never out of the house. | 0:03:09 | 0:03:12 | |
If I put my detective hat on... | 0:03:12 | 0:03:16 | |
HE CLEARS HIS THROAT | 0:03:16 | 0:03:18 | |
..I put it to you, sir, that one of those interests is woodworking. | 0:03:18 | 0:03:23 | |
Lovely bit of joining. And the filigree - did you do that? | 0:03:24 | 0:03:28 | |
Just something I knocked up. Yeah. | 0:03:28 | 0:03:31 | |
You're right, mate, you are creative. | 0:03:31 | 0:03:34 | |
-Do you know a bit about woodworking? -Nah, I'm all thumbs with timber. | 0:03:35 | 0:03:39 | |
What about pumpkins? | 0:03:39 | 0:03:40 | |
-Yes, I have been known to carve the odd bit of fruit. -Really? | 0:03:40 | 0:03:45 | |
Listen, I don't suppose you could do better than that? | 0:03:45 | 0:03:50 | |
-These humble instruments are at your disposal, sir. -Oh! | 0:03:51 | 0:03:54 | |
Oh, he has got an invisible hat. | 0:03:56 | 0:03:59 | |
And now I shall put this pencil through this coin. | 0:04:05 | 0:04:09 | |
-Whoa! How did you do that? -A magician never tells. | 0:04:14 | 0:04:17 | |
But it's so cool. | 0:04:17 | 0:04:19 | |
It's a trick coin. Look, it's got a flap and everything. | 0:04:19 | 0:04:23 | |
-Outstanding! -But seriously, | 0:04:23 | 0:04:27 | |
-do you think I'm good enough to win Yorkshire's Top Talent? -No. | 0:04:27 | 0:04:30 | |
But I think you're good enough to win Scarborough's heat. | 0:04:30 | 0:04:33 | |
And then... | 0:04:33 | 0:04:35 | |
helicopter with spy cam! | 0:04:35 | 0:04:37 | |
Now, just promise me that we're not putting animals in it. | 0:04:37 | 0:04:40 | |
Definitely not. It'd wreck it! | 0:04:40 | 0:04:42 | |
This is expensive hardware. | 0:04:42 | 0:04:45 | |
That's what you said about the boat, then you put Monty in it. | 0:04:45 | 0:04:48 | |
Bet he made it to Ireland. | 0:04:48 | 0:04:51 | |
And one and two and three and four... | 0:04:54 | 0:04:58 | |
Duck and cover, guys. The H-bomb's back. | 0:04:58 | 0:05:01 | |
Hannah? | 0:05:01 | 0:05:02 | |
Heard about the old Yorkshire's Top Taz. | 0:05:02 | 0:05:05 | |
Obviously me quitting was the wake-up call you needed. | 0:05:05 | 0:05:08 | |
So I'm back. | 0:05:08 | 0:05:09 | |
Actually, we've got a new lead dancer now. | 0:05:09 | 0:05:13 | |
Vicky? | 0:05:16 | 0:05:18 | |
The substitute backing dancer? Are you having a laugh? | 0:05:18 | 0:05:22 | |
Watch and learn, hobbit. | 0:05:23 | 0:05:26 | |
DJ, hit it! | 0:05:26 | 0:05:28 | |
'This is for those who'd like a moment.' | 0:05:33 | 0:05:36 | |
MUSIC: Skip To The Good Beat by Rizzle Kicks | 0:05:36 | 0:05:39 | |
# Yeah, yeah, yeah | 0:05:41 | 0:05:43 | |
# Yeah, y'all, yeah | 0:05:43 | 0:05:45 | |
# Check the rhyme and rhythm It's nice and different | 0:05:45 | 0:05:48 | |
# Plus it's bright and brilliant Kind of how I like my women | 0:05:48 | 0:05:50 | |
# That's the right opinion Although at night I'm slipping | 0:05:50 | 0:05:53 | |
# When I never ring her she thinks that I'm a villain... # | 0:05:53 | 0:05:55 | |
Is the hat on straight? | 0:05:55 | 0:05:56 | |
I love what you have done with the hair. | 0:05:56 | 0:05:59 | |
The hair is lovely. | 0:05:59 | 0:06:01 | |
All right. OK. | 0:06:01 | 0:06:02 | |
Ta-da! | 0:06:02 | 0:06:04 | |
Don't worry, love. It's not real. | 0:06:06 | 0:06:08 | |
I know. It doesn't have legs - it can't catch me. | 0:06:08 | 0:06:11 | |
I think I'm just going to go upstairs and not be here. | 0:06:13 | 0:06:17 | |
So...what do you think? | 0:06:20 | 0:06:21 | |
I think you should make sure it doesn't face next door. | 0:06:21 | 0:06:24 | |
-Mrs Campbell's got a weak heart. -The eyes are Fergal's idea. | 0:06:24 | 0:06:27 | |
-Classic Fergal, that! -Turns out I do have a creative side. | 0:06:27 | 0:06:31 | |
Not that they cared at the factory. | 0:06:31 | 0:06:33 | |
-Well, thanks for your help, Fergal. -Fergal's going to stay for lunch. | 0:06:33 | 0:06:36 | |
We'll pop this in the garden, then chill and watch a DVD. | 0:06:36 | 0:06:39 | |
Rhapsody In Wood - A Hundred Years Of Chair Making. Sounds brilliant. | 0:06:39 | 0:06:43 | |
Lunch? I haven't got much in. | 0:06:44 | 0:06:46 | |
I'll eat anything, Helen. | 0:06:46 | 0:06:48 | |
Couple of chops, peas, roasties, whatever... | 0:06:48 | 0:06:51 | |
Right... Erm... | 0:06:51 | 0:06:52 | |
What else can we do? | 0:06:57 | 0:06:59 | |
# ..Wanna be smart but I don't like learning | 0:06:59 | 0:07:02 | |
# Wanna be fit but I don't like running | 0:07:02 | 0:07:04 | |
# Then I see you and I wish I'd done something | 0:07:04 | 0:07:07 | |
# I like your style | 0:07:07 | 0:07:08 | |
# Been watching you for a while | 0:07:08 | 0:07:10 | |
# I said, oh, yeah | 0:07:10 | 0:07:12 | |
# Let's dance and then let's skip to the beat... # | 0:07:12 | 0:07:14 | |
Hannah Cru! | 0:07:14 | 0:07:16 | |
So, I'm back, yeah? | 0:07:21 | 0:07:23 | |
Um, maybe I should dance before we make a final decision? | 0:07:23 | 0:07:26 | |
-If you want to embarrass yourself. -Hit it! | 0:07:26 | 0:07:29 | |
MUSIC RESTARTS | 0:07:29 | 0:07:33 | |
Yeah, that was all right. A few bits you need to work on. | 0:07:55 | 0:07:59 | |
Hands up who wants me as lead? | 0:07:59 | 0:08:01 | |
Sorry, Hannah. | 0:08:01 | 0:08:02 | |
But you can be with my pointers, they showcase my skills. Watch. | 0:08:02 | 0:08:07 | |
SHE SIGHS | 0:08:08 | 0:08:11 | |
When I get on stage I need to project an aura of confidence. | 0:08:18 | 0:08:21 | |
You'll be fine. Stop worrying about it. | 0:08:21 | 0:08:24 | |
You're right! Worriers never look confident. | 0:08:24 | 0:08:27 | |
I need to stop worrying. | 0:08:27 | 0:08:28 | |
I can't! Now, I'm worrying about worrying! | 0:08:31 | 0:08:34 | |
-Oh! This isn't good! -Gumballs, three o'clock! | 0:08:34 | 0:08:37 | |
Jaw-breakers! Ben, lend us a quid! | 0:08:37 | 0:08:39 | |
All right! Let's not get too distracted. | 0:08:39 | 0:08:41 | |
I need to practise my act, you need to give me feedback. | 0:08:41 | 0:08:44 | |
I'll be able to concentrate better when I've had gumballs. | 0:08:44 | 0:08:47 | |
Yeah, nothing like a brightly coloured ball of sugar | 0:08:47 | 0:08:49 | |
to focus the mind. | 0:08:49 | 0:08:51 | |
It's not working! | 0:08:52 | 0:08:54 | |
I gone and given you my trick coin! | 0:08:59 | 0:09:01 | |
That's one of my best bits! We need to get it back! | 0:09:01 | 0:09:04 | |
It's stuck... | 0:09:07 | 0:09:08 | |
I'm against the use of force. | 0:09:08 | 0:09:10 | |
Unless it's absolutely necessary. | 0:09:10 | 0:09:12 | |
No... You can't do that! I can reach up... | 0:09:12 | 0:09:16 | |
Oh! | 0:09:19 | 0:09:20 | |
My hand's stuck! | 0:09:22 | 0:09:24 | |
Hang on! | 0:09:24 | 0:09:26 | |
Hang on... | 0:09:26 | 0:09:28 | |
We need to get you out of there, Ben. | 0:09:33 | 0:09:35 | |
A wolf in a trap would gnaw off its own leg. | 0:09:35 | 0:09:37 | |
Just saying. | 0:09:38 | 0:09:40 | |
Oi! What are you doing? | 0:09:40 | 0:09:42 | |
Not again! | 0:09:44 | 0:09:46 | |
THEY CHUCKLE | 0:09:46 | 0:09:48 | |
You can stare all you like, Crow Man. | 0:09:54 | 0:09:56 | |
But you'll never catch me. I've got legs! | 0:09:56 | 0:09:59 | |
IT CREAKS | 0:09:59 | 0:10:00 | |
HE GASPS | 0:10:00 | 0:10:02 | |
I've phoned the engineer | 0:10:05 | 0:10:07 | |
and he can't get here for four and a half hours. | 0:10:07 | 0:10:10 | |
What? We can't wait four hours! | 0:10:10 | 0:10:11 | |
He's got a magic show to do. | 0:10:11 | 0:10:13 | |
I look at him there, I don't see magician. | 0:10:13 | 0:10:16 | |
Come on, son, have a sit down. And a cup of tea... | 0:10:18 | 0:10:21 | |
No, he's highly allergic to...milk. | 0:10:21 | 0:10:24 | |
His throat, it swells up, it's horrible. It's all like... | 0:10:24 | 0:10:27 | |
HE GAGS AND CHOKES | 0:10:27 | 0:10:29 | |
Urrrgghhhhh.... | 0:10:29 | 0:10:31 | |
I'll get you some lemonade. | 0:10:34 | 0:10:35 | |
What did you tell him that for? | 0:10:38 | 0:10:40 | |
We can't wait four hours. We'll have to fix this ourselves. | 0:10:40 | 0:10:43 | |
Ben, we're mobilising! | 0:10:43 | 0:10:44 | |
We can't do this! This is insane! | 0:10:46 | 0:10:49 | |
Oi! | 0:10:49 | 0:10:51 | |
You little...! | 0:10:51 | 0:10:53 | |
TV: '..the lumber into four pieces...' | 0:10:53 | 0:10:56 | |
Oh! Lovely hammer technique. | 0:10:56 | 0:10:58 | |
It's amazing, every time I watch this, I find something new. | 0:10:58 | 0:11:01 | |
-Here we go! -Lovely jubbly. | 0:11:01 | 0:11:04 | |
No roasties. | 0:11:06 | 0:11:07 | |
Fergal did ask for roasties, love. | 0:11:07 | 0:11:09 | |
Do you know, I have not had the time. | 0:11:11 | 0:11:13 | |
You know, with the shopping, looking after the kids, running a B&B... | 0:11:13 | 0:11:17 | |
All right, then? | 0:11:19 | 0:11:20 | |
Yeah. Just a little bit of brown sauce, Helen. | 0:11:20 | 0:11:23 | |
-Oh, and some mint sauce, room temperature. -Oh, yeah! | 0:11:23 | 0:11:26 | |
Oh, here comes the claw hammer. | 0:11:26 | 0:11:29 | |
Look at that! | 0:11:29 | 0:11:31 | |
DANCE MUSIC PLAYS | 0:11:31 | 0:11:33 | |
No, Chloe, it's not... It's... | 0:11:41 | 0:11:44 | |
Don't have a go at Chloe! She might be a rubbish dancer... | 0:11:44 | 0:11:47 | |
but she's a human, too! I say it's time for a change! | 0:11:47 | 0:11:52 | |
I think Gemma for lead dancer! | 0:11:52 | 0:11:54 | |
Me? No! I'm not good enough! | 0:11:54 | 0:11:57 | |
You've got to believe in yourself, hon. | 0:11:57 | 0:11:59 | |
But you're right, you're not good enough. | 0:11:59 | 0:12:02 | |
So, who else could it be...? | 0:12:02 | 0:12:04 | |
Someone who has experience of leading a crew... | 0:12:06 | 0:12:09 | |
But who...? | 0:12:11 | 0:12:12 | |
What are you, thick? | 0:12:12 | 0:12:14 | |
Obviously, it's me! | 0:12:14 | 0:12:15 | |
What about this? | 0:12:15 | 0:12:18 | |
Hands up who thinks we should kick Hannah out of the crew? | 0:12:18 | 0:12:20 | |
SHE SIGHS | 0:12:23 | 0:12:25 | |
(Asking me for brown sauce... | 0:12:25 | 0:12:27 | |
(They are useless!) | 0:12:27 | 0:12:30 | |
GUMBALLS RATTLE Sh! | 0:12:35 | 0:12:37 | |
It's not me, it's the machine! | 0:12:37 | 0:12:39 | |
SSSSH! Get up to my room. | 0:12:39 | 0:12:40 | |
-Charlie, you want some lunch? -(Freeze!) | 0:12:40 | 0:12:43 | |
QUIET RATTLING | 0:12:43 | 0:12:44 | |
-What's that noise? -I didn't hear anything. | 0:12:44 | 0:12:47 | |
Hi, guys. You want some lunch? | 0:12:49 | 0:12:51 | |
No, thanks, Mrs Enright, we're fine. | 0:12:51 | 0:12:53 | |
Affirmative. Meaning negative on the food. | 0:12:53 | 0:12:56 | |
We had a lovely dinner at Ben's. | 0:12:56 | 0:12:59 | |
Pork, chicken and cake. | 0:12:59 | 0:13:02 | |
OK, well, better get on. | 0:13:02 | 0:13:05 | |
It's an Italian recipe. | 0:13:05 | 0:13:07 | |
From Venice, I think. | 0:13:07 | 0:13:09 | |
I'd love to go to Venice, see all the canals. | 0:13:09 | 0:13:14 | |
The gondolas at sunset, magical... | 0:13:14 | 0:13:17 | |
Fascinating. | 0:13:19 | 0:13:20 | |
But I really must get on. | 0:13:20 | 0:13:22 | |
I'll do it, Mum. Changing the bed sheets and that. | 0:13:23 | 0:13:26 | |
What? Why would you...? | 0:13:26 | 0:13:28 | |
I've been thinking I need to help out a little more. | 0:13:28 | 0:13:30 | |
-What have you done? -Done? I'm being... | 0:13:30 | 0:13:33 | |
Is there something in your bedroom? | 0:13:33 | 0:13:34 | |
Is that why you won't let me upstairs? | 0:13:34 | 0:13:36 | |
-No... There's nothing in my bedroom. -Come on. Out of the way. | 0:13:36 | 0:13:39 | |
< ARGUMENT CONTINUES | 0:13:39 | 0:13:41 | |
Mum! Help, Mum! > | 0:13:46 | 0:13:47 | |
Go! | 0:13:49 | 0:13:50 | |
It's after me! | 0:13:50 | 0:13:52 | |
-Oh, Louie...! I moved it. -What's the emergency? | 0:13:54 | 0:13:57 | |
Will you tell him that's not real? | 0:13:57 | 0:13:58 | |
I've got to go and sort Charlie out, he's up to something. | 0:13:58 | 0:14:01 | |
HE SIGHS | 0:14:01 | 0:14:03 | |
Louie, that scarecrow, it's just a pumpkin and a couple of sticks... | 0:14:03 | 0:14:07 | |
You've probably heard the stories, | 0:14:07 | 0:14:09 | |
haven't you, about them coming to life? | 0:14:09 | 0:14:12 | |
About how they hunt down kids and put them up on a stick. | 0:14:13 | 0:14:17 | |
And they turn the kids into scarecrows and just leave them | 0:14:17 | 0:14:20 | |
in a field, for ever, for all eternity... | 0:14:20 | 0:14:23 | |
But they are just silly stories. | 0:14:25 | 0:14:27 | |
You don't need to worry. | 0:14:27 | 0:14:29 | |
-Hey, Fergal, do you want to see my drill bits? -Yeah! | 0:14:29 | 0:14:32 | |
Hi, Mum! | 0:14:38 | 0:14:39 | |
Just tell me, have you done something really bad? | 0:14:41 | 0:14:44 | |
No! it's Ben. He's in the heat for Yorkshire's Top Talent later. | 0:14:44 | 0:14:49 | |
So, we're just having a bit of R and R. | 0:14:49 | 0:14:53 | |
All right. | 0:14:53 | 0:14:54 | |
Good luck, Ben. | 0:14:54 | 0:14:56 | |
The stress of this! Get it off me! | 0:15:02 | 0:15:05 | |
Mind you, if we can't, you could do an act with it, | 0:15:05 | 0:15:08 | |
you could dance with it. You could... OW! | 0:15:08 | 0:15:10 | |
It was just a thought. | 0:15:12 | 0:15:13 | |
-Don't suppose you've seen three kids with a gumball machine? -Nah. | 0:15:20 | 0:15:23 | |
Well, they've stolen it. So, if you do... | 0:15:23 | 0:15:25 | |
Actually I did see some girls down the community centre, | 0:15:25 | 0:15:29 | |
smashing up a gumball machine, | 0:15:29 | 0:15:31 | |
saying they had to destroy the evidence. Could that be connected? | 0:15:31 | 0:15:35 | |
-Definitely. -Well, I've heard their leader, Vicky Carter, | 0:15:35 | 0:15:38 | |
is a right little crim. Up to all sorts. | 0:15:38 | 0:15:40 | |
And then, I showed them my moves and they said I was way better | 0:15:45 | 0:15:48 | |
and they asked me to be lead dancer! | 0:15:48 | 0:15:50 | |
That's fantastic, Hannah! | 0:15:50 | 0:15:53 | |
Parents can come, too. | 0:15:53 | 0:15:54 | |
So, I was thinking you and Dad could make a huge banner that says | 0:15:54 | 0:15:57 | |
"Hannah, She's The Greatest Dancer". | 0:15:57 | 0:15:59 | |
No. But we'll clap. | 0:15:59 | 0:16:02 | |
All right, better go and get ready... | 0:16:02 | 0:16:04 | |
I like a nice bit of pine. But you're the boss, Kev. | 0:16:06 | 0:16:09 | |
No, I like pine, pine is da bomb. | 0:16:09 | 0:16:12 | |
Hey, Fergal's had a brilliant idea! | 0:16:12 | 0:16:13 | |
We're going to build a proper garden shed. | 0:16:13 | 0:16:17 | |
At Fergal's? | 0:16:17 | 0:16:18 | |
-No. No. Here. You said we should get one. -Just take a couple of weeks. | 0:16:18 | 0:16:21 | |
Well, that's a lot of work, Fergal. You sure you can spare the time? | 0:16:21 | 0:16:25 | |
No, I can be here seven days a week. I've got nothing else to do... | 0:16:25 | 0:16:28 | |
Hey, Hannah's in a heat of Yorkshire's Top Talent. | 0:16:28 | 0:16:31 | |
-We've got to go. -My Vicky's in it, too! | 0:16:31 | 0:16:33 | |
Oh, well, great! We can go together, then. | 0:16:33 | 0:16:36 | |
-Yeah(!) -MOBILE RINGS | 0:16:36 | 0:16:38 | |
Vicky! I was just talking about you. | 0:16:38 | 0:16:40 | |
What? What? Calm down. WHAT? | 0:16:40 | 0:16:43 | |
Don't worry, darling, I'm coming. | 0:16:43 | 0:16:46 | |
It's my little princess! She's been taken down the police station. | 0:16:48 | 0:16:53 | |
Decoupling complete. | 0:16:55 | 0:16:56 | |
Brilliant! | 0:16:58 | 0:17:00 | |
How is this brilliant? | 0:17:00 | 0:17:01 | |
It's less obvious. Maybe now, you can do the magic show? | 0:17:01 | 0:17:04 | |
Are you out of your mind? | 0:17:04 | 0:17:06 | |
How am I supposed to do delicate sleight of hand | 0:17:06 | 0:17:09 | |
with a giant gumball hoof? | 0:17:09 | 0:17:10 | |
He's right. | 0:17:10 | 0:17:12 | |
But a wolf would gnaw off its own... | 0:17:12 | 0:17:14 | |
Will you stop saying that! I'm not gnawing! Nobody's gnawing! | 0:17:14 | 0:17:18 | |
-There's only one thing for it... -You're right. | 0:17:18 | 0:17:20 | |
We'll go back to the shop, apologise to the shop... | 0:17:20 | 0:17:22 | |
You coach me! I'll do the magic show! | 0:17:22 | 0:17:25 | |
-Sorry? What? -Excellent! The old switcheroo! | 0:17:25 | 0:17:28 | |
That's ridiculous! You don't know the first thing about magic! | 0:17:28 | 0:17:32 | |
The wardrobe of disappearance - how is that going to work? | 0:17:32 | 0:17:35 | |
You put someone in it, they disappear. | 0:17:35 | 0:17:37 | |
Yeah, but how? HOW do they disappear? | 0:17:37 | 0:17:39 | |
And sawing someone in half? How are you going to do that? | 0:17:39 | 0:17:42 | |
I don't know. You'll teach me, I'll practise. | 0:17:42 | 0:17:44 | |
Yeah, but who's going to be stupid enough to let you.... | 0:17:44 | 0:17:47 | |
Louie, you want to help us with our magic act, buddy? | 0:17:47 | 0:17:50 | |
I don't like it here. I don't want to be a scarecrow. | 0:17:51 | 0:17:53 | |
Me neither, buddy. Me neither. | 0:17:53 | 0:17:56 | |
-P.A.: -'Ladies and gentlemen, welcome to Yorkshire's Top Talent.' | 0:18:05 | 0:18:09 | |
-Hi, I'm here to win the heat. -You're early. | 0:18:09 | 0:18:11 | |
Yeah. I'm a magician. I've got to set up my equipment. | 0:18:11 | 0:18:14 | |
-Name? -Ben. | 0:18:14 | 0:18:16 | |
And I'm Jim, in case you're wondering. Good ol' Jim. | 0:18:18 | 0:18:23 | |
-Jiminy Cricket. Jim-Jim-Jim-Jeroo. -You're a ventriloquist? | 0:18:23 | 0:18:27 | |
Oh. Yeah, I'm not performing. | 0:18:28 | 0:18:31 | |
Last-minute stage fright, eh? | 0:18:31 | 0:18:33 | |
Come on, show me, I bet you're brilliant. | 0:18:33 | 0:18:35 | |
-MUFFLED: -Get back in the box, Dumbo! | 0:18:37 | 0:18:38 | |
-MUFFLED: -No, I don't want to get back in the box! | 0:18:38 | 0:18:41 | |
Well, there's always next year. | 0:18:44 | 0:18:46 | |
I haven't got a Ben down here. | 0:18:48 | 0:18:50 | |
Oh, he's got a stage name - | 0:18:50 | 0:18:53 | |
The Great Decepto. | 0:18:53 | 0:18:54 | |
I thought it'd sound a bit more mysterious. | 0:18:56 | 0:18:59 | |
Daddy! Daddy! | 0:19:06 | 0:19:08 | |
It's all right, love. What's going on? | 0:19:08 | 0:19:10 | |
A witness saw Vicky smashing a stolen gumball machine with a hammer. | 0:19:10 | 0:19:14 | |
-I didn't, Daddy! I didn't! -I'm sure we can sort this out... | 0:19:14 | 0:19:16 | |
No, no, Fergal, don't be reasonable. | 0:19:16 | 0:19:18 | |
The last thing these people respect is reasonable. | 0:19:18 | 0:19:21 | |
Now, listen, my name is Kevin J Enright. | 0:19:21 | 0:19:23 | |
The J stands for Justice - and so do I. | 0:19:23 | 0:19:26 | |
Yes, exactly. | 0:19:26 | 0:19:28 | |
And now... | 0:19:28 | 0:19:31 | |
empty! | 0:19:31 | 0:19:32 | |
Cool! | 0:19:32 | 0:19:34 | |
Where has she gone? | 0:19:34 | 0:19:36 | |
Into another world far, far away. | 0:19:36 | 0:19:38 | |
But soon she'll be back, | 0:19:38 | 0:19:40 | |
because when we open the door... | 0:19:40 | 0:19:43 | |
Voila! | 0:19:43 | 0:19:45 | |
Piece of cake. Now, what about that one? | 0:19:45 | 0:19:47 | |
You've got to get this absolutely right. | 0:19:48 | 0:19:51 | |
So, Louie has made sure he has tucked his feet | 0:19:51 | 0:19:54 | |
into the top half of the coffin. | 0:19:54 | 0:19:57 | |
-Right, Louie? -Yeah. | 0:19:57 | 0:19:58 | |
So, this is empty. | 0:19:58 | 0:20:00 | |
The fake feet can be activated by this button here... | 0:20:00 | 0:20:04 | |
Which creates the illusion | 0:20:04 | 0:20:06 | |
that Louie is at full length in the coffin | 0:20:06 | 0:20:09 | |
which makes it absolutely terrifying for the audience when I do... | 0:20:09 | 0:20:13 | |
When I do... | 0:20:16 | 0:20:17 | |
Totally unrealistic. You've severed major arteries, | 0:20:20 | 0:20:24 | |
-there should be massive blood spatter. -In your version, | 0:20:24 | 0:20:26 | |
where the whole audience need years of psychotherapy. | 0:20:26 | 0:20:29 | |
OK, got it. | 0:20:29 | 0:20:31 | |
Why all the fuss, Ben? I am going to be amazing at this. | 0:20:31 | 0:20:34 | |
But what happens if the little man starts to fight back? Oh, yes... | 0:20:36 | 0:20:40 | |
What happens if the little man has the heart of a giant? | 0:20:40 | 0:20:43 | |
Well... | 0:20:43 | 0:20:45 | |
Nah, she's not one of them. | 0:20:47 | 0:20:49 | |
-All right, you can go. -No, hang on, I haven't finished yet. | 0:20:50 | 0:20:53 | |
I had a bit about the... OK. Four down, "Gryffindor". | 0:20:53 | 0:20:56 | |
-P.A.: -'Well done to Brian Phelps for his farmyard impressions. | 0:20:59 | 0:21:02 | |
'And in a moment, we have Acrobaby!' | 0:21:02 | 0:21:05 | |
You're beautiful. When I die I want a coffin just like you. | 0:21:05 | 0:21:08 | |
THUDDING | 0:21:08 | 0:21:09 | |
RUMBLING | 0:21:09 | 0:21:12 | |
Scarecrow head! It's come for me! I must escape to another world! | 0:21:12 | 0:21:16 | |
Still no sign of her! | 0:21:18 | 0:21:19 | |
I can't believe Vicky would let us down like this. | 0:21:19 | 0:21:22 | |
Only one thing we can do - | 0:21:22 | 0:21:24 | |
go back to the old routine, I'll dance lead. All right? | 0:21:24 | 0:21:28 | |
But we'll keep the pointing. | 0:21:28 | 0:21:31 | |
Only now, you're pointing at me. | 0:21:31 | 0:21:33 | |
Kevin, I'm at the talent show now. | 0:21:33 | 0:21:36 | |
Give me a call and tell me | 0:21:36 | 0:21:37 | |
everything was all right at the police station. | 0:21:37 | 0:21:39 | |
Not that I'm not worried, just... Anyway, call me. Kevin...? | 0:21:39 | 0:21:43 | |
-He's brilliant, he catches them every time. -Yorkshire's Top Talent! | 0:21:43 | 0:21:47 | |
-Why didn't you call me? -Oh, I clean forgot. | 0:21:47 | 0:21:50 | |
Got caught up in the fight against police oppression... | 0:21:50 | 0:21:52 | |
He was fantastic. Next one, I'll try one with my eyes closed. | 0:21:52 | 0:21:55 | |
Yeah... Go on! Go on! Here we go. | 0:21:55 | 0:21:58 | |
One, two, three... | 0:21:58 | 0:22:00 | |
No, maybe later. | 0:22:00 | 0:22:01 | |
SHOWBIZ MUSIC PLAYS | 0:22:01 | 0:22:03 | |
'And now, give it up for The Great Decepto!' | 0:22:07 | 0:22:09 | |
APPLAUSE | 0:22:09 | 0:22:12 | |
That's my boy! That's my boy! | 0:22:12 | 0:22:14 | |
Ladies and gentlemen, | 0:22:16 | 0:22:18 | |
you are about to witness the greatest carnival of conjuring | 0:22:18 | 0:22:22 | |
ever seen by human eyeballs. | 0:22:22 | 0:22:24 | |
For my first trick, I will need a mobile telephone. | 0:22:24 | 0:22:27 | |
You, madam? | 0:22:27 | 0:22:29 | |
Thank you. | 0:22:30 | 0:22:31 | |
Now, watch - if you dare! | 0:22:32 | 0:22:35 | |
(Charlie! The double! Swap it for the double! | 0:22:37 | 0:22:40 | |
-(Charlie...) -SMASHING GLASS | 0:22:40 | 0:22:43 | |
(No! No! | 0:22:43 | 0:22:45 | |
(Charlie! Charlie!) | 0:22:45 | 0:22:47 | |
As you can see, I've smashed the phone. | 0:22:53 | 0:22:56 | |
But watch in amazement, as the phone is... | 0:22:56 | 0:23:00 | |
TINKLING | 0:23:00 | 0:23:01 | |
Ahem... | 0:23:01 | 0:23:02 | |
It'll be all right in about an hour. | 0:23:07 | 0:23:08 | |
-Whoo-hoo. Let's raise the roof. -APPLAUSE | 0:23:08 | 0:23:11 | |
Thank you, thank you. | 0:23:11 | 0:23:13 | |
And now, for my next trick, The Wardrobe Of Wonder! | 0:23:15 | 0:23:19 | |
Now, I need another volunteer from the audience? Anyone? | 0:23:23 | 0:23:27 | |
Melanie Wight - you're volunteered. | 0:23:27 | 0:23:30 | |
Step inside my magic door, | 0:23:30 | 0:23:32 | |
and I'll do some magic which'll make the crowd go, "Cor!" | 0:23:32 | 0:23:35 | |
Are you from the other world? | 0:23:39 | 0:23:41 | |
You should stay there. My world is scary. | 0:23:41 | 0:23:44 | |
Whoooooo! | 0:23:44 | 0:23:46 | |
And now, to your astonishment, you will find she has disa... | 0:23:46 | 0:23:50 | |
Turned into a boy! | 0:23:50 | 0:23:51 | |
Is this the other world? | 0:23:51 | 0:23:53 | |
It's just like mine... | 0:23:53 | 0:23:55 | |
-Hello? Hello? -BANGING | 0:23:55 | 0:23:57 | |
Am I the king here? | 0:23:57 | 0:23:59 | |
-Let me out! Anybody there? -BANGING | 0:23:59 | 0:24:01 | |
And in one hour, he will turn back into a girl! | 0:24:03 | 0:24:05 | |
-Hello? Hello? Let me out! -BANGING | 0:24:05 | 0:24:08 | |
And now, my final trick! The Coffin Of Chaos. | 0:24:08 | 0:24:11 | |
You'd better pull something out of the bag, pronto! | 0:24:13 | 0:24:16 | |
For this, I need a member of the audience to volunteer | 0:24:17 | 0:24:20 | |
so that I can saw them in half. Anyone? | 0:24:20 | 0:24:23 | |
I'll do it! | 0:24:23 | 0:24:24 | |
Thank you, Fergal. | 0:24:26 | 0:24:27 | |
You're my best mate, Kev. Don't want to see your boy hanging. | 0:24:27 | 0:24:30 | |
You hear that? We're best mates! | 0:24:32 | 0:24:34 | |
And...point! | 0:24:37 | 0:24:39 | |
Gemma, lose the bendy banana finger! | 0:24:39 | 0:24:43 | |
Sorry, Hannah. | 0:24:43 | 0:24:44 | |
-Sorry I'm late. -Vicky! | 0:24:46 | 0:24:49 | |
-When are we on? -"We"? | 0:24:49 | 0:24:50 | |
I don't think so. You couldn't be bothered showing up, | 0:24:50 | 0:24:54 | |
-we had to change the whole routine. -We don't care! We want Vicky! | 0:24:54 | 0:24:58 | |
You want a crim for lead dancer? | 0:24:58 | 0:25:00 | |
-She's been charged with stealing a gumball machine! -How do you know? | 0:25:00 | 0:25:04 | |
Just...heard? | 0:25:05 | 0:25:07 | |
From who? You've been here, | 0:25:07 | 0:25:09 | |
you've haven't talked to anyone... It was you! | 0:25:09 | 0:25:12 | |
-You lied to the police to get rid of me! -No! I... | 0:25:12 | 0:25:14 | |
I'm telling my dad! You're toast! | 0:25:14 | 0:25:17 | |
Ladies and gentlemen! | 0:25:19 | 0:25:20 | |
Behold, as I, The Great Decepto, saw a human in half! | 0:25:20 | 0:25:23 | |
They're not the fake feet! | 0:25:23 | 0:25:26 | |
He hasn't told him to tuck his legs! | 0:25:26 | 0:25:28 | |
Charlie's a big-picture guy. | 0:25:28 | 0:25:30 | |
Not good on detail. | 0:25:30 | 0:25:31 | |
"Details"? He's about to cut someone in half! | 0:25:31 | 0:25:34 | |
Charlie! Charlie! | 0:25:34 | 0:25:35 | |
Dad! Dad! I found out who lied to the police! Her! | 0:25:35 | 0:25:38 | |
Wait till I get hold of her! Let me out! | 0:25:41 | 0:25:43 | |
-Ssssh! I'm trying to win 100 quid here! -Let me out, son. | 0:25:43 | 0:25:46 | |
Don't worry, I'm not actually going to saw you in half. | 0:25:46 | 0:25:48 | |
Look, fake feet. | 0:25:48 | 0:25:50 | |
I felt that! | 0:25:50 | 0:25:52 | |
I felt that! Help! He's going to chop me in half! | 0:25:52 | 0:25:55 | |
Don't worry, ladies and gentlemen, it's all part of the act! | 0:25:55 | 0:25:58 | |
No, stop! | 0:25:59 | 0:26:01 | |
-No-o-o-o! -Daddy! | 0:26:01 | 0:26:03 | |
CRASHING | 0:26:03 | 0:26:05 | |
-Fergal! -(Ouch.) | 0:26:06 | 0:26:08 | |
Shut it down! | 0:26:09 | 0:26:11 | |
It's now or never, guys! | 0:26:11 | 0:26:14 | |
DANCE MUSIC PLAYS | 0:26:14 | 0:26:16 | |
HE YELLS, GLASS SMASHES | 0:26:16 | 0:26:18 | |
That's the thug who framed my Vicky! | 0:26:23 | 0:26:28 | |
Her? | 0:26:28 | 0:26:29 | |
Just promise me one thing, make sure she's punished! | 0:26:29 | 0:26:32 | |
Course I will. Whoever that is. | 0:26:32 | 0:26:35 | |
Hannah! Hannah! Come here! | 0:26:36 | 0:26:38 | |
Your dad wants to punish you. | 0:26:39 | 0:26:41 | |
-Her dad! -Fergal, Fergal... our plans, the garden shed! | 0:26:45 | 0:26:48 | |
-Don't throw that away. -You're dead to me, Kev. Kevin. | 0:26:48 | 0:26:51 | |
Can I have my hundred pounds now? | 0:26:59 | 0:27:01 | |
At least we've secured the gumballs. Want one? | 0:27:04 | 0:27:06 | |
I forgot to say. I'm allergic. | 0:27:06 | 0:27:10 | |
I like it here. | 0:27:17 | 0:27:18 | |
How can this be right? | 0:27:21 | 0:27:23 | |
Public humiliation and for what? | 0:27:23 | 0:27:26 | |
Trying to bring some magic into people's lives? | 0:27:26 | 0:27:28 | |
What kind of lesson is THAT for a child? | 0:27:28 | 0:27:30 | |
It's a travesty of justice! | 0:27:30 | 0:27:32 |