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This film contains scenes of graphic images | 0:00:33 | 0:00:36 | |
and is not suitable for children. | 0:00:36 | 0:00:39 | |
Ben, you made it. How scary can it be? | 0:00:39 | 0:00:41 | |
Don't say I didn't warn you. | 0:00:41 | 0:00:44 | |
SPOOKY MUSIC PLAYS | 0:00:49 | 0:00:52 | |
SHOUTING, HE GASPS | 0:00:52 | 0:00:54 | |
HAMSTER SQUEAKING | 0:00:54 | 0:00:55 | |
SQUEAKING GETS LOUDER | 0:00:58 | 0:01:03 | |
THUNDER RUMBLES | 0:01:03 | 0:01:06 | |
HE GASPS, THUNDER RUMBLES | 0:01:06 | 0:01:08 | |
CUCKOO CLOCK CHIMES | 0:01:08 | 0:01:09 | |
HE SOBS | 0:01:09 | 0:01:10 | |
THEY LAUGH | 0:01:12 | 0:01:13 | |
Terror level, zero. I've seen brownies scarier than that! | 0:01:15 | 0:01:20 | |
-We'll see what the judges think, then! -What judges? | 0:01:20 | 0:01:23 | |
Scarborough Bloodfest. Best new horror film wins 200 quid. | 0:01:23 | 0:01:27 | |
Brilliant! Let's make one! | 0:01:27 | 0:01:30 | |
Hang on... You can't just... This took weeks! | 0:01:30 | 0:01:34 | |
Ben, you're not going to win with a film about an escaped hamster. | 0:01:34 | 0:01:37 | |
-Come on! -But you haven't seen the scene with the goldfish yet! | 0:01:37 | 0:01:40 | |
-Here you are. Enjoy your stay, Mr Robson. -Thanks very much. | 0:01:42 | 0:01:45 | |
Couldn't help noticing the bird figurines you have on display. | 0:01:45 | 0:01:48 | |
-Local artist is it? -No, no. I made those. | 0:01:48 | 0:01:52 | |
Ah... Then YOU are a local artist. | 0:01:52 | 0:01:55 | |
I wouldn't say artist, Mr Robson. More a passionate amateur. | 0:01:55 | 0:01:59 | |
They're wonderful. And please, call me Dave. | 0:01:59 | 0:02:01 | |
-Lovely. Lovely, lovely man. -How many times? The answer is no. | 0:02:05 | 0:02:09 | |
It's not fair! | 0:02:09 | 0:02:11 | |
New guest just checked in. Seems quite a personable chap, actually. | 0:02:11 | 0:02:15 | |
Kevin, will you tell her we're not going to pay for her | 0:02:15 | 0:02:17 | |
to go on holiday to London. | 0:02:17 | 0:02:19 | |
It's not a holiday, it's a dance festival. | 0:02:19 | 0:02:21 | |
My whole crew are going. | 0:02:21 | 0:02:22 | |
-Crew? What, are you sailing down there? -My street dance crew. | 0:02:22 | 0:02:27 | |
Tell her we can't afford it. | 0:02:27 | 0:02:28 | |
Fine! I'll get the money myself! By street dancing! | 0:02:28 | 0:02:32 | |
Where?! | 0:02:32 | 0:02:34 | |
You really haven't got a clue, have you? | 0:02:34 | 0:02:36 | |
We haven't got a hamster! BUT, we do have a plastic skeleton. | 0:02:39 | 0:02:43 | |
-Oh, that's all right, then(!) -And a story. | 0:02:44 | 0:02:46 | |
I'm a vampire who gets out of his coffin, bites the skeleton | 0:02:46 | 0:02:49 | |
and gets covered in blood. | 0:02:49 | 0:02:50 | |
OK, one, vampires don't bite skeletons. | 0:02:50 | 0:02:53 | |
And two, skeletons don't bleed. Three... | 0:02:53 | 0:02:56 | |
My intel was correct - there's a door under the church! | 0:02:56 | 0:02:59 | |
-We can infiltrate the crypt! -Excellent! | 0:02:59 | 0:03:02 | |
Don't you think we should ask permission? | 0:03:02 | 0:03:05 | |
They won't mind, Ben. They're dead! | 0:03:05 | 0:03:07 | |
Course they'll mind! | 0:03:10 | 0:03:12 | |
Who dares disturb the Prince of Darkness?! | 0:03:16 | 0:03:19 | |
Urgh, uurrrrrrgh! Urrrrrgh! | 0:03:19 | 0:03:23 | |
This is ludicrous. | 0:03:26 | 0:03:27 | |
Who's that? Is there someone down in the crypt? | 0:03:27 | 0:03:29 | |
-The vicar! -Abandon crypt! | 0:03:29 | 0:03:32 | |
I shall phone the police! You won't get away with this! | 0:03:39 | 0:03:43 | |
SHE TURNS A DANCE CD ON | 0:03:52 | 0:03:54 | |
Scarborough! ARE YOU READY?! | 0:03:54 | 0:03:57 | |
Dave! Ah, there you are. | 0:04:13 | 0:04:15 | |
Thought you might like to have a look at some more figurines. | 0:04:15 | 0:04:18 | |
Kevin, I really don't think the guests want to see | 0:04:18 | 0:04:21 | |
-your little models. -Helen Price! | 0:04:21 | 0:04:25 | |
-David Robson! Fancy seeing you again! -You too! | 0:04:25 | 0:04:29 | |
You've not changed a bit. | 0:04:29 | 0:04:31 | |
THEY LAUGH | 0:04:31 | 0:04:32 | |
-So where do you two know each other? -David was my first boyfriend. | 0:04:32 | 0:04:36 | |
-Was he?! Like...at primary school? -No, like proper serious boyfriend. | 0:04:36 | 0:04:41 | |
I had no idea you were still in Scarborough. | 0:04:41 | 0:04:43 | |
Well... Not still in Scarborough. Back in Scarborough. | 0:04:43 | 0:04:46 | |
Big difference. What about you? | 0:04:46 | 0:04:49 | |
Me... I'm a doctor now. I'm here for a medical conference. | 0:04:49 | 0:04:54 | |
-Wow. You did well for yourself. -Yeah. You too... | 0:04:54 | 0:05:00 | |
-Yeah. -Yeah. -We should have a proper catch up. | 0:05:01 | 0:05:05 | |
-Yeah! -Maybe! Maybe... But she's got a stack | 0:05:05 | 0:05:07 | |
-of ironing to get through so... -Well, I've got five minutes... | 0:05:07 | 0:05:10 | |
So we're all agreed, the movie is cancelled. | 0:05:13 | 0:05:15 | |
What?! Where did you get that from? | 0:05:15 | 0:05:18 | |
Well... We got chased away from set by an angry vicar, | 0:05:18 | 0:05:21 | |
we left all our props and... | 0:05:21 | 0:05:24 | |
You can't act. | 0:05:24 | 0:05:26 | |
Roger that. You were worse than the skeleton. | 0:05:26 | 0:05:29 | |
Right. OK. So we'll get another actor. Can't be that difficult! | 0:05:29 | 0:05:32 | |
Look! A perfect vampire! | 0:05:35 | 0:05:38 | |
But what if he says no to being in the film? | 0:05:39 | 0:05:41 | |
He won't be able to. Because I'm not going to ask him. | 0:05:41 | 0:05:45 | |
Oh, this new geography app is so educational... | 0:05:45 | 0:05:48 | |
Oh, I'm sorry, didn't mean to press that button. | 0:05:50 | 0:05:54 | |
A vampire being blinded by the light. | 0:05:58 | 0:06:00 | |
And you're going to make a whole film like that? | 0:06:00 | 0:06:02 | |
Why not? It's how they made all the Harry Potter films. | 0:06:02 | 0:06:06 | |
No, it isn't. | 0:06:06 | 0:06:08 | |
DANCE MUSIC PLAYS Thanks. I appreciate it. | 0:06:09 | 0:06:12 | |
THEY LAUGH You better run! Hat thief! | 0:06:14 | 0:06:17 | |
Excusez moi. Afraid you're somewhat encroaching on our turf. | 0:06:17 | 0:06:22 | |
-You what? -We're dancing here. Scarborough Morris, | 0:06:22 | 0:06:25 | |
-of which I am squire. -Who says YOU own the street? | 0:06:25 | 0:06:29 | |
Permit from the council. | 0:06:30 | 0:06:33 | |
I do sympathise. | 0:06:33 | 0:06:34 | |
After all, Scarborough Morris are street dancers too. | 0:06:34 | 0:06:37 | |
Hey nonny no! | 0:06:37 | 0:06:40 | |
But I am an ACTUAL street dancer? | 0:06:40 | 0:06:42 | |
I'm ACTUALLY going to London for a festival? | 0:06:42 | 0:06:45 | |
Ah! A fellow traveller indeed! | 0:06:45 | 0:06:47 | |
This gang of reprobates will be at the self-same knees-up. | 0:06:47 | 0:06:52 | |
I literally have no idea what you're talking about. | 0:06:52 | 0:06:56 | |
We're going to the festival too. | 0:06:56 | 0:06:58 | |
And are always looking for new members to don the bells... | 0:06:58 | 0:07:03 | |
-BELLS JINGLE -What do you say, kiddo?! | 0:07:03 | 0:07:06 | |
So, the vampire rises from the dead, | 0:07:09 | 0:07:10 | |
goes around town sucking people's blood. Arrgh! | 0:07:10 | 0:07:13 | |
Then the sun rises, kills him, the end. | 0:07:13 | 0:07:15 | |
Right. | 0:07:15 | 0:07:17 | |
And how are you going to film that man sucking people's blood? | 0:07:17 | 0:07:20 | |
-We'll sort out the fine details later. -Who's the little guy? | 0:07:20 | 0:07:24 | |
You're not a real vampire unless you've got an assistant. | 0:07:24 | 0:07:27 | |
But that's ANOTHER actor! How are we going to do that? | 0:07:27 | 0:07:31 | |
Louie! | 0:07:31 | 0:07:32 | |
Yes, Charlie? | 0:07:32 | 0:07:34 | |
You know that new guest downstairs? | 0:07:34 | 0:07:35 | |
-Yes. -He's got your job. | 0:07:35 | 0:07:37 | |
The one you're going to do when you grow up. | 0:07:37 | 0:07:39 | |
-What job? -That's a secret. | 0:07:39 | 0:07:42 | |
But the way to find out is to follow him everywhere | 0:07:42 | 0:07:44 | |
and copy EVERY single thing he does. | 0:07:44 | 0:07:47 | |
-OK. Thanks, Charlie. -Oh, and dress smartly. | 0:07:47 | 0:07:51 | |
We're using an innocent child as an undercover operative? | 0:07:58 | 0:08:01 | |
-Yeah. -Beautiful. | 0:08:01 | 0:08:03 | |
See that's the difference between you and me, Ben. | 0:08:03 | 0:08:05 | |
YOU look for problems, while I look for solutions. | 0:08:05 | 0:08:09 | |
Right... Yeah... Good one. | 0:08:11 | 0:08:13 | |
My Hannah! A Morris dancer. Who'd have thought it? | 0:08:13 | 0:08:17 | |
I'm not ACTUALLY Morris dancing. I mean I am. | 0:08:17 | 0:08:20 | |
But none of my friends'll see me, | 0:08:20 | 0:08:22 | |
and as soon as it's over I can go and hook up with my REAL crew. | 0:08:22 | 0:08:25 | |
It's true, I really am out of touch with the kids. | 0:08:25 | 0:08:27 | |
Why can't you just be happy for me, for once?! | 0:08:27 | 0:08:30 | |
I AM happy! | 0:08:30 | 0:08:32 | |
-Full of the joys of spring? -Wait till I tell you why... | 0:08:32 | 0:08:36 | |
Let me guess. Something to do with the "coincidental" | 0:08:36 | 0:08:39 | |
-reappearance of dishy Dr Dave. -Oi. It was 20 years ago! | 0:08:39 | 0:08:44 | |
-And if you must know, I dumped him. -YOU dumped him? | 0:08:44 | 0:08:47 | |
Yes, actually. | 0:08:47 | 0:08:49 | |
He was really geeky, didn't look like it was going anywhere. | 0:08:49 | 0:08:52 | |
Well, look at him now, eh? A doctor. Rich, successful. | 0:08:52 | 0:08:55 | |
-Devastatingly handsome. -Perhaps YOU should ask him out. | 0:08:55 | 0:08:58 | |
Mum, can Alison and Ben sleepover? | 0:08:58 | 0:09:00 | |
Yeah... As long as their parents say it's OK. | 0:09:00 | 0:09:02 | |
I just think it's a little bit weird. | 0:09:02 | 0:09:04 | |
Of all the B&Bs in all the world he had to check into ours. | 0:09:04 | 0:09:07 | |
-You're right, he's come back for me so we can run away together. -What? | 0:09:07 | 0:09:12 | |
OK... So the first shot of the film, the vampire rises from the dead. | 0:09:15 | 0:09:21 | |
How do we know what time he's going to wake up? | 0:09:21 | 0:09:23 | |
I'm pretty sure it'll happen when I set off this klaxon. | 0:09:23 | 0:09:28 | |
-KLAXON BLARES, HE GASPS -What? Who? | 0:09:28 | 0:09:31 | |
What are you doing?! What's going on?! | 0:09:33 | 0:09:36 | |
You booked an alarm call, sir? 3am? No? | 0:09:37 | 0:09:43 | |
-What was that noise? Ben? -They woke me! | 0:09:45 | 0:09:50 | |
I suffer from | 0:09:50 | 0:09:52 | |
nocturnal ambulatory syndrome... | 0:09:52 | 0:09:57 | |
AKA sleepwalking. | 0:09:57 | 0:09:59 | |
Charlie! | 0:10:01 | 0:10:02 | |
CRASHING | 0:10:02 | 0:10:05 | |
Waking Dr Robson, shining lights in his face... | 0:10:09 | 0:10:13 | |
-He was very cross. -Erm... | 0:10:13 | 0:10:16 | |
-But I know why you did it. -You do? | 0:10:16 | 0:10:20 | |
You saw me and your mum arguing, and you were worried. | 0:10:20 | 0:10:24 | |
So you decided to get rid of Dr Robson. | 0:10:24 | 0:10:28 | |
Yeah...yeah, that's what it is. | 0:10:28 | 0:10:31 | |
Oh, Charlie. Come here. | 0:10:31 | 0:10:34 | |
There we go. Nothing to be worried about. | 0:10:34 | 0:10:36 | |
Why are we filming this? | 0:11:00 | 0:11:01 | |
Scene seven, blood gushes in the vampire's face. | 0:11:01 | 0:11:04 | |
Blood? What blood? | 0:11:08 | 0:11:10 | |
I've booby trapped the ketchup. Observe... | 0:11:10 | 0:11:12 | |
YOU did this, didn't you?! I'm going to speak to your mother... | 0:11:17 | 0:11:20 | |
No, don't! | 0:11:20 | 0:11:22 | |
It's my dad. He makes me play these tricks. | 0:11:22 | 0:11:25 | |
He's jealous of you because you used to be mum's boyfriend | 0:11:25 | 0:11:27 | |
and now you're a really successful doctor. | 0:11:27 | 0:11:30 | |
Well, he has been rather unfriendly since he found out. | 0:11:30 | 0:11:34 | |
Yeah. Dad does weird stuff when he's jealous. | 0:11:34 | 0:11:37 | |
One guy, Dad emptied his suitcase and filled it with dead jellyfish. | 0:11:37 | 0:11:42 | |
Really? | 0:11:42 | 0:11:44 | |
Yeah... Please don't tell Mum. I promise, | 0:11:44 | 0:11:46 | |
no more tricks. | 0:11:46 | 0:11:47 | |
I'll just go on my new geography app. | 0:11:51 | 0:11:54 | |
We're studying Swedish coconut farms. | 0:11:54 | 0:11:57 | |
Hoho! Ahem... | 0:12:00 | 0:12:02 | |
MORRIS MUSIC PLAYS | 0:12:07 | 0:12:09 | |
Ah... It's our novice! Just in time for the first set! | 0:12:14 | 0:12:17 | |
I trust you've been reading the handbook? | 0:12:17 | 0:12:21 | |
What?! | 0:12:21 | 0:12:22 | |
I just came to get my train ticket. | 0:12:24 | 0:12:26 | |
All in good time. First, take up your sticks. | 0:12:26 | 0:12:29 | |
-No, I've got to bounce. -Eventually. | 0:12:29 | 0:12:32 | |
But we'll start with the basics - double step | 0:12:32 | 0:12:34 | |
and Adderbury hand movements, then into the half hey. | 0:12:34 | 0:12:38 | |
BELLS JINGLE AS THEY WALK | 0:12:38 | 0:12:40 | |
MORRIS MUSIC PLAYS | 0:12:42 | 0:12:45 | |
Whoa! Whoa! Whoa! Whoa! Whoa! Whoa! What do you call that?! | 0:12:49 | 0:12:54 | |
I thought I'd just freestyle. | 0:12:54 | 0:12:56 | |
If you're to be festival-fit, Hannah, | 0:12:56 | 0:12:58 | |
we require commitment and dedication. | 0:12:58 | 0:13:01 | |
From the top! | 0:13:01 | 0:13:03 | |
Why do I have to do this? | 0:13:16 | 0:13:17 | |
Because Mum never, ever listens to a single word I say. | 0:13:17 | 0:13:21 | |
I'm no psychoanalyst, | 0:13:21 | 0:13:22 | |
but do you think that might be connected to your constant lying? | 0:13:22 | 0:13:27 | |
In! | 0:13:27 | 0:13:28 | |
What's that thing on your neck, Mrs Enright? | 0:13:32 | 0:13:34 | |
-What thing? -That purple mark. Like a rash. | 0:13:34 | 0:13:40 | |
-Where? -Just, just there. | 0:13:40 | 0:13:42 | |
It COULD be viral. | 0:13:42 | 0:13:44 | |
If it spreads, you might lose MAJOR comms systems - like your ears. | 0:13:44 | 0:13:48 | |
Oh, yes. That looks nasty. | 0:13:48 | 0:13:50 | |
Yeah, you better get a doctor to look at that. | 0:13:50 | 0:13:53 | |
-Like that Dr Robson. -Dr Robson? Oh, David. | 0:13:53 | 0:13:56 | |
Yes, I will. I'll ask him. | 0:13:56 | 0:13:57 | |
Oh, David, I am sorry to trouble you. | 0:14:03 | 0:14:06 | |
Could you have a look at my neck? | 0:14:06 | 0:14:07 | |
-Your neck? -With you being a doctor. | 0:14:07 | 0:14:10 | |
A doctor. Yes, sure. Of course. Yeah. Take a seat, sit down. | 0:14:10 | 0:14:15 | |
I'll have a look on the web and see | 0:14:15 | 0:14:17 | |
if there is anything about scary purple neck marks. | 0:14:17 | 0:14:19 | |
-It's just there, at the back... -Why don't you have a closer look? | 0:14:19 | 0:14:23 | |
-Whoa! Whoa! Whoa! What's going on? -I've got a big mark on my neck. | 0:14:26 | 0:14:28 | |
-I was just examining her. -I suggest, doctor, the only | 0:14:28 | 0:14:31 | |
-thing that needs examining around here are your motives. -You what?! | 0:14:31 | 0:14:34 | |
-I think I'll just go to my room. -Little bit creepy. | 0:14:34 | 0:14:39 | |
Him or you?! | 0:14:39 | 0:14:40 | |
Don't you see it, do you? He's a lady killer. | 0:14:40 | 0:14:44 | |
Mark my words. He's come back to get you. | 0:14:44 | 0:14:48 | |
Charlie, what are you doing?! | 0:14:48 | 0:14:50 | |
Erm... Internet stuff you'd never understand. | 0:14:50 | 0:14:52 | |
Dad... Could you say that lady killer bit again, but more sinister? | 0:14:52 | 0:14:56 | |
Remember, Hannah, | 0:15:03 | 0:15:04 | |
a journey of a thousand miles starts with a single step. | 0:15:04 | 0:15:08 | |
Or in your case, a double-step. For now, farewell. | 0:15:08 | 0:15:12 | |
Hi, Hannah! | 0:15:17 | 0:15:19 | |
Ingrid! Didn't see you there. | 0:15:19 | 0:15:21 | |
What's with the outfit?! | 0:15:22 | 0:15:24 | |
This? Oh, I've just come from a... martial arts class. | 0:15:24 | 0:15:27 | |
Oh, wow. So why are you wearing bells? | 0:15:27 | 0:15:31 | |
It's because of the level I'm at. | 0:15:31 | 0:15:34 | |
After the black belt, you move up. To bell belt. | 0:15:34 | 0:15:38 | |
Oh, so are these like your weapons? | 0:15:38 | 0:15:41 | |
That's right. I could actually kill a man with these. | 0:15:41 | 0:15:44 | |
Gosh, Hannah. There's so much we don't know about you. | 0:15:44 | 0:15:47 | |
And let's hope it stays that way. | 0:15:47 | 0:15:48 | |
See? You said it couldn't be done but we've filmed all the scenes. | 0:15:51 | 0:15:54 | |
Except one. The vampire and his assistant walk through the graveyard | 0:15:54 | 0:15:58 | |
crying out for blood. And that's impossible. | 0:15:58 | 0:16:01 | |
The word impossible is not in our dictionary. | 0:16:01 | 0:16:04 | |
Yes, it is. It after impetuous and before impractical. | 0:16:04 | 0:16:08 | |
Oh. It's just you. | 0:16:11 | 0:16:14 | |
-Dad's looking for you. -What? Why? | 0:16:14 | 0:16:15 | |
Something about you trying to break up his marriage... | 0:16:15 | 0:16:18 | |
I was examining your mum's neck! | 0:16:18 | 0:16:20 | |
Don't try to explain it. It makes Dad angrier. | 0:16:20 | 0:16:23 | |
What? He's done this before? | 0:16:23 | 0:16:24 | |
That's it - I'm moving to another B&B. | 0:16:24 | 0:16:26 | |
No, don't! The other bloke did and Dad said him | 0:16:26 | 0:16:28 | |
-running away was proof that he was guilty. -And what happened? | 0:16:28 | 0:16:32 | |
I don't know. But the bloke lives in Greenland now. | 0:16:32 | 0:16:34 | |
Says he feels safe there. | 0:16:34 | 0:16:35 | |
This is a nightmare. I'm trapped in a nightmare. | 0:16:35 | 0:16:38 | |
I tell you what... I'll talk to Dad, you lie low for a bit. | 0:16:39 | 0:16:43 | |
Maybe the graveyard, yeah? | 0:16:43 | 0:16:45 | |
Dad never goes there - says he hears the bodies talking to him | 0:16:45 | 0:16:48 | |
or something. | 0:16:48 | 0:16:51 | |
OK. Yeah, the graveyard. Yeah. Sure. Why not? | 0:16:51 | 0:16:54 | |
Ooh, no. I wouldn't wear that. Too recognisable. Try this... | 0:16:56 | 0:17:02 | |
It's a cape! | 0:17:02 | 0:17:04 | |
MORRIS MUSIC PLAYS, BELLS JANGLE | 0:17:11 | 0:17:13 | |
-Ah! You are really getting into this, aren't you! -No, I'm not! | 0:17:13 | 0:17:16 | |
It's just a way of getting to London, that's all! | 0:17:16 | 0:17:18 | |
Hey... I could help you make up one of those funny colourful hats. | 0:17:18 | 0:17:21 | |
That's Border Morris. | 0:17:21 | 0:17:22 | |
We're Cotswold Morris which is, like, | 0:17:22 | 0:17:25 | |
a totally different tradition. | 0:17:25 | 0:17:27 | |
-But like you say, you're not really into it, are you? -I need that. | 0:17:27 | 0:17:30 | |
-I have to film my moves for playback and analysis. -Ooh! | 0:17:30 | 0:17:33 | |
OK, Hannah, concentrate! You can do this. | 0:17:40 | 0:17:42 | |
-Final shot. This movie making is dead easy. -Wait a minute. | 0:17:45 | 0:17:49 | |
I thought he was meant to be crying out for blood. | 0:17:49 | 0:17:53 | |
That's where you come in. | 0:17:53 | 0:17:55 | |
Excuse me, sir. I've lost my dog. Could you help me find him? | 0:17:57 | 0:18:03 | |
-I know you, don't I? From the B&B? -Hi, Ben. | 0:18:03 | 0:18:07 | |
Oh, yeah... My name is | 0:18:07 | 0:18:11 | |
Ben...jamin Chuzzletop. | 0:18:11 | 0:18:15 | |
Well, Benjamin Chuzzletop. Shall we help you find this dog? | 0:18:15 | 0:18:20 | |
Yes. His name's Blood. | 0:18:20 | 0:18:23 | |
Blood? | 0:18:23 | 0:18:24 | |
Yeah... He's a bloodhound. So it IS a normal name. | 0:18:24 | 0:18:28 | |
-Not ridiculous at all. -All right. Yeah. | 0:18:28 | 0:18:32 | |
Blood! | 0:18:32 | 0:18:34 | |
You might have to shout louder. He's a bit deaf. | 0:18:34 | 0:18:36 | |
-Blood! Bloo-ood! -Blood! Blood! | 0:18:38 | 0:18:43 | |
Blood! | 0:18:43 | 0:18:45 | |
-Oi! You there! -Hello, vicar. | 0:18:45 | 0:18:48 | |
-What's your game? -Sorry? | 0:18:48 | 0:18:50 | |
The bones and candles you left down in my crypt...? | 0:18:50 | 0:18:52 | |
What? No, you've got the wrong person. | 0:18:52 | 0:18:55 | |
I was just helping Benjamin Chuzzletop find his dog. | 0:18:55 | 0:18:59 | |
That's interesting, since Benjamin Chuzzletop died in 1836. | 0:18:59 | 0:19:04 | |
Eh?! | 0:19:04 | 0:19:06 | |
POLICE RADIO CHATTER | 0:19:07 | 0:19:09 | |
Perhaps we should continue this chat | 0:19:09 | 0:19:11 | |
-at the police station, sir? -The dog... | 0:19:11 | 0:19:13 | |
-You lot, you've ruined Whitby! -That's a wrap! | 0:19:15 | 0:19:19 | |
MORRIS MUSIC PLAYS, BELLS JINGLE | 0:19:23 | 0:19:25 | |
You've got three yeses. | 0:19:50 | 0:19:53 | |
You're coming to London! | 0:19:53 | 0:19:55 | |
Oh, thank you... | 0:19:55 | 0:19:57 | |
There. Attack Of The Beast is complete. | 0:20:02 | 0:20:04 | |
No exaggeration, I think we've just made the greatest movie of all time. | 0:20:04 | 0:20:08 | |
-I'll get it to the cinema. -I'll send the e-mail entry form. | 0:20:09 | 0:20:12 | |
And I'll start planning the sequel. | 0:20:12 | 0:20:15 | |
Trust me, Ben, the audience will be begging for it. | 0:20:15 | 0:20:18 | |
Ah... Look who it is. Old Desecrating Dave. | 0:20:20 | 0:20:23 | |
Thanks for vouching for me with the police. | 0:20:23 | 0:20:26 | |
What you do in your spare time is your own business. | 0:20:26 | 0:20:28 | |
Although Hels was pretty shocked. | 0:20:28 | 0:20:30 | |
Look. Kevin. We need to talk. | 0:20:30 | 0:20:33 | |
The thing is, I haven't been entirely honest with you. Or Helen. | 0:20:33 | 0:20:38 | |
-Oh, yes? -When I knew Helen...before, | 0:20:38 | 0:20:40 | |
she thought I was a bit of a geek. | 0:20:40 | 0:20:42 | |
So when I saw her again yesterday I said the first stupid thing | 0:20:42 | 0:20:46 | |
that came into my head, that I was a successful doctor. | 0:20:46 | 0:20:50 | |
And you're not a doctor? | 0:20:50 | 0:20:52 | |
Oh, yes! In your stupid face, Helen! | 0:20:54 | 0:20:57 | |
I'm actually here for a film festival. Scarborough Bloodfest? | 0:20:57 | 0:21:00 | |
No. Never heard of it. Carry on. | 0:21:00 | 0:21:03 | |
Amateur horror. You don't get much geekier than that. | 0:21:03 | 0:21:06 | |
Hahaha! No. No. You certainly do not. | 0:21:06 | 0:21:09 | |
You're welcome to come along. I'm judging the contest... | 0:21:09 | 0:21:11 | |
Wait... You're the judge?! You mean you're going to watch the films? | 0:21:11 | 0:21:15 | |
I can hardly judge them without watching, can I?! | 0:21:15 | 0:21:18 | |
-PHONE BEEPS -Oh! E-mail! | 0:21:18 | 0:21:20 | |
Ah! A late entry! Attack Of The Beast from Charlie Enright. | 0:21:20 | 0:21:25 | |
-That's you, isn't it? -You've entered the film festival? | 0:21:25 | 0:21:28 | |
Well, I look forward to seeing what you've come up with! | 0:21:28 | 0:21:31 | |
Yes. So do I! This is exciting isn't it? | 0:21:31 | 0:21:34 | |
You can... Oh, he's gone! | 0:21:34 | 0:21:35 | |
HE'S the judge?! | 0:21:37 | 0:21:39 | |
The man we terrorised, got arrested, and secretly filmed for two days... | 0:21:39 | 0:21:42 | |
-is the judge? -Nothing's ever easy, is it? | 0:21:42 | 0:21:45 | |
Charlie! We need to get that film back! Now. | 0:21:45 | 0:21:48 | |
But he already knows we've entered. | 0:21:48 | 0:21:50 | |
We've got to show something - we'll use YOUR film! | 0:21:50 | 0:21:54 | |
A Squeak In The Dark? But you said it was rubbish! | 0:21:54 | 0:21:57 | |
What do I know? Mr Robson's an expert. | 0:21:57 | 0:21:59 | |
He'll probably think it's dead good. | 0:21:59 | 0:22:01 | |
There were certain subtleties you overlooked... | 0:22:01 | 0:22:04 | |
Right. Let's bang it on a flash drive, get it down to the cinema. | 0:22:04 | 0:22:07 | |
I wonder if the critics will understand | 0:22:09 | 0:22:11 | |
-the symbolism of the goldfish... -Ben! We're in a hurry! | 0:22:11 | 0:22:14 | |
OK, so we need to find the projection room and swap this. | 0:22:30 | 0:22:33 | |
-Got to be through there. I'll create a diversion. -Yeah. | 0:22:33 | 0:22:36 | |
Just for once, it'd be nice to go through a door that DIDN'T have | 0:22:37 | 0:22:40 | |
a do not enter sing on it. | 0:22:40 | 0:22:43 | |
-Look out! It's a King Cobra! -THEY GASP | 0:22:43 | 0:22:47 | |
False alarm! Just a fire hose. | 0:22:47 | 0:22:50 | |
The projection room. This is sacred ground. | 0:22:52 | 0:22:55 | |
Whatever. Just swap the sticks over. | 0:22:55 | 0:22:57 | |
Got it. | 0:23:01 | 0:23:03 | |
I am staff. Thought I heard a commotion up here. | 0:23:09 | 0:23:12 | |
-But no, everything seems to be tickety-boo. -Back to work! | 0:23:12 | 0:23:15 | |
"Scarborough Bloodfest". Not really my sort of thing. | 0:23:27 | 0:23:30 | |
No, me neither. You know whose sort of thing it is? | 0:23:30 | 0:23:33 | |
Dave. Your lying, grave-robbing ex-boyfriend. | 0:23:33 | 0:23:35 | |
Is that why you brought me here? To tell me what a geek he is? | 0:23:35 | 0:23:38 | |
Look around. | 0:23:38 | 0:23:40 | |
If you'd stayed with him, this is where you'd be - Geek City. | 0:23:40 | 0:23:43 | |
-Hi, Dad. -Just saying how proud we are of you, son. | 0:23:43 | 0:23:47 | |
Charlie, I can't understand the job. I've given up. | 0:23:47 | 0:23:51 | |
OK, buddy. | 0:23:51 | 0:23:52 | |
Does that mean I'll never work and I'll always be poor like Dad?! | 0:23:52 | 0:23:56 | |
-Eh? -Where does he get all this stuff?! Hahaha! | 0:23:56 | 0:24:01 | |
I'll make my own way down to London. | 0:24:03 | 0:24:05 | |
Hook up with you guys at the festival. | 0:24:05 | 0:24:07 | |
-Make your own way? Are you sure? -She'll be fine. | 0:24:07 | 0:24:10 | |
She can kill a man with two sticks, you know? | 0:24:10 | 0:24:12 | |
LOUD MOANING | 0:24:19 | 0:24:21 | |
SHE SIGHS | 0:24:21 | 0:24:23 | |
SHE GASPS | 0:24:23 | 0:24:25 | |
THEY SCREAM | 0:24:25 | 0:24:28 | |
These films are rubbish. | 0:24:35 | 0:24:36 | |
I know! I'll have nightmares from how boring they were. | 0:24:36 | 0:24:40 | |
Two chocolate tubs, please. | 0:24:40 | 0:24:42 | |
SHE LAUGHS | 0:24:42 | 0:24:44 | |
Working behind enemy lines! Nice! | 0:24:44 | 0:24:47 | |
It's actually quite stressful. | 0:24:47 | 0:24:49 | |
I don't think I'll hit my sales target. | 0:24:49 | 0:24:52 | |
Ladies and gentlemen, please take your seats for our next film. | 0:24:52 | 0:24:55 | |
It's your hamster film! | 0:24:55 | 0:24:57 | |
This one's from local film-maker Charlie Enright. | 0:24:57 | 0:25:01 | |
THEY CHEER | 0:25:01 | 0:25:03 | |
Come on, Hannah, you can do this. | 0:25:08 | 0:25:10 | |
-MORRIS MUSIC STARTS -Hannah?! | 0:25:12 | 0:25:16 | |
Charlie! He copied the wrong film! | 0:25:22 | 0:25:24 | |
Sorry, bit of a technical problem... | 0:25:24 | 0:25:28 | |
This is just me messing around. I'm not seriously doing a double | 0:25:28 | 0:25:31 | |
spring caper with Bampton hand movements. | 0:25:31 | 0:25:34 | |
I HATE Morris dancing. | 0:25:34 | 0:25:36 | |
Obviously. It's for weirdos, losers and total sad sacks. | 0:25:36 | 0:25:40 | |
-Young lady! -Oh, great! | 0:25:42 | 0:25:45 | |
You're hereby banished, vanquished, | 0:25:45 | 0:25:48 | |
and ostracised from the Scarborough Morris! | 0:25:48 | 0:25:52 | |
Come on, Morris men! | 0:25:54 | 0:25:56 | |
I can still come to London, right?! Right?! Call me! | 0:25:59 | 0:26:03 | |
Um. Well, apologies for the mix-up there. But it's not a problem. | 0:26:03 | 0:26:05 | |
-We'll just play the backup copy. -Backup copy? | 0:26:05 | 0:26:08 | |
When the entries came in, | 0:26:08 | 0:26:10 | |
we make backup copies in case of problems like this. | 0:26:10 | 0:26:13 | |
When they came in? That means the film must be... | 0:26:13 | 0:26:15 | |
Oh, no! | 0:26:20 | 0:26:21 | |
LOW MOANING AND GROANING | 0:26:23 | 0:26:26 | |
HE GASPS | 0:26:26 | 0:26:27 | |
Blood! Blood! | 0:26:31 | 0:26:33 | |
-Blood! -Blood! Bloooood! | 0:26:33 | 0:26:38 | |
HE is a lady killer. | 0:26:42 | 0:26:44 | |
Mark my words, he's come back to get you. | 0:26:46 | 0:26:48 | |
SCREAMING | 0:26:52 | 0:26:56 | |
HOWLING | 0:26:56 | 0:26:59 | |
SILENCE | 0:27:05 | 0:27:10 | |
I know my job now! I'm a vampire! | 0:27:14 | 0:27:17 | |
See? That was definitely the scariest film. | 0:27:18 | 0:27:21 | |
Can I have the money now? | 0:27:21 | 0:27:23 | |
Argh! That kid just bit me! | 0:27:26 | 0:27:29 | |
Charlie! | 0:27:29 | 0:27:31 | |
How can this be right? Cleaning moss off the old gravestones. | 0:27:36 | 0:27:40 | |
And for what? For using my imagination to make a film. | 0:27:40 | 0:27:44 | |
What kind of lesson is that for a child? | 0:27:44 | 0:27:47 | |
It's a travesty of justice! | 0:27:47 | 0:27:49 |